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If I can't be in my workspace, my workspace needs to come to me!
:-D I've putt all the things I need around the sofa and on the salon table!
Just have to take care not to break my legs ;-)
During renovation I have a little kitchen on moveable scaffolding set up in what will eventually be the library. It's very functional, if a bit like glorified camping.
hoi - an tang makes art at mehoi
mehoi is located on the west side of the first floor artist shops in the Case Goods Bldg of The Distillery District
mehoi super duper temporary tattoos
thedistillerydistrict.com/blog/index.php/2013-miss-teen-c...
The Roman Catholic Deanery Catholic Church Telfs is located in the market town of Telfs in the district of Innsbruck-Land in Tyrol. The parish church Peter and Paul belongs to the deanery Telfs in the diocese of Innsbruck. The church is a listed building.
History
In 1113, the consecration of a chapel was recorded. The already existing longer parish was first mentioned in documents in 1233. 1331 called a document a parish church Saint George and 1352 a document a parish church Saints Peter and Paul. For the 1475 consecrated church fires for 1447, 1550 and 1552 have been recorded. The church became a deanery church in 1602, with the dean's office temporarily moving to Flaurling. An extension was consecrated in 1666.
Today's monumental twin-towered Romanesque church was built from 1860 to 1863 by architect Johann Eiter according to the plans of the road and bridge architect Leopold von Claricini-Dornpach and consecrated in 1886. The western Romanesque Petersturm (Saint Peter's Tower) and the eastern still Baroque Paulsturm (Saint Paul's Tower) were built in 1901 by the master builder Alfons Mayr according to the plans of architect Leopold Heiß from 1898.
Architecture
Interior of the church: After the demolition in 1981: Choir without organ prospectus: seating with aisle
The three-aisled cruciform basilica with a semicircular choir has two façade towers with coupled and provided with trefoil blind arch acoustic windows and pointed gable helmets. The aisles are equipped with transept arms with triangular gables. The transept arms are continued with sacristy buildings designed in the same way. The outer walls were divided by fields with round-arched frieze conclusion. The portals and windows are round-arched with laterally adjusted columns. The southern main façade with the towers has a rosette, a triangular gable with arched frieze and a statue of the Good Shepherd and shows a Nazarene lunette fresco with the appearance of the Risen Lord on the Sea of ​​Galilee by the painter Johann Kärle (1902).
Inside the church, clustered colums and round pillars alternate with neo-Romanesque capitals. The nave, the crossing and the choir yoke have a cross vault, the transept arms barrel vaults. The main apse and side altars are half-domed vaulted. The nave has arched windows in the aisles and clerestories. In the transepts is each a circular window. In the choir, there are round-arched three- mullioned windows to the sacristies on both sides.
In 1962, with the architect Josef Lackner followed an overpainting of the wall and vault painting with bright white for a luminous interior of the church. The organ choir was transferred to the sanctuary. In the main entrance, a square baptistry was installed in the middle between the entrance doors on the left and right with glass windows and concrete crosses. The people's stood in the middle in the transept with a seating left and right and a seating in the central ship of the nave. With the paradoxical claim A future for the past, the interior of the church was renewed (back into the past) in 1981.
Equipment
The high altar crucifix from the beginning of the 19th century was transferred here from the Calvary St. Moritzen. The right side altar bears a former procession figure Saint Sebastian by the sculptor Urban Klieber from the end of the 18th century. The station pictures around 1730/1740 are from the workshop Michael Ignaz Mildorfer. At Christmas time, a wooden nativity scene by Josef Anton Puellacher from the end of the 18th century is set up.
A bell was cast in 1740 by Johann Paul Schellener.
Die römisch-katholische Dekanatspfarrkirche Telfs steht in der Marktgemeinde Telfs im Bezirk Innsbruck-Land in Tirol. Die Pfarrkirche Peter und Paul gehört zum Dekanat Telfs in der Diözese Innsbruck. Die Kirche steht unter Denkmalschutz.
Geschichte
Im Jahre 1113 wurde die Weihe einer Kapelle beurkundet. Die bereits länger bestehende Pfarre wurde 1233 erstmals urkundlich genannt. 1331 nannte eine Urkunde eine Pfarrkirche hl. Georg und 1352 eine Urkunde eine Pfarrkirche Hll. Peter und Paul. Für die 1475 geweihte Kirche wurden für 1447, 1550 und 1552 Brände genannt. Die Kirche wurde 1602 Dekanatskirche, wobei der Sitz des Dekanates zeitweise nach Flaurling wechselte. Ein Erweiterungsbau wurde 1666 geweiht.
Der heutige monumentale doppeltürmige neuromanische Kirchenbau wurde von 1860 bis 1863 vom Architekten Johann Eiter nach den Plänen des Straßen- und Brückenbaumeisters Leopold von Claricini-Dornpach erbaut und erst 1886 geweiht. Dem westlichen neuromanischen Petersturm und dem östlich noch barocken Paulsturm wurden 1901 neue einheitliche Turmabschlüsse vom Baumeister Alfons Mayr nach den Plänen des Architekten Leopold Heiß aus 1898 aufgesetzt.
Architektur
Kircheninneres: Nach dem Rückbau 1981: Chor ohne Orgelprospekt: Bestuhlung mit Mittelgang
Die dreischiffige kreuzförmige Basilika mit einem halbrund schließenden Chor hat zwei Fassadentürme mit gekoppelten und mit dreipassförmigen Blendbögen versehenen Schallfenstern und Spitzgiebelhelmen. Die Seitenschiffe sind mit Querschiffarmen mit Dreiecksgiebeln versehen. Die Querschiffarme werden mit gleich gestalteten Sakristeianbauten fortgesetzt. Die Außenwände wurden durch Felder mit Rundbogenfriesabschluss gegliedert. Die Portale und Fenster sind rundbogig mit seitlich eingestellten Säulen. Die südliche Hauptfassade mit den Türmen hat eine Rosette, einen Dreieckgiebel mit Rundbogenfries und eine Statue des Guten Hirten und zeigt ein nazarenisches Lünettenfresko mit der Erscheinung des Auferstandenen am See Genezareth des Malers Johann Kärle (1902).
Im Kircheninneren wechseln sich Bündelpfeiler und Rundsäulen mit neuromanischen Kapitellen. Das Langhaus, die Vierung und das Chorjoch haben ein Kreuzgewölbe, die Querschiffarme Tonnengewölbe. Die Hauptapsis und Seitenaltarnischen sind halbkuppelig überwölbt. Das Langhaus hat Rundbogenfenster in den Seitenschiffen und Lichtgaden. In den Querschiffen ist je ein Kreisfenster. Im Chor sind beidseits rundbogige Drillingsfenster zu den Sakristeien.
1962 erfolgte mit Architekt Josef Lackner eine Übertünchung der Wand- und Gewölbemalerei mit hellem Weiss für ein lichtvolles Kircheninneres. Der Orgelchor wurde in den Altarraum versetzt. Im Haupteingang wurde mittig zwischen den Eingangstüren links und rechts mit Glasfenstern und Betonkreuzen eine quadratische Taufkapelle eingerichtet. Der Volksaltar stand mittig im Querschiff mit einer Bestuhlung links und rechts und einer Bestuhlung im Mittelschiff des Langhauses. Mit dem paradoxen Anspruch Eine Zukunft für die Vergangenheit wurde das Kircheninnere im Jahre 1981 rückerneuert.
Ausstattung
Der Hochaltarkruzifix aus dem Anfang des 19. Jahrhunderts wurde vom Kalvarienberg St. Moritzen hierher übertragen. Der rechte Seitenaltar trägt eine ehemalige Prozessionsfigur hl. Sebastian vom Bildhauer Urban Klieber aus dem Ende des 18. Jahrhunderts. Die Stationsbilder um 1730/1740 sind aus der Werkstatt Michael Ignaz Mildorfer. Zur Weihnachtszeit wird eine Bretterkrippe von Josef Anton Puellacher aus dem Ende des 18. Jahrhunderts aufgestellt.
Eine Glocke goss 1740 Johann Paul Schellener.
emmacooper.org/blog/my-temporary-spice-rack
My limited range of herbs and spices, until we move into the new house
Arriva have recently taken the 48 from Stagecoach. The route was intended to convert to LT at the same time, but the buses haven't been delivered yet so it's started with mainly DW operation, of which DW238 here is a typical example.
As a token gesture a few LTs have been mustered from a PVR reduction elsewhere but these DB300s will be the mainstay of the route for a few weeks yet.
The bus is seen at Leyton Bakers Arms, right outside Costa Coffee! 29/3/17.
The foot crossing looks temporarily impassable as 66077 drones through with 4M52 Southampton Eastern Docks to Castle Bromwich Jaguar empty cartics.
St Peter's and St Paul's Church at King's Sutton dominates the skyline alongside The Chiltern Line, Tuesday 15.10.13
When the temperature is low enough, the ocean starts to freeze. Ice bergs form and slushy waves change the landscape of the beach before your eyes. I love watching the changes and the beautiful sea green color in the waves.
installation pictures from my show at Anno Domini in san jose that opened bout a month ago.
on the back wall:
in a branchless forest populated with eager dialect, even/especially in these anxious times; these retired branches become crutches when congregated. and so like a bottle rocket flying right through our cutout hearts, let these words be everything we could ever want them to be, and these common fears a makeshift prosthesis to sedate our common phantom limbs.
(and when we can get our heavy hearts to love lightly, this house of cards will become a home.)
watch the video: www.youtube.com/watch?v=__zWBe81Lqk
It's now become part of our travelling calendar - we go on a city break for Jayne’s birthday in January - no presents for birthday's and Christmas, we travel instead. This year it was Seville. We had to drive 180 miles south to Stansted to fly there though, Friday afternoon on the A1, such fun... It was a really good drive down in actual fact, the best day for months, glorious blue sky and a fantastic sunset- and I was in a car. We got stung for tea and drinks in the Radison Blu but we were overnighting and leaving the car so we didn't have much choice. Ryanair aagh! Again no choice. To be fair to the abrasive Irish man O Leary things are better than they used to be and it was an acceptable flight.
We were hoping for better weather than we got- don't you always? It was. cold, windy and after some initial beautiful sun on our first afternoon, it was mostly grey. The wind died but so did the sun. The other little problem was that it was my turn for the awful cold that Jayne had been trying to get over. I was under the weather in more ways than one all week, it was only a cold but it was the worst I've had for ages and it didn't help my mood, particularly when the sun was absent. We had a few hours of really nice light here and there and I made the most of it - I think!
Seville has miles and miles of narrow cobbled streets, they seem to go on for ever. They are almost random in layout and it is extremely difficult to find your way around, it's easier to just keep walking and see what you find. So we did! The architecture is stunning and the history is fascinating. Aside from the ancient history the two events that seem to have had a massive recent influence are the Expo's of 1929 and 1992. The incredible buildings or 'Pavilions' that were built for a one off event are now part of the reason that people visit the city. The 1929 pavilions are fantastic, each one is a story in itself and a destination in its own right but there are a lot of them in Parque Maria Luisa. Plaza Espana, built by the hosts of course, is the biggest and I would imagine that you could make a project out of photographing the individual ceramic tile displays around it on their own. These incredible buildings really need the light to be right to get images that people want to see, flat bright light from bright grey skies is good for certain things but dramatic architecture deserves better - or maybe I'm looking for the easy way option. The other discovery that we made, we found just down the road from the hotel, about an hour into the trip – The Metropol Parasol. A giant lattice work parasol, apparently called ‘The Mushrooms’ locally and apparently the world’s largest wooden structure. You have to look twice, having discovered that it is wood. Only later did we discover that we could get to the top and there is an extensive walkway around the top of it. It is built on top of ancient ruins, ( still intact and viewable) a food market and bars etc. and has a plaza around it and on it, that is buzzing on weekend evenings. Walking around the top, the first people up it one day and being back to watch the sunset later was one of the highlights of the trip for me.
The 1992 Expo also covered a massive area but left behind lots of modern - and some very strange - buildings and arenas. Some are of a temporary nature and get dismantled others find a new use. The land used was on an island between two branches of the River Guadalquivir – Isla de la Cartuja. The branch that goes through the city is now a canal, blocked at its northern end by a barrier with a motorway on it, and is used extensively for water sports, mainly rowing. Many of the buildings are now used by private companies as headquarters , others have a very derelict look. The whole area- even though it is home to the theme park- which was shut for the winter, has a neglected air about it. There are weeds growing everywhere but fountains are switched on, which seemed odd. Unlike the city a short distance away, there are no cafes or bars or other people around for that matter, just us meandering through. The car park that was created for the event is massive, it stretches for miles, and I really mean miles. Totally derelict, just the odd person or dog walker around. There is even a railway line terminating here, in the middle of nowhere a modern and apparently unmanned station, like a ghost station. At this point, across the river proper is open countryside, much flatter than I expected and very easy for local walkers and cyclists to get to - also very calm and quiet, a place to linger and enjoy the peace.
As usual I researched and discovered as we walked, we averaged around 13 miles a day and tried to get off the beaten track. We were out around 8.15, before sunrise, and had orange juice, coffee and Tostada with the locals for breakfast. The trouble is that there are many miles of walking in a relatively small area, some streets are only a few feet wide so there are a lot of them to explore. Incredible ancient churches and squares are around every corner- it's a very religious place - Catholicism rules in Spain. Unfortunately many are only a few feet away from the building next to it and it is difficult to get a decent shot of them. Seville is also famous, historically, as a producer of ceramic tiles. A building isn’t complete without a tile display of some sort and it would be very easy to make a project out of tiles alone. It may be a little boring for any companions though!
We walked the length of the embankment a couple of times, it has graffiti from end to end, several miles of massive concrete walls covered in everything imaginable, from marker pen scribbling to works of art. It was suggested to me that allowing people to paint here might prevent them from daubing property and monuments in the city- it hasn't! Most alleyways and shutters have been attacked to a greater or lesser degree. Spain has very high youth unemployment and maybe this plays a role. To be truthful though we haven't seen a city that's free of graffiti. The other problem is dogs- or what they produce, it's everywhere, absolutely everywhere, in a week we saw only one person remove his dogs mess. Fortunately the city streets are cleaned exceptionally well, some of the cleanest we have come across, men (and a lot of women) and machines are washing and sweeping endlessly.
Having had the wettest winter on record at home - almost three months of rain - we didn't want more rain but we got it. The upside was the water and the reflections that it created made photography on the cobbled streets more interesting, particularly at night. I usually find that it takes me a while to get into the groove on a trip and this one was no different, I didn't start shooting with total disregard - street shots- for a couple of days. Whilst the locals wore quilted jackets and scarves we got down to tee shirts at times, the warmer afternoons would be welcome in summer, never mind January, in Huddersfield. I envied the cyclists, being able to train in temperatures like this in winter - I wish! You need a lot less willpower to get out there and train hard in pleasant weather.
From a photography point of view I had a frustrating time, I never felt to get to grips with the place- other than on the streets at night. Writing this on my phone on the flight home, I haven't a clue what I've got to work with when I get back. I usually edit first and write later. Generally I have a first look, I'm disillusioned, I then revisit and see things differently- thankfully! Architectural shots with a grey sky could be destined for the monochrome treatment, we'll soon see. I'm still editing stuff from our London trip before Christmas, it's getting decent views in black and white and I quite enjoy looking at them myself.
We visited most of the notable tourist destinations, and went up anything that we could. Seville doesn't have a high point-it's flat! Nothing really stands head and shoulders above the city. The Cathedral tower is over 300 feet but the Cathedral itself fills a lot of the view on some aspects. Being square and having to look through bars in recesses you don't really get a completely open aspect. A new 600 foot tower is close to being finished, it's an office block and I couldn't find any mention of it being a viewing point in the future.
Oranges were the last thing on my mind when I suggested going to Seville. There are 25000 orange trees in Seville and now is the time that they are laden with big-and sour- Seville oranges, they are everywhere, apparently they are the property of the city authorities and will be harvested and sent to the UK to be made in to marmalade at some point in the near future. These trees will soon be covered in fragrant blossom, the city will smell beautiful for a couple of months. Studying the surrounding area it would be good to tour in March or April I would think, the scents, longer days and better weather would make for a fantastic trip. One for the future. The sunrise on our final morning was the best of the week, this was what we had looked forward to, we had to leave for the airport at 9.00...... Needless to say it was raining hard as we drove the last twenty miles home. Nothing new there then.
As usual I have aimed to present a pretty extensive collection of photographs of our chosen destination, some, at first glance will be pretty mundane shots of everyday life on the streets, often though, close inspection will reveal something humorous, something that needs a bit of thought. Others are definitely just people going about their holiday or work. Travelling with someone else it wouldn’t be fair to spend an inordinate amount of time trying to nail the perfect long exposure or HDR image of a cathedral or similar in perfect light – the one stunning shot to add to the portfolio- it’s not really my thing, I go for an overview of the place in the time available. Looking at the postcards locally it becomes obvious that stunning shots of some of these buildings are hard to come by. Heavily corrected converging verticals were quite obvious – and most likely will be in my own shots. As the owner of tilt and shift lenses I never travel with one – ever! My knees are already creaking from the weight of the bag.
66 046 of EWS shunting wagons in front of the former Bryant and May building.
this area became the Olympic athletes' warm-up track, with the military installing surface to air missiles on the rear water tower.
At this time, there was still a siding which used to serve factories on the site, which reached this temporary concrete plant. An 0-6-0 shunter "Toton" was loaned for a while to service this branch from the short head shunt.
Bow East London Concrete with mixers on site
Excavator in the livery of Rail Freight Services
Inside New Brighton temporary library, Saturday 10 December 2016.
File Reference: 2016-12-10-NBTemp-DSC01899
From the collection of Christchurch City Libraries
by @sunnyholt - follow me for more design news and gossip!
Architect is Sou Fujimoto.
The Pavilion is open until 20 October 2013
notes from Serpentine Gallery website are at (and also cut and pasted below)
www.serpentinegallery.org/2013/02/sou_fujimoto_to_design_...
For more design news and photos follow me on www.twitter.com/sunnyholt
Love London, with 180 photographs of the capital, teamed with over 100 quotes (from 15th century poetry to modern blogs) costs £6.89 post free
from
www.amazon.co.uk/Love-London-Barbara-Chandler/dp/1849940118
The Serpentine Gallery Pavilion 2013 is designed by multi award-winning Japanese architect Sou Fujimoto.
He is the thirteenth and, at 41, youngest architect to accept the invitation to design a temporary structure for the Serpentine Gallery. The most ambitious architectural programme of its kind worldwide, the Serpentine's annual Pavilion commission is one of the most anticipated events on the cultural calendar. Past Pavilions have included designs by Herzog & de Meuron and Ai Weiwei (2012), Frank Gehry (2008), the late Oscar Niemeyer (2003) and Zaha Hadid, who designed the inaugural structure in 2000.
Widely acknowledged as one of the most important architects coming to prominence worldwide, Sou Fujimoto is the leading light of an exciting generation of artists who are re-inventing our relationship with the built environment. Inspired by organic structures, such as the forest, the nest and the cave, Fujimoto's signature buildings inhabit a space between nature and artificiality. Fujimoto has completed the majority of his buildings in Japan, with commissions ranging from the domestic, such as Final Wooden House, T House and House N, to the institutional, such as the Musashino Art Museum and Library at Musashino Art University.
Occupying some 350 square-metres of lawn in front of the Serpentine Gallery, Sou Fujimoto's delicate, latticed structure of 20mm steel poles will have a lightweight and semi-transparent appearance that will allow it to blend, cloud-like, into the landscape and against the classical backdrop of the Gallery's colonnaded East wing. Designed as a flexible, multi-purpose social space - with a café sited inside - visitors will be encouraged to enter and interact with the Pavilion in different ways throughout its four-month tenure in London's Kensington Gardens.
Julia Peyton-Jones, Director, and Hans Ulrich Obrist, Co-Director, Serpentine Gallery, said:
"We are thrilled to be working with one of the most fascinating architects in the world today. A visionary, who has conceived an extraordinary response to our invitation to design the Serpentine Gallery Pavilion, Sou Fujimoto has designed a structure that will enthral everyone that encounters it throughout the summer."
Describing his design concept, Sou Fujimoto said:
"For the 2013 Pavilion I propose an architectural landscape: a transparent terrain that encourages people to interact with and explore the site in diverse ways. Within the pastoral context of Kensington Gardens, I envisage the vivid greenery of the surrounding plant life woven together with a constructed geometry. A new form of environment will be created, where the natural and the man-made merge; not solely architectural nor solely natural, but a unique meeting of the two.
The Pavilion will be a delicate, three-dimensional structure, each unit of which will be composed of fine steel bars. It will form a semi-transparent, irregular ring, simultaneously protecting visitors from the elements while allowing them to remain part of the landscape. The overall footprint will be 350 square-metres and the Pavilion will have two entrances. A series of stepped terraces will provide seating areas that will allow the Pavilion to be used as a flexible, multi-purpose social space.
The delicate quality of the structure, enhanced by its semi-transparency, will create a geometric, cloud-like form, as if it were mist rising from the undulations of the park. From certain vantage points, the Pavilion will appear to merge with the classical structure of the Serpentine Gallery, with visitors suspended in space."
Fujimoto is the third Japanese architect to accept the invitation to design the Serpentine Gallery Pavilion, following Toyo Ito in 2002 and Kazuyo Sejima & Ryue Nishizawa of SANAA in 2009
I don't know what I'll call her just yet. And this wig was just a choice of what I've got so far, not really what I imagined. I think I'd like to see her with blonde hair; maybe that new honey gold or cinnamon gold or what-not?
A temporary bus stop on Saxon road just up from Old London Road, due the stop outside the Co-op being closed due to roadworks. Note the fact that a proper bus stop sign which is no longer used has been attached to the pole and the Temporary Bus Stop sign has been stuck on top of it.
I don't know how kids can lose their shoes...I would notice if I was walking home barefoot in winter!
project: CCD studio
lighting: officina della luce
metal works: 0.0 flat floor
photo: D'Angelantonio Gabriele
Having won the contract to operate RE7 and RB42 services through Wuppertal fro December 2015, National Express found itself short of multiple unit trains so was forced to hire in temporary locomotive hauled replacements.
Siemens ES64 U2 locomotive, more commonly known as class 182, 182 530 is seen at Wuppertal Hbf with one such service.
Wuppertal, Germany
11th January 2016
Transgender Memorial In Washington, D.C.
Temporary monument in Washingtom, D.C. created to celebrate and honor Transgender Americans.
World War II Memorial
"a monument to the spirit, sacrifice, and commitment of the American people to the common defense of the nation and to the broader causes of peace and freedom from tyranny throughout the world".
A simple single hand was placed over the letter y in the word tyranny to create the image of the word tranny.
The word tranny has been embraced by many persons in the transgender community as well still seen a slang term, that connotes a negative implication.
The purpose of this photo was that of a Trans inclusive nature. If I had the power to put the full word Transgender set in marble on a monument in Washington, D.C. it would have been done already.
Photo
Washington, D.C.
USA
03-30-2012