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The wainscot on the peninsula perfectly detailed. cabinetry by Brendan Donovan Furniture & Cabinet Co.
I've been struggling with the values in these 3 paintings for a while. If I can't resolve them soon I think it will mean abandon... which will be sad as I've become quite fond of my skeletons. The problem is that the skeletons are quite light in background. However I've tried to avoid darkening around them. If I had known that I needed to do that I probably would have cut them out and collaged rather than left them in one piece and need to paint around and in between their ribs.
The poor pennyfarthing is almost indistinguishable from the background colour in this black and white version and I think it needs far more pop. I've darkened around the had of the skeleton with the daschund and then spent ages using white to lighten the other two. I really don't know which way to go. I only know that they are unsuccessful as is.
1) This image investigates value and is reflected by the gradient going from dark red to white on the strawberry.
2) The subject matter of the photo is a strawberry, I approached my subject by placing it against a plain white background to make the viewer immediately look at the strawberry.
3) I like that the strawberry isn't just all red and that you can see the gradual change from red to white.
4) I could improve this by taking a closer shot of the strawberry to fill up more of the photo.
friendship teaches us to appreciate others...gives the opportunity to live happily and manage sadness...and gives me a special great friend to enjoy life together...hopefully forever...thanks to all my friends n friendship...
Photo 6 - Æ’/4.0, 1/15, ISO-400.This photograph illustrates value, an element of art. The darkness in the photograph draws attention to exposure and highlights in the light bulb.
Value(s) for Money? Philanthropy as a Catalyst for Social Change (March 6-9, 2014)
Increasing social and environmental challenges, writ globally, are raising the stakes for philanthropy to find "solutions". The deeply complex nature of these challenges, however, defies easy fixes and requires more sophisticated and diffuse systems level approaches. Is the philanthropic sector ready, or capable of meeting critical systemic challenges? Probably not, as seen through the lens of Michael Edwards in a recent think piece entitled 'Beauty and the Beast: Can Money Ever Foster Social Transformation?'.
Innovative funding mechanisms that support social change - like crowd-funding, social impact bonds, payments for eco-system services and prize-backed challenges - have diversified the funding landscape and brought in new resources. The system, however, is arguably out of balance with too much focus placed on revenue-generation, and directing financial resources, through the market. At the same time, less funding is available for the deeper, less tangible drivers of social change - change that is driven by the beneficiaries themselves and is inherently more democratic. Money, while a seemingly essential tool in change processes, can be a "curse", reinforcing or exacerbating the very circumstances and power imbalances at the heart of systemic social challenges.
The objective of this program, in partnership with Hivos, is to shape a new narrative on funding for deep social change that can influence current and future funding trends and global policies.
This picture is a zoom-in shot of series of hexagons. This is also an example of one of the principles of design, pattern. I used Photoshop to adjust the lighting and blur to bring out the whites and blacks of the picture.
This is a picture of the kitchen in my apartment and I like it because of the way the shadows give and take value. It is an led light strip lying at the base of the different objects, and as it lays shadows it projects different levels of value across the objects above and below my cupboards
1.What element does this image investigate and how is it reflected in the composition?
This image investigates value. Value is reflected in the composition as there are different earthy brown tones scattered throughout the colosseum (dark, light and medium brown/oranges).
2.What is the subject matter of the photograph?
The subject matter of the photograph in architecture .