Seen in the Centre Pompidou

A4 & A5. media: white acrylic on photo

stencil experiments on photos of hands

The original Typography Soap now has a second identity! This stark white version shows off the raised letters, numbers, and punctuation as cleanly as possible, and the Black Coffee scent is just as sharp. Now offered in my Etsy shop!

Letraset and slippy floors do not an ideal combination make.

BETH GR.6

bought this at the TDC Book Fair

a bit more info on my blog:

designrelated.com/inspiration/view/Karen/page/1/entry/314...

and if you are around May 30th in NYC try to stop by the TDC Book Fair:

tdc.org/tdc/archives/555

Idea Special Issue

Seibundo Shinkosha

1980

Valentine Typography graphic available for download at dryicons.com/free-graphics/preview/valentine-typography/ in EPS (vector) format.

View similar vector graphics at DryIcons Graphics.

I was inspired while listening to this song first thing in the morning.

What a great way to start the day! :)

Very old gold print.

From dailytypespecimen.com

Plate scanned from:

Paleografia Artistica di Montecassino

Publisher: Litografia di Montecassino, 1876

Italian

Design by Mimi Lor

Handmade by CocoFlower - www.cocoflower.net

tupografia urbana caligrafia contemporânea do estilo de escrita .

trabalho realizado no museu da abolição .

Inland Printer Nameplate

Galvanotype

Ad reads:

"There is more to consumers than numbers. BrandWagon. Going beyond the charts and statistics to focus on real people, making sure you never look at customers as mere numbers again. Every Tuesday with the Financial Express."

I love the typography. But can't help thinking that if you're not meant to look at customers as mere numbers, why have the portrayed them that way?

Advertising Agency: Vyas Giannetti Creative, New Delhi, India

Creative Directors: Arnab Chatterjee, Kapil Dhawan

Art Directors: Arnab Chatterjee, Kapil Chadha

Copywriters: Kapil Dhawan, Vikram Bhalla

Published: October 2007

From dailytypespecimen.com

Like a woman's scorn

Typography inspired by Jimi Hendrix

Cavendish College London Graphic Design and Typography workshop

at the Herb Lubalin Study Center of Design and Typography

A generative typography using differential line growth.

BeStill-52 - week 47 Kim Klassen photography class

More Informations on my Blog

escara-fotoprojekte.blogspot.ch/2015/12/be-still-52-typog...

Illustration/typography experiment

Experimenting with Bauer Bodoni letterforms

From dailytypespecimen.com

type specimen sheet from Grafisk Compagni. You can see the rest of the sheet at grainedit.com/2009/07/21/simmelkiaer-grotesk-type-specimen

A very rushed experiment with Hypatia Sans pro. Comments welcome.

Colours from colourlovers: www.colourlovers.com/palette/590207/d_a_y_d_r_e_a_m_e_r

typography

Theme: Typography

One of the photos taken from the photo excursion. I'm still hesitating on submitting the photos due to lack of detail shots.

All photos were taken by the nifty fifty. It was challenging taking longer shots using the nifty fifty. In the end, I was enjoying taking street photos instead.

Idea Special Issue

Seibundo Shinkosha

1980

Specimen of metal Akzidenz-Grotesk. This typeface was sold as “Standard” in the United States.

typography image for my djing site created using the free font Siple. Available for download here: www.dafont.com/siple.font

Idea Special Issue

Seibundo Shinkosha

1980

by haiknight

Stock: Agnes

Every word feels like a shooting star

Plate scanned from:

Paleografia Artistica di Montecassino

Publisher: Litografia di Montecassino, 1876

Italian

European graphics, through the influence of new art movements such as art nouveau, cubism, and artists such as Toulouse-Lautrec, went through drastic changes in the nineteenth century and much of it became a foundation for twentieth century graphics. The Chap-Book was one of the publications that helped pioneer contemporary layout and design. Cover designed by William Bradley 1895.

by manish mansinh

From dailytypespecimen.com