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Serpentine Gallery Pavillion 2017, text from website copyright of serpentinegalleries.org
Summary
Diébédo Francis Kéré, the award-winning architect from Gando, Burkina Faso, was commissioned to design the Serpentine Pavilion 2017, responding to the brief with a bold, innovative structure that brings his characteristic sense of light and life to the lawns of Kensington Gardens.
Kéré, who leads the Berlin-based practice Kéré Architecture, is the seventeenth architect to accept the Serpentine Galleries’ invitation to design a temporary Pavilion in its grounds. Since its launch in 2000, this annual commission of an international architect to build his or her first structure in London at the time of invitation has become one of the most anticipated events in the global cultural calendar and a leading visitor attraction during London’s summer season. Serpentine Artistic Director Hans Ulrich Obrist and CEO Yana Peel made their selection of the architect, with advisors David Adjaye and Richard Rogers.
Inspired by the tree that serves as a central meeting point for life in his home town of Gando, Francis Kéré has designed a responsive Pavilion that seeks to connect its visitors to nature – and each other. An expansive roof, supported by a central steel framework, mimics a tree’s canopy, allowing air to circulate freely while offering shelter against London rain and summer heat.
Kéré has positively embraced British climate in his design, creating a structure that engages with the ever-changing London weather in creative ways. The Pavilion has four separate entry points with an open air courtyard in the centre, where visitors can sit and relax during sunny days. In the case of rain, an oculus funnels any water that collects on the roof into a spectacular waterfall effect, before it is evacuated through a drainage system in the floor for later use in irrigating the park. Both the roof and wall system are made from wood. By day, they act as solar shading, creating pools of dappled shadows. By night, the walls become a source of illumination as small perforations twinkle with the movement and activity from inside.
As an architect, Kéré is committed to socially engaged and ecological design in his practice, as evidenced by his award-winning primary school in Burkina Faso, pioneering solo museum shows in Munich and Philadelphia.
Serpentine Pavilion Architect's Statement:
The proposed design for the 2017 Serpentine Pavilion is conceived as a micro cosmos – a community structure within Kensington Gardens that fuses cultural references of my home country Burkina Faso with experimental construction techniques. My experience of growing up in a remote desert village has instilled a strong awareness of the social, sustainable, and cultural implications of design. I believe that architecture has the power to, surprise, unite, and inspire all while mediating important aspects such as community, ecology and economy.
In Burkina Faso, the tree is a place where people gather together, where everyday activities play out under the shade of its branches. My design for the Serpentine Pavilion has a great over-hanging roof canopy made of steel and a transparent skin covering the structure, which allows sunlight to enter the space while also protecting it from the rain. Wooden shading elements line the underside of the roof to create a dynamic shadow effect on the interior spaces. This combination of features promotes a sense of freedom and community; like the shade of the tree branches, the Pavilion becomes a place where people can gather and share their daily experiences.
Fundamental to my architecture is a sense of openness. In the Pavilion this is achieved by the wall system, which is comprised of prefabricated wooden blocks assembled into triangular modules with slight gaps, or apertures, between them. This gives a lightness and transparency to the building enclosure. The composition of the curved walls is split into four elements, creating four different access points to the Pavilion. Detached from the roof canopy, these elements allow air to circulate freely throughout.
At the centre of the Pavilion is a large opening in the canopy, creating an immediate connection to nature. In times of rain, the roof becomes a funnel channelling water into the heart of the structure. This rain collection acts symbolically, highlighting water as a fundamental resource for human survival and prosperity.
In the evening, the canopy becomes a source of illumination. Wall perforations will give glimpses of movement and activity inside the pavilion to those outside. In my home village of Gando (Burkina Faso), it is always easy to locate a celebration at night by climbing to higher ground and searching for the source of light in the surrounding darkness. This small light becomes larger as more and more people arrive to join the event. In this way the Pavilion will become a beacon of light, a symbol of storytelling and togetherness.
At the centre of the Pavilion is a large opening in the canopy, creating an immediate connection to nature. In times of rain, the roof becomes a funnel channelling water into the heart of the structure. This rain collection acts symbolically, highlighting water as a fundamental resource for human survival and prosperity.
In the evening, the canopy becomes a source of illumination. Wall perforations will give glimpses of movement and activity inside the pavilion to those outside. In my home village of Gando (Burkina Faso), it is always easy to locate a celebration at night by climbing to higher ground and searching for the source of light in the surrounding darkness. This small light becomes larger as more and more people arrive to join the event. In this way the Pavilion will become a beacon of light, a symbol of storytelling and togetherness.
On Thursday 24 January, Temporary Chief Superintendent Dave Pester visited World War 2 veteran Robert ‘Bob’ Whent to celebrate his 100th birthday.
Bob, who turned 100 in December, was greeted by representatives from GMP, SSAFA- the Armed Forces charity, Councillor June Hitchen, Lord Mayor of Manchester and the Royal Artillery Band as part of a surprise visit to congratulate him on reaching this fantastic milestone.
Bob served in the Royal Artillery from 1939 – 1945.
He currently lives in Lightbowne Hall Care Home – just two minutes away from GMP Force headquarters.
Chief Superintendent Dave Pester said: “I was absolutely honoured to meet Bob and celebrate his 100th birthday. Becoming a centenarian is a remarkable achievement for anyone, but the sacrifices Bob made while serving our country make it extra special.”
GMP is committed to supporting our ex-Armed Forces residents both in Force and in the community.
Some of our work includes:
Encouraging the recruitment of military service leavers
Maximising transferable skills of veterans and reservists we employ.
Supporting veterans in the community, a project which started in Bury and is led by Inspector Jim Jones.
To find out more about Greater Manchester Police please visit our website. www.gmp.police.uk
You should call 101, the national non-emergency number, to report crime and other concerns that do not require an emergency response.
Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.
You can also call anonymously with information about crime to Crimestoppers on 0800 555 111. Crimestoppers is an independent charity who will not want your name, just your information. Your call will not be traced or recorded and you do not have to go to court or give a statement.
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This is a close up shot, not a macro shot, the sand grains on the beach are more like tiny pieces of gravel. It's incredible stuff to walk on and sounds amazing when the waves wash over them.
Better in L for true graininess!
I can almost smell the sweltering Jodhpuri air after a short burst of rain in the hot, hot summer
7 July 2005
Outside of the Basilica di Santa Croce in Piazza Santa Croce in Florence. This was where we met the tour guide to take us around Florence for the first time. There was a temporary football stadium erected in the square, for an old style of Florence football called Calcio Storico (which had been played here several days before we arrived in the city).
So the view of the Basilica from the far end of the square was obscured by the stadium (although you can still see it close up).
The Basilica di Santa Croce (Basilica of the Holy Cross) is the principal Franciscan church in Florence, Italy, and a minor basilica of the Roman Catholic Church. It is situated on the Piazza di Santa Croce, about 800 meters south-east of the Duomo. The site, when first chosen, was in marshland outside the city walls. It is the burial place of some of the most illustrious Italians, such as Michelangelo, Galileo, Machiavelli, the poet Foscolo, the philosopher Gentile and the composer Rossini, thus it is known also as the Temple of the Italian Glories (Tempio dell'Itale Glorie).
The Basilica is the largest Franciscan church in the world. Its most notable features are its sixteen chapels, many of them decorated with frescoes by Giotto and his pupils, and its tombs and cenotaphs. Legend says that Santa Croce was founded by St Francis himself. The construction of the current church, to replace an older building, was begun on 12 May 1294, possibly by Arnolfo di Cambio, and paid for by some of the city's wealthiest families. It was consecrated in 1442 by Pope Eugene IV. The building's design reflects the austere approach of the Franciscans. The floorplan is an Egyptian or Tau cross (a symbol of St Francis), 115 metres in length with a nave and two aisles separated by lines of octagonal columns. To the south of the church was a convent, some of whose buildings remain.
The Primo Chiostro, the main cloister, houses the Cappella dei Pazzi, built as the chapter house, completed in the 1470s. Filippo Brunelleschi (who had designed and executed the dome of the Duomo) was involved in its design which has remained rigorously simple and unadorned.
In 1560, the choir screen was removed as part of changes arising from the Counter-Reformation and the interior rebuilt by Giorgio Vasari. As a result, there was damage to the church's decoration and most of the altars previously located on the screen were lost.
The bell tower was built in 1842, replacing an earlier one damaged by lightning. The neo-Gothic marble façade dates from 1857-1863. The Jewish architect Niccolo Matas from Ancona, designed the church's façade, working a prominent Star of David into the composition. Matas had wanted to be buried with his peers but because he was Jewish, he was buried under the threshold and honored with an inscription.
In 1866, the complex became public property, as a part of government suppression of most religious houses, following the wars that gained Italian independence and unity.
The Museo dell'Opera di Santa Croce is housed mainly in the refectory, also off the cloister. A monument to Florence Nightingale stands in the cloister, in the city in which she was born and after which she was named. Brunelleschi also built the inner cloister, completed in 1453.
In 1966, the Arno River flooded much of Florence, including Santa Croce. The water entered the church bringing mud, pollution and heating oil. The damage to buildings and art treasures was severe, taking several decades to repair.
Today the former dormitory of the Franciscan friars houses the Scuola del Cuoio (Leather School). Visitors can watch as artisans craft purses, wallets, and other leather goods which are sold in the adjacent shop.
en.wikipedia.org/wiki/Yorkshire_Sculpture_Park
en.wikipedia.org/wiki/Bretton_Hall,_West_Yorkshire
The Yorkshire Sculpture Park (YSP) is an art gallery, with both open-air and indoor exhibition spaces, in West Bretton, Wakefield, in West Yorkshire, England. It shows work by British and international artists, including Henry Moore and Barbara Hepworth. The sculpture park occupies the 500-acre (200-hectare) parkland of Bretton Hall.
History
The Yorkshire Sculpture Park, opened in 1977, was the UK's first sculpture park based on the temporary open air exhibitions organised in London parks from the 1940s to 1970s by the Arts Council and London County Council (and later Greater London Council). The 'gallery without walls' has a changing exhibition programme, rather than permanent display as seen in other UK sculpture parks such as Grizedale Forest.
Exhibition spaces
YSP has a number of settings where its collection is displayed.
Parkland
The park is situated in the grounds of Bretton Hall, an 18th-century estate which was a family home until the mid-20th century when it became Bretton Hall College. Follies, landscape features and architectural structures from the 18th century can be seen around the park including the deer park and deer shelter (recently converted by American sculptor James Turrell into an installation), an ice house, and a camellia house. Artists working at YSP, such as Andy Goldsworthy in 2007, take their inspiration from its architectural, historical or natural environment.
Since the 1990s, YSP has made use of indoor exhibition spaces, initially a Bothy Gallery (in the curved Bothy Wall) and a temporary tent-like structure called the Pavilion Gallery. After an extensive refurbishment and expansion, YSP has added an underground gallery space in the Bothy garden, and exhibition spaces at Longside (the hillside facing the original park). Its programme consists of contemporary and modern sculpture (from Rodin and Bourdelle through to living artists). British sculpture is well represented in the past exhibition programme and semi-permanent installations. Many British sculptors prominent in the 1950s and 1960s have been the subject of solo exhibitions at YSP, including Lynn Chadwick, Austin Wright, Phillip King, Eduardo Paolozzi, Hans Josephsohn, and Kenneth Armitage. Exhibitions tend to be monographic – rather than group or thematic.
The redundant Grade II* listed St Bartholomew's Chapel, West Bretton built by William Wentworth in 1744 has been restored as gallery space.
Longside Gallery
Longside Gallery is a space for sculpture overlooking YSP. The gallery is shared with the Arts Council Collection for an alternating programme of exhibitions. Between exhibitions, Longside Gallery is used for educational and outreach activities and events.
The Weston
In July 2019, the new visitor centre housing a gallery, restaurant and shop, made the shortlist for the Stirling Prize for excellence in architecture.
Bretton Hall is a country house in West Bretton near Wakefield, West Yorkshire, England. It housed Bretton Hall College from 1949 until 2001 and was a campus of the University of Leeds (2001–2007). It is a Grade II* listed building.
History
In the 14th century the Bretton estate was owned by the Dronsfields and passed by marriage to the Wentworths in 1407. King Henry VIII spent three nights in the old hall and furnishings, draperies and panelling from his bedroom were moved to the new hall. A hall is marked on Christopher Saxton's 1577 map of Yorkshire.
The present building was designed and built around 1720 by its owner, Sir William Wentworth assisted by James Moyser to replace the earlier hall. In 1792 it passed into the Beaumont family, (latterly Barons and Viscounts Allendale), and the library and dining room were remodelled by John Carr in 1793. Monumental stables designed by George Basevi were built between 1842 and 1852. The hall was sold to the West Riding County Council in 1947. Before the sale, the panelling of the "Henry VIII parlour" (preserved from the earlier hall) was given to Leeds City Council and moved to Temple Newsam house.
The hall housed Bretton Hall College from 1949 until 2001 and was a campus of the University of Leeds from 2001 to 2007.
Plans to convert the hall to a hotel and offices were submitted for planning approval. and were approved in April 2013.
Architecture
The oldest part of the house, the south range dates from about 1720 and was designed by the owner, Sir William Wentworth and Colonel James Moyser. It was enlarged when the north range was added in the 1780s by William Lindley of Doncaster. A bow window and portico were added to the south range and the block linking the two ranges was remodelled between 1811 and 1814 by Jeffrey Wyatt for Colonel Thomas and Diana Beaumont. Around 1852 Thomas Richardson added the projecting dining room on the house's east front for Thomas Blackett Beaumont.
Exterior
The house has a three-storey nine-bay by five-bay main range while the rest is two storeys high. It is built in sandstone ashlar and its roof is hidden behind a balustraded parapet. It has tall ornamental chimney stacks and the Wentworth shield decorates two ornamental rainwater heads. The south range has a symmetrical facade with a central Doric portico. The ground and first-floor windows have 12-pane sashes with triangular pediments to the ground floor and cornices to the first. The shorter second floor windows have casements added later. The south front has a three-bay bow window with tall ground-floor windows. The centre window was originally a doorway accessed by a flight of four steps.
The seven-bay north range has a symmetrical facade where the three centre bays have giant pilasters supporting a pediment. Either side of central eight-panel double door are 12-pane sash windows while the first-floor has nine-pane sash windows. A three-bay link block joins the ranges and terminates in the orangery. The orangery is built on a two-step podium. Its seven bays are divided by square Tuscan piers which support the frieze, cornice and blocking course.
Interior
The entrance hall to the south range has a groin vaulted passage with three arches and piers and its walls are decorated with grisaille paintings. Its main staircase has a wrought iron handrail. On either side the old billiard room and former breakfast room have Adam style ceilings from about 1770. The link range has an entrance vestibule with four piers supporting a glazed dome on pendentives. On the first floor the vestibule opens onto the half-landing of the south range's main staircase. The old drawing room has a Baroque ceiling with pendant bosses. The former library and music room were in the Regency style of the 1811–14 extensions. The library had an apse where there was an organ, a coved ceiling with rinceau decoration, and a marble fireplace. The dining room was decorated in the Rococo style in about.1852. It has an elaborate marble fireplace and frieze and its ceiling is decorated with musical instruments.
Park and gardens
The pleasure grounds and parkland around the hall were the work of landscape gardeners Richard Woods in the 18th century and Robert Marnock, the estate's head gardener, in the 1820s and 1830s. The hall overlooks the River Dearne which flows in an easterly direction through the parkland. It is dammed to form two lakes. Oxley Bank, a linear earthwork forms the park's eastern boundary.
Within and around the Grade II listed parkland and pleasure grounds are several historic structures. Four lodges stand at the estate's main entrances. North Lodge and the grade II listed Haigh Lodge were probably designed by Jeffrey Wyattville at the same time as his 1811–14 extensions at the hall. Archway Lodge, a grade II* listed building by William Atkinson in 1805 takes the form of a giant archway with fluted columns. The extensively altered Hoyland Lodge is on Litherop Lane to the south. The redundant Grade II* listed St Bartholomew's Chapel, West Bretton built by William Wentworth in 1744 has been restored as gallery space.
The parkland is the home of the 224 acre (90 ha) Yorkshire Sculpture Park and the 100 acre (40 ha) Bretton Country Park which has been a designated local nature reserve since 1994. The development of accommodation and car parks for the college and multiple use as a country and sculpture park and general neglect in the second half of the 20th century led to the historic landscape's fragmentation and it was designated "at risk" by English Heritage in 2009. Yorkshire Sculpture Park is now responsible for most of the park and, in partnership with Natural England, who provided funding, and English Heritage, has a conservation management plan for the park. Trees and scrub have been cleared to provide access to a lakeside perimeter walk.
During renovation I have a little kitchen on moveable scaffolding set up in what will eventually be the library. It's very functional, if a bit like glorified camping.
My office while we renovate the house. Not only can I not wait until we get the office set up, but also I can't wait until I get rid of this tiny little eMac.
My very temporary workbench in the HND studio at the School of Jewellery.
So glad to have dirty hands and somewhere to work again after such a long hiatus.
Taken with Panasonic 20mm f1.7 lens on Panasonic GX7.
We have some furniture arriving and so I've had to shift my desk space. This is my current set of personal and work computers
Leaving the Grand Central Birmingham temporary left tunnel behind, you find yourself on the Bullring link bridge.
Views of the redevelopment of Birmingham New Street Station, near St Martin's Queensway. March 2014.
Red arrow. Virgin Trains Class 390 Pendolino and a National Express West Midlands bus.
A customer exits the box of Elda Boniche's food truck on March 10, 2013. Boniche's route services many of the guest worker housing sites near Jordan, Ontario, including the floral greenhouses staffed by Guatemalan migrants. Photo by Peter Haden.
This is a photograph from the Ringtown Hurling Club Half Marathon and 10KM Road Races, fun runs, and walks which were held in Whitehall, Castlepollard, Co. Westmeath, Ireland on Easter Monday (April 6th 2015) at 11:00 and 11:15 respectively. Ringtown Hurling club is situated in Whitehall which is on the R394 between Mullingar and Castlepollard. The half marathon started outside the GAA club. The 10KM race started about 1KM away from the start/finish area. Both races shared the same route. The race event was also a fundraiser for the charity TEAM (Temporary Emergency Accomodation Mullingar) which provides emergency accomodation for women and children of the midlands who are subject of domestic and sexual violence. They are located at Teach Fáilte, Green Road, Mullingar, Co. Westmeath. 55 participants took part in the Half marathon while approximately 85 participants took part in the 10KM.
Our full set of photographs from today's event are available on Flickr at the following link https://www.flickr.com/photos/peterm7/sets/72157651783292685/
Don't forget to scroll down to see more information about the race and these photographs!
Event Management and Timing was provided by PRECISION TIMING. The results from today's events can be found on Precision Timing's website at this URL [www.precisiontiming.net/result.aspx?v=2530]. You can checkout their facebook page at www.facebook.com/davidprecisiontiming?fref=ts
The half marathon started at the GAA club. The main loop of 6 miles started here at the GAA club and proceeded around some beautiful rural back roads with major turns at [goo.gl/maps/8Iw9S], [goo.gl/maps/in6yE], and [goo.gl/maps/JJzwM] before joining up with the R394 and Castlepollard and returning back to Ringtown/Whitehall. The 10KM race was held on this same route but having departed before the half marathon the participants were mostly infront of the main field in the half marathon.
This was the GAA club's second hosting of this event and the overwhelming reaction of participants was that it went perfectly again following on from last year's very successful event. There was a team of Motorcycle outriders and Gardai who expertly controlled traffic flow (particularly along the very busy R394) and made for very safe running conditions for all participants. There was a wonderful selection of refreshments provided afterwards and maybe people were able to sit out in the sun and enjoy a well earned rest after the race. Shower facilities were provided in the GAA club.
USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
or maybe new hideouts for birdwatching?
Actually film set for series The Vikings!
www.birdwatchireland.ie/Default.aspx?tabid=221
0X4A3737
So nice to feel something on top for a change.
Taking this shot was much harder than I thought it would be. Especially getting the focus. At the end the bathroom was soaked. I admire all those fantastic sps I see on Flikr even more after this exercise.
Santa Claus wishes all of you a wonderful Tuesday evening! Stay dry
Because of the construction of the Noord-Zuid Lijn (new Amstterdam North-South subway connection), tram tracks were temporarily diverted to the other side of the Rokin.
Here we see Amsterdam 782 (8G series) on its way to Central Station. Nowadays route 25 has its terminus at "Passenger Terminal Amsterdam".
Amsterdam, Rokin - August 8, 2005