View allAll Photos Tagged Understanding
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Biggest human mistake : Listen half , understanding quarter , telling double
Few months to go ~
160910..
Dedicated to careth@2012 (Carlin - www.flickr.com/photos/c_desouza/) to thank her for her understanding
- Vagues lisses
Title inspired by The Darkness' song 'Get Your Hands Off of My Woman' which was tooting away in my head while I was doing this shoot
Vivid Sydney Sets the City A-Glow
World’s largest festival of light, music and ideas
source/credit: Destination NSW
This image has been supplied to www.traveloscopy.com on the understanding it is
copyright released and/or royalty free.
The genesis of modern understanding of Greek mythology is regarded by some scholars as a double reaction at the end of the 18th century against "the traditional attitude of Christian animosity mixed with disdain, which had prevailed for centuries", in which the Christian reinterpretation of myth as a "lie" or fable had been retained.[1] In Germany, by about 1795, there was a growing interest in Homer and Greek mythology. In Göttingen Johann Matthias Gesner began to revive Greek studies and a new humanistic spirit. His successor, Christian Gottlob Heyne, worked with Johann Joachim Winckelmann, and laid the foundations for mythological research both in Germany and elsewhere. Heyne approached the myth as a philologist and shaped the educated Germans' conception of antiquity for nearly half a century, during which ancient Greece exerted an intense influence on intellectual life in Germany.The development of comparative philology in the 19th century, together with ethnological discoveries in the 20th century, established the science of myth. Since the Romantics, all study of myth has been comparative. Wilhelm Mannhardt, Sir James Frazer, and Stith Thompson employed the comparative approach to collect and classify the themes of folklore and mythology.In 1871 Edward Burnett Tylor published his Primitive Culture, in which he applied the comparative method and tried to explain the origin and evolution of religion.] Tylor's procedure of drawing together material culture, ritual and myth of widely separated cultures influenced both Carl Jung and Joseph Campbell. According to Robert Segal, however, Campbell’s "romantic view of myth is the opposite of a rationalist view, one epitomized by the Victorian anthropologists Edward Tylor and James Frazer".J.F. del Giorgio has added a new turn to the comparative approach, insisting in The Oldest Europeans about present Greek myths being generated by the clash between a Paleolithic European population and the incoming Indo-European tribes.Max Müller applied the new science of comparative mythology to the study of myth, in which he detected the distorted remains of Aryan nature worship. Bronisław Malinowski emphasized the ways myth fulfills common social functions. Claude Lévi-Strauss and other structuralists have compared the formal relations and patterns in myths throughout the world.Evans himself, while studying the Minoan world, drew regularly on Egyptian and Near Eastern evidence for comparison, and the discovery of the Hittite and Ugaritic civilizations has uncovered texts as well as monuments which offer comparative material for ritual and mythology.Sigmund Freud put forward the idea that symbolic communication does not depend on cultural history alone but also on the workings of the psyche. Thus Freud introduced a transhistorical and biological conception of man and a view of myth as an expression of repressed ideas. Dream interpretation is the basis of Freudian myth interpretation and Freud's concept of dreamwork recognizes the importance of contextual relationships for the interpretation of any individual element in a dream. This suggestion would find an important point of rapprochment between the structuralist and psychoanalytic approaches to myth in Freud's thought.Carl Jung extended the transhistorical, psychological approach with his theory of the "collective unconscious" and the archetypes (inherited "archaic" patterns), often encoded in myth, that arise out of it.According to Jung, "myth-forming structural elements must be present in the unconscious psyche".[10] Comparing Jung's methodology with Campbell's theory, Segal concludes that "to interpret a myth Campbell simply identifies the archetypes in it. An interpretation of the Odyssey, for example, would show how Odysseus’s life conforms to a heroic pattern. Jung, by contrast, considers the identification of archetypes merely the first step in the interpretation of a myth".[5] For Jung, myth is no more about gods than about the physical world; it is about the human mind and must be read symbolically. Karl Kerenyi, one of the founders of modern studies in Greek mythology, gave up his early views of myth, in order to apply Jung's theories of archetypes to Greek myth.The origins of Greek mythology are an open question. In antiquity, historians such as Herodotus theorized that the Greek gods had been stolen directly from the Egyptians. Later on, Christian writers tried to explain Hellenic paganism through degeneration of Biblical religion. According to the Scriptural theory, all mythological legends (including Greek mythology) are derived from the narratives of the Scriptures, though the real facts have been disguised and altered. Thus Deucalion is another name for Noah, Hercules for Samson, Arion for Jonah etc.] According to the Historical Theory all the persons mentioned in mythology were once real human beings, and the legends relating to them are merely the additions of later times. Thus the story of Aeolus is supposed to have risen from the fact that Aeolus was the ruler of some islands in the Tyrrhenian Sea.The Allegorical theory supposes that all the ancient myths were allegorical and symbolical. According to the Physical theory the elements of air, fire, and water were originally the objects of religious adoration, and the principal deities were personifications of the powers of nature.The sciences of archaeology and linguistics have been applied to the origins of Greek mythology with some interesting results. Historical linguistics indicates that particular aspects of the Greek pantheon were inherited from Indo-European society (or perhaps both cultures borrowed from another earlier source), as were the roots of the Greek language. Prominent Sanskritist Max Müller attempted to understand an Indo-European religious form by tracing it back to its Aryan, Vedic, "original" manifestation. In 1891, he claimed that "the most important discovery which has been made during the nineteenth century with respect to the ancient history of mankind [...] was this sample equation: Sanskrit Dyaus-pitar = Greek Zeus = Latin Jupiter = Old Norse Tyr".[16] Philologist Georges Dumezil draws a comparison between the Greek Uranus and the Sanskrit Varuna, although there is no hint that he believes them to be originally connected.In other cases, close parallels in character and function suggest a common heritage, yet lack of linguistic evidence makes it difficult to prove, as in the case of the Greek Moirai and the Norns of Norse mythology.Archaeology and mythography, on the other hand, has revealed that the Greeks were inspired by some of the civilizations of Asia Minor and the Near East. Adonis seems to be the Greek counterpart — more clearly in cult than in myth — of a Near Eastern dying god. His name is related to the Semitic invocation "adon" (Lord) and appears in other cultures as Dumuzi, Tammuz or Attis. Cybele is rooted in Anatolian culture, and much of Aphrodite's iconography springs from the Semitic goddesses Inanna, Ishtar and Astarte. The theogonic myths current in the Near East in the second millennium BC, such as the myth of Anu, Kumarbi, and Teshub, contain significant stories of generational conflict. Meyer Reinhold argues that "such Near Eastern theogonic concepts, involving divine succession through violence and generational conflicts for power, found their way — the route is not certain — into Greek mythology. Our prime source is the great theogonic poem of Hesiod".Parallels between the earliest divine generations (Chaos and its children) and Tiamat in the Enuma Elish are also possible.In addition to Indo-European and Near Eastern origins, some scholars have speculated on the debts of Greek mythology to the still poorly understood pre-Hellenic societies of Greece, such as the Minoans and so-called Pelasgians. This is especially true in the case of chthonic deities and mother goddesses. Historians of religion were fascinated by a number of apparently ancient configurations of myth connencted with Crete: the god as bull — Zeus and Europa; Pasiphaë who yields to the bull and gives birth to the Minotaur; agrarian mysteries with a sacred marriage (Demeter's union with Iasion) etc. Crete, Mycenae, Pylos, Thebes and Orchomenus figure so large in later Greek mythology.For some, the three main generations of gods in Hesiod's Theogony (Uranus, Gaia, etc.; the Titans and then the Olympians) suggest a distant echo of a struggle between social groups, mirroring the three major high cultures of Greek civilization: Minoan, Mycenaean and Hellenic. Martin P. Nilsson, Professor of Classical Archaeology, worked on the structure, origins and relationships of the Indo-European languages, and concluded that all great classical Greek myths were tied to Mycenaen centres and were anchored in prehistoric times.Nevertheless, according to Walter Burkert, the iconography of the Cretan Palace Period has provided almost no confirmation of all these theories; nothing points to a bull, sexual symbols are absent and a single seal impression from Knossos showing a boy beneath a sheep is regarded as a scant evidence for the myth of Zeus' childhood.
en.wikipedia.org/wiki/Modern_understanding_of_Greek_mytho...
My pictures at GettyImages and SeenBy
Nikon D300 with Tokina 12-24mm/f4: 12mm - ISO200 - 1/160 - f5.6
The results of the tower of Babel don't exist between children and animals. They perfectly understand each other :).
Het resultaat van de toren van Babel bestaat niet tussen kinderen en dieren. Ze begrijpen elkaar perfect :).
Understanding the political importance of the royal portrait, Alexander the Great created a distinctive representation distinguished by his long, flowing, leonine hairstyle. Although he died in 323 BCE, portraits of him remained popular for centuries. The Hellenistic rulers who succeeded Alexander often used these portraits to show their ties to him and to demonstrate the legitimacy of their right to rule.
This gem from the 1st century BCE is probably just such an example. The possibility remains, however, that the figure is not Alexander. Some Hellenistic rulers incorporated elements of Alexander's portraits, especially his hairstyle, into their own portraiture.
Roman, 1st century BCE. Gem: cornelian; ring: gold.
Getty Villa Museum (85.AN.124)
Nourlangie Rock (Burrunggui), Nawurlandja & Nanguluwurr– Kakadu National Park
Burrunggui (sometimes spelled Burrunguy, previously called Nourlangie Rock) is located in an outlying sandstone formation of the Arnhem Land Escarpment within the Kakadu National Park which is in the Northern Territory of Australia. It is the traditional Country of the Gun-djeihmi speaking people and according to Traditional Owners, was shaped by Ancestral beings in the creation period of the Dreaming. It was included on the World Heritage Register. Kakadu National Park is included on UNESCO the World Heritage List due to its exceptional natural and cultural values.
Europeans were first in the area of Nourlangie Rock in about 1845, after Ludwig Leichhardt’s explorations passed through the area. By the 1880s, European buffalo and buffalo shooters had moved into the area, and local Traditional Owners joined their shooting parties. Traditional owners told the buffalo shooters about the Dreaming stories at Burrungui and the many names of all the natural features of the landscapes. Chaloupka argues that the Europeans couldn’t remember all of the names, and called the area ‘Nourlangie’, a confused pronunciation of the name of the area generally called ‘Nawulandja’.
There are a number of shelters in amongst this large outcrop. The shelters contain amazing paintings that represent the Aboriginal Dreaming, with depictions of Namandi spirits, both male and female figures and one with six fingers on each hand. Many paintings in the Burrungui area also depict European items and introduced animals. Pigments are mostly of yellow, white and red ochre, with red ochre being used as a chalk to draw on the rock surface in some places. Early art at the site is evidenced in handprints on the rock in red pigment, or gars being flung on the rock. The paintings at Burrungui are in the Mimi and x-ray style, with Mimi being older and representative of Dreaming Ancestral beings. There are even depictions of Thylacines (Tasmanian Tigers), known to have been extinct in the area for at least 3,500 years. Superimpositioning of many animals such as kangaroos layered over one another, assist in the establishment of a temporal sequence at the site, however there appears to still be much research and work needed at the site for this to occur.
The rock art faces many threats to its survival, including tourists and destruction from natural processes such as ant trail that go across the older panels at Burrungui, water damage and wasp nesting. Interpretive signage is present at the art sites to assist visitors in understanding these rock art treasures and the importance of their preservation.
The Anbangbang Shelter drawings are some of the most famous in the National Park. One of the intricate paintings in Anbangbang shelter was created by Najombolmi, a renowned artist of the Bardmardi clan, who painted the images with his friends in the 1963-64 wet season. Najombolmi lived between 1895 and 1967 and is thought to have created around 604 paintings at 46 sites in Arnhem Land. Najomboli was also known as ‘Barramundi Charlie’ by some.
X-ray paintings are naturalistic depictions of animals that show the internal organs and other anatomical features, which were mostly painted by Aboriginal people in red and white ochre. One such painting created by Najombolmi depicts anthropomorphic figures of Ancestral beings such as Namarrgon (lightning man), painted in the x-ray style using European blue, that Chaloupka said came from the blue pigment put in washing by Europeans as a toner to keep clothes white. Paintings and rock art such as this among the only rock art that provides absolute dating of when it was produced, as rock art is notoriously difficult to date.
Anbangbang was excavated by archaeologists in 1981 and was found to have first been occupied more than 6000 years ago, with some occasional use being up to 20,000 years ago and with intensification of site use occurring between 800 and 1200 years ago when the nearby lagoon was fully formed
Najombolmi also painted at Nangawulurr Shelter (formerly spelled Nangaloar). It is located on the northern side of Burrungui (Nourlangie Rock). Nangawulurr shelter features many styles of Aboriginal rock art that appear in other sites around the region in one area. It includes hand prints, Mimi figures in ceremonial dress, Ancestral beings, x-ray animals and dolphin-like creatures depicted in red ochre. It also features a white depiction of a two-masted sailing ship with an anchor and dingy, which may relate to the early European buffalo shooters in the area). Unfortunately due to the fame of the site for its amazing rock art, in the early 1970s tourists came and destroyed some features and even stole Aboriginal Ancestral Remains from the site.
Anbangbang Billabong
Anbangbang Billabong lies in the shadow of Nourlangie Rock within Kakadu National Park and is a good place to view a wide range of wildlife. Large numbers of water fowl and wading birds inhabit the billabong and many wallabies can be found grazing around the water’s edge. There is a walking trail around the circumference of Anbangbang billabong with many picnic areas. The Anbangbang Billabong is overlooked by the Nawurlandja and Nourlangie plateaus. In the wet season, it is fed by runoff from these plateaus, as well as overflow from Nourlangie Creek, however during the dry season it is cut off.
Like much of Kakadu, Anbangbang Billabong is home to a particularly large variety of bird life. The fluctuating water levels draw waterfowl such as Magpie Geese, Pelicans, Darters, Spoonbills and Brolga. Other fauna known to frequent the billabong include Wallabies, File Snakes, Long-necked Turtles, Dingoes and Goannas.
Mangroves lining the billabong support populations of Freshwater mussel. Adjacent woodlands play host to a different ecosystem again. The nearby Nawurlandja plateau supports local populations of Short-eared rock-wallaby and Chestnut-quilled rock pigeon, among other species.
The swelling billabong promotes seasonal growth of Sedges, Grasses and Water Lilies, and Freshwater mangrove line the water's edge. Swamp areas support many types of paperbark, in particular the Weeping paperbark, Silver-leaved paperbark and Broad-leaved paperbark.
The woodlands surrounding the billabong are a lush habitat comprising an abundance of plant species. Darwin woollybutt and Darwin Stringybark dominate, with large populations of Fan palms, Kapok, Red Apples, Wattle and Pandanus.
Like much of Kakadu, the Anbangbang Billabong region's climate is monsoonal. The region's aboriginal owners recognize six seasons, however these can be reduced to vastly differing dry and wet seasons where the billabong is respectively depleted and replenished.
Instead, planning ahead let Friendship Fred
know where you stand in your business wonderland
Find associates of all kinds
Understanding Ulysses’ are nice
Caring Carl's never take it too far
Kevin Kindness melts cold ice fast.
But, I may think twice if I put Friendship and the front of the line
In the end, you will not look like an ass.
inspiration goes to: Saturaday Night Live skit and Master Pshopper Jon-e's Wiggles
© 2013, J. Felege, all rights reserved. Redistribution is prohibited.
2013-11-23: One of several photos I am posting tonight from my trip to the Brookfield Zoo on Wednesday. This is a photo of Max the siberian tiger.
Please do not copy and/or redistribute this photo without prior permission (including, and is not limited to, www.tumblr.com/ and pinterest.com as these sites download their own copy of the picture without my consent), thanks for your understanding!
Today the Hereios of the We’re Here! Group are visiting Car Parks. Car parks can be a bit dull, and this was a quiet day at our local country store, so I used PS Elements to add interest.
Understanding Sunday: Pentacon 29mm / 2.8 MC Auto (M42)
PENTACON auto MC 29mm f/2.8
Pentacon 29/2.8 comes in a straight line from the Meyer Optik Görlitz Orestegon 29mm f/2.8. Produced in the years 1970/1991. During this period changed several times. Initially, a copy of the version of Meyer Orestegon 29mm f/2.8, then the electric version, and in the end version of the MC - There are also non-electric versions of the MC. It is a wide-angle lens with a very good f/2.8. Version of what I test is one of the last what was produced. Great multilayer coatings MC. The quality of workmanship as good as the old lenses Meyer. The lens has only 6 aperture blades. In a digital camera to take pictures with this lens requires a lot of attention already. Pictures are not sharp - just above f/11 we can talk longer with acceptable results. All the magic of color lenses Meyer here almost disappeared. You have to make an effort for it to have a picture in itself is a beautiful thing.
Focal length [mm]: 29
Maximum aperture: 22
Minimum Aperture: 2.8
Fixing: M42x1
Minimum distance [m]: 0.25
Filter Diameter [mm]: M55x0.75
Number of diaphragm blades: 6
Diameter [mm]: 64
Length [mm]: 53
Weight [g]: 210
Ref: m42lens.blogspot.com/2014/04/pentacon-auto-mc-29mm-f28.html
A comfortable study bedroom in the Ruth Deech building, in a modern block at St Anne's College, completed in 2005, while I am teaching on the Understanding Historic Buildings course organised by Historic England. Lit by by a very narrow window on the left, now equipped with a roller blind which prevents it being opened , and a door onto a balcony barely large enough to stand on.
"Without an understanding of myth or religion, without an understanding of the relationship between destruction and creation, death and rebirth, the individual suffers the mysteries of life as meaningless mayhem alone."
(Marion Woodman - Canadian author, b.1928)
Manikarnika Kund is a sacred pond located next to Manikarnika Ghat along the Ganges in Varanasi (Benaras).
Each year in November it is dug out from the dirt which covers it up from the holy river floods of the rainy season.
This large rectangular structure, with surrounding steps is mythologically related to Lord Vishnu and Lord Shiva.
The Chakra-Pushkarini Kund or “Discus Lotus-Pond” is said to be so ancient that it was present before King Bhagiratha brought the Ganges to Varanasi and is supposed to have been dug by Lord Vishnu at the time of creation with his disc.
The word “Manikarnika” refers “Jeweled Earring” and this name was given because Lord Shiva’s earring fell into the well when it was a very large lake.
This historic place symbolizes creation, and the cremation ghat next to it is all about death, the hot ashes of the burnt bodies nearby makes one remember the inevitable destruction of everything in the world.
Many pilgrims take a bath here after performing the rituals of cremation. It is also said to be lucky for couples to take a bath together in this well.
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The Water Gardens in downtown Fort Worth, Texas. This is the "Quiet Pool" and the sound of the water quietly running down the walls of this place totally blocked the sounds of the city above completely out!
Light Painting SOOC with crop or minor levels adjustments. Single Exposure.
Chavonda Jacobs-Young, undersecretary of Agriculture for research, education and economics, gives remarks at an event where NASA Administrator Bill Nelson and U.S. Secretary of Agriculture Thomas Vilsack signed a memorandum of understanding between the two agencies, Wednesday, June 21, 2023, at the USDA’s Jamie L. Whitten Building in Washington. The agreement strengthens the collaboration between the two agencies, including efforts to improve agricultural and Earth science research, technology, and agricultural management, as well as the application of science data and models to agricultural decision making. Photo Credit: (NASA/Bill Ingalls)
image taken and processed by the subconscious mind.
no cloning, every head is real and broken! not including mine.
standing under some things understanding some things
standing under some things understanding some things standing under some things understanding some things standing under some things understanding some things standing under some things understanding some things standing under some things understanding some things standing under some things understanding some things standing under some things understanding some things standing under some things understanding some things standing under some things understanding some things standing under some things understanding some things standing under some things understanding some things standing under some things understanding some things standing under some things understanding some things standing under some things understanding some things standing under some things understanding some things standing under some things understanding some things standing under some things understanding some things standing under some things understanding some things standing under some things understanding some things standing under some things understanding some things standing under some things understanding some things standing under some things understanding some things standing under some things understanding some things...
This morning, a gentle breeze stirred as intermittent sunlight pierced through the clouds, illuminating the landscape. Understanding the importance of sunlight in nature photography, I attached the NikonTC14EII Teleconverter to my Nikkor500mm lens, eager to capture close-up shots, particularly of the industrious robins as they hurriedly built their nests. With the impending responsibilities of egg guarding and shared nutrition looming, these days were crucial for the avian community amidst the ongoing climate crisis.
As I entered Bradgate Park, my attention was immediately drawn to a jackdaw meticulously collecting nest materials. Further along, although the green woodpecker pair remained distant, I seized the opportunity to capture a rare moment of them side by side. Beyond the breeding season, these woodpeckers are solitary feeders, making the encounter all the more special.
After a rewarding three-hour excursion, on my way back to the car, I chanced upon a little egret. Concealing myself, I observed as it skillfully hunted amidst the flowing waters of the River Lin. With deft movements, it startled small fish, seizing its prey with precision before swallowing.
However, my primary focus for the morning was the beloved robin. Patiently, I watched the pair as they foraged, allowing them to acclimate to my presence. Finally, capturing one of their favorite poses beneath a "KEEP CLEAR" sign, I immortalized the moment with three captivating photographs.
With that, I conclude my nearly four-hour journey, sharing with you the highlights of my photo tour.
Jackdaws - scientifically known as Corvus monedula, are small, intelligent birds belonging to the corvid family, which also includes crows, ravens, and magpies. These birds are native to Europe, western Asia, and parts of North Africa. They are easily recognizable by their striking black plumage, pale gray nape, and distinctive gray eyes.
Jackdaws are highly adaptable birds, commonly found in a variety of habitats including woodlands, farmlands, urban areas, and coastal cliffs. They are opportunistic feeders, consuming a diverse diet that includes insects, small mammals, seeds, fruits, and scraps of human food.
Known for their sociable nature, Jackdaws often form tight-knit groups or pairs, displaying complex social behaviors and vocalizations. They are also renowned for their intelligence, with studies showing their ability to solve problems and use tools in captivity.
During the breeding season, Jackdaws build nests in cavities of trees, cliffs, or man-made structures such as chimneys and buildings. They line their nests with soft materials such as grass, feathers, and moss. Jackdaws typically lay clutches of 4-6 eggs, which are incubated by both parents for around 17-18 days.
Overall, Jackdaws are fascinating and adaptable birds, playing important roles in ecosystems and capturing the interest of birdwatchers and researchers alike."
I hope you'll enjoy the my images as much as I enjoyed taking them.
Thank you so much for visiting my stream, whether you comments , favorites or just have a look.
I appreciate it very much, wishing the best of luck and good light.
© All rights reserved R.Ertug Please do not use this image without my explicit written permission. Contact me by Flickr mail if you want to buy or use Your comments and critiques are very well appreciated.
Lens - With Nikon TC 14E II - hand held or Monopod and definitely SPORT VR on. Aperture is f8 and full length. All my images have been converted from RAW to JPEG.
I started using Nikon Cross-Body Strap or Monopod on long walks. Here is my Carbon Monopod details : Gitzo GM2542 Series 2 4S Carbon Monopod - Really Right Stuff MH-01 Monopod Head with Standard Lever - Really Right Stuff LCF-11 Replacement Foot for Nikon AF-S 500mm /5.6E PF Lense -
Thunderpussy - Welcome To The Disco
Right-click link. Select "Open in New Window"
www.youtube.com/watch?v=vXYqnf9kGCM
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Boy Harsher - Pain - live @ Blah Blah Blah Blah, Torino, 04/12/2017
www.youtube.com/watch?v=7CAKTE-V8wA
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Boy Harsher // Route du Rock 2019 // Careful // Fate + LA
please note: simple invites to post an image to a particular group are always welcome but no pictures, awards, or badges in comments. i call it dumping on the lawn. thanks very much for understanding, and I sincerely appreciate your visits.
Day 104/365
"Understanding Photography"
you can't understand photography without spending your time to learn it...
Strobist Info: 580EX II 1/1 power in 28" softbox next to the camera, another 580EX II 1/1 power with blue gel, behind me pointed to the wall.
Triggered via PocketWizard Mini TT1 and Flex TT5.
my understanding this a "temple event" and this group of people venture out to a local neighborhood and take a carriage with a deity inside (which photos i haven't posted yet) and stop, turn their back to a massive pile of firecrackers, light them and stand still while the incredibly loud, hot and smokey firecrackers go off. thus scaring evil spirits and bringing good luck.
note : if someone can explain it better, i beg you to do so. thanks
U.S. Secretary of Agriculture Thomas Vilsack, left, and NASA Administrator Bill Nelson, pose for a photograph after having signed a memorandum of understanding, Wednesday, June 21, 2023, at the USDA’s Jamie L. Whitten Building in Washington. The agreement strengthens the collaboration between the two agencies, including efforts to improve agricultural and Earth science research, technology, and agricultural management, as well as the application of science data and models to agricultural decision making. Photo Credit: (NASA/Bill Ingalls)