View allAll Photos Tagged Terminator
kristin.eonline.com/ - Meet the Cast of "Terminator: The Sarah Connor Chronicles" Signing and Screening Event, Golden Apple Comics on Melrose - Sat., Sept. 13, 2008
The Aerostat, a low-flying predator specializing in . . . Well, terminating.
I know it's been a while, but I'm still alive . . . I tried using the fancy "liquefy" feature in Photoshop to create a sense of motion, but I'm not sure what I think of it at the moment . . .
Completed demoltion on a cold December 11 with the new Busch Stadium hovering over the rubble. Busch Memorial Stadium, later known as Busch Stadium, was the home of the St. Louis Cardinals National League baseball team from May 12, 1966 to October 19, 2005.
It opened four days after the last game was played in their old home, Sportsman's Park (which had also been known since 1953 as Busch Stadium). It was sometimes referred to as a "Cookie cutter"-style stadium, and supported both football and baseball.
The stadium was designed by Sverdrup & Parcel and built by Grün & Bilfinger[1]. Edward Durrell Stone designed the park's most enduring feature, the roof's 96-arch "Crown of Arches,"[2] The Crown echoed the iconic Gateway Arch, which was completed only a year before Busch Stadium officially opened. It was one of the first multipurpose facilities built in the United States from the early 1960s through the early 1980s, along with those in Washington, New York, Houston, Atlanta, Pittsburgh, San Diego, Cincinnati, Philadelphia, Minneapolis and some others. The original design of the stadium had called for a baseball-only format, but the design was altered to accommodate football, a fact which arguably shortened its existence. The stadium was demolished by wrecking ball in late 2005, and part of its former footprint is used by its replacement stadium of the same name
From Peter Kokis of Brooklyn RobotWorks: join The Brooklyn Terminator - yes, he's a wiseguy from Brooklyn - as he terrorizes a NYC comicbook convention.
WATCH the video: www.youtube.com/watch?v=lrz0SzMB7bg
Terminator / limitierte Serie
art: Mel Rubi
Verlag: mg publishing (Rastatt / Deutschland; 2000)
(reprints from The Terminator: Dark Years #1+ 2; Dark Horse Comics 1999)
ex libris MTP
Obtenue à Collectormania London 2010 le 27 novembre auprès de Michael Biehn alias Kyle Reese dans Terminator
Built in 1906-1917, this Beaux Arts-style Capitol Building was designed by George B. Post to house the state house of representatives, state senate, and offices for the Wisconsin State Government. The fourth state capitol to house the state government since the state’s establishment in 1848, the building is the third building to sit on the present site, and replaced the previous state capitol, built in 1857-1869 and expanded in 1882, which burned down in February of 1904. The capitol houses both the Wisconsin State Assembly and the Wisconsin State Senate, as well as the Wisconsin Supreme Court and the Office of the Governor of Wisconsin. The first capitol of Wisconsin upon the formation of Wisconsin Territory in 1836 was in the village of Belmont, Wisconsin, with the legislature meeting in a hastily constructed wood-frame building, before deciding to designate the future site of Madison as the state capitol, and holding further sessions of the legislature in the much better-developed Mississippi River port town of Burlington (now in Iowa) until a capitol building could be completed in Madison. Upon Burlington becoming part of the new Iowa Territory, the state legislature moved to a log and stone building on the present site of the state capitol, a relatively humble Greek Revival-style building constructed in 1837, which looked much like older capitol buildings in the eastern United States, with doric columns and a rusticated fieldstone exterior. It was most similar to the Old State House in North Carolina, built only four years prior, and the Old State Capitol in Springfield, Illinois, built in the same year, though these two similar buildings were built almost entirely of stone blocks rather than fieldstone. The small second capitol building was the first state capitol of Wisconsin upon its ascension to statehood in 1848, but had become inadequate for the growing population and government by the 1850s. The original building was demolished and replaced with a larger, Classical Revival-style structure with Romanesque Revival elements constructed in stages between 1857 and 1869, which featured a dome inspired by the United Capitol Building, semi-circular porticoes with corinthian columns, and two short side wings with octagonal towers at the corners, which were modified and extended in 1882 with new wings that increased the Classical Revival aspects of the building and helped to downplay the Romanesque Revival elements that originally were very prominent on the structure. This building was oriented with the semi-circular original porticoes aligned with State Street and King Street, with the wings being oriented towards both sections of Hamilton Street, though the building appeared rather small within the large parklike expanse of Capitol Square. By the turn of the 20th Century, the old Capitol had become inadequate for the growing needs of Wisconsin, which had become wealthy, industrialized, and heavily populated by that point, so study of a replacement capitol building began in 1903. In February 1904, the old State Capitol burned to the ground when a gas jet ignited a newly varnished ceiling inside the building, which spread quickly despite the building featuring a then-advanced sprinkler system, as the reservoir of the nearby University of Wisconsin was empty, which allowed the fire to spread out of control. The north wing of the building, built in 1882, was the only portion that survived, with many relics, records, and important historical items being lost in the fire, though the state law library was saved thanks to efforts by University of Wisconsin students. The fire also happened just after the state legislature had voted to cancel the fire insurance policy on the building, thinking it was a costly and unnecessary folly.
The present building was built on the site of the previous building, with the construction process focusing on completing each wing one at a time to provide space to the state government with as much fiscal efficiency as possible due to financial limitations. Due to this, the north wing was built last to allow the remaining portion of the previous capitol to serve as space for the state government during the construction period, with the central rotunda and dome also being built after the other three wings had been completed, as they serve a more symbolic and less utilitarian purpose than the rest of the building. The building stands 284 feet (86 meters) tall to the top of the statue on the dome, which was sculpted in 1920 by Daniel Chester French, and is a personification of the state of Wisconsin, with the outstretched arm of the statue representing the state motto, “Forward”. The exterior of the building is clad in Bethel white granite, sourced from Vermont, with an additional 42 types of stone from a total of eight states and six countries being utilized on the interior of the building. The dome is the largest in the world to be entirely clad in granite, and is the tallest building in Madison, with a state law passed in 1990 stipulating that any building within a one-mile radius of the capitol is limited in height to the base of the columns of the dome, which stand at 187 feet, which preserves the visibility of the building from the surrounding landscape. The building has a greek cross footprint with four five-story wings that are aligned with the compass directions and radial streets following the compass directions that slice through the surrounding street grid, which is at a 45-degree angle to compass directions, instead roughly paralleling the shorelines of nearby Lake Mendota and Lake Monona, with Downtown Madison sitting on an isthmus between the two lakes. This places the building at a unique 45-degree angle orientation relative to the edges of Capitol Square and most buildings on adjacent streets. The building was one of the last works of the prolific architect George B. Post, whom died before the building was completed. The building underwent a major renovation in the 1970s that added modern features to the interior and covered up many original features, with later projects between 1988 and 2002 restoring the building while updating the building’s systems and functions for the modern needs of the state government.
The exterior of the building’s wings feature porticoes on the ends with corinthian columns, arched windows on the third floor, rusticated bases with entrance doors and decorative keystones, decorative reliefs featuring festoons over the windows on the porticoes, cornices with modillions and dentils, and pediments with sculptural reliefs, which were created by several sculptors, and have different symbolism embodied by their design. On the east wing, which is home to the Wisconsin Supreme Court, the sculpture known as Law, created by Karl Bitter, is located on the portico pediment, on the west wing, which houses the chamber of the Wisconsin Assembly, is a sculpture known as Agriculture, also created by Karl Bitter, on the north wing, which is home to a hearing chamber, is the sculpture known as Virtues and Traits of Character, created by Adolph Alexander Weinman, and on the south wing, which houses the chamber of the Wisconsin Senate, is a sculpture known as Wisdom and Learning of the World, created by Attilio Piccirilli. The sides of the wings feature simpler cornices with dentils, pilasters and recessed window openings with arched openings at the ground floor, windows with decorative pedimented headers on the second floor, arched windows on the third floor, two small two-over-two windows on the fourth floor, and a recessed fifth floor features small paired windows, hidden behind a balustrade that runs around the entirety of the building minus the ends of the wings, concealing a low-slope roof at the setbacks on the sides of the wings and above the corner porticoes. The upper roofs of the wings are low-slope with front gabled portions in the middle punctured by skylights, with the roof being almost entirely enclosed by a parapet. At the center of the building in the inside corners of the greek cross are semi-circular portions of the facade with semi-circular two-story ionic porticos with large terraces and grand staircases featuring decorative copper lampposts, decorative stone balustrades, concealed entrances to the ground floor underneath the terraces, and three doorways on the upper level, with drums surrounded by buttresses featuring small windows and domed roofs above the balustrade on the fifth floor. In the center of the building is the rotunda, which is topped with a large dome that rises from a tall base that terminates in a balustrade, with a low-slope roof at the base of the drum of the dome, which features a level with small windows at the base, with projected pavilions at the corners above the semi-circular porticoes below, which were originally to support four smaller domes, but ended up supporting sculptures by Karl Bitter, symbolizing strength, faith, prosperity, and abundance and knowledge. The drum of the dome is surrounded by a corinthian colonnade with corinthian pilasters on the exterior wall of the dome behind the colonnade, arched windows, and recessed decorative panels at the top of the colonnade below the architrave. Above the architrave is a cornice with modillions and dentils, above which is another balustrade, accessed via doors from the interior space above the inner dome of the rotunda, and ringed by six-over-six windows, pilasters, and a cornice with egg and dart motif at the top. Above this last cornice is the dome, which is ribbed, with the ribs terminating in voluted upside down brackets at the base, and clad in granite, terminating at the top at a balustrade around the base of the lantern. The cylindrical landern features corinthian columns, arched windows, festoons, with a concavely sloped roof featuring rubs terminating in volutes, above which is the base of the Wisconsin statue, which is coated in gold leaf.
The interior of the building is richly decorated with Beaux Arts detailing, utilizing plaster, a diverse array of stone and woodwork, engaged columns and pilasters, murals, vaulted ceilings, decorative balustrades, grand staircases, and modern oak furniture. The interior dome features a mural by Edwin Howland Blashfield, known as Resources of Wisconsin, which sits in the middle of the dome’s coffered ceiling, above the upper balcony at the base of the drum. The rotunda features green and white marble corinthian columns with gold leaf on the capitals, vaulted alcoves on the sides with coffered ceilings, a stone floor, and features marble from Tennessee, Missouri, Vermont, Georgia, New York, and Maryland, granite from Wisconsin and Minnesota, limestone from Minnesota and Illinois, marble from France, Italy, Greece, Algeria and Germany, and syenite from Norway. A large circular opening in the floor of the center of the rotunda allows light into the lower level of the building, and is supported by a ring of square columns underneath. The light fixtures in the space are a combination of lampposts and sconces. The pendentives below the drum of the dome in the rotunda are decorated with glass mosaics by artist Kenyon Cox. The interior’s decoration denotes hierarchy of space, with the level of detail varying throughout the building’s interior from simple offices and service areas to the grand public spaces, such as the rotunda and government meeting chambers. The two-story senate chamber is circular with marble cladding, corinthian columns, and pilasters on the walls, a decorative ceiling with a central shallow domed decorative glass skylight, and coffers with rosettes, with murals above the main podium, and balconies inside the alcoves behind the columns for spectators and observers. The two-story assembly chamber features a similar shallow domed decorative glass skylight on the ceiling, but is square in shape with decorative pendentives and arches on the perimeter of the space opening into alcoves with vaulted ceilings, with wood paneling and a large mural behind the main podium, and balconies in the upper level of the alcoves. The supreme court chamber is square with a square decorative glass skylight in the room’s coffered ceiling, white marble pilasters, paneling, and murals on the walls, and arched niches housing candelabra-type lamppost light fixtures. The north wing hearing chamber features a massive cove ceiling with decorative trim and murals, with a large square decorative glass skylight in the middle, and walls lined with ionic pilasters and stone panels. The Governor’s Conference Room, located in the east wing, features a heavily decorated ceiling with multiple coffers housing murals, decorative stained woodwork, a fireplace with a decorative marble surround flanked by two corinthian columns, and gold leaf on some of the trim. The interior of the building is even more richly detailed than the exterior.
The building, which has been fully modernized and restored to some semblance of its original appearance, remains the seat of the government of Wisconsin, presently the 25th largest by land area and 20th largest by population in the United States. The building was listed on the National Register of Historic Places in 1970, owing to its historical and architectural significance, and was listed as a National Historic Landmark in 2001. The building visually dominates the isthmus that makes up Downtown Madison, and sits in the city’s central square, one of the most visually impressive and stunning sitings of any capitol building in the United States.
concrete section of the footbridge spanning the vehicular approach road to the don valley parkway.
and, more good news for the sane and decent people of toronto - another complaint has been filed with the city's integrity commissioner, janet leiper, over the only-temporary mayor's newest ethical and financial transgression. ms. leiper, it should be noted, is possibly lacking the fortitude required to smack the fraud in the manner he deserves, but hope springs eternal.
as mentioned previously, dumbass the soon-to-be-fired mayor managed to screw up reading vital documents meant to help him do his job properly.
in today's inbred etobicoke hillbilly news, we learn that he's been illegally allocating resources to his own personal pet projects, diverting money and time on the clock (his own and that of hired helpers, so it's all paid for by residents of the city, of course) to the sports team where he grooms new punching bags to replace his wife. remember all that gravy that this malignant bigot crowed about when he began his slow waddle for mayor? there it is, all in one greasy bucket, and being consumed by the lying, thieving, myopic shitbag for whom 350 000 morons voted. this alone should be grounds for dismissal, though i'd settle for a public execution, incineration of the corpse and sterilisation of the entire bloodline.
in most of the places i've worked and volunteered, i have to read the conflict of interest agreements, answer questiuons that show my understanding of these documents, and sign a statement swearing that i will abide by them, under penalty of dismissal and potential legal action against me by my employers. it's odd that the city does not or would not have similar measures in place - would anyone who works for the city care to comment? i'd also be terminated if my employers discovered that while i was on their clock, i decided to fuck off and coach a game of steroid handegg or any other damned thing that wasn't expressly part of my job description, not to mention complicating matters by stealing resources in the form of other employees to assist me in cheating my bosses.
this fuckhead is our employee - it's time he was fired and imprisoned.
The station was opened on 29 November 1844 by the Dublin and Drogheda Railway Company as Dublin Station, but was renamed ten years later as Amiens Street Station after the street on which it is located. Originally the station served only a single mainline to Drogheda, and only in 1853 did through services to Belfast commence.
In 1891, the City of Dublin Junction Railway connected the station with Westland Row Station (now Pearse Station) on the city's south side. The C of D Jctn was a separate station known as Amiens St Junction and consisted of the present platforms 5, 6, and 7 (currently used by the DART) with a separate street entrance. After the amalgamation of the GNR (I) at the end of the 1950s this station became part of the overall Amiens St and the separate entrance fell into disuse. The C of D Jctn Rly allowed services to run from Amiens St., through to Westland Row, and onwards to Rosslare and the Southeast. Services to Sligo were transferred to Westland Row (Pearse Stn) operating through the station non-stop in 1937, with the closure of Broadstone Station by CIÉ . Services to Galway and Mayo also originated/terminated at Westland Row, operating through Connolly Station after 1937, running via Mullingar and Athlone. This was discontinued in the 1970s in favour of running services out of Heuston Station on the better quality Cork line. Passenger running between Mullingar/Athlone ceased completely in 1987. During the 1960s, Sunday trains to Cork, Limerick and Waterford operated from Connolly platforms 5, 6 & 7 (running through the Phoenix Park tunnel) to avoid the cost of opening Heuston (Kingsbridge) for the limited Sunday traffic demand at that time.
In 1941 the station took a direct hit from a German bomb.
In 1966, the 50th anniversary of the Easter Rising, the station's name was changed to Connolly Station after Irish revolutionary and socialist James Connolly. At the same time, several other main stations in the Republic were renamed after patriots executed for their roles in the Rising.
At the commencement of DART services in 1984, the C of D Jctn Rly entrance was refurbished and reopened for commuter traffic.
During the late 1990s, Connolly Station was completely renovated and partially rebuilt. An entirely new station hall was built, the roof over Platforms 1-4 was replaced, and a new bar/cafe and shops were installed. The former DART/Suburban station entrance (C of D Jctn Rly entrance) and the secondary station hall built with the DART (further north on Amiens St) were again closed, but a new entrance on the International Financial Services Centre side was opened.
In 2004, the Luas Red Line (to Tallaght) began serving the station. As part of the preparation for this, the ramp, which had been a bus terminus, was demolished and replaced with a 2-platform tram station connected to the main concourse by escalators and lift.