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This is proposal to create the think sport court to Sea Garden park in Burgas - the..only park with airport at left end and sea port/train station at right end. BUT...this park is VERY poor -NO..creation NO sport NO family events = ALL this will CHANGE if they accept my ideas [ already ACCEPT my inspiration to install the bird in navy s hand and fix the tennis walls] but.. it is very difficult . = I believe that park can be the BIGGEST family park in BALKAN if i..find SUPPORT = like/support AND ask if you can hel/participate - i need partners ALSO to open Tourist online shop =THE tourist will.. come with many ways.. -BESIDES the basketball court i have many other ideas .. = www.facebook.com/thinkSeaGarden/ = think sport court IS a basketball court with 4 parts= TOURIST/EDU/ANTI BULLYING/PRO SPORT GUIDANCE from..5y to..35y
Think It's a Game & Echoing Soundz Presents Powered By Monster Day Party & Celebration for BET Awards 2014 Nominees Rich Homie Quan & Trinidad James Friday June 27, 2014 inside Cosmo Music By: Jae Murphy Photos By: V V K Photo #VVKPhoto
hoping spring is around the corner...
Have a great weekend everyone!!
~re-edit of an image taken last spring...
Do Make Say Think - November 13, 2010 - Vevey, Switzerland
Photo by Charlotte Zoller © 2010
View photos from Day 1 of Heartland here
View photos from Day 2 of Heartland here
View photos from Day 3 of Heartland here
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This shot was taken while I was riding pillion and a friend of mine was driving at 60-70 kmph. I couldnt see the composition as I had to lower my camera to my shoe level and click. I think it came out nicely.
"Here's something I just can't understand
If the guy have three girls then he's the man
He can either give us some head, sex her off
If the girl do the same, then she's a whore"
cant hold us down ; Lil Kim
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true?
mhek mhek and bebeng.
translate of the Sentence =
"I say about so clever things that most often I do not understand what I say"
This illustration is a legende of the satirical drawings in France, the name Shadok
© Copyright Dan Harrod 2008
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Today, out of the blue, I suddenly fancied a trip to London Zoo !
i took pics in a lot of different historical cemetaries that day, but i think this was taken in Magnolia Cememtary
Photo taken at the MIX Agency's "think.out.loud." event in New York City taken by Kenneth Yeung. Permission is allowed for use in your blog, website or presentation as long as you adhere to the stated Creative Commons license for this photo/image. Attribution must be included and a link back to this photo page is required.
Photo/image credit should read: (cc) Kenneth Yeung - www.snapfoc.us
Karl Deisseroth thinks with his hands as much as his mind. When I photographed him, his fingers rose instinctively to his temples, not as affectation but as posture, the way some people lean forward when listening closely. He is a psychiatrist, a neuroscientist, an engineer, a clinician, and a writer, but those labels only begin to describe what he has been doing for the past two decades. His real subject has always been the same difficult question. How does the brain generate experience, and how might we intervene when that experience becomes unbearable.
Deisseroth grew up drawn to both science and literature. Long before optogenetics made him a household name in neuroscience, he was reading poetry, thinking about consciousness, and wondering how biology gives rise to inner life. That dual impulse never left him. It shaped his path through Harvard, Stanford, and a career that refused to choose between the clinic and the lab. He treats patients who are living inside depression, addiction, and psychosis, and then walks back into the lab to ask what is happening, cell by cell, circuit by circuit, when a mind begins to fracture.
In the mid 2000s, working with students and collaborators, Deisseroth helped create optogenetics, a technique that uses light to control the activity of specific neurons in living brains. It was an audacious idea that bordered on science fiction at the time. By inserting light sensitive proteins into targeted cells, researchers could turn neural circuits on and off with millisecond precision. For the first time, causality in the brain could be tested directly rather than inferred. The technique spread rapidly across neuroscience, reshaping how researchers study behavior, emotion, memory, and disease. It is now foundational, taught to students who were children when the first papers appeared.
Yet optogenetics was never the end point. It was a tool, a means to understand something larger. Deisseroth continued to push outward, developing new methods like CLARITY, which renders brain tissue transparent while preserving its molecular structure. Whole brains could now be visualized intact, their wiring traced in three dimensions. These advances were not about spectacle. They were about context. Mental illness, he understood, does not live in isolated cells but in networks that span regions and scales.
At Stanford, Deisseroth built a lab that feels more like an ecosystem than a hierarchy. Engineers, physicists, clinicians, and biologists work side by side. The conversations move easily from protein folding to patient care. His wife, neurologist and neuroscientist Michelle Monje, works just down the hall, studying how neural activity influences cancer growth in the brain. Their intellectual lives overlap in quiet, generative ways, visible in notebooks and shared questions rather than grand statements.
Alongside the science, Deisseroth writes. His book Projections is not a memoir in the conventional sense. It is a careful, compassionate exploration of what it means to live inside different minds, including his own. He writes about patients with the same precision he brings to experiments, never reducing them to diagnoses, never pretending that understanding eliminates mystery. The writing reveals something essential about him. He does not believe that explanation diminishes wonder. He believes it deepens responsibility.
Photographing Deisseroth, what struck me most was his stillness. This is someone whose work has accelerated entire fields, yet he moves deliberately, listens closely, and seems comfortable sitting with questions that do not resolve quickly. His impact is not only measured in citations or prizes, though there are many. It is measured in how a generation of scientists now thinks about the brain as something that can be understood without being simplified, and treated without being stripped of its humanity.
Karl Deisseroth is building maps of the mind. Not to conquer it, but to care for it.
This beautiful piece was found on the street in the 90ties... the young men who sold it came from from Senegal or Cameroon: one said Cameroon and the other one Senegal so... I never found out where they or the sculpture really came from.
27.07.2004
Sony DSC-V1
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”Second to the arts, I think flowers are my greatest joy,” Prince Eugen wrote in a letter in 1901.
A visit to the beautiful park and garden at Waldemarsudde is a treat for many senses and offers more than a century old garden history. The design of the garden determined by Prince Eugen, is still managed according to the Prince’s instructions and directions. The park is also rich in sculptures, all of them bought by Prince Eugen, often with specific sites in mind.
Prince Eugen was an art collector of note, with special emphasis on Nordic and French art. The Collections number around 7,000 works and comprise painting, sculpture and crafts objects. The Painting Collection includes works by Ernst Josephson, Anders Zorn, Julia Beck, Isaac Grünewald, Sigrid Hjertén and Sven X:et Erixson. International artists such as Edvard Munch and Auguste Rodin are also represented. Throughout the year, a selection of Prince Eugen’s own art and works from the Collections, are on display.
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Prince Eugen's Waldemarsudde (Swedish for Cape Waldemar), is a museum located on Djurgården in central Stockholm. The name is composed of Waldemar, an Old German noble male name, and udde, meaning cape. It is derived from a historical name of the island Djurgården, Valmundsö.
It was the former home of the Swedish Prince Eugen, who discovered the place in 1892, when he rented a house there for a few days. Seven years later he bought the premises and had a new house designed by the architect Ferdinand Boberg, who also designed Rosenbad (the Prime Minister's Office and the Government Chancellery), and erected 1903–1904.
Prince Eugen had been educated as a painter in Paris and after his death the house was converted to a museum of his own and others paintings. The prince died in 1947 and is buried by the beach close to the house.
The complex consists of a castle-like main building—the Mansion—completed in 1905, and the Gallery Building, added in 1913. The estate also includes the original manor-house building, known as the Old House and an old linseed mill, both dating back to the 1780s. The estate is set in parkland which features centuries-old oak trees and reflects the prince's interest for gardening and flower arrangement. The Art Nouveau interior, including the cocklestoves, by Boberg are designed in a Gustavian style and makes good use of both the panoramic view of the inlet to Stockholm and the light resulting from the elevated location of the building.
en.wikipedia.org/wiki/Waldemarsudde
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