View allAll Photos Tagged Textiles
Unknown, Roger Depledge, Donald Spencer, George Robinson, Ben Gee, Tom Robinson.
Confederation of Textile Societies meeting, held at Halifax, West Yorkshire, 26 May 1962. Sadly no record available of names against photos. DW Holdsworth 2008.
This started as an experiment bleaching different black cotton fabrics, thensewing around the shapes.
Mariane Laforest
Design Textile - Design de Surface
Hat
Around 1940
Felt, cotton
Label: Chapeaux Anna R. Bonneau Montréal
Donated by Mr. Yvon Lagacé
1997.05.43
Hat
1960 - 1970
Felt, cotton
Label: Millinery Import
On loan from Ms. Louise Comeau
E2016.03.42
Hat
Around 1965
Felt, cotton
Label: Roselyn Modes Chapeaux
On loan from Ms. Louise Comeau
E2016.03.40
Hat
After 1950
Straw, cotton
Design Lucile
On loan from Ms. Louise Comeau
E2016.03.36
Hat
Before 1978
Felt
Label: Dupuis Montréal
Donated by Ms. Jocelyn Benoît
2004.01.11
Hat
1950 - 1969
Wool felt, cotton
Label: Mr. Léon
Donated by Ms. Suzanne Parenteau
2006.25.04
Cloche Hat
Around 1965
Wool, synthetic fiber
Label: Bermona Boutique
Donated by Ms. Beatrice Pearson
2005.07.15
Hat
Around 1960
Felt, cotton, cardboard
On loan from Ms. Louise Comeau
E2016.03.39
Hat
Around 1965
Straw, cotton
Label: Boutique
On loan from Ms. Louise Comeau
E2016.03.44
Hat
Around 1960
Felt, cotton, feathers
Label: Salon Gigi
On loan from Ms. Louise Comeau
E2016.03.38
Hat
Around 1955
Synthetic fiber, natural fiber
Design: Carmen Letellier Lemieux
Donated by Ms. Marcelle Lemieux
2010.17.01
Hat
Around 1955
Synthetic fiber, natural fiber
Design: Carment Letellier Lemieux
Donated by Ms. Marcelle Lemieux
2010.17.01
Beret
After 1990
Natural fiber
On loan from Ms. Louise Comeau
E2016.03.45
Hat
Arount 1975
Wool, synthetic fiber
Label: Splendour
Donated by Ms. Gabrielle Décarie
2005.25.07
Hat
After 1960
Raffia, cotton
Label: Mr. John Jr.
On loan from Ms. Louise Comeau
E2016.03.35
Hat
Around 1970
Felt, cotton
Label: Georgette
On loan from Ms. Louise Comeau
E2016.03.37
In Ghent, Belgium, to show my Baroesque Barometric Skirt at Smart Textiles Salon, MIAT Museum.
My blog post round up of Smart Textiles Salon rainycatz.wordpress.com/2013/06/17/smart-textiles-salon-2...
Title: Textiles
Digital Publisher: Digital: Cushing Memorial Library and Archives, Texas A&M University, College Station, Texas
Physical Publisher: Physical: Graphic Services, Texas A&M University
Date Issued: 2011-08-17
Date Created: 1946
Dimensions: 4 x 5 inches
Format Medium: Photographic negative
Type: image
Identifier: Photograph Location: Graphic Services Photos, Box 24, File 23-127
Rights: It is the users responsibility to secure permission from the copyright holders for publication of any materials. Permission must be obtained in writing prior to publication. Please contact the Cushing Memorial Library for further information
About Naga Textiles and patterns
Each Naga tribe has a specific attire which is depicted by certain textile patterns and jewellery. The most important garment for the nagas is the shawl. Each Naga clan/tribe has their own pattern which they use to identify themselves. A study of thses different patterns is revealing eg cowries is some of the clothes indicate trade as Nagaland has no access to the sea or is nowhere close to it. A head mask indicated the headhunting practice which was the norm a few generations ago.
Exposición 'Textiles instalativos. Del medio al lugar' (26 de noviembre de 2021 - 15 de mayo de 2022). FotografÃa: Pepe Morón
Recycling outcome-I aimed to invlovle techniques which demonstrated the brief; such as stuffing bubble wrap with recycled materials and knitting with controversial materials sich as plastics and torn clothing.
Visits to a textile museum and the workshop of the Quito School woodworkers in San Antonio de Ibarra, Ecuador.
We usually make Malay traditional dress - 'Baju Kurung' or 'Baju Kebaya' out of these textiles...this page gives a simple explanation about them - itclub.vs.moe.edu.sg/competition03/2003/eastview/Racial Harmony/Malay/Malay Traditional Costumes.htm