Exquisite World of Nature (P1/A2) [theme: 100% Nature]
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Another classic stop on old Route 66, the Slug Bug Ranch was created in 2002. The five wrecked Volkswagen Beetles, buried hood-down in the ground, is a parody of the popular Cadillac Ranch, 35 miles west . . . Its advanced state of decay is a testament to the vigorous love it has endured from Route 66 travelers, who have felt free to modify the abandoned artwork with spray paint . . . Also, be extremely cautious about entering the cars, as they are a favorite nesting spot of rattlesnakes.
A testament to history I actually shot this in colour and was pretty pleased with it. However i decided to change it to black & white as I felt it reflected the drama and the beauty of the scene better. This is the main part left of old abbey in the town of Kilwinning, Scotland. There’s actually other outer walls that I will post soon, but this is the most complete part still standing. Kilwinning was a Tironensian Benedictine monastic community, named after Tiron in the diocese of Chartres. The abbey was dedicated to Saint Winning and the Virgin Mary, and founded sometime between 1162 and 1188 with monks coming from Kelso.[1] The patron is not known for certain, but it may have been Richard de Morville, Lord of Cunninghame and Great Constable of Scotland, perhaps with the backing and assistance of King William of Scotland. This was one of those days when I set out it was lovely sun and only to arrive at my location to find it clouding over. I actually thought I had completely missed my window of opportunity before the sun went down when the cloud cover broke one last time to create this soft light.
Testament - 'something that serves as a sign or evidence of a specified fact, event, or quality'
This is another perspective of the standing stone that sits up on Ipstones Edge (I posted a photo a month or two back). It certainly bears testament in a number of ways, testament to what it once was (I don't know! probably a big gatepost), testament to the people who originally laid the stone hundreds of years ago - seeing as it's still standing proud despite the strong cross winds that have battered it over the centuries, and also testament to the people who once carved their initials on it.
I hate seeing things with history defaced but I must admit, I carved into to trees when I was a teenager - didn't seem to matter then! it was usually Panda (what I was known as back then!) loves (insert name of then girlfriend) and a heart! Oh dear, at least I grew up!
Yesterday while mowing the lawn I finished listening to "When Breath Becomes Air" for the second time. Nothing like bawling your eyes out while walking behind a power mower. The book is such a beautiful testament to figuring out how to live a meaningful life. Paul Kalanathi, the author, was a brilliant man and I am grateful he found meaning and drive to share his story. Start today and examine your life, where do you find meaning and purpose? No one can define your values for you, this takes work, time, and self-reflection. It's like the quote “The trouble is, you think you have time” from Jack Kornfield's Buddha's Little Instruction Book we skitter away our time mindlessly. Today I slowed down, breathed, sipped tea and enjoyed the sunlight in the crisp morning air.
From a photograph taken in the Spring of 2018 and developed further in January 2022.
Copyright Stan farrow FRPS
(French follows)
The spectacular Boldt Castel is a testament to the tragic love story that began in the late 19th century between the millionaire George C. Boldt, a prominent hotelier and proprietor of the famous Waldorf Asteria Hotel in New York, and Louise Augusta Kehrer known for her grace and beauty. She was the light of George’s life, and he credited her for much of his success. The dream and grander of the Rhineland-style of Boldt Castle began in 1900 in Alexandria Bay, on picturesque Heart Island, nestled in the calm waters of the St. Lawrence River in the Thousand Islands area of New York State.
It was to be a gift to Louise, a symbol of his undying love and devotion. George spared no expenses with the finest architectural details of the six story, 120 luxurious room castle, complete with tunnels, Italian gardens, playhouse and dove-cote. However, the love story took a sorrowful turn in 1904 when Louise tragically died due to heart failure at age 42. Her sudden death left George devastated and he immediately stopped the project; he never returned to the island. The fairytale castle was abandoned for 73 years. In 1977, the Thousand Islands Bridge Authority acquired the property and started important restoration efforts. Today, it is a major tourist attraction for visitors from around the world. Their love, though marked by sadness, continues to resonate through the halls and towers of Boldt Castle, capturing the hearts of all who visit.
Listed on the National Register of Historic Places in 1978.
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Le spectaculaire château de Boldt témoigne de l'histoire d'amour tragique qui a commencé à la fin du XIXe siècle entre le millionnaire George C. Boldt, hôtelier de renom et propriétaire du célèbre hôtel Waldorf Asteria à New York, et Louise Augusta Kehrer, connue pour sa grâce et sa beauté. Elle était la lumière de la vie de George, et il lui a attribué une grande partie de son succès. Le rêve et la grandeur du château de Boldt, de style rhénan, ont commencé en 1900 à Alexandria Bay, sur la pittoresque Heart Island, nichée dans les eaux calmes du fleuve Saint-Laurent dans la région des Mille-Îles de l'État de New York.
Il devait être un cadeau à Louise, un symbole de son amour et de son dévouement éternels. George n’a pas lésiné sur les dépenses pour les plus beaux détails architecturaux du château de six étages et de 120 chambres luxueuses, avec des tunnels, des jardins à l’italienne, une salle de jeux et un théâtre ainsi qu'un colombier. Mais l'histoire d'amour prit une tournure tragique en 1904, lorsque Louise mourut tragiquement d'une insuffisance cardiaque à l'âge de 42 ans. Sa mort soudaine laissa George dévasté et il arrêta immédiatement le projet ; il ne revint jamais sur l'île. Le château de conte de fées fut abandonné pendant 73 ans. En 1977, la Thousand Islands Bridge Authority acquit la propriété et entreprit d'importants travaux de restauration. Aujourd'hui, c'est une attraction touristique majeure pour les visiteurs du monde entier. Leur amour, bien que marqué par la tristesse, continue de résonner dans les salles et les tours du château de Boldt, capturant le cœur de tous ceux qui le visitent.
Inscrite au registre national des lieux historiques en 1978.
There are literally hundreds, if not thousands of abandoned homes strewn throughout the countryside in Alberta. They did not fall out of the sky, but rather, were thoughtfully placed with the intentions of building a life within the four walls and a roof - a very long time ago.
When I come across these homesteads, I just have to stop. I don’t know why I am drawn to these old relics. Fossils of the past. It is as if can hear their heart beat in the solitude of the countryside.
Who lived here? What kind of life did they have? Did they conquer their hardships or challenges? It is without a doubt that the occupants encountered insurmountable struggles.
I try to imagine the essence of the house. Were there moments of joy and contentment despite the harshness and difficulties of the environment? I find it incredulous that it still stands even though it has been ravaged by time.
My imagination begins to percolate.
I want to hear the happy, contagious squeals of children giggling as they raced to the warmth of their beds at night; the sound of Mother humming as she lovingly brushed her daughter’s hair by the fire, or Father whistling with an air of fulfillment at a satisfying day of work that had been done and in anticipation of the hot meal waiting for him as he walked in, through the door. Goals, dreams and aspirations were quietly shared in the secrecy of night. Stolen kisses and affirmations of love and commitment were whispered as the children slept.
I wonder if this house had been enough for them? Why did they leave? What were their parting thoughts as they turned the key for that one last time? So many questions. No answers…
I snap a photo of the old gal.
I start driving down the lonely road but take one last look in my rearview mirror. I see a house surrounded by mass plantings of flowers, a thriving garden, chickens milling about and a clothesline that has a congregation of well worn clothes that are being gently seduced by an unusually warm summer breeze. The children are playing Kick-the-can out in the fields.
The joy of their laughter is a welcome sound to their Mother and Father who are sitting together on the porch sipping lemonade and enjoying a respite from the monotony of chores. No words pass between them. They bask in the silence of their mutual contentment.
I see a house that was once brimming with life and love. It stands proud and tenacious as a testament to those who happen to pass by on this lonely country road and those who have the ears to hear the echoes of laughter wafting in the wind, proclaiming that this house was more than four walls and a roof - it was a home…
(French follows)
The spectacular Boldt Castel is a testament to the tragic love story that began in the late 19th century between the millionaire George C. Boldt, a prominent hotelier and proprietor of the famous Waldorf Asteria Hotel in New York, and Louise Augusta Kehrer known for her grace and beauty. She was the light of George’s life, and he credited her for much of his success. The dream and grander of the Rhineland-style of Boldt Castle began in 1900 in Alexandria Bay, on picturesque Heart Island, nestled in the calm waters of the St. Lawrence River in the Thousand Islands area of New York State.
It was to be a gift to Louise, a symbol of his undying love and devotion. George spared no expenses with the finest architectural details of the six story, 120 luxurious room castle, complete with tunnels, Italian gardens, playhouse and dove-cote. However, the love story took a sorrowful turn in 1904 when Louise tragically died due to heart failure at age 42. Her sudden death left George devastated and he immediately stopped the project; he never returned to the island. The fairytale castle was abandoned for 73 years. In 1977, the Thousand Islands Bridge Authority acquired the property and started important restoration efforts. Today, it is a major tourist attraction for visitors from around the world. Their love, though marked by sadness, continues to resonate through the halls and towers of Boldt Castle, capturing the hearts of all who visit.
Listed on the National Register of Historic Places in 1978.
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Le spectaculaire château de Boldt témoigne de l'histoire d'amour tragique qui a commencé à la fin du XIXe siècle entre le millionnaire George C. Boldt, hôtelier de renom et propriétaire du célèbre hôtel Waldorf Asteria à New York, et Louise Augusta Kehrer, connue pour sa grâce et sa beauté. Elle était la lumière de la vie de George, et il lui a attribué une grande partie de son succès. Le rêve et la grandeur du château de Boldt, de style rhénan, ont commencé en 1900 à Alexandria Bay, sur la pittoresque Heart Island, nichée dans les eaux calmes du fleuve Saint-Laurent dans la région des Mille-Îles de l'État de New York.
Il devait être un cadeau à Louise, un symbole de son amour et de son dévouement éternels. George n’a pas lésiné sur les dépenses pour les plus beaux détails architecturaux du château de six étages et de 120 chambres luxueuses, avec des tunnels, des jardins à l’italienne, une salle de jeux et un théâtre ainsi qu'un colombier. Mais l'histoire d'amour prit une tournure tragique en 1904, lorsque Louise mourut tragiquement d'une insuffisance cardiaque à l'âge de 42 ans. Sa mort soudaine laissa George dévasté et il arrêta immédiatement le projet ; il ne revint jamais sur l'île. Le château de conte de fées fut abandonné pendant 73 ans. En 1977, la Thousand Islands Bridge Authority acquit la propriété et entreprit d'importants travaux de restauration. Aujourd'hui, c'est une attraction touristique majeure pour les visiteurs du monde entier. Leur amour, bien que marqué par la tristesse, continue de résonner dans les salles et les tours du château de Boldt, capturant le cœur de tous ceux qui le visitent.
Inscrite au registre national des lieux historiques en 1978.
El Exterior: La fachada, idealmente cerrada a la izquierda por la torre de la abadía (siglo XIII) y, a la derecha, por el elegante campanario (siglo XII), es coloristamente evocadora, armoniosa y perfecta en sus líneas arquitectónicas, sobria y liviana en la decoración; refleja la influencia de la arquitectura lombardo-emiliana de la región del Véneto. La mirada se siente inmediatamente atraída por el gran rosetón figurativo. ("rueda de la fortuna") obra del maestro Brioloto (1217-1225).
El pórtico de Nicholaus (1138) es una elegante estructura arquitectónica sostenida por dos leones estilóforos. El escultor realiza las baldosas de mármol a la derecha del portal con Historias de la Creación y dos escenas relacionadas con Teodorico, mientras que, a la izquierda, el alumno Gugliemo se ocupa de los episodios del Nuevo Testamento. En los arquitrabes hay hermosas representaciones de los Meses. En la luneta San Zeno recibe el homenaje de la ciudad.
solo wooden figure from clancy warner’s ‘whitewashing history’ group sculpture
original photographs, snapseed, procreate, apple pencil
- Ausonius.
Another image from my kestrel series. This image is a testament to the importance of observing bird/animal behavior for wildlife photography. American Kestrels are not large birds. In fact, there are a couple of mourning doves in my backyard now that are bigger than this kestrel. The diminutive size makes them a target for large raptors, so they are constantly on the vigil and definitely skittish around humans. It was extremely frustrating trying to photograph this bird as it never allowed me the opportunity to get close.
But one thing I learned watching the bird was the telltale signs of takeoff. The perch shot of the bird was the closest he has yet allowed me. At a certain point, I noticed him showing signs of taking off. I was ready this time, and I filled my D500’s buffer with images of a beautiful takeoff. One thing to note, though, I was shooting at 1/2500th of a sec but still got some motion blur in some of the images. I will try a faster shutter speed next time.
A persistent, blustery spring wind tousles the lupine and balsam root blooms that decorate the hillsides of Dalles Mountain Ranch, Washington.
After successfully surprising my mother with an unannounced visit for Mother's Day, we enjoyed the task of determining what to do with our time together. The timing was perfect for the balsam root in the Columbia River Gorge, and the range of mother's electric vehicle looked just about right for making it to the Ranch and back again with a few miles to spare. The Gorge has a more famous balsam root population further west on the Oregon side of the river, but it was delightful to explore some place a bit less popular. The Ranch itself once supported several homesteading families and numerous sheep. The odd patch of non-native trees, out of place amongst the natives and in unexpected locations on the landscape, are testaments to the homesteaders' efforts to shape the place to their tastes.
Technical notes: Hand-held focus stack of three images.
An iconic example of mid-century modern telecommunications architecture, stands as a striking testament to functionalist design. Rising 279.2 meters into the sky, its sleek, cylindrical form is punctuated by a series of observation decks and antenna platforms, creating a rhythmic interplay of mass and void.
The tower, clean and unadorned, emphasizes its sculptural purity, while the stacked horizontal elements provide a dynamic contrast to its otherwise monolithic verticality. This interplay of geometric forms evokes a sense of engineered elegance, where function dictates aesthetics with an almost minimalist restraint.
Photographed in isolation, the Heinrich-Hertz-Turm becomes an abstraction of itself lines and curves distilled to their essence. The structure’s stark contrast against the sky enhances its imposing presence, transforming it into a solitary beacon of modernity. This is an architecture of utility elevated to an art form, where simplicity and precision converge to create an enduring visual impact.
Caught in a moment of stillness within the vibrant tableau of Villa Verde, on the outskirts of Celaque National Park in Gracias, Lempira, the Azure-crowned Hummingbird, Saucerottia cyanocephala, became the subject of my latest photograph. This Central American exclusive, with its regal blue crown and delicate dusting of pollen, is a living emblem of the region's ecological narrative. The image captures the bird in profile, its beak a testament to its role as a pollinator within its habitat, the dynamic interplay of life and growth in Honduras.
From the perspective of a photographer, the shot was about honoring the bird's natural poise, contrasting its vivid colors against the soft, green backdrop without losing the subject into the foliage. The challenge was to wait for that split-second pause, balancing a shallow depth of field with the need for sharp detail, all while ensuring the lighting captured the sparkle in its feathers and the subtle textures of its environment. This photograph isn’t just a static image; it’s a slice of life, a breath between beats in the heart of the forest.
©2022 Adam Rainoff
LARGE view and read tags at right.
Enjoy and share well this HOLY WEEK, for He died so EACH of us may live.
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Celebrate St. Patrick’s Day today, tomorrow, and Monday 3.17.2008, by blessing your family and yourself at www.e-water.net/viewflash.php?flash=irishblessing_en
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"If ye love wealth greater than liberty, the tranquility of servitude greater than the animating contest for freedom, go home from u s in peace. We seek not your counsel, nor your arms. Crouch down and lick the hand that feeds you. May your chains set lightly upon you; and may posterity forget that ye were our countrymen." -Sam Adams
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Recipient passes on emailed HEARSAY SECRETS
Blushing at this end from the joy of reading your latest epistle. Twas cool. Improving toward Perfection is a life time goal of many. Never achieved but trying, right? Some need so much help. If we each do our part, maybe Hades will be a little less full during that long eternal party without air conditioning.
Though at any party on this planet, I do not hang with every body. I stay in the corner, spy a few prior acquaintances or friends, and talk the night away. I am not too much on meeting and making great new friends from a large crowd. In fact, few parties do I attend. Who needs that or them? I am busy partying on Flickr.
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Scripture Needs to Be Read Spiritually, Says Preacher
Delivers Final Lenten Meditation for Pope and Curia
ROME, MARCH 14, 2008 (Zenit.org).- Scripture is not only inspired by God, but also "breathes forth God," that is, the Holy Spirit inhabits Scripture and animates it, says the preacher of the Pontifical Household.
Capuchin Father Raniero Cantalamessa said this today in the Lenten meditation he delivered to Benedict XVI and the Roman Curia in the Redemptoris Mater Chapel of the Apostolic Palace.
The sermon was the last in a series of meditations the preacher gave this Lent.
The series, titled "The Word of God Is Living and Effective," reflects the theme of the next Synod of Bishops on the word of God, to be held in October.
Father Cantalamessa spoke about the two meanings implied by 2 Timothy 3:16 "all Scripture is inspired by God."
He explained that the more common meaning is the "passive" one, referring to the way that God directed the writers of the holy texts.
The second meaning, the preacher explained, is "active": Scripture, is not only "inspired by God" but also "spirates God." "After having dictated the Scripture, the Holy Spirit is in a way contained within it; he ceaselessly inhabits it and animates it with his divine breath."
Setting him free
Father Cantalamessa then asked, "How do we approach the Scriptures in a way that they truly 'free' the Spirit that they contain?"
He said that "in Scripture, the Spirit cannot be discovered if not by passing through the letter, that is, through the concrete human vesture that the word of God assumed in the different books and inspired authors. In them the divine meaning cannot be discovered, if not by beginning from the human meaning, the one intended by the human author, Isaiah, Jeremiah, Luke, Paul, etc. It is in this that we find the complete justification of the immense effort in study and research that surrounds the book of Scripture."
But, Father Cantalamessa affirmed, there is a "tendency to stop at the letter, considering the Bible an excellent book, the most excellent of human books, if you will, but only a human book. Unfortunately we run the risk of reducing Scripture to a single dimension."
The Pontifical Household preacher pointed to a sign of hope: "That the demand for a spiritual reading of Scripture and one guided by faith is now beginning to be felt by some eminent exegetes."
The Capuchin urged a furthering of this "spiritual reading."
He explained: "To speak of the 'spiritual' reading of the Bible is not to speak of an edifying, mystical, subjective, or worse still, imaginative, reading, in opposition to the scientific reading, which would be objective. On the contrary, it is the most objective reading that there is because it is based on the Spirit of God, not on the spirit of man.
"Spiritual reading is therefore something that is quite precise and objective; it is the reading that is done under the guidance of, or in the light of, the Holy Spirit that inspired Scripture. It is based on a historical event, namely, the redemptive act of Christ which, with his death and resurrection, accomplishes the plan of salvation and realizes all of the figures and the prophecies, it reveals all of the hidden mysteries and offers the true key for reading the Bible."
Toward all truth
Father Cantalamessa said that this "spiritual reading" of Scripture applies to both the Old and New Testaments.
"Reading the New Testament spiritually means reading it in the light of the Holy Spirit given to the Church at Pentecost to lead the Church to all truth, that is, to the complete understanding and actualization of the Gospel," he said.
The preacher affirmed that spiritual reading both integrates and surpassed scientific reading: "Scientific reading knows only one direction, which is that of history; it explains, in fact, that which comes after in light of that which comes before; it explains the New Testament in the light of the Old which precedes it, and it explains the Church in the light of the New Testament.
"Spiritual reading fully recognizes the validity of this direction of research, but it adds an inverse direction to it. This consists in explaining that which comes before in the light of that which comes after, prophecy in the light of its realization, the Old Testament in the light of the New and the New in the light of the tradition of the Church."
Father Cantalamessa contended, then, that "that which is necessary is not therefore a spiritual reading that would take the place of current scientific exegesis, with a mechanical return to the exegesis of the Fathers; it is rather a new spiritual reading corresponding to the enormous progress recorded by the study of 'letter.' It is a reading, in sum, that has the breath and faith of the Fathers and, at the same time, the consistency and seriousness of current biblical science.
The Pontifical Household preacher ended his reflection with a word of hope regarding a return to a spiritual reading like that of the Church fathers.
The Capuchin said "from the four winds the Spirit has begun unexpectedly to blow again" and we "witness the reappearance of the spiritual reading of the Bible and this too is a fruit -- one of the more exquisite -- of the Spirit."
"Participating in Bible and prayer groups, I am stupefied in hearing, at times, reflections on God's word that are analogous to those offered by Origen, Augustine or Gregory the Great in their time, even if it is in a more simple language," he said. "Let us conclude with a prayer that I once heard a woman pray after she was read the episode in which Elijah, ascending up to heaven, leaves Elisha two-thirds of his spirit.
"It is an example of spiritual reading in the sense I have just explained: 'Thank you, Jesus, that ascending to heaven, you do not only leave us two-thirds of your Spirit, but all of your Spirit! Thank you that you did not give your Spirit to just one disciple, but to all men!'"
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EXPLORE # 298, 381, 432 on 3-17-2008, after being on initial list on Sunday, March 16, 2008.
On the Thames foreshore near Sugar Quay Jetty at low tide. The Thames in London is littered with the remains of old disused marine structures. These all stand as testament to London's history as a major trading port.
Le château d'Ivry a été édifié vers 960 par Richard Ier duc de Normandie ce qui en fait un des tous premiers châteaux en pierre de Normandie. L'appareil de construction en "arrête-de-poisson" témoigne du caractère primitif de l'édifice. Le château occupe une position stratégique sur l'Eure, à la frontière entre Normandie et Royaume de France. Il fut l'objet d'âpres conflits durant la guerre de Cent-Ans avant d'être repris définitivement par Jean de Dunois.
fr.wikipedia.org/wiki/Ch%C3%A2teau_d%27Ivry-la-Bataille
The Château d'Ivry was built around 960 by Richard I, Duke of Normandy, making it one of the very first stone castles in Normandy. The "fishbone" construction is a testament to the primitive character of the building. The castle occupies a strategic position on the Eure river, on the border between Normandy and the Kingdom of France. It was the subject of bitter conflicts during the Hundred Years' War before being definitively retaken by Jean de Dunois.
Lomo LC-A+
Pellicule cinéma Kodak Vision 3, 500T
Développement en kit Rollei Colorchem C41
On a beautiful Sunday, my bleeding hearts for you bloom,
Petals dripping with the crimson of love's consuming fire,
Each beat of my heart echoing the ache of desire,
A symphony of longing in the quiet of this afternoon.
In the garden of my soul, you are the tender seed,
Rooted deep within, your presence a sweet melody,
Whispering through the breeze, a gentle harmony,
My bleeding hearts for you, a love that will not recede.
The sun shines brightly, illuminating our connection,
A bond forged in the flames of passion and affection,
I offer my bleeding hearts as a testament to our devotion,
In this moment, on this day, I surrender to this affection.
So let the world fade away, let time stand still,
As my bleeding hearts beat for you, unyielding and real,
On this beautiful Sunday, in the embrace of your love,
I am complete, whole, and free as the skies above.
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Lamprocapnos spectabilis, bleeding heart or Asian bleeding-heart, is a species of flowering plant belonging to the fumitory subfamily (fumarioideae) of the poppy family Papaveraceae, and is native to Siberia, northern China, Korea, and Japan. It is the sole species in the monotypic genus Lamprocapnos, but is still widely referenced under its old name Dicentra spectabilis (now listed as a synonym), not to be confused with the North American native bleeding heart plants also classified under Dicentra. It is valued in gardens and in floristry for its heart-shaped pink and white flowers, borne in spring.
Other common names include lyre flower, heart flower, and lady-in-a-bath.
The tree and the pit winding gear have been around much longer than the factory chimney on the right.
On a windy night, my determination and persistence to capture the unique moment of the moon meeting Bass Rock paid off. Battling the strong gusts, I was able to witness and photograph the serene beauty of the moon illuminating the majestic rock amidst the restless waves. The scene was truly breathtaking, a testament to nature’s quiet yet powerful splendor. Returning home with this series of shots, I felt a deep sense of satisfaction and excitement to share them with you. I hope this image brings you as much joy and wonder as it brought me.
Tags: #BassRock #MoonlitNight #Seascape #NaturePhotography #LandscapeLovers #MoonGazing #PhotographyAdventure #OceanWaves #NatureScenes #WindyNight
The heaven opens. This is from 3 years ago in September, amazing what you find when you dig into the hard drive!
Beauly firth
Inverness-shire
Scotland
The city of Toledo was made entirely of delicate glass. Everyday life was a dance of precision and care. The streets were paved with glass, and the buildings soared high into the sky, gleaming in the morning sunlight. Even the people were made of a glass-like material, rendering them translucent and fragile.
The inhabitants of the city went about their daily routines with practiced ease, stepping delicately and handling objects with care. They marveled at the intricate patterns of light that danced through the glass structures, casting shimmering rainbows across their world.
One day, a visiting opera singer arrived in the city. The diva, renowned for her powerful voice, stepped onto the stage and began to perform an aria.
As she sang, the glass people and buildings around her began to shatter into a million glittering fragments. The sound waves from her voice were too much for the delicate glass structures to bear.
The singer, oblivious to the destruction she had wrought, continued to perform, her voice rising in power and volume. Piles of colored glass fragments lay all around her, a stark testament to the devastation of her performance.
The people of the city were stunned, and many perished in the wake of the singer's powerful voice. The city that had once been a marvel of glass and light was reduced to a pile of broken fragments.
But still, the singer continued to sing, her voice ringing out across the shattered city. In the end, she was the only one left, standing in the midst of the ruin, singing out into the empty sky.
And the city of glass was no more, reduced to a memory of fragility and beauty, shattered by the power of a single voice.
For more AI inspired micro stories please visit neural-narrative.blogspot.com/
Soar above the fairytale city of Prague with this breathtaking aerial view, where the cobblestone streets and historic buildings form a captivating dance below. From this lofty perspective, witness the architectural tapestry that defines Prague's skyline, each building a testament to the city's rich history. The intricate network of streets winds through the heart of the city, revealing the charming rhythm of daily life. Join us in savoring the grand spectacle of Prague's symphony from the clouds.
Porque no está de más volver a leer el testamento: caballerosdesanlucas.blogspot.com/2011/11/hoy-17-de-novie...
The Byzantine mosaics on the central nave and aisles of the Palatine Chapel in Palermo, Italy, were completed during the reign of King Guglielmo I (1154-1166). Here we see the Old Testament stories of Adam and Eve and Abraham and Isaac.
Paddy's Hole Boat Storage Facility is an important maritime location situated on the River Tees in Redcar, North Yorkshire, England. With a rich history dating back several centuries, this facility has played a significant role in the region's maritime activities. In this historical account, we will explore the origins, development, and importance of Paddy's Hole Boat Storage Facility, providing a comprehensive overview of its evolution over time.
Origins and Early History:
The story of Paddy's Hole Boat Storage Facility begins in the late 18th century when the River Tees emerged as a vital industrial waterway. The river provided an essential transport link for industries such as coal mining, iron and steel production, and shipbuilding. The natural sheltered area known as Paddy's Hole, located on the southern side of the river's entrance, became a favored spot for local fishermen and boat owners due to its calm waters and proximity to fishing grounds.
During the 19th century, Redcar witnessed significant growth as an important coastal town. The expansion of the local fishing industry prompted the need for a dedicated facility to store and maintain fishing boats. Paddy's Hole Boat Storage Facility was established in response to this demand. The exact date of its establishment is uncertain, but records suggest it was in operation by the mid-19th century.
Development and Growth:
In its early years, Paddy's Hole Boat Storage Facility consisted of basic storage facilities and moorings for local fishing vessels. As the fishing industry flourished, the facility underwent several improvements and expansions. By the late 19th century, it had evolved into a well-equipped storage and maintenance facility, accommodating an increasing number of fishing boats.
During this period, the construction of the South Gare breakwater in the late 1860s provided further protection to Paddy's Hole from the turbulent North Sea. This development enhanced the facility's suitability for storing and maintaining boats, attracting more fishermen to utilize its services. The South Gare breakwater also facilitated the growth of other maritime activities, such as pleasure boating and recreational fishing, contributing to the facility's increasing importance.
World Wars and Post-War Era:
The two World Wars had a profound impact on Paddy's Hole Boat Storage Facility. During World War I, the facility played a crucial role in supporting the war effort. It served as a base for several naval activities, including patrol vessels, mine clearance operations, and the training of naval personnel. Additionally, Paddy's Hole became a temporary home for fishing vessels requisitioned by the government for wartime purposes.
Similarly, during World War II, Paddy's Hole Boat Storage Facility played a strategic role. The facility served as a base for coastal defense and anti-submarine operations. Its proximity to the North Sea made it an ideal location for monitoring and protecting the coast against potential threats. After the war, the facility reverted to its primary function of serving the local fishing community, contributing to the post-war economic recovery.
Modern Era and Recreational Use:
In the latter half of the 20th century, changes in the fishing industry and the decline of traditional fishing practices led to a shift in the role of Paddy's Hole Boat Storage Facility. With fewer fishing vessels requiring its services, the facility began to adapt to new market demands. It gradually transformed into a multipurpose facility catering to recreational boating, yachting, and watersports.
To meet the needs of the changing demographic, various amenities were added to the facility. These included boat ramps, mooring pontoons, storage sheds, and maintenance workshops. The facility became a hub for boating enthusiasts, attracting visitors from across the region and beyond.
In recent years, efforts have been made to preserve and enhance the historical significance of Paddy's Hole Boat Storage Facility. Conservation projects have been undertaken to maintain the original structures, while new developments have focused on creating a more inclusive and accessible space for the community. The facility continues to provide storage, maintenance, and launch services for a diverse range of watercraft, catering to both commercial and recreational users.
Conclusion:
The history of Paddy's Hole Boat Storage Facility reflects the ever-changing dynamics of maritime activities along the River Tees in Redcar, North Yorkshire, England. From its humble beginnings as a local fishing boat storage facility to its modern-day role as a versatile boating hub, Paddy's Hole has witnessed and adapted to the shifting needs of the community.
Throughout its existence, the facility has played a pivotal role in supporting local industries, providing essential services during times of war, and fostering recreational boating and watersports. Today, Paddy's Hole Boat Storage Facility stands as a testament to the region's maritime heritage, serving as a vibrant center for boating enthusiasts and a reminder of the area's enduring connection to the sea.
A preview image from the three new illustrated Bible stories from the Epitsles section of The Brick Testament website.