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Corset-like/fetish piece. Material - wool - french knitted & wrapped. Derived from a medical diagram of the spinal column & ribs. Placed on a plaster cast taken from a 1950s mannequin.
various surface manipulation methods including laser etched photography, applique, laser cut shapes, dye-painting, collage of mixed source reclaimed fabrics. for st vincent de paul society residency & custom work
Textile museum in Oaxaca, Mexico. Part of the private textile collection of Irmgard W. Johnson (www.museotextildeoaxaca.org.mx/)
Textile Merchant, Chichicastenango, Guatemala. See my website at www.tombellart.com. This image may be used under Creative Commons non-commercial license. Please credit and link to www.tombellart.com.
If you would like to license this image for commercial use, email me at: tom@tombellart.com
Display of work by Textiles student Tessa Merrie in the degree show at Manchester Polytechnic's Faculty of Art and Design in 1988.
[XM87-094]
Display of work by a Textiles student in the degree show at Manchester Polytechnic's Faculty of Art and Design in 1988.
[XM87-092]
Display of fabrics by a Textiles student in the degree show at Manchester Polytechnic's Faculty of Art and Design in 1987.
[XM78-025]
Handwoven cotton huipil from Oaxaca, Mexico. I believe this garment was made in the area of San Felipe Usila
Display of work by a Textiles student shown in the degree show at Manchester Polytechnic's Faculty of Art and Design in 1988.
[XM87-052]
Lurik (striped cotton cloth)
Central Java, 1966 356 x 71 cm
Hull University, Center for South-East Asian Studies. "Striped cotton cloth, lurik, from central Java." Photograph. Hitchcock, Michael. Indonesian Textiles. New York: HarperCollins, 1991, 99.
Anne Wilson: Wind/Rewind/Weave
Knoxville Museum of Art
WOVEN STRIPES + BANDS
Log of sources
WOVEN STRIPES + BANDS (2.63MB)
This log presents a diversity of woven textiles showing warp stripes and weft bands from various countries and time periods. Libby O'Bryan was the primary researcher of images. Emily Nachison added material, color corrected, and formatted the images with text. Olivia Valentine worked from this image bank to create the flat screen display in the exhibition.
Garment factory in the Philippines. ©ILO
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License. To view a copy of this license, visit creativecommons.org/licenses/by-nc-nd/3.0/igo/deed.en_US
Display of work by Textiles student Louisa Smith shown in the degree show at Manchester Polytechnic's Faculty of Art and Design in 1991.
[XM119-026]
the strings are tied (wrapped) with different colours of plastic thread to be cut off between different dye baths
There's also a hand batik with machined gold embroidery at the front of the table
Samples at the talk by Diane Gaffney
Hard Twist 2010 - CHROMA
FRI, NOV 26, 2010 - SUN, NOV 28, 2010
12:00 PM - 5:00 PM
COVER: FREE
VENUE: 3RD FLOOR GALLERY, 4TH FLOOR GALLERY
Hard Twist has become an important annual event within the Canadian textile art community as well as being a signature event for the Gladstone. For this fifth anniversary of Hard Twist 5: CHROMA! exhibit will be expanded to include public spaces on all four floors of the hotel and will run for two full months. It is free to the public 12pm-5pm daily in the third and fourth floor public galleries at the Gladstone. Year five of this annual juried exhibit is all about colour. Participating artists explore colour symbolism, meaning, relationships and perceptions through textile and fibre-based mediums.
Co-curators Helena Frei and Chris Mitchell invite artists to submit textile and fibre based works, which explore the expressive qualities of colour, colour symbolism, and/or the meaning, relationships and perceptions of colour.
2010 Participants:
Amy Bagshaw, Fiona Bailey, Susan Bidinosti, Monserrat Brandan, Kerry Croghan, Dhashi Farha, Lindsay Fisher, Holly Gabel, Angela Iarocci, Say Ivison, Shuyu Lu, Alanna Lynch, Amanda McCavour, Renata Meirelles, Joyce Melander-Dayton, Melanie Schaffer, Kat Shaughnessy, Mafalda Silva, Marcy Sperry, W Collective, Sarah Waldman-Engel, Jennie Wood
Curators:
Helena Frei and Chris Mitchell
2010 Jurors:
Eva Ennist, Shaun Moore, and Julie Nicholson
pieceWork: Annual Pop-Up Show & Sale of Textile & Fibre
SAT, NOV 27, 2010 - SUN, NOV 28, 2010
11:00 AM - 6:00 PM
COVER: FREE
VENUE: GLADSTONE GALLERY (2ND FLOOR)
The Gladstone Hotel’s fourth annual pieceWORK show and sale showcases a diverse group of artists working in textile and fibre-based mediums. From fun stenciled bicycle patches for your backpack to elegant hosiery and sophisticated finery, participating artists will present unique artist-made wearables, fashion accessories and home decor items for sale.
2010 Participants:
ArtWear NetWork, Janet Attard of Bike Girl, Dawn Barbieri, Bad Mother Collective, Ann Cockfield of PhreshThreads, Katelyn Di Guilio of Bee a Deer, Lindsay Fisher, Evann Frisque, Mariana Frochtengarten, Roushell Goldstein, Renata Meirelles, Erin Joy Stanfield of Maudlin and Joy, Alison Syer.
Exhibition Hours:
Sat, Nov 27 & Sun Nov 28, 2010 – 11am-6pm
Gladstone Gallery (2nd Floor)
Gladstone Gallery: The Gladstone Hotel's Gallery is located on the second floor and is a multi-use space that provides a unique setting for receptions, exhibitions, break-out meetings, artist work studios and conferences. www.gladstonehotel.com/venue
Photo by: Oliver Banyard
Dovecot Studios is an important tapestry studio in Edinburgh. It was established by the 4th Marquess of Bute in 1912, as an offshoot of William Morris’ workshops in London. Dovecot Studios was originally based in Corstorphine in a purpose built studio next to a 16th century dovecot. After the Second World War, the studios became known as Edinburgh Tapestry Company. In 2001 it lost its financial support and went into liquidation. Since 2008 Dovecot Studios has been using the refurbished Victorian Infirmary Street Baths in central Edinburgh.