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Air & Space Forces Association Memorandum of Understanding meeting with Col. Julien Resplandy, new French Air and Space Attaché, and AFA Executive Vice President Maj. Gen. Douglas L. Raaberg, USAF (Ret.), and LeSean Carey, AFA Director of Strategic Action, at AFA’s headquarters in Arlington, Va., September 4, 2024.
Photo by Mike Tsukamoto/ Air & Space Forces magazine
It was really cold at the Rainbow Gathering in Yorkshire, also on my upper lip.
- Always keep wool in your hair - for emergencies.
Photo: Sat
Edwidge Danticat read from her work and then joined with Aja Monet in a conversation as part of the Lannan Foundation's Readings and Conversations series live at the Lensic Theater.
Wednesday 27 March 2019
Santa Fe, New Mexico
Learn more about this event here.
Subscribe to Lannan Podcasts here.
Photo copyright Don Usner. For use, contact donusner@lannan.org.
It’s worth recalling that in December 2016, the Commissioner for Human Resources Science and Technology, H.E. Dr Martial De Paul Ikounga signed a Memorandum of Understanding with the Secretary-General of the Association of African Universities (AAU), Professor Etienne Ehouan Ehile.
AAU is the voice of higher education in Africa and has been a lead agency in implementing the continental vision since its founding under the OAU. The African Union Agenda 2063 calls for an education and skills revolution to meet the human resource needs for actualising Africa’s social-economic development. As such, the African university occupies a strategic role in ensuring that our education systems are oriented towards promoting innovation, critical thinking, pan Africanism and entrepreneurial orientations while addressing Africa’s challenges and optimising on its opportunities.
The partnership between the AUC and the AAU over the last decade has witnessed the strengthening of the African higher education space through the promotion of intra-African academic mobility, harmonisation of qualifications for mutual recognition across the Member States; and promotion of a culture of continuous quality improvement through the AU’s African Quality Rating Mechanism.
The AAU has been able to mobilise African academia to appropriate the continental vision of Agenda 2063, and it has helped to build accountable leadership and quality in research and scholarship
GOAL: To increase engagements between the AAU and North America and the Diaspora
Objectives
• Mobilize funds for the advancement of Higher Education in Africa.
• Promote and develop relations between the African Academic Diaspora and African Higher Education Institutions (HEI).
• Promote sister university collaborations
• Promote and develop research and education networks among African Higher Education Institutions and their North American counterparts
• Promote corporate and non-profit America to support African Higher Education Institutions
• Sensitize potential development partners to the education needs of African HEIs
• Promote student and staff exchange
• Promote a role for Higher Education in US-Africa relations
• Develop and implement comprehensive international Initiatives for senior leadership at public research universities to facilitate seamless integration of international dimensions into the learning, discovery and engagement missions of our AAU institutions.
• Foster the development of globally competent students, internationally engaged faculty, and institutions capable of addressing global challenges.
• Identify critical issues, gather information, and create opportunities for AAU members to discuss challenges and share knowledge with their NA counterparts.
• Serve as the leading advocate for advancing the broad interests of the AAU in NA
• Support the development of innovative approaches and solutions to African Higher Education
A captured Timber Wolf pauses on a mild Winter morning at the Colorado Wolf and Wildlife Center - Divide, CO
Understanding the Essence of Flowers - Exploring Pollen 12-14th
June, 2013, Helsinki
Photo: Tommi Taipale
Understanding & Healing From Designer Dissociation: When The Unbelievable Becomes True from www.pinterest.com/pin/368310075760039226/
Today was all about Nellie the Boston Terrier who is only 2yrs old but has gone through a lot for such a young dog. Socialised and trained from a very young age she was walking off lead and going everywhere with her owner Shelley with no issues.
Scott Properties Group believes that property management, is the understanding of lots of moving parts. The strengths and weaknesses of the property, the goals of Ownership, the needs of the tenants, the relationships of your vendors and the ethics in which you deal with your brokerage community. We believe that we offer an unsurpassed knowledge, ethics and professionalism to achieve these goals.
For More Information Click That Link: www.scott-properties.com/
Better data is becoming available on economic activity within countries, often much exceeding the available information of economic activity across countries. This creates new research opportunities for testing economic theory, analyzing market structures and the sources of market segmentation, and making predictions of how economic shocks propagate across space. The aim of this conference is to bring together researchers from urban economics, industrial organization, health economics, and international trade to study production and trade within and across countries.
Understanding Your Insurance's RAPL Clause www.insurezero.com/understanding-your-insurances-rapl-cla...
'Why Catholic?'
Adult formation program assists Catholics in understanding the faith
By Ambria Hammel, The Catholic Sun
March 6, 2008
Hundreds of catechumens and candidates throughout the diocese have been studying the faith’s tradition and Scripture to help them discern why they want to become Catholic.
This Lent, it’s those churchgoers already baptized and confirmed in the faith who are asking themselves, “Why Catholic?”
More than 2,000 Catholics — including special teen and young adult groups at one parish — are meeting weekly at 10 parishes for Renew International’s “Why Catholic?” program. This is the largest response to an adult catechetical program the diocese has ever had.
“Their simple ‘yes’ or fiat, if you will, has made this Lent so different than others in the past,” said Fr. Patrick Mowrer, pastor of San Francisco de Asís Parish in Flagstaff. “I marvel to witness how relationships are being strengthened within the body of Christ.”
More: www.catholicsun.org
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"Understanding Complexity - Offering Solutions to Problems of the 21st Century" Conference February 9th - 10th Vienna TUtheSky
Thus, diet B is first-class for enabling you to be successful where other diet plans failed, with understanding gained that you can apply long term. Diet programs that attempt to spoon feed you a Turmeric Forskolin diet without any attempt to teach you how to eat without their help and/or rely on their shakes, pubs, cookies, or pre-made food, is another diet plan you can remove from your set of choices.
Diet plans that provide Turmeric Forskolin weight loss by drinking their product for a number of meals accompanied by a "sensible meal; " diets that permit you to consume their special cookies for some meals along with their pre- planned menu; or diets that attempt to have you eating their bars, drink, or pre-made meals, are of the diet A variety covered above.
The azure waters and russet skies of a #Kabini sunset spectacle often combine to transport you to a world where time has no meaning. Bask in timelessness at the Infinity Pool at #Orange County, Kabini. More: bit.ly/19qajFQ
Greg Scholtz (AAUP national staff) led the workshop on understanding handbooks. The workshop helped participants learn how to evaluate a faculty handbook, how handbooks are typically structured, and what legal status they may have.
Credit: Michael Ferguson/AAUP
TEDxStuttgart 2017 "New Understanding" am 23. September 2017 in der Phoenixhalle im Römerkastell.
Foto: Martin Naujocks
"National Identity ?” responding to the Theme:
Think with the Senses – Feel with the Mind.
Art in the Present Tense
work by Biennalist (Art Format)http://www.emergencyrooms.org/formats.html
Around the national pavilions, the Biennalist measures the nationality of their participants the Biennalists approach several visitors asking them for the self-assessment of their national identity and for some of their hair. The hair samples and self-measurements are collected in small plastic bags and subsequently exhibited floating in the air across a Venetian street .
See film
youtu.be/hWDC9CK0WbY?si=_mK39xee6E2KikRF
52. Venice Biennial
10 June - 21 November 2007
Theme:
Think with the Senses – Feel with the Mind.
Art in the Present Tense
Director:
Robert Storr
From Plato onwards philosophers have divided and compartmentalized human consciousness more or less explicitly pitting one faculty against another; mind versus body, reason versus unreason, thought versus feeling, criticality versus intuition, the intellect versus the senses, the conceptual versus the perceptual. At best such dichotomies have served to sharpen our understanding of the different capac ities at our disposal for comprehending the world and making our place in it. At worst they have deprived us of some of those abilities by setting up false hierarchies that cause us to mistrust or disparage one for the sake of another, many for the sake a few.
Yet no matter how successfully philosophers and ideologues have persuaded people that such categories are not just analytically useful but inherently or historically true, the manifold challenges to understanding that reality poses and the actual f lux of existence exceed the power of systems, theories and definitions to contain them. The imagination is the catch basin into which this overflow spills and art cuts the channels that reconnect formerly isolated or segregated parts of consciousness to each other while flooding and replenishing the whole of it like a fertile river delta.
Think with the Senses - Feel with the Mind is predicated on the conviction that art is now, as it has always been, the means by which humans are made aware of the whole of their being. However, it does not assume that an enduring wholeness is the result, or that art is a magical solution for the conflicts in our nature or in and among differing cultures and societies . That is the domain of philosophy, the social sciences and politics. Nevertheless, to “make sense” of things in a given moment or circumstance is to grasp their full complexity intellectually, emotionally and perceptually. That effort does not promise that our grasp will hold for long, or even much more than the instant in which we awaken to the fact that such fleeting powers of concentration and transformation are ours. Incidentally, “making nonsense” of the world, as grotesque, Dada or absurdist art does, deploys those same powers through exaggerated disparity. By inverting order and logic the artifact created paradoxically holds fragmented consciousness in suspension so that its contradictions can be clearly apprehended.
Epiphanies happen but do not last. As James Joyce showed, one of the functions of art is to preserve the experience so that we may savor and study its many aspects. The history of art is a fabric of epiphanies woven by many hands at different speeds; the present tense of art is the outer edge of that work in progress. At any point the edge may be ragged and uneven and the pattern in formation disturbing or hard to discern, reflecting the difficulty of making art in troubled times. We are living in just such times. Rather that trim the edge or reweave the pattern to neaten it, this exhibition focuses on selected aspects of current production that hint at what the emerging patterns might be without presuming to map them entirely. No attempt has been made therefore to be programmatically “representative,” either in terms of styles, mediums, generations, nations or cultures. Instead certain qualities and concerns widely found in contemporary art have been used as magnetic poles for gathering work from all seven continents, in all media, in various styles and of all generations now active.
Between the poles to which some works have readily gravitated is a force field where many other works hover. The poles themselves have been used like tuning forks, such that the criterion for selection has been resonance or mood as much as subject matter or aesthetic methodology. Among these vibrating points of reference are the immediacy of sensation in relation to questioning the nature and meaning of that sensation, intimate affect in relation to engagement in public life, belonging and dislocation, th e fragility of society and culture in the face of conflict, the sustaining qualities of art in the face of death.
Since the early 20century the development of modern art has been world wide. However its general dissemination and reception have lagged f ar behind this far flung, simultaneous, and cross -pollinating growth. In recognition of that discrepancy this Biennale has, as in the past, counted to the national pavilions to close the gaps, but it has also incorporated one national pavilion, Turkey, plus a regional pavilion, Africa, within its core, pointing the way, it is hoped, to greater, more permanent inclusiveness in areas of the world and of art -making too long overlooked in the international exhibition circuit.
While this show looks forward it does not look back. No attempt is made to trace genealogies or construct a new canon - and none at all to compete with art fairs or handicap the market. With a handful of exceptions all the artists included are alive and active. Diverse in origin and in temporal vantage points, it is they who conjugate the present tense of art for each other – and for us. The only artists in the show who are not living, would be but for their premature or unexpected deaths; their work is included here because its abiding freshness and impact keeps them on the minds of their peers and the public.
2007 Awards:
Golden Lion to an artist exhibited at the international exhibition to León Ferrari
Golden Lion to a young artist (under 40) to Emily Jacir
Golden Lion for best national participation to Hungary represented by Andreas Fogarasi
Honourable Mention to an artist to Nedko Solakov
Honourable Mention to a pavilion to the Lithuanian Pavilion represented by Nomeda & Gediminas Urbonas
Golden Lion to a critic or an art historian for his contribution to contemporary art to Benjamin Buchloh
Golden Lion for Lifetime Achievement to Malick Sidibé
Artists:
Rafael Lozano-Hemmer
Ignasi Aballí
Adel Abdessemed
Adel Abidin
Marina Abramovic
Vito Acconci
Nasser Naassan Agha
Tora Aghabeyova
Vincenzo Agnetti
Faig Ahmed
Vyacheslav Akhunov
Mounira Al-Solh
Rashad Alakbarov
Nikos Alexiou
Luciano de Almeida
Hüseyin Alptekin
David Altmejd
Narda Alvarado
Francis Alÿs
Ghada Amer
El Anatsui
Giovanni Anselmo
Dario Arcidiacono
Tatiana Arzamasova
Orkhan Aslanov
Said / Abilsaid Atabekov
Chingiz Babayev
Mrdjan Bajic'
Sonia Balassanian
Rubén Ramos Balsa
Oladélé Bamgboyé
Miquel Barceló
Yto Barrada
Andrei Bartenev
Georg Baselitz
Gabriele Basilico
Jean Michel Basquiat
Mónica Bengoa
Mario Benjamin
Joseph Beuys
Bili Bidjocka
Manon de Boer
Stefano Bombardieri
Boris Mikhailov
Zoulikha Bouabdellah
Louise Bourgeois
Herbert Brandl
Sergei Bratkov
Jan Christiaan Braun
Antonio Briceño
Patricia Bueno
Daniel Buren
Luca Buvoli
Christoph Büchel
Gerard Byrne
Sophie Calle
Paolo Canevari
Christian Capurro
Pablo Cardoso
Giovanni Carmine
Maríadolores Castellanos
Samba Chéri
Loulou Cherinet
Ali Cherri
Eteri Chkadua
Amrit Chusuwan
Vladimir Cybil
Bassem Dahdouh
Jacob Dahlgren
José Damasceno
Sahar Dergham
Angela Detanico
Felipe de Souza Dias
Paulo Vitor da Silva Dias
Ranieri Dias
Renato Figueiredo Dias
Gino De Dominicis
James Drake
Marlene Dumas
Eric Duyckaerts
Nataliya Dyu
Dzine
Rena Effendi
Jorge Eielson
Haiam Abd El-Baky
Tarek El-Komy
Aiman El-Semary
Fouad Elkoury
Tracey Emin
Haris Epaminonda
Lev Evzovich
Valie EXPORT
Steingrimur Eyfjörd
Nganguè Eyoum
Mounir Fatmi
Cao Fei
Eloy Feria
León Ferrari
ngela Ferreira
Marcus Viniciu Clemente Ferriera
George Fikry
Angelo Filomeno
Urs Fischer
Andreas Fogarasi
Francisco Bernd da Franca
Rene Francisco
Georgy Frangulyan
Ivana Franke
Vladimir Fridkes
Yukio Fujimoto
Gints Gabra-ns
Charles Gaines
Rainer Ganahl
Tomer Ganihar
Fabio Ferreira Gaviao
Isa Genzken
Alla Girik
Helidon Gjergji
Gent Gjokola
Shaun Gladwell
Felix Gmelin
Toril Goksøyr
José Luis Guerín
Dmitry Gutov
Alban Hajdinaj
Neil Hamon
Jonathan Harker
Lyle Ashton Harris
Ali Hasanov
Kiluanji Kia Henda
Christine Hill
Alexandre Hnilitsky
Jenny Holzer
Rebecca Horn
Marine Hugonnier
Mustafa Hulusi
Orkhan Huseynov
Pierre Huyghe
Lee Hyungkoo
Elshan Ibrahimov
Tamilla Ibrahimova
Ihosvanny
Pravdoliub Ivanov
Alfredo Jaar
Emily Jacir
Kim Jones
Lamia Joreige
Irena Ju*zová
Waltercio Caldas Junior
Andre Juste
Emilia Kabakov
Ilya Kabakov
Y.Z. Kami
Paulo Kapela
Izumi Kato
Ellsworth Kelly
Amal Kenawy
Kendell Geers
Raoul de Keyser
Rauf Khalilov
Jamshed Kholikov
Martin Kippenberger
Gaukhar Kiyekbayeva
Riyas Komu
Guillermo Kuitca
Tamara Kvesitadze
Rafael Lain
Rosemary Laing
Rafael Lamata
Maria Verónica León
Leonilson
Vincent Leow
Sol LeWitt
Jason Lim
Rosario López
Rafael Lozano-Hemmer
Armando Lulaj
Zulkifle Mahmod
Nalini Malani
Renato Mambor
Victor Man
Blagoja Manevski
Camilla Martens
Roman Maskalev
Steve McQueen
Xenía Mejia
Jill Mercedes
Arseny Mescheryakov
Aernout Mik
Paul D. Miller
Julia Milner
Santu Mofokeng
Andrei Monastyrski
Ronald Morán
Hiroharu Mori
Callum Morton
Joshua Mosley
Nástio Mosquito
Ivan Moudov
Rabih Mroué
Gulner Mukazhanova
Oscar Muñoz
Elizabeth Murray
Ndilo Mutima
Ingrid Mwangi
Marko Mäetamm
Sirous Namazi
Zoran Naskovski
Bruce Nauman
Hadil Nazmy
Yves Netzhammer
Alexander Nikolaev
Stefan Nikolaev
Susan Norrie
Thomas Nozkowski
Odili Donald Odita
Chris Ofili
Olu Oguibe
Melik Ohanian
Masao Okabe
Marco Antonio Oliveira
Maycon Souza de Oliveira
Nelcirlan Souza de Oliveira
Mario Opazo
Nipan Oranniwesna
Svetlana Ostapovici
William Paats
Paola Parcerisa
Philippe Parreno
Philippe Pastor
Heldi Pema
Giuseppe Penone
Jose Carlos da Silva Pereira
Dan Perjovschi
Rodrigo de Maceda Perpetuo
Raymond Pettibon
Donato Piccolo
Jorge Pineda
Cristi Pogacean
Sigmar Polke
Alexander Ponomarev
Concetto Pozzati
Wilfredo Prieto
Emily Prince
Morrinho Project
Tobias Putrih
Arnulf Rainer
Lars Ramberg
Alfredo Rapetti
José Alejandro Restrepo
Jason Rhoades
Manuela Ribadeneira
Gerhard Richter
David Riff
Ketty La Rocca
Ugo Rondinone
Tracey Rose
Susan Rothenberg
Aleksei Rumyantsev
Robert Ryman
Ruth Sacks
Walid Sadek
Ghassan Salhab
Ernesto Salmerón
Margaret Salmon
Fred Sandback
Iran do Espirito Santo
Yehudit Sasportas
Oksana Shatalova
Yinka Shonibare MBE
Malick Sidibe
Nedko Solakov
Monika Sosnowska
Cinthya Soto
Nancy Spero
Rania Stephan
Christine Streuli
Daniel von Sturmer
Evgeny Svyatsky
Tabaimo
Sophia Tabatadze
Da Wu Tang
Sam Taylor-Wood
Elaine Tedesco
Philippe Thomas
Mark Titchner
Faustin Titi
Felix Gonzalez Torres
Mario Garcia Torres
Jalal Toufic
Paula Trope
Tatiana Trouvé
Florin Tudor
Alexander Ugay
Gediminas Urbonas
Nomeda Urboniene
Vyacheslav (Yura) Useinov
Jamshed Usmanov
Aitegin Muratbek uulu
Jaime Vallare
Minnette Vàri
Mona Vatamanu
Emilio Vedova
Francesco Vezzoli
Alterazioni Video
Ernesto Vila
Manuel Vilariño
Françoise Vincent
Viteix
Kara Walker
Andy Warhol
Lawrence Weiner
Franz West
Sophie Whettnall
Maaria Wirkkala
Pavel Wolberg
Troels Wörsel
Yin Xiuzhen
Kan Xuan
Moico Yaker
Fudong Yang
Zhenzhong Yang
Yonamine
Tomoko Yoneda
Shen Yuan
Akram Zaatari
Maksim Zadarnovsky
Valeriy Zadarnovsky
Lesia Zaiats
Chen Zhen
Tags: Ignasi Aballí, Adel Abdessemed, Adel Abidin, Marina Abramović, Vito Acconci, Vincenzo Agnetti, Vyacheslav Akhunov, Rashad Alakbarov, Hüseyin Alptekin, David Altmejd, Francis Alÿs, Ghada Amer, El Anatsui, Giovanni Anselmo, Armando, Rubén Ramos Balsa, Miquel Barceló, Yto Barrada, Georg Baselitz, Gabriele Basilico, Jean-Michel Basquiat, Joseph Beuys, Bili Bidjocka, Manon de Boer, Zoulikha Bouabdellah, Louise Bourgeois, Herbert Brandl, Christoph Büchel, Daniel Buren, Gerard Byrne, Waltercio Caldas, Sophie Calle, Paolo Canevari, Po-i Chen, Ali Cherri, Jacob Dahlgren, José Damasceno, Gino de Dominicis, Marlene Dumas, Eric Duyckaerts, Dzine, Rena Effendi, Fouad Elkoury, Tracey Emin, Haris Epaminonda, Valie Export, Mounir Fatmi, Cao Fei, León Ferrari, ngela Ferreira, Angelo Filomeno, Urs Fischer, Andreas Fogarasi, René Francisco, Ivana Franke, Yukio Fujimoto, Charles Gaines, Rainer Ganahl, Kendell Geers, Isa Genzken, Shaun Gladwell, Felix Gmelin, Felix Gonzalez-Torres, Dmitry Gutov, Neil Hamon, Jonathan Harker, Lyle Ashton Harris, Kiluanji Kia Henda, Christine Hill, Jenny Holzer, Rebecca Horn, Marine Hugonnier, Mustafa Hulusi, Pierre Huyghe, Pravdoliub Ivanov, Alfredo Jaar, Emily Jacir, Kim Jones, Lamia Joreige, Ilya & Emilia Kabakov, Y.z. Kami, Ellsworth Kelly, Amal Kenawy, Raoul De Keyser, Martin Kippenberger, Guillermo Kuitca, Rosemary Laing, Leonilson, Sol LeWitt, H.H. Lim, Rosario López, Rafael Lozano-Hemmer, Armando Lulaj, Marko Mäetamm, Nalini Malani, Victor Man, Steve McQueen, Aernout Mik, Boris Mikhailov, Santu Mofokeng, Andrei Monastyrski, Callum Morton, Joshua Mosley, Nástio Mosquito, Ivan Moudov, Rabih Mrouè, Oscar Muñoz, Elizabeth Murray, Sirous Namazi, Bruce Nauman, Yves Netzhammer, Stefan Nikolaev, Susan Norrie, Thomas Nozkowski, Odili Donald Odita, Chris Ofili, Olu Oguibe, Melik Ohanian, Nipan Oranniwesna, Philippe Parreno, Giuseppe Penone, Dan Perjovschi, Raymond Pettibon, Cristi Pogacean, Sigmar Polke, Alexander Ponomarev, Concetto Pozzati, Wilfredo Prieto, Emily Prince, Tobias Putrih, Rainer Fetting, Arnulf Rainer, José Alejandro Restrepo, Jason Rhoades, Manuela Ribadeneira, Gerhard Richter, Ketty La Rocca, Ugo Rondinone, Tracey Rose, Susan Rothenberg, Robert Ryman, Margaret Salmon, Fred Sandback, Iran do Espírito Santo, Yehudit Sasportas, Yinka Shonibare, Malick Sidibé, Nedko Solakov, Mounira Al Solh, Monika Sosnowska, Nancy Spero, Christine Streuli, Daniel von Sturmer, Tabaimo, Al Taylor, Sam Taylor-Wood, Mark Titchner, Mario Garcia Torres, Tatiana Trouvé, Minnette Vari, Emilio Vedova, Francesco Vezzoli, Alterazioni Video, Kara Walker, Andy Warhol, Lawrence Weiner, Franz West, Sophie Whettnall, Pavel Wolberg, Troels Wörsel, Yin Xiuzhen, Kan Xuan, Yonamine, Tomoko Yoneda, Shen Yuan, Akram Zaatari, Chen Zhen, Yang Zhenzhong
------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
—-------------
#art #artist #artistic #artists #arte #artwork
#artcontemporain contemporary art Giardini Arsenal
venice Veneziako Venecija Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía HungarianVelence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taideτέχνη művészetList ealaínarte māksla menasartiKunst sztuka artăumenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHEN ,Dakar; Biennalist
kritik[edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Veneziako Venecija Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
—-----
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text,Photographic Source ultracontemporary
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation
Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artist
en.wikipedia.org/wiki/Thierry_Geoffroy
Cape Town, South Africa. July 2012.
South Africa hosted the second global Understanding Risk (UR) Forum in Cape Town from July 2-6, 2012. The Forum convened more than 500 thought leaders and decision-makers from 86 countries to exchange knowledge and share best practice in disaster risk assessment.
Photo: World Bank
William Stone Images - Limited Edition Fine Art Prints
Fine Art Photography Prints & Luxury Wall Art:
Our presence on flickr is to showcase our catalogue, we have selected pictures on our website, but can always add more depending on the requests we receive:
We do wedding photography and videography:
We do once in a while have discounted luxury fine art, please do keep checking:
All prints though us is put through a rigorous set of quality control standards long before we ever ship it to your front door. We only create gallery-quality images, and you'll receive your print in perfect condition with a lifetime guarantee.
All images on Flickr have been specifically published in a lower grade quality to amber our copyright being infringed. We have 4096x pixel full sized quality on all our photos and any of them could be ordered in high grade museum quality grade and a discount applied if the voucher WS-100 is used. Any image seen on flickr can be printed in museum grade quality, use the unique reference at the bottom of the photo description when contacting us:
We do plan future trips and do catalogue our past ones:
In our galleries you will find some amazing fine art photography for sale as limited edition and open edition, gallery quality prints. Only the finest materials and archival methods are used to produce these stunning photographic works of art.
Some of the gear we use at William Stone Fine Art are listed here:
Some of our latest work & more!
Embedded galleries within a gallery on various aspects of Photography:
We celebrate light in our pictures. Understanding how light interacts with the camera is paramount to the work we do. The temperature, intensity and source of light can wield different photography effect on the same subject or scene; add ISO, aperture and speed, the camera, the lens type, focal length and filters…the combination is varied and multi-layered and if you know how to use them all, you will come to appreciate that all lights are useful, even those surrounded by a lot of darkness.
We are guided by three passions, simple but overwhelmingly strong, our longing to capture in print, that which is beautiful, the constant search for the one picture, and constant barrage of new equipment and style of photography. These passions, like great winds, have blown us across the globe in search of the one and we do understand the one we do look for might be this picture right here for someone else out there.
We want to thank you for your interest in our work and thanks for visiting our work on Flickr, we do appreciate you and the contributions you make in furthering our interest in photography and on social media in general.
There are other aspects closely related to photography that we do embark on:
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We do cloud/website development and hosting, startng from £1,500 we can design and host your website. Do justice to your photographs/videos and host them where they will be much valued by your clients. The quality will be in line with www.wsimages.com but designed by you and implemented by us. Contact us today.
WS-133-29702595-6763256-5215160-1352023062932
Spinal tumors are a type of medical condition that can have a significant impact on a person's life. They arise when abnormal growths develop within the spinal column, which is the central structure that supports the body and protects the spinal cord. Also, these tumors can be benign, meaning they are non-cancerous. Or malignant, meaning they are cancerous and can spread to other parts of the body. The type and severity of the symptoms caused by spinal tumors can vary widely depending on the location, size, and type of the tumor, as well as the individual's overall health. Understanding the symptoms, causes, and treatments of spinal tumors is important for anyone who may be affected by this condition.
Symptoms of Spinal Tumors
Spinal tumors can present a variety of symptoms, depending on the size and location of the growth. Some common symptoms of spinal tumors include:
- Back pain that may be dull, sharp, or burning
- Numbness or tingling in the arms or legs
- Also, weakness in the arms or legs
- Loss of bladder or bowel control
- Paralysis in the arms or legs
It’s important to note that many of these symptoms can also be caused by other conditions, such as spinal stenosis, herniated discs, or osteoporosis. Furthermore, a proper medical evaluation is necessary to determine the cause of these symptoms.
Causes of Spinal Tumors
Spinal tumors can develop from a variety of different cells in the spine, including bone, nerve, muscle, and cartilage cells.
sattvikspine.com/spine/understanding-spinal-tumors-sympto...