View allAll Photos Tagged TimeLord
Featuring the 11th The Doctor, with Amy Pond and of course the TARDIS.
Also, a Dalek (though not one of the Power Ranger one's that the 11th doctor usually deals with) and a Weeping Angel seem to have found there way into the photo.
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© 2015 photos4dreams - All rights reserved.
This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.
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A shot of the Cherhill White Horse & Lansdowne monument.
The Cherhill White Horse is a hill figure on Cherhill Down, 3.5 miles east of Calne in Wiltshire, England. Dating from the late 18th century, it is the third oldest of several such white horses in Great Britain.
The figure at Cherhill was first cut in 1780 by a Dr Christopher Alsop, of Calne, and was created by stripping away the turf to expose the chalk hillside beneath. Its original size was 165 feet (50 m) by 220 feet (67 m).Dr Alsop, who was Guild Steward of the Borough of Calne, has been called "the mad doctor", and is reported to have directed the making of the horse from a distance, shouting through a megaphone from below Labour-in-Vain Hill.His design may have been influenced by the work of his friend George Stubbs, notable for his paintings of horses.
Since 1780, the horse has been 'scoured' several times. In 1935, it was dressed with a mixture of concrete and chalk, and it was cleaned up in 1994.A major restoration was carried out in 2002 by the Cherhill White Horse Restoration Group, when the horse was resurfaced with one hundred and sixty tonnes of new chalk, the outline was re-cut, and shuttering was added to hold the chalk in place.This work was supported by a grant of £18,000 from the National Trust.The present surface is thus made of compacted chalk, and the edges of the figure are well defined.
In the 19th century, the horse had a glittering glass eye, formed from bottles pressed neck-first into the ground. The bottles had been added by a Farmer Angell and his wife, but by the late 19th century they were gone, perhaps taken as souvenirs. During the 1970s, a local youth centre project added a new eye made of glass bottles, but these also disappeared.The eye now consists of stone and concrete and stands proud of the chalk surface.
In 1922, M. Oldfield Howey noted that "At the time of writing (1922) this horse is sadly in need of scouring, as due to the Great War all such things have had to be neglected, but we understand that a local lady has come to its rescue and asked permission to restore it. Formerly the Lord of the Manor was its groom!"
In the week of the coronation of King George VI in 1937, the horse was floodlit and the letters GE (for the king and his queen, Elizabeth) were picked out in red lights above it, with the power coming from a generator at the foot of the hill. The red letters were lit up for five seconds, followed by the floodlights for ten seconds, in a repeating pattern.
The figure was featured in The Timelords music video for "Doctorin' the Tardis".
Thirteen such white horses are known to have existed in Wiltshire. Of these, eight can still be seen, while the others have grown over.The Cherhill White Horse is maintained and saved from this fate by Cherhill parish council. Perhaps most notable out of the eight, along with the Cherill white horse, is Westbury White Horse.
The hill above the horse now belongs to the National Trust.
Lego Doctor Who - Story 1 - The Lost Child
'We’re all capable of evil, no matter how much we tell ourselves otherwise. Should we let that stop us, cause us to pause? Maybe, but we should never let our fear of it control us. No matter how much you fear what you may do, you will always live with something to regret. What you choose to regret, is entirely your choice. So make it a good one, eh? It’s better to have lived and regretted doing something, than living to regret not doing it.’
Lego Doctor Who - Story 2 - Return To Earth
‘You’ve crossed the line, Doctor. You decided to play God, to control events leading up to this, and you’ve created this mess. We wouldn’t be in this situation were it not for you, what gives you the authority to do such a thing?’
‘I’m the last of my kind, a Time Lord of the Prydonian Chapter and the pilot of the last living Tardis. If it’s not my right, then who’s is it?’
‘No-one’s. No-one should ever have that much power.’
‘But I do.’
‘I know, and that’s what worries me.’
Lego Doctor Who - Story 3 - Beyond The Universe
‘There’s only one place in all of time and space where it could be.’
‘And where’s that?’
‘Eternity.'
Lego Doctor Who - Story 4 - (Title to be confirmed)
‘I was weak. I was noble. I was a man who left Gallifrey to travel, to explore. But no more. All my attempts to bring peace have failed. Now I have no choice. It’s time to end this. I am Doctor, and this ends today.'
in at least one alternative timeline (see The Infinity Doctors novel, for ex), the Doctor and the Master didn't go renegade, but stayed on Gallifrey as part of the Council of Timelords. that probably goes about as well as you can imagine, with the Magistrate being an anxious and conscientious bureaucrat who never quite manages to achieve her ambitions... and the Doctor being, well, pretty much their usual chaotic self but with slightly less travelling.
this is my re-imagining of their possible incarnations in one such timeline.
Yup, I got to do a doctor who cover to the mini "The Forgotten" by Tony Lee and Pia Guerra from IDW. With luck, we'll see if I get to do any more sometime soon. I loves me some Doctor Who.
This was mostly an experiment to see if I could get the time rotor going upside down. And I could!
Ended up sticking a bureaucrat time lord in there, of the kind who often showed up to bother the Third Doctor during his exile.
in at least one alternative timeline (see The Infinity Doctors novel, for ex), the Doctor and the Master didn't go renegade, but stayed on Gallifrey as part of the Council of Timelords. that probably goes about as well as you can imagine, with the Magistrate being an anxious and conscientious bureaucrat who never quite manages to achieve her ambitions... and the Doctor being, well, pretty much their usual chaotic self but with slightly less travelling.
this is my re-imagining of their possible incarnations in one such timeline.
For more geek / art / writing / photo / neurological disordered madness from me: benchilada.livejournal.com
Geek life, bitches. The new Time Lord insignia was created by Graphic Designer Peter McKinstry.
Inkwork by Katie Cain of No Regrets Tattoos.
The tattoo also made it to Geeky Tattoos and was twitter.com/rstevens/statuses/7850486975, who designed the shirt.
To my knowledge, I was the first person who got this done. :)
... somewhere on the yellow brick lane...
-----
Please NOTE and RESPECT the copyright.
© 2015 photos4dreams - All rights reserved.
This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.
for purchase information see my profile
Please NOTE and RESPECT the copyright.
© 2015 photos4dreams - All rights reserved.
This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.
for purchase information see my profile
after some traveling the Art-bot and Shock-scream a bot native to cybernetic robotic world of cyber-goo...
when they have landed Shock-Scream fall on his knees and starts making a horrible metal-on-metal wining sound...
The Art-bot hurries to his side thinks it is some kind of trap or attack, he asks his friend:
- Hey Shock-Scream what is happening, tell me what I can do, what is causing you pain...
Chock-scream replies:
- no worry my dear friend and benefactor I am just crying, a habit I have taken up from human during my stay in the civilization... I am just so happy to finally be home, finally feel the metal of my home world under my feet..
The Art-bot let his friend carry on his human habit, then he started praying to his god, Primus-Glitch...
The art5bot felt happy about being here, a world of robots he had been told, were robots are "born" free and not slaves, when he could prove this to the federation, then perhaps he could have a case that robots will pass for living individuals and not mere objects...
his point-like glowing eye or face seemed to have a smug smile...
He thought now we just need to find some locals and communicate with them...
The Art-Bot didn´t manage to think more, now another ship landed beside theirs, Imagine the coincident that someone from somewhere in space landed at the same spot...
...from the new spacecraft came tiny little men, human-sized, but with great big melee armament and heavy almost medieval armor-suits... they walked slowly towards the two bots...
The Art-bot started to talk to the strangers:
- Hello strangers, who are you, I am The Art-bot and him on the ground praying is my friend a local cyber-gooian, we are here on a peaceful mission, you are not robots, I guess you come like us from a different world...
The small armored-creature he though was their leader, started talking through his mask which distorted his voice, he spoke in galactic Standard:
- (bzzz.krrrzz) We are not from here.. (Bzzz) We know who you are, we know a lot, we have come here to meet you two, you robots...
the Art-bot happy about communicating to these strangers interrupted him and spoke on in a happy friendly voice:
- Oh, You know us, strange, what is your mission here, what do you want to ask or tell us, my fellow beings...
More was not said by the Art-bot since by then three of the tiny creatures activated their suits and weapons, strange weapons, they lit up and sparkled in strange electric neon colors...
then their leader spoke at the same time as he leaped towards them with his very long dazzling spear-like weapon...
- We have come here to kill you!!!
- The Art-Bot said: No, No, why, then the spear penetrated his armored mid section like a electro-knife through human eating-lard...
Now two of the others had started to attack his praying friend, one with an axe on a spinning spear another one with a spiky pole fitted on a stick...
...as the leader twisted his spear through the Art-bots chest he said in a voice without anny haste:
- (bzzipp)This is the last thing you circuits will know, but sure, I will tell why, because it serves our scheme... We are the Time-lords!
The last thing the Art-bot could see before he passed in to eternity was his friend being torn in to pieces by strange force-weapons, he didn´t even fight back...
Please NOTE and RESPECT the copyright.
© 2015 photos4dreams - All rights reserved.
This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.
for purchase information see my profile
Visiting Glasgow I have passed a few of these original Police boxes in various locations, I have posted photo's I've taken previously here oin Flickr, this one is located at Wilson Street in Glasgow City centre.
Although these police boxes were designed to help the public and act as a miniature station, they found fame as the shape taken on by Doctor Who’s TARDIS.
This box located on Wilson Street was previously red and located on the traffic island that once divided the street entrance. It was renovated in 2010, and the box was moved to the pavement when the island was paved over.
These boxes have their own web page with more information here
www.discoverglasgow.org/police-box-walk-02/4578988612
A police box, used in the United Kingdom throughout the 20th century, is a public telephone kiosk or callbox for the use of members of the police, or for members of the public to contact the police.
Unlike an ordinary callbox, its telephone was located behind a hinged door so it could be used from the outside, and the interior of the box was, in effect, a miniature police station for use by police officers to read and fill in reports, take meal breaks and even temporarily hold prisoners until the arrival of transport.
Police boxes predate the era of mobile telecommunications; now members of the British police carry two-way radios and/or mobile phones rather than relying on fixed kiosks.
Most boxes are now disused or have been withdrawn from service.
The typical police box contained a telephone linked directly to the local police station, allowing patrolling officers to keep in contact with the station, reporting anything unusual or requesting help if necessary. A light on top of the box would flash to alert an officer that he/she was requested to contact the station.
Members of the public could also use the phone to contact a police station in an emergency or, in the case of the Metropolitan Police, for assistance with any matter normally within the purview of the police.
Police boxes were usually blue, with the most notable exception being Glasgow, where they were red until the late 1960s.
In addition to a telephone, they contained equipment such as an incident book, a fire extinguisher and a first aid kit.
Today the image of the blue police box is widely associated with the science fiction television programme Doctor Who, in which the protagonist's time machine, a TARDIS, is in the shape of a 1960s British police box.
In the context of a TARDIS, the image of the blue police box is a trademark of the BBC.
I'm a big fan of Doctor Who, and a while back I started a series of vector drawings of all the various Doctors. Here's my version of the War Doctor, from the 50th Anniversary Special The Day Of The Doctor.
The War Doctor (played by John Hurt) is a previously unknown and unmentioned incarnation of the Doctor. He fought in the Last Great Time War, a conflict between his own people the Time Lords and the evil Daleks.
As the Time War dragged on, it threatened to destroy the entire universe. The War Doctor realized that the only way to end the War once and for all was by using a super weapon called The Moment. Unfortunately this would result in the utter annihilation of both sides. In essence the only way to save the universe was by destroying his own people.
Ultimately the War Doctor used The Moment and ended the War. Wracked with guilt, he was now the last of his people. This caused him to bury this particular incarnation of himself deep within his psyche, never to be spoken of again.
I know, I know, there's more to this convoluted story (a lot more), but that'll do for now.
I have to admit I wasn't crazy about the whole "Hidden Doctor That's Never Been Spoken Of" thing. It just seemed like a cheat to me, shoehorning him into the show's past history like that. I'm slowing warming to the idea though.
Let's just hope this is the first and only hidden Doctor and we don't get dozens more crawling out of the woodwork.
It would have been nice if all three of the modern Doctors (the Ninth, Tenth and Eleventh) could have teamed up for the 50th Anniversary Special, but unfortunately it wasn't to be. Christopher Eccleston, the Ninth Doctor, refused to appear.
He's got his own reasons of course (citing irreconcilable differences with the BBC management), but it would have been nice if he'd been able to set them aside for the fans. Ah well.
I'm convinced that the War Doctor was created to take the place of the Ninth Doctor. I wish they'd have used Paul McGann's Eighth Doctor instead. Even though he only appeared once (in the Fox TV movie), the Eighth Doctor is a fan favorite and McGann still looks young enough to pull off the part. So why didn't they just use him in the 50th Anniversary Special instead of coming up with a new character? You'll have to ask the BBC about that one.
They did bring back McGann as the Eighth Doctor in a special mini-episode called The Night Of The Doctor that aired before the Special. So he was available, and they were cool with using him in some capacity. So again, why create a brand new character? I don't get it.
As for the drawing, the War Doctor has quite a complicated outfit that I simplified quite a bit. My first instinct of course is to reproduce every tiny detail and texture, so I had to keep reigning myself in and leave things out.
He also needed to match the earlier Doctor drawings I did several years ago, back when I wasn't as experienced in working with vector. I like to think I've improved since then.
I'm not a great caricaturist, and sometimes I have trouble capturing a likeness. I think this one came out pretty well though, if I do say so myself. I'm betting it's because of John Hurt's craggy, hangdog features. Generally speaking, older, wrinkled faces are easier to draw than young, smooth ones.
The War Doctor has a new sonic screwdriver (so the BBC can sell more toys), which he's holding here. I'm happy with the way it came out.
The War Doctor is a vector illustration, drawn all in InDesign. Yep, InDesign.
Please forgive the ugly watermark on the illustration. I swore I would never add one to my art, because I know that 99.99% of my readers would never even think of stealing it. But earlier this year I had a run-in with an art thief who was not only stealing my work, but selling it as her own! Hence the watermarks. This is why we can't have nice things.
Want to see more? Check out my new blog! All the cool kids are doing it!
This is a reconstruction of the 1960's TARDIS interior at the Doctor Who experience.
The TARDIS is dimensionally transcendental, meaning it’s bigger on the inside than the outside. The interior exists in a different, relative dimension to the exterior. In the very first story it was established that the TARDIS usually changes its exterior appearance on each trip to blend in with its surroundings. The Doctor later stated that it was the broken chameleon circuit that caused it to be stuck in the shape of an old style police box.
In the autumn of 1963 designer Peter Brachacki created an iconic control room for the TARDIS in Doctor Who. His vision of a room dominated by circles and repeating hexagons was realised by Shawcraft Models - an outside company contracted to supply special props for the series - and they also built the console at its centre which went before the cameras for the first time on September 27th 1963.
In the first four-part story generally known as An Unearthly Child, the TARDIS interior featured heavily and the occupants didn't leave its confines until nearly eight minutes into episode two. At the end of the serial a Radiation Detector was seen in close-up on one panel but it would turn out to be a rarity that a featured component was built into the prop in advance. On future occasions, any direct reference to part of the TARDIS tended to result in something being added hastily added before recording.
The original TARDIS console was a hexagonal shape with different controls on each of the six panels. In the middle is the central column time rotor which moves up and down when the TARDIS is in flight. Most of the TARDIS functions are controlled from the console including setting destinations, opening the main doors and operating the view screen.
The original console room featured a large computer along one of the walls. One of it’s functions was to locate faults with the TARDIS. The fault locator appeared in many early episodes in the background even through the second Doctors era. It was referenced and used in The Edge of Destruction and The Dalek Invasion of Earth.
The original console room introduced the TARDIS roundels which were built into the walls. It was not clear what these were for originally apart from decoration. From the fifth Doctor’s era onwards the roundels were shown to contain circuitry behind certain, if not all roundel panels.
The TARDIS doors from the exterior looked like normal police box doors, from the interior no reference to the police box was made. The doors were bigger and more solid and featured the roundels which were a key part of the TARDIS design.
For the 50th anniversary a drama was created exploring the origins of Doctor Who. This recreation of the original TARDIS console and the set featured heavily in the programme.
An exhibition titled Doctor Who Experience, complete with a new interactive Doctor Who episode with the Eleventh Doctor, opened in London on 20 February 2011. The exhibition moved to Cardiff in July 2012, opening on 20 July and will remain there until 2017. The immersive exhibition was designed and installed by the UK-based theme park design and installation company Sarner Ltd.
The exhibition begins with a short film and a walk-through adventure inside the TARDIS and in various locations. The group are lead through the experience by a guide and the Twelfth Doctor. Initially the Eleventh Doctor featured in the experience, but was replaced after he regenerated.
Following the adventure portion guests are free to roam two floors of exhibitions including original costumes from nine of the eleven Doctors (the first two being replicas as the originals were lost). Alien prosthetics, Daleks over history, Sonic devices, the interiors of the Fifth Doctor's and Ninth Doctor's/ Tenth Doctor's TARDIS and other show memorabilia and artifacts are also on display. There are also costumes from the companions since 2005 including: Rose Tyler, Martha Jones, Donna Noble, Captain Jack Harkness, Amy Pond, and Rory Williams. In 2013, props, such as Porridge's costume and the deactivated chess-playing Cyberman, from Nightmare in Silver have been added. The costumes of the Eleventh Doctor and Clara Oswald, along with the giant snow globe, from the Christmas episode entitled The Snowmen were also added to the collection in 2013. In late 2014 props and costumes from Last Christmas were added.
The Experience is located in Cardiff Bay, home to the BBC Roath Lock production studios, as well as locations from the Torchwood series.
newportcityradio.org/index.php/blogs/film-tv/791-cardiff-...
www.thedoctorwhosite.co.uk/tardis/interior/season-1-inter...
In the Seventh Doctor story 'Battlefield', it is strongly hinted that the Merlin of legend is actually a future/alternate version of the Doctor himself. I decided to play with what the TARDIS might look like in his hands.
The things I wanted to get in were a more obviously crystalline time rotor and the impression of a wizard's tower. I think it's turned out quite well!
when Donna's timelord mind started to leak into her human consciousness, she thought she was going mad, so she separated with Shaun, to protect him. she even lied to him that she'd cheated, because she knew he'd never leave her otherwise. but now she's found out what it really was, she got Torchwood or UNIT (?) to help, and she's ok, she's got her memories back and the timelord consciousness isn't killing her human brain after all. but she can't find Shaun anywhere, and she's desperately worried that she's lost him for good.
not knowing where else to turn, she goes to find her best mate, but the Doctor is off on some errand of cosmic importance. the TARDIS lets her in, because she has the Doctor's mind, so she raids the kitchen while waiting. the Master smells food (and senses something like the Doctor's inner voice but with a different tone) and shows up. he ends up listening to her whole story, hoping he'll hear something useful about the Doctor or Torchwood or UNIT, but mainly all he finds out is how great Shaun Temple is.
pretty soon he will get so fed up that he'll end up helping her just to get her to shut up. and here he thought nobody could talk your ear off like Ten... he hadn't met DoctorDonna.
Irena was alive but in a coma, the medi-droid searched his archive on how to save the girl and he found one remedy...
He said to her friends gathered at the hospital:
- Madmans, I mean Madams and Gentilemen, I mean Gentlemen!
...your friend was poisoned by a time-spark when the base was under attack... she has a, eh what do you call it, Yes a sickness, or icksess called misty dream, there is only one remedy for her to regain consciousness or cortiniousess... and that is a pubic hair from a Time--lords behind... since the Time-Lords only communicate or interact with those they are gonna kill, I deem your chances to 0,1% of suckess, i mean success, but how ever there is another way, when I searched my internal archive I found a file about a defector of the time-lords called: Petricus Domina Magma von der Tutte he lives in the techno-crystal palace on the monk-moon of Apendix, he has been known to speak to visitors... Oh and I forgot to tell you this: it has to be collected within 34 earth-spins or is it sperth-inns?
the friends spared no wasted time, they started to gather people for this quest or rescue-mission, there was many of Irenas ex-lover and mistresses lining up to help to rescue her, also a lot of people who just hear of her signed up...
the next day half of the capital planets military forces and personnel called in sick, luckily non of the federations enemies got to know since an attack now would have been a disaster for the federation...
Bluebird was the organizer of the mission, he rented a big cruiser ship and painted it pink and on the side they wrote "No slut shaming in our galaxy!" then myriad of the rescue team boarded it, still there wan´t room for all so some had to stay behind... actually about 22000 or so...
The pink ship was easily noticed by enemy pink-scanners and soon all enemies of the federation attacked it from all angles, they ship was blown to pieces most managed to escape in pods, but many brave men and women died there in the cold, empty space...
...one pod containing Bluebird and a 122 of the federation forces had enough fuel to carry on towards the monk moon, but fist they had to make it through the asteroid pass of Scute and Terror a narrow gap between to asteroid swarms where two aliens who would feast on passing vessels ate half of the crew or so, now they were only 65 brave men and woman left and they still hadn´t passed the abyss of the Zeus whirlpool and big hole in space where those with meek souls would crumble to dust...
27 perished but the few surviving boarded a tiny landing craft even more cramped than the rescue-pod, the landing killed all but 7 of the crew, A doctor name Mary-lou, a nurse and 3 of the peace-keepers troops, Bluebird and an unnamed Tri-phone
they had to ask for directions by local monks, one was a ripper-corder and he accidentally swallowed The Tri-phone...
the six remaining heroes finally entered the Techno-rcyrstal palace....
the palace was built as a maze full of traps but no more perished all the sudden the team heard Tech-legs scraping the crystalline floor...
a monk-like figure sitting up on a cyber-beast where only the head was organic looking like a ancient reptile...
The Monk up on top of the mount said in a metallic Voice:
- Who seeks the ancient and what is thy will?
Bluebird repled in a stuttering voice:
- it is I, B-Blue-bird, I seek to save my friend, Irena she is in a coma and o-only a p-pubic hair from your buttocks can save her...
the monk replied: oh is it, Irena the Human?
- Y-yes, my L-Lord, Irena Pinkeydot!
- Oh I know her, hmm biblical if you so want, he, he, lovely lass...
of corse I will.. just cover your eyes for a moment, I am rather shy...
...
Then Bluebird woke up at the hospital, Irenas bed was empty so was the whole room, except for him and a nurse trying to wake him up...
she said:
- Hey you have been sleeping here all day, your friends and the patient left hours ago, now we need this room for the next patient and I would prefer if you where not here snoring...
Bluebird asked:
- Irena is she well?
- yes if you mean the patient yes, she just suffered a minor hypothermia induced coma and a broken pinky...
c´mon now leave! She is well, but our doctor is not, he fell in love with her and is out in the café crying his eyes out that she is not here any longer... but then again, she promised to come and see him when she was better...
Visiting Glasgow I have passed a few of these original Police boxes in various locations, I have posted photo's I've taken previously here oin Flickr, this one is located at Wilson Street in Glasgow City centre.
Although these police boxes were designed to help the public and act as a miniature station, they found fame as the shape taken on by Doctor Who’s TARDIS.
This box located on Wilson Street was previously red and located on the traffic island that once divided the street entrance. It was renovated in 2010, and the box was moved to the pavement when the island was paved over.
These boxes have their own web page with more information here
www.discoverglasgow.org/police-box-walk-02/4578988612
A police box, used in the United Kingdom throughout the 20th century, is a public telephone kiosk or callbox for the use of members of the police, or for members of the public to contact the police.
Unlike an ordinary callbox, its telephone was located behind a hinged door so it could be used from the outside, and the interior of the box was, in effect, a miniature police station for use by police officers to read and fill in reports, take meal breaks and even temporarily hold prisoners until the arrival of transport.
Police boxes predate the era of mobile telecommunications; now members of the British police carry two-way radios and/or mobile phones rather than relying on fixed kiosks.
Most boxes are now disused or have been withdrawn from service.
The typical police box contained a telephone linked directly to the local police station, allowing patrolling officers to keep in contact with the station, reporting anything unusual or requesting help if necessary. A light on top of the box would flash to alert an officer that he/she was requested to contact the station.
Members of the public could also use the phone to contact a police station in an emergency or, in the case of the Metropolitan Police, for assistance with any matter normally within the purview of the police.
Police boxes were usually blue, with the most notable exception being Glasgow, where they were red until the late 1960s.
In addition to a telephone, they contained equipment such as an incident book, a fire extinguisher and a first aid kit.
Today the image of the blue police box is widely associated with the science fiction television programme Doctor Who, in which the protagonist's time machine, a TARDIS, is in the shape of a 1960s British police box.
In the context of a TARDIS, the image of the blue police box is a trademark of the BBC.
Please NOTE and RESPECT the copyright.
© 2015 photos4dreams - All rights reserved.
This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.
for purchase information see my profile
Wow! Betcha didn't expect another part so quickly, huh? I promise, this will definitely go better than last time round. So, Let's get on with it. As always, please lemme know what you think :D
Across Dimensions P2
Twin pillars rise out of the sand, their tops peaking out above the thin cloud of dust. They fit this place. Cracked, worn, but perfectly in place. A woman walks back and forth between a control box and a pyramid shaped structure. These things do not fit. They are...not of this planet.
With a grinding wheeze, the Tardis materialised, with what seemed like great effort. "That's odd" the doctor mumbled. This almost never happened. it was like the Tardis was fighting him, like she didn't want to be here. He checked the console, scanning the planet he'd put her down on. Nothing out of the ordinary, and the Tardis he'd been tracking was right outside, just a few yards in front of him. This was it, the moment he'd been mentally preparing himself for. He checked his tie, smoothed back some stray hairs, and set out. Two pillars stood before him, beyond that-
"No" He murmured under his breath. Then louder "No. Not you, why you?" He could recognise that Tardis a mile off. He knew it's owner, he'd had countless run ins with her during his sixth and seventh incarnations. She'd been a scientist, back on Gallifrey. And not one of the good ones. She had been banished, long ago. Did she know? Or was she-
"Oh Doctor, I see you've tracked me here, to this rock" She called out, standing between the pillars. "Believe me, it wasn't intentional" he replied, making no effort to hide his hostility. The Rani was possibly the worst timelord to survive, arguably worse than the Master. But why was she here, with these pillars? No. For once, just once, he didn't want to know. He had hoped to come here to talk, to brew some tea, and have a calm discussion about what had happened to their homeworld. "Look, let's put our differences behind us, just for a minute"
The Rani crossed her arms, adjusting her stance "Fine. Somethings off about you. Even after all this time, I can tell" She scraped her foot in the sand "Is this by chance to do with Gallifrey?"
So she did know. That made things easier, a lot easier. "Yes. It's gone. It was the only way to-"
The Rani looked up at him, her face contorted with rage "Do you think i don't know that!" She was staring at him, right into his soul it felt like. "I was there Doctor. I know exactly what happened. I'd been a prisoner there for over 70 years, do you really think I missed it?"
"Prisoner...I don't understand. I thought-"
"That the time war was over, that the fighting was so bad, it was the 'merciful' thing to do" She glared at him, tears starting to form in the corners of her eyes.
"You have no idea what happened there, yet here you are, in your stupid blue box, trying to, what? Console me? Offer me closure? Do you have any idea what was happening? Do you?"
The Doctor was speechless. "What happened to you Ushas"
She turned around, going back to her work "Fine, I'll make it brief, I'm busy. Once the fighting was over, the daleks moved in" She sighed " I was on Gallifrey because they needed me. The high council decided I was needed to help them end the war once and for all. I was too late. As soon as I arrived, i was captured, taken to an internment camp and" Her voice caught in her throat. "Experimented on, we all were. I don't know how many lives they took, over and over again. This is my last one, or good as"
"I'm...I'm so sorry that happened to you, truly I am. But why are you here? Why come to this rock? I know you, I know how you think. You're here for a reason, and I bet" he kicked one of the pillars with his foot "it has something to do with these.
She smirked. Of course he'd sus it out. "Do you know what these are Doctor?" He shook his head "This whole set-up, is a dimension gate. I thought they were a myth, but here we are."
"But why are you-" the Doctor started before cutting himself off. "No. No, you can't."
She plugged a wire into one of the pillars, her Tardis letting out a noise. "The way I see it, I can. The timelords were once in charge of access to parallel dimensions, but now, I am. There are hundreds of thousands of dimensions out there Doctor, hundreds of thousands of Gallifrey's" she started towards her Tardis, stepping inside. She leant out "And amongst them, I will find a solution. I will not die here, Doctor. I will not let this body be my last" With a laugh, she slammed the doors shut, her Tardis humming to life. The Doctor started to rush forwards, but was thwarted by bolts of lightning, emanating from the gate, and striking the Ranis Tardis. It was gone. He rushed forward, trying to stop it, but too late. 'I have to-'
He awoke to find himself lying in the sand, a man a few feet from him, rubbing his head.
"You know, you really ought to watch where you're going"
Amy Pond, the girl who waited 12 years to see the Raggedy Doctor again...
A little nod to episode 2 of season 5. Massive thanks to Ange for teaching me the photoshop skills needed to pull this off. Not bad for a beginner in my opinion. Thanks Ange!
Dedicated to fellow Whovians Rachel and Sime.
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The version of the robot dog from the Fourth Doctor set. He's slightly different from the other one I have - he's silver grey instead of a metallic blue, the control panel on his back is more detailed (as is the screen in his side) and, sadly, he doesn't have the pop off panel which shows his inner workings..
these are a two factions I have created for my sci-fi lego world, it is the future and a federation of alien world have secured peace in our galaxy by an inter-alien militia and police force from many alien races even manage to surpress not only war but also crime, but the crime master mind takes advantage of the latest invention time-travel, he sends his thugs with sci-fi technology to plunder people from the past they are called the Time-Lords or Zeit-geists our breave multi-alien police force has no choice other than to follow them and make sure that they don´t mess up our future or past!
Peace and Noise!
MushroomBrain