View allAll Photos Tagged TimeMagazine
Time Magazine U.S. Edition -- December 29, 2008 Vol. 172 No. 26
www.time.com/time/photogallery/0,29307,1866936,00.html
On Black Background
Tomitheos Space Channel
flickr today
Waiting for moments. Seeing an image prior to it lining up is something that happens often in street photography. Having two souls meet at that place and at that time not so often. I truly love photography.
The Time cover was a shocker. Front page news around the world. God didn't say anything and then Time did a cover with John Lennon saying he was more popular than Jesus. Haven't heard from God, Jesus or John for many years/
'Lady Ganga' Michele Baldwin Raising Cervical Cancer Awareness, she broke a World Record paddle boarding more than 700 miles down the Ganges River. 45 yo Single Mother, Lived more in her lifespan than others do dying in old age. Please Visit Also, Someone You Love: The HPV Epidemic hpvepidemic.com/ www.wmur.com/health/lady-ganga-breaks-world-record-before...
Photo from the Feb 17, 1986 Asia edition of Time Magazine. That's me in the background peering out from behind my Sony broadcast video camera. If you look carefully you can see the Minox 35 GL stuck to the top of the viewfinder by elastic bands. The film advance on this camera was a clumsy double-throw winder, very difficult to operate left handed, so I only managed two frames on film for myself. My job was to shoot video for CTV (Canadian) Television Network and pool for other networks. Of note is the byline at top right of this photo. Carl Mydans. By my calculation, this legendary photographer was 78 years old then.
Oprah Winfrey, First Lady Michelle Obama
TIME MAGAZINE'S 100
MOST INFLUENTIAL PEOPLE
2009 - DINNER
Jazz At Lincoln Center, NYC
May 5, 2009
Black-and-white photography often reveals the profound beauty hidden in everyday scenes, and reflections play a unique role in this exploration. By stripping away color, reflections emphasize texture, light, and contrast, creating layered compositions that challenge our perception. The reflective surface of a car, for instance, becomes a canvas for fleeting moments—a mix of clarity and distortion, of the physical and the ephemeral. In this image, the interplay of raindrops, the cleaner's movement, and the mirrored figures evokes a sense of quiet storytelling, where each detail contributes to the timelessness of the frame.
Nepal Photo Blog 22/03/11
I was recently in Ghandruk for some meetings re our remote camera project, this was the view of Annapurna South from where I was staying. With the ongoing tragedy of Japan, the Libyan crisis and the general unrest in North Africa and the Middle East, I can't help but thank my luck to be working in some beautiful places. At the same time, I wonder about the future of these majestic areas as the world goes through such change. A recent Time Magazine article about some of the young activists attempting to effect change reinforced the responsibility we all have and how we must pursue with passion what we believe in...
Thanks for looking. This image is part of a photo blog looking at the relationships between politics, people and the environment. I must stress that neither myself or www.wildtiger.org have any political allegiance, we are looking at things as they are, purely from a conservation standpoint, with our eyes open.
You can help by supporting the Flickr group
Focus: 2010 - 2022 Tiger which we show to people here to show that the outside world does care...
www.flickr.com/groups/focus2010-2022tiger/
Cheers Jack
Update: When adding an extra letter to last name that Alkhateeb had provided me, I was able to pull up what appears to be another artist who would appear to be claiming the Joker/Obama image as his own creation. The details are still fuzzy and am just basing this update on some Google searches that I've found with the new name. I have contacted this artist and am trying to determine if he in fact is the person who filed a DMCA takedown notice with Flickr over this image and if he is claiming the Obama/Joker creation as his own in contrast to previous reports from Alkhateeb and the Los Angeles Times that Alkhateeb is the image's creator. I've also contacted Alkhateeb to discuss the claims of this individual. I will report back when I learn more.
For the past week or so I've been reporting on the Flickr Censorship case involving Firas Alkhateeb and his popular Joker/Obama Time Magazine cover. You'll recall that Alkhateeb had posted his image to his Flickr account, garnered over 20,000 views, along with many comments on the image, saw the image subsequently used with the word "socialism" printed underneath it in Los Angeles and various other cities as street art... and then Flickr nuked his image and all the comments that went along with it.
Many bloggers and news outlets accused Flickr of censorship and political bias in the removal of what was seen by many as a clear fair use parody image critical of the President. The case made the national press and with an EFF attorney adding that Alkhateeb indeed had a very strong fair use defense. After a substantial amount of critical press over the image, Flickr Community Manager Heather Champ finally came out defending Flickr over the issue saying that Alkhateeb's image had been removed from Flickr due to a "a complete Notice of Infringement as outlined by the DMCA (Digitial Millenium Copyright Act)" In the same breath Champ accused the press and blogosphere of being "makey uppey." Shortly afterwards, the thread where Flickr users were complaining about this image deletion was shut down by Flickr staff.
Later that day in reporting on the issue The Los Angeles Times asked Champ who had issued the DMCA takedown request and Champ replied that Flickr was not able to give that information out. "I don't know how this crazy game of telephone got started," Champ wrote. "I'm not sure how complying with the law has led to the idea that we (the Flickr team) have a particular political agenda."
Yesterday I reported on PDN's efforts to get to the bottom of this takedown request. PDN contacted the logical parties who might have objected to this image. Time Magazine (whose logo was incorporated in the image), DC Comics (who would own the rights to the famous Joker image used on the Obama photo) and Platon (the photographer who had taken the original image used by Time). All three parties denied having filed a DMCA takedown notice with Flickr, which lead people to wonder all the more just who the hell *did* file the takedown notice.
While Alkhateeb originally stated that flickr had not told him who filed the request, after looking more closely at the email sent by Flickr he realized that they did in fact list the name of the person who had filed it. At first the way that it was presented was confusing to Alkhateeb and he thought the name that they gave him was a Yahoo representative's name and not the person filing the report.
So who filed the report?
Well because Alkhateeb is currently working with lawyers on the case he asked me not to publish the name flickr provided him, but Alkhateeb has shared the name with me and after having seen the name, what I can say is that it wasn't Time, DC Comics or Platon, or any other party with any possible plausible IP interest in this image. In fact, the name that was given is very likely a totally bogus made up name entirely. A google search for the odd name turns up zero results and even a google search for the last name alone turns up zero results for that surname. It's like someone just typed random characters on a keyboard to make up the name used in the DMCA takedown notice.
The fact that the name filing the DMCA takedown notice would appear to be totally fake leaves one to wonder. Does Flickr just blindly pull down any content when any DMCA request is presented? If so that's not very reassuring. If, for instance, "Donald Duck" or "Bob Xjibtstruytubopluy" claimed copyright over images in President Obama's stream, would they simply remove these images as well? Somehow I doubt they would. Or was Flickr staff aware that the takedown request was bogus and instead decided to use it as cover to remove an image that offended their own clear personal and political sensibilities? A few months earlier Flickr nuked an entire account of a user who wrote critical remarks on President Obama's photostream.
Whatever the case, I do think it is disingenuous at best for flickr to try and hide behind a clearly bogus DMCA notice when dealing with criticism over their decision to remove this image. Many people last week were led to believe by statements by Champ in Flickr's Help Forum and in the press that Time or DC or the photographer had complained to flickr about the image and Flickr never bothered to clarify about the legitimacy or illegitimacy of the stated notice.
Transparency, fairness and a willingness to communicate openly with your community ought to be the hallmark traits of a site that is dependent upon their users for their content. By hiding the illegitimacy of this complaint, Flickr has shown themselves yet again trying to sweep their actions under the rug dismissing negative criticism with half truths. It is ironic that they would accuse the press and blogosphere of being "makey uppey" while in the same breath hiding behind a clearly bogus DMCA request on their own.
So what should Flickr do at this point?
Well, given that the DMCA takedown notice was bogus (and even had it been by an actual interested party Alkhateeb would have had a legitimate fair use to the image) they should apologize to Alkhateeb and restore his image and all of the comments that they nuked along with it.
Of course it is worth pointing out that even though former Flickr Founder and Flickr Chief Stewart Butterfield called it a "mistake" for Flickr not to have a mechanism to restore staff deleted content over two years ago that still today Flickr has not built (and is not working on) the ability to restore staff deleted content. So even if Flickr wanted to at this point they couldn't put Alkhateeb's image back. While Alkhateeb may be allowed to reupload the image in the future, his original image (along with all of the comments to the image and all of the links to his now dead deleted image) is pretty likely gone for good.
And that's too bad.
No One Is Too Small to Make a Difference
[REUTERS Photo, April 19, 2019]
www.cbc.ca/kidsnews/post/profile-greta-thunberg-takes-on-...
The birth of a newspaper. Interesting last line from Rupert: "... Australians ...will appreciate an unbiased news service .." Time Magazine advertisement - July 17, 1964
Time Magazine awards the title to the person who “most affected the news and our lives, for good or ill, and embodied what was important about the year.” Neda moved us to tears, gave us hope and moved millions to take action – all without uttering a word.
art by: www.abcnt.info
Vintage September 5, 1969 issue of Time Magazine with a cover feature story on the New York Mets who, at the time, were close to winning the National League East. Time commissioned long-time New York sports cartoonist Willard Mullin to do the cover. Eventually the Mets went on to win the National League Championship and the 1969 World Series. It’s always a thrill when it’s from Vinnie DeVille!
Walter Payton ("Sweetness") and William "Refrigerator" Perry grace the cover of the January 27, 1986 issue of TIME Magazine. Go Bears!
These guys run a firm that buys and sells foreclosure information. This was an outtake for a shoot for Time Magazine
I dug this up out of my pile of stuff to scan & put it up in honor of the late great John Hughes, who directed Molly back in the 80s in some of my all-time favorite movies.
Devotees of Tibetan spiritual leader Dalai Lama praying at the Tsuglakhang temple in Dharmsala, India.
Friday, July 21, 2017
Copyright © 2017 Rahul Lal Photography
Putin’s body is as perfect as Michelangelo’s David’s! He showed us a lot of his body this year, but not all of it. So far the part which he did not show is covered with fig leaf, but we are looking forward to 2008 to see more of his body!
please see more at mentalart.wordpress.com/
"..With her large, dark eyes and thick, waist-length hair, the 18-year-old was a favorite among the truck drivers who called at the squalid brothel on Highway 45 in Ulundurpet, a small town in southern India. When she was placed in a reformatory for convicted prostitutes in June, five men offered to bail her out. Today she is emaciated, weighing only 62 lbs., her hair is falling out, and she is showing unmistakable signs of mental derangement. The source of the woman's suffering: the acquired immunodeficiency syndrome, or AIDS, virus. Doctors at the home want to delay her release, fearing that if she returns to prostitution, she will transmit the AIDS virus to her clients.."
Public Health Nowhere to Run, Nowhere to Hide
Monday, Sep. 01, 1986 By KENNETH M. PIERCE
TIME
Random key pounding for a title. That's how creative I feel right now.
Camera: Time Magazine Plastic Toy Camera
Film: Fujicolor Superia 400 (expiration date September 2013)
Shot: October 2015
Scanned negative.
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For the hollywood Actress Brie Larsson, the year 2019 was very lucky. Her name has been named among the 100 most influential celebrities of the prestigious Time Magazine.In addition to the success of her Hollywood film, Brij Larson has managed to make her place in this list due to her social work.
www.bhaskarhindi.com/news/brie-larson-time-magazines-amon...
This was taken on a night flight from Mumbai to New Delhi. I liked the warm red in the middle of the cabin, which was dimly lit in blue light. My seat was on the right where the latest issue of Time magazine is barely visible. The light was very dim because of which in spite of very high ISO, the shutter speed was very slow. Had to be very still to be able to take this picture. This was taken handheld with Nikon D300 at 1/8 sec, f/3.5, 18mm and ISO 3200.
A contemporary portrait of Sir Thomas More that can be seen every day en route to the Tower of London.
Since 2001, the Tower Hill Underpass in the City of London has been ablaze with vibrant modern art by expressionist artist Stephen B Whatley.
The Walkway is the main entrance portal leading to Her Majesty's Tower of London. Virtually impossible to photograph in its entirety, the spacious permanent public art exhibit - photographed here in 2007 - winds its way from Tower Hill Station, to join pathways leading to both the Tower and Tower Bridge.
Stephen B Whatley was commissioned in 2000 to create the series of 30 paintings ( all oil on canvas; ranging from 30 x 40in to 40 x 90in in size) most of which were painted on location, in and around The Tower. A momentous feat the paintings - depicting the history and sites - were complete within 8 months.
The artist has a history of public art commissions, including paintings to promote Buckingham Palace & the BBC.
The original works of art are held within The Tower and in 2001 the entire series of 30 paintings were reproduced as a permanent public London exhibit , on steel vitreous enamel panels that line the walkway above.
In 2004, following the completion of further refurbishments around The Tower, Stephen B Whatley was amongst the designers and architects presented to Her Majesty Queen Elizabeth II and HRH The Duke of Edinburgh, at a reception in The Banqueting Hall, within the walls of The Tower; at which all 30 original paintings were on show.
Whatley's work, which has been published in TIME magazine is in private collections worldwide; in public collections including BBC Heritage, The Royal Collection, London Transport Museum & Westminster Cathedral.
For the millions who visit the Tower of London every year, from all over the world, these contemporary paintings that brightly capture the spirit of Royal history, are the first introduction to London's top tourist attraction; through this unique public art gallery.
5 December 2012: Dave Brubeck, the most enduring jazz musician the world has known, has died on the eve of his 92nd birthday. His influence can’t be overstated – he’s the man who made jazz ‘accessible’ to a worldwide audience that otherwise wouldn’t have given it a sniff in a breeze.
I first heard Brubeck’s music in the early 1960s, and as a result my interest and enjoyment expanded to such greats as Miles Davis (first and foremost), George Shearing, Keith Jarrett, John Dankworth, Brad Mehldau, Vince Jones, Erroll Garner, Art Blakey, Manu Katché and goodness knows who else.
In November 1962, when I was a junior reporter, I saw the Dave Brubeck Quartet ‘live’ at The Odeon, Hammersmith (a huge venue in west London). I met him backstage afterwards, and half a century later, I have no idea what I asked him... except for one question: “can I have your autograph?” What an uncool thing to ask – but hey, he said “oh sure”, and I still have it.
And so to the image. Clockwise from top left – in November 1954 he was the first jazz musician to appear on Time magazine’s cover (still an accolade today); his autograph in my book, 1962; receiving a Kennedy Centre Honour for excellence in the performance arts, 2009; and Time Out, his 1959 groundbreaking album.
Dave Brubeck, with his enduring and stimulating music, has enhanced my cultural life more than I can say. Right through to the end, as the Kennedy Centre once said, he was “a dazzling work in progress”.