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Iran, Safavid period, 1600-1650, silk brocade on metallic thread ground. Shows European and/or Indian influences in the naturalistic style.
Iran, Safavid period, 1600-1650, silk brocade on metallic thread ground. Shows European and/or Indian influences in the naturalistic style.
M.73.5.783
Textile is sewn into doll rags doll.....Madame Bijou in the old lady-madam by Sieve.:)
Textiles in three colors (red, dark blue, white) woven by Paula del Cerro using Theo Moorman’s inlay technique to create geometric shapes with horizontal and vertical edges. The square napkins measure about sixteen inches on a side. The designs were generated with software written by Paul Hertz. Each of the designs represents a moment in a cyclic transform along a space-filling curve.
Photographed in natural light in my studio space "La Nave" in Spain.
organza, stipple, wool couching, bead, fish appliqué / organza, matelassage machine, laine, perles, poissons appliqués
MIYA Textile 2017 Collection www.miyatextile.com #fashion #apparel #dress #clothes #womanfashion #beauty #women #girlfashion #girltrend #fashiontrend #fashionblogger #fashionshow #fashionista #fashionable #fashionweek #tagblender #fashiondiaries #model #beauti #photooftheday #ballet #ballerina #look #modeling #style #dance #classy
Well, let me think how to explain this. I made this as a gift. I knew which pattern I wanted to use and which thread. The thread is Valdani overdyed size 8 pearl cotton (works more like a size 5 pearl cotton). The colors are perfect, but between the chains and the rings and all the color changes is was very splotchy and speckled. Soooooo.... I worked both the chains and rings continuously by direct tatting the chains, doing a Shoe Lace Trick and then working the rings with the same thread as the chain. Obsessive and over the top, but I got the results I wanted.
The gospel according to St. John tells that Christ met a women at Jacobs well in Samaria and asked her for a drink. She was very taken aback by his request as the Jews and the Samaritans were hostile to one another. However, her surprise changed to astonishment when it appeared that the man before her could see into her heart. Jesus then told her about the eternal water he could give her and revealed himself to her as the long-awaited Messiah. This subject has symbolised baptism since early Christian times. From the sixteenth century onwards the biblical story became widespread in painting. It also inspired the painter Cornelis de Vos in Antwerp to create a composition in which he combines monumentality and contemplation. We are struck by his use of warm colours and the finely depicted textiles which are characteristic of the artists style. The figure of Christ was inspired by the figures of Christ in the early work of Rubens, who was a friend of Cornelis de Vos. In a few details like the cherubs above Christ on the left, the head of Bacchus on the jug on the right and the half-bare breast of the Samaritan woman, De Vos indicates her unchaste and worldly way of life.
Textifood, an exhibition of resent fibres made from plant or animal sources, to be used for creating textiles. Palace of Culture and Science, Warszawa, Poland
Images of Egypt - The Tentmakers of Cairo
16 December - 14 January 2017
An exhibition of Egyptian textile art from the late 19th Century to the present day.
The Hostry, Norwich Cathedral
Norwich, Norfolk, England, UK
Textile is sewn into doll rags doll.....Madame Bijou in the old lady-madam by Sieve.:)
African texture @ British Museum.
Inscription: "your problem is that you can't stop backbiting" - 2002
All of the buildings here have been moved from other places or specially built for the museum. Bocholt was once famous for its textile industry.
Textile pattern cards strewn around an abandoned warehouse.
* Another in the photo essay Clinton Lace.
Textifood, an exhibition of resent fibres made from plant or animal sources, to be used for creating textiles. Palace of Culture and Science, Warszawa, Poland
Dirt floor shop and workshop of a family of weavers in Chinchero, Peru. The family lives in adobe walled rooms that surround a central courtyard, used as a work area. The cactus in the pot on the right side of photo is used to raise "cochinillo" beetles, harvested and dried to produce red dye. The cactus is part of an exhibit of natural dyes used for all their wares.