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I try to capture flora and fauna wherever I travel. I was watching birds at someone’s feeder when this very bold Thompson’s squirrel decided to forage among the wasted seed and shells. It appears to be a lactating female as her small teats were bare and swollen. Olympia, Washington.
In my home town of Lac La Biche, Alberta there is a monument to the legendary of northern and western Canada, David Thompson, who landed in LLB in October of 1798.
Now im all for the classic Thompson, but i think i did well enough not to disappoint anyone.
Made in PMG 0.6
Gorgeous Tillie Thompson on the Team Dynamics stand at the Autosport International car show, NEC, Birmingham, UK.
Nikon D-200, 18-70mm AF-S DX f/3.5-4.5G IF-ED Nikkor, Nikon SB-800 Speedlite.
35mm, F4.5, 1/60.
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"Sadie Thompson" is a 1928 American silent drama film that tells the story of a "fallen woman" who comes to Pago Pago on the island of Tutuila to start a new life, but encounters a zealous missionary who wants to force her back to her former life in San Francisco. The film stars Gloria Swanson, Lionel Barrymore, and Raoul Walsh, and is one of Swanson's most successful films.
Due to the subject matter, the making of the film was extremely controversial. However, it was a financial and critical success for Swanson. The film was based on the short story "Rain" by W. Somerset Maugham and the 1922 play that was based on the book by John Colton and Clemence Randolph, starring Jeanne Eagels.
Plot
A smoking, drinking, jazz listening, young prostitute named Sadie Thompson (Gloria Swanson) arrives at Pago Pago (American Samoa), on her way to a job with a shipping line on another island. At the same time, 'moralists' arrive, including Mr. and Mrs. Davidson (Lionel Barrymore and Blanche Friderici). They all end up staying in the same hotel, where the Davidsons plot to teach the natives about sin and Sadie entertains a bunch of Marines.
Sadie begins to fall in love with Sergeant Timothy O'Hara (Raoul Walsh), who is not fazed by her past. He tells her that he has a best friend who married a former prostitute, and the couple now live happily in Australia.
Davidson sets about trying to redeem Sadie, much to her disgust. He tricks her into telling him about her past in San Francisco and, once she refuses to repent, he declares that he will go to the Governor and have her deported. Sadie is terrified of the threat, but O'Hara assures her that it will not happen. He tells her he wishes she would go to Australia and wait for his term of service to finish, after which they can get married. She agrees.
Davidson gets his way, however, and Sadie is livid. She and O'Hara go to the Governor, begging him to let her go to Australia instead of back to San Francisco. Davidson has also managed to get O'Hara punished for being immoral, but Sadie will be able to go to Australia instead if Davidson approves. Sadie pleads with him, but to no avail. She eventually confesses that, if she goes back to San Francisco, there is "a man there who won't let her go straight", which is what she wants to do. Davidson figures out this means that there is a warrant for her arrest back in San Francisco. Sadie claims that she was framed and is innocent, but will go to prison if she is sent back.
Davidson still refuses, saying she must atone for her past. Sadie pleads and pleads and eventually offers to repent. Davidson, however, says that the only way to fully repent is for her to go to prison. Sadie runs to her room, crying out for Davidson. Davidson returns and Sadie confesses she is afraid. Davidson then tells her that, if she repents, there will be nothing to fear and he begins to pray with her. Sadie converts to Christianity.
Sadie prays for three whole days. She has put away her old things and has become a modest woman. O'Hara returns and finds Davidson is gone, apparently "trying to stop the locals from dancing on the beach". O'Hara tells Sadie that he has a fishing boat waiting to take her and her things to a ship that will then take her to Australia, where they can marry and be free. Sadie is extremely afraid and refuses to go, saying that the "old Sadie is dead" and she must go to San Francisco and prison, to repent.
O'Hara does everything he can, including forcibly taking her from the room, but Davidson is waiting outside. O'Hara tries to attack him, but Sadie asks him not to. O'Hara, extremely upset, leaves and Sadie pleads with Davidson not to get him in trouble, for "it was all her fault".
Later that night, Sadie is asleep and everyone else is heading to bed. Davidson can not sleep and goes out for a walk in the rain. (It has rained almost continuously.) His wife says he cannot sleep for "the unpleasant dreams he's been having about Miss Thompson". A fellow boarder suspects they are not "all that unpleasant". Outside, Davidson struggles with himself and realizes that he is sexually attracted to Sadie and unable to handle it. He looks into her window and eventually returns to his room.
Sadie, frightened because she heard noises, is waiting in Davidson's room. Davidson is shocked and sends her back to her room. The last reel is missing, but fishermen find Davidson's body. He has committed suicide. Sadie and O'Hara reconcile and head for Australia.
Cast
Gloria Swanson as Sadie Thompson.
Lionel Barrymore as Mr. Alfred Davidson.
Blanche Friderici as Mrs. Alfred Davidson.
Charles Willis Lane as Dr. Angus McPhail.
Florence Midgley as Mrs. Angus McPhail.
James A. Marcus as Joe Horn.
Sophia Artega as Ameena.
Will Stanton as Quartermaster Bates.
Raoul Walsh as Sergeant Timothy O'Hara.
In 1927, Swanson released her first independent film for United Artists, The Love of Sunya which was filmed on her terms in New York City and was the opening night film of the Roxy Theatre. The production had been a disaster and Swanson felt it would receive a mediocre reception at best.[4] On the advice of Joseph Schenck she relented and returned to Hollywood to prepare for a new picture.[5] Feeling she would never have as much artistic freedom and independence as she had at that moment, Swanson decided she, "Wanted to make my Gold Rush," referring to a recent film by Charlie Chaplin, which became perhaps his most celebrated work. Schenck pleaded with her to do a commercially successful film like The Last of Mrs. Cheyney. Swanson felt it too formulaic and decided to call upon director Raoul Walsh, who was signed with Fox Film Corporation at the time.[6]
Walsh had been known for bringing controversial material to film. At their first meeting, Swanson suggested a film based on the John Colton and Clemence Randolph play Rain (1923), which in turn was based on the story by W. Somerset Maugham titled "Miss Thompson" (1921). Swanson had seen Jeanne Eagels perform the role on stage twice and enjoyed it.[7]
However, because of its content, the play was on the 'unofficial blacklist' and had quietly been banned from being made into a film a year earlier.[8] To try and avoid issues with the code, Swanson and Walsh decided to leave out profanity, rename 'Reverend Davidson' to 'Mr. Davidson', and claim it was for the sake of morality to produce the picture, as Irving Thalberg had produced The Scarlet Letter (1926) at MGM.[9]
Swanson invited Will Hays for lunch and summarized the plot, naming the author and the sticking points. According to Swanson, Hays made a verbal promise that he would have no problem with the making of such a film. Swanson set about getting the rights to the play by having Schenck pretend to buy it in the name of United Artists, never to be used. Thus they were able to get the story rights for $60,000 instead of the original $100,000.[10] When news broke as to just what was intended with the play, the three authors threatened to sue.[5][8] Swanson later contacted Maugham requesting that he write an original story that served as a sequel. The sequel would involve following what became of Sadie in Australia. Maugham agreed to write a new story (for $100,000) but a sequel was never made.[11]
Swanson and Walsh set about writing the script,[12] and discreetly placed an ad announcing the film, thinking no one noticed, as Charles Lindbergh had just made his historic flight. However, the press picked up on it and sensationalized the story.[8] United Artists received a threatening two-page telegram from the MPAA, signed by all its members including Fox (Walsh's studio) and Hays himself.[2] In addition, the rest of the signers owned several thousand movies houses and if they refused to screen the film, it could be a financial disaster.[13] This was the first time Swanson had heard the name of Joseph P. Kennedy, with whom she would later have an affair and who would finance her next few pictures, including "Queen Kelly" (1929).
Swanson was angered by the response, as she felt those very studios had produced "questionable" films themselves and were jealous at not having the chance to produce Rain.[15] After another threatening telegram, she decided to first appeal to MPAA and then the newspapers. She only heard back from Marcus Loew, who promised to appeal on her behalf, and since he had a chain of theaters, this eased some of her concerns. Figuring the silence meant the matter had been dropped, Swanson began filming on Sadie Thompson, which already had a quarter of a million dollars invested in it.
Before casting began, 17-year-old Douglas Fairbanks, Jr. wanted to audition for the role of Handsome O'Hara. However, Swanson felt he was too young and not right for the role.[18] Lionel Barrymore had been first picked to play Davidson, but was thought to be too ill at the time, though he did eventually win the role. Barrymore wore the same outfit for an entire week, aggravating Swanson. She asked some of the crew to tell him to change and wash; which he did indeed do.[19] Despite this, Swanson was happy with his performance. Walsh had not acted in front of a camera in eight years and feared he would not be able to both direct and act at the same time. However, two days into filming, his fears were quelled.
Filming took place on Santa Catalina Island, near Long Beach, California. Swanson took ill shortly after and met a doctor who started her lifelong love of macrobiotic diets. A week into shooting, Sam Goldwyn called cameraman George Barnes away. Swanson was furious, but the loan contract allowed Goldwyn to call him away as he pleased. Not wanting to let a hundred extras sit around for days, Swanson and Walsh tried to hire two other cameramen, but both were unsatisfactory. Mary Pickford offered the services of her favorite cameraman, Charles Rosher, who was called in, but despite doing a decent job, could not match Barnes' work. Through Loew, MGM loaned Oliver Marsh, who completed the picture.
The entire cameraman problem was extremely costly to the production, yet the picture went on. With the picture half finished, it was already way over budget and Schenck was wary, as Swanson's first picture had also been over budget and underperformed. Swanson talked with her advisers and sold her farm at Croton-on-Hudson, and offered to sell her New York penthouse as well.
Despite reports that dirty words can be read on the characters' lips, Swanson claims the censors went over everything with a fine-tooth comb.] However, Swanson admitted one line while she was shouting at Davidson went, "You'd rip the wings off of a butterfly, you son of a bitch!", when recounting a conversation with Walsh later in life. If the word "rain" was used in a title card, the censors asked that it be removed. They also wanted to change Davidson's name to something else, but Swanson and Walsh refused.
Once again the Thompson Center has landed on Preservation Chicago's list of most endangered buildings. The state of Illinois is attempting to sell it off which would likely lead to its demise. That's a mistake.
No building in Chicago has this kind of airiness,transparency, or audaciousness. It's a bold aesthetic that reminds us to dream outside of our orthogonal routines. Chicago needs more bold strokes like this, not fewer.
Thompson Canyon is easily accessible by car and offers viewing of some spectacular pictographs.
Edit: January 4, 2019 Uploaded a larger version.
I didnt really want to miss this shot and parked right the side of the road and bolted out grabbed my tripod and shoot. I was just like kid playing on a huge sandbox and taking loads of pictures. I told Lynette that I didnt want to procastinate this time, and every oppurtunity I see, I'll take it. But at the same I didnt want to make her bored waiting for me.
Although this particular day is absolutely gorgeous in this particular part of the Rockies, it was brutal in taking picture-at least to my standard. Luckily I remember using NDx8 to cut down the extreme sunlight, this give me some fanstastic detail of the rock. Couple of with Circular Polarizer managed to cut down the light to 5 stop.
More to come, lots actually 500+ photos!
Canon Rebel XTi (400D)
EF 17-40mm f4L
Circular Polarizer\NDx8
Adobe Lightroom
Artizen HDR Fattal Toned
View the rest of my photos from Jasper National Park road trip
Highway 93 - Icefields Parkway
Banff National Park, Alberta Canada
Following his success in the retail business Charles Thompson bought a former Quaker meeting house and opened it as Charles Thompson's Poor Children's Mission.
The mission is still open today.
Further information on Charles Thompson can be found here:
www.liverpoolrevival.org.uk/people-god-has-used/charles-t...
1932 Leica ii, Voigtlander Heliar 50mm lens, Kentmere 400 film -
lab processed, Reflecta Proscan 10T, Negative Lab Pro.
Earlier colour version:
www.flickr.com/photos/151534002@N06/50978855137/in/photol...
Rupert C. Thompson Ice Arena and Auditorium, South Park Street, Hanover, New Hampshire, 1975, Walter E. Campbell, Nelson W. Aldrich (Campbell, Aldrich & Nulty), Pier Luigi Nervi
B1 61049 waits at York Station for its next duty on Saturday 3 October 1964. The loco was mainly allocated to Yorkshire Sheds for most of its relatively short life, based at Low Moor (Bradford) and Mirfield in the 1950's. In September 1960 the loco made its final move to York (50A) from where it was withdrawn from service in December 1965 and scrapped at Drapers of Hull.
Image scanned from prints purchased in good faith from eBay and reproduced here with the permission of the Copyright owner.
Please do not share or post elsewhere without permission of the copyright holder(s).
© 2020 - 53A Models of Hull Collection.
CP 4107 leads the Royal Canadian Pacific east in the Thompson River Canyon east of Thompson siding Aug 24, 2015.
Taken on July 16th 1961
Ex-LNER Gresley/Thompson A1/1 60113 ''Great Northern'' at York station, on an overcast day in July 1961.
This had entered service with the Great Northern Railway in 1922, as the first of the new Gresley pacifics..
It was - controversially - chosen by Thonpson to be completely rebuilt into the first of his new design of pacifics in 1945, and appeared in a unique dark-blue livery with red lining, and short cab. It was soon further modified, with a standard A3 cab, and smoke deflectors as seen here, and remained a unique member of its class.. It was withdrawn in November 1962, and scrapped.
Today (2024) the two centre tracks here have gone, and the remaining ones are electrified..
Restored from an under-exposed original..
Original slide - property of Robert Gadsdon
(photo by D C Sanderson)