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Summer Melody & Typography Croquis

2010 Summer

    

Every summer,

 

I enjoy the every summer season listening to special summer music.

"Yoo Hee Yeol-Summer days OST" is My best favorite music.

i like soft and sweet summer melody of this music.

Every time I hear that song I feel happy :-)

 

when I listened to this music,I was free to draw what i wanted.

there is no rules, no grid.. just like a Croquis

 

It was soft and sweet melody, i fell in to the aroma of summer.

tipografia urbana caligrafia contemporânea do estilo de escrita urbano . trampo feito na zona norte.

rulli di una vecchia macchina da stampa

Relics for the Afterfuture (Brown) - Ioana Nemes, exhibition in Berlin.

 

I was just passing.

at the Herb Lubalin Study Center of Design and Typography

From the Hauptprobe der Bauerschen Giesserei, c.1914.

My letterpress posters exhibition at Poole Printmakers' Workshop, Dorset, UK.

A try to design Nissim Aloni (writer) book covers, using only typography.

 

Inland Printer Nameplate

poster and catalog design by Charles Spencer Anderson

caligrafia tipográfica contemporânea estética caligráfica do estilo de escrita . quadro - tamanho 50 x 60 feito com canetão spray e tinta olio .

arte vive.

This beautiful art nouveau typography on an old commercial building in Ultimo, Sydney. They certainly don't make them like that any more!

Typography Exercises Book for Fundamentals of Typography at Valencia Community College.

 

These pages are part of the fifth exercise, Hierarchy & Depth.

A collection of typographic signage from beach clubs in Forte dei Marmi, Italy.

at the Herb Lubalin Study Center of Design and Typography

Curso realizado en la Imprenta Municipal de Madrid

book designed by Doug Clouse and Angela Voulangas

 

bought this at the TDC Book Fair

 

a bit more info on my blog:

designrelated.com/inspiration/view/Karen/page/1/entry/314...

 

and if you are around May 30th in NYC try to stop by the TDC Book Fair:

tdc.org/tdc/archives/555

Inland Printer Nameplate

Get it

www.myfonts.com/fonts/sudtipos/blog-script/

 

Technology is making it so that we’re all connected without the need for the physical-presence kind of being connected. That is strange, fascinating, and has a certain magnetism that is very difficult to resist. What’s at stake is no less than the transformation of centuries of human behaviour, and that’s part of the fascination. But while our existence morphs and we rush headlong into our socially minimalist future, we use our present culture to helplessly signal our nostalgia about our past. We know what our future will be missing, and we’re already full of nostalgia about it, but we know that what little we can do about isn’t going to affect the outcome that much.

So, almost in full hindsight now, the DIY implosion of the past few years must have really been a reaction to our technological dis/connection. In typography, the minimalist future is already here, with something as austere as the sans serif having become the preferred expression of progress and fortune, both part of the connected isolation we are undergoing. But when physical interaction must take place, like coffee shops and gin joints, our organic alphabets ride high and mighty. That sense of human heritage — elegance and exuberance in our writing, the use of flaws to charmingly brand our own individualism — keeps turning up in all kinds of places, most unexpected of which is the digital world. The overall message seems to be that we’re still creative, imaginative, and unique. In the digital world, on blogs where we write about our puny music and fashion preferences, we’re just articulating this individualism of ours, this third domain of existence our future seems eager to dismiss.

  

These were the thoughts behind Blog Script, the second collaboration between Carolina Marando and Alejandro Paul, after their successful stint with the Distillery set of fonts. This typeface comes in two weights, alternates for most letters, and a strong aesthetic rooted in individuality and freedom of spirit. Use it to be alone together, to tell the world that we’re still human, for now.

 

Digital inspirational typography artwork designed by Amy Wardlaw, UK.

 

Eleanor Roosevelt said: "The future belongs to those who believe in the beauty of their dreams."

 

White serif font over a blurred photograph of a space scene.

What typography is and why it’s used as well as showcasing some experimentation.

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