View allAll Photos Tagged Textiles
Production line. Textile industry Topnew Knitting Group Co., which was founded in 1952. The Group takes "Green, nature and health" as its product theme, paying attention to the technological innovations. Beijing. China.
The use of this image is restricted by the ILO and subject to authorization. If you wish to use this photo, please send a request to multimedia@ilo.org specifying the reference number, its intended use, the media you represent, your postal address, email and phone number.
Credit: Crozet M. / ILO
Date : 2007-08
Country : China
ILO PHOTO reference ILO photo e5266
Luc Vanlancker holds a textile sample up against a window to show us the patterned design created when natural fibres were chemically removed during a special process at their sister factory.
Title: Textiles
Digital Publisher: Digital: Cushing Memorial Library and Archives, Texas A&M University, College Station, Texas
Physical Publisher: Physical: Graphic Services, Texas A&M University
Date Issued: 2011-08-17
Date Created: 1946
Dimensions: 4 x 5 inches
Format Medium: Photographic negative
Type: image
Identifier: Photograph Location: Graphic Services Photos, Box 24, File 23-124
Rights: It is the users responsibility to secure permission from the copyright holders for publication of any materials. Permission must be obtained in writing prior to publication. Please contact the Cushing Memorial Library for further information
A derelict communist era textile factory in the city of Berat.
The remains of pipe work and fitting where machinery was bolted to the floor
An editor in the AirDye Solutions / Transprint Separations department working on a design in our New York City design studio.
Known as Kilims display at the Flower Dome, Gardens by the Bay during Tulipmania : Origins of the Tulip.
I need a little help with this one please! I don't think it's finished but not sure where to head next with it, or if I need to add more. I used different textured papers, butterfly tissue paper, string, towelling fabric for the cloud, cardboard for the pen and ink drawing, and both acrylic and oil paints. Oh, and a match. I wanted it to look like the girl was lighting up the sky in a dream or something. I wanted to add thick layers of paint on top but not quite sure how or if it would spoil it. Any opinions are welcomed!
Balenciaga installation 2011: Several costumes were lent by the Victoria and Albert Museum in London. As is usual with the V&;A, the costumes all arrived in mint condition, at least 1/2 of them ";pre-dressed" on custom mannequin forms in custom crates, as seen in this image before the protective shipping coverings were removed.
On the steps of John Holdsworth & Co Ltd, Shaw Lodge Mills, Halifax.
Billy Cockroft at most rear, before Left Door.
Fred Farrar and Walter Townend front row right.
Confederation of Textile Societies meeting, held in Halifax, West Yorkshire, 26 May 1962. Sadly no record available of names against photos. DW Holdsworth 2008.
Balenciaga installation 2011: Mellon Conservation Fellow Nicole Bloomfield from LACMA lent her costume and conservation skills to the exhibition. Her graduate school training at Fashion Institute of Technology-NY helped tremendously with the success of the install. Here she is with the costume borrowed from the Galliera, Musee de la Mode de la Ville de Paris, that was nicknamed "the caterpillar dress".
cargocollective.com/heykaygray
A packaging redesign of Jean Patou's Joy perfume(considered the most expensive commercial perfume you can buy).
For my redesign I wanted to gear the perfume to a younger crowd, so I thought more fashion editorial. I took one of the definitions of the word Joy (4. a state of happiness or felicity) and made is into a textile.
Textifood, an exhibition of resent fibres made from plant or animal sources, to be used for creating textiles. Palace of Culture and Science, Warszawa, Poland
On the demand side, exporters and strategic planners approaching the market in the Middle East. www.bharatbook.com
Read more about this installation by Ronan & Erwan Bouroullec.
www.londondesignfestival.com/content/2011-ronan-erwan-bou...
Photo © Ronan & Erwan Bouroullec
Textile Conservation Lab volunteers at work: Barbara Nitzberg and Barbara Arthur have a combined 49 years of experience at the FAMSF. They are both skilled weavers, dyers and seamstresses in their own right. Here they are working on their current project: making stable, archival storage mounts for the 500-piece hat collection. Barbara Nitzberg is the 2010 recipient of the McNeil Volunteer Recognition Award.