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These green plexi walls look great but our client wanted to add graphics during a specific promotion. C2 Imaging created the black and white poster and gold vinyls. The applications were easy to install and would leave no mess when removed.
Check our our blog for more projects & company info: www.c2spark.com
Temporary Store.
All rights reserved © Andrea Bosio
Please don't use this image on websites, blogs or other media without my explicit permission.
Inside New Brighton temporary library, Saturday 10 December 2016.
File Reference: 2016-12-10-NBTemp-DSC01899
From the collection of Christchurch City Libraries
With the aid of a crane, crew members remove some of the temporary cable that stabilized the bridge as the deck was poured and permanent cable installed.
Licensed for all uses by TriMet.
This is a photograph from finish of the fourth annual running of the AON Mullingar Half Marathon which was held on Saturday 17th March 2019 (St. Patrick's Day Lá Fhéile Pádraig 2018) in Mullingar, Co. Westmeath, Ireland at 10:30. This photograph was taken at at the 13 mile mark in the home straight within Mullingar Town Park. Following on from the incredible success of the first three years of the race this year the total numbers participating rose from just under 600 in 2015, 900 in 2016, over 1200 in 2017 and yet again over 1200 this year. Proceeds raised by the AON Mullingar Half Marathon will go directly to T.E.A.M (Temporary Emergency Accommodation Midlands) finding safe & secure accommodation for homeless women and children. The roots of the successs of the event last year was the excellent organisation and a very flat and fast route. All of these characteristics were repeated this year except for the weather. This was a bitterly cold day with air temperatures struggling to get above 4C and a severe wind chill from an easterly breeze making it for very difficult running conditions. Indeed the race could be described as a race of two halves in terms of weather. The first half participants had the strong, cold easterly wind at their faces. However, turning for home along the Royal Canal this became a very strong tailwind for 4 - 5 miles from around Flynn's Machinery/Junction 14 M4. Participants travelled from all over Ireland with a very large participation from runners around Mullingar and the midlands. The race has an AAI permit. The course reverted to its original route this year. Last year saw a small change to the course configuration when the race crossed the M4 Motorway at The Downs via a winding pedestrian footbridge. This was not included this year.
The race began on Pearse Street/Austin Friar's Street in the town and proceeds North East out of the town to the N52 Delvin/Dundalk road towards Lough Sheever. The course then follows beautiful rural country roads out to The Downs at the M4. The only significant hill or rise on the course occurs here at about 7 miles when runners cross a pedestrian footbridge over the M4 near Junction 14 Thomas Flynn and Sons The Downs. The race then joins the now local access route of the old N4 road and then joins the Royal Canal at Great Down. The remainder of the race follows the Royal Canal back westward to Mullingar town. The towpath on the Canal is perfectly flat and in excellent condition. Runners will notice how the level of the canal changes dramatically along the route - at points the canal is level with the towpath. In other places the canal is at least 3 meters lower than the canal path. However the path is perfectly flat and firm the whole way. The course then leaves the Royal Canal at the Ardmore Road/Millmount area of the town and finishes in the Mullingar Town Park on Austin Friar's Street beside the Annebrook Hotel. The park provides a very nice setting for the finish of the race and runners and their families can mix and congregate around the finish area and the hotel.
Timing and event management was provided by www.myrunresults.com/. Their website is here [www.myrunresults.com/] and will contain the results to today's race.
Our full set of photographs are available at: www.flickr.com/photos/peterm7/albums/72157664768562807
Using the temporary platform at Chorley, 185105 waits with 1N58 0929 Manchester Airport to Blackpool North and Barrow-in-Furness on 8th November 2016.
The platform was in use for a limited time whilst work was carried out on the normal structure in connection with the North West Electrification Programme work.
A temporary fence is being constructed along the equally temporary rokin bypass, likely for a bit of protection for the sidewalk cafes immediately next to it.
HFF!
Having won the contract to operate RE7 and RB42 services through Wuppertal fro December 2015, National Express found itself short of multiple unit trains so was forced to hire in temporary locomotive hauled replacements.
Siemens ES64 U2 locomotive, more commonly known as class 182, 182 530 is seen at Wuppertal Hbf with one such service.
Wuppertal, Germany
11th January 2016
William Basisnki
5 CD Boxset :
William Basinski
The Disintegration Loops
Temporary Residence Limited
TRR 194
Limited Edition . 2000
Sounds & Photography . William Basinski
'This music is dedicated to the memory of those who perished as a result of the atrocities of September 11th, 2001, and to my dear Uncle Shelley.'
William Basinski
Use Hearing Protection
GMA
A fully stocked shelf of hygiene items at the newly opened Army and Air Force Exchange Service (AAFES) Store at Doña Ana Village, Doña Ana, New Mexico, Sept. 7, 2021. The Department of Defense, through U.S. Northern Command, and in support of the Department of Homeland Security, is providing transportation, temporary housing, medical screening, and general support for at least 50,000 Afghan evacuees at suitable facilities, in permanent or temporary structures, as quickly as possible. This initiative provides Afghan personnel essential support at secure locations outside Afghanistan. (Photo by Lt. Col. Allie Payne, 1st Armored Division Public Affairs)
On January 2004, 205028 is seen at Uckfield on the 1100 to Oxted. The temporary booking office has now been replaced with a Network Rail modular building.
One of the 43 Wright GB Kite Hydroliners put to use in Crawley by Metrobus in 2023/2024 is seen in the town in 30th November, 2025. Sister 6069 was burnt out in a dramatic fire a few days later leading to the temporary withdrawal of the entire fleet.
In early March of 2020, the Heyworth Railroad Museum relocated our 1941 Illinois Central side door caboose No. 9880 to a new display site for improved security. After being moved about 300 feet from the old display site, No. 9880 was parked here for a few days while the new display site was put together. To see the entire moving process, see my video of the event here: www.youtube.com/watch?v=1xJ19rSVMps
This is where Corinne is buried. She was my grandmother’s older sister, a marvel on the violin, who attended the Cornish School of Arts (just down the road from where she lies now) on scholarship (her family was not the sort that was able to afford tuition).
She died when she was 8 years old of meningitis. Her family buried her in the Spring rain of 1925. My grandmother was 7 when she stood beside her sister’s grave.
Seven years later they buried Ingebor, my grandmother’s grandmother, at the far opposite edge of Lakeview Cemetery. (Only the rich have the luxury of family plots.) There as here the ground is thick with paupers under pauper’s stones, all of them invisible. Rough cinder blocks with the names and dates of death roughly stamped in them. The birth is not noted, and if you want to see the stone at all you need a plot map and a trowel or you ask the nice man at the office to bring out a shovel. This is because the headstones of the poor are not maintained on the regular maintenance rounds and the sod soon reclaims them.
I can verify that there are dozen stones that run below those two large slabs from here all the way to the fence that edges the property close by. I can verify this because I dug them all up one wet Spring day with my trowel. My grandmother sat nearby offering color commentary, darkly wicked and witty, words I thought I could never possibly forget; words I wish I had written down because, of course, I’ve forgotten them all.
But not how she made me laugh, and how she sat there watching me work, a far away sadness in her eyes beneath the laughter; a faint hope that we would find what we were looking for; a set jaw that was prepared for disappointment.
I wish I could describe the light on her face when we finally found the stone.
This is where I asked them to lay the new stone this Summer, as Grama lay dying across town. The man at the office (his last name was very Guys and Dolls -- something like Detroit) was a bit baffled by the request as he ran the calculations; frustrated that the plots were far distant from one another (they wouldn’t be able to share a stone); graciously offering to run the numbers for children’s headstones (they’re smaller, less expensive); pointing me to the standard issue granite.
Still, as he punched the numbers into his 10-key and gave me the result he said: “There it is. I mean: that’s a trip.”
He didn’t mean a groovy trip. He meant: you could take that money and go to Hawaii.
The stones were installed within a month’s time. I stopped by to see them when I was in Seattle over this last weekend. They’re simple: I asked that they be carved verbatim to their temporary markers. I requested no ornament.
I simply wanted them to be seen.
p.s. The original markers? I had them shipped home. They’re in my backyard, under the big bluestem grasses.
Temporary truss supporting in place as part of the widening of the Checkered House Bridge in Richmond.
I don't know how kids can lose their shoes...I would notice if I was walking home barefoot in winter!
Angie had her spay surgery on Monday. There was no leaping, jumping, flying, rowdiness, racing, or roughhousing for a few days. Kong catch can be played while sitting. :)
Angie is doing great, almost back to normal now. Peggy Sue's appointment is on the 26th.
new graffiti along the freeway 99 soundwall in Sacramento
Can anyone help me identify the writing on the left?
Tee-One/OVR8D on the right, I presume.
French postcard by Erpé, no. 30. Photo: Paramount.
Blue-eyed American actor Henry Fonda (1905-1982) exemplified not only integrity and strength, but an ideal of the common man fighting against social injustice and oppression. He is most remembered for his roles as Abe Lincoln in Young Mr. Lincoln (1939), Tom Joad in The Grapes of Wrath (1940), for which he received an Academy Award Nomination, and more recently, Norman Thayer in On Golden Pond (1981), for which he received an Oscar for Best Actor in 1982. Notably he also played against character as the villain 'Frank' in Sergio Leone's classic Spaghetti Western Once upon a time in the West (1968). Fonda is considered one of Hollywood's old-time legends and his lifelong career spanned almost 50 years.
Henry Jaynes Fonda was born in Grand Island, Nebraska in 1905. His parents were Elma Herberta (Jaynes) and William Brace Fonda, who worked in advertising and printing and was the owner of the W. B. Fonda Printing Company in Omaha, Nebraska. His distant ancestors were Italians who had fled their country around 1400 and moved to Holland, presumably because of political or religious persecution. In the early1600's, they crossed the Atlantic and were among the early Dutch settlers in America. They established a still-thriving small town in upstate New York named Fonda, named after patriarch Douw Fonda, who was later killed by Indians. In 1919, young Henry was a first-hand witness to the Omaha race riots and the brutal lynching of Will Brown. This enraged the 14 years old Fonda and he kept a keen awareness of prejudice for the rest of his life. Following graduation from high school in 1923, Henry got a part-time job in Minneapolis with the Northwestern Bell Telephone Company which allowed him at first to pursue journalistic studies at the University of Minnesota. In 1925, having returned to Omaha, Henry reevaluated his options and came to the conclusion that journalism was not his forte, after all. For a while, he tried his hand at several temporary jobs, including as a mechanic and a window dresser. At age 20, Fonda started his acting career at the Omaha Community Playhouse, when his mother's friend Dodie Brando (mother of Marlon Brando) recommended that he try out for a juvenile part in You and I, in which he was cast as Ricky. Then he received the lead in Merton of the Movies and realized the beauty of acting as a profession. It allowed him to deflect attention from his own tongue-tied personality and create stage characters relying on someone else's scripted words. The play and its star received fairly good notices in the local press. It ran for a week, and for the rest of the repertory season, Henry advanced to assistant director which enabled him to design and paint sets as well as act. A casual trip to New York, however, had already made him set his sights on Broadway. In 1926, he moved to the Cape Cod University Players, where he met his future wife Margaret Sullavan. His first professional role was in The Jest, by Sem Benelli. James Stewart joined the Players a few months after Fonda left, but he would become his closest lifelong friend. In 1928, Fonda went east to New York to be with Margaret Sullavan, and to expand his theatrical career on Broadway. His first Broadway role was a small one in A Game of Love and Death with Alice Brady and Claude Rains. Henry played leads opposite Margaret Sullavan, who became the first of his five wives in 1931. They broke up in 1933. In 1934, he got a break of sorts, when he was given the chance to present a comedy sketch with Imogene Coca in the Broadway revue New Faces. That year, he also hired Leland Hayward as his personal management agent and this was to pay off handsomely. Major Broadway roles followed, including New Faces of America and The Farmer Takes a Wife. The following year he married Frances Seymour Brokaw with whom he had two children: Jane Fonda and Peter Fonda, also to become screen stars.
The 29-year old Henry Fonda was persuaded by Leland Hayward to become a Hollywood actor, despite initial misgivings and reluctance on Henry's part. Independent producer Walter Wanger, whose growing stock company was birthed at United Artists, needed a star for The Farmer Takes a Wife (Victor Fleming, 1935) opposite Janet Gaynor. I.S. Mowis at IMDb: “With both first choice actors Gary Cooper and Joel McCrea otherwise engaged, Henry was the next available option. After all, he had just completed a successful run on Broadway in the stage version. The cheesy publicity tag line for the picture was "you'll be fonder of Fonda", but the film was an undeniable hit.” Wanger, realizing he had a good thing going, next cast Henry in a succession of A-grade pictures which capitalized on his image as the sincere, unaffected country boy. Pick of the bunch were the Technicolor outdoor Western The Trail of the Lonesome Pine (Henry Hathaway, 1936) with Sylvia Sidney, and the gritty Depression-era drama You Only Live Once (Fritz Lang, 1937) with Henry as a back-to-the-wall good guy forced into becoming a fugitive from the law by circumstance). Then followed the screwball comedy The Moon's Our Home (William A. Seiter, 1936) with ex-wife Margaret Sullavan, the excellent pre-civil war-era romantic drama Jezebel (William Wyler, 1938) featuring Bette Davis, and the Western Jesse James ( Henry King, 1939) starring Tyrone Power. Fonda rarely featured in comedy, except for a couple of good turns opposite Barbara Stanwyck and Gene Tierney - with both he shared an excellent on-screen chemistry - in The Mad Miss Manton (Leigh Jason, 1938), The Lady Eve (Preston Sturges, 1941) and the successful Rings on Her Fingers (Rouben Mamoulian, 1942). Henry gave his best screen performance to date in Young Mr. Lincoln (John Ford, 1939), a fictionalized account of the early life of the American president as a young lawyer facing his greatest court case. Henry made two more films with director John Ford: the pioneering drama Drums Along the Mohawk (1939) with Claudette Colbert, and The Grapes of Wrath (1940), an adaptation of John Steinbeck's novel about an Oklahoma family who moved west during the Dust Bowl. In his career-defining role as Tom Joad, Fonda played the archetypal grassroots American trying to stand up against oppression. His relationship with Ford would end on the set of Mister Roberts (John Ford, Mervyn LeRoy, 1955) when he objected to Ford's direction of the film. Ford punched Fonda and had to be replaced.
The Grapes of Wrath (John Ford, 1940) set the tone for Henry Fonda’s subsequent career. In this vein, he gave a totally convincing, though historically inaccurate, portrayal in the titular role of The Return of Frank James (Fritz Lang, 1940), a rare example of a sequel improving upon the original. He projected integrity and quiet authority whether he played lawman Wyatt Earp in My Darling Clementine (John Ford, 1946) or a reluctant posse member in The Ox-Bow Incident (William A. Wellman, 1943). In between these two films, Fonda enlisted in the Navy to fight in World War II, saying, and served in the Navy for three years. He then starred in The Fugitive (John Ford, 1947), and Fort Apache (John Ford, 1948), as a rigid Army colonel, along with John Wayne and Shirley Temple in her first adult role. The following years, he did not appear in many films. Fonda was one of the most active, and most vocal, liberal Democrats in Hollywood. During the 1930s, he had been a founding member of the Hollywood Democratic Committee, formed in support of President Franklin D. Roosevelt's New Deal agenda. In 1947, in the middle of the McCarthy witch hunt, he moved to New York, not returning to Hollywood until 1955. His son Peter Fonda writes in his autobiography Don't Tell Dad: A Memoir (1999) that he believes that Henry's liberalism caused him to be gray-listed during the early 1950s. Fonda returned to Broadway to play the title role in Mister Roberts for which he won the Tony Award as best dramatic actor. In 1979, he won a second special Tony, and was nominated for a Tony Award Clarence Darrow (1975). Later he played a juror committed to the ideal of total justice in 12 Angry Men (Sidney Lumet, 1957) which he also produced, and a nightclub musician wrongly accused of murder in The Wrong Man (Alfred Hitchcock, 1956). During the next decade, he played in The Longest Day (Ken Annakin, Andrew Marton a.o., 1962), How the West Was Won (John Ford, Henry Hathaway, George Marshall, 1962) and as a poker-playing grifter in the Western comedy A Big Hand for the Little Lady (Fielder Cook, 1966) with Joanne Woodward. A big hit was the family comedy Yours, Mine and Ours (Melvillle Shavelson, 1968), in which he co-starred with Lucille Ball. The same year, just to confound those who would typecast him, he gave a chilling performance as one of the coldest, meanest stone killers ever to roam the West, in Sergio Leone's Western epic C'era una volta il West/Once Upon a Time in the West (1968) opposite Charles Bronson and Claudia Cardinale. With James Stewart, he teamed up in Firecreek (Vincent McEveety, 1968), where Fonda again played the heavy, and the Western omedy The Cheyenne Social Club (Gene Kelly, 1970). Despite his old feud with John Ford, Fonda spoke glowingly of the director in Peter Bogdanovich's documentary Directed by John Ford (1971). Fonda had refused to participate until he learned that Ford had insisted on casting Fonda as the lead in the film version of Mr. Roberts (1955), reviving Fonda's film career after concentrating on the stage for years. Illness curtailed Fonda’s work in the 1970s. In 1976, Fonda returned in the World War II blockbuster Midway (Jack Smight, 1976) with Charlton Heston. Fonda finished the 1970s in a number of disaster films wilth all-star casts: the Italian killer octopus thriller Tentacoli/Tentacles (Ovidio G. Assonitis, 1977), Rollercoaster (James Goldstone, 1977) with Richard Widmark, the killer bee action film The Swarm (Irwin Allen, 1978), the global disaster film Meteor (Ronald Neame, 1979), with Sean Connery, and the Canadian production City on Fire (Alvin Rakoff, 1979), which also featured Shelley Winters and Ava Gardner. His final screen role was as an octogenarian in On Golden Pond (Mark Rydell, 1981), in which he was joined by Katharine Hepburn and his daughter Jane. It finally won him an Oscar on the heels of an earlier Honorary Academy Award. Too ill to attend the ceremony, Henry Fonda died soon after at the age of 77, having left a lasting legacy matched by few of his peers. His later wives were Susan Blanchard (1950-1956), Leonarda Franchetti (1957-1961) and Shirlee Fonda (1965- till his death in 1982). With Blanchard he had a daughter, Amy Fishman (1953). His grandchildren are the actors Bridget Fonda, Justin Fonda, Vanessa Vadim and Troy Garity.
Sources: Laurence Dang (IMDb), I.S. Mowis (IMDb), Wikipedia, and IMDb.
River Dargle Flood Defence Scheme.
These images were taken during the 1st week of September 2017.
Hard to believe - but I've been recording this project now for 5 years.
Most of the main civil engineering works have ceased along the Slang/Rehills section of the river bank.
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Between the M11 motorway, and the Upper Dargle Road / Hazelwood areas, a stream has run for many years. As well as running from the Fassroe region (west above the M11) this also funnels much of the water run-off from the motorway itself.
There is a culvert running under the road and draining directly into the river opposite The Slang/Rehills.
A branch also runs parallel and through the Egan Business Park before exiting under the road and into the Dargle close to what is identified in historic Ordnance Survey maps as 'Rose Cottage - Laundry'.
There are plans to lay a proper pipe system to channel this water directly across to the Dargle. No doubt a welcome relief to householders along this stretch of road, given that their properties have been victim to the flash flooding that is happening more often due to changes in the meteorological systems, compounded by developments on the opposite side of the motorway.
The downside of this work is the removal of many trees here, and the consequent unwelcome exposure to said properties.
However, recently the contractors have 'filled-in' a large swathe of the previously cleared opening.
To develop this new pipeline, they need to channel a branch pipe under the Upper Dargle Road, discharging into the adjacent Dargle River itself.
This is not a simple 'cut and fill' overnight operation. They have to excavate deeply, pile-drive the cuttings for support, and lay the pipe sections. The plan here is to close off one lane of the road, at a time, while the work proceeds.
This is quite a busy road, with traffic especially heavy during morning and evening rush hour.
Control traffic lights allow contra-flow systems.
This is causing yet more inconvenience for local residents.
Unfortunately, based on previous bad experience with mindless hooliganism, the temporary compound now requires 24-hour security to protect the assembled machinery.
This is what a finished loading track looks like. "Straight" and "level" are terms not often associated with these temporary installations laid directly on the peat. The ditch at left is the delineator between adjacent fields.
Janny had a temporary handicap placard due to her leg injury, so we were all set to use it on our visit to The Counter and Valley Fair. In both places, though, we were able to find non-handicapped parking super close to the entrance.
I realized something at the mall in particular, though. It seems a bit odd to have handicap spaces really close to the entrance, when the entrances are typically far away from anything. The percentage of walking Janny would have saved if we were only able to find a spot at the farthest end of the parking lot would have been quite small when compared with the amount of walking we did around the mall.