View allAll Photos Tagged Timelapse
My first attempt at timelapse. (A bit of a trial run really). This is myself and work collegue, weaving a hot air balloon basket at my workshop in mid Wales. (I'm the one in the brown jumper!)
1400+ shots @ 10 sec intervals
30 fps
music: Mirror by Obsidian shell.
Nikon D7000, 18-70 dx lens.
TimeStack de alrededor de 200 fotos a intervalos de 5 segundos.
Enlace para ver el TimeLapse youtu.be/S3K9HsQ48Ig
Framing & wiring complete on my work lab & storage room
Timelapse of building the man-cave: www.youtu.be/zblBt3etbwU
So here is my 1st attempt at time-lapse photography using Lightroom 3...And here's what I learned:
1. Clean the damn lens! I've been doing a lot of shooting this weekend and I just forgot to clean off my lens before I started.
* I now know that the spots are inside the lens. I had no idea dirt could get inside there.
2. Compose the shot with a 16:9 crop factor in mind. I cropped the photos to 16:9 before I made the 720p video and lost a little more at the bottom than I ultimately wanted.
I did all 405 shots at 5 second intervals in (M)anual mode adjusting the (S)peed to keep the EV at +1 (This is why you see the exposure pulsate during the video). Maybe if I shot in (P)rogram mode I won't have to do any adjusting, but then it will never fade to dark like at the end when I stopped adjusting the speed. Any ideas?
If you have Lightroom 3 Beta here is the plug-in link:
lightroom-news.com/2009/10/28/direct-timelapse-video-expo...
10 second interval timelapse taken from the Mystery Hills along Skyline Trail in the Chugach Mountains.
Sunset on the Coromandel Peninsula. 166 Frame timelapse, produced with LR Timelapse (http://lrtimelapse.com/)
MI primer contacto con los timelapse.
Timelapse de nubes.
200 fotos cada 30" (F13 1/250)
600D 18-55 + INTERVALOMETRO
QUICKTIME + CAMTASIA ESTUDIO
my third timelapse experiment from maslak to selimpasa from view on located at next seat from driver (me).. tokina 10-17 fisheye mounted on canon 5d with triggered Canon TC80N3 Timer Remote Control within one frame per second
ps. sorry about quality.. as you may know, flickr reduce quality due bandwith problem.. video has a full hd (1920x1080) resolution normally with quicktime .mov format
ps2: video is not completed because my 4gb cf card was full. i'll try next time with 32gb cf card :D
here is the HD version at Vimeo
Two shots from Pildammsparken taken today. It looks a lot better on Vimeo. Check it out there at -> www.vimeo.com/2142900
Optical time-lapse video from a Raspberry PI
Hostname: xenon
Run Time: 1448952006
Sunrise: 2015-12-01 06:06:39.000001
Sunset: 2015-12-01 17:44:02.000001
delta: 5.81 seconds
Captured Time: 2015-12-01 17:44:45.634926
Youtube: youtu.be/iDYc4GUUP9g (higher resolution and nicer playback)
testing 1,2,3.... taken @ section 7 Shah Alam.
imelapse nih aku capture start dari scene petang hingga la ke malam n then bersambung dari malam ke hari terang balik...aku masukkan gak timelapse lama aku buat kat federal highway tu sket kat part ending tu.harap2 korg enjoy la yea...!happy viewing!
Rough timelapse of the clouds, virga, wind, cats, jack rabbits and stars that moved through my world on March 31, 2015.
The boat to Copenhagen leaving Oslo bay this cold evening - Timelapse, about 25 minutes at 1 pic every other second.
Well this is my first timelapse video. Learnt a lot from this experience. It might not be the best but i tried what i could do. Kerala is a beautiful place especially when it comes to the beaches. Didn't get a lot of footage due to a lot of issues. Also my tripod isn't very stable so you can notice how the photos go out of frame at times. I need to get an intervalometer asap. That is the lesson i learnt from my first timelapse experience. The music that is playing in the background was also randomly composed by me (I know its shitty but oh well) All the editing plus music took me about 3 hours of work time. Rendering this on After Effects was a bitch. Also i want to thank Rachel Francis for motivating me to put all of this together.
Camera Used - Nikon D3100
Place - Kovalam Beach Kerala
Interval - 30 Seconds
Time - 6:10pm to 6:40pm
Photo Editing Software - Picasa 3
Timelapse Editing Software - Adobe After Effects CS6
Absence and presence - names written on the sand - the St Andrews (Scotland) specific works of Daniel Fisher bring together communal memory and the temptation of forgetfulness.
Experimenting in the last two years with traditional chemical process and extended exposures, the above pictured is the most notable of his solarographic photographs. So called because of the genre’s pin-hole camera capacity to render visual histories of the sun. In 2011 Fisher deployed an array of disposable eyes - each innocuous, hidden, impenetrable to all but the sun, and composed of daily detritus. It is in this very working method that the artist makes plain the ambiguity, power and intimacy of his work.
This array of small hand-made pin-hole cameras, seemingly blind, and undisturbed for 7 months, was stretched taught over the St Andrews landscape that so resonates with the photographer. As if pairing his own sight with the landscape, he also debases his own practice which, concretely, is a layer of simple unseeing refuse - beer cans and duct-tape, themselves the living materials of the artist’s experience of the town. With these he stretches himself across his home like flotsam, a distended skin, receptive, but taught, fragile, fractured and imperfect. Like a Surrealist self-enucleation before the sun of reason, Fisher registers his images with irrationality and melancholy. He reads the landscape, the photograph, laterally. These, though they present social documents, wilfully ignore the clarity and verticality of the conventional photograph, the 1-point perspective or the stereoscopic gaze. Instead they register light and trace flat, a sensitive skin, or moreover, a sandy beach that registers the water crossing it obliquely.
In the end, again and again, as the tide draws out, this boils down to time and the people that make it wobble. In works like this one, playing with fire is writ in long exposure and an eye that delights in soft light, a hair’s breadth from invisibility. The figure bleeds out. The trace remains. Play tints melancholy and vice versa. In his solarography the sun itself commits the gestural play of light to chemistry. Like the froth at the edge of a wave, the cycling of the sun above a ruined castle, the fire poi around the blurred dancer, these photographs bear the high-water mark of the times they lived in. An intensity that we cannot see in the instant, and in the case of the sun would blind us.
In a cold blue photo-chemical exchange, the shifting sand of his medium registers the sun as at once omnipresent and absent, punctuated by its occlusion under cloud, while simultaneously only being readable here because its past traces (now long gone) are inscribed in the sky. It is written and unwritten in its index, its transient nature affirmed by breaks as much as its dominance of the composition - a barcode-like pall that hangs over the landscape it struggles to illuminate. Like a system of numbers capable of registering the punctuation of extended matter, but that illuminates, records, itself more than the world below. A sun, that struggles, eve, to illuminate, that seems so tiny because it is written so large -what is the sun of the present, compared with 7 months of its light held in suspension? A sun we ordinarily can’t look at for more than a second because of its ferocity, here cursory and impotent compared to the vastness of time. Here our gaze is almost inverted, a slight shift in the camera’s angle makes the ground seem to jump, like the eye blinking in the sunlight, but in this scene it is the opaque ground that we can’t look at, not the sun, and this blink may be months long, and though all light is registered, we are left with the huge unknown of undifferentiable time. A sun as something we see and cannot see - it signals loss, a loss irreconciliable because its material facticity seems to stare us in the face, but like the ruin below it, it can never be restored to what it has been, like the medium of photography itself which signals a past made present and yet long gone. Even with a vastness of exposure time, of a diligent and superhuman capacity to record the trace, this photograph seems to signal the irretrievability of time.
Sensitive and exposed, his work is the wave that writes itself on the sand.
-Merlin Seller, 2012
presdigitator.tumblr.com/post/22543927858/writing-sand-th...
CHECK OUT www.denissmith.com.au
Yet another play with the dolly. I know this only short, but time has been very limited. I have made the decision to post all of my time lapse stuff. So sorry for the rubbish.
A timelapse of around 750 images, shot from the foot of the sand dunes at Bagh Bhatarsaigh (Vatersay Bay) on the Isle of Vatersay which can be reached from the Isle of Barra on the outskirts of the main town, Castlebay via a small causeway.
Video: youtu.be/pcQFxwZtizg
Lo scorrere del tempo tramite l'osservazione delle nuvole è alquanto coinvolgente. Per loro natura, le nuvole, di forme e sfumature sempre diverse creano sequenze sempre differenti che vale la pena guardare. Questa ripresa risulta molto avvincente per la profondità di campo interessata dal soggetto. Le nuvole davanti e quelle poste sulle distanze più lontane si muovono con differenti velocità creando così un piacevole effetto da non perdere.
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By observing the clouds the timelapse is very amazing. For their nature, always having different shapes and shades, they always create different sequences it’s worth watching. Clouds settled on more levels move with different speed creating a lovely effect you can’t loose.
been working on a small project in LA thought I would share some of the progress
Canon 7d
Canon 18-135
2 second intervals at about 1sec exposures
A short timelapse of the leadup and opening volleys of Riverfire 2008 as seen from Wilson's Outlook.
Shots taken from 17:25 to 19:11, 30th Aug. 2008.
My Olympus SP510UZ has a 'timelapse' mode, where I could set it up on a tripod, fix the focus and exposure manually, and then have it take a photo every minute... producing amateur crap like this. :) (Click the full-size image for the 5MB animated GIF.)
I was inspired after a small webcomic started begging for money so the artist could buy the US$2000 worth of gear supposedly needed to make his own stop-motion animations-- after mentioning having a computer better than mine. Uh, somehow, 'a lack of intellectual vibrancy' was showing through there...
(Note: this_used_ to be an animation-- but Flickr killed the feature. :/)
A timelapsed view of the Hôpital Européen Georges Pompidou in Paris 15th arrondissement. 1 frame every 5 seconds. Original 720p HD version here (requires Divx Web Player).