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September 30, 2018 at 12:04PM

temporal: Spätbarock

ungerahmt: 92,5 × 60 cm

mat: Öl auf Kupfer

class: Malerei

type: Gemälde

provenance: 1899 Ankauf für Kaiserliche Gemäldegalerie. – 1933 Übernahme aus dem Kunsthistorischen Museum, Wien. – 1948 Inventarisierung

 

Österreichische Galerie Belvedere

sammlung.belvedere.at/objects/2874/die-heilige-sippe

Go to Page with image in the Internet Archive

Title: Notes on the preparation of microscopical sections of teeth and bone

Creator: Mummery, J. Howard (John Howard), 1847-1926

Creator: Tweedy, John, 1849-1924, former owner

Creator: Royal College of Surgeons of England

Publisher: London : John Bale & Sons

Sponsor: Jisc and Wellcome Library

Contributor: Royal College of Surgeons of England

Date: 1890

Language: eng

Description: 'Reprinted from the Transactions of the Odontological Society of Great Britain, May, 1890'

Discussion: p. 21-24

This material has been provided by The Royal College of Surgeons of England. The original may be consulted at The Royal College of Surgeons of England

The Royal College of Surgeons of England

 

If you have questions concerning reproductions, please contact the Contributing Library.

 

Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.

 

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The sober attire worn in the Netherlands in the mid 16th century did not preclude elegance or richness. This woman's affluence is seen in her embroidered cap, glimpse of a pearl necklace, and a gold chain.. Although she looks straight at us, her body is turned towards her right (our left), very likely toward a companion portrait of her husband.

 

 

34 13/16 x 23 13/16 in. (88.5 x 60.5 cm)

medium: oil on panel

 

Walters Art Museum, 1931, by bequest.

art.thewalters.org/detail/8389

This wood ushabti is carved and painted in various colors. The mummified figure is female, with arms folded across the chest, long hair, and painted necklaces.

Egyptian

 

7 3/8 x 2 3/16 x 1 5/16 in. (18.7 x 5.5 x 3.3 cm)

medium: wood with polychrome

culture: Egyptian

 

Walters Art Museum, 1931, by bequest.

art.thewalters.org/detail/6267

Many 17th-century watches were made with cases incorporating rock crystal. This semiprecious stone introduced an added element of luxury and also, in this context, served as a symbol for eternity by recalling the crystalline sphere traditionally described as constituting the outermost edge of the universe.

 

H: 2 1/4 in. (5.7 cm)

medium: rock crystal, topaz, rubies, gold, and champlevé enamel case; gold and "basse-taille" enamel dial; partially gilded brass and steel movement

 

Walters Art Museum, 1931, by bequest.

art.thewalters.org/detail/984

Tendrían que usar Tinyurl.com :)

Silver finger-ringers were gifted or worn by both Omani men and women in a <em>Zār</em> ceremony to ward off evil.

Oman

 

silver

Diameter: 4.2 cm (1 5/8 in.)

 

Gift of Mr. and Mrs. J. H. Wade

clevelandart.org/art/1916.377

Broken from the rim and bowl of a drinking cup, this fragment shows a woman looking back and moving away from a bearded man. Because she holds a dolphin, she is likely a Nereid, or sea nymph. The man may be her father, Nereus, although he is usually shown with white hair and beard (appropriately, for he is often called “Old Man of the Sea”).

Greek, Attic

 

ceramic

Overall: 14.5 cm (5 11/16 in.)

 

Did you know...

Nereus, a god of the sea, had 50 daughters, known as Nereids.

 

Gift of J. H. Wade

clevelandart.org/art/1924.537

Though it is a small fragment, this piece of lace is simple and honest in its decorative quality. The focus is on the abstract floral motif, which stands out with its thick darning against the unadorned diamond ground netting.

Spain, 18th or early 19th century

 

Needle lace, filet/lacis (knotted ground and darned in one direction); bleached linen (est.)

Overall: 20 x 23 cm (7 7/8 x 9 1/16 in.)

 

Did you know...

Myrta Leonora Jones, the donor of this work, was a women’s rights activist in Cleveland in the early 20th century.

 

Gift of Myrta Leonora Jones

clevelandart.org/art/1919.753

Charles Balthazar Julien Févret de Saint-Mémin

1770–1852

21 1/2 x 15 1/8 in. (54.6 x 38.4 cm)

 

medium: Conté crayon, charcoal (?), and white-chalk heightening on off-white laid paper coated with gouache

 

Metropolitan Museum of Art, New York, NY 83.2.470 1883

Gift of William H. Huntington, 1883

www.metmuseum.org/art/collection/search/11987

來來來!這就是吃下去女人美麗、男人勇壯有力的九尾雞啦!

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