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Inspired by a muffin that I had for breakfast on the way to college and when I look at it in my hand the composition had to explored further. It has bold colours and very intriguing small details that I developed. Layered tissue paper and used softer media to represent my skin and the scrunches round my wrist - the final look of it reminds me of 1920's lady wearing a cloche hat.
Work from Carleton Day Centre's Wednesday Art Group. A partnership project between Carlisle Day Services and Prism Arts. In this block of sessions we're exploring textiles and our theme is the Natural World. January-March 2017.
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Visits to a textile museum and the workshop of the Quito School woodworkers in San Antonio de Ibarra, Ecuador.
Tricots Chanel textile samples, 1929
Printed silk and wool crepe
In the late 1920s, Chanel was spending time in Britain due to her relationship with the Duke of Westminster. She opened a salon in Mayfair and was considering possible British business ventures. In February 1929, she registered these textile designs in various colourways. They were the only designs that she ever registered in Britain.*
From the exhibition
Gabrielle Chanel: Fashion Manifesto
(September 2023 to March 2024)
The first UK exhibition dedicated to the work of French couturière, Gabrielle 'Coco' Chanel. It charted the establishment of the House of CHANEL and the evolution of her iconic design style which continues to influence the way women dress today.
[*V&A]
Unless otherwise noted, items are from Chanel
Taken in the Victoria & Albert Museum
Graduate students in the Department of Design and Merchandising display their original textile designs in a new exhibit, Multiplicity: Exploration of Visual Vibration. The exhibit debuted on Wednesday, May 4 in Colorado State University's Gustafson Gallery.
Tullie Textiles group meets on the second Sunday of the month at Tullie House Museum and Art Gallery between 2-4 pm. Each month we see a different object from the collections and I demonstrate a different textile skill or technique. The group is free to attend. June: Beaded Buttons
We also had a selection of work from a participatory project run by artist Carol Parker called 'From Lincolnshire and Back.'
Experimental Printed Textiles in Fashion - WLCI Fashion School
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I've always loved textiles and clothing design. When I was 11, I designed these 1968 dresses and my Mom, knowing I needed a joint/safe project sewed them all meticulously for me. Since then a younger cousin wore them as hand-me-downs and loved them too. She even thought the next generation of her grand-nieces probably wore them and wore them out. So to our surprise she recently found them in her Mother's (my aunt's) closet and returned them all to me :>)) This eases the pain of turning 60 today (somewhat)!!
A bunch of clothes on my chair, much resembling a person trapped underneath.
I guess I don't believe in hampers.
Inspired by Berlin based label Studio Nono, students were asked to design a collection suitable for Spring/Summer 19 collection. The outcome was 4 hand painted designs and 2 metre screen printed fabric length.
Studio Nono is a fashion and textiles label working to produce unique feminine textiles ad accessories. Inspired by Japanese and Northern European design, they aim to create their own visual language through unique prints on natural materials. Designing for this label I aimed to create a delicate feminine colour palette and aesthetic using stylised fruit, floral and plant imagery. Other techniques explored were embroidery and beading.