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Six fragments of a chasuble, embroidered with silver thread, representing the prophets and apostles. South English around 1450. Museum of art and history, Geneva, Switzerland.
The Textile Operatives’ Hall on Silver Street in Bury now used as an annexe to the public library. Thursday 28th May 2009
Note, the building was designed by David Hardman and built between 1893 and 1894 for two cotton industry unions. The Bury, Radcliffe and District Weavers’ and Winders’ Association, and the Bury and District Card, Blowing and Ring Spinners’ Association. It was opened by Lady Dilke on 5th May 1894 and was in use as offices by the Bury Metropolitan Borough Council
Ref no Canon EOS50D 1st series - IMG_0033
Is the issue of textile waste improving?
In spite of a fashion press that's massively optimistic about solutions to fashion waste, @DrChristinaDean, founder of @GetRedressed and @TheRCollective, tells that fashion's waste problem is still spinning out of control. 🔥
(Globally) Textile waste is estimated to increase by about 60% between 2015 and 2030, with an additional new 57 million tons of waste being generated annually, reaching an annual total of 148 million tons, which is equivalent to the annual waste of 17.5kg per capita across the planet.
#changefashion #circularapparel #CircularDesigners #closedloopfashion #redesignfashion #closedloop #circularfashion #sustainablebrands #sustainablefashion #sustainablebrand #ecofashion #ethicalfashion #upcycling #upcycled #quoteoftheday #slowfashion #ethicallymade #hongkongfashion #ethicalbrand #ethicalstyle #slowfashionmovement #fashionrevolution #businessoffashion #fashioninnovation #designforcircularity
The Museum has featured exhibits like this one, weavings from Oaxaca, classes in dying wool with natural dyes, weaving, textiles sales from various regions in Mexico (this month from Michoacan) and a pricey gift shop for people who can afford to buy collectors items.
"Textiles &..." show at Parkside Gallery, Birmingham City University, curated by Marlene Little.
Taken with Panasonic 20mm f1.7 lens on Panasonic GX7.
Artist: Kathleen McFarlane
An ambitious complete textile environment featuring all new work by an artist who has been crossing the boundaries of art and craft for fifty years to great acclaim.
Salthouse 06, Salthouse Church, Norfolk, England, UK
Eindrücke aus der Ausstellung : Von Bauhaus bis Soft Sculpture
gesehen im Museum für Gestaltung Zürich
Die Ausstellung dauert vom 14.2 - 13.7.2025
Verena Sieber-Fuchs, Feldschlössli am Boden, 2000, Blech Inoxdraht, gestrickt
Textile is sewn into doll rags doll.....Madame Bijou in the old lady-madam by Sieve.:)
Off the wet room is the small but important "dye room". This has a stove top surface with an extraction hood overhead as well as a separate fume cupboard. The room also houses a large reverse osmosis water system which can be hooked up to the washer/dryer as needed. A lot of water is needed, and promptly, when cleaning large tapestries, carpets and kilims.
LACMA techs looking very 1930's while giving it their full strength to hoist the tapestry up the wall. They had been warned that it was heavy, but they were still surprised by the effort it took.
Textile Cone (Conus textile) found in an intertidal rockpool at One Tree Point (Minnie Waters) on the north coast of NSW Australia. WGS84 -29.775989, 153.302819
Exposición 'Textiles instalativos. Del medio al lugar' (26 de noviembre de 2021 - 15 de mayo de 2022). Fotografía: Pepe Morón
Married Textile Lab volunteers Kathy Murphy and Donald Ellison handle everything paper, account and ocmputer-oriented, leaving the conservator able to concentrate on the textiles! Together they have over 45 years of experience working in the Textile Lab. Here they are in one of the offices adjacent to the dry lab where Donald goes over the accounts every Tuesday. Don and Kathy are the 2004 recipients of the McNeil Volunteer Recognition Award.
From the museum's website: "The Textile Museum is housed in two historic buildings in the Kalorama neighborhood of Washington, DC. Visitors enter the Museum through the former home of the Museum's founding family which was designed by John Russell Pope in 1913. Since 1925, the Museum's galleries have been located in an adjacent building purchased by George Hewitt Myers for this purpose. Large gardens behind the buildings are open to the public during Museum hours."