View allAll Photos Tagged Textiles

Exhibition of dresses. Zamość, Poland

”Gerda Andersson meets ’the boss’, when she comes with more yarn”.

  

Photographer: KW Gullers.

 

Ebba von Eckermann is a Swedish textile designer, who had her own fashion label during 1950- 60- and 70s. The production was situated in the small village Ripsa in the county of Sörmland, but the clothes were sold in both Paris and New York. To inspire America retailers, Ebba and the photographer K W Gullers made an album with photographs and a story about the production, the company, and Ripsa. This photo and its caption is photo nr 22/44

 

See more photographs from Ebba von Eckermann’s collection in Sörmlands museum's database

See some of Ebba von Eckermanns clothes

  

Sörmlands museum

 

...displayed in one of the main exhibition areas at Konstfack. Graduating from MA Textiles.

The textiles products are the back bone of Pakistani economy and returns a lot of foreign exchange to the exchequer of Pakistan.

For more travel inspiration and photos please visit my travel site Untraveller.com

Public Domain Book: Japanese Textiles and Textile Designs

 

archive.org/details/MAB.31962000745269Images

Item Number:2386-19

Document Title:LOWELL TECHNOLOGICAL INSTITUTE/ LOWELL, MA./PLANTING PLAN/ ;SCALE 1" = 20'

Project:02386; Lowell Textile School; Lowell; Massachusetts; 04 College & School Campuses; 18 PLANS ()

Location:Olmsted National Historic Site, Brookline, MA

Category:PLAN

Purpose:PLTG (Planting)

Physical Characteristics:40.5 x 42.25 graphite trace

Dates:18-AUG-1954

Notes:OBLA/See plans # 20, 21 for revisions.

 

Please Credit: Courtesy of the National Park Service, Frederick Law Olmsted National Historic Site

Public Domain Book: Japanese Textiles and Textile Designs

 

archive.org/details/MAB.31962000745269Images

Made with appliqued strips of silk, backed with wool flannel.

Date: [ca. 1978]

item # VGFA-PSF0083

 

Part of a grouping of 5 slides under heading "Stenciled or silk screen Japan"

textile design by Jamaica Byles blogged at www.patternlovely.blogspot.com

Fabric, thread, printing inks, light switch cover, image on polymer clay.

Part of a old textile tissue.

A woman at work in a textile mill in Zambia.

Textile museum in Oaxaca, Mexico. Part of the private textile collection of Irmgard W. Johnson (www.museotextildeoaxaca.org.mx/)

Among the items sold are textiles, particularly the women's blouses. The manufacture of masks, used by dancers in traditional dances has also made this city famous for woodcarving. Much of what is sold is of good quality.

Alacha stripe textile

 

Handwoven fabrics such as these were commonly used for clothing, household articles, or animal trappings. These particular pieces were backed with chit and joined with many others to make a large and very decorative patchwork camel trapping. Silk warp/cotton weft; 3x3”; Uzbek; first quarter of the twentieth century

 

Tuttle, Don. "Alacha Stripes." Photograph. Meller, Susan. Russian Textiles: Printed Cloth for the Bazaars of Central Asia. New York: Abrams, 194.

  

Anne Wilson: Wind/Rewind/Weave

Knoxville Museum of Art

 

WOVEN STRIPES + BANDS

Log of sources

  

WOVEN STRIPES + BANDS (2.63MB)

 

This log presents a diversity of woven textiles showing warp stripes and weft bands from various countries and time periods. Libby O'Bryan was the primary researcher of images. Emily Nachison added material, color corrected, and formatted the images with text. Olivia Valentine worked from this image bank to create the flat screen display in the exhibition.

 

www.windrewindweave.com

Colourful textile samples on display at a weaving factory in Belgium.

Woodblock Printed Textile Collection

 

This project is centered around the beauty in our environment, looking at natural surfaces; their colour, texture as well as broader landscapes and forms. I have gathered inspiring imagery from the coast in Cornwall to work from, as well as researching the St Ives artists and their own methods of working. Barbara Hepworth, Sir Terry Frost and Patrick Heron immersed themselves in the colours, textures and forms found in and around St Ives. These artists also look at the wider landscape of Cornwall and I have likewise explored the man-made shapes and forms which dominate the Cornish coastline.

 

My design practice is rooted in sustainability and as a printer I am always questioning how I can reduce the environmental impact of my textile designs. This project returns to simpler printing methods which conserve ink and reuse existing materials. The textiles are woodblock printed and the collection meets the requirements of Global Organic Textile Standard (GOTS) certification, the pigment inks are Soil Association UK approved and the base cloths organic.

 

katgarbutt@gmail.com

www.katgarbutt.com

This is a detail picture of a hand-appliqued quilt block, stitched by my high school art teacher. We remained friends long after I graduated, until her death several years ago. Her husband knew we were quilt friends and let me look through her stash before he donated it. This block is an orphan but I think I will frame it and hang it on the wall.

 

6686

Edge view of fabric fold. For a textile macro project.

Public Domain Book: Japanese Textiles and Textile Designs

 

archive.org/details/MAB.31962000745269Images

The Millard house was the first of four homes in southern California to use patterned concrete block construction.

Hand carved Indian wooden textile printing block.

Approx 13cm wide.

Cotton animal print #cotton #animalprint #leopard #effects #textile #texture #pattern #ootd

Kampung Sungai Ular, Cherating, Pahang, Malaysia.

 

Pandanus tectorius Parkinson. Pandanaceae. CN: [Malay - Mengkuang laut, Pandan laut, Pandan pudak], Pandan, Hala, Textile screw-pine, Thatch screw-pine, Veitch screw-pine, Spiny seashore pandan, Screwpine. Native to Malesia (Indonesia, Malaysia, Papua New Guinea, Philippines), Australia (Queensland), Micronesia, French Polynesia, New Caledonia, Solomon Islands, Vanuatu. Ornamental, fiber, handicrafts. ). Treelet grows up to ca 4–14 m tall. The single trunk is spiny and forks at a height of 4–8 metres, supported by prop roots. Leaves ca 90–150 cm long and ca 5–7 cm wide with saw-like margins. Flowers dioecious, with very different male and female flowers. Male flowers are small, fragrant, form clusters or racemes, and short lived, lasting only a single day. Female flowers resemble pineapples. Fruit is either ovoid, ellipsoid, subglobose or globose with a diameter of 4–20 cm and a length ca 8–30 cm. The fruit is made up of 38–200 wedge-like phalanges, which have an outer fibrous husk. Phalanges contain two seeds on average, with a maximum of eight reported. The phalanges are buoyant, and the seeds within them can remain viable for many months while being transported by ocean currents. Plant naturally grows in coastal regions, such as on mangrove margins and beaches.

 

Synonym(s)

Pandanus chamissonis Gaud.

Pandanus douglasii Gaud.

Pandanus menziesii Gaud.

Pandanus odoratissimus auct. non L. F.

Pandanus odoratissimus var. laevigatus Martelli

Pandanus odoratissimus var. oahuensis Martelli

Pandanus tectorius var. chamissonis (Gaud.) B. C. Stone

Pandanus tectorius var. douglasii (Gaud.) B. C. Stone

Pandanus tectorius var. laevigatus (Martelli) B. C. Stone

Pandanus tectorius var. menziesii (Gaud.) B. C. Stone

Pandanus tectorius var. oahuensis (Martelli) B. C. Stone

Pandanus tectorius var. sandvicensis Warb.

 

Ref and suggested reading:

www.ars-grin.gov/cgi-bin/npgs/html/taxon.pl?26419

zipcodezoo.com/Plants/P/Pandanus_tectorius/

en.wikipedia.org/wiki/Pandanus_tectorius

www2.hawaii.edu/~eherring/hawnprop/pan-tect.htm

I love textiles. Almost any fabric art interests me. One day I will learn how to weave.

Here is a closer look at the lienzo from Ixtayutla that shows the woven designs that were used to stamp the cotton cloth

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