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Striped textile
Japan
Hibi, Sadao. Japanese Detail Fashion. San Francisco: Chronical Books, 1989, 41.
Anne Wilson: Wind/Rewind/Weave
Knoxville Museum of Art
WOVEN STRIPES + BANDS
Log of sources
WOVEN STRIPES + BANDS (2.63MB)
This log presents a diversity of woven textiles showing warp stripes and weft bands from various countries and time periods. Libby O'Bryan was the primary researcher of images. Emily Nachison added material, color corrected, and formatted the images with text. Olivia Valentine worked from this image bank to create the flat screen display in the exhibition.
This series of images was photographed at the exhibition "A Decade of Art Quilting" by Linden Lancaster at the G.R.A.I.N. Store, Nathalia Victoria from October 8 to November 18, 2017
Embroidered coat once believed to be that of archbishop Miklós Oláh
16th century
From the Esterházy treasury
On view: Esterházy textiles exhibition
Museum of Applied Arts, Budapest
Textile and Costume Fair, Wolterton Hall, Norfolk
Every bobbin is of personal significance, bearing the names of grand-children, holidays remembered, a wedding ring and tiny souvenirs and gifts from friends and family.
The National Textile Museum, Kuala Lumpur, Malaysia, is housed in an attractive building of Mughal-Islamic style architecture. It was built alongside the Sultan Abdul Samad building and was completed in 1896. The architect, AC Norman designed this building to house the headquarters of the Federated Malay States Railway. In 1917, the building was given to the Selangor state government and became Selangor Public Works Department. (PWD or JKR). The façade was given a facelift to harmonize with the Islamic style of the adjacent government buildings.
The museum is a 2 1/2 storied building with an area of 3259m2 and a floor area of 3145.3 m2, was gazetted on 13 October 1983 as a heritage building under the Government Gazette P.U. (A) 423, Ancient Monuments and Historical Sites (No. 3), Antiquities Act 1976. Under the 9th Malaysia Plan (2006-2010), the Ministry of Information, Communications and Culture through the Department of Museums Malaysia managed the implementation of the project ‘Proposal for Conservation, Interior Design and Display for the National Textile Museum Kuala Lumpur’ beginning August 2007 until its completion in Jun 2009. The museum was opened to the public on 9 January 2010.
The National Textile Museum explores the rich diversity of the people of Malaysia. The museum traces the development and trend of textiles that have characterized and shaped the life-style of the people of Malaysia as early as the prehistoric era right up to the modern times [asemus.museum/]
Leanne from Ramari Textiles uses wool yarn and fabric, vintage and retro fabrics, screenprinting, knitting crochet and sewing to create a variety of products to wear and adorn your home.
PRODUCT RANGE
Printed wool cushions with feather inners, crocheted heart brooches, felted wool bags and bowls, tea cosies and fabric rabbits to name a few.
Ramari Textiles is known for it's use of vibrant colours and recycled materials and for creating products with a nod to the past but with a modern edge.
GIFT IDEAS
Leanne loves to make one-off products so be at the Fair early to see her full range.
Her homewares are well-made, special gifts for families and her vintage-inspired pin cushions and sewing boxes will be loved by crafty and creative friends.
BUY FROM RAMARI TEXTILES
Ramari Textiles is one of 30 indie crafters and designers selling at the Craft Country Fair: Saturday 10 December 2011 from 10am-3pm at the Greytown Town Hall.
Ramari Textiles is also stocked in the Craft Country Shop; at the end of the zebra crossing, main road, Featherston. The shop is open 10am-3pm Fri-Sun.
The textiles products are the back bone of Pakistani economy and returns a lot of foreign exchange to the exchequer of Pakistan.
I painted onto material the picture I wanted and then went over it on the sewing machine with contrasting coloured thread. I left these threads uncut for affect as I felt this added to the movement and playfulness of the image.
A wonderful old textiles mill i visited recently
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This is a section from my A2 Textiles Coursework book displaying an evaluation piece from a scarf i made and a documentation from my visit to the Brussels Lace and Costume Museum, which I found inspirational in response to my chosen theme of Vintage: 1910-1930s evening wear.
Textile exhibition Eva Best
Naas Konsthantverk (Sweden) 2016
Photo: Jan Berg
Project with support by Frispel (Vastra Götalandsregionen)