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Tribute band to Pink Floyd. Seen at The Light's Andover Hants. Absolutely brilliant tribute band in being the best one ive ever seen.If you get a chance and you love pink floyd you must go and see. Nick Mason of PF fame raves about them himself, so must be good. Tracks from all the years that they were going so something for everybody
Nickelodeon announced on January 31, 2015 that Think Of A Man J. Ezekial: The Movie will release on Nickelodeon on Monday March 16, 2015 on Nickelodeon at 8/7 c.
Summary:
when SpongeBob gets taken away by a criminal Squidward & Patrick & Bloo & Mac & Super Why & the other gang go on a mission to rescue their friend SpongeBob.
go and visit on:
-Cast-
Man J. Ezekial: David Hasselhoff
SpongeBob SquarePants: Tom Kenny
Squidward Tentacles: Rodger Bumpass
Patrick Star: Bill Fagerbakke
Ian Hawke: David Cross
Carly Shay: Miranda Cosgrove
Freddie Benson: Nathan Kress
Chuck Chambers: Ryan Ochoa
Chip Chambers: Jacob Bertrand
Wendell Bassett: Buddy Handleson
Vinnie Bassett: Jerry Trainor
Toby Seville: Zachary Levi
Alvin Seville: Justin Long
Simon Seville: Matthew Gray Gubler
Theodore Seville: Jesse McCartney
Super Why: Nicholas Castel Vanderburgh
Princess Presto: Tajja Isen
Wonder Red: Siera Florindo
Alpha Pig: Zachary Bloch
Ernie: Steve Whitmire
Big Bird: Caroll Spinney
Elmo: Kevin Clash
Alan: Alan Muraoka
Gordon: Roscoe Orman
Chris Robinson: Chris Knowings
Bloo: Keith Ferguson
Mac: Sean Marquette
Songs:
Think Of A Man J. Ezekial: The Movie Theme Song
Where Going To Find SpongeBob Song
We are going to find SpongeBob right after lunch song
Two Little Stars song
Three Little Stars song
Easy Goin Day song
We are happy that were going to find SpongeBob song
We're finally finding SpongeBob now song
We finally found SpongeBob Song
in closing credits Big Bird and Ernie will count the movie credits and after the movie is over Big Bird & Ernie will announce 3198 Colossal Credits and loves motion pictures and tells the viewers to rewind the tape and watch the film again.
ASCIi Westside Meeting (Arizona Society for Computer Information, inc.), 6/3/2006
- Location: Word of Life Lutheran Church, Surprise, Arizona, USA
- Available Original Size: 1728 x 1152
- File Format: .PNG
Camera: Canon EOS Digital Rebel XT
Lens: Canon EF 70-200mm f/4L USM
Focal Length: 70mm
Exposure Program: Auto
Exposure: 1/10 at f/4.0
ISO: 100
Flash disabled
I had just gotten my first high quality lens, and had to try it out. Did not want to disrupt the meeting by using a flash. The room was illuminated by sunlight. Hand held, no IS (image stabilization).
Hank is one of the nicest and hard-working people you'll ever meet. He's very active in ASCIi, as well as the Phoenix PC Users Group, ready to take on whatever needs to be done. Hank is the ASCIi Treasurer, Webmaster and Newsletter Distributor.
Nice shirt!
Free texture. Credit and a link is appreciated.
I'd love to see what you make with this, so please leave a sample of your work (small size) if you use my texture. Thanks.
Enjoy!
I think I'm lucky and captured at least three of the main patterns that this fountain is capable of -- not that you'd know it with this long exposure. The main hubble-bubble mode seems to swamp some of the more subtle activity that happens near the middle.
This was taken late on a Sunday night in August. Every time I photograph at this location, and it nearly always is on a Sunday evening, there's the aftermath of a Russian wedding going on down there. I don't know if I'm lucky, but statistician in me tells me that this cannot be chance! Anyway, on this occasion, the bride and groom, plus half of their entourage, wandered through the frame on several occasions. As usual for this time of night, my pinhole camera decided to ignore any curious souls and those blissfully unaware alike.
Pinhole 30 mins @ f/250 onto Ektar 100. August 2010
confused, where to go !
Bergen - Voss - Myrdal - Flam
Very bountiful Villages in Norway, don't ever think to miss these villages while going to Norway
Location: Flam, Norway
Model: Nada Marafie and Amina Marafie
Copyright Reserved 2009 ©
Mobile: +965 66 383 666
e-mail: N_Studio@live.com
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Gear: FUJIFILM FinePix S5Pro
Exposure Time: 1/50 sec.
F-Number: 4
Focal Length: 28 mm
Lens: Tamron 28 - 75 mm - f/2.8
ISO: 100
Exposure Program: Manual
I think I am changing this one with one of my entries for the July picnik a picnik contest. This is from the fourth of July fireworks. It's a picture of the ground display that kind of looked like a heart and then I cloned a pic of Belanah on the picnik blankets at the fourth of July onto the pic and then cloned a pic of Fiona and her cousin from our family reunion onto the picture. Oh, and the butterfly tatoo was cloned from another picture from the family reunion, all were cloned using Picnik and the collage option.
www.google.com/support/forum/p/picnik/thread?tid=30077df3...
Yeah I know its Christmas, but somehow this grey cold day in NE I needed something to make me think warm.
At Willow Grove Day Camp in Willow Grove PA we think it is important to allow children to express themselves in every way possible. By interacting with each other the children strengthen relationships and build self-confidence. Through out the summer our campers host several Theater shows. The children put on plays and talent shows that include singing, dancing, and a whole lot of fun. Our campers have the opportunity to dress up in costumes and show off their talents. Our most popular show of the summer is "So you think you can dance"
Willow Grove Day Camp is located at 3400 Davisville Road in Willow Grove, PA. Our camp has been serving the Willow Grove, Lower Bucks County, and Philadelphia areas for over 50 years. Our long standing relationship with the community and our reputation speaks for itself!
For more information on how your child can join our summer day camp or find out what else our wonderful camp has to offer please visit our website at: willowgrovedaycamp.com/about.html
I think I've caught up with this one before though this fine Sunsundegui Sideral was out for Marine Travel,Torquay in Swansea yesterday.Marine have been advertising Torquay based holidays for years by the way,
★ HOLGA 120 CFN Camera / FIlm: Fuji Chrome Provia on Cross Process
SCAN FROM THE FILM, RESIZED IN PHOTOSHOP, NO BLOODY EDITING
Today our campers created their prototypes. While some students discovered that they would be better off taking a different approach, some completed their original idea. That’s the beauty of creating something, you never know where it will end up! This afternoon they visited programming 3b to test out and get feedback on their prototype.
This is the first of a series of photos I plan to do with a wooden artists model. I've always found these models to be very interesting and couldn't help but imagine them doing the things we do. So I decided what better way to practice my compositing skills than to do a series of photos of wooden mannequins doing things.
Flash:
SB-900 camera right reflected umbrella 1/4 CTO
YN-560 camera right floor gridspot fill for a little extra detail in the blacks
Texture:
Leichenengel - lengels-stock.deviantart.com/art/Weathered-Metal-Texture-...
A Rodin in front of the Cleveland Museum of art. There were only five enlarged versions of this sculpture made under the supervision of Rodin. This one was badly damaged by a bomb in 1970.
After a few days together in casual dress mode, my granddaughter saw me ready for church and said "Grammy, you look AWESOME!!!... with your hair all sticking out like that!" Thanks.. I think?
E 'una serie (street) che unisce persone che pensano, meditano, o aspettano qualcosa nel loro ambiente.
Photo Realism, Hermann, I think, Private commercial gallery, Frankfurt am Main
I'm not sure I got the name of the artist right. When I asked the owner about names of the artists and I proceeded to writing them down, he suspected me of being an arts dealer, and I didn't feel welcome any more, so I left before he told me in so many words...
To think creatively, we must be able to look afresh at what we normally take for granted.
~George Kneller
+++++++++++
a stop sign? berries? apples? nail polish? lipstick? a reflector on the end of a driveway? a rose? a fire hydrant? ugh. nothing. nothing inspired me for today's challenge...
until we went to dinner.
the lamp wasn't red, but the ceiling was...and i looked "afresh" at what we normally take for granted. see runner up in comments
day 24: something red
Think, Act, Report infographic. Read more about Think, Act, Report, the UK Government's campaign for equality in the workplace www.gov.uk/think-act-report
THINK TANK UMBRIA 2010
Todi
Palazzo del Vignola
25 - 26 Novembre 2K10
Think Tanks (o serbatoi di pensiero) sono dei seminari interattivi che hanno l’obiettivo di individuare eventi non ancora venuti in essere e definire scenari futuri.
La premessa di base di una Think Tank e’ quella di individuare gli eventi (o forze) futuri che avranno un impatto profondo su destinazioni turistiche ed organizzazioni che offrono servizi ai turisti.
Nel Think Tank Umbria 2010, gli obiettivi da raggiungere sono quattro:
a.Identificazione delle forze che influenzeranno il settore turismo
b.Stimare l’impatto ed il timing delle forze al punto a.
c.Creare metodi competitivi che si basino esclusivamente sull’analisi dei punti a. e b.
d.Individuare le nuove competenze di base che saranno necessarie per sviluppare i metodi competitivi di cui al punto c.
Al fine di raggiungere gli obiettivi di cui sopra, i partecipanti sono stati selezionati non solamente in qualita’ di rappresentanti del settore ma anche e soprattutto di altri settori ed organizzazioni che influenzano l’esperienza del viaggiatore e di coloro che provvedono a fornire i servizi al viaggiatore.
Ad esempio, esperti in tecnologia, sicurezza, trasporti, protezione ambientale, giornalisti ed altri.
I partecipanti sono stati selezionati in quanto protagonisti nel loro settore di competenza e riconosciuti come tali da colleghi e/o dai media.
L’analisi riguarda l’individuazione delle forze piu’ impattanti provenienti dai seguenti settori di riferimento:
ecologico
economico-politico
socio-culturale
tecnologico
I partecipanti alla sessione plenaria sono stati distribuiti ai vari tavoli per lavorare nella sessione di gruppo sul primo settore di riferimento, quello ecologico.
Al termine del tempo allocato per i lavori di gruppo, si è tornati in sessione plenaria per ascoltare le brevi presentazioni dei risultati ottenuti dai rappresentanti di gruppo.
Al termine dell’ultima presentazione si è proceduto al voto dei risultati.
Alla ripresa dei lavori dopo il break, il Prof. Sandro Formica ha presentato i risultati delle ultime votazioni ed ha invitato i partecipanti a lavorare di nuovo nella sessione di gruppo per discutere gli altri settori di riferimento, seguendo la medesima procedura di cui sopra.
Ogni qualvolta i partecipanti si sono riuniti per iniziare il lavoro di gruppo, hanno cambiato tavolo, interagendo con partecipanti nuovi.
Inoltre, partecipanti rappresentanti uno o due settori o competenze non sono stati posizionati nello stesso tavolo.
Quest’aspetto specifico della metodologia e’ particolarmente importante per stimolare le idee, la creativita’ e l’interattivita’ tra i partecipanti.
Gli obiettivi della seconda giornata sono quelli riportati ai punti c. e d. (vedi sopra).
A parte qualche dettaglio, il format della seconda giornata e’ identico a quello del giorno precedente.
Al termine dell’evento c'è stata una sessione conclusiva durante la quale i partecipanti sono stati in grado di verificare l’allineamento tra:
(a) le forze future che guideranno il cambiamento
(b) i metodi competitivi sviluppati
(c) le nuove competenze di base.
E 'una serie (street) che unisce persone che pensano, meditano, o aspettano qualcosa nel loro ambiente.
St Mary and St Lambert, Stonham Aspal, Suffolk
Often when I’m out cycling in Suffolk I come across a village and I think, yes, this is nice, this is a place where I’d really like to live. But Stonham Aspal is not one of them. For a cyclist, the A1120 which threads though it is a hellish route, a rat run across the middle of East Suffolk. It was designated a 'tourist route' in the 1990s when brown signage was first introduced to the UK, but you can't turn a country road into a tourist route which bypasses Ipswich without expecting the great majority of through drivers to use it.
It cuts from the A12 to the A14, from Stowmarket to Yoxford. The local authority hoped to attract tourists to Stonham Barns, Framlingham and what was then a vineyard at Bruisyard, but local drivers saw it as an opportunity. It was a big mistake, and the signs on the A14 that tell you not to go down it if you want to get to Yoxford fool nobody. Everybody knows that it will cut a good 20 minutes off the journey, and it is villages like Stonham Aspal that pay the considerable price. And all that through traffic failed to save the village pub, the Ten Bells, which was a decent one, and its very appropriate name told you what was significant about the building across the road which we have come to see.
Two things strike you immediately about St Mary and St Lambert. Firstly, there’s the name. It would be foolish to make too much of the dedications of Anglican churches, since few of them have remained unchanged over the centuries. Indeed, during the years between the 16th century Reformation and the 19th century sacramental revival they largely fell into disuse, and some curious current dedications are, in fact, the results of the work of well-meaning but inaccurate 18th century antiquarians. For example, several dedications in what was the Norwich Diocese were conflated or confused. Chattisham took on Shottisham’s, and Kirton took on Shotley Kirkton’s. Antiquarians confused the Suffolk Hoo with the Norfolk Hoe, and thought that Suffolk's Shimpling and Norfolk's Shimpling were the same place. Great Ashfield and Badwell Ash actually swapped dedications. The enthusiasm of 19th century Rectors should also not be underestimated. At Whepstead, the parish church is dedicated to St Petronilla, uniquely in all England, but this has no basis in antiquity. Rather, someone in the 1890s had a special devotion to the Saint, or perhaps thought it was simply a nice name.
So you’ll not be surprised to learn that the Saint Lambert here is a mistake. In fact, there are three Stonhams, and this one once used the name of the Lambert family, owners of the Manor, to distinguish itself from the others. Such distinctions are rather more common in Essex. There is such a thing as a Saint Lambert, but this isn't him.
Secondly, of course, there is that tower. it is remarkable because it dates back to the 18th century (although what you see now is a rebuilding of the early 1990s). It gives the bells a quite different sound to that of them being rung in a tower of brick, stone or flint. As at Haughley, the tower appears to be a quite separate structure, as if it is only joined on incidentally to the body of the church. In many ways, this is an unusual building, and it repays the effort of walking around it. The clerestory is gorgeous, although rather lost beyond the collision of aisle and tower.
Bell chambers like the one here arise from a historical accident. After the Reformation, the adoption of Cranmer’s prayer book made bells liturgically redundant. Their only remaining uses were secular. Any number of things could have happened as a result of this, and most of them did. In some parishes, the bells, and by default the tower, fell into disuse. The weak materials from which the towers were originally constructed, coupled with puritan suspicion of ornate decorations of ecclesiastical buildings (the puritans were strong in Suffolk) meant that towers fell throughout the 17th and 18th centuries. By the 19th century there was a concern for their welfare, and an interest in liturgy, which conspired to encourage many parishes to effect repairs. But not all, and they continued to fall, often neglected by otherwise grand 19th century restorations. Acton was taken down as unsafe in 1880, Stanton All Saints collapsed in 1906. Bildeston collapsed as recently as 1975, the scaffolding for its impending restoration splintering like matchsticks in the rubble.
There were reasons, however, for towers to be cared for after the Reformation, and before the Victorians came along. In Suffolk, and especially along the coast, many were watchtowers – you can see far out to sea from the top of the churches at Southwold, Kessingland and Wrentham. Other church towers were used as strongholds. But there was another factor. There were few artistic flowerings in the English church in the 17th and 18th centuries. The Renaissance bypassed these islands, pretty much. It is therefore some recompense that the English invented recreational bell-ringing.
As well as their sacramental use within the liturgy, bells had probably always been used for ceremonial and processional purposes. In the later Middle Ages, they replaced Mass dials almost everywhere as a way of informing the people when Mass was about to start. We know they were rung on Holy Days, and tolled for the dead. When these purposes fell into disuse (ringing for services, ceremonial ringing and tolling for the dead are probably Victorian reinventions; the last of these never survived the great silence of WWII) all that was left was ringing for secular purposes – to warn of an invasion, perhaps, or to call the people together. Some churches had a clock bell (Hadleigh’s sanctus bell was adapted for this purpose), but a clock bell is not actually rung, it is struck. These uses alone were not enough to sustain the upkeep of towers everywhere in such troubled and impoverished times.
So it was a great salvation that a new use was found for the bells. This was not possible in churches with only one or two bells, which is the case of most Suffolk churches, but where there were more, they could be used to splendid effect. At Horham, for instance, which has the oldest ring of eight bells in the world. And here at Stonham Aspal. Mortlock tells us of the local squire, Theodore Eccleston, who was an enthusiastic bell-ringer. In 1742, he replaced the ring of five bells with one of ten, and the bell chamber was built to house them. I'm not clear if the tower was partly demolished to accommodate them, or if it had already fallen prey to the depredations of the two centuries since the Reformation.
Bell-ringing is as much maths as physical exertion, a pursuit that takes a minute to learn and a lifetime to master. A bell team ringing together enters an inner communion, an almost trance-like state where all individuals are subsumed to the greater purpose. Bell-ringing continues to be important in Suffolk, as it has been for centuries now. In Ronald Blythe’s majestic Akenfield, we meet the bell teams ringing in Suffolk between the wars, walking in a group from one church to its neighbour to ring for the next service. On summer evenings, a walk might take them to ring at half a dozen churches. They undertook feats of endurance on special occasions, extravagant displays of ringing sequences with beautiful names. They were an independently-minded people, often not the least bit religious. This is still the case today. Ringing ran in families in Suffolk; the Baileys, the Wightmans, the Chenerys, the Pipes. It still does.
Well, as romantic as this all no doubt is, I’m afraid that, if you had come with me to St Mary and St Lambert in the spring of 2003, you would have been rather shocked by the state it was in. What at first appears to be scene-of-the-crime tape at the west end was actually protecting me from falling masonry. Several of the windows need repairing or replacing. Back in those days, the church was kept locked, which I thought inexcusable in such a busy village. As the major church insurance company patiently explains again and again, a locked church is twice as likely to be vandalised as one that is unlocked. A church that is kept locked is far more likely to be broken into than one that is opened regularly. And, get this - a locked church is even slightly more likely to have something stolen from it than an unlocked one.
However, those times are past, and coming back to Stonham Aspal in 2011 I already knew that much work had been undertaken here, and that I would find it open. I arrived and had a good look at Francis Bird's leisured memorial to Anthony Wingfield, which Pevsner memorably described as looking like it is taking a country holiday from Westminster Abbey. I stepped into what is essentially a fairly anonymous and urbanised Victorian restoration, the work of that low-brow architect Edward Hakewill, which probably caused more damage than Dowsing's visit of 1644. Hakewill was a great one for adding dark and gloomy north aisles, but fortunately for us this church already had a north aisle, and the building is full of light. There is very little coloured glass, and although the west window is incongrously small, the clerestory does its work for it. Intriguingly, the two easternmost clerestory windows have fragments of medieval glass in the upper lights, presumably reset by Hakewill from elsewhere in the church. There are more medieval fragments in the aisle windows.
The light allows a full inspection of a characterful set of bench ends. Mortlock describes them as extensively and cleverly restored, although I don't think there is much here that is medieval. A wolf guards St Edmund's head, a pious lady kneels at a prayer desk, a rather incongruous Chinese dragon shows off his beard.
Some 17th century bench ends survive in the north aisle, their solid, slightly rugged appearance typical of the period. There is a good early 17th Century brass to John Metcalfe, who was minister here for more than half the Elizabethan period. The weeping children on an earlier brass have been polished to within an inch of their lives, but this somehow makes them even more haunting.
The oldest thing here is the curious 13th century font, its arcading seeming most un-East Anglian. Did it come from here originally? Another curiosity is the vast bound chest in the vestry, which the churchwarden showed me - it is so big, indeed, that the vestry must have been built around it.
And the vestry has another curiosity, because if you step outside you can see that the entrance is flanked immediately to east and west by the headstone and footstone of the same person's grave. The story goes that the relatives of the deceased refused to allow him to be moved so that the vestry could be built. The single-minded Rector dealt with this by having the vestry built anyway, and its entrance placed directly over the unfortunate deceased's grave, dividing the headstone from the footstone. Thinking about it afterwards, I realised that they were probably simply reset either side in a decorative manner. But it is a good story.