View allAll Photos Tagged URLs
CHRISTY-FLORIST94503374網誌一覽Background背景stage婚嫁EVENT場所裝飾POSTER婚慶Idea 宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場合PARTY擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
http//www.flickr.com/photos/94503374/
//blog.xuite.net/wedding_decorations/hkblog
http//www.weshare.hk/94503374decoration
http//christyflorist.tumblr.com/
http//eventdecoration.pixnet.net/blog
http//plus.google.com/106737217008195886143
//youtu.be/W1AXoqcKAZA //
youtu.be/VNilzfUuWwQ?t=1m49s
www.youtube.com/watch?v=e0lR1RKfTcw
www.flickr.com/photos/wedding-decoration
eventdecoration.pixnet.net/blog/
//printing-style.blogspot.hk/
CHRISTY-FLORIST94503374網誌一覽Background背景stage婚嫁EVENT場所裝飾POSTER婚慶Idea 宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場合PARTY擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
http//www.flickr.com/photos/94503374/
//blog.xuite.net/wedding_decorations/hkblog
http//www.weshare.hk/94503374decoration
http//christyflorist.tumblr.com/
http//eventdecoration.pixnet.net/blog
http//plus.google.com/106737217008195886143
//youtu.be/W1AXoqcKAZA //
youtu.be/VNilzfUuWwQ?t=1m49s
www.youtube.com/watch?v=e0lR1RKfTcw
www.flickr.com/photos/wedding-decoration
eventdecoration.pixnet.net/blog/
//printing-style.blogspot.hk/
BEASLEY TALKS UNFINISHED BUSINESS 2 & URL UPDATES
battledomination.com/beasley-talks-unfinished-business-2-...
America, 19th century
oil on canvas
Unframed: 41.3 x 61 cm (16 1/4 x 24 in.)
Bequest of Edgar A. Hahn
Hadn't been to the Omelette Shoppe in a while, looks like they have new mugs, and a domain name that seems to have been inspired by vanity license plates and/or bad SMS shorthand.
Thomas Sully
American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania
9 x 11 1/2 in. (22.9 x 29.2 cm)
medium: Ink, wash, on paper
Metropolitan Museum of Art, New York, NY 53.182.22 recto 1953
Rogers Fund, 1953
Born in Rhode Island, Gilbert Stuart studied painting in London under fellow American expatriate Benjamin West (also in this gallery). He achieved great success as a fashionable portrait painter of high society, most famously George and Martha Washington. Here, he portrayed Mary Stuart (born Campbell), the great-granddaughter of Colonel Peter Bard, a New Jersey Supreme Court judge. She married Dr. James Stuart, whose portrait was also painted by Stuart (unrelated to the sitters). Both are shown seated in an Empire chair upholstered in brown brocade. Stuart painted the portrait pair on panel because the British naval blockade during the War of 1812 hindered the import of canvas, the artist’s preference.
America, 19th century
oil on wood
Framed: 102.2 x 85.1 x 10.2 cm (40 1/4 x 33 1/2 x 4 in.); Unframed: 83 x 65.7 cm (32 11/16 x 25 7/8 in.)
The Charles W. Harkness Gift
This dwarf-like, protective deity was very popular in ancient Egypt. Bes is represented with the nude body of a dwarf, grotesque facial features, and the ears and mane of a lion. He wears a tall feather-crown and usually rests his hands on his hips. Known from as early as the Middle Kingdom (ca. 2000 BCE), Bes was venerated as a protector of the home, family, and childbirth, and for that reason figures prominently in domestic magic and amulets. His close connection to all aspects of fertility and sexuality is demonstrated by the presence of his image in the "Birth-houses"-shrines associated with temples of the Late Period and Ptolemaic period. He also had a special relation to the goddess Hathor and performed in her retinue as a musician and dancer.
This amulet-pendant presents the god in a standing posture. The stocky figure is compact and dominated by the massive feather crown. Dark blue markings show the structure of the feathers and highlight the armlets and bracelets worn by the god. The amulet has a rectangular base and a loop on the back.
Egyptian
H: 2 1/16 x W: 15/16 x D: 5/16 in. (5.28 x 2.4 x 0.84 cm)
medium: Egyptian faience with blue and black glaze
culture: Egyptian
dynasty: early Ptolemaic Dynasty
Walters Art Museum, 1931, by bequest.
This small drawing of a young girl wearing a chaghtai cap may be a likeness of a member of a royal or courtly Mughal family. The accuracy of female portraiture is an unresolved issue in Mughal art, as there are many paintings of women that appear to be studies of female beauty rather than visual records of real people. However, because the girl in this painting is not an idealized type, it is more likely that this is a true portrait. Unlike jewel portraits of emperors that were intended to be worn in public as status symbols, this was more likely a private gift of sentimental value.
India, Mughal, 17th century
ink drawing with slight accents of color
Image: 3.3 x 2.4 cm (1 5/16 x 15/16 in.); Overall: 4.6 x 3.8 cm (1 13/16 x 1 1/2 in.)
Gift of Arthur L. Parker Foundation
Byzantine Gold Coins The vast number of surviving Byzantine coins attests to the level of trade across the empire. Controlled and supervised by the emperor, the producers of coins took care to represent his authority and reflect his stature. Talented artists were recruited to engrave the dies (molds) used for the striking of coins. Emperors increasingly came to include their heirs and co-emperors on their coinage, as well as other family members or even earlier rulers. Coins were recognized, then as now, as small, portable works of art. With their inscriptions and images, Byzantine coins provide valuable documentation of historical events and a record of the physical appearance of the emperors. The coins shown here include the solidus, the basic gold coin of 24 karats; the tremissis, a gold coin of one-third the weight and value of the solidus; and the nomisma, which in the 10th century replaced the solidus as the standard gold coin.
Byzantium
gold
Diameter: 2.1 cm (13/16 in.)
The Norweb Collection
JAI TALKS SHOTGUN SUGE’S MADE IN 973 ALBUM, URL’S BORN LEGACY 3, DRE DENNIS & MORE!!!
battledomination.com/jai-talks-shotgun-suges-made-in-973-...
CHRISTY-FLORIST94503374網誌一覽Background背景stage婚嫁EVENT場所裝飾POSTER婚慶Idea 宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場合PARTY擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
http//www.flickr.com/photos/94503374/
//blog.xuite.net/wedding_decorations/hkblog
http//www.weshare.hk/94503374decoration
http//christyflorist.tumblr.com/
http//eventdecoration.pixnet.net/blog
http//plus.google.com/106737217008195886143
//youtu.be/W1AXoqcKAZA //
youtu.be/VNilzfUuWwQ?t=1m49s
www.youtube.com/watch?v=e0lR1RKfTcw
www.flickr.com/photos/wedding-decoration
eventdecoration.pixnet.net/blog/
//printing-style.blogspot.hk/
Photographer: https://www.facebook.com/Milanbridal
Mọi chi tiết về chụp ảnh, vui lòng liên hệ
Phone:0937 077496 (MILAN)
Email:milanaocuoi@gmail.com
Địa chỉ: 04 Duy Tân - Liên Nghĩa - Đức trọng - Lâm Đồng
( Cách Sân Bay ĐÀLẠT 1km )
CHRISTY-FLORIST94503374網誌一覽Background背景stage婚嫁EVENT場所裝飾POSTER婚慶Idea 宴會婚禮場地禮堂BANNER結婚FoamBoard大型噴畫style場合PARTY擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|TRACKBACK_URL_FOR THIS POSTS佈置網誌一覽蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
http//www.flickr.com/photos/94503374/
//blog.xuite.net/wedding_decorations/hkblog
http//www.weshare.hk/94503374decoration
http//christyflorist.tumblr.com/
http//eventdecoration.pixnet.net/blog
http//plus.google.com/106737217008195886143
//youtu.be/W1AXoqcKAZA //
youtu.be/VNilzfUuWwQ?t=1m49s
www.youtube.com/watch?v=e0lR1RKfTcw
www.flickr.com/photos/wedding-decoration
eventdecoration.pixnet.net/blog/
//printing-style.blogspot.hk/
When you choose the "small" size of the original photo...right click (contolr click for Macs) on the download link...and choose "Open in New Window". This will open the small size image in a new window and give you the "static" URL for that image in the address bar.
Your name: Dara Michalski
Your location: Sandy, UT, USA
Your blog’s name and URL: Cookin' Canuck www.cookincanuck.com
Your photograph’s title: Shrimp, Sun-Dried Tomatoes & Asparagus Bucatini in White Wine & Garlic Sauce
URL of the post containing the photograph: cookincanuck.blogspot.com/2010/05/shrimp-sun-dried-tomato...
Type of camera used, lens if you wish: Canon Rebel XSi 18-55mm
[url=http://www.sexylovedolls.com]full silicone love dolls[/url]
[url=http://www.sexylovedolls.com]Infant love dolls[/url]
Acquired in 1925, this head was initially identified as a portrait of the Empress Lucilla (lived AD 149-182), wife of the Emperor Lucius Verus, who co-ruled with Marcus Aurelius from AD 161-169. More recently, scholars have identified the portrait as a representation of the Empress Faustina Minor (lived c. AD 130-176/177), wife of Marcus Aurelius (r. 161-180) and mother of Lucilla. The two women, relatively close in age, share a number of portrait features: heavy-lidded eyes, with incised irises and pupils; small mouth; and a distinctive hairstyle, parted in the center and pulled back in waves to a braided knot at the base of the neck.
Italy, Roman
marble
Overall: 25.4 cm (10 in.)
Did you know...
Scholars have disagreed about this portrait's identity—probably an empress, either Faustina Minor or Lucilla.
Purchase from the J. H. Wade Fund
Originating in the Americas, the practice of “taking snuff,” or inhaling pulverized tobacco through the nose, became a common European custom by the 17th century. Consumers of all social levels and of both sexes would carry small, airtight boxes filled with the powdered tobacco, taking a pinch whenever they needed. Over time, however, society’s elites began to purchase and commission increasingly extravagant and precious boxes. Kings and Queens would often present snuffboxes to ambassadors as diplomatic gifts and to courtiers as payment for services. Made of a variety of precious materials, including gold, enamel, semiprecious stones, lacquer, and tortoiseshell, snuffboxes were coveted and enthusiastically collected. Displaying one’s collection of prized snuffboxes or stylishly retrieving an elegant box from one’s pocket were important social rituals; these objects revealed a person’s tastes, interests, and erudition. Frederick, Prince of Wales (1770-1751), heir apparent to the British throne, presented this chiseled gold snuffbox with a presentation inscription to Dr. Nathaniel Lee (1664-1755). On 4 June 1738, Dr. Lee attended the Prince of Wales's wife, Princess Augusta of Saxe Gotha, during the birth of of the couple's first son, who eventually reigned as King George III.
The snuffbox shows Jupiter grasping a thunderbolt and seated on his eagle amidst clouds. The border shows floral festoons and two crossed braches of laurel. Round the body is a double line of flowers or shells. On the bases is a trellis pattern. The motif of Jupiter is copied from the design of Claude Audran III (1658-1734) peintre du roi, for the center portion of a tapestry from the set of "Les portieres des Dieux, Les quatre Elements (Jupiter for Fire) which were ordered in 1699 and painted before 1702.
The inside of the cover is engraved "The Gift of / Frederick Prince of Wales / To / Nathl. Lee M.D." This is English work, probably made in London, ca. 1738. There are no marks. In his will Dr. Lee left the box to "Mrs. Sarah Beavis of Hatton Garden."
H: 1 1/16 × W: 2 1/4 × L: 3 1/16 in. (2.7 × 5.7 × 7.77 cm)
medium: cast and "ciselé" gold
Walters Art Museum, 1931, by bequest.
Shiva tenderly places an arm around his wife, the goddess Uma (also called Parvati), in a gesture that is familiarly human. Both rest their weight on one hip, their bodies complementing one another. Shiva’s front hand gestures in reassurance, while Uma’s would have held flowers offered by priests and devotees.
Depending on their wealth, temples might have dozens of processional sculptures in various forms to be paraded around for different occasions. This image of a loving couple would be suitable for celebrating a marriage ceremony. Like the bride and bridegroom, the sculpture itself would have been adorned with beautiful jewelry: necklaces, crowns, diadems, ear ornaments, and rings, donated by royalty, wealthy landowners, and merchants.
Widely admired today for their craftsmanship, this festival bronzes was produced in southern India, mostly in the state of Tamil Nadu, during the Chola dynasty (9th–13th century). The Chola kings and their people spoke Tamil; the language continues to be used in southern India. Part of a rich and still living tradition of casting solid metal sculpture in South India, this image was made using the lost-wax casting technique. First, a model of the final sculpture is created from a mixture of wax and resin. Every detail that is seen in the cast metal sculpture is captured in this wax-resin model. The model is then encapsulated in a mold, leaving an opening at its base. The mold is heated, which solidifies the mold material, while the wax within is melted and poured out. The mold is then inverted, metal is melted in a crucible, and the molten metal is poured into the void left by the melted wax. Once cooled, the mold is broken, revealing the cast metal sculpture.
H: 16 7/8 x W: 11 5/8 x D: 6 1/2 in. (42.9 x 29.5 x 16.5 cm)
medium: copper alloy
given to Walters Art Museum, 2005.