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Ornaments - Handmade in Guatemala

$4 each

Textile wallpaper series.

A bag I bought in Cusco, at the central square. There were the most beautiful shop and when I got in, it was a paradise, full of old and antique textiles.

Design NOT owned by me. For sampling purposes ONLY.

shoshenshi viscose

100% linen

Textiles: Mono-printing to create movement.

TEXTILES AND TECH — Extension agents, program assistants and family and consumer sciences teachers gather to learn about using STEM — science, technology, engineering and math — in textiles projects. (Division of Agriculture photo.)

A tetra-pak shaped beauty box

Read more about this installation by Ronan & Erwan Bouroullec.

 

www.londondesignfestival.com/content/2011-ronan-erwan-bou...

 

Photo © Ronan & Erwan Bouroullec

Textile (hand) painted horse on cotton bag. I've used pearl and gold liners to create a special effect.

Was ordered.

Una nueva razón para aprender a tejer taaniko: hacerte tu propio monedero.

 

8.5 x 13 cm. Algodón, pura lana virgen, cáñamo, rafia, fieltro, cremallera y cuenta de vidrio.

Taaniko

Diseño: Meryet

 

Colección Aquí, Paopao

Flores, flores y mucho mar

This beautiful, quilted textile is hanging in the San Jose convention center. I loved the characters and the colors!

new update website view on www.abrasiontesters.com.

Abrasion Resistance Tester

Objective:

To determine the abrasion resistance of the sample fabric.

Theory:

A number of important points require consideration before abrasion resistance tests are carried out. The choice of the method may be governed by the type of apparatus available, the precision demanded and so forth. Some of the more important points are condition of the specimen, choice of testing instrument, choice of abrasive motion, direction of abrasion, choice of abradant, backing the specimen, cleanliness of the specimen and instrument, tension on the specimen, pressure between abradant and specimen, end-point of the test etc. Now there are various abrasion resistance testing instruments available for example, the WIRA abrasion tester, the LIRA abrasion tester, the Taber abraser, the Shiefer machine, the Wyzenbeek abrasion tester, the Stoll universal wear tester, the LINRA wear tester, the BFT abrasion tester etc. The abrasion tester we used here is made by Qinsun Instrument. In this instrument abrasion surfaces wrapping by sand paper are used to abrade the fabric samples. A counter is used to count the no. of abrasion. This is an electrical tester.

Abrasion Tester is used to determine the abrasion resistance of fabrics when rubbed against a standard abradant or a wire mesh screen with a backward and forward motion over a curved surface. Particularly it’s suitable for? automotive and furniture industry fabric manufacturers working to US standards.

Procedure:

At first cut the fabric into 4 pieces according to the measurement of the instrument.

Weigh these 4 pieces of fabric samples.

Now place these samples in the instrument under a certain load as supplied in the instrument.

Now start the machine and observe the counter of abrasion no.

After an abrasion of 200 bring out the first sample and weigh it.

After an abrasion of 300 bring out the second sample and weigh it.

Similarly after abrasion of 400 and 500 bring out the third and fourth sample and take their weight.

Now put the weights before and after abrasions in a table and find out their wear index.

Design NOT owned by me. For sampling purposes ONLY.

Crocheted and felted wool in hyperbolic form. Fringed with champagne eyelash fiber. Edged with baroque freshwater pearls. Needle felted focal point with glass beads.

The Ethnography Museum of Ankara

Textile Mural, Ramsden Street, Huddersfield

Textiles, Uruapan, Mexico

21 de Julio de 2014. Textiles argentinos. Fotos: Gabriela Valle/Tecnópolis

Left to right:

3 unknown; Tom Berry; unknown; Walter Townend; Phyllis Bentley; unknown.

 

Confederation of Textile Societies meeting, held at Halifax, West Yorkshire, 26 May 1962. Sadly no record available of names against photos. DW Holdsworth 2008.

I have designed and made this dress while I was doing GCSE where I was introduced to pattern cutting and how to sew dresses. The photographs show the development towards my final piece and research pages on textiles.

Textile photographed at Cupertino Library image collection event.

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