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© Darlene Bushue Photography 2023
A breathtaking moment as fall's vibrant colors collide with winter's pristine snow. The old mining structure stands as a testament to the region's history. Million Dollar Highway (Oct 2023). Enjoy your day!!!
to my photographic skills.
N. Willamette Blvd, Portland OR.
Olympus PEN EES-2 half-frame camera. Fujicolor Superia 400 Color Negative Film 35mm (expired 9/2012).
Grallaria ridgelyi.
Without doubt, this was one of the star birds of the trip. Only discovered as recently as 1997, it is a large and striking Antpitta that is limited to small pockets of habitat in Southern Ecuador and Northern Peru. The fact that it remained undiscovered until so recently, is probably a testament to how hard it is to find !
The ability of a few dedicated individuals to encourage one or two birds to trade their secretive existence for a few worms, gives birders the chance of a privileged encounter...
Antebellum Church in rural Alabama, built c. 1853. The small door to the right of the main entrance were the stairs used only by slaves to enter the 'slave gallery' loft above the main sanctuary in the church.
The slave gallery is now inhabited by a very large and aggressive owl!
Details from the central courtyard fountain at Linlithgow Palace, Scotland
This remarkable structure was originally commissioned by James V in 1537. Water and stone form an inevitable recipe for erosion, and the statue needed constant attention over the centuries. In the 1930s it had to be dismantled and rebuilt and in 2000 it was removed altogether for a total restoration. The fountain that was unveiled on 10 August 2005 is a magnificent testament to the stonemason's art, with about two-thirds of the original having to be replaced. To help preserve it for the future, the fountain now only operates at weekends in July and August.
In this church a total of 247 women and 205 children were burnt to death by the SS, those attempting to escape the carnage were shot. Only 47-year-old Marguerite Rouffanche survived. She slid out by a rear sacristy window, followed by a young woman and child. All three were shot; Marguerite Rouffanche was wounded and her companions were killed. She crawled to some pea bushes behind the church, where she remained hidden overnight until she was rescued the following morning. Another group of about twenty villagers had fled Oradour-sur-Glane as soon as the soldiers had appeared. That night, the village was partially razed.
A pillar of smoke rises in the distance over Mount Field East with Mount Bridges in the foreground.
This pic from Tarn Shelf, Mount Field National Park, Tasmania. The fire was probably a fuel reduction burn somewhere between the hamlets of Ellendale and Fentonbury.
The stark white dead trees on the slopes of Mt Bridges are testament to a huge bushfire back in 2013 that wiped out approximately 11,000ha of the park and surrounding bushland.
The glorious oranges in my previous postings may never have happened had the fire reached the Fagus groves. The ancient plant is fire intolerant and it would have been the end of them. We were so very lucky.
Fuji X-T2, XF60/2.4, 1/640th sec at f/11, ISO 400
Alex Skolnick plays it cool while Steve Di Giorgio plays his bass solo.
Alex Skolnick se hace el tranquilo mientras que Steve Di Giorgio toca su solo de bajo.
Caernarfon Harbour Today
Today, the harbour is a vibrant blend of history and modernity. While its maritime history is still palpable, its transition into a bustling yachting marina reflects its adaptability. The harbour stands as a testament to Caernarfon's vibrant maritime past and its continuous evolution, making it a must-visit destination for history buffs and sailing enthusiasts alike.
As we delve into the history, the harbour town of Caernarfon serves as a fascinating case study of how maritime activities have shaped a town's identity and growth. From its early days as a strategic port for the castle, through its boom as a hub for slate and timber trade, to its transformation into a popular yachting marina, Caernarfon's harbour has continually evolved while holding onto its rich maritime heritage.
Shot with the Nikon D3 and the Nikon 50mm 1.4g.
Iraq thought it could take over the world, with the alliance between itself and Afghanistan and N. Korea. It was wrong.
We won.
But we paid the price.
----------------------------------------------
Inspired by n7mereel. Not a great picture. : /
-IronBricks
When the sum of all the parts equals something truly great these are the moments we live for.
From yesterday's post:
Mount Roy, Wanaka New Zealand
In one of my earlier posts I spoke about the value of the experience associated with a photo and the series (there's a few more to come) from this location are testament to this.
Damien and I had originally planned to shoot sunset from this location but made a last minute change of plans and opted for sunrise instead. What that meant was that we needed to begin the climb at 2am to make it in time for first light at 5:00am.
Hiking this trail in the dark was no easy feat, it's long and the ascent seemed to last forever. Cold and carrying our equipment I was beginning to wonder if it was worth it.
Those concerns were quickly gone. The view was simply breathtaking.
It was well below zero at the top and we were quickly freezing so together with the gusting wind concentrating on the shoot wasn't easy. None-the-less I couldn't be happier with the results.
This view looks out into Mt Aspiring National Park over Lake Wanaka.
Press "L" to view this large on black and, as always, thanks for looking!
Nestled within the captivating embrace of the Canadian Rockies, Lake Moraine in Alberta stands as a breathtaking testament to the untamed beauty of nature. Its crystalline waters mirror the towering peaks that encircle it, creating a scene of sublime serenity that has captured the hearts of countless visitors. The lake's mesmerizing hue, a vibrant shade of turquoise born from glacial melt, imparts an otherworldly aura to the landscape. Framed by lush alpine forests and set against the dramatic backdrop of snow-capped mountains, Lake Moraine exudes an almost surreal sense of tranquility. Whether gazing upon its pristine shores in the soft embrace of dawn or witnessing the fiery glow of sunset dance upon its surface, a visit to Lake Moraine is an encounter with the sublime, a reminder of nature's boundless wonder that lingers in the soul long after departing its shores.
Bathed in the winter sunset, the trabocco stands as a testament to resilience, enduring the powerful surges of the stormy sea over time. Its silhouette, steeped in wisdom and history, commands the horizon, a symbol of strength and persistence through the ages. Captured with Sony Alpha 7II and the Yashica ML 135mm 1:2.8, this image not only tells the story of the trabocco but also its resistance against the forces of time and nature.
Sony Alpha 7II
Yashica ML 135mm 1:2,8
ISO 100
Copyright © 2021 by Craig Paup. All rights reserved.
Any use, printed or digital, in whole or edited, requires my written permission.
Stonehenge is one of the most famous prehistoric monuments in the world. It has been the subject of much speculation and debate, but its true meaning remains a mystery. However, there is no doubt that Stonehenge is a remarkable feat of engineering and a testament to the ingenuity of its builders.
Here are some other facts about Stonehenge:
•The stones are aligned with the summer solstice sunrise and the winter solstice sunset.
•The monument is surrounded by a ditch and bank.
•There are several smaller monuments nearby, including the Cursus and the Avenue.
•Stonehenge is a UNESCO World Heritage Site.
•It is estimated that it took about 1,000 years to build Stonehenge (beginning around 3000 BC).
•The exact purpose of Stonehenge is unknown, but it is thought to have been a place of worship, ritual, or astronomical observation.
Stonehenge is a fascinating and mysterious monument that continues to fascinate people today. It is a testament to the ingenuity and engineering skills of its builders, and it is a reminder of the rich history of England.
Taken at Stonehenge, Salisbury Plain, Wiltshire, England
Explore #04 (2024-10-08) - Thank you for stopping by and for your words of encouragement and favorites!
The Western Frankish Tower, located within the Paphos Castle complex in Paphos, Republic of Cyprus, holds a rich and intriguing history that spans several centuries. This architectural marvel serves as a testament to the island's tumultuous past and the influences of various civilizations that have shaped its destiny. In the following 1000 words, I will take you on a journey through time, unraveling the captivating story of the Western Frankish Tower.
The history of Paphos Castle itself dates back to the Byzantine period, with the original structure constructed in the 13th century as a fortification against Arab raids. However, it was during the reign of the Frankish Lusignan dynasty that the castle underwent significant transformations. In the 13th century, after the conquest of Cyprus by Richard the Lionheart, the Western Frankish Tower was added to the existing fortifications, contributing to the castle's imposing presence.
The Western Frankish Tower served multiple purposes throughout its history. Primarily, it acted as a defensive stronghold, strategically positioned to protect the harbor and the surrounding area from potential threats. With its solid walls and commanding position overlooking the sea, the tower became an integral part of Paphos' defense system.
During the medieval period, Cyprus faced numerous challenges, including raids by Arab pirates and conflicts between various European powers vying for control over the island. The Western Frankish Tower played a vital role in these turbulent times, serving as a refuge for the local population and offering shelter during times of siege.
Over the centuries, as the geopolitical landscape shifted, Paphos Castle and the Western Frankish Tower came under the control of different rulers. Following the fall of the Lusignan dynasty, Cyprus fell under the dominion of the Republic of Venice in the late 15th century. Under Venetian rule, the castle underwent further modifications and fortifications to enhance its defensive capabilities.
In the 16th century, the Ottoman Empire expanded its reach into the Eastern Mediterranean, and Cyprus fell under Ottoman control. The Western Frankish Tower and the rest of Paphos Castle became part of the Ottoman defensive network, playing a pivotal role in safeguarding the island's western coast.
During the Ottoman era, Paphos Castle and the tower underwent further alterations to accommodate the changing needs of the ruling empire. Mosques, storage rooms, and other structures were added within the castle walls, reflecting the Islamic influence that characterized this period. The Western Frankish Tower, with its medieval origins, stood as a reminder of the island's past under Frankish and Venetian rule.
The end of the Ottoman era came in the late 19th century when Cyprus was handed over to the British Empire. With British control, Paphos Castle and the Western Frankish Tower lost their strategic importance and were no longer actively used for military purposes. However, the historical and architectural value of the castle began to attract attention, leading to efforts to preserve and restore the site.
In the mid-20th century, Paphos Castle underwent extensive renovations to restore its former glory. The Western Frankish Tower was carefully preserved, with its distinctive features and medieval character maintained. The castle complex became a significant tourist attraction, showcasing Cyprus' rich history and offering visitors a glimpse into its past.
Today, the Western Frankish Tower stands as a striking testament to the island's diverse heritage. Tourists and locals alike are drawn to its imposing structure, which combines medieval fortifications with traces of Byzantine, Frankish, Venetian, and Ottoman influences. The tower serves as a cultural landmark, housing exhibitions and events that celebrate Cyprus' history and cultural identity.
In conclusion, the Western Frankish Tower within Paphos Castle encapsulates the dynamic history of Cyprus. From its origins as a Byzantine fortification to its modifications under Frankish, Venetian, and Ottoman rule, the tower has witnessed the rise and fall of empires. Today, it stands as a symbol of resilience, serving as a reminder of the island's rich past and inviting visitors to explore its captivating history.
www.youtube.com/watch?v=hSnzYnOe6kI - The Gettys
The perfect wisdom of our God,
Revealed in all the universe:
All things created by His hand,
And held together at His command.
He knows the mysteries of the seas,
The secrets of the stars are His;
He guides the planets on their way,
And turns the earth through another day.
The matchless wisdom of His ways,
That mark the path of righteousness;
His word a lamp unto my feet,
His Spirit teaching and guiding me.
And oh, the mystery of the cross,
That God should suffer for the lost
So that the fool might shame the wise,
And all the glory might go to Christ!
Oh grant me wisdom from above,
To pray for peace and cling to love,
And teach me humbly to receive
The sun and rain of Your sovereignty.
Each strand of sorrow has a place
Within this tapestry of grace;
So through the trials I choose to say:
“Your perfect will in your perfect way.”
A slightly modified view of this magnificent sculpture of “The Shipbuilders of Port Glasgow” by renowned artist John McKenna which stands proudly at 33ft high in Coronation Park in the town and is testament to the men and woman who spent their lives in Shipbuilding along the River Clyde. Unfortunately the “MV Glen Sannox” in the background has been bugged with controversy which has grossly delayed it's launch date today. I have used a clone stamp tool in some editing to remove a 20ft container and the roof’s of several cars which blocked the lower part of the photo in an attempt to tidy it up.
Descripció
Santuari bastit sota la balma d'un paratge engorjat sobre el Segre. Consta de l'antiga església romànica, un claustre renaixentista i altres construccions del convent amb finestrals i ràfecs amb motllures sobre els murs de carreus i cobertes amb les golfes obertes. Tot el recinte està protegit per una tanca i mur de pedra que el fan no més accessible per una porta adovellada, adossada al lateral de l'església. Escuts i fornícules de caràcter renaixentista decoren el conjunt.[2]
El santuari de Santa Maria de Salgar es troba en un engorjat a l'esquerra del Segre, una zona de coves i balmes, entre les quals es bastiren els edificis del santuari, davant del turó on hi ha les restes del poblat ibèric i castell d'Antona o Malagastre.[2] Es tracta d'un conjunt d'edificis (que consisteixen en l'església, el claustre i les dependències conventuals) bastits fonamentalment en època barroca (inicis del segle XVII) que aprofitaren elements de les primitives estructures alt-medievals, entre les quals destaca principalment l'església romànica.[2]
L'església del santuari és l'edifici que se situa més allunyat de l'espadat vertical. Es tracta d'un edifici de planta rectangular capçada amb un absis semicircular a llevant, capelles laterals adossades i un campanar d'espadanya. L'element romànic més evident que se n'ha conservat és l'absis semicircular, el qual, tot i que està totalment transformat a l'interior, conserva a l'exterior la façana original, sobrealçada i alterada per una gran finestra central oberta posteriorment. El gran sòcol des de la base fins a mitja alçada, el posa en relació amb la tècnica constructiva emprada a la pròxima església de Sant Urbà de Montsonís (núm. 22225), parròquia de la qual depenia. L'aparell de la façana és de carreuó, a penes desbastat, disposat en filades uniformes i regulars. L'única ornamentació es troba en el ràfec bisellat.[2]
Al segle xvi els carmelitans ampliaren l'església a partir de la capçalera. La façana d'accés, a ponent, està feta amb carreu rectangular ben escairat i polit. L'accés principal consisteix en una porta d'arc de mig punt adovellat emmarcat per un guardapols motllurat. A sobre s'hi situa un rosetó de dovelles polides i còncaves amb acabats motllurats. La teulada és a doble vessant amb el carener longitudinal i ràfecs senzills. L'aparell de les façanes laterals és més descurat que el de la principal, amb carreus rectangulars sense polir. L'interior és resolt amb una volta de canó de mig punt que s'eleva sobre la volta de l'absis mitjançant un arc presbiteral que recolza en la imposta, feta d'obra i revestida amb motllures de guix. L'absis, amb volta de quadrant d'esfera, si bé guarda la forma del primitiu absis romànic, es troba revestida amb guix.[2]
En aquesta època, mitjans del segle XVI, es bastí el claustre renaixentista que enllaça el temple amb les dependències conventuals. De línies pures, consisteix en diversos trams d'arcades de mig punt, sense ornaments, que recolzen sobre capitells senzills sobre columnes llises o pilars de carreuons de pedra polida.[2]
A la zona a tocar de l'espadat vertical se situa el convent, que havia començat a ser construït el segle xv i s'amplià el segle XVI, deu la seva imatge actual a la reedificació del segle XVII. Consisteix en dos cossos d'orientació lleugerament diferent (adaptada a la paret vertical de darrere), de planta rectangular, tres pisos d'alçada i teulada a una sola vessant que desaigua sobre les façanes. L'edifici de llevant està fet amb aparell regular de gres, de carreus ben regulars, escairats i polits lligats amb morter de calç. La disposició de les obertures és simètrica, amb la porta d'arc de llinda emmarcada amb pedra motllurada, i dues finestres a cada pis, amb marcs de pedra motllurada de formes diverses (dentells, arcs conopials, motllures mixtes de gola, etc). La façana és rematada amb una cornisa de pedra amb motllura de gola.[2]
L'edifici de ponent respon als mateixos volums però és d'acabat més sobri que l'anterior, amb aparell de carreuó irregular lligat amb morter de calç i disposició asimètrica i sense tanta ornamentació de les obertures.[2]
Història
Des de l'any 1192 l'església és esmentada en documents. L'any 1263 s'hi havia bastit un petit hospital de Sant Jordi. Ponç de Ribelles, cap al 1404, dóna lloc, a l'església d'Àger, als carmelitans. L'any 1530 s'edifica els claustre renaixentista. El 1608 es donen altres construccions sota la balma. Al s. XIX, concretament l'any 1835, es consuma l'exclaustració i venda del lloc. Després de les destruccions de la Guerra Civil, fou restaurada per un grup d'Artesa de Segre (1972).[2]
La primera referència documentar sobre Salgar apareix en un document de donació que féu Arnau Mir de Tost l'any 1054, però l'església no apareix esmentada fins al segle XII, l'any 1192, en el testament d'Arnau de Ribelles en què fa una deixa de 100 morabatins i un camp a Santa Maria de Salgar per tal que s'hi fundi un benefici. L'església de Salgar apareix com a possessió de Sant Urbà de Montsonís (núm. 22225), església parroquial amb la qual manté certes similituds constructives en la zona de la capçalera de l'edifici actual.[2]
El 1263 s'hi havia bastit el petit Hospital de Sant Jordi. A principis del segle XV, el lloc havia caigut en cert deteriorament i llavors, el 1404 en Ponç de Ribelles, senyor de Montsonís, d'acord amb l'arxiprestat d'Àger (d'on depenia la parròquia de Montsonís) va cedir el santuari a l'orde dels carmelites calçats, que en endavant hi bastiren un convent i ampliaren l'església romànica.[2]
Sota el mandat del prior Pere Pons (1522-1566) es va ampliar el convent i es bastí el claustre renaixentista (el 1530).[2] A principis del segle xvii es registra un altre cop una forta activitat constructora, amb l'ampliació de la casa conventual i altres construccions sota la balma.[2] Al segle xviii es va bastir un pont d'obra sobre el Segre, actualment desaparegut.[2] Les lleis desamortitzadores de 1835 van trobar el convent en plena decadència. Els carmelitans foren exclaustrats i el lloc i els seus béns, venuts a particulars. Però aviat el lloc es va recuperar com a santuari gràcies a la voluntat dels nous propietaris.[2]
Fins que es va perdre el 1936, s'hi venerava una imatge gòtica de la Mare de Déu que havia substituït una primera imatge romànica, la qual, segons la llegenda, havia estat trobada per uns pastors en una de les coves que abunden en el lloc del Salgar. La veneració d'aquesta imatge va convertir el lloc en un santuari marià.[2] En la Guerra Civil de 1936-39 els edificis foren damnats, però posteriorment el culte hi fou restaurat, passant a dependre de la parròquia d'Artesa. El 1972 fou restaurada l'església per un grup d'Artesa.[2]
El nom prové del català medieval algar que es troba en molts topònims, derivat de l'àrab al-gâr que significa cova o concavitat i l'aglutinació de l'article salat.[3]
Another great find on the farmlands just South of the Black Hills. Most stone houses in this area, of this type of construction, date back to the early 1880's. The roof has taken in all of South Dakota's wrath over the years but the structure itself is still surprisingly intact. The builder obviously knew what he was doing as it still stands as a testament to his craftsmanship.
In this case, I shot one single exposure, 15 minutes long, while adding a dash of light here and there by hand. I love the calm colors and overall mood that came out in the end. Hope you enjoy it too :)
Discover the architectural marvel of the Ex-Sham Shui Po Service Reservoir in Hong Kong. This underground reservoir, with its stunning arches and stone columns, showcases historical engineering prowess. Once a vital water supply structure, it now stands as a testament to the city's rich heritage and ingenuity.
Built in 1904, the Ex-Sham Shui Po Service Reservoir had a storage capacity of 9,900 cubic metres. It ceased operations in 1970 and was rediscovered in 2020 after being decommissioned for several decades.
For me a photograph is most successful when it doesn't answer all the questions and it leaves something to be desired. I like each picture that I take to be a testament to the individual character of my subject.
～ Greg Gorman - Vision - Lowepro 2004/2005, page 65
If you are interested in my works, they are available on Getty Images and Adobe Stock; prints on Photos.
P.S. Non-HDR-processed / Non-GND-filtered ● Black Card Technique 黑卡作品
Adorn your avatar with the 'Tribal XV' chest tattoo from HDesign, a BOM piece that’s a testament to intricate tribal artistry. Embracing the chest with a symphony of ornate patterns and dangling charms, this design is available in 60%, 70%, 80%, and 90% opacities, perfect for a bold statement in SecondLife.
And Marketplace
THE TYNDALE MONUMENT IS A TOWER BUILT ON A HILL AT NORTH NIBLEY, GLOUCESTERSHIRE, ENGLAND. IT WAS BUILT IN HONOUR OF WILLIAM TYNDALE, A TRANSLATOR OF THE NEW TESTAMENT, WHO IS BELIEVED TO HAVE BEEN BORN AT NORTH NIBLEY. THE TOWER WAS CONSTRUCTED IN 1866, 26FT 6IN SQUARE AT THE BASE AND IS 111 FT (34 M) TALL. IT IS POSSIBLE TO ENTER AND CLIMB TO THE TOP OF THE TOWER, UP A SPIRAL STAIRCASE OF ABOUT 120 STEPS. THE HILL IT IS ON ALLOWS A WIDE RANGE OF VIEWS, ESPECIALLY LOOKING DOWN TO THE RIVER SEVERN. THE HILL ON WHICH THE MONUMENT STANDS IS QUITE STEEP. THERE ARE TWO MAIN PATHS, ONE WHICH GOES UP STEEP STEPS, OR ONE THAT FOLLOWS A ROUGH SLOPE. THE TOWER ITSELF IS SURROUNDED BY FENCING AND HAS FLOODLIGHTS THAT LIGHT UP THE TOWER ON SPECIAL OCCASIONS.THE DOOR TO THE TOWER IS NORMALLY UNLOCKED.
FORBIDDEN TO WORK IN ENGLAND, TYNDALE TRANSLATED AND PRINTED IN ENGLISH THE NEW TESTAMENT AND HALF THE OLD TESTAMENT BETWEEN 1525 AND 1535 IN GERMANY AND THE LOW COUNTRIES. HE WORKED FROM THE GREEK AND HEBREW ORIGINAL TEXTS WHEN KNOWLEDGE OF THOSE LANGUAGES IN ENGLAND WAS RARE. HIS POCKET-SIZED BIBLE TRANSLATIONS WERE SMUGGLED INTO ENGLAND, AND THEN RUTHLESSLY SOUGHT OUT BY THE CHURCH, CONFISCATED AND DESTROYED. CONDEMNED AS A HERETIC, TYNDALE WAS STRANGLED AND BURNED OUTSIDE BRUSSELS IN 1536.THE TYNDALE SOCIETY.
TYNDALE'S ENGLISH TRANSLATION OF THE NEW TESTAMENT WAS TAKEN ALMOST WORD FOR WORD INTO THE MUCH PRAISED AUTHORISED VERSION (KING JAMES BIBLE) OF 1611, WHICH ALSO REPRODUCES A GREAT DEAL OF HIS OLD TESTAMENT. FROM THERE HIS WORDS PASSED INTO OUR COMMON UNDERSTANDING. PEOPLE ACROSS THE WORLD HONOUR HIM AS A GREAT ENGLISHMAN, UNJUSTLY CONDEMNED AND STILL UNFAIRLY NEGLECTED. HIS SOLITARY COURAGE AND HIS SKILL WITH LANGUAGES - INCLUDING, SUPREMELY, HIS OWN - ENRICHED ENGLISH HISTORY IN WAYS STILL NOT PROPERLY EXAMINED, AND THEN REACHED OUT TO AFFECT ALL ENGLISH-SPEAKING NATIONS.
Like the 900, plenty of 190Es still going, a real testament to the reliability that Mercedes were once legendary for. This one looked particularly good, although the dent at the back was a bit on the large side.
RU- Bournemouth.
The Pigeon Forge Parkway is usually very dense in traffic. Especially during holidays and weekends when the average speed is slower than if you were walking. But that is a testament to the popularity of the town which is filled with hundreds of shops and family orientated entertainment attractions. On this particular weekend, a classic car rally occurred with literally thousands of old cars and trucks filling the road and parking lots.
This is a typical pose for Alex Skolnick. He loves to do his solos this way.
Esta una pose típica de Alex Skolnick. A él, le gusta hacer sus solos así-.
Bishop Street in Coventry is a location steeped in history and transformation. Once characterized by its residential nature with rows of terraced houses, it has seen significant changes over the years. The early electric trams faced challenges climbing its incline, a testament to the street's topography and the evolving nature of transportation. Post-war reconstruction introduced modernity to the area, shifting away from residential to more commercial and educational uses. Today, Bishop Street is known for its vibrant student accommodations that add a splash of colour and life to the city's skyline. The street's evolution reflects Coventry's resilience and adaptability, embracing the future while honouring its past.
The nearest building on the left is Weaver Place which offers modern student accommodation in the heart of Coventry, providing a comfortable and convenient living experience for students. Located at 9 Bishop Street, it's just a 10-minute walk from Coventry University, making it an ideal location for students studying there. The accommodation features a range of en suite rooms, private studios, and apartments, catering to different preferences and budgets. Basic amenities at this property include high-speed WiFi, a laundry room, a gym room and mailboxes. There are a variety of communal spaces like a common area, a lounge space, an outdoor courtyard, a games room and a television.. With its central location, Weaver Place is also within easy reach of the bus stop for the University of Warwick, adding to its appeal for students attending both universities in the city.
The three buildings in the distance are Bishop's Gates 1, 2 & 3 Towers which are also a modern student accommodation complex that offers a variety of living spaces to suit different needs and budgets. Built in 2018, it provides 725 ensuite rooms, twudios (close-proximity living arrangement designed for people who already know they want to live together), and studios in flats of 9 and 10 rooms. With ultra-fast Gigabit Wi-Fi, on-site gym, 24/7 security, and communal cleaning services, Bishop's Gate is designed to offer a comfortable and secure living experience. It's also within walking distance to Coventry University too, the city center, and other key locations, making it a practical option for both undergraduate and postgraduate students.
Bishop Gate, Phase 1, is a city centre brownfield development comprising 23,225 sq. m in three towers, the tallest of which rises to 50 metres, set on a three-storey plinth. The award-winning student accommodation development was delivered for Coventry University for the 2018/19 academic year. The project entailed the demolition of a 18,580 sq. m obsolete 1970’s sorting office. A market leading team of consultants were appointed to drive the project through planning, a comprehensive high-quality scheme was designed with detailed planning consent granted under delegated powers within seven weeks.
After work I went to hang out on the set of the latest Cotume Drama being filmed in Oxford, Testament of Youth. Well, not actually on set but thanks to my 70-200mm f2.8 it felt like it.
Here's the star, Alicia Vikander, in a quiet moment. You may not have heard of her yet but with roles in Alex Garland’s 'Ex Machina' and Guy Ritchie’s 'The Man From U.N.C.L.E.' just completed it sounds she's destined for big things.
From the Press Release (thanks Carole for pointing that out) : 'The film shoots in various locations around the UK including Yorkshire, Oxford and London. Award-winning writer Juliette Towhidi adapted the screenplay from Brittain's searing story of love and war, which was first published in 1933.
In Towhidi’s script Vera, irrepressible, intelligent and free-minded, overcomes the prejudices of her family and hometown to win a scholarship to Oxford. With everything to live for, she falls in love with her brother’s brilliant friend Roland Leighton as they go to University to pursue their literary dreams. But the First World War is looming and as the boys leave for the front Vera realises she cannot sit idly by as her peers fight for their country, so volunteers as a nurse and sets off for France.'
More info here : www.bbc.co.uk/mediacentre/latestnews/2014/testament-of-yo...
Another shot of actress Alicia Vikander on the set of Testament of Youth, a World War I period drama filming in Oxford yesterday.
As there were several 'takes' for every scene I was able to adjust my positioning each time until I got the shot I was happy with.