View allAll Photos Tagged TYPOGRAPHY
Detail from an early 20th century carriage at the Rail Heritage WA museum in Bassendean. The "2nd" denotes a carriage for second-class passengers. The elegant art deco typography is typical for the period.
This is a new typeface made by the designer Willians Alves (@hagentz) and me.
A colaboration for the Communication Arts Typography Competition.
Sweet Coffee is inspired by sidewalk poster of coffee shops in Buenos Aires and Paris.
Hope you like.
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Vài người nói muốn được như nó
Nhưng chẳng ai biết cái nó muốn là tự do
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[ Điếu thuốc cuối - DSK ]
Working with 5 typeface classifications, students create large drawings that convey the formal nuances of each typeface.
Typographic Book done on Goudy Old Style for my Typography 2415 course at the University of Colorado Denver. The book is originally 20 pages, shown here is the front and back cover of the accordion book. Originally presented as a print for the final piece, this here is the digital format. My concept of the cover design of the owl and sheep relates to the quote "Any man who would letterspace blackletter would shag sheep" by Frederic W. Goudy himself. This was created with InDesign and Illustrator.
STUDENT PIECES - photography of the Typography exhibition at the 2018 University of reading end of year show.
20090410~11 Railway Travel _ Gangchon
Typography expression about my daily life.
Who can resist the glamour of traveling by train? It was very exciting!
I found another sky note and natural grid :-)
I refreshed my mind and body with this workshop.
Bree Serif, Gerard Unger's Alverata and Ermin Međedović's Lipa Agate featured in the Japanese magazine Typography 06.
Don't Text and Drive. The road lines will be the paragraph typography image, the steering wheel will be words, and the traffic light will be letters.
A type family originally developed for New York’s Whitney Museum, Whitney contends with two different sets of demands: those of editorial typography, and those of public signage.
Typefaces for catalogs and brochures need to be narrow enough to work in crowded environments, yet energetic enough to encourage extended reading. But typefaces designed for wayfinding programs need to be open enough to be legible at a distance, and sturdy enough to withstand a variety of fabrication techniques: fonts destined for signage need to anticipate being cast in bronze, etched in glass, cut in vinyl, and rendered in pixels.
While American “gothics” such as News Gothic (1908) have long been a mainstay of editorial settings, and European “humanists” such as Frutiger (1975) have excelled in signage applications, Whitney bridges this divide in a single design. Its compact forms and broad x-height use space efficiently, and its ample counters and open shapes make it clear under any circumstances.
www.typography.com/fonts/font_overview.php?productLineID=...
A collection of typography studies, saddle-stitched and bound into an 8x8 booklet.
(image-type study)
Metal type set for printing. Part of a collection of old printing equipment on display at a local Richmond printer, Worth Higgins & Associates.
[MY TYPOGRAPHY PORTRAIT]
If you interested in my stuff, you should get to know me through this artwork! :)
Apparently, I don't show my face on this page that much, so... there it is!! My whole profile on my big fat face, lol
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Mình thực sự ko show mặt của mình lên page này nhiều lắm =))) Cho nên... ĐÂY!!
Bạn nào có hứng thú về tìm hiểu về mình - Bảo Trung (TBao) thì đọc nhé (không bắt buộc đâu) :))))
Tác phẩm: Mặt mình Typograpy =)))