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SHOCKING: Aditya Pancholi breaks down; tells Kangana Ranaut, sister Rangoli to not drag Sooraj into the mess
Yesterday, we carried the explosive interview of Aditya Pancholi wherein he blasted Kangana Ranaut over her comments on ‘Aap Ki Adalat’. Take a look at the second part wherein he continues his tirade against the actress.
Aditya Pancholi says one song keeps playing in his mind these days. “I hear only one song which was sung by Jagjit Singh – Baat niklegi toh phir bahut door talak jayegi… Log zaalim hai, har ek baat ka taana denge. Just because we are keeping quiet does not mean that we are guilty. According to her, ‘Puri film industry gandi hai, award function fraud hai’, haan? She says things like, ‘Mein kisise nahi darti hoon, Khans ke saath mein kaam nahi karna chahti’, yeh sab bolne ki zaroorat hai? You (Kangana) are such a top star and so talented, aap chup chaap haath jodke, roz Bhagwan se prarthana karo ki, ke mein jab iss duniya mein, Mumbai nagri mein ayi, main kuch bhi nahi leke ayee thi, aaj Parmatma aap ne mujhe itna kuch diya, I am grateful to you and to the people who came into my life and helped me. Don’t say this to the world, media or on national TV – say it to your God. Hamari tareef nahi kar sakte ho toh hamari burai mat karo! (If you can’t praise me, don’t criticize me also). You say you have won the National Award but you are not the only actress who has got it as many of my friends have got them too. Winning a National Award doesn’t give you the liberty to run down people. It means you have done a good job. There should be a National Award also for good actors and good human beings. I don’t want to dig into her past as that’s the past.”
The actor protests at Kangana Ranaut’s allegation that he was physically violent. “I am not a woman-beater! Show me one person in this world, I challenge her to show me one person who is a witness to me laying a hand on Kangana. Don’t talk rubbish! Shut up or show the proof. Yes we have fought sometimes – over parking space or in a discotheque but that’s about it. I have never raised a hand on her. Mera upar aisa kaun sa case hai that she is talking about? Let one person get up and say that Aditya Pancholi has hurt or harmed anybody! I have helped everybody and I am not bragging about it. I am grateful that God has given me a heart where I can help people… (Aditya breaks down in tears and starts sobbing. I give him some time to compose himself before he can resume). Her sister Rangoli is dragging my son’s name in a murder case but you don’t know what repercussions can happen. I wanted to tell Rangoli don’t drag my wife, son and daughter into this. You (Kangana) had a relationship with me, deal with me. Sooraj’s case is going on in court and such statements can be damaging to it. It’s preposterous! You cannot talk about a case which is subjudice! I will file a major defamation case against Kangana and her sister Rangoli.”
Aditya adds, “Rangoli said Zarina gave her diamonds and clothes and told her not to say anything – I have not given my wife diamonds so how can Zarina give them to her? I don’t believe in giving diamonds – I believe in giving love. Diamonds are blood diamonds and I don’t believe in giving that. I am not going to stop now. I have due respect for them but at the same time this is not done. I am not going to take it lying down and if this gives her film Simran mileage I will be more than happy. I pray to God and I swear on my mother that Simran should do such great business so that it helps the film industry. I want the film to be a very big hit. Like I pray for the success of my son and daughter’s films, I pray for Simran the same way… (starts sobbing again) I am saying this because film industry will benefit with the success of Simran. I don’t know what you have said about others but you have to prove what you have said about me. You said you came to my wife who said ye hamein ghar pe aake marta hai, aur naaukron ko maarta hai? Prove it. I have been married to Zarina for 31 years and that’s a long time for anybody to stay married. The onus is on Kangana and Rangoli to prove what they said in those two interviews and on Twitter.”
Click here to read Part 1 of this interview
SHOCKING: Aditya Pancholi breaks down; tells Kangana Ranaut, sister Rangoli to not drag Sooraj into the mess
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You see names like Skrillex, Zedd, Calvin Harris, Diplo, and more all the time. They’re at the tops of festival lineups, on the covers of magazines, the front page of Spotify… they’re the faces you pay to see. But they’re not the whole equation. A lot of people work behind the scenes to help these artists do the multitude of things they set out to do. Among those people is Tom Norris, engineer for Skrillex and Zedd, among others.
Born in Massachusetts, he moved to San Diego at a young age where he later started a band with a couple friends. Hollywood Records offered the band a deal, which they signed, but Tom left shortly after to attend UC Berkeley. It was there that he started teaching himself music beyond the band, delving into production and sound design. He started a popular account on SoundCloud called “getyoursnackon” where he’d remake and post popular songs. During this time, he also became close with Kyle Trewartha of Grey. Together, they moved to Los Angeles and started working on projects, eventually leading to him working with bigger and bigger names.
In the world of electronic music, Tom is likely one of the biggest names you’ve never heard of. In rare fashion, he’s answered some need-to-know questions exclusively for Your EDM. Read on to find out the secrets of his success, what’s next for Skrillex, and more.
Where did your desire to create music come from?
Both of my parents are musical, and there’s a lot of music and creativity flowing throughout my extended family. I think I was hopelessly bound to do something relevant in music as a result. I do remember seeing my cousin making music with a really early version of FL Studio, and being completely blown away. I thought only producers (who were essentially wizards in my mind) in huge recording studios could create music, and so I immediately downloaded the demo when I got home and started messing around. That was in 2001, so it’s been a minute!
Tell me a bit about your experience with your first band Outerspace Politicians, later Allstar Weekend. What were some of the challenges you faced as a newcomer to that world?
I messed around with beats and instrumental production before the band, but I didn’t know anything about what it meant to write a song with vocals, or how to record things with a microphone and have them sound like real music. I was kind of like the Ryan Lewis of the band, recording and producing all of our tracks, doing our photos/videos/website/etc. It was a huge learning experience.
What eventually led to you leaving the group?
There were a bunch of factors—hating touring, stress, and bad managers. I also had a ton of FOMO from friends who were having a great time in college, while I was miserable in my band. The silver lining was definitely learning that I loved being in a studio far more than performing, and fostering a lot of great friendships that I still have today.
You chose to study linguistics at UC Berkeley, which arguably has no relevance to music. I would know, I also majored in it at UCSB. What about linguistics did you find interesting enough to pursue that over music?
A lot of my family works in academia, so I think I felt pressured to study something more ‘serious’. At the time, Siri for iOS had just come out, which to me seemed novel and exciting that I could control my phone with my voice. I was also really into pop linguistics books by authors like Steven Pinker (especially The Language Instinct), so linguistics felt like a natural choice. I think only once I was studying it, did I realize that I just fundamentally didn’t have the same passion for it like other kids in my class, and wasn’t looking forward to the day-to-day existence of being a computational linguist.
Of course, you did return to music eventually, as “getyoursnackon” on SoundCloud. How did you begin that project?
I knew a lot about engineering and producing ‘real’ instruments from doing band demos, but I didn’t really understand how to do anything else. EDM was at its peak when I was in college (around 2012), and I thought by remaking songs I could quickly learn how to use synths and layer MIDI-based stuff. I started uploading some of them to SoundCloud to show friends, and I think from that I started to gain some notoriety on various internet production forums.
What was your first foray into the electronic world?
I think working with the Grey dudes was my first serious foray into the electronic world. I actually met Kyle on Reddit back in 2014, and we became friends and started working on music together. He and Michael created Grey a year later, and they asked me to mix and master their stuff.
How quickly did you go from working with Grey on their music to suddenly working on tracks for both Zedd and Skrillex?
Zedd became involved pretty early on with Grey, and basically anything they worked on together I had some part in. My old roommate Ty (producer Lophiile) used to work with Skrillex, and randomly invited him over one night. We watched skate videos and played with yo-yo’s, and the next day he hit me up to come through and check out stuff he was working on. That was almost 2 years ago, and I’ve been working with him since!
open.spotify.com/embed/track/09IStsImFySgyp0pIQdqAc
You were nominated for a GRAMMY® Award, Record of the Year, for your work on “The Middle.” Did you ever think when you were 15 starting a band in high school that would ever happen?
I don’t think I could have anticipated anything I’m doing now back then… or even 2 or 3 years ago. But I think that’s what’s great about working in music—anything can happen! The Grammy nomination is insane, and I feel incredibly grateful to be recognized with some of my best friends.
You’ve also been working with Skrillex since early 2017. Which of his tracks would you say was the most creatively fulfilling to work on?
Every single thing I’ve worked on with Skrill has been creatively fulfilling, given how incredibly creative he is as a person and musician, and how he imbues that in everything he works on. That aside, I do think the Humble remix for Kendrick was really interesting to have been a part of, in seeing how it was iterated on and evolved over 4-5 months from an initial concept to the final release.
How was it specifically working on “Surrender” with From First To Last, given your rock background.
open.spotify.com/embed/track/4EkI2iujq3AiwgmyGuP2xn
It was a nice change of pace entering that world again! With Surrender, we had two ideas in mind: to make it sound like FFTL with a modern vibe—ie, super loud drums and low end, and to make it feel almost like a spiritual successor to “Make War”, their prior release. It took a while to finish, I think Matt Good from the band had recorded all of the instrumental parts almost a year before it actually came out. Kyle (from Grey) also recorded guitar layers to help fill out the mid-range. Sonny and I then went back and forth on drum sounds and mix versions for almost a month.
You not only worked with Skrillex directly, but also his collaborators like Mariah Carey and The Weeknd. Do you have any specific fond memories of working with anyone in particular?
I remember FaceTiming with Abel after Skrill and I finished the mix on “Wasted Times.” It was dope seeing how stoked he was on how it turned out!
The one question on everyone’s mind: what’s next for Skrillex?
Given all of the crazy stuff I’ve heard over the last couple of years, whatever form the next project or release takes, it’ll be absolutely worth the wait.
Outside of the Skrillex and Grey/Zedd universes, you and Ansel Elgort are friends and have collaborated on a number of original productions and projects. How did you link with Ansel? Are you still working with him?
Our mutual friend linked us 3-4 years ago. I didn’t really know anything about him besides the EDM/DJ stuff that he was doing at the time, but I thought it was cool that he was starting to sing on tracks he produced and wanted to do that kind of thing. I’m currently working with him on a full length album that should be out sometime this year – not sure if I’m allowed to say anything else about it
What’s next for you creatively?
Climbing Everest! Just kidding—I’m working on a bunch of projects that I can’t really talk about yet, but I’m excited for people to hear them. Some are with artists you’d expect, some aren’t. I’m also working on some VST plugins/effects for producers that might be release ready this year, and more sample packs/sound libraries that I think people will find useful.
You can find a list of all the tracks Tom has worked on at getyoursnackon.com. Keep up with Tom on Instagram, Twitter, and Soundcloud!
This article was first published on Your EDM. Source: Meet Tom Norris, One Of The Biggest Names In EDM You’ve Never Heard Of
Meet Tom Norris, One Of The Biggest Names In EDM You’ve Never Heard Of published first on soundwizreview.tumblr.com/
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Brandon Moreno who came to UFC from ‘The Ultimate Fighter’ season 24 shocked the MMA world with his striking performances and won against Louis Smolka by submission.
WATCH ONLINE
Sergio Pettis, on the other hand, is on a spectacular winning streak by acing in all of his three last fights.
The winner of this fight would most likely be qualifying to face the current 125-pound champion Demetrious ‘Mighty Mouse’ Johnson.
Other Sources for Watching Online The UFC Fight Night 114 – Pettis vs Moreno
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In this article we’ll teach you how to watch UFC Fight Night 114: Pettis VS Moreno online on Fox Sports outside of US and even evading the Fight Pass blackout
restrictions too. But first, let’s have a look at the fight details and then we’ll jump right onto the streaming and unblocking part.
Pettis VS Brandon Fighter Stats
Both Sergio Pettis and Brandon Moreno already boasts a pretty neat UFC record. Moreno quickly became the fan favorite in his initial fights and have proved his mettle
in “Tournaments Of Champions” which resulted in him being getting a shot at UFC.
On the other hand, Pettis has consecutively won his last three fights and was all set to go against the challenger Henry Cejudo, but that fight got canceled due to the
hand injury suffered by Henry.
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SHYLOCK
To bait fish withal: if it will feed nothing else,
it will feed my revenge. He hath disgraced me, and
hindered me half a million; laughed at my losses,
mocked at my gains, scorned my nation, thwarted my
bargains, cooled my friends, heated mine
enemies; and what’s his reason? I am a Jew. Hath
not a Jew eyes? hath not a Jew hands, organs,
dimensions, senses, affections, passions? fed with
the same food, hurt with the same weapons, subject
to the same diseases, healed by the same means,
warmed and cooled by the same winter and summer, as
a Christian is? If you prick us, do we not bleed?
if you tickle us, do we not laugh? if you poison
us, do we not die? and if you wrong us, shall we not
revenge? If we are like you in the rest, we will
resemble you in that. If a Jew wrong a Christian,
what is his humility? Revenge. If a Christian
wrong a Jew, what should his sufferance be by
Christian example? Why, revenge. The villany you
teach me, I will execute, and it shall go hard but I
will better the instruction.
— William Shakespeare, The Merchant of Venice
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iStock
The hottest rentals around aren’t necessarily those gleaming high-rises with doormen and valets, Olympic-size pools, climbing walls, and happy hour. Instead, single-family homes are seeing the biggest spike in popularity.
The number of house rentals jumped 31% from 2006 to 2017, according to a recent RENTCafé report. Meanwhile, apartment building rentals grew only 14% over the same decade.
The rental listings site analyzed national U.S. Census data to come up with its findings.
“We found it interesting that there was such a huge increase on the single-family rental side, especially given the large number of new apartments completed in the last few years,” says Nadia Balint, a real estate writer for RENTCafé. Many of “these people who are renting single-family homes cannot afford to buy homes.”
There was an influx of single-family homes hitting the rental market after the financial crisis, as these types of houses were scooped up by investors when prices hit rock bottom. The abodes were often fixed up and then rented out to tenants who had lost their own homes to foreclosures or short sales.
Often these ex-homeowners couldn’t afford to buy again, or they didn’t have good enough credit or were just reluctant to make the commitment again.
Even now that the economy has recovered, rising prices and mortgage rates are making it difficult for many renters to make the transition into buying. Rental homes tend to be leased out to younger adults with roommates, families with children, and baby boomers seeking to downsize.
“The availability of starter homes and more affordable homes is pretty low right now,” Balint says. “That’s probably why renters are looking at single-family rentals when they get to a point where they need the extra space.”
But it’s worth pointing out that the apartment rental market is still significantly larger than those seeking to lease out whole houses. There were 26 million apartments for rent, compared with 15 million single-family homes, in 2016. And since the economy has recovered, builders have rushed to put up more luxury apartment towers in recent years.
Some cities have seen much larger rises in the number of house rentals than others. In Phoenix, single-family rentals shot up 77%, from 56,900 in 2007 to 100,800 in 2016, according to the report. (RENTCafé looked at the 30 largest cities by population for the report.) About 44,000 single-family homes were turned into rentals in Phoenix during that decade.
Phoenix was followed by Boston, at 63%; Fort Worth, TX, at 60%; Austin, TX, at 55%; and Charlotte, NC, also at 55%.
However, in addition to Phoenix, the most single-family rentals by sheer numbers were in Los Angeles, at 184,000; Philadelphia, at 111,600; Houston, at 102,100; and New York, at 94,000.
“It’s a great alternative to apartment living and homeownership,” says Mark Wolf, CEO and founder of AHV Communities, which builds communities of detached, single-family homes in the suburbs. “A lot of people want to be mobile. They don’t want to be saddled with mortgage debt, and they want to live maintenance-free.”
His company is currently leasing out 1,500- to 2,000-square-foot homes in three suburban Texas subdivisions. The first is an 82-house development in San Antonio. The other two are in the Austin suburbs: a 92-house development in Georgetown and an 83-house development in Pfluggerville. The communities feature on-site management, pools, fitness centers, clubhouses, and maintenance (e.g., lawn mowing) included in the rent.
The homes range from three to four bedrooms and come with attached garages and full lawns. The rent starts at $1,700 a month.
“They’re truly suburban homes,” Wolf says. They’re geared toward the “many people who don’t want to own and [the] many folks who can’t own.”
Despite the popularity of these rental homes, nationally their rise is beginning to slow from the heyday of 2008 to 2014. House rentals were essentially flat, rising only 0.5% year over year in 2016, according to the most recent data available.
That’s because there aren’t too many companies out there like AHV Communities building these kinds of homes. And investors are more reluctant to purchase rentals now that it’s a seller’s market in most places.
“Now that the prices are going back up, it doesn’t make much sense any more to buy [houses] at a lower price and rent them out,” Balint says.
The post Forget Luxury Apartments; the Hottest Rentals Are Single-Family Homes appeared first on Real Estate News & Insights | realtor.com®.
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Welcome to Gavel Drop, our roundup of legal news, headlines, and head-shaking moments in the courts.
A federal court in New York ruled that anti-choice protesters who have been protesting the same abortion clinic in Queens every Saturday since 2012 were not harassing patients. The court said that the state attorney general failed to show that the defendants “had the intent to harass, annoy, or alarm” patients going to the Choices clinic. Because wielding photos of aborted fetuses and making death threats to clinic escorts is apparently hunky dory.
An attorney for rapist Brock Turner is appealing Turner’s conviction, claiming that the former Stanford student wanted to have “outercourse” with an unconscious woman outside of a dumpster. We at #TeamLegal are confident that woman wanted zero-course, not outer or intercourse.
Plaintiffs who filed a lawsuit filed demanding a recount of a 2014 Tennessee constitutional amendment vote are appealing to the U.S. Supreme Court. The amendment in question—Amendment 1—passed by a small margin and states: “Nothing in this Constitution secures or protects a right to abortion or requires the funding of an abortion. The people retain the right through their elected state representatives or state senators to enact, amend, or repeal statutes regarding abortion, including, but not limited to, circumstances of pregnancy resulting from rape or incest or when necessary to save the life of the mother.” The Sixth Circuit Court of Appeals denied a recount, ruling that the plaintiffs’ voting rights had not been infringed.
Jay Sekulow, one of President Trump’s lawyers, is using the Trump administration’s investigation into the long-debunked smear that Planned Parenthood is selling baby parts on the black market to raise money for his right-wing activist group, American Center for Law and Justice. And wouldn’t you know, that group has funneled millions of dollars to his law firm and his family.
Last week, the Sixth Circuit Court of Appeals heard arguments in EMW Women’s Surgical Center v. Beshear, a case challenging Kentucky’s forced ultrasound law. The law has been blocked since September of last year, when a district court judge struck it down by ruling that the law violated physicians’ First Amendment rights. EMW Women’s Surgical Center in Louisville is the state’s only abortion clinic.
A case about whether Sugar Grove Township in Pennsylvania can force an Amish woman to stop using outhouses and to connect to the sewer system raises religious freedom issues that must be considered more carefully, according to a state appeals court. Iva Byler claims that using the sewer system would burden her religious beliefs. The Amish severely limit use of technology; some don’t use electricity, and Byler’s conservative sect is banned from using items such as chain saws.
Seventeen Democratic attorneys general are ramping up the pressure on the Trump administration in the wake of its family separation policy with a new lawsuit filed in federal court in Seattle. They are asking the judge to order the administration to reunite every family without requiring the families to pay travel costs, end the detention policy, accept asylum seekers at the border, and declare family separations unconstitutional.
Pennsylvania State University Professor Eleanor Marie Lawrence Brown has words for her fellow graduates of esteemed institutions like Harvard and Yale when it comes to the nomination of Brett Kavanaugh. “In less politically precarious times, we might debate whether Kavanaugh’s impressive resume should earn him a ‘yes’ vote, even from Democratic senators,” writes Brown. “But if anyone should realize that extraordinary ‘constitutional politics’ are required in these abnormal times, it is the legal elites who are now writing in support of Kavanaugh.” Read the rest at Vox.
The lawsuit challenging the Trump administration’s decision to add a citizenship question to the 2020 census can move forward. A federal judge ruled the cities and states challenging the move had “plausibly” alleged that the item was “motivated by discriminatory animus and that its application will result in a discriminatory effect.”
Here at #TeamLegal we’ve lost count of how many times Republicans have tried, and failed, to end or undermine Obamacare. One attempt is to allow more and more insurance companies to offer plans that don’t actually comply with the Obamacare rules, like the Department of Labor has proposed. A group of states lead by Democrats New York Attorney General Barbara Underwood and Massachusetts Attorney General Maura Healey are suing the administration to try to stop the proliferation of those plans.
The post Gavel Drop: Six Years of Clinic Protests Is Not Harassment, Says Federal Judge appeared first on Rewire.News.
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The differences between Netflix’s Fyre Festival documentary and Hulu’s are subtle, but the one thing that Hulu didn’t have was Andy King. If the name doesn’t ring a bell, his face, voice, and words will: “I’m like, ‘Oh my gosh…I’m really’—and I got into my car to drive across the island to take one for the team. And I got to his office fully prepared to suck his d*ck.”
Now in a new interview with Netflix, King says that he’s blown away by the reaction to the documentary. He’s most surprised because he doesn’t have a social media presence of his own.
“When someone reached out last weekend and said, ‘you’re trending’, [I was] like, ‘I don’t even know what trending means.’ People are talking about you… and yesterday people were like, ‘you’re a ME ME’, I’m like ‘What’s a ME ME?’”
However, King believes that the media attention can be used as a force for good. He’s putting his social weight behind the various GoFundMes working to pay back the laborers and workers of Fyre Festival.
That being said, he still doesn’t believe a legacy based on sucking d*ck is something to hang his hat on: “I just don’t necessarily want to be known as the blow job king of the world.”
Andy King has seen all of your FYRE Fest memes — and he loves them! pic.twitter.com/mCNgDoHpjW
— Netflix US (@netflix) January 29, 2019
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This article was first published on Your EDM. Source: Fyre Festival’s Andy King Is ‘Blown Away’ By The Response To His Dick-Sucking Story
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Every photo is a moment of intimacy that you want to share with your affections. It is essential to know about the Wedding Photographer before the contract and whether there was “that feeling” that will allow you to be the way you are. For this you might want to look at a previous photo shoot (at no charge to the client) where you can see the result of the images and if you felt comfortable with the photographer.
Find out how to reach the top professional The world of photography is quite interesting and full of alternatives. Most often, photographers have a website displaying different services and specific channels dedicated to other complementary sectors to photography, such as Advertising Agencies, Modeling Agencies, makeup or photo shops. They will normally display a testimonial page also which enables them to showcase what people think of a great wedding photographer.
Wedding Facts
Apart from the wedding cake and dress, most important is the choice of the wedding photos. Opt for the top professional for Wedding Photography, leaving behind the stress of the ceremony. Among others you have to take into account the time, how far the area of the party is, which has several “landscapes” that shots are varied and security of the area (not to go with the face of “an eye that robs us “). The average of these jacks is 45 to 90 minutes.
The contract
It is imperative to keep things clear. So, once you sign the contract, you are hiring a photographer, at least, ask for a simple receipt for the service. You might want to demand a contract stating:
– Name of the Wedding Photographer Sydney, model of the camera.
– Types of lenses, flashes, lights.
– A number of photos that the professional will take and deliver.
– Service before shooting with the photographer hired.
Service Coverage.
Find out whether it will cover the Civil and the post-meeting after the church or the party and so on. What if it rains? All these Wedding Photography Sydney aspects are often covered by the top professionals. Also, ask about:
– Reconciling video clip to show at the party.
– Pages of photos of the honeymoon.
– Mode of delivery of the finished work: Delivery on DVD. Cases of photos/video and print albums.
– Does the photographer deliver the originals?
– Deadline for submission of Best Wedding Photographer Sydney samples.
– Delivery of the finished
Total cost of service.
Price per photo extra to the contract may vary. Find out about payment methods. You cannot forget about any key point.
To conclude, a good photographer- well chosen- happens to be like the doctor. This professional will be “there” whenever you need and will accompany you at various times in your life.
Many important moments are hard to ignore, opt for top International Wedding Photographer solutions and get ready to store emotions. The best wedding photographer is one who knows that your wedding day is one of the most important times in your life and that you are the queen of the ceremony!
The post Top Tips Your Wedding Photographer Forgot To Tell You appeared first on Wentworth Miller.
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Fox News
Alaska flight attendant praised for reportedly saving human trafficking victimFox NewsA flight attendant has been hailed a hero after reportedly saving a teenage girl from a sex trafficker while working on a flight nearly 6 years ago. Shelia Fedrick of Alaska Airlines noticed a girl with greasy blonde hair, believed to be about 14 or 15 …A flight attendant saved a teenage girl from human trafficking after seeing a secret noteBusiness InsiderFlight attendant shares story of saving trafficking victimBBC NewsFlight Attendant Used Secret Note to Save Teen Victim From Human Trafficking on Plane Bound for Bay AreaKTLAwnep.com –myfox8.com –NBCNews.com –WTSP.comall 78 news articles »
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The post Mermaid Tail Blanket, Masall Hand Crochet Snuggle Mermaid Air Conditioning Bed/ Sofa Blanket, All Seasons Soft Novelty Sleeping Bag Blanket for Kids Adult Perfect Gift Choice appeared first on Daily Addtion.
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Akshay Kumar to star in the remake of the South film Veeram
With Toilet – Ek Prem Katha continuing its successful run in theatres, Akshay Kumar is currently making plans to ring in his 50th birthday with his family and loved ones. But right after the birthday fervor, the actor will resume work that includes his film commitments. Amidst a series of films that he has said to have signed, now reports claim that Akshay Kumar has been roped for yet another South remake.
Akshay Kumar, who is known for his action packed roles, will now be a part of the Bollywood remake of the Ajith starrer Veeram which has been tentatively titled Land Of Lungi. This is not the first time where the actor has decided to play the lead in a South remake since he has previously essayed the protagonist’s role in remakes such as Rowdy Rathore and Holiday – A Soldier Is Never Off Duty.
Reportedly, Farhad of the Sajid-Farhad duo has been roped in to make his solo directorial debut with this film and it is said to be produced by Sajid Nadiadwala. As for Akshay’s role, it is being said that the actor will be sporting a lungi clad avatar throughout the film and it will be a rural based drama set in the heartland of India.
The film will feature Akshay as the unmarried brother of three, as the trio decides to follow the footsteps of their elder brother. However, the twist in the tale arises when it is revealed that the three brothers of this bade bhaiya are actually in love with three women and in their attempt to tie the knot with their respective lovers, they make a plan to get their eldest sibling fall in love with someone. What follows is a series of twists along with some high octane fighting sequences with the bad guys, right till the climax.
The original, Veeram starred Tamannaah Bhatia as the leading lady opposite Ajith. Interestingly, the actress has previously been paired with Akshay too in the Bollywood film Entertainment. However, it remains to be seen if their pairing is repeated in this South remake.
On the other hand, Akshay Kumar has a series of films that he needs to focus on as of now, which includes PadMan, 2.0, Gold, Mogul and the film tentatively titled Kesar.
Akshay Kumar to star in the remake of the South film Veeram
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Heidelberg, September 2020
Naturally, the popular version of formalism, which was already casually formulated by Nietzsche, is indefensible. For the artist, form is supposed to be the real content of the work. Art plays with form for its own sake. Content only does service as an alibi. This type of formalism, which, incidentally, cannot be eradicated, is, in fact, no more than a kind of bourgeois aestheticism. Ostensibly, art would be about playing, as much as possible, on the aesthetic—literally: the sensory—registers contained in a medium.
— Frank Vande Veire on Dirk Braeckmann
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“Sex and the City” star Kristin Davis has found the perfect match, with the purchase of a home in the Brentwood area of Los Angeles for $5,289,000, Variety reported. Cosmos all around!
The home sold in late March, and Davis got a discount. It originally hit the market last summer with a list price of $6.6 million. Earlier this year, the price was further discounted to $6.2 million. And the savvy 53-year-old actress managed to knock another million bucks off the amount it took to close the deal.
The “postmodern-meets-Mediterranean villa” as Variety put it, offers five beds, seven baths, and 6,541 square feet on a little over half an acre. The home’s entry features a dramatic two-story foyer and continues to a great room with French doors that open out to the outdoor dining area, pool, gardens, and views of the canyon, ocean, and city.
Kristin Davis’ new home
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Two-story entry
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Living room that opens out to the pool
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Eat-in kitchen
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Master bedroom
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Private balcony overlooking the pool
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The layout also offers a formal dining area and library that open to patios, ideal for entertaining a group of close girlfriends. The eat-in kitchen includes a breakfast bar, butler’s pantry, and wine cellar. An ensuite guest room and a laundry room complete the main floor. Upstairs, the master suite features two bathrooms, a sitting area, and a private balcony that overlooks the pool.
In addition, there’s a separate wing with a private entrance that includes two rooms and a bathroom that could be converted into an studio, gym, or another master suite.
No doubt the Emmy-winning actress appreciates the seclusion of the gated property with a long private drive, located above the Getty Center next to the Santa Monica mountains.
The actress had previously owned a smaller Brentwood property she purchased in 1998 for just under $700,000, Variety notes.
Davis played the character Charlotte York in the long-running HBO series “Sex and the City,” and also starred in the spinoff movies for the big screen. She’s also known for the role of Brooke Armstrong from the soapy night-time drama “Melrose Place.”
The post ‘Sex and the City’ Star Kristin Davis Reportedly Buys Brentwood Home appeared first on Real Estate News & Insights | realtor.com®.
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Hi, I am Theresa Williams. After I have been together with Anderson for years, he suddenly left me. I have done everything to bring him back, but it was all for nothing. I wanted him back so much because of all the love I felt for him. I tried everything, I begged him, I made impossible promises, but he refused.
I told my closest friend of my misery and she proposed to go to a magician with my problem. to cast a spell that would bring Anderson back to me. I am not the type to fall for something like that, but I did not have a choice. I mailed the spell caster and he was quick to respond, that everything would be ook and within three days, Anderson would come back to me. And so he cast his spell.
I could not believe my eyes, when on the second day, around 4 in the afternoon, the phone rang and it was Anderson and he said, he was sorry, and he missed me so much and that he wanted to have me back, I was so happy and I went to him and we live together now as happy as you can be.
Since then, I promised, to tell everyone with relationship problems to go to the same one and true and mighty spell caster that helped me bring my love back to me, so that he helps them the way that he has helped me.
1) Love Spell
2) Lost Love Spell
3) Divorce Spell
4) Marriage Spell
5) Binding Spell
6) Parting Spell
7) Death Spell
8.) Promotion spell
9) satisfy you lover spell
10) Lottery
Contact this magnificient man, if you have a problem for a long-lasting solution!
And this is where the story started.
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Unprecedented Luxury
A prime, luxury freehold development along Paterson Road comprising 85 units spread over two blocks towering 19 storeys. Every apartment has been designed to maximise space and provide total, exclusive privacy. With a selection of 2- and 3-bedroom apartments as well as extraordinary penthouses to offer living spaces to suit the most discerning homeowners and investors. All apartments come with private lift that brings you straight to your beautifully designed home. Less than a minute’s stroll to the thriving Orchard Road yet perfectly tucked away on a tranquil ridge, it offers you everything you have ever desired – city glamour, coveted luxuries, high-end leisure, and above all, peaceful privacy.
Paterson Collection – A prime, freehold development along Paterson Road comprising of 85 units spread over two blocks towering 19 storeys. Select from a range of 2- and 3- bedroom apartments and penthouses. The Orchard MRT Station is just a 5-minute walk away, while a short drive will take you to the Central Business District. A luxurious home, an exclusive address, and the glamour of a prestigious lifestyle are yours to own.
Why to invest Paterson Collection?
Superb Location – Just minutes’ walk to the Train Station.
Proximity to Amenities – Lots of retail malls, F&B and supermarkets located at Orchard Road which is just 300 m away.
Prestigious Address – Paterson Collection is located in the Prime area of Singapore.
Well Connected – Paterson Collection is minutes’ drive to Shenton Way and well link to many major roads and the CTE.
Quality Living – Enjoy the luxurious lifestyle of what Paterson Collection has to offer.
Reasons to Choose Paterson Collection
Minutes away from Orchard MRT Station.
Surrounded with lush greenery to soothe your fatigue.
Exquisite design for maximum comfort.
Highly sophisticated interior design
10 Mins away from the Business Hub
Paterson Collection – A prime, freehold development along Paterson Road comprising of 85 units spread over two blocks towering 19 storeys. Select from a range of 2- and 3- bedroom apartments and penthouses. The Orchard MRT Station is just a 5-minute walk away, while a short drive will take you to the Central Business District. A luxurious home, an exclusive address, and the glamour of a prestigious lifestyle are yours to own.
Paterson Collection is a high-end residential project located along the junction of Paterson Road and Lengkok Angsa, Central Region of Singapore. Both Paterson Residence and Paterson Suites are just situated next to this freehold development. Upon completion, Paterson Collection will comprise of 2 blocks of residential apartments, each at 19 storeys high with a total of 85 luxurious units. The unit mix available at Paterson Collection are 2 bedroom units, 3 bedroom units and also penthouses.
Paterson Collection is approximately 300 m away from Orchard North South Line Station. Its future residents will only need to travel 4 train stations to arrive at the downtown financial district. Come 2021, Paterson Collection’s future residents will enjoy greater convenience when Orchard Train Station’s Thomson Line starts its operation. Paterson Collection is also 3 stations away from Dhoby Ghaut MRT Interchange where its future residents can easily access to the trains services of the Circle Line and the North East Line. For drivers, the Shenton Way is just less than 5 minutes’ drive away. Paterson Collection is easily connected to Orchard Boulevard, Zion Road, Kim Seng Road and also the Central Expressway (CTE) which easily brings its future residents to various parts of the island.
The schools that are situated less than 2 km away from Paterson Collection include River Valley Primary School, Anglo Chinese Junior School, St Margaret’s Primary School, Zhangde Primary School, Raffles Girls’ Secondary School, Gan Eng Seng School, Crescent Girls’ School and Outram Secondary School. Paterson Collection is also close to the world famous The University of Chicago Booth School of Business which offers prestigious post graduate degree programme. It is also close to numerous international schools such as ISS International School, Overseas Family School, Finnish Supplementary School, Swedish Supplementary School and Chatsworth International School (Orchard Campus) which is convenient for expatriates with school going children.
In terms of shopping and dining options, the Prime Orchard Shopping Area is just a short stroll away from Paterson Collection, where major shopping malls such as ION Orchard, Ngee Ann City, Wisma Atria and Paragon are hosted. There are many retails, F&B outlets and supermarkets that are located in these malls. Other nearby malls to Paterson Collection are Wheelock Place, Shaw House, Tang Plaza, Lucky Plaza, Scotts Square, Pacific Plaza, Paragon and Forum the Shopping Mall.
For Paterson Collection’s future residents who wish to experience local food fare, there are 7 major Food Centres to choose from. The Zion Riverside Food Centre, the Beo Crescent Block 38A Market and Food Centre, the Havelock Road Block 22A Food Centre, the Newton Food Centre, the Tiong Bahru Market, the Bukit Merah View Block 115 Market And Food Centre and the Redhill Lane Block 85 Food Centre hosts not just many local cooked food stalls but also market stalls which fresh market produce is easily available.
Paterson Collection is also located near many prestigious clubs such as The American Club, Tanglin Club and The Pines Club. For golf lovers, the Tanglin Golf Course is just a short drive away.
This post was first published at Paterson Collection • Property Singapore
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Newton gets selected as India’s official entry to the Oscars
The second half of September is always an exciting one. After all, it’s the time when the Film Federation of India (FFI) decides which film should be the official entry of India to the Academy Awards, also known as the Oscars. And this time, it’s a Hindi film that has got the coveted chance. That flick is none other than Eros International and Colour Yellow Productions’ Newton, which incidentally has also released today in theatres.
Newton is a story of a rookie government officer who goes to the Naxal-infested jungles of Chhattisgarh to conduct free and fair elections there and how his righteousness leads to hilarious and even shocking consequences. The lead role is essayed by Rajkummar Rao and the film also stars Pankaj Tripathi, Raghubir Yadav, Anjali Patil and Raghubir Yadav. It is directed by Amit Masurkar, who rose to prominence with the indie film Sulemani Keeda. Newton had its world premiere at the 67th Berlin International Film Festival.
Aanand L Rai of Colour Yellow Productions said, “Good films need to reach the audience. Period. We as a production company are lucky to be in a place that we can be instrumental in this process. Over the years people have found connect with Colour Yellow Productions and good storytelling and we don’t want to let go of any opportunity that we get in this regard. Newton is an important film and we will call it an investment not a punt. We really believe the film it’s getting what is deserves and hope it soars more heights.”
Director Amit Masurkar says, “It’s a great honour for us to represent India at the Oscars. We hope this film will bring attention to the need to strengthen democracy in our country. The film is in theatres at the moment and this announcement will help us reach out to a larger audience.”
Manish Mundra, founder of Drishyam Films and producer of Newton says, “This is the most incredible news of our lives – all of our hard work and faith is finally paying off. Newton is a very important film and we cannot thank the Film Federation of India jury enough for recognising and appreciating our efforts. There is truly no greater honour than representing our country at the global stage. And for the news to be announced on the day of Newton‘s theatrical release across India – the stars are truly aligning for us. The critics have spoken, and now we cannot wait for our Indian audiences to go watch the film in the theatres.”
Sunil Lulla, Managing Director, Eros International Media Ltd says, “It gives us immense pleasure that Newton is India’s official entry to Oscars 2018. We at Eros are extremely proud as this film is totally deserving of this huge honour and we will continue to back good cinema as always.”
This is the second time in years that a film currently running in theatres has been selected as India’s official entry to the Oscars. The last such film in recent times that also had a similar experience was the 2012 film Barfi, starring Ranbir Kapoor, Priyanka Chopra and Ileana D’Cruz. The selection of Barfi however led to major controversies as the film was criticized for lifting scenes from prominent Hollywood and other world cinema films. The year after, 2013, saw the biggest fight of Oscar race ever. A small Gujarati film, The Good Road, was sent to Oscars which angered and shocked everyone in the industry. It was the same year when The Lunchbox, starring Irrfan Khan, Nimrat Kaur and Nawazuddin Siddiqui, had hit screens and had created waves across the world like never before. It was believed that The Lunchbox had high chances of picking an Oscar and that India lost a chance of winning the golden trophy. From 2014 onwards however, all the choices have been controversy-free – the small budget Liar’s Dice, hard-hitting Marathi film Court and the intense Tamil thriller Visaranai respectively.
The collections of Newton have been very poor till now and it remains to be seen if this news give a boost to its earnings in the days to come.
Newton gets selected as India’s official entry to the Oscars
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Farah Khan says she is overworked and underpaid for ‘Lip Sing Battle’
After a considerable gap, Farah Khan is back to TV with the musical show ‘Lip Sing Battle’. It is the Indian adaptation of the popular ‘Lip Sync Battle’. Prominent celebrities like Farhan Akhtar, Parineeti Chopra, Preity Zinta, Arjun Kapoor, Karan Johar etc have performed on the stage and as per reports, they have rocked the show. ‘Lip Sing Battle’ also made news when Shah Rukh Khan paid a special visit on the sets to wish luck to Farah, who is her old friend.
Farah Khan has opened up that she is not just the presenter on the show – she is also completely involved in its nitty-gritties, like getting the actors, planning the creatives and even deciding the songs. However, she adds that she wasn’t paid more for the extra work done by her. She joked that she has over worked and has been under paid for ‘Lip Sing Battle’.
‘Lip Sing Battle’ features celebrities lip syncing to a popular song. Farah Khan has promised that the competitive streak of the show has ensured that each episode has turned into a laugh-a-minute riot. She also assured that audiences will get a chance to see the unexplored, mad and fun side of their favourite stars. For instance, she said that Farhan Akhtar, who is soft-spoken and has a reserved image in public, has gone crazy on the show. Even Shaan surprised her with his fun side.
While talking to the media for ‘Lip Sing Battle’, Farah Khan was also simultaneously talking to Ayushmann Khurrana who will be seen in ‘Lip Sing Battle’. Farah admitted that Ayushmann will be teamed up with Raveena Tandon and that the actor-singer is excited. She also assured that her good friend, badmintion player Sania Mirza will be a part of ‘Lip Sing Battle’. The shoot will go on till October and Farah Khan has geared up for crazier times ahead.
‘Lip Sing Battle’ will be co-hosted by Ali Asgar. He’ll be playing Karah, the wannabe Farah. Farah Khan said that he dresses up like her and it’s hilarious to see him as she feels that even she looks terrible! She then praised Ali Asgar’s comic timing and said that she had a gala time shooting with him.
Farah Khan says she is overworked and underpaid for ‘Lip Sing Battle’
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Caste reference edited out of Toilet – Ek Prem Katha
Just a few days before its release Toilet – Ek Prem Katha is embroiled in a caste controversy. A character in the film was heard saying, “I am a Brahmin. But I eat eggs.”
While initially the Central Board Of Film Certification let the line go thinking it is more an individual comment than a comment on any caste or community, it was soon brought to light that the seemingly casual line secretes a caste bias.
“We’ve asked the makers of Toilet – Ek Prem Katha to remove the caste reference. The word ‘Brahmin’ is not allowed specially when seen to be speaking on behalf of the community. The line propagates the myth that Brahamins are strict vegetarians. We cannot allow sweeping generalizations on any caste or community,” says a source from the CBFC.
The line referring to a Brahmin who eats eggs would have to be removed. “The caste system has been abolished in India. If today J P Dutta wants to make Kshatriya or the late Vijay Anand were to make Rajput the titles would not be allowed,” says a CBFC source, adding that way back in 2008 a reference to a lohar (ironsmith) had to be removed from a song and dance featuring Madhuri Dixit in Aaja Nachle.
The censor board has asked the makers of Bombay Velvet to remove the word ‘dhobi’ from a song in the film.
According to guidelines all references to members of any specific caste or community is strictly prohibited through censorial guidelines. “Aamir Khan’s Dhobi Ghat had to get a clearance from the dhobi community before it could be called that,” says a source from the censor board.
Caste reference edited out of Toilet – Ek Prem Katha
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For 25 years, celebrity healer Audrey Hope has been tasked with ridding homes of bad vibes, ominous energy, and unwanted memories.
She’ll never forget the husband and wife who both were diagnosed with cancer after moving into their new home. When Hope arrived to assess the situation, she was struck with the vision of an old man sitting in their living room.
“He was unhappy that this new couple was living in what used to be ‘his’ house,” she says.
You might think that story was pulled straight from the script of “The Conjuring” or one of its sequels. But whether or not you’re a believer, chances are good you’ve encountered bad vibes on your own—that nagging feeling that you’re not comfortable in a particular home but can’t put your finger on why.
So we consulted with some spiritual experts to uncover how bad vibes happen—and ways you can rid your home of them.
How does a house get bad vibes?
A house does hold onto the energy of the people who live—or once lived—there, says Laura Benko, a modern feng shui expert and author of “The Holistic Home: Feng Shui for Mind, Body, Spirit, Space.”
“If the predominant energy was mostly negative—such as violence, illness, or depression—that energy can be imbued into the atmosphere of a space,” Benko explains.
What’s worse? Bad vibes don’t dissipate over time, and can attract—and perpetuate—similar negative patterns in the future.
But the vibes can go both ways, notes Jaya Jaya Myra, author of “Vibrational Healing: Attain Balance & Wholeness.”
“Happy people will also leave the imprint of their positive energy in a home,” says Myra, who regularly performs space clearings and home blessings. “Although the more negative emotions tend to be denser and hang around longer if not consciously cleared out.”
Just know that there’s a difference between having a crappy day and being surrounded by bad juju in your home.
If you’re experiencing the latter, you may feel like someone’s watching you, according to Davida Rappaport, an intuitive and spiritual counselor. You could feel hot or cold spots in your house that make you uncomfortable. Your skin may crawl. You might even get lightheaded, feel faint, or have trouble breathing.
If you notice any of the above symptoms, you’ve come to the right place. Here’s what to do next.
1. Do a deep clean
Just as you’d scrub the dirt, grease, and grime from a home, you need to deep-clean its vibes, too.
“Burning sage in a space can help clear the negative energy and also micro-contaminants in the air,” Myra says. “It has a strong purifying effect and is a great catch-all for cleaning up most sorts of unwanted energy.”
To use it on your own, light a bunch of sage and blow out the flame. Then move around the home, blowing smoke into each corner, closet, and floor of the home, advises Maureen K. Calamia, author of “Creating Luminous Spaces.”
2. Absorb all that bad energy
Salt isn’t just for seasoning food: “It’s great at keeping out unwanted energies,” Myra explains.
Gently mist saltwater on your baseboards or carpet. Or, if you don’t have curious toddlers or mischievous pets, place a few cups of coarse sea salt in central spaces to help absorb any bad juju in your home.
“Be sure to remove them 24 hours later and throw them away outside,” Calamia says. “Any longer than that and negative energy starts seeping back in.”
3. Deploy something stronger than air freshener
Certain essential oils can be helpful in clearing out old energy, Myra says—and they can boost your mood, too. (Because who can live among bad vibes and be happy about it?)
Lemon is energizing, lavender is relaxing, and peppermint can both purify and invigorate.
4. Visualize a positive energy
There’s something to be said for positive thinking. And even if you’re feeling anxious about all this talk of bad vibes, keeping an upbeat attitude can help reduce the amount you worry.
Try standing in a central place in your home, saying a prayer, and visualizing your home blessed with golden-white light, Calamia suggests. State your positive intentions and goals for the coming year—yes, even if one of those is to bring better vibes into your home.
5. Try meditation
You know that daily yoga practice you’ve always wanted to start? Or how you’ve been declaring for years that you’re going to get yourself some inner peace? Now’s the time.
“Cultivating a spiritual or meditative practice in your home is a great way to keep positive energy in your space,” Myra says.
6. Call a professional
Who you gonna call? It’s a personal decision, based on how much intervention you think your home needs.
Arguably the most mainstream choice is a feng shui practitioner who can help adjust “energy imbalances” in your home. A spiritual practitioner can perform rituals with incense or sage (and also throw in a house blessing).
Have a hard-core issue? “Consult a psychic or someone who specializes in exorcising spirits or energy,” Rappaport says.
7. Consider other explanations
In love with a home, but can’t shake the bad vibes? Before you walk away, consider alternative reasons for this feeling.
“Some people are more sensitive to their surroundings than others,” points out Tina Williams, a broker with Russ Lyon Sotheby’s International Realty in Scottsdale, AZ. “Electromagnetic fields and infrasound are both responsible for making people have feelings of paranoia, nausea, headaches, and a general ill feeling.”
There could also be even simpler explanations why a home doesn’t feel right to you.
For instance, “if a home smells masculine and there are traces of bachelor-type living with kids’ pictures around, then a buyer will subconsciously—or consciously—pick up on it ‘feeling like a divorce,’” Williams points out.
Sometimes, just having a home professionally cleaned may be enough to change your initial impression.
“People need to picture themselves in a home,” Williams says, “not try to picture who was there before.”
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Tennis star Nick Kyrgios was slapped with a hard fine of $17,500 for pretending his water bottle was a penis … and masturbating it on the court. It all went down Saturday during his Queen’s Club Championship semi-final match when…
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In need of a sneaker upgrade? Right now, Shopbop has a sale on sneakers from brands like Puma, Fila, Superga, Keds, and more.
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[Images courtesy of Balmond Studio]
Last summer, BUILD met with engineer-architect-artist, Cecil Balmond at his London Studio to discuss his most recent projects and the thinking behind his experimental design process. Prior to opening Balmond Studio, his career spanned 40-plus years at Ove Arup & Partners where he worked on pioneering projects with renowned architects all over the globe. Balmond discussed the notion of architecture in a dynamic environment, the designer’s intuition, and his most recent projects. For part 1 of the conversation, hop over to ARCADE Magazine, Issue 36.1, available in print and on their website.
Tell us about your previous role as Deputy Chairman at Arup, where you led thousands of engineers and architects.
There were seven of us on the board of directors at Arup and I was head of building business globally with around 6,000 people under my supervision. When I joined, Arup was a company of about 5,000 people and when I left it was 11,000 people. The job was a huge bureaucratic task in one way, but on the other hand, I was the only director who had an active design group. My design group ranged from 25 to 60 people and we handled about 30 jobs per year. I would choose two or three of these projects and I’d personally lead the design.
It was at this time that I began setting up the Arup architectural practices in Beijing, Shanghai, and Turkey, as well as the sector architectures such as ARUP Sport and Arup Health. Arup Sport was a great success and we hired expert architects to lead the projects, like Richard Rogers and Norman Foster.
How would you characterize the spirit at Arup?
Arup was a special organization because really it was led by Ove Arup at the beginning, who was a philosopher and a mathematician more so than an engineer. He was a man of the world with open ideas. That way of being really filtered down to certain people, like myself and others, who, if I’m honest, believed in design, and not necessarily engineering or architecture. Design was a much wider thing to us. Architecture had its own expert skill zone, and when it comes to the real grit of architecture, the specifications, window schedules, and the engineering, there is a horrendous, humungous amount of calculating to be done. But those are the mechanical parts of it. A great engineer is simply wonderful to watch at work because they’re intuitive, and I don’t just mean structural engineers, but environmental engineers, lighting engineers, etc. They’re dealing with intangibles almost, and yet they have an intuition that influences the building in a very holistic way. This method of working significantly contributed to my thinking that there are no limits in design.
Was there a particular moment or project that encouraged you to formalize your practice as an engineer-architect-artist?
No, it’s like a lot of things in life, you drift. It’s a question of being an opportunist. Occasions occur where your instinct is primed to take advantage of key opportunities. If you are a creative person, you are pushing, not knowing what you are pushing at and then something comes up and you just jump, you take it, and I think my career has been a series of those jumps.
There was a cathartic moment at about age 35 when I was smoking outside my office and decided when I went back in I could never do the same thing again. It was that decisive, I just knew. But I didn’t know what was next. So, I went back in and threw out all my learning and started learning again. I went through a personal mentorship for the next five years. I studied at night, going back to the original treaties of mathematics, going back to the three forbidding books and six postulates of the Greek mathematician Euclid. I went back to the very first precepts set by the Greeks, like the philosophy of the point above a line, above a plane, the line being drawn through thepoint, above the plane, being parallel, and so on. The books written about those postulates engaged my mind totally. It provided me with a mobile sense of geometry. Those postulates soon led to the idea of proportion.
The next step took five to ten years and it involved believing in a mobile sense of geometry, where forms are constantly in motion and architecture is only a snapshot in time. This led to a proportional sense of space and ultimately an episodic treatment of design. This sequence was dependent on releasing my hand and thinking more freely. It required that I start thinking differently about design, that buildings don’t stop at the four corners, and that they don’t necessarily have to have a floor, a roof, and sides. It was a personal odyssey of unlearning and it is key to the work I’m doing today.
Is there a common way that you approach each design project?
The way I work is generally scale-less as an idea. I tend to start with a metaphor or a feeling, something really vague. Then comes a sketch of something in space, some notion of space, or more accurately the notion of the intersection of space between it, it’s interiority, and the relation of the context of where it is. Just purely conceptually and it’s nothing to see yet. It might just be a few lines or a blotch. Then comes the idea of what is it. Is it art, engineering, or an architecture piece? Then comes the functionality, then comes the choice of scale. Once you choose scale, the material locks in. If it’s very small its thread or wire. If its humongous, its steel or trusses. Then comes configuration of scale. Last of all would be structure — actual structure as it means to an architect today. The actual skeleton, the actual thing is the last thing. If you start with that at all, you’ve lost the building. You’ve lost the spirit, you’ve lost what the building can do. At the end of my book Informal, there is a very interesting table of the hierarchy of decision making that goes through my mind.
You note that challenging assumptions is critical to your work. What is a recent example where challenging an assumption made a significant difference to the outcome of the project?
Toyo Ito and I designed the 2002 Serpentine Gallery Pavilion together and we decided to start with a box. Upon looking at a map of London’s Hyde Park, where the Pavilion is located each year, we realized that the park is a collection of crisscrossing lines. Then came the idea that this pavilion is the gathering of lines. We started playing around with algorithms and the type of geometries similar to the movement of a ball around a billiard table until we hit upon a geometry that came back on itself and completed the box. This exercise allowed us to break the boundaries of the envelope and challenge the notion of the box. Even though it was a 50-foot by 50-foot structure, the viewers inside had no idea that they were in a box. Spatially, it was much bigger than the bounding box of its geometry.
Tell us about your discovery of aperiodic tile invented by the mathematician Robert Ammann.
20 years ago, I felt that architects and the graphic arts had no idea what mathematics does, so I started researching numbers. I quickly realized that the prime numbers have powerful sequences that are unpredictable. They look like a kind of music when I interpret them, and they’ve held my interest for years. The geometry of these tiles is based on the prime numbers and this is what makes them aperiodic in that their assembly results in a new pattern each time — they never repeat. Daniel Libeskind and I applied the tile to the V&A Spiral which is the proposal for an extension to the Victoria and Albert Museum in London.
Your QXQ project addresses the need for prefabricated, modular housing. In your experience, what are the hurdles of implementing prefabricated, modular housing on a mass scale?
It’s the biggest challenge in the industry and no one’s cracked it — not even Arup. Years ago, they went in with a huge contractor here in the U.K. who does housing and they spent a lot of money researching prefab design. The result ended up looking like every other prefab. And that’s the problem, because in the end, for mass production, you need corners and right angles, and once you have corners and right angles, to save money you close the surface and then you’ve got a box. You can go and cut corners and triangles out and make it look interesting, but it’s still a box. You haven’t cracked the sense of living.
In order to be successful, prefabrication shouldn’t start with conventional ideas. It would be great to think that prefab housing could inject a new idea of living in such prescribed spaces. No one has been successful at this yet and I tried a bit with the QXQ project. So many boxes have already been done and I don’t want to do another box. What can I add to it apart from cuteness and your sensibility of design? I was interested in refuge housing and wanted to investigate low technology, using my ideas to make things less expensive. I wanted to try to use architecture in adaptable ways using cheap materials but highly sophisticated design techniques to make an interesting statement while being functional. My design started with a dodecahedron and sliced off parts. This allows stacking in any direction and, interestingly, it created the idea of a colony of tightly fit modules rather than a collection of prefabricated homes. All the sudden, you’re into biomorphic design and while the architecture and structure are straight-forward, the services become challenging. Where do the ventilation, water, and sewer systems fit? We haven’t quite cracked it yet. We’re building two units as a test, but we really need to build 12 of them to check our assumptions, and we need to be building hundreds of units to be commercially viable. There are a number of interested clients from all over the world and a particular army was interested in 40,000 units. That’s the kind of scale we need to make the concept great, but we need to get the first one right.
Rem Koolhaas cites that, “through your work, engineering can now enter a more experimental and emotional territory.” Are academic engineering programs following your lead?
I know certain architecture and engineering programs have taken my books as curriculum. The Scandinavians were the first to take up Informal, then some universities in the States and in England started using the book. I think it’s impacted young architects more than the engineering community as I suspect that the engineers may be enticed by the work but are afraid to pick up the book because the thinking is so radically different.
How has a non-linear approach to design affected the other areas of your life?
I started organizing parts of my practice at Arup in a non-linear basis and it was very successful. Rather than applying top-down thinking, I began using an informal, emergent thinking. As an example, I deliberately don’t file my books, so I go searching my library and randomly pick a book, and then open up to the middle of the book and I read. That immediately kicks me into something I never even thought of. In the early ‘90s I became convinced that the world was non-linear. We simply fight it to be linear in order to understand it. But actually, it was not understandable in the first place.
You’ve had a synergistic relationship with artist Anish Kapoor, including your collaborations on the 2003 Marsyas exhibit at the Tate Modern, the Temenos sculpture in north England, and the Arcelormittal Orbit built for the 2012 summer Olympics. Tell me a bit about the balance you two have found working together.
Anish and I came together originally for the Marsyas exhibit at the Tate Modern. It’s not so much the mechanics of the form making with Anish, it’s more about the discussions we have of what does it mean. I think that’s the driving spur between us. The mechanics of how you make the form is part of whoever’s skill set it falls under. So, if the items involve big spans, I’m doing it. If it’s an issue of color and surface, he’s doing it. Creative tensions about what is good or not arise, but it’s precisely these discussions that lead to the power of the form. It’s about a visceral reading of the form and how it moves you physically.
In any of these designs, you’ve got non-linear architectures and engineering forms, but it seems like you’re typically able to use a standard kit-of-parts like steel channels and I-beams. Do you feel that the materials and parts ever limit the form factor?
No, because I always take the materials as a given out of pragmatism rather than thinking that I’m going to invent a new material or form. This isn’t to say that you compromise what you’re doing, but you need to rationalize how you’ll build a design and in that comes certain decisions to make about the material.
Do you have any structural inventions that you’re particularly proud of?
The roof of the Arnhem Centraal project in the Netherlands includes a giant column that’s approximately 100-feet wide. It twists in space to support the roof and ground floor planes and it’s one of my best inventions. I thought the design would be prohibitively expensive, but it wasn’t.
Sensibilities and Intuitions of the Master Designer; an Interview with Cecil Balmond, part 2 syndicated from thegardenresidences.wordpress.com
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Hi, guys!
I hope you had a wonderful Memorial Day weekend! Ours was SO FUN – and it made me even MORE excited for summer on the South Shore. Have I mentioned we’re never leaving?
It’s funny… when we first moved south of Boston, I was so resistant. I couldn’t imagine not living in the city, and I thought the suburbs were so far from life conveniences and things to do. Now, I know I couldn’t be more wrong!
The South Shore is such an amazing place, and we really lucked out with our current situation. I mean, Mal and I grew up northwest of Boston and didn’t know anything about this area. Now, we’re so close to so many awesome places, activities, and friends. Man, I am so pumped for summer!!
Anyway… that was a bit of a tangent. Here’s a recap from our Memorial Day Weekend!
1. Checking out The Hangout at Union Point. If you’re local, this is SUCH a find. The Hangout is a new place to, well, hangout this summer. It kicked off with an epic food truck rodeo, live music, yard games, and a pop-up shopping area.
We went with some friends and, my gosh, we had a great time!
Matching skull tattoos!
2. Learning that The Hangout has a ton of events throughout the summer! Yesssss! Check out the schedule below – there are more food truck rodeos, outdoor movie nights, farmer’s markets, and (not listed, but awesome) is a place called The Brew Can, which is basically an outdoor bar at The Hangout.
There’s so much fun at one place, which just happens to be less than 10 minutes from our house. You’ll definitely see us at The Hangout this summer!
3. Breaking in our Duxbury sticker with our first trip to the beach this summer!
Quinn had a great time at the beach, but I think he played in the car more than on the beach. The kid does what he wants!
4. Enjoying some deeeeelicious Chameleon Cold Brew on the beach! The nice people from Chameleon Cold Brew sent me some of their concentrate to try, and I’m in love. A little goes a long way! It’s so strong and smooth – and perfect for the beach. I plan to pack some every morning we hit up Duxbury!
FYI: My bathing suit is from Target – and the top is super supportive!
5. Cracking open our brand new sunscreen from Beautycounter! I love this stuff and won’t put anything else on my family.
6. Trying this new Zucchini Pizza Crust from KBosh. The nice folks from KBosh sent me some to try, and I’m definitely a fan. It was delicious! The crusts are really thin, so they get nice and crispy. They also come in a bunch of other flavors, including broccoli, spinach, kale, cabbage, and even a cauliflower dessert crust. Neat, right? If you’re interested in trying these crusts for yourself, you can save 10% and get free shipping on 4 packages or more with code keto10.
7. Completing “Murph” 3 minutes faster than I did last year! I mentioned this a couple of weeks ago, but it doesn’t “feel” like I am working all that hard at OPEX. I mean, I’m definitely challenging myself and progressing with weights and movements, but I’m not beating myself up like I used to during CrossFit workouts, so I wasn’t really sure how much progress I was making on the fitness front. Finishing Murphy 3 minutes faster and feeling pretty good during the workout was definitely telling to the progress I’ve made in these several weeks. Murph usually crushes me, and it really wasn’t that bad this year!
FYI: I wore my Boston Launch (running sneakers) for this workout because it called for 2 miles, which was a really good decision!
8. A solid grocery shopping and meal prep day! I love setting us up for a healthy week ahead, especially after a fun weekend!
9. Having friends over for dinner and drinks on Sunday night. We made Cabo Calientes (I’m working on an easier beach recipe – no muddling required) and grilled meat and veggies for dinner.
We had such a blast together, so I barely took any photos – except this one at the end of the night. It was clearly a sign of an awesome evening!
10. Enjoying a delicious Warm Chocolate Chip Cookie Bowl for dessert on Monday night. OMG, I’m still loving this single-serving treat. If you haven’t made it yet, you NEED to!
Question of the Day
How was your Memorial Day Weekend? What were some of the highlights?
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City devastated by OxyContin use sues Purdue Pharma, claims drugmaker put profits over citizens’ welfareLos Angeles Times“A lot of individuals we are coming across have worked, have had a job, and somehow they were introduced to prescription drugs,” said Staci McCole, one of two social workers recently embedded with the Everett Police Department to help officers handle …and more »
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Actress and noted house flipper Diane Keaton was 30 and fresh off the success of her title role in “Annie Hall” when she splurged on a palatial New York City apartment 21 stories above Central Park, in the historic San Remo building.
“It was one of those remarkable apartments,” Keaton recalled in an interview last year with Wine Spectator. “There was a window on every side. Everything was wide open. That was the beginning of my true interest in architecture.”
It’s not exactly clear when Keaton, 72, sold the apartment. According to property records, it’s traded hands at least twice since her ownership and was recently listed for $17.5 million.
The apartment spans an entire floor of the building’s south tower and has prime views of The Lake, which is home to picturesque rowboats in the summer and ice skating in the winter.
The three-bedroom, three-bath apartment has been “masterfully restored, reviving the elegance of the San Remo’s original details with the comforts of modern living,” agent Dan Fishman says in the listing.
Exterior
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The apartment’s large living room has a herringbone-patterned wood floor and views of Central Park. The coffered ceiling has been painted white, giving the room an open, airy feel.
Living room
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Keaton is an avid fan of black and white color schemes at home, and would likely approve of the updated kitchen’s striking color palette for the tiles and backsplash, and stainless-steel appliances.
Kitchen
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Kitchen sink
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The dining room comfortably seats eight, and the corner master bedroom is large, with views of the park from every window. There are built-ins in each of the apartment’s three bedrooms, maximizing the available space.
Dining room
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Master bedroom
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Library
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The San Remo has been home to a number of well-known celebrities, notably Demi Moore, Dustin Hoffman, Steve Jobs, Steve Martin, and Steven Spielberg.
“I had to sell it because they wouldn’t let me rent it out. I still really resent that,” Keaton said in an interview last year with Architectural Digest. “You could just see out everywhere! That was my first opportunity to just spatially become acquainted with something that was a big square that could break into other big squares, and it was just filled with light.”
After selling the apartment, Keaton began flipping historic homes in her spare time, while starring in a string of successful movies. Last year, she published her latest book, “The House that Pinterest Built,” which documents her love of architecture and interior design, and how the internet helped shape her design aesthetic.
The post Diane Keaton’s Former Apartment in New York City Is Listed for $17.5M appeared first on Real Estate News & Insights | realtor.com®.
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Mankind Pharma pulls out controversial Navratri-themed ad campaign featuring Sunny Leone
The Navratri-themed promotional hoarding of Manforce condoms, featuring Sunny Leone, across Gujarat has led to a lot of brouhaha. The hoardings with the message ‘Aa Navratriey Ramo, Parantu Prem Thhi’ (This Navratri, play but with love) were aimed at encouraging youths to use condoms, manufactured by Mankind Pharma, during the festival. However, it didn’t go down well with majority of the people and protests erupted over it in Surat.
And now, Mankind Pharma has pulled down close almost 500 of these controversial hoardings. This was done after a traders’ body, Confederation of All India Traders (CAIT), protested sharply against the message in the ad. This traders’ body has even written to the Minister of Information and Broadcasting Smriti Irani and urged that celebrities who endorse brands should be made accountable for advertisements featuring them.
CAIT secretary general Praveen Khandelwal said that Navratri is a festival that celebrates the strength of a woman. It’s shocking that a brand time its condom commercial around the festival.
Meanwhile, National Medicos Organisation (NMO), which is affiliated to RSS, had called for a boycott of Mankind Pharma’s medicines and other products. They asked the 5,000 doctors affiliated to them that they should not prescribe the medicines of Mankind Pharma. NMO chief Dr Prakash Kurmi said that Mankind’s medicines are cheaper and its field officers share a good relationship with the doctors. But with the Navratri ad, they have crossed their limits and since they hurt the religious sentiments, the NMO has boycotted their products.
After withdrawing the controversial ad, Mankind Pharma tweeted, “Navratri hoardings campaign was not meant to hurt anyone’s sentiments and was immediately withdrawn. We deeply regret any such incident”. Now that they have pulled down the hoardings as well, looks like it will be the end of all controversies for this pharma brand.
Mankind Pharma pulls out controversial Navratri-themed ad campaign featuring Sunny Leone