View allAll Photos Tagged Terminator
Seen in King Street in Oldham displaying the old 184 destination of Uppermill. The 184 no longer comes this far out, nor are any scheduled to terminate in Uppermill. The 184 has been cut short to run between Oldham and Huddersfield only, along with the 180 which will now run between Greenfield and Oldham only, and have a frequency cut to ever hour and no longer run in the evening. The 84 is the replacement for the 184 to Manchester running up to every 10 minutes between Groton and Manchester, and every half hour to Uppermill. It also runs every half an hour to Uppermill in the evening which is an improvement on the 184 which was every hour to Uppermill.
ARRIVA Buses Wales VDL Pulsar 2 3165 - CX14 BYB has reached the end of its Cymru Coastliner X5 journey from Caernarfon and swings round in Gloddaeth Street, Llandudno ready to take up the return journey.
I'm not really sure if this is a Saturnine pattern indeed, in fact there is no official image of this pattern. But there was once a miniature that was said to be just that. It dates back to Rouge Trader Era and may be referred to as Terminator Armor Mk.I
More recent images of it look something like this. I found it to be quite an interesting design to try in Lego. It's not too accurate, but I hope I caught the shape just about right. It matches the size of my "normal" WH40K Terminators (Indomitus Pattern).
By Onlinesailin,the best in my collection so far for terminator,double side print face,and it is really cool
Don’t use my pictures on websites, blogs or others, without my prior authorization!
Não utilizar minhas imagens em web sites, blogs e/ou outros, sem minha prévia autorização !
©MarthaMGR All rights reserved
___________________________________________________
Casa Batlló is a renowned building located in the center of Barcelona and is one of Antoni Gaudí’s masterpieces. A remodel of a previously built house, it was redesigned in 1904 by Gaudí and has been refurbished several times after that. Gaudí's assistants Domènec Sugrañes i Gras, Josep Canaleta and Joan Rubió also contributed to the renovation project. The local name for the building is Casa dels ossos (House of Bones), as it has a visceral, skeletal organic quality.
Like everything Gaudí designed, it is only identifiable as Modernisme or Art Nouveau in the broadest sense. The ground floor, in particular, has unusual tracery, irregular oval windows and flowing sculpted stone work. There are few straight lines, and much of the façade is decorated with a colorful mosaic made of broken ceramic tiles (trencadís). The roof is arched and was likened to the back of a dragon or dinosaur. A common theory about the building is that the rounded feature to the left of centre, terminating at the top in a turret and cross, represents the lance of Saint George (patron saint of Catalonia, Gaudí's home), which has been plunged into the back of the dragon.
Another model inspired by the WH40K world.
Different from the others, with scythe in his hands, fur on his back and big shoulder pads.
I tried to use a new frame for the torso and arms.
Yet another render waiting to build them in physically!
***There is no AI in this image ***
All manipulations were created in Photoshop.
Artwork ©jackiecrossley
© All rights reserved. This image may not be copied, reproduced, distributed, republished, displayed, posted or transmitted in any form or by any means, including electronic, mechanical, photocopying & recording without my written permission. This image is not authorised for use on your blogs, pinboards, websites, or any other way. You may not download this image without my written permission from me. Thank you.
₪ Thank you for visiting my photostream, and for the kind comments, invites, faves, and awards. It is appreciated. ₪
Stock:
"American Gothic" painting by Grant Wood (1930)
Terminator figure: pngimg
Other: Adobe
Based off Emilia Clark's portrayal of Sarah Connor in Terminator Genysis. Firstly even though the film has recieved many negative reviews, I went in with an open mind, and enjoyed it more than I expected. Anyway to the figure, Hairpiece is painted yellow ochre with brown dry brush. Sabine headpiece with painted eyebrows and blood. Torso is painted on a plain black piece, and is accurate to her appearance near the end of the film. Yet again the figure is suffering from in accurate weapons, as I cant get hold of any brickarms etc. Overall the best from my Genysis figures, but let me know what you guys think.
"The machines rose from the ashes of the nuclear fire. Their war to exterminate mankind had raged for decades, but the final battle would not be fought in the future. It would be fought here, in our present. Tonight ..."
('T-800 Endoskeleton' [left] by NECA / [right] by McFarlane Toys - Movie Maniacs Series 5)
Diorama by RK
Taken with an iPhone 7 Plus. This terminator is part of the Scared to death exhibit at MOPOP in Seattle.
Found this guy in his huge colony of a fallen tree deep into the woods. was interesting to watch them and break bits of the wood off to see into the colony. I also found a queen that looked so huge and different that I mistook it as a different speices
NASA release date June 21, 2011
The terminator of Mercury, shown here in color, is the line between light and dark, or day and night. On Mercury, three days are equivalent to two years, or in other words, the planet spins around its axis three times for every two orbits around the Sun. The first Mercury year of the MESSENGER mission ended on Monday, June 13, 2011.
This image was acquired as part of MDIS's color base map. The color base map is composed of WAC images taken through eight different narrow-band color filters and will cover more than 90% of Mercury's surface with an average resolution of 1 kilometer/pixel (0.6 miles/pixel). The highest-quality color images are obtained for Mercury's surface when both the spacecraft and the Sun are overhead, so these images typically are taken with viewing conditions of low incidence and emission angles.
The MESSENGER spacecraft is the first ever to orbit the planet Mercury, and the spacecraft's seven scientific instruments and radio science investigation are unraveling the history and evolution of the Solar System's innermost planet. Visit the Why Mercury? section of this website to learn more about the key science questions that the MESSENGER mission is addressing. During the one-year primary mission, MDIS is scheduled to acquire more than 75,000 images in support of MESSENGER's science goals.
Credit: NASA/Johns Hopkins University Applied Physics Laboratory/Carnegie Institution of Washington
NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.
Follow us on Twitter
Like us on Facebook
Find us on Instagram
GWR Class 158 No. 158953 approaches the very picturesque station at Great Malvern with 1V94, the 08:59 from Brighton which terminates here. Lady Foley's Tea Room on the opposite platform is highly recommended for light refreshments. 4th December 2018.
For the second day running traffic over the Railway Level crossing at Manningtree has suffered long delays due to the barriers failing.Yesterday I believe was high winds (The wrong type of wind) Not sure what is was today but I quite enjoyed the mile walk. unlike other people rushing to catch the train with luggage.
Metroline London DE1585 (LK08 FNH) seen here at Heathrow Central Bus Station finishing a U3 from Uxbridge. Alexander Dennis Enviro 200 Dart (ex-First London DML44009). Taken 15/02/2023.
Monday, 27 April 2020: our temperature around noon is +13C (windchill +12C). Sunrise is at 6:15 am, and sunset is at 8:53 pm. A mix of sun and cloud.
Like many people, I am having to post photos from my archives as I have been basically staying home, away from everyone and everything (apart from food shopping and maybe three or four short drives out of the city over the last few weeks).
I can't add any information about the crisis the whole world is in right now, as Flickr has threatened to terminate my account. This is because I was adding information about the present situation in the descriptions under the photos I am posting from my archives! I still don't understand why this was "wrong" and I have not heard back from Flickr after I sent an Appeal email to them. When I post archive photos, I add the descriptions from previously posted photos, taken on the same outings, to remind myself of where I went and what I saw. Stay safe and well, everyone!
---------------------------------------------------------------------------------------------
"On 11 July 2019, it turned out to be such a great day, with some much-appreciated sightings. I must have spent about 9 hours driving and almost every inch of my body ached like crazy at the end of it. Total distance driven was 461 km, leaving home at 8:45 am and arriving back home 12 hours later, at 8:45 pm. Now, each summer, I try and do two or three longer (for me) drives, to make sure I don't lose the courage to do this.
Weather-wise, it was a beautiful, sunny day, with plenty of white clouds Unlike when I did this drive in August 2018, there was no smoke from any wildfires, thank goodness.
It was a good day for Hawks, seeing some on the way south and a few on the way home. I did spot one Ferruginous Hawk, but it was perched on a very distant fence post. I'm also wondering if one of the 'hawks' was actually an immature Golden Eagle - seen in photo #4 posted this morning. (NOTE: yes, it was a Golden Eagle!). I saw it from a fair distance and I remember thinking what a large hawk it was. Stopping at an angle in the middle of the road, I managed to get one shot before it took off and a couple just as it was doing so.
A couple of Common Nighthawks also helped make my day. For several years, I had longed to see one of these unusual birds and, finally in 2017, I managed to find four of them. In 2018, I was able to find just one. These birds are 9½ inches from the tip of bill to the tip of tail. Very strange looking birds, and always a thrill to see one.
My actual destination on 11 July 2019 was the Alberta Birds of Prey Centre, near Lethbridge. I know some people feel that photographing birds that are not out in the wild is cheating. I kind of agree, though I think it's fine as long as someone says where a photo was taken.
This Centre is a wonderful place that rehabilitates and releases (whenever possible) various birds of prey - hawks, owls, Bald Eagles, Turkey Vultures, and Golden Eagles. Some of these birds act as Wildlife Ambassadors, too, including educating the public away from the Centre. Sometimes, a bird is used as a foster parent, too.
I love the changing scenery as one drives south, and my drive was timed perfectly to catch the golden Canola fields. Maybe half way, I pulled over to take a few photos of an old barn and there was a truck just pulling away. I thought the guy might have been taking photos, too. We got talking and one of the things we both said was that we had never seen a blue field of Flax Later in my drive, guess what I found : ) Looked beautiful, with blue on one side of the road and a field of yellow Canola on the opposite side.
This was definitely a rewarding day, full of sightings of all kinds. My favourite kind of day!"
Circa 1810-40 - Alton Towers in Staffordshire on 10 August 2021.
Grade II * listed.
The following is from the Historic England website.
Name: Alton Towers and attached garden walls and gatehouse
Designation Type: Listing
Grade: II*
List UID: 1374685
Country house, walls and gatehouse. Circa 1810 to circa 1840. The architects included James Wyatt, Robert Abraham, Thomas Allison, Thomas Fradgley, William Hollins, Thomas Hopper and Augustus Welby Northmore Pugin, for the fifteenth and sixteenth Earls of Shrewsbury.
Ashlar with edged herringbone tooling; slate roofs; ashlar stacks. Castellated Gothic style; asymmetrical plan, the principal alignment is north-west/south-east with the entrance at the south-east angle leading into a range of buildings 460 feet long, these are The Armoury to the south-east, The Talbot Gallery to the north-west and a nearly central Octagon linking the two; this range is linked to the main domestic block which lies to the north-east by a conservatory leading from The Octagon and by an L-shaped service block leading from the Talbot Gallery, the chapel projects south-eastwards from the main domestic block; a wall is attached to the north-east corners of the main domestic block and of The Armoury and encloses the north-east and south-east sides of a garden, the other sides being enclosed by the house; the gatehouse is at the north-east corner of this garden.
North-east front: mainly three storeys with crenellated parapet; projecting central block with set-back wings to left and right. Central block: the centrepiece is the gable end of The Banqueting Hall by Pugin which is flanked by stepped corner buttresses ending in octagonal caps with spirelets; canted oriel window comprising three tiers of cinquefoil headed lights and crenellated parapet, the central bay has five lights, the two side bays each have a single blocked light, central panel to gable above with four-centred beneath a square head bearing the Talbot arms and flanked by windows with similar but slightly lower heads. This arrangement has a common stepped hood mould; to the left hand side of the central block is a three-storey canted bay window of three lights, those to the ground floor have four-centred heads and are blocked, those to the first floor have pointed heads, transoms and reticulated tracery, cross windows to second floor, the upper lights have four-centred heads; similar fenestration to the two-bay link between the bay window and The Banqueting Hall, except the first floor windows which have square heads; to the right hand side of the central block is a slightly projecting bay, the ground-floor window has a four-centred arch and Y-tracery, pointed first-floor window of three lights with late C14 style tracery, two second-floor single-light windows with cinquefoiled heads under pointed arches; between this bay and The Banqueting Hall is a four-storey, three-bay link with windows largely devoid of tracery, those to the first floor are pointed, those to the ground floor have four-centred arches, those to the second floor have square heads, those to the third floor have two cinquefoil arched lights under a square head.
Right hand block: 2:4 bays divided by an octagonal turret and terminated to the right by a diagonally placed corner tower; mainly square headed windows, those to the first and second floors of the two left hand bays are pointed with Y-tracery. Left hand block: 3:1 bays; mainly square-headed windows, the chapel is set back to the left. Attached crenellated garden wall to the incorporating an octagonal turret and terminated by a two storey gatehouse with low Tudor arch carriageway and crenellated parapet with projecting machicolations; in front of the wall is a dry moat itself enclosed by a low attached wall.
Entrance front: two storey, three bay range terminated to the right by a square three storey entrance tower with angle buttresses and to the left by an octagonal tower, continued to the left as a wall and terminated by a square three storey tower with octagonal turret to the left hand corner; attached garden wall to the right of the entrance tower; crenellated parapets, those to the towers have psuedo-machicolation; mainly square-headed windows with trefoil arched lights. Entrance tower: a flight of steps with flanking Talbot hound statues bearing shields, and solid balustrade, leads to a tall four-centred arch with Talbot arms over.
The Chapel: the east end has octagonal corner turrets with fishscale patterned stone domes of ogee shape capped by a finial, ground floor canted bay window of three transomed lights with Y-tracery under Tudor arches and a parapet with decorated frieze, three-light first floor window with Perpendicular tracery under a square head; the gable has a decorative frieze and canopied niche containing a statue; square bell tower of three stages at the south-west corner, the second stage has blind elongated arcading, heavily decorated third stage and openwork parapet with gabled corner pinnacles.
Interior: The Armoury roof has an arch braced collar supporting a central moulded plate, queen struts above the collar. The Banqueting Hall: two fireplaces, both have a square head recessed beneath a four-centred arch panel bearing the Talbot arms: the north bay window has stained glass by Hardman; the roof has arch braced collars with king-posts over, openwork panels between collars and principals, curved wind-braces, one pair of purlins and ridge piece, central louvre, painted green and gold. Chapel: above the present low ceiling the timber roof is supported on corbels with figures of kneeling angels; stained glass by Willement.
السلام عليكم ورحمة الله وبركاته
كيفكم ان شاء الله بخير
خلاص انا تحولت تنمنيتور هههههه وش رايكم فيني بس
تم التصوير والمعالجه بالفوتوشوب والكتابه بالالستريتور
اتمنى انها تعجبكم
تحياتي لكم
Is there still Brickheadz lovers? I thought they were dead but TLC produce some new ones and I like that . By my side, I just finished to build and modelize those and instructions are in my shop here:
www.baronsat.net/baronshop/Lego-Moc-Instructions-Terminat...
Beware they are unstoppable.
WIP: a couple of figures inspired by the WH40k White Scars Terminators.
I hope to build them really soon.
Thanks to Garry for great inspiration that its models gave to me.
Arriva North East - Sapphire 6 liveried - Dennis Trident 2/Alexander Enviro 400 - NK09 FVR is seen here at Durham, Millburngate making an unusual appearance on service 56 to Bishop Auckland Bus Station on December 30th 2015.
Enviro 400's 7519/7520/7521 along with ten VDL SB200/Wright Pulsar 2's which were transferred from Arriva North West were refurbished to Sapphire specification for service 6 which runs every 12 minutes during Monday-Saturday daytimes serving Durham, Spennymoor, Bishop Auckland and West Auckland with two journeys per hour extending to terminate at Cockfield, Hollymoor Road End.
A series on flying along the terminator. Crazy that on one side of our flight path, Earth is in the sunlight, but if I look on the other side I see darkness and shadows… yet it’s very simple geometry. Notice how the clouds make shadows too. Soyuz and Progress both docked proudly to the Space Station too. 4 years ago on this today I was leaving the Space Station in the Soyuz spacecraft MS-03 with Oleg Novitsky. The Soyuz pictured here (closer to camera and with a green periscope used to target the docking) is Soyuz MS-18 – 15 spacecraft have been built and flown since our last mission together. This shows the regular and reliable commute to space Soyuz offers. This Soyuz MS-18 is extra special because it has been named after Yuri Gagarin, 60 years ago the first person to enter Earth orbit. It is touching to think that Yuri, Oleg and myself all had similar views of our planet, the clouds and sunsets have hardly changed.
Une série de photos prises alors qu'on survolait le terminateur. Pas le robot venu tout droit du futur : en astronomie, c'est la zone de séparation entre la face éclairée et la face dans l'ombre d'un objet (dans notre cas, la Terre). Ça date de quelques semaines, le cargo Progress est parti depuis... Il s'expose fièrement sur les photos, aux côtés du Soyouz MS-18 d'Oleg. Un Soyouz tout à fait semblable à celui qui nous a ramené sur Terre il y a 4 ans pile, Oleg et moi :) Il est au premier plan et reconnaissable au périscope vert foncé qu'on utilise pour viser lors de l'amarrage. 15 de ces vaisseaux russes ont volé depuis notre dernier séjour dans l'espace, c'est un modèle très fiable ! Celui-ci a un petit quelque chose en plus : il a été baptisé Youri Gagarin (Ю.А. ГАГАРИН), d'après le 1er homme qui a atteint l'orbite basse il y a 60 ans. Je me demande si Youri pensait la même chose qu'Oleg et moi en contemplant notre planète, ses couchers de Soleil et ses nuages ont peu changé depuis ;)
Credits: ESA/NASA–T. Pesquet
421D0730
A series on flying along the terminator. Crazy that on one side of our flight path, Earth is in the sunlight, but if I look on the other side I see darkness and shadows… yet it’s very simple geometry. Notice how the clouds make shadows too. Soyuz and Progress both docked proudly to the Space Station. 4 years ago on this today I was leaving the Space Station in the Soyuz spacecraft MS-03 with Oleg Novitsky. The Soyuz pictured here (closer to camera and with a green periscope used to target the docking) is Soyuz MS-18 – 15 spacecraft have been built and flown since our last mission together. This shows the regular and reliable commute to space Soyuz offers. This Soyuz MS-18 is extra special because it has been named after Yuri Gagarin, 60 years ago the first person to enter Earth orbit. It is touching to think that Yuri, Oleg and myself all had similar views of our planet, the clouds and sunsets have hardly changed.
Une série de photos prises alors qu'on survolait le terminateur. Pas le robot venu tout droit du futur : en astronomie, c'est la zone de séparation entre la face éclairée et la face dans l'ombre d'un objet (dans notre cas, la Terre). Ça date de quelques semaines, le cargo Progress est parti depuis... Il s'expose fièrement sur les photos, aux côtés du Soyouz MS-18 d'Oleg. Un Soyouz tout à fait semblable à celui qui nous a ramené sur Terre il y a 4 ans pile, Oleg et moi :) Il est au premier plan et reconnaissable au périscope vert foncé qu'on utilise pour viser lors de l'amarrage. 15 de ces vaisseaux russes ont volé depuis notre dernier séjour dans l'espace, c'est un modèle très fiable ! Celui-ci a un petit quelque chose en plus : il a été baptisé Youri Gagarin (Ю.А. ГАГАРИН), d'après le 1er homme qui a atteint l'orbite basse il y a 60 ans. Je me demande si Youri pensait la même chose qu'Oleg et moi en contemplant notre planète, ses couchers de Soleil et ses nuages ont peu changé depuis ;)
Credits: ESA/NASA–T. Pesquet
421D0725