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---- Angels & Demons (devil tries to tempt Saint Lucia, August 2018, Savoca - Sicily) ----
---- Angeli & Demoni (il demonio tenta Santa Lucia, agosto 2018, Savoca - Sicilia) ----
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this is a photographic narration that speaks of the eternal struggle that takes place between good and evil, which speaks of a dark period of history, speaks of the violence suffered by women but also by those who belonged to the poorest social classes, historical facts that have been handed down to us in the form of a story and associated-transmuted in the martyrdom of Saint Lucia, this is what happens in the town of Savoca (Sicily). This is a short and long report, I did in Savoca on August 2018 about the living representation of the martyrdom of Saint Lucia (patron saint of the city of Savoca); the cult of the young Saint of Syracuse seems to date back to the fifteenth century, under the influence of Spanish traditions. The commemoration of the history of St. Lucia occurs in two consecutive days, Saturday and Sunday: here I try to tell some times of the day on Sunday, a day during which the festival is held at the height of her beauty. And 'This is a historical event which speaks of Demons and Angels: Saint Lucy refused to marry a rich and powerful suitor (Lucy declared She was married in Christ), which reported the Christian faith of Lucia to prefect Pascasio that ordered his Praetorian Guard to drag Lucia with a rope to a place of prostitution; legend has it that the Holy became heavy, they then tried to drag it with the help of oxen, but it was impossible to move it from where he stood; failing in this, it was then given the order to cavarle eyes, but the young martyr (native of Syracuse) her eyes reappeared.
In the village of Savoca a young girl, affectionately called the "Lucy" is carried on the shoulder of a porter along the streets of the country (sitting on a pillow tied on the shoulder of a man, but in fact men are two); the young Saint remains impassive in the face of demonic temptations: the Devil, called in Sicilian dialect "u Diavulazzu, shake, shakes, turns his pitchfork in an attempt to "distract" the Saint.
The first day of this representation, on Saturday, in an old church in Savoca, the two girls who impersonate the Lucia, of the current year and the previous year, meet with the delivery of palm; the traditional event which we witness on Saturday, has all the appearance of an important rehearsal for the next day, on Sunday when the traditional festival will take place in all its beauty.
Sunday: on top of the procession there are the "Jews" (the emissaries of the prefect Pascasio) along with some Angels, is located immediately after the wagon drawn by two cows from which branches off a rope that will arrive to Saint Lucia (a girl of six years); between her and the cows there are Roman soldiers, who make their way through the crowd squirming like crazy; to hold the rope there are also male figures; the job of Devil (his mask is made of wood, whose invoice is dated, it seems, of the 400') is to distract the little Saint with the help of a long stick equipped of curved points, called "u 'croccu": Lucia hardly is deceived by the promises of the evil one, she will not abandon the state of her property concentration, aided in this by staring, almost in a trance, a small palm branch in silver , she brings devoutly in her hands.It's very important to mention the Baron Baldassarre (nicknamed Baron Altadonna), who applied without any hesitation the practice of Jus de seigneur: using this law the Baron obliged the young brides to spend the wedding night in his alcove. It 'very possible that in the representation of Saint Lucia of Savoca the character of the Devil tempting young Santa with his pitchfork, in reality is nothing but himself, Baron Altadonna, so allegorically described in this traditional Sicilian feast: the figure of the Devil if one takes into account what historians relate, does not belong more to the legend, but sadly to actual event happened. Post scriptum: the photographs, realized both on Saturday and Sunday, were organized and posted without taking into account the temporal chronology of what happened during the two days of the event; two photos of the mummy of Baron Altadonna have been included, which is located in the crypt of the Capuchin Fathers of Savoca; the portraits of two "Lucie" from previous editions, grandfather and great-grandfather of the "DIAVOLI" dynasty were included; the "silver palm" was delivered by Lucia of 2016 (Valentina), to the current Lucia (Miriana), in 2017 the event was not performed.
Ezio Famà.
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questa è una narrazione fotografica che parla dell'eterna lotta che avviene tra il bene ed il male, che parla di un periodo buio della storia, che parla delle violenze subite dalle donne ma anche da coloro che appartenevano alle classi sociali più povere, fatti storici che sono stati tramandati fino a noi in forma di racconto ed associati-trasmutati nel martirio di Santa Lucia, questo è quanto accade nel paese di Savoca (Sicilia). Questo è un report corto e lungo, che ho realizzato in quel di Savoca lo scorso mese di Agosto 2018, su quella che è la rappresentazione vivente del martirio di Santa Lucia (Santa patrona della città di Savoca); il culto della giovane Santa di Siracusa sembra risalire al XV secolo, sotto l'influenza delle tradizioni spagnole. La rievocazione vivente della storia di S.Lucia avviene in due giornate consecutive, il sabato e la domenica: qui tento di raccontare alcuni momenti della giornata della domenica, giorno durante il quale la festa si svolge nel pieno della sua bellezza. E' questa una rievocazione storica che parla di Demoni ed Angeli: la storia rievoca di quando la Santa, si rifiutò di andare in sposa ad un suo ricco e potente pretendente (essendosi dichiarata Cristiana e sposa in Cristo), il quale per vendetta riferì della fede Cristiana di Lucia al prefetto Pascasio; costui diede ordine ai suoi pretoriani di trascinare Lucia con una corda fino ad un lupanare, un luogo di prostituzione; la leggenda narra che la Santa divenne pesantissima, si tentò allora di trascinarla con l'ausilio dei buoi, ma fu impossibile smuoverla da dove si trovava; non riuscendo in ciò, fu allora dato l'ordine di cavarle gli occhi, ma alla giovane martire (nativa di Siracusa) gli occhi le rispuntarono. Nel paese di Savoca una giovane ragazza, chiamata con affetto "la Lucia" viene portata in spalla lungo le vie del paese (seduta su di un cuscino legato sulla spalla di un uomo; in realtà gli uomini portatori sono due, dandosi il cambio l'un l'altro); la giovane Santa rimane impassibile di fronte alle tentazioni demoniache: il Diavolo, chiamato in dialetto siciliano "u Diavulazzu, agita, scuote, fa ruotare il suo forcone nel tentativo di "distrarre" la Santa ma, vani saranno i suoi tentativi. Il primo giorno di questa rappresentazione, il sabato, in una vecchia chiesa di Savoca, le due bambine che impersonano la Lucia, dell'anno in corso e dell'anno precedente, si incontrano con la consegna della palma da una bimba all'altra; l'evento tradizionale al quale si assiste il sabato, ha tutto l'aspetto di una importante prova generale per il giorno dopo, quando la domenica la festa tradizionale avverrà in tutta la sua bellezza.La domenica: in cima alla processione ci sono i "Giudei" (gli emissari del prefetto Pascasio) insieme ad alcuni Angeli, subito dopo si trova il carro tirato da due giumente dalle quali si diparte una corda che giungerà fino a cingere il fianco della bimba che impersona Santa Lucia (una bambina di sei anni); tra lei e le giumente ci sono i soldati Romani, che si fanno largo tra la folla dimenandosi a più non posso; a tenere la corda ci sono anche delle figure maschili che evitano che gli strattonamenti dei soldati romani possano giungere fino alla Santa (ricordiamolo, che è legata a quella corda); davanti alla Santa piroetta il diavolo tentatore, u' Diavulazzu (la maschera è in legno, la cui fattura è datata, sembra, del 400'), il cui compito è quello di distrarre la piccola Santa con l'aiuto di un lungo bastone dotato di punte ricurve, chiamto dialettalmente "u' croccu": Lucia difficilmente si lascerà ingannare dalle promesse del Maligno, non abbandonerà quel suo stato di immobile concentrazione, aiutata in ciò dal fissare, quasi in stato di trance, un piccolo ramo di palma in argento, che lei strige devotamente tra le sue mani. E’ fondamentale menzionare tra i vari personaggi storici della tradizione, il barone Baldassarre, vissuto in Savoca in epoca medioevale, soprannominato barone Altadonna, che applicava senza remora alcuna la pratica della Jus primae noctis: avvalendosi di questa legge il barone obbligava le giovani spose a trascorrere la prima notte di nozze nella sua alcova. E’ fortemente ipotizzabile che nella rappresentazione di Santa Lucia di Savoca il personaggio del Diavolo che tenta la giovane Santa col suo forcone, in realtà non sia altro che egli stesso, il barone Altadonna, così allegoricamente descritto nella festa tradizionale siciliana: la figura del Diavolo, se si tiene conto di quanto narrano gli storici, non apparterrebbe più alla leggenda, ma a questo tristo personaggio realmente vissuto, che usava quotidianamente la moneta della prepotenza. Post scriptum: le fotografie, realizzate sia il sabato che la domenica, sono state organizzate e postate senza tenere conto della cronologia temporale di quanto avvenuto nei due giorni della manifestazione; sono state inserite due foto della mummia del barone Altadonna, che si trova nella cripta dei Padri Cappuccini di Savoca; sono stati inseriti i ritratti di due "Lucie" delle precedenti edizioni, del nonno e del bisnonno della dinastia dei "DIAVOLI"; la "palma d'argento" è stata consegnata dalla Lucia del 2016 (Valentina), alla attuale Lucia (Miriana); nel 2017 la manifestazione non è stata eseguita.
Ezio Famà.
The Wasp (Janet Van Dyne) is a character appearing in American comic books published by Marvel Comics. Created by Stan Lee, Ernie Hart, and Jack Kirby, the character first appeared in Tales to Astonish #44 (June 1963).
Janet van Dyne is usually depicted as having the ability to shrink to a height of several centimeters, fly by means of insectoid wings, and fire bioelectric energy blasts. She is a founding member of the Avengers and the one who gave them their name as well as a longtime leader of the team. She is also the ex-wife of Hank Pym and the stepmother of Nadia van Dyne.
The Wasp has been described as one of Marvel's most notable and powerful female heroes.
"A hundred years from now, when we're all dead and buried, there will be only two things that we're remembered for... what we did. And what we looked like. Our uniforms are as much a part of our legacy as anything we'll ever do." — The Wasp
Janet Van Dyne is a fashion designer and socialite who acts as the winsome super-heroine known as the Wasp. In order to avenge the death of her father at the hands of an extradimensional creature, she was exposed to the size-altering Pym Particles and was biologically modified by Dr. Hank Pym, a.k.a. the tiny adventurer Ant-Man. As the Wasp, she became Pym's crime-fighting partner, having the ability to shrink in size, fly with synthetic wings and fire energy stings. Alongside Pym, she became a founding member of the Avengers, being responsible for suggesting the name of the group.
The Wasp eventually married Pym, but their relationship would turn out to be a tragic experience after she became a victim of domestic violence. Having weaponized the pain of her hurtful divorce, she has become one of the most prominent, efficient and empathetic Avengers' leaders. During the Skrull Invasion, the Wasp had her powers tampered with to serve as a final attack for the aliens in the form of a living bomb. Her apparent demise was followed by the end of the war. She was later found lost in the Microverse by the original Avengers and has resumed her superheroic career.
More recently, the Wasp has been part of multiple activities in the super-hero community. She was a member of the Unity Division, an initiative aimed to integrate mutant and human super-heroes, and became a secret Agent of Wakanda, working closely with the Avengers again. Additionally, since witnessing Pym's apprent death, she has acted as an inspiring and motherly mentor to her stepdaughter, the new Wasp.
History
The Winsome Wasp
Janet Van Dyne was born into a wealthy family. Her uncle was textile magnate Blaine Van Dyne, and his wife was talented fashion designer Amelia. Her father was world-renowned scientist Dr. Vernon Van Dyne, while her mother was a vibrant and creative woman who unfortunately sustained an incapacitating brain injury in a car accident when Janet was a child. Trapped in a vegetative state for years, Janet's mother sadly withered away and died.
As a young woman, Janet Van Dyne lived the life of an opulent socialite, having grown an interest in pursuing an education in fashion design. Usually accompanying her father in scientific meetings, she met Hank Pym, a young and unconventional scientist who experienced frustration by getting ridiculed for his uncanny shrinking formula. Interested in Pym, she invited him to dinner when they first met. He initially rejected her advances due to being focused on his research and on mourning his late wife, but eventually started to go to casual friendly dates with Van Dyne. Simultaneously, Pym secretly implemented his work on himself, acting as the tiny super hero Ant-Man.
When Dr. Van Dyne perfected a gamma-ray beam device to contact another dimension, he accidentally summoned the horrendous Creature from Kosmos. Killed by the monster's biologically-produced formic acid, his lifeless body was horribly discovered by his daughter, who called Pym for help. As Ant-Man, Pym investigated the murder and was astonished by Van Dyne's bravery in wishing to avenge her father. Pym could not help but compare Van Dyne with his strong-willed wife. Deciding to reveal his secret identity to Van Dyne, Ant-Man also shared his intentions of having a partner in his adventures. Grafting synthetic wings and antennae that would protrude from her shrunken-down body, Hank Pym transformed Janet Van Dyne into the wondrous Wasp. Together, Ant-Man and the Wasp eliminated the extradimensional alien, the first of many feats that their partnership would give them.
As a crime-fighting duo, Ant-Man and the Wasp fought many villains, including recurrent figures such as Egghead and the Porcupine. The Wasp, with her savvy and cheerful attitude, proved to be crucially beneficial to Ant-Man's career, as she exhibited masterful competence as a super-heroine. Additionally, in between their adventures, she constantly expressed her wishes of becoming romantically involved with Pym, but kept being rejected by the gloomy widower. With a rising reputation as a charismatic celebrity, the Wasp also frequently entertained fans, hospital patients and even Hank Pym by telling them diverse fantasy stories.
Avengers, Assemble!
On patrol duty, Ant-Man and the Wasp eventually received an intercepted transmission cast by the Teen Brigade about a conflict involving the monstrous Hulk and the God of Thunder Thor. The fight had been in fact orchestrated by Thor's trickster brother Loki. Teamed up with Iron Man, Ant-Man and the Wasp clashed with the Hulk until Thor arrived with the defeated Loki, revealing the mischievous origin of the whole ordeal. With Loki defeated, the accidentally formed group of heroes unanimously agreed to found an official team. The Wasp came up with their colorful and dramatic name: the Avengers. As Avengers, Ant-Man and the Wasp were based at Avengers Mansion in New York City, but also maintained their activities as an independent duo, living at Pym Laboratories in New Jersey.
Deciding to augment his powers to be more useful to the Avengers, Pym designed a growth formula, revamping himself as Giant-Man. With his new abilities, Giant-Man went into action against the high-speed robber known as the Human Top. The Wasp assisted Pym with his training, which granted him success in capturing the Human Top. A vengeful Human Top grew jealous of the relationship between Giant-Man and the Wasp, gradually becoming obsessed with her gorgeous figure. Around this period, in order to improve the Wasp's performance in the field, Pym developed a "Wasp's sting" -- a compressed air wrist gun which fired long-range blasts.
Having adventures both on their own and as active Avengers, Giant-Man and the Wasp faced multiple adversities, clashing with enemies such as the Masters of Evil, Kang the Conqueror and Immortus the master of time. Emotionally, the two partners struggled to deal with their affection for each other. The opposite actions of an excessively playful Van Dyne and an emotionally closed Pym constantly ruined any chances of a calm relationship. In order to make Pym jealous, Van Dyne teased him about getting married to the social register Sterling Stuyvesant.
She regretted her actions after the duo combated the macabre Magician. Tensions escalated after Van Dyne felt rejected for accidentally damaging some equipment for one of Pym's projects. Deciding to leave Giant-Man, the Wasp abandoned their partnership. However, she was captured by the Atlantean barbarian Attuma. As Giant-Man came to her rescue, their combined size-changing abilities tricked Attuma into believing all surface dwellers had such powers, causing him to flee and rekindling their partnership.
Their relationship experienced another dramatic complication when the Avengers focused on the Maggia crime syndicate. Their secret leader Count Nefaria invited the Avengers to his castle under the auspices of a charity gala. With his true intentions revealed, the Wasp was critically wounded by a gunshot. Rushed to a nearby hospital with her lung punctured, Van Dyne's only hope lied in a Norwegian surgeon named Dr. Svenson. The Avengers were shocked to learn Svenson was actually a Kallusian alien hiding from their foes, the Yirbek, on Earth. Brought to America, Svenson performed the surgery on the Wasp, successfully saving her life.
Not long after, the Avengers defeated their archnemesis, the Masters of Evil and discussed the future of the group. The Wasp decided to take a leave of absence alongside Pym after her recent brush with death. Although they were not Avengers anymore, they maintained their partnership as a couple of independent vigilantes.
The Human Top's obsession with the Wasp escalated to the point that he kidnapped her in hopes of forcing her to fall in love with him. Tracking Van Dyne through her Wasp's cybernetic relays, Giant-Man reached the Human Top's hideout. Defeated by Giant-Man with the Wasp's help, the Human Top was handed over to the authorities. The stressful situation helped Pym to profess his love for Van Dyne, and they finally embarked on a romantic relationship. After this episode, they went into their first full retirement, got engaged to each other and dedicated their lives to scientific research.
Pym took on a job involving a deep-sea drilling operation to assess the origins of life on Earth, having Van Dyne as his assistant. Their operation caused earthquakes in Atlantis, drawing Namor the Sub-Mariner to attack their platform. Considering the savage Atlantean marching to New York City could be a threat, the Wasp decided to seek the Avengers out. En route, she was one more time captured by Attuma, who believed her to be a spy trying to stop his most recent plans to invade the surface world. The Wasp managed to break free and alert the Avengers, but in turn was restrained by the exotic Collector. The Avengers ultimately thwarted Attuma's plans for conquest.
With the Wasp missing, Pym contacted the Avengers for help and rejoined the group, rebranding himself as Goliath. Unexpectedly contacted by the Collector, the Avengers were challenged to come and get him at his secret hideout, where they battled through his various weapons as well as his minion, the Beetle. A defeated Collector teleported away with the Beetle.
The Wasp was freed, but Goliath found himself permanently trapped in his giant-sized form, a result of a long time with no practice with his powers. Deeply depressed, the freakishly gigantic Goliath pushed the Wasp away and even left the Avengers Mansion. However, when the team was captured by the Black Widow and her employees, the Swordsman and Power Man, the Wasp and Goliath fully returned to Avengers duty, easily trouncing their foes, who succeeded in escaping though.
Realizing that his old university professor Dr. Franz Anton could be a solution to his problem, Goliath secretly went to South America with hopes of a cure, where he found that Anton was a prisoner of the Keeper of the Flame. The Wasp and the Avengers tracked down Goliath and escaped with Dr. Anton. When Goliath finally asked Dr. Anton for aid, he told the hero that only one man could possibly help: Dr. Henry Pym. Pym slowly overcame his depression by getting used to his condition, much to Van Dyne's delight. However, their relationship experienced another minor turmoil after Pym decided to rudely dismiss her as his assistant, hiring biochemist Bill Foster to replace her.
As a public figure, due to her activities both as a socialite and as an Avenger, Van Dyne became the obsession of a new villain, her friend's ex-boyfriend Arthur Parks, the Living Laser. Seeking to win the Wasp's love, the Laser attacked Goliath at his lab, but the man-mountain easily defeated his foe, who then turned over to fellow Avengers Captain America and Hawkeye. The Living Laser broke free and made the Wasp and the Avengers his prisoners. Learning that the Avengers were in trouble, Goliath tracked the Laser down to his base. However, by the time he arrived the Living Laser had already absconded with the Wasp, trying to overthrow the nation of Costa Verde. The Avengers launched an attack against the Laser's forces. During the course of the battle, Goliath allowed himself to get captured. Previously regaining his shrinking powers with Foster's help, he was able to free himself and the Wasp. The Avengers then crushed the Living Laser's invasion.
When examining the robot Dragon Man as part of his initial studies on artificial intelligence, Pym was approached by Dragon Man's former controller, Diablo. Wishing to have the creature restored to life, Diablo took both Goliath and the Wasp prisoners. By threatening the Wasp's life, Diablo forced Goliath to build an army of Dragon Men in a plot to take over the world. The Avengers came to help, but Goliath was forced to fight his comrades as he did not wish the Wasp to get hurt. However, the Avengers' newest ally Hercules defeated Dragon Man and saved the Wasp, taking Diablo prisoner and destroying his castle. During this crisis, Van Dyne turned 23 and, as a consequence, fully inherited her family fortune, effectively becoming a millionaire.
Reinventing himself as Whirlwind, the Wasp's stalker previously known as the Human Top decided to get revenge against his old enemies. Taking on the false identity of "Charles Matthews", Whirlwind worked for the now millionaire Van Dyne as her chauffeur. This allowed him to know in detail when to strike the Avengers Mansion. Whirlwind made his move by using a shrinking ray to reduce the Wasp and Goliath down to ant-size and toss them into Pym's ants' habitat. Without any control devices and having their size-changing powers negated, the couple was forced to fend for themselves against the insects.
Eventually, Pym got to a miniaturized cybernetic control center and created an ant-controlling headpiece which allowed them to escape their death trap. Whirlwind was forced to flee when confronted by the other Avengers, but managed to keep his secret alter ego unrevealed. In order to get their minds off of this recent drama, the couple decided to take a short vacation trip to Las Vegas.
After many enemies, the Wasp and the Avengers met their most formidable foe in the form of Ultron, the living automaton. Masquerading as the macabre Crimson Cowl and manipulating the Avengers' butler, Edwin Jarvis, Ultron attacked the Avengers alongside a new group of Masters of Evil, which included Whirlwind. Helped by the Black Knight, the Wasp and the Avengers were victorious against the Masters. Ultron, however, managed to escape after revealing his true identity.
The humanoid machine continued to plot against the Avengers by sending a creation of his own to infiltrate Avengers Mansion: a synthetic man with ethereal abilities. Shocked by the lifeless and unearthly apparition inside her quarters, the Wasp verbally expressed the terror caused by such an inhuman "vision". As the other Avengers came to her rescue, the android was incapacitated and then analyzed. Adopting the name the Vision after the Wasp's reaction, the artificial man overcame Ultron's programming and led the Avengers to his former master's hideout. Ultron was apparently destroyed, but the mystery behind his hate against the Avengers remained.
During their investigation, the Avengers came upon the ruins of one of Pym's former laboratories, where Pym had access to records of himself creating Ultron, a consequence of his interest in artificial intelligence for studying Dragon Man. Ultron, having a fast-evolving intelligence, rebelled against his "father". As a final act during their fight, Ultron erased Pym's memory about his existence and left the devastated site. Later, Van Dyne found her debilitated partner, but only after all traces of Ultron had vanished.
Ultron's attack proved to have a deep impact on Pym's psyche. This was aggravated by a combination of his emotional repression and the chemicals he had inadvertently been exposing himself to, which triggered a schizophrenic episode. His memories of Hank Pym were submerged and his inhibitions were pushed to the fore. Developing a new identity as the chauvinistic Yellowjacket in order to antagonize Goliath's insecure attitude, Pym forged himself into an assertive lover to the Wasp.
Using his villainous new alias, he fabricated a story in which he believed he had defeated Goliath in battle, shrinking him down to size and leaving him to die at the hands of a spider. The grieving Avengers clashed with their teammate's "murderer", which ended with the heroes defeated and Janet Van Dyne as Yellowjacket's prisoner. When the Avengers came to the Wasp's rescue, much to their shock and surprise, she informed them that she intended to marry her obnoxious captor.
A bizarre wedding ceremony went through, and the catering staff had been unknowingly replaced by the Ringmaster and his Circus of Crime. Seeing Van Dyne in peril at the hands of the villains, Yellowjacket at first cracked under the pressure but then used Goliath's growing powers, revealing to his teammates that he was Hank Pym all along. The Circus of Crime was easily defeated by Avengers easily turned over to the authorities. With Pym's mind seemingly restored, the just-married couple was able to enjoy some happiness.
During their honeymoon, Pym deduced that his growing powers were partially responsible for his schizophrenic episode and decided to retire as Goliath in favor of maintaining his Yellowjacket identity, using his shrinking powers once again. With the end of their honeymoon, the Wasp and her husband accompanied the Avengers on a mission to rescue the Black Widow in the Caribbean, which turned out to be a trap set by Egghead, who continuously targeted the Avengers, seeking revenge against his old foes Hank Pym and the Wasp with no success.
Another ghost of the Pyms' past manifested in the form of a failed attack executed by a recovered Ultron. Following some other missions alongside his wife and the Avengers, Pym was eventually offered an assignment by the government to study in Alaska. Since he accepted the proposal, Yellowjacket and the Wasp permanently left the Avengers and resumed their activities as researchers.
While visiting the Avengers Mansion, the Wasp was shocked to find it occupied by the Liberators, an all-female group commanded by the warrior woman named the Valkyrie, who had managed to convince her associates to turn against their male teammates. The Wasp assisted the Liberators in interrupting a conflict between the Avengers and the Masters of Evil. With the Avengers overpowered, the Valkyrie was revealed to be the villain Amora the Enchantress and was fended off by the Liberators.
Later on, during one of their investigations, the Pyms lost contact with their research colleagues, being forced to become Yellowjacket and the Wasp to search for them. In the frigid Arctic, they found an atypically tropical environment. Unexplainably, Yellowjacket knocked the Wasp out and sent her back to safety. She contacted the Avengers to go to her missing husband's rescue.
Inside the dense jungle, the Avengers were attacked by the Kree Accuser Ronan, who had captured and devolved Pym and the other scientists into primitive beings, an experiment to facilitate his intentions of dominating Earth. Pym's affection for the Wasp prevented him from causing her any harm in his devolved state. Although Ronan would probably come out victorious by subduing all the Avengers, he was forced to abandon his plans upon learning the Kree Empire was under attack by Skrulls. With his base destroyed, Pym was restored to his former self and, alongside the Wasp, once again uttered his intentions of permanently retiring from his super-hero activities.
The Pyms eventually returned to New Jersey, where Hank kept on performing his studies as a chemist. Unfortunately, his experiments caused him to become permanently trapped in his ant-size form. After an arduous journey back home as the tiny Ant-Man, he learned that, in the days he was missing, Charles Matthews had taken advantage to get closer to Janet.
As she rejected Matthews, Pym managed to get her attention and reveal his recent and unfortunate condition. As Pym's lab assistant once again, Janet helped him to develop a cure. However, the pair was attacked by Matthews in his secret Whirlwind identity. Escaping Whirlwind, the Wasp also found herself trapped in her shrunken form from testing an antidote for her husband. The villain returned to the Pyms' house and the tiny couple had no choice but to abandon their home. With the building burned to the ground, the press assumed that the Pyms were killed in the fire.
Shrunken down as insects, the Pyms struggled to survive, being captured by a mad scientist called Boswell, who was a servant of his own mechanoid creation, the Para-Man. Ant-Man and the Wasp escaped, destroying Boswell's laboratory. However, in the process, Janet was mutated into a monstrous wasp-like creature as a side effect of the ineffective antidote. Behaving as a killer wasp, she attempted to murder her own husband. In order to defend himself, Ant-Man used his helmet to connect with her biology, reversing the transformation.
In their quest for help, the Pyms were then met by the nefarious Doctor Nemesis, who cured them only to blackmail Ant-Man into stealing technology from Avengers Mansion by holding the Wasp hostage. As Ant-Man rebelled, Nemesis was defeated, and the Pyms returned to their normal size and to their calm lives as researchers. Although retired, the couple of adventurers found themselves back in occasional super-hero activities, such as when protecting their ally Rick Jones from the Living Laser and the Lunatic Legion.
Pym's constant frustration as a failed scientist led to an erratic behavior that worried the Wasp, who in turn consulted a psychiatrist for help. Willing to revive their happier times, she decided to restore their super-hero careers. Claiming to have grown bored of her leave of absence, the winsome Wasp contacted the Avengers and asked to go back to active duty. Although Pym preferred to stay a mere scientist, he initially agreed to accompany his wife in the Avengers as Yellowjacket.
Almost immediately after their return, the Wasp was gravely wounded in an attack orchestrated by the Toad. At the hospital, she became an easy target for Whirlwind, who once again obsessively attempted to kidnap her. Failing after being met by the Avengers, Whirlwind tried to approach his victim as Charles Matthews. Finally, after years of deceit, Charles Matthews was outed as Whirlwind by Yellowjacket. With Beast's help, Whirlwind was defeated, which was followed by the Wasp's recovery.
The Wasp's excitement to resume her activities as an Avenger sporadically conflicted with Yellowjacket's apprehension and instability as a super-hero, although he remained with the team and the duo faced many dangers together. This led Yellowjacket to become interested in improving their super-abilities. However, before he could achieve his intentions, his instability escalated to the point that the Wasp found his laboratory in their home in Cresskill completely destroyed, with him nowhere to be found.
An amnesiac Hank Pym, in his Ant-Man persona, infiltrated Avengers Mansion and attacked his own teammates, being unable to recognize the newest Avengers due to his delusions. As the Wasp intervened, he was restrained and his recent mental issues exposed to the other Avengers. Returning home with the Beast, the Wasp was attacked and captured by Ultron, who in sequence apprehended Pym as well. In a Stark International's facility, Ultron set his macabre plan in motion by convincing a paranoid Pym to transfer the Wasp's consciousness into a metallic android body. Falsely alleging that the Wasp's life was at peril, Ultron in fact wished to activate a robotic bride for himself using Janet's brain patterns. The Avengers interrupted the process before its completion, but Ultron managed to flee, leaving Pym behind and completely insane.
Nevertheless, the Avengers succeeded in restoring Pym's psyche, and the couple took residence in a penthouse in Manhattan, where they came upon an injured Spider-Man and were subsequently attacked by the thermodynamic Equinox. During the ensuing battle, Yellowjacket was apparently slain, much to the Wasp's despair.
The grieving Wasp and Spider-Man were then met by Dr. Sorenson, Equinox's mother, who wished to activate a device to stop her son's rampage. In the Baxter Building, the trio was attacked both by Equinox and the malfunctioning building's defenses. Assisted by a pretty much alive Yellowjacket, the Wasp surprisingly knocked Equinox out with an upgraded version of her wrist sting. Yellowjacket revealed that he had engineered an improved Wasp serum that allowed her to convert the energy liberated during her shrinking into a powerful bio-electric blast. The process had been fully triggered by the stress of Janet witnessing her husband's apparent death.
Investing in her career as a fashion designer, Janet established links with New York City's posh high society. In her first exhibition, in Park Avenue, the criminal Porcupine and his lackeys attempted a robbery. Assisted by Nighthawk, the Wasp and Yellowjacket defeated the assailants. During the attack, one of the models wearing Janet's outfits, Carina Walters, simply vanished, sparking the heroes' curiosity.
The fate of Carina Walters was revealed only when the Avengers and their allies, the Guardians of the Galaxy, found her as a partner to the Guardians' enemy, Korvac. In between these events, the Wasp decided to move the female android created by Ultron to the Avengers Mansion as to keep it away from her house. There, the robot was activated. The Wasp and the other Avengers followed the artificial woman in an attempt to locate Ultron. Receiving the name Jocasta, Janet's robotic duplicate was influenced by her template's morality and turned against her creator, ultimately assisting the Avengers in destroying him.
Wishing to impress the Wasp with a birthday gift, Yellowjacket started to recraft Doctor Spectrum's Power Prism as a piece of jewelry. Before he could neutralize the artifact's dreadful properties, a curious Wasp tampered with the gem, being possessed and becoming the new Doctor Spectrum. Defeating some of the Avengers by deceiving them with the Wasp's form, Doctor Spectrum was incapacitated by the Vision. The Avengers then focused on how to separate the Power Prism from Janet Pym's body without injuring her. Their mission led to a battle against the Squadron Sinister and the former Doctor Spectrum. With the Avengers victorious, the Wasp was safe to celebrate her birthday party.
The Trial of Yellowjacket
Following Korvac's execution at the hands of the Avengers, Henry Gyrich reduced the Avengers' active roster under the National Security Council's orders. The Wasp was selected to compose the new formation, but Yellowjacket was not. For the first time in her career, the Wasp would act without Pym. Regardless, the couple dealt with the separation easily, as Yellowjacket was interested in focusing on his research. The Wasp's tenure with the Avengers was relatively tranquil for her, although she gradually grew distant from her husband. She also served with the Defenders under the Hellcat's request, a period when she was reunited with Yellowjacket in super-hero adventures.
When Avengers Mansion was invaded by a runaway inmate from the Solomon Institute for the Criminally Insane named Selbe, the Wasp was the one who stumbled upon him. Contrary to the other Avengers' opinions, she believed that there was something oddly unusual about the institute. With the disturbed Selbe hospitalized again, she secretly went to investigate the situation by herself.
Realizing the Wasp's intentions, the Avengers contacted Yellowjacket for help. In turn, Yellowjacket recruited the new Ant-Man to assist in the mission. The Wasp, trying to help Selbe escape, was captured by the institute's owner, Dr. Solomon. Yellowjacket and Ant-Man rescued the Wasp, learning the mental institution was actually a criminal academy run by the peculiar Taskmaster. The villain was defeated with the other Avengers' intervention, and the insect-themed trio was freed. As a consequence, Yellowjacket found himself closer to the Avengers again.
With Pym away when attending an electronics symposium in Tokyo, the Wasp was attacked at their home by one of Ultron's mechanical creations. Fleeing to Avengers Mansion, the Wasp had the Avengers' help in saving a captured Scarlet Witch and a mind-controlled Iron Man from Ultron, who was destroyed one more time. Soon after, under Captain America's decision to limit the number of active Avengers again, the team suffered with the resignation of several members. To keep the team functional, Hank Pym rejoined as Yellowjacket, once again working alongside his wife.
His comeback as an Avenger nurtured his wishes of thriving as a super-hero. As a nefarious consequence, he aggressively mistreated the Wasp, jealously believing himself to be diminished by her more successful career. At the same time, when the Avengers battled the Elfqueen, Yellowjacket blasted the opponent in the back during a lull in the fighting while Captain America wished to talk her down. The combat was ultimately solved by the Wasp's efficient actions. Charged by the Avengers for reckless behavior and having his credentials temporarily suspended until facing a formal court-martial, Yellowjacket experienced increased frustration, which triggered another nervous breakdown.
In order to prove his worth before his court-martial, Yellowjacket secretly designed a robot to attack the Avengers Mansion. His creation could only be defeated by him, and he expected to be seen as a hero in the eyes of his teammates. A few days later, the Wasp infiltrated his laboratory, feeling worried about his activities, and protested upon learning of his plan. Pym lashed out, brutally striking his own wife.
During his court-martial meeting, his plan went awry, since it was the Wasp who disabled the robot after Yellowjacket was overpowered by his own creation. Moreover, as the Avengers learned about his humiliating attack against the Wasp, Yellowjacket was expelled from the Avengers, leaving their headquarters in shame. Renouncing his name, Janet Van Dyne focused on her work as a fashion designer while arranging for a divorce. Pym soon approached her in their former house in Cresskill with absolutely no success in restoring their marriage.
After a short period of vacations in the Dominican Republic, the Wasp fully returned to the Avengers, proposing herself as the team's new chairwoman. In her first mission as the leader of the Avengers, she painfully had to confront Yellowjacket, who had been blackmailed by his nemesis Egghead into invading a Strategic Air Command base. Knocked out by the Wasp, Yellowjacket was arrested and sent to jail, being unable to link the attack to Egghead and prove his innocence.
Next, the Avengers were summoned to the planet Ba-Bani on Moondragon's request. As a peacemaker in Ba-Bani, Moondragon demanded their help to stop a rebellion. Soon, the Avengers learned about her elaborate deception to trick them, as the behavior in Ba-Bani had been telepathically staged by Moondragon, who in turn forced Thor to attack the Avengers. Joined by Drax the Destroyer, the Wasp effectively led the Avengers to put an end to Moondragon's irresponsible mind-controlling rule.
Considering the inclusion of new Avengers after the crisis with Moondragon, the Wasp invited several super-heroines to her home to discuss possible memberships, as she was interested in having more female teammates. The meeting was interrupted by Fabian Stankowicz a.k.a. the Mechano-Marauder, who was easily defeated by the Wasp and her friends. As a result, the sensational She-Hulk accepted the Wasp's offer to become an Avenger, and the two became good friends.
Another offer was made to the new Captain Marvel, who became an Avenger-in-training on the Wasp's recommendation. As for her personal life, Janet Van Dyne caught the interest of her teammate, Iron Man, who saw in her many similarities to his lifestyle. In his Tony Stark playboy identity, Stark easily approached her, since they frequented the same upmarket spaces. Within weeks, they embarked on a vibrant relationship, without the Wasp knowing Stark was actually her long-time ally Iron Man though. Stark's scheme led Captain America and Thor to call him out. Upon learning the truth, Van Dyne disappointedly decided to interrupt their up-and-coming love story.
Around this period, after escaping prison, Whirlwind replaced the Wasp's chauffeur in order to get closer to her again. His failed plan attracted the attention of the Avengers not only to himself but also to the new Masters of Evil, who had been reformed by Egghead. Days later, as Pym faced his trial for treason, Egghead sent his Masters of Evil to break into the courthouse and stage a situation in which Pym would be seen as a villain.
The Avengers failed to prevent Pym's abduction, and a horrified Wasp witnessed her ex-husband leave with their enemies. However, the Shocker, one of the Masters, was captured by the Avengers and revealed Egghead's involvement. Pym's reputation was partially cleared, and the Wasp led the Avengers to save him from the Masters of Evil. With Egghead killed in action and the Masters of Evil apprehended, Pym was proven innocent of being a traitor. At Avengers Mansion, Van Dyne and the Avengers decided to probe into Pym's psyche with his consent in order to look for any potential mind control, but found none.
Finally taking responsibility for his past mistakes, Pym rejected the Yellowjacket equipment for good. Before he permanently left Avengers Mansion, Van Dyne came to terms with her ex-husband, finally completing her grieving process and being able to hope for future joy. In time, Van Dyne and Pym were able to form a friendship.
Following Pym's departure, the Wasp had to cope with the death of Jocasta and the resignation of Iron Man, who had succumbed to alcoholism. Fortunately, the challenge of being the Avengers' chairwoman helped her feel alive. Her competence and cheerful attitude as an empathetic and savvy leader to the Avengers made her a publicly beloved heroine and an influential figure. In addition to many successful missions, her keen social skills also proved to be highly beneficial to the Avengers, as she tactfully managed to reduce government bureaucracy by being in direct contact with the White House.
Comprising the group of super-humans summoned to Battleworld by the Beyonder, the Wasp and some other Avengers took part in his Secret Wars experiment. Upon arrival, the Wasp was cautious about Magneto, who was also among the abducted heroes. As the Avengers clashed with him, she was captured. Apparently seduced by Magneto, Van Dyne revealed she had played along to find out his plans. Evading Magneto and his new allies, the X-Men, she escaped in an alien aircraft and took refuge with the outcast Lizard.
Unfortunately, the Wasp was mortally wounded by the Wrecker when the Wrecking Crew was dispatched by Doctor Doom to retrieve the Lizard. Left in a death-like state, she was ultimately revived by the alien healer Zsaji, being then transported to Earth as the war ended with Doctor Doom's defeat.
On Earth, while the Wasp was part of the Beyonder's experiment, the Vision, who had been recently repaired by the Titanian intelligence I.S.A.A.C., suspiciously took control of the Avengers. Upon her return, the Wasp decided to step down as chairwoman in favor of the Vision's leadership.
Bored with a sudden lack of responsibilities, Van Dyne momentarily found in her teammate Starfox a good partner to enjoy frivolous parties in their free time. During one of their escapades, they found themselves in the Eternal city of Olympia by following their kidnapped party hostess, Sersi. The other Avengers tracked them down and went to their aid as the Eternals were attacked by Maelstrom.
Enjoying her life to the fullest, Van Dyne took another vacation period in the Caribbean, where she met her old friend Tinky Weissman and the charming Paul Denning, the latter secretly being the hitman known as Paladin. As the Wasp, she learned the identity of Paladin's target in the Caribbean: Weissman's partner, the nefarious Baron Brimstone. Although initially believing the Baron to be a victim, the Wasp realized his vile and criminal intentions and teamed up with Paladin to stop him. During the fight, Paladin revealed his true identity and occupation to the Wasp, and she decided to maintain their romance regardless.
Around this period, Van Dyne became a shareholder of NEVELL Industries. When a trade union leader who was against NEVELL was murdered, Joe Robertson, the editor of the Daily Bugle, sent Peter Parker to cover the story. As Spider-Man, Parker reached Van Dyne to help him investigate the case. They came to the conclusion that drug-lord Vince Granetti might be responsible for the killing. While Van Dyne bureaucratically dealt with the situation, Spider-Man came for Granetti, being attacked by his employee, Paladin. Paladin left Spider-Man under Granetti's orders to convince Van Dyne to sell her stocks. As they met, he asked her to stage a fight to protect his reputation, and she flirtatiously played along. Then, the Wasp, Paladin and Spider-Man teamed up to put an end to Granetti's criminal activities and blackmailing.
The Vision's tenure as the Avengers' chairman turned out to be a failure, since I.S.A.A.C.'s influence caused him to seize control of the entire world's computer systems, leading the National Security Council to revoke their security clearance.
After the Wasp returned from her vacation, the Avengers asked her to return to her position as chairwoman, which she gladly accepted taking into account the Vision's previous machinations to make her renounce. New teammates were now placed under her supervision, such as the Black Knight, who would develop an unrequited crush on her, and Hercules, who would chafe at being given orders by a woman.
After many missions with the Avengers, the Wasp tried the possibility of keeping her flight powers at almost full human size with the Black Knight's assistance. This came in handy when she found a prowler inside her house in Cresskill. The robber acquired Pym's gear, becoming the new Yellowjacket. The Wasp knocked the villain out and got her arrested. Meanwhile, Hercules gradually increased his hostile feelings against the Wasp, as a result of her commands for him during battles.
The most serious test to the Wasp's leadership ability came when the Masters of Evil, now under Baron Helmut Zemo's leadership, struck against the Avengers by gradually undermining their operations. As part of their plan, the Wasp was put in direct combat against Moonstone, followed by a fight against Yellowjacket, the Screaming Mimi, and the Grey Gargoyle during a prison break attempt when she was aided by her lover, Paladin.
The culmination of the Masters of Evil's act was Avengers Mansion being conquered. The Wasp and Captain America attempted to furtively infiltrate the under-siege mansion, but their plan was foiled by the undisciplined and disrespectful Hercules, who got beaten into a coma by the Masters after going into open conflict with them. Being the only free Avenger, the Wasp found herself hopeless. She was then contacted by Ant-Man, who learned about the crisis.
At the hospital where Hercules was admitted to, Ant-Man and the Wasp were unsuccessfully attacked by the powerful Masters Titania and the Absorbing Man, who had been sent to finish Hercules off. Next, it was up to the Wasp to assemble the Avengers again and mount an assault to retake the mansion. Joined by Captain Marvel and Thor, the Wasp stroke back, rescuing the trapped Avengers, who in turn put an end to Zemo and his Masters of Evil.
Overtaken by the pressure of the siege to the Avengers Mansion, Janet announced her resignation as the Avengers' chairwoman, going to reserve status. Her need of having time for herself was not fulfilled, though, as she was abducted by the goddess Artemis under the orders of Hercules' father Zeus, who blamed the Wasp for his son's condition. The Wasp and the rest of the Avengers stood against Zeus on Olympus until the gods saw sense and ended the hostilities. After making amends with Hercules, the Wasp returned home safe and sound and said a final goodbye to her old teammates.
West Coast Avengers
With Iron Man leaving the Avengers' West Coast branch as a result of having his technology usurped and acting erratically, the wondrous Wasp offered her support to the team. This meant to be working alongside Pym again, who had become associated with the group. Although their leader Hawkeye was initially distrustful of Janet's intentions, she was welcomed to the group after a trip to the Grand Canyon.
The drama of rejoining her ex-husband escalated when he was targeted by a legion of his very first enemies in Central Europe. The initial attack comprised Pym getting access to intel that his late wife was alive. During the fights, Janet closely assisted Pym, who in turn managed to restore her prosthetic antennae, allowing her to control insects.
As one of the masterminds behind the operation was revealed to be the traitorous Quicksilver, the Avengers were briefly captured by the new Doctor Doom in Latveria. When captive, Pym and Janet grew closer, although she was explicitly adamant about sustaining their divorce.[148] With Quicksilver and the villains defeated, Pym decided to dedicate his energy to saving his debilitated ex-wife, earning the Wasp's support and admiration for that.
Less involved with the Avengers compared to the past, Janet focused on being a businesswoman for Van Dyne Industries, although she would still experience astonishing adventures, such as when she recognized and disabled the Red Ronin robot in a Stane International hardware exposition.
In the West Coast Avengers missions, the Wasp proved, as usual, to be an efficient and reliable player, frequently being a voice of reason in the team, even advising her teammates on personal matters. Although she did well, the same could not be said about her teammates, especially the Vision and the Scarlet Witch, who had their lives ruined by the successful machinations of Immortus, costing them the lives of their twin children, a tragic event that the Avengers could not prevent.
The Scarlet Witch's vulnerability made her an easy prey to Immortus, as she eventually succumbed to villainy and associated herself with Magneto and Quicksilver. The Wasp was momentarily captured by Magneto, but saved by the other Avengers, who then managed to fend Magneto off. Next, the Avengers went to war against Immortus, who was defeated after the Scarlet Witch broke free from his influence. Although the Avengers returned home alive, they were forever scarred by the tragedy.
By chance, when dealing with a flat tire, Janet and Pym came upon a wheat farm secretly run by Ultron and found some of his robotic creations. Some of the Avengers tracked Ultron down, but were kidnapped and technologically forced by Ultron to attack their own teammates. Freed by the Scarlet Witch, the Avengers prevented Ultron from causing a massacre in the Rose's parade. Immediately after this incident, as the West Coast Avengers had their roster reformed; both Pym and Janet decided to resign from active status, each one going their separate ways.
In Hollywood, Janet contemplated working as a screenwriter, but it did not work out as expected. As the Wasp, she returned to the East Coast as a reserve Avenger, and, in times of need, reassembled with her former friends to combat evil. She even teamed up with Pym and the Hulk to overcome one of Loki's pawns, the mad Knut Caine.
Monster Wasp
Out of the Avengers, Janet was slightly afflicted by tormenting thoughts about Pym and their troublesome relationship. To remedy her frustration, she went into a high-society life, ostentatiously enjoying her fortune. However, no ordinary life could match her previous experiences as an Avenger. Instead, she decided to reactivate her fashion career; her comeback was celebrated with a first-class ball, which was party-crashed by a gigantic Pym.
Janet was subsequently introduced by Pym and Bill Foster to Project B.I.G., an orchard engineered to produce super-sized crops, which also counted with enormous insects. Sometime later, the immense bugs went berserk and attracted the attention of the military. Defeated and apprehended, Pym was sent to a mental institution run by the government, while Foster and Ant-Man worked on a solution for the mutations afflicting Pym Particle subjects. Janet herself experienced an exponential size growth and a mental breakdown during a therapy session with Dr. Rossin.
Pym was set free with Captain America's intervention, and the Avengers attempted to restrain the rampaging giant-sized Wasp. As Pym learned who the authors of the recent incidents were, namely creatures from Kosmos and Erik Josten, the villains were defeated. Janet recovered, rekindling her ties to Pym and the Avengers.
Added to her difficulties with Pym, Janet unexpectedly went bankrupt, learning days later through her lawyer that Tony Stark was responsible for sabotaging her finances. Janet openly confronted Stark for cleaning her out, and the Avengers realized, considering other incidents as well, that Stark might be an enemy.
This was confirmed when he attacked the team as Iron Man. In order to protect Hercules, Janet took a repulsor beam fired by Stark and was mortally wounded. Attempting to heal her injuries, Pym redundantly exposed Janet to the procedure that originally gave her super-powers. The process triggered a profound transformation, with Janet being morphed into an almost completely wasp-like form. In perfect health, the monstrous Wasp joined the Avengers in their war against Stark. Corrupted by Kang the Conqueror, Stark was replaced by a teenage version of himself from an alternate past before perishing in battle. Following this fundamental crisis, the Wasp rejoined the Avengers full-time.
Coping relatively well with her new form, the Wasp exhibited an outstanding performance in missions for the Avengers. However, despite her apparent comfort, Pym was worried about her condition and inadvertently tagged the Wasp with a transceiver in order to monitor her. Having learned about his intervention, an enraged Wasp called him out and expressed her desire to be the only person in her life to take care of herself. Soon after, the Avengers were contacted by Nate Grey, who alerted them about Professor X's insane transformation into Onslaught. The Wasp was among the Avengers who sacrificed themselves to absorb the energy of Onslaught, but not before making amends with Pym.
Heroine Reborn
In reality, the heroes were shunted to an alternate dimension created by the unconscious actions of Franklin Richards. In this pocket reality, the Wasp worked closely with the Avengers. Although the Avengers had not fallen in the battle, the world mourned their apparent death for months. Upon the eventual return of the heroes to their home reality, the Wasp maintained her human appearance and rekindled her romantic relationship with Pym.
The founding members of the Avengers soon reassembled in the Avengers Mansion to reform the team in face of bizarre mystic crises all over the globe. Their adversary was revealed to be Morgan le Fay, who cast a reality altering spell, reshaping the whole world into a medieval setting and transforming the Avengers into her personal guard, the Queen's Vengeance. In this brand old world, the Wasp was "Pixie", but was able to see through Morgan's illusion alongside a few other Avengers.
Forced to fight their brainwashed allies, the Avengers were successful in defeating le Fay and restoring reality back to normal. Back to the mansion, the Wasp announced her leave of absence with Pym, as she wished to rebuild her investments.
When the Destiny Force within Rick Jones was triggered again, Immortus schemed for his destruction. Using his abilities, Jones brought forth champions to protect him. The Wasp and Pym, who had gone back to his Goliath identity, found themselves part of a diverse team composed of Avengers from various moments in time. Annoyingly, one of their teammates was Pym himself, removed from his Yellowjacket era. The Wasp took leadership of the time-displaced Avengers, who were unusually assisted by Kang in defending Jones.
Travelling through the timestream, the group met different moments and possibilities of their history while counter-attacking Immortus and trying to prevent the Time-Keepers from wiping out different timelines to incapacitate the Destiny Force. In the end, by assembling dozens of Avengers, Jones ended the threat of the Time-Keepers and the heroes returned to their proper time.
The Wasp soon returned to full active duty as an Avenger after Pym was attacked by Ultron in his laboratory at Nugent Technologies. Coming to the Avengers in person since her communicard had been damaged, she was led to a Wakandan adamantium plant, where the Avengers fought Alkhema and learned Ultron had made a move to raze the nation of Slorenia. When searching for Pym, the Avengers were attacked by an army of Ultron replicas, who abducted those considered to be his family, including his "mother", the Wasp.
Ultron's scheme to create an artificial society was shattered by the Avengers as he was destroyed by Pym himself. The Wasp and Goliath stayed with the Avengers after their last conflict with Ultron. Stepping up to active status again, the Wasp was further appointed as chairwoman when a new roster of Avengers was formed, personally inviting her friend the She-Hulk to the team once more.
Working as a super-hero with the Avengers again, Janet soon realized the fragility of Pym's mental health since, in one of their first missions, traces of his Yellowjacket personality emerged. Unbeknownst to the Avengers, the Pym Particles in Goliath's body spawned a replica of his body, which was manifested as Yellowjacket.
Expanding the Avengers' operations, the Wasp led the Avengers in many different battles facing diverse threats, but none compared to a world-level invasion staged by Kang the Conqueror. As part of his first and very serious strike, the Wasp witnessed Kang destroy United Nations Headquarters.
Dealing with several crises around the globe, the Wasp and her Avengers had the additional preoccupation of facing the resurgence of Yellowjacket, who had kidnapped and replaced his Goliath counterpart. Unable to maintain his corporal integrity, Yellowjacket was tended by the Wasp.
At Avengers Mansion, he revealed the truth about Goliath and asked the Wasp to rescue him before both of them vanished. Helped by Triathlon and the Triune Understanding, Janet communed with both Goliath and Yellowjacket, assisting Pym to merge his conflictual psyche. Concurrently, Kang's actions were unstoppable and, among so much destruction, the Wasp had no other choice but to surrender to his will, formally signing Earth's submission to the conqueror. In time, the Wasp and the Avengers reassembled to assault Kang, putting an end to his invasion, though with difficulty.
Yellowjacket and the Wasp stayed active together as Avengers for sporadic missions. They also took opportunities to explore their romance. In Las Vegas, during one of their tours, Pym proposed to Janet, who rejected the idea of being married to him again. The couple was interrupted by a vicious Whirlwind, who was knocked out and detained. Back to the Avengers, the Wasp tried out the growth properties of the Pym Particles, occasionally going on field as Giant-Woman, although she clumsily faced difficulties in transitioning from different sizes. Additionally, her relationship with Pym struggled with her resentment for his past actions and behavior, leading her to seek comfort with her teammate Hawkeye. When Pym learned about his ex-wife's affair with Hawkeye, their relationship was gravely damaged.
One day, when discussing her new relationship with Hawkeye, Janet offhandedly remarked on the Scarlet Witch's lost children, igniting a mental breakdown that caused the Scarlet Witch to turn against the Avengers. Ruined from within, the Avengers experienced several deadly incidents, such as the Wasp being put out of commission by a rampaging She-Hulk. In a deep coma in her micro-sized state, she was tended by Pym.
Recovered and appreciating his care, Janet decided to give another opportunity to the damaged relationship with her ex-husband while the Avengers, being completely destroyed by the Scarlet Witch, disassembled permanently. In order to live a civilian life, Janet accompanied Pym to Oxford. Living in England with Pym proved to be a poor choice for Janet, as the couple realized that they led totally incompatible lifestyles. Their damaged relationship came to an end when Janet abandoned their apartment in the middle of the night. When trying to contact Pym, Janet was surprised by a young woman in their apartment, which inspired her to cut off any ties to Pym. Unbeknownst to Janet, Pym's lover was in fact a Skrull in disguise, who had just succeeded in adopting his identity.
Back to America, Janet refined her studio to create super-hero costumes. As the Wasp, she was summoned alongside other super-humans in a similar fashion such as the Beyonder's secret wars. One of her fellow allies was Pym, whom she still found herself unable to reconcile with. The kidnapped group, being expected to fight to the death by their mysterious kidnapper, were tactically commanded by the Wasp when coming across threats. In a dramatic turn of events, Pym seemingly disintegrated all of his peers, including the Wasp. This provided him with direct contact to their aggressor, the Stranger. Pym then revealed that he had actually shrunk the other heroes down rather than eliminating them, tricking the Stranger. With the help of the new young hero Gravity, who gave his life to ensure their escape, the group was able to return home to Earth.
Supporting the implementation Superhuman Registration Act as a hero who had always been open about her identity, the Wasp joined Iron Man's Pro-Registration Super-Hero Unit. Hosting a reality TV show named America's Newest Superhero, Janet used her popularity to advocate the registration. The ideological differences with Captain America and his opposing Secret Avengers led to a brutal super-hero Civil War. The Wasp was distraught when her long-time friend Bill Foster was killed in battle when opposing Iron Man's forces. At the end of the war, a victorious Iron Man reformed the Avengers under the Initiative program.
Iron Man and Ms. Marvel recruited the winsome Wasp to their a mighty team of Avengers. In their first operation, the Avengers retaliated against the Mole Man and his biological aberrations, who were subsequently stressed out by bizarre weather and geological phenomena. During the battle Iron Man had his armor infected, transforming himself into a cyborg version of Van Dyne. The Wasp realized the Avengers, once again, faced Ultron and, with no other choice, resorted to contacting her ex-husband for help.
Ultron easily outperformed the Avengers and S.H.I.E.L.D., causing chaos all over the globe with Starktech's weather control technology. Wearing Janet Van Dyne's appearance, he hacked broadcast systems to announce organic life's doomsday. The Avengers decided to act unpredictably by sending one of their own, the god of war Ares, to disable Ultron from within at microscopic size. The plan was successful with the Wasp rescuing Ares from a terrible fate at the last minute. Fighting Ultron did little to remedy Van Dyne's ruined friendship with Pym.
Still, he decided to present her with a new growth formula that would allow her to change sizes easily. This new ability came in handy when the Avengers fought a symbiote infestation in Manhattan. The gigantic Wasp was momentarily infected by the aliens but was soon cured by the Avengers, who pinpointed the source of the attack in Latveria. In retaliation, the Avengers invaded Latveria, defeated Doctor Doom and arrested him.
In addition to evil threats, the Avengers also clashed with the outlawed Avengers who avoided registration. The two opposing groups found, however, a common enemy when investigating a Skrull spaceship in the Savage Land, evidence that Earth had been gradually infiltrated by the aliens in the past years. As Skrull sleeper agents were activated all over the world, a invasion was set up. The Avengers were taken back to New York City by Reed Richards to confront the Skrulls in a final battle, when the Wasp learned that Pym was in fact the Skrull warrior named Criti Noll.
In a desperate and suicide attempt to change an imminent defeat, Criti Noll activated his contingency plan: the Wasp. The growth serum given to Van Dyne earlier had been tampered with in order to transform her into a monolithic, explosive bio-weapon on command. To minimize the damage of the Anti-Pym Particles, Thor scattered the Wasp's physical form, supposedly mercy-killing her. Her teammates avenged her death by defeating the remaining Skrulls. Following the war, the real Pym was rescued. In order to honor his late wife's memory, Pym adopted the alias of the Wasp and formed a new team of Avengers.
In fact, the Wasp was not dead, but actually trapped in the Microverse. For a long time she fended for herself, evading enemies with aims of calling for help. She ultimately signaled Avengers Tower using her Avengers' Priority Card. The emergency beacon was received and pinpointed by the original Avengers, who traveled to Microverse to retrieve her. There, they found the ruthless ruler of the area that the Wasp was in, the monstrous Lord Gouzar.
The Avengers escaped Gouzar by subduing his forces, but were followed by him to Earth. In an epic battle, the dictator was knocked out and sent back to his dimension. Returning home safe and sound, the Wasp invited the Avengers, past and present, to celebrate her comeback.
The Wasp's return took place shortly after the war between the Avengers and the X-Men. In order to improve the tense relations between the two groups, the Avengers assembled an uncanny team comprising human and mutant members, the Unity Division. The popular Wasp was invited to join the ranks of the new initiative, based at Avengers Mansion. She confessed to expect dramatic challenges, which were somehow proved true by Rogue's malicious attitude as a mutant Avenger. On the other hand, in team leader's Havok, Janet found a charming teammate. Attempting to improve mutant perspective and collecting funds for the team, Janet designed the "Unity" label, comprising emulating aspects of mutant fashion.
With the detonation of the Terrigen Bomb, latent Inhuman abilities were triggered all over Earth. As a consequence, the Wasp and the Avengers came upon an Inhuman-related incident regarding a gigantic man surrounded by a devastated area with his family and neighbors missing. Based on his explanations, Janet theorized that his Inhuman wife had the ability to transfer matter, enlarging objects by exchanging their mass with others, which would then be shrunken down. The Wasp then arduously returned to the Microverse one more time by being boosted by the Scarlet Witch. After overpowering Lord Gouzar, she rescued the distressed victims.
The Avengers Unity Division met one of their biggest foes in the form of the Apocalypse Twins, mutants who, after being traumatized by their caregiver Kang the Conqueror, intended to obliterate Earth and recreate it as a mutant planet. Their ideals of supremacy caused some of the Avengers, including the Wasp, to mistrust the activities of their mutant teammates, damaging the sense of unity of the group.
The divided team tried to stop the villains independently, facing their vile Horsemen of Death in the process. Although the Wasp performed well against the Sentry for instance, the Avengers could not prevent the Apocalypse Twins from being successful in their genocide. With Earth destroyed by the Celestial Exitar, all mutantkind resettled in Planet X being ruled by Eimin.
As the sole human who had survived the whole ordeal, the Wasp became a fugitive resistance warrior alongside Havok, whom she married. Having only Hank McCoy as an ally, the couple struggle to survive for years, being the only ones who knew about Eimin's true story and unable to time-travel due to a Tachyon Dam device. Moreover, Janet had a child with Havok, named Katie.
One day, when fighting X-Force, Janet was apprehended by Magneto, but not before destroying the Tachyon Dam. The hopeless war could change after Thor and Kang the Conqueror, alongside the latter's Chronos Corps, joined forces with Havok to depose Eimin and restore history. In order to protect Katie from being erased by alterations in the timeline, Kang caused her to be lost in time and space, out of her parents' reach. Meanwhile, the Wasp rejoined her husband in a ruse orchestrated by Eimin. After bringing the fight directly to Eimin and causing her rule to fall, Kang sent the memories of the surviving Avengers to the past in order to prevent Earth from being destroyed.
Back to the past with the knowledge of what would transpire, the Avengers set their plan to stop Exitar in motion. During the mission, the Wasp even managed to convince the Sentry to protect Earth. However, Kang showed his true colors by taking advantage of the situation to absorb Exitar's celestial energies and conquer Earth instead.
Assisted by Immortus and his Infinity Watch, the Avengers defeated Kang at tragic costs: Havok was left severely disfigured and Katie was forever lost in time. For weeks, Janet tried to come to terms with the loss of her daughter with no success. After Havok recovered, the couple was approached by a benevolent Immortus, who, wishing to ease their pain, revealed that Katie could be conceived again but also that a plagued future was coming in the horizon.
Immortus' predictions were confirmed when the Red Skull, after turning Genosha into a mutant concentration camp and ascending as the Red Onslaught, telepathically broadcasted hate all over the world. Avengers and X-Men alike joined forces to defeat the Red Onslaught. During the fight, a magic spell cast by the Scarlet Witch and Doctor Doom accidentally inverted the moral axis of numerous heroes and villains, and the Wasp and other Avengers became tyrants.
Alongside the other inverted Avengers, she dishonestly incapacitated many other heroes. However, she was betrayed by a villainous Captain America, who wished to use her Pym Particles to remove any opposition to his plans. She was retrieved by Havok and the inverted X-Men led by Apocalypse, who stormed the Avengers Tower.
The X-Men planned to detonate a gene bomb which would kill every non-mutant person on Earth. Havok tried to convince his allies to spare the Wasp's life. As the catastrophe was prevented, Havok tried to escape with the Wasp, claiming to have defused the bomb. Realizing his deceit, the Wasp turned on him and rejoined the inverted Avengers to prevent a potential reinversion of the affected heroes and villains. Nevertheless, a reinversion spell was cast, and the Wasp returned to her former self. However, Havok did not, by being shielded by Iron Man. To escape from the heroes, the evil Havok took the Wasp hostage and disappeared.
Somehow, the Wasp managed to break free from Havok and soon rejoined the Avengers, once again working side by side with Pym. Pym exhibited a brand-new extreme intolerance against artificial intelligence, as shown when the Avengers opposed the Descendants and Pym coldly turned them off. Matters escalated when Starfox sought for the Avengers' help since Ultron had taken control of I.S.A.A.C. and Titan, with infectious transmuting spores that carried the Ultron Virus.
The infected Avengers, including the Wasp, were transformed into robotic beings. During the clash, Ultron was stopped by merging with Pym into a single being that fled to space in terror after realizing his contradictory existence. At the Avengers Mansion, Janet organized a funeral for her ex-husband. Being the executor of his estate, Janet decided to treat Pym as legally dead. As part of his testament, she inherited Pym Laboratories and provided Ant-Man with one of Pym's microscopic labs, keeping his legacy of his work alive.
⚡ Happy 🎯 Heroclix 💫 Friday! 👽
_____________________________
A year of the shows and performers of the Bijou Planks Theater.
Secret Identity: Sarah Rushman
Publisher: Marvel
First appearance: Tales to Astonish #44
(June 1963)
Created by: Stan Lee (writer)
Jack Kirby (artist)
---- Angels & Demons (devil tries to tempt Saint Lucia, August 2018, Savoca - Sicily) ----
---- Angeli & Demoni (il demonio tenta Santa Lucia, agosto 2018, Savoca - Sicilia) ----
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Qi Bo's photos on Flickr Hive Mind
www.worldphoto.org/sony-world-photography-awards/winners-...
www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
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this is a photographic narration that speaks of the eternal struggle that takes place between good and evil, which speaks of a dark period of history, speaks of the violence suffered by women but also by those who belonged to the poorest social classes, historical facts that have been handed down to us in the form of a story and associated-transmuted in the martyrdom of Saint Lucia, this is what happens in the town of Savoca (Sicily). This is a short and long report, I did in Savoca on August 2018 about the living representation of the martyrdom of Saint Lucia (patron saint of the city of Savoca); the cult of the young Saint of Syracuse seems to date back to the fifteenth century, under the influence of Spanish traditions. The commemoration of the history of St. Lucia occurs in two consecutive days, Saturday and Sunday: here I try to tell some times of the day on Sunday, a day during which the festival is held at the height of her beauty. And 'This is a historical event which speaks of Demons and Angels: Saint Lucy refused to marry a rich and powerful suitor (Lucy declared She was married in Christ), which reported the Christian faith of Lucia to prefect Pascasio that ordered his Praetorian Guard to drag Lucia with a rope to a place of prostitution; legend has it that the Holy became heavy, they then tried to drag it with the help of oxen, but it was impossible to move it from where he stood; failing in this, it was then given the order to cavarle eyes, but the young martyr (native of Syracuse) her eyes reappeared.
In the village of Savoca a young girl, affectionately called the "Lucy" is carried on the shoulder of a porter along the streets of the country (sitting on a pillow tied on the shoulder of a man, but in fact men are two); the young Saint remains impassive in the face of demonic temptations: the Devil, called in Sicilian dialect "u Diavulazzu, shake, shakes, turns his pitchfork in an attempt to "distract" the Saint.
The first day of this representation, on Saturday, in an old church in Savoca, the two girls who impersonate the Lucia, of the current year and the previous year, meet with the delivery of palm; the traditional event which we witness on Saturday, has all the appearance of an important rehearsal for the next day, on Sunday when the traditional festival will take place in all its beauty.
Sunday: on top of the procession there are the "Jews" (the emissaries of the prefect Pascasio) along with some Angels, is located immediately after the wagon drawn by two cows from which branches off a rope that will arrive to Saint Lucia (a girl of six years); between her and the cows there are Roman soldiers, who make their way through the crowd squirming like crazy; to hold the rope there are also male figures; the job of Devil (his mask is made of wood, whose invoice is dated, it seems, of the 400') is to distract the little Saint with the help of a long stick equipped of curved points, called "u 'croccu": Lucia hardly is deceived by the promises of the evil one, she will not abandon the state of her property concentration, aided in this by staring, almost in a trance, a small palm branch in silver , she brings devoutly in her hands.It's very important to mention the Baron Baldassarre (nicknamed Baron Altadonna), who applied without any hesitation the practice of Jus de seigneur: using this law the Baron obliged the young brides to spend the wedding night in his alcove. It 'very possible that in the representation of Saint Lucia of Savoca the character of the Devil tempting young Santa with his pitchfork, in reality is nothing but himself, Baron Altadonna, so allegorically described in this traditional Sicilian feast: the figure of the Devil if one takes into account what historians relate, does not belong more to the legend, but sadly to actual event happened. Post scriptum: the photographs, realized both on Saturday and Sunday, were organized and posted without taking into account the temporal chronology of what happened during the two days of the event; two photos of the mummy of Baron Altadonna have been included, which is located in the crypt of the Capuchin Fathers of Savoca; the portraits of two "Lucie" from previous editions, grandfather and great-grandfather of the "DIAVOLI" dynasty were included; the "silver palm" was delivered by Lucia of 2016 (Valentina), to the current Lucia (Miriana), in 2017 the event was not performed.
Ezio Famà.
------------------------------------------------------------------------------------------
questa è una narrazione fotografica che parla dell'eterna lotta che avviene tra il bene ed il male, che parla di un periodo buio della storia, che parla delle violenze subite dalle donne ma anche da coloro che appartenevano alle classi sociali più povere, fatti storici che sono stati tramandati fino a noi in forma di racconto ed associati-trasmutati nel martirio di Santa Lucia, questo è quanto accade nel paese di Savoca (Sicilia). Questo è un report corto e lungo, che ho realizzato in quel di Savoca lo scorso mese di Agosto 2018, su quella che è la rappresentazione vivente del martirio di Santa Lucia (Santa patrona della città di Savoca); il culto della giovane Santa di Siracusa sembra risalire al XV secolo, sotto l'influenza delle tradizioni spagnole. La rievocazione vivente della storia di S.Lucia avviene in due giornate consecutive, il sabato e la domenica: qui tento di raccontare alcuni momenti della giornata della domenica, giorno durante il quale la festa si svolge nel pieno della sua bellezza. E' questa una rievocazione storica che parla di Demoni ed Angeli: la storia rievoca di quando la Santa, si rifiutò di andare in sposa ad un suo ricco e potente pretendente (essendosi dichiarata Cristiana e sposa in Cristo), il quale per vendetta riferì della fede Cristiana di Lucia al prefetto Pascasio; costui diede ordine ai suoi pretoriani di trascinare Lucia con una corda fino ad un lupanare, un luogo di prostituzione; la leggenda narra che la Santa divenne pesantissima, si tentò allora di trascinarla con l'ausilio dei buoi, ma fu impossibile smuoverla da dove si trovava; non riuscendo in ciò, fu allora dato l'ordine di cavarle gli occhi, ma alla giovane martire (nativa di Siracusa) gli occhi le rispuntarono. Nel paese di Savoca una giovane ragazza, chiamata con affetto "la Lucia" viene portata in spalla lungo le vie del paese (seduta su di un cuscino legato sulla spalla di un uomo; in realtà gli uomini portatori sono due, dandosi il cambio l'un l'altro); la giovane Santa rimane impassibile di fronte alle tentazioni demoniache: il Diavolo, chiamato in dialetto siciliano "u Diavulazzu, agita, scuote, fa ruotare il suo forcone nel tentativo di "distrarre" la Santa ma, vani saranno i suoi tentativi. Il primo giorno di questa rappresentazione, il sabato, in una vecchia chiesa di Savoca, le due bambine che impersonano la Lucia, dell'anno in corso e dell'anno precedente, si incontrano con la consegna della palma da una bimba all'altra; l'evento tradizionale al quale si assiste il sabato, ha tutto l'aspetto di una importante prova generale per il giorno dopo, quando la domenica la festa tradizionale avverrà in tutta la sua bellezza.La domenica: in cima alla processione ci sono i "Giudei" (gli emissari del prefetto Pascasio) insieme ad alcuni Angeli, subito dopo si trova il carro tirato da due giumente dalle quali si diparte una corda che giungerà fino a cingere il fianco della bimba che impersona Santa Lucia (una bambina di sei anni); tra lei e le giumente ci sono i soldati Romani, che si fanno largo tra la folla dimenandosi a più non posso; a tenere la corda ci sono anche delle figure maschili che evitano che gli strattonamenti dei soldati romani possano giungere fino alla Santa (ricordiamolo, che è legata a quella corda); davanti alla Santa piroetta il diavolo tentatore, u' Diavulazzu (la maschera è in legno, la cui fattura è datata, sembra, del 400'), il cui compito è quello di distrarre la piccola Santa con l'aiuto di un lungo bastone dotato di punte ricurve, chiamto dialettalmente "u' croccu": Lucia difficilmente si lascerà ingannare dalle promesse del Maligno, non abbandonerà quel suo stato di immobile concentrazione, aiutata in ciò dal fissare, quasi in stato di trance, un piccolo ramo di palma in argento, che lei strige devotamente tra le sue mani. E’ fondamentale menzionare tra i vari personaggi storici della tradizione, il barone Baldassarre, vissuto in Savoca in epoca medioevale, soprannominato barone Altadonna, che applicava senza remora alcuna la pratica della Jus primae noctis: avvalendosi di questa legge il barone obbligava le giovani spose a trascorrere la prima notte di nozze nella sua alcova. E’ fortemente ipotizzabile che nella rappresentazione di Santa Lucia di Savoca il personaggio del Diavolo che tenta la giovane Santa col suo forcone, in realtà non sia altro che egli stesso, il barone Altadonna, così allegoricamente descritto nella festa tradizionale siciliana: la figura del Diavolo, se si tiene conto di quanto narrano gli storici, non apparterrebbe più alla leggenda, ma a questo tristo personaggio realmente vissuto, che usava quotidianamente la moneta della prepotenza. Post scriptum: le fotografie, realizzate sia il sabato che la domenica, sono state organizzate e postate senza tenere conto della cronologia temporale di quanto avvenuto nei due giorni della manifestazione; sono state inserite due foto della mummia del barone Altadonna, che si trova nella cripta dei Padri Cappuccini di Savoca; sono stati inseriti i ritratti di due "Lucie" delle precedenti edizioni, del nonno e del bisnonno della dinastia dei "DIAVOLI"; la "palma d'argento" è stata consegnata dalla Lucia del 2016 (Valentina), alla attuale Lucia (Miriana); nel 2017 la manifestazione non è stata eseguita.
Ezio Famà.
---- Angels & Demons (devil tries to tempt Saint Lucia, August 2018, Savoca - Sicily) ----
---- Angeli & Demoni (il demonio tenta Santa Lucia, agosto 2018, Savoca - Sicilia) ----
-----------------------------------------------------------------
Qi Bo's photos on Flickr Hive Mind
www.worldphoto.org/sony-world-photography-awards/winners-...
www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
-------------------------------------------------------------------
this is a photographic narration that speaks of the eternal struggle that takes place between good and evil, which speaks of a dark period of history, speaks of the violence suffered by women but also by those who belonged to the poorest social classes, historical facts that have been handed down to us in the form of a story and associated-transmuted in the martyrdom of Saint Lucia, this is what happens in the town of Savoca (Sicily). This is a short and long report, I did in Savoca on August 2018 about the living representation of the martyrdom of Saint Lucia (patron saint of the city of Savoca); the cult of the young Saint of Syracuse seems to date back to the fifteenth century, under the influence of Spanish traditions. The commemoration of the history of St. Lucia occurs in two consecutive days, Saturday and Sunday: here I try to tell some times of the day on Sunday, a day during which the festival is held at the height of her beauty. And 'This is a historical event which speaks of Demons and Angels: Saint Lucy refused to marry a rich and powerful suitor (Lucy declared She was married in Christ), which reported the Christian faith of Lucia to prefect Pascasio that ordered his Praetorian Guard to drag Lucia with a rope to a place of prostitution; legend has it that the Holy became heavy, they then tried to drag it with the help of oxen, but it was impossible to move it from where he stood; failing in this, it was then given the order to cavarle eyes, but the young martyr (native of Syracuse) her eyes reappeared.
In the village of Savoca a young girl, affectionately called the "Lucy" is carried on the shoulder of a porter along the streets of the country (sitting on a pillow tied on the shoulder of a man, but in fact men are two); the young Saint remains impassive in the face of demonic temptations: the Devil, called in Sicilian dialect "u Diavulazzu, shake, shakes, turns his pitchfork in an attempt to "distract" the Saint.
The first day of this representation, on Saturday, in an old church in Savoca, the two girls who impersonate the Lucia, of the current year and the previous year, meet with the delivery of palm; the traditional event which we witness on Saturday, has all the appearance of an important rehearsal for the next day, on Sunday when the traditional festival will take place in all its beauty.
Sunday: on top of the procession there are the "Jews" (the emissaries of the prefect Pascasio) along with some Angels, is located immediately after the wagon drawn by two cows from which branches off a rope that will arrive to Saint Lucia (a girl of six years); between her and the cows there are Roman soldiers, who make their way through the crowd squirming like crazy; to hold the rope there are also male figures; the job of Devil (his mask is made of wood, whose invoice is dated, it seems, of the 400') is to distract the little Saint with the help of a long stick equipped of curved points, called "u 'croccu": Lucia hardly is deceived by the promises of the evil one, she will not abandon the state of her property concentration, aided in this by staring, almost in a trance, a small palm branch in silver , she brings devoutly in her hands.It's very important to mention the Baron Baldassarre (nicknamed Baron Altadonna), who applied without any hesitation the practice of Jus de seigneur: using this law the Baron obliged the young brides to spend the wedding night in his alcove. It 'very possible that in the representation of Saint Lucia of Savoca the character of the Devil tempting young Santa with his pitchfork, in reality is nothing but himself, Baron Altadonna, so allegorically described in this traditional Sicilian feast: the figure of the Devil if one takes into account what historians relate, does not belong more to the legend, but sadly to actual event happened. Post scriptum: the photographs, realized both on Saturday and Sunday, were organized and posted without taking into account the temporal chronology of what happened during the two days of the event; two photos of the mummy of Baron Altadonna have been included, which is located in the crypt of the Capuchin Fathers of Savoca; the portraits of two "Lucie" from previous editions, grandfather and great-grandfather of the "DIAVOLI" dynasty were included; the "silver palm" was delivered by Lucia of 2016 (Valentina), to the current Lucia (Miriana), in 2017 the event was not performed.
Ezio Famà.
------------------------------------------------------------------------------------------
questa è una narrazione fotografica che parla dell'eterna lotta che avviene tra il bene ed il male, che parla di un periodo buio della storia, che parla delle violenze subite dalle donne ma anche da coloro che appartenevano alle classi sociali più povere, fatti storici che sono stati tramandati fino a noi in forma di racconto ed associati-trasmutati nel martirio di Santa Lucia, questo è quanto accade nel paese di Savoca (Sicilia). Questo è un report corto e lungo, che ho realizzato in quel di Savoca lo scorso mese di Agosto 2018, su quella che è la rappresentazione vivente del martirio di Santa Lucia (Santa patrona della città di Savoca); il culto della giovane Santa di Siracusa sembra risalire al XV secolo, sotto l'influenza delle tradizioni spagnole. La rievocazione vivente della storia di S.Lucia avviene in due giornate consecutive, il sabato e la domenica: qui tento di raccontare alcuni momenti della giornata della domenica, giorno durante il quale la festa si svolge nel pieno della sua bellezza. E' questa una rievocazione storica che parla di Demoni ed Angeli: la storia rievoca di quando la Santa, si rifiutò di andare in sposa ad un suo ricco e potente pretendente (essendosi dichiarata Cristiana e sposa in Cristo), il quale per vendetta riferì della fede Cristiana di Lucia al prefetto Pascasio; costui diede ordine ai suoi pretoriani di trascinare Lucia con una corda fino ad un lupanare, un luogo di prostituzione; la leggenda narra che la Santa divenne pesantissima, si tentò allora di trascinarla con l'ausilio dei buoi, ma fu impossibile smuoverla da dove si trovava; non riuscendo in ciò, fu allora dato l'ordine di cavarle gli occhi, ma alla giovane martire (nativa di Siracusa) gli occhi le rispuntarono. Nel paese di Savoca una giovane ragazza, chiamata con affetto "la Lucia" viene portata in spalla lungo le vie del paese (seduta su di un cuscino legato sulla spalla di un uomo; in realtà gli uomini portatori sono due, dandosi il cambio l'un l'altro); la giovane Santa rimane impassibile di fronte alle tentazioni demoniache: il Diavolo, chiamato in dialetto siciliano "u Diavulazzu, agita, scuote, fa ruotare il suo forcone nel tentativo di "distrarre" la Santa ma, vani saranno i suoi tentativi. Il primo giorno di questa rappresentazione, il sabato, in una vecchia chiesa di Savoca, le due bambine che impersonano la Lucia, dell'anno in corso e dell'anno precedente, si incontrano con la consegna della palma da una bimba all'altra; l'evento tradizionale al quale si assiste il sabato, ha tutto l'aspetto di una importante prova generale per il giorno dopo, quando la domenica la festa tradizionale avverrà in tutta la sua bellezza.La domenica: in cima alla processione ci sono i "Giudei" (gli emissari del prefetto Pascasio) insieme ad alcuni Angeli, subito dopo si trova il carro tirato da due giumente dalle quali si diparte una corda che giungerà fino a cingere il fianco della bimba che impersona Santa Lucia (una bambina di sei anni); tra lei e le giumente ci sono i soldati Romani, che si fanno largo tra la folla dimenandosi a più non posso; a tenere la corda ci sono anche delle figure maschili che evitano che gli strattonamenti dei soldati romani possano giungere fino alla Santa (ricordiamolo, che è legata a quella corda); davanti alla Santa piroetta il diavolo tentatore, u' Diavulazzu (la maschera è in legno, la cui fattura è datata, sembra, del 400'), il cui compito è quello di distrarre la piccola Santa con l'aiuto di un lungo bastone dotato di punte ricurve, chiamto dialettalmente "u' croccu": Lucia difficilmente si lascerà ingannare dalle promesse del Maligno, non abbandonerà quel suo stato di immobile concentrazione, aiutata in ciò dal fissare, quasi in stato di trance, un piccolo ramo di palma in argento, che lei strige devotamente tra le sue mani. E’ fondamentale menzionare tra i vari personaggi storici della tradizione, il barone Baldassarre, vissuto in Savoca in epoca medioevale, soprannominato barone Altadonna, che applicava senza remora alcuna la pratica della Jus primae noctis: avvalendosi di questa legge il barone obbligava le giovani spose a trascorrere la prima notte di nozze nella sua alcova. E’ fortemente ipotizzabile che nella rappresentazione di Santa Lucia di Savoca il personaggio del Diavolo che tenta la giovane Santa col suo forcone, in realtà non sia altro che egli stesso, il barone Altadonna, così allegoricamente descritto nella festa tradizionale siciliana: la figura del Diavolo, se si tiene conto di quanto narrano gli storici, non apparterrebbe più alla leggenda, ma a questo tristo personaggio realmente vissuto, che usava quotidianamente la moneta della prepotenza. Post scriptum: le fotografie, realizzate sia il sabato che la domenica, sono state organizzate e postate senza tenere conto della cronologia temporale di quanto avvenuto nei due giorni della manifestazione; sono state inserite due foto della mummia del barone Altadonna, che si trova nella cripta dei Padri Cappuccini di Savoca; sono stati inseriti i ritratti di due "Lucie" delle precedenti edizioni, del nonno e del bisnonno della dinastia dei "DIAVOLI"; la "palma d'argento" è stata consegnata dalla Lucia del 2016 (Valentina), alla attuale Lucia (Miriana); nel 2017 la manifestazione non è stata eseguita.
Ezio Famà.
Hypnotic Landscape.
Sailing perplesso experience boundless doména,
zamislili spasmodic phenomena συναρπαστικό trees,
exquisitely témoigné colors embodied speculazioni,
parsimoniously percepties recital merveilleux embeddable tones,
симболи deficiency ausgedrückt embodiments laubensbekenntnis ,
excelsior час atmosphere ethereal συνείδηση moves,
measureless vzpomínky glorified to forbavselse wine,
bloeiende pleasures merrier недавно clothed,
as buoyant emozioni conciliare thy expanderande ground,
to αρμονία echoes besought thee plošina survey,
whose onderscheiden территорий thrill thy στιγμιαίος cares,
on délicat foreign milliaria meadows swaying perasaan suka cita leaves,
wandelen thee รสเผ็ดร้อน forms drūzmējās on μεγαλείο rise,
thy perpetuus fantasia path exceedingly gezwollen,
vertiefung bounteousness scattered cambiando hues cried,
thee simboleggiata transmutations μυθικός avenues sweet,
on impeditis winds supplichevole plants thy perspective navijáky,
αντιθέσεις curvilinear vigorously rectilinear digymell rain,
thy tendensen of distinguished spektrum stylistic beschränkt,
as bloemlezingen exhibitτόνισε cultures past,
överföra calligraphy conflagrationes abstract perspectives 芸術 .
Steve.D.Hammond.
On the occasion of the 56th International Art Exhibition of la Biennale di Venezia, one of Venice’s most celebrated landmarks, the Basilica of San Giorgio Maggiore, will host Together, a major exhibition of new works by Spanish artist Jaume Plensa.
Plensa (Spain, b.1955) is one of the world’s foremost artists working in the public art space, with permanent works spanning the globe including the Crown Fountain (Chicago), Echo (Seattle), Breathing (London) and Roots (Tokyo). The exhibition is curated by Clare Lilley, Director of Programmes at Yorkshire Sculpture Park. The works in the exhibition all make their debut in San Giorgio and reflect the artist’s continued interest in a bodily relationship to space, scale, material and place.
For four hundred years the Basilica of San Giorgio Maggiore has been a place of worship, communication and meditation, where Palladio’s profound architecture creates a stilling and contemplative environment. Plensa’s response to this powerful space is Together; a conversation between two sculptures - hand, suspended beneath the cupola in the foreground of the altar, and head, sited in the nave. Placed on the dominant west-east axis of the building, the works set up a line of spiritual and intellectual discourse which evokes emotion and seeks to connect with his viewers on an intuitive level.
As a speaker of five languages alongside a nomadic life that takes him around the globe, Plensa’s work reflects a desire to break down barriers. Merging difference is a cornerstone of his work, and here it is further emphasized by the installation of meticulous drawings and a group of five alabaster portraits in the contiguous Officina dell’Arte Spirituale, located 300 meters from the entrance to the Basilica on the island’s northern edge. Plunged in darkness and lit to reveal their luminous opacity, the sculptures were carved using reformed scans of real girls; chosen because, like nomads, they have traveled, settled and traveled again. Chosen, too, because they are teenage girls on the cusp of leaving and arriving, whose potential – like that of all humanity – so deeply glows.
Plensa’s sculptures reference a Judeo-Christian tradition while connecting with a much longer human history, where the making of art has social purpose and which we see played out across histories and geographies – in heads from the Croatian Upper Paleolithic, carved some 26,000 years ago; in exquisite, elongated hands incised in stone from 1300 BCE Egypt. For these and other reasons, Plensa’s forms will connect people and welcome them into the Basilica. Made from stainless steel which distills and diffuses light, Plensa’s hand and head are at times transmutable hazes that pull and root the gaze. The opening, gestural hand formed from characters of eight languages, speaks of a coming together of peoples and traditions. Similarly, Nuria’s face speaks of diversity; indeed the subject is the daughter of a Chinese friend in Barcelona, who in her young life has already crossed many borders.
Clare Lilley, Curator, commented: “Plensa’s installations for the Isola di San Georgio Maggiore are testament to his acute understanding of space and scale. His sculptures do not impose themselves on these historic spaces; rather they capture and reflect the actual light and shadows within to communicate a metaphorical language. Both visually stunning and intimate, they draw our attention to a world where migration and difference challenge civilized behavior; in this place, which for centuries has welcomed world travelers, Plensa’s work will connect people of many faiths and of no faith.
In collaboration with the monks of the Abbazia di San Giorgio, as part of the cultural activities of the Benedicti Claustra Onlus, Together hopes to advance the Benedictine community’s efforts to develop a number of restoration projects of the monumental Palladian complex on San Giorgio Maggiore. Inspired by textual elements in the body of Plensa’s work, the project has contributed a significant donation to restore the Abbazia’s 15th and 16th Century illuminated manuscripts; prayer books previously too delicate for public view. (Press release)
Obviously the centre of all attention is the Center Stage made of bamboo structure with aluminium zinc roof.
During the first week of July, nightly performance of Chinese Opera dedicated to the Gods and spirits takes place at the Center Stage. It has also become a free entertainment for the public.
Not only does this podium provides entertainment for the visitors, it is believed the spiritual buddies enjoy it even more so. In fact, the front row is often vacant out and reserved for the spirits.
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The Ghost Festival, also known as the Hungry Ghost Festival, or Yu Lan is a traditional Chinese festival and holiday celebrated by Chinese in many countries. In the Chinese calendar (a lunisolar calendar), the Ghost Festival is on the 15th night of the seventh month (14th in southern China).
In Chinese tradition, the fifteenth day of the seventh month in the lunar calendar is called Ghost Day and the seventh month in general is regarded as the Ghost Month (鬼月), in which ghosts and spirits, including those of the deceased ancestors, come out from the lower realm.
Distinct from both the Qingming Festival (in spring) and Chung Yeung Festival (in autumn) in which living descendants pay homage to their deceased ancestors, on Ghost Day, the deceased are believed to visit the living.
On the fifteenth day the realms of Heaven and Hell and the realm of the living are open and both Taoists and Buddhists would perform rituals to transmute and absolve the sufferings of the deceased. Intrinsic to the Ghost Month is ancestor worship, where traditionally the filial piety of descendants extends to their ancestors even after their deaths.
Activities during the month would include preparing ritualistic food offerings, burning incense, and burning joss paper, a papier-mâché form of material items such as clothes, gold and other fine goods for the visiting spirits of the ancestors
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More images of the Hungry Ghosts "Yu Lan" Festival here:
Hungry Ghosts "Yu Lan" Festival
More Chinese Temples images here:
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Photo shot with Photo shot with Nikon D600 + AF-S VR Zoom-Nikkor 70-300mm f/4.5-5.6G IF-ED
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Cnidocytes
Desiccation doesn't staunch it; the creature
can be dead, yet the blue sting lingers, primed
for inflicting pain. It's as though, by some
osmosis, those strings of cells had leached
the ocean's pigments, transmuted surf and sky
into poison: a perfect concentrate, pure as lapis.
Coelenterates have evolved, out of jelly,
an exquisite armoury against higher animals:
penetrant, glutinant, volvent, all deployed
blindly - touch-triggered murders, without
a trace of malice. They cooperate: buoyant
on pucker-sealed pneumatocysts, spine-primed
cnidocytes are eager to glut sucker-mouthed
gastrozooids with stunned and twitching flesh.
Poem by Giles Watson, 2013. The picture shows tentacles of a stranded specimen of Physalia utriculus, the Portugese Man o' War, colloquially known as the Bluebottle.
---- Angels & Demons (devil tries to tempt Saint Lucia, August 2018, Savoca - Sicily) ----
---- Angeli & Demoni (il demonio tenta Santa Lucia, agosto 2018, Savoca - Sicilia) ----
-----------------------------------------------------------------
Qi Bo's photos on Flickr Hive Mind
www.worldphoto.org/sony-world-photography-awards/winners-...
www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
-------------------------------------------------------------------
this is a photographic narration that speaks of the eternal struggle that takes place between good and evil, which speaks of a dark period of history, speaks of the violence suffered by women but also by those who belonged to the poorest social classes, historical facts that have been handed down to us in the form of a story and associated-transmuted in the martyrdom of Saint Lucia, this is what happens in the town of Savoca (Sicily). This is a short and long report, I did in Savoca on August 2018 about the living representation of the martyrdom of Saint Lucia (patron saint of the city of Savoca); the cult of the young Saint of Syracuse seems to date back to the fifteenth century, under the influence of Spanish traditions. The commemoration of the history of St. Lucia occurs in two consecutive days, Saturday and Sunday: here I try to tell some times of the day on Sunday, a day during which the festival is held at the height of her beauty. And 'This is a historical event which speaks of Demons and Angels: Saint Lucy refused to marry a rich and powerful suitor (Lucy declared She was married in Christ), which reported the Christian faith of Lucia to prefect Pascasio that ordered his Praetorian Guard to drag Lucia with a rope to a place of prostitution; legend has it that the Holy became heavy, they then tried to drag it with the help of oxen, but it was impossible to move it from where he stood; failing in this, it was then given the order to cavarle eyes, but the young martyr (native of Syracuse) her eyes reappeared.
In the village of Savoca a young girl, affectionately called the "Lucy" is carried on the shoulder of a porter along the streets of the country (sitting on a pillow tied on the shoulder of a man, but in fact men are two); the young Saint remains impassive in the face of demonic temptations: the Devil, called in Sicilian dialect "u Diavulazzu, shake, shakes, turns his pitchfork in an attempt to "distract" the Saint.
The first day of this representation, on Saturday, in an old church in Savoca, the two girls who impersonate the Lucia, of the current year and the previous year, meet with the delivery of palm; the traditional event which we witness on Saturday, has all the appearance of an important rehearsal for the next day, on Sunday when the traditional festival will take place in all its beauty.
Sunday: on top of the procession there are the "Jews" (the emissaries of the prefect Pascasio) along with some Angels, is located immediately after the wagon drawn by two cows from which branches off a rope that will arrive to Saint Lucia (a girl of six years); between her and the cows there are Roman soldiers, who make their way through the crowd squirming like crazy; to hold the rope there are also male figures; the job of Devil (his mask is made of wood, whose invoice is dated, it seems, of the 400') is to distract the little Saint with the help of a long stick equipped of curved points, called "u 'croccu": Lucia hardly is deceived by the promises of the evil one, she will not abandon the state of her property concentration, aided in this by staring, almost in a trance, a small palm branch in silver , she brings devoutly in her hands.It's very important to mention the Baron Baldassarre (nicknamed Baron Altadonna), who applied without any hesitation the practice of Jus de seigneur: using this law the Baron obliged the young brides to spend the wedding night in his alcove. It 'very possible that in the representation of Saint Lucia of Savoca the character of the Devil tempting young Santa with his pitchfork, in reality is nothing but himself, Baron Altadonna, so allegorically described in this traditional Sicilian feast: the figure of the Devil if one takes into account what historians relate, does not belong more to the legend, but sadly to actual event happened. Post scriptum: the photographs, realized both on Saturday and Sunday, were organized and posted without taking into account the temporal chronology of what happened during the two days of the event; two photos of the mummy of Baron Altadonna have been included, which is located in the crypt of the Capuchin Fathers of Savoca; the portraits of two "Lucie" from previous editions, grandfather and great-grandfather of the "DIAVOLI" dynasty were included; the "silver palm" was delivered by Lucia of 2016 (Valentina), to the current Lucia (Miriana), in 2017 the event was not performed.
Ezio Famà.
------------------------------------------------------------------------------------------
questa è una narrazione fotografica che parla dell'eterna lotta che avviene tra il bene ed il male, che parla di un periodo buio della storia, che parla delle violenze subite dalle donne ma anche da coloro che appartenevano alle classi sociali più povere, fatti storici che sono stati tramandati fino a noi in forma di racconto ed associati-trasmutati nel martirio di Santa Lucia, questo è quanto accade nel paese di Savoca (Sicilia). Questo è un report corto e lungo, che ho realizzato in quel di Savoca lo scorso mese di Agosto 2018, su quella che è la rappresentazione vivente del martirio di Santa Lucia (Santa patrona della città di Savoca); il culto della giovane Santa di Siracusa sembra risalire al XV secolo, sotto l'influenza delle tradizioni spagnole. La rievocazione vivente della storia di S.Lucia avviene in due giornate consecutive, il sabato e la domenica: qui tento di raccontare alcuni momenti della giornata della domenica, giorno durante il quale la festa si svolge nel pieno della sua bellezza. E' questa una rievocazione storica che parla di Demoni ed Angeli: la storia rievoca di quando la Santa, si rifiutò di andare in sposa ad un suo ricco e potente pretendente (essendosi dichiarata Cristiana e sposa in Cristo), il quale per vendetta riferì della fede Cristiana di Lucia al prefetto Pascasio; costui diede ordine ai suoi pretoriani di trascinare Lucia con una corda fino ad un lupanare, un luogo di prostituzione; la leggenda narra che la Santa divenne pesantissima, si tentò allora di trascinarla con l'ausilio dei buoi, ma fu impossibile smuoverla da dove si trovava; non riuscendo in ciò, fu allora dato l'ordine di cavarle gli occhi, ma alla giovane martire (nativa di Siracusa) gli occhi le rispuntarono. Nel paese di Savoca una giovane ragazza, chiamata con affetto "la Lucia" viene portata in spalla lungo le vie del paese (seduta su di un cuscino legato sulla spalla di un uomo; in realtà gli uomini portatori sono due, dandosi il cambio l'un l'altro); la giovane Santa rimane impassibile di fronte alle tentazioni demoniache: il Diavolo, chiamato in dialetto siciliano "u Diavulazzu, agita, scuote, fa ruotare il suo forcone nel tentativo di "distrarre" la Santa ma, vani saranno i suoi tentativi. Il primo giorno di questa rappresentazione, il sabato, in una vecchia chiesa di Savoca, le due bambine che impersonano la Lucia, dell'anno in corso e dell'anno precedente, si incontrano con la consegna della palma da una bimba all'altra; l'evento tradizionale al quale si assiste il sabato, ha tutto l'aspetto di una importante prova generale per il giorno dopo, quando la domenica la festa tradizionale avverrà in tutta la sua bellezza.La domenica: in cima alla processione ci sono i "Giudei" (gli emissari del prefetto Pascasio) insieme ad alcuni Angeli, subito dopo si trova il carro tirato da due giumente dalle quali si diparte una corda che giungerà fino a cingere il fianco della bimba che impersona Santa Lucia (una bambina di sei anni); tra lei e le giumente ci sono i soldati Romani, che si fanno largo tra la folla dimenandosi a più non posso; a tenere la corda ci sono anche delle figure maschili che evitano che gli strattonamenti dei soldati romani possano giungere fino alla Santa (ricordiamolo, che è legata a quella corda); davanti alla Santa piroetta il diavolo tentatore, u' Diavulazzu (la maschera è in legno, la cui fattura è datata, sembra, del 400'), il cui compito è quello di distrarre la piccola Santa con l'aiuto di un lungo bastone dotato di punte ricurve, chiamto dialettalmente "u' croccu": Lucia difficilmente si lascerà ingannare dalle promesse del Maligno, non abbandonerà quel suo stato di immobile concentrazione, aiutata in ciò dal fissare, quasi in stato di trance, un piccolo ramo di palma in argento, che lei strige devotamente tra le sue mani. E’ fondamentale menzionare tra i vari personaggi storici della tradizione, il barone Baldassarre, vissuto in Savoca in epoca medioevale, soprannominato barone Altadonna, che applicava senza remora alcuna la pratica della Jus primae noctis: avvalendosi di questa legge il barone obbligava le giovani spose a trascorrere la prima notte di nozze nella sua alcova. E’ fortemente ipotizzabile che nella rappresentazione di Santa Lucia di Savoca il personaggio del Diavolo che tenta la giovane Santa col suo forcone, in realtà non sia altro che egli stesso, il barone Altadonna, così allegoricamente descritto nella festa tradizionale siciliana: la figura del Diavolo, se si tiene conto di quanto narrano gli storici, non apparterrebbe più alla leggenda, ma a questo tristo personaggio realmente vissuto, che usava quotidianamente la moneta della prepotenza. Post scriptum: le fotografie, realizzate sia il sabato che la domenica, sono state organizzate e postate senza tenere conto della cronologia temporale di quanto avvenuto nei due giorni della manifestazione; sono state inserite due foto della mummia del barone Altadonna, che si trova nella cripta dei Padri Cappuccini di Savoca; sono stati inseriti i ritratti di due "Lucie" delle precedenti edizioni, del nonno e del bisnonno della dinastia dei "DIAVOLI"; la "palma d'argento" è stata consegnata dalla Lucia del 2016 (Valentina), alla attuale Lucia (Miriana); nel 2017 la manifestazione non è stata eseguita.
Ezio Famà.
نقاشیخط، رقم اسماعیل جلایر، حدود 1860 تا 70 میلادی
Calligraphy By Isma’il Jalayir
Geography
Iran
Period
circa 1860-70 CE
Materials and technique
Ink and gouache on paper
Dimensions
35 x 53 cm
Description
Seeming to emerge from a strange landscape bathed in ethereal light, the letters of an invocation to 'Ali ibn al-Husayn, better known as Zayn al-'Abidin, the Shia imam, stand out. The ha and the sin of his father’s name, Husayn, the second Shia imam, who was martyred in Karbala (Irak) in 680 CE, divide the page in two with their long diagonal. The “cuts” of the ya of 'Ali and the final nun of ibn and Husayn form a perfect line alternating with three alifs. On the lower line, the dance of the pen tips - two and one and two again - marks the cadence of the writing. Unfortunately, the page has been trimmed slightly and so the date (on the bottom line to the left) is missing. This page could be likened to another calligraphy attributed to Isma'il Jalayir based on the same model of an inscription in nasta'liq writing style on a blurred background, illustrated with a number of sketches. At the top of the page is an almost unreal architecture which transmutes the models of classical Western architecture: columns, domes and porticos could conjure up an ideal city or an earthly or heavenly palace. In the “cut” of the ya of 'Ali nestled in an ovum are 'Ali, facing front and carrying on his knees the Dhu’l-fiqar sword which the Prophet gave him, flanked by his two sons, Hasan and Husayn. This “spiritual investiture” scene certainly throws light on other scenes: the two Sufis to the right of the word 'Ali, the hunting and beat scenes which could also depict a symbolic pursuit. In the timeless and vaporous landscape, a sun rises directly above the letter lam of 'Ali. The letters appear to be basking in the glow of that light. Jalayir’s style is vaporous, impalpable, with delicate superimpositions, as photographic images. He was trained in the Dar al-funun, in Tehran, and learned calligraphy from Mirza Ghulam Riza. The mark of this progressive institution is clearly felt here: photography, proudly adopted by the sovereign Qajars, was taught as of 1860 CE, along with lithography. The signature of this hearth of new technologies and styles, which was Dar al-funun, is visible in Jalayir’s work through the skilful mix of calligraphy - archetypal art - and painstakingly precise miniature painting, to the extent that its vaporous appearance resembles contemporary photographs developed on albumen paper. On the other side, one can see the floating image of a bearded man wearing an Astrakhan hat, painted with light strokes in grey monochrome, recalling the lithography that became fashionable under the Qajars.
---- Angels & Demons (devil tries to tempt Saint Lucia, August 2018, Savoca - Sicily) ----
---- Angeli & Demoni (il demonio tenta Santa Lucia, agosto 2018, Savoca - Sicilia) ----
-----------------------------------------------------------------
Qi Bo's photos on Flickr Hive Mind
www.worldphoto.org/sony-world-photography-awards/winners-...
www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
-------------------------------------------------------------------
this is a photographic narration that speaks of the eternal struggle that takes place between good and evil, which speaks of a dark period of history, speaks of the violence suffered by women but also by those who belonged to the poorest social classes, historical facts that have been handed down to us in the form of a story and associated-transmuted in the martyrdom of Saint Lucia, this is what happens in the town of Savoca (Sicily). This is a short and long report, I did in Savoca on August 2018 about the living representation of the martyrdom of Saint Lucia (patron saint of the city of Savoca); the cult of the young Saint of Syracuse seems to date back to the fifteenth century, under the influence of Spanish traditions. The commemoration of the history of St. Lucia occurs in two consecutive days, Saturday and Sunday: here I try to tell some times of the day on Sunday, a day during which the festival is held at the height of her beauty. And 'This is a historical event which speaks of Demons and Angels: Saint Lucy refused to marry a rich and powerful suitor (Lucy declared She was married in Christ), which reported the Christian faith of Lucia to prefect Pascasio that ordered his Praetorian Guard to drag Lucia with a rope to a place of prostitution; legend has it that the Holy became heavy, they then tried to drag it with the help of oxen, but it was impossible to move it from where he stood; failing in this, it was then given the order to cavarle eyes, but the young martyr (native of Syracuse) her eyes reappeared.
In the village of Savoca a young girl, affectionately called the "Lucy" is carried on the shoulder of a porter along the streets of the country (sitting on a pillow tied on the shoulder of a man, but in fact men are two); the young Saint remains impassive in the face of demonic temptations: the Devil, called in Sicilian dialect "u Diavulazzu, shake, shakes, turns his pitchfork in an attempt to "distract" the Saint.
The first day of this representation, on Saturday, in an old church in Savoca, the two girls who impersonate the Lucia, of the current year and the previous year, meet with the delivery of palm; the traditional event which we witness on Saturday, has all the appearance of an important rehearsal for the next day, on Sunday when the traditional festival will take place in all its beauty.
Sunday: on top of the procession there are the "Jews" (the emissaries of the prefect Pascasio) along with some Angels, is located immediately after the wagon drawn by two cows from which branches off a rope that will arrive to Saint Lucia (a girl of six years); between her and the cows there are Roman soldiers, who make their way through the crowd squirming like crazy; to hold the rope there are also male figures; the job of Devil (his mask is made of wood, whose invoice is dated, it seems, of the 400') is to distract the little Saint with the help of a long stick equipped of curved points, called "u 'croccu": Lucia hardly is deceived by the promises of the evil one, she will not abandon the state of her property concentration, aided in this by staring, almost in a trance, a small palm branch in silver , she brings devoutly in her hands.It's very important to mention the Baron Baldassarre (nicknamed Baron Altadonna), who applied without any hesitation the practice of Jus de seigneur: using this law the Baron obliged the young brides to spend the wedding night in his alcove. It 'very possible that in the representation of Saint Lucia of Savoca the character of the Devil tempting young Santa with his pitchfork, in reality is nothing but himself, Baron Altadonna, so allegorically described in this traditional Sicilian feast: the figure of the Devil if one takes into account what historians relate, does not belong more to the legend, but sadly to actual event happened. Post scriptum: the photographs, realized both on Saturday and Sunday, were organized and posted without taking into account the temporal chronology of what happened during the two days of the event; two photos of the mummy of Baron Altadonna have been included, which is located in the crypt of the Capuchin Fathers of Savoca; the portraits of two "Lucie" from previous editions, grandfather and great-grandfather of the "DIAVOLI" dynasty were included; the "silver palm" was delivered by Lucia of 2016 (Valentina), to the current Lucia (Miriana), in 2017 the event was not performed.
Ezio Famà.
------------------------------------------------------------------------------------------
questa è una narrazione fotografica che parla dell'eterna lotta che avviene tra il bene ed il male, che parla di un periodo buio della storia, che parla delle violenze subite dalle donne ma anche da coloro che appartenevano alle classi sociali più povere, fatti storici che sono stati tramandati fino a noi in forma di racconto ed associati-trasmutati nel martirio di Santa Lucia, questo è quanto accade nel paese di Savoca (Sicilia). Questo è un report corto e lungo, che ho realizzato in quel di Savoca lo scorso mese di Agosto 2018, su quella che è la rappresentazione vivente del martirio di Santa Lucia (Santa patrona della città di Savoca); il culto della giovane Santa di Siracusa sembra risalire al XV secolo, sotto l'influenza delle tradizioni spagnole. La rievocazione vivente della storia di S.Lucia avviene in due giornate consecutive, il sabato e la domenica: qui tento di raccontare alcuni momenti della giornata della domenica, giorno durante il quale la festa si svolge nel pieno della sua bellezza. E' questa una rievocazione storica che parla di Demoni ed Angeli: la storia rievoca di quando la Santa, si rifiutò di andare in sposa ad un suo ricco e potente pretendente (essendosi dichiarata Cristiana e sposa in Cristo), il quale per vendetta riferì della fede Cristiana di Lucia al prefetto Pascasio; costui diede ordine ai suoi pretoriani di trascinare Lucia con una corda fino ad un lupanare, un luogo di prostituzione; la leggenda narra che la Santa divenne pesantissima, si tentò allora di trascinarla con l'ausilio dei buoi, ma fu impossibile smuoverla da dove si trovava; non riuscendo in ciò, fu allora dato l'ordine di cavarle gli occhi, ma alla giovane martire (nativa di Siracusa) gli occhi le rispuntarono. Nel paese di Savoca una giovane ragazza, chiamata con affetto "la Lucia" viene portata in spalla lungo le vie del paese (seduta su di un cuscino legato sulla spalla di un uomo; in realtà gli uomini portatori sono due, dandosi il cambio l'un l'altro); la giovane Santa rimane impassibile di fronte alle tentazioni demoniache: il Diavolo, chiamato in dialetto siciliano "u Diavulazzu, agita, scuote, fa ruotare il suo forcone nel tentativo di "distrarre" la Santa ma, vani saranno i suoi tentativi. Il primo giorno di questa rappresentazione, il sabato, in una vecchia chiesa di Savoca, le due bambine che impersonano la Lucia, dell'anno in corso e dell'anno precedente, si incontrano con la consegna della palma da una bimba all'altra; l'evento tradizionale al quale si assiste il sabato, ha tutto l'aspetto di una importante prova generale per il giorno dopo, quando la domenica la festa tradizionale avverrà in tutta la sua bellezza.La domenica: in cima alla processione ci sono i "Giudei" (gli emissari del prefetto Pascasio) insieme ad alcuni Angeli, subito dopo si trova il carro tirato da due giumente dalle quali si diparte una corda che giungerà fino a cingere il fianco della bimba che impersona Santa Lucia (una bambina di sei anni); tra lei e le giumente ci sono i soldati Romani, che si fanno largo tra la folla dimenandosi a più non posso; a tenere la corda ci sono anche delle figure maschili che evitano che gli strattonamenti dei soldati romani possano giungere fino alla Santa (ricordiamolo, che è legata a quella corda); davanti alla Santa piroetta il diavolo tentatore, u' Diavulazzu (la maschera è in legno, la cui fattura è datata, sembra, del 400'), il cui compito è quello di distrarre la piccola Santa con l'aiuto di un lungo bastone dotato di punte ricurve, chiamto dialettalmente "u' croccu": Lucia difficilmente si lascerà ingannare dalle promesse del Maligno, non abbandonerà quel suo stato di immobile concentrazione, aiutata in ciò dal fissare, quasi in stato di trance, un piccolo ramo di palma in argento, che lei strige devotamente tra le sue mani. E’ fondamentale menzionare tra i vari personaggi storici della tradizione, il barone Baldassarre, vissuto in Savoca in epoca medioevale, soprannominato barone Altadonna, che applicava senza remora alcuna la pratica della Jus primae noctis: avvalendosi di questa legge il barone obbligava le giovani spose a trascorrere la prima notte di nozze nella sua alcova. E’ fortemente ipotizzabile che nella rappresentazione di Santa Lucia di Savoca il personaggio del Diavolo che tenta la giovane Santa col suo forcone, in realtà non sia altro che egli stesso, il barone Altadonna, così allegoricamente descritto nella festa tradizionale siciliana: la figura del Diavolo, se si tiene conto di quanto narrano gli storici, non apparterrebbe più alla leggenda, ma a questo tristo personaggio realmente vissuto, che usava quotidianamente la moneta della prepotenza. Post scriptum: le fotografie, realizzate sia il sabato che la domenica, sono state organizzate e postate senza tenere conto della cronologia temporale di quanto avvenuto nei due giorni della manifestazione; sono state inserite due foto della mummia del barone Altadonna, che si trova nella cripta dei Padri Cappuccini di Savoca; sono stati inseriti i ritratti di due "Lucie" delle precedenti edizioni, del nonno e del bisnonno della dinastia dei "DIAVOLI"; la "palma d'argento" è stata consegnata dalla Lucia del 2016 (Valentina), alla attuale Lucia (Miriana); nel 2017 la manifestazione non è stata eseguita.
Ezio Famà.
Two OCs inspired by 1950's action comics, when heroes could still kill things with guns, and the villains were almost exclusively freaky mutants.
Douglas Callaghan was a down-on-his-luck minifigure before adopting his crime-fighting identity. Once he happened to be stopped on a desert highway, and was unluckily caught between some fleeing grey aliens and the government agents that were tracking their saucer. Shot in the crossfire, the soon-to-be Mister Nuke was actually rescued by the aliens, who miraculously saved his life by transplanting one of their dead's healthy respiratory systems into his body, as his own esophagus and lungs had been shredded by bullets. They also crafted and fitted him with a synthetic suit covering him from the jaw down that appeared to assist with mobility.
The aliens' generosity only extended so far, however; they beamed Douglas back down to the planet, leaving him to be hunted by men in dark suits. During his time on the run, the survivor realized his physiology had changed; his skin, now nigh impenetrable, yet unnaturally pliable. This allowed him to survive deadly falls, squeeze through tight spaces, outlast opponents in fights, etc, in his life as a fugitive. Further investigation of his acquired powers told him his new set of lungs extracted minuscule radioactivity from his surroundings, mutating his minifig cells. The suit the aliens had granted him included a function of absorbing excess radiation, which he could then release through the chest plate as a sonic boom. The wave of atomic energy uncontrollably transmutes substances in its path into random elements, generally gases.
A walking biohazard with zero lifesaving or survival skills, the self-named Mister Nuke completed his ensemble with an aviator helmet heirloom, utility belt, and the usual heroic cape (that he's convinced himself has glide capabilities, but it totally doesn't), and, with his jaded perspective of the world, set out to put a stop to both shady government activity and alien evildoers alike, all the while still a wanted man. Neither a strategist with a sound plan of attack, nor a patient sort, Mister Nuke prefers to just kind of... unleash.
Arthropoid, the minifigure on the right of the image, is just one of the numerous abominations Mister Nuke deals with. It spits acid, can suction its way up skyscrapers, and its claws can pierce even Nuke's hide! Mister Nuke refers to it as "Arthur".
This is perfect for the League of Lego Heroes group, which is dedicated to superhero minifigures not connected to Marvel, DC or any existing comic.
These are the sorts of illustrations that Bruce McCall has transmuted into some hysterically funny paintings for the New Yorker and others.
The Final Transmutation is a rare spectacle of nature which occurs solely in the hardest of winters. Only the oldest Dryads then transform into an Old One - a Dryad deity. This may even involve a sex change as it did in this case when Fiérce, the oldest of the Sylvaneth Sisters, became Fiércc the Dryad God.
I am revisiting some of my figs at the moment. Thanks to "Nicebricks" , who sold me the headpiece, which can be bought as a part of his custom Sauron on his bricklink store.
Yu Lan Offering Ceremony takes place at a local playground, it's about the size of half of a soccer field with four temporary sheds, consists of:
- a reception area
- another one is the altar where monks are singing out prayers for the spirits;
- a shed to place the offerings materials and
- the main building made of bamboo and aluminium roof - the Chinese Opera Stage as seen here in this image.
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The Ghost Festival, also known as the Hungry Ghost Festival, or Yu Lan is a traditional Chinese festival and holiday celebrated by Chinese in many countries. In the Chinese calendar (a lunisolar calendar), the Ghost Festival is on the 15th night of the seventh month (14th in southern China).
In Chinese tradition, the fifteenth day of the seventh month in the lunar calendar is called Ghost Day and the seventh month in general is regarded as the Ghost Month (鬼月), in which ghosts and spirits, including those of the deceased ancestors, come out from the lower realm.
Distinct from both the Qingming Festival (in spring) and Chung Yeung Festival (in autumn) in which living descendants pay homage to their deceased ancestors, on Ghost Day, the deceased are believed to visit the living.
On the fifteenth day the realms of Heaven and Hell and the realm of the living are open and both Taoists and Buddhists would perform rituals to transmute and absolve the sufferings of the deceased. Intrinsic to the Ghost Month is ancestor worship, where traditionally the filial piety of descendants extends to their ancestors even after their deaths.
Activities during the month would include preparing ritualistic food offerings, burning incense, and burning joss paper, a papier-mâché form of material items such as clothes, gold and other fine goods for the visiting spirits of the ancestors
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More images of the Hungry Ghosts "Yu Lan" Festival here:
Hungry Ghosts "Yu Lan" Festival
More Chinese Temples images here:
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We strive to harness the storms within—the insanity, the sadness, the joy—and transmute them. To deny this calling is to surrender to the madness instead…
---- Angels & Demons (devil tries to tempt Saint Lucia, August 2018, Savoca - Sicily) ----
---- Angeli & Demoni (il demonio tenta Santa Lucia, agosto 2018, Savoca - Sicilia) ----
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Qi Bo's photos on Flickr Hive Mind
www.worldphoto.org/sony-world-photography-awards/winners-...
www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
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this is a photographic narration that speaks of the eternal struggle that takes place between good and evil, which speaks of a dark period of history, speaks of the violence suffered by women but also by those who belonged to the poorest social classes, historical facts that have been handed down to us in the form of a story and associated-transmuted in the martyrdom of Saint Lucia, this is what happens in the town of Savoca (Sicily). This is a short and long report, I did in Savoca on August 2018 about the living representation of the martyrdom of Saint Lucia (patron saint of the city of Savoca); the cult of the young Saint of Syracuse seems to date back to the fifteenth century, under the influence of Spanish traditions. The commemoration of the history of St. Lucia occurs in two consecutive days, Saturday and Sunday: here I try to tell some times of the day on Sunday, a day during which the festival is held at the height of her beauty. And 'This is a historical event which speaks of Demons and Angels: Saint Lucy refused to marry a rich and powerful suitor (Lucy declared She was married in Christ), which reported the Christian faith of Lucia to prefect Pascasio that ordered his Praetorian Guard to drag Lucia with a rope to a place of prostitution; legend has it that the Holy became heavy, they then tried to drag it with the help of oxen, but it was impossible to move it from where he stood; failing in this, it was then given the order to cavarle eyes, but the young martyr (native of Syracuse) her eyes reappeared.
In the village of Savoca a young girl, affectionately called the "Lucy" is carried on the shoulder of a porter along the streets of the country (sitting on a pillow tied on the shoulder of a man, but in fact men are two); the young Saint remains impassive in the face of demonic temptations: the Devil, called in Sicilian dialect "u Diavulazzu, shake, shakes, turns his pitchfork in an attempt to "distract" the Saint.
The first day of this representation, on Saturday, in an old church in Savoca, the two girls who impersonate the Lucia, of the current year and the previous year, meet with the delivery of palm; the traditional event which we witness on Saturday, has all the appearance of an important rehearsal for the next day, on Sunday when the traditional festival will take place in all its beauty.
Sunday: on top of the procession there are the "Jews" (the emissaries of the prefect Pascasio) along with some Angels, is located immediately after the wagon drawn by two cows from which branches off a rope that will arrive to Saint Lucia (a girl of six years); between her and the cows there are Roman soldiers, who make their way through the crowd squirming like crazy; to hold the rope there are also male figures; the job of Devil (his mask is made of wood, whose invoice is dated, it seems, of the 400') is to distract the little Saint with the help of a long stick equipped of curved points, called "u 'croccu": Lucia hardly is deceived by the promises of the evil one, she will not abandon the state of her property concentration, aided in this by staring, almost in a trance, a small palm branch in silver , she brings devoutly in her hands.It's very important to mention the Baron Baldassarre (nicknamed Baron Altadonna), who applied without any hesitation the practice of Jus de seigneur: using this law the Baron obliged the young brides to spend the wedding night in his alcove. It 'very possible that in the representation of Saint Lucia of Savoca the character of the Devil tempting young Santa with his pitchfork, in reality is nothing but himself, Baron Altadonna, so allegorically described in this traditional Sicilian feast: the figure of the Devil if one takes into account what historians relate, does not belong more to the legend, but sadly to actual event happened. Post scriptum: the photographs, realized both on Saturday and Sunday, were organized and posted without taking into account the temporal chronology of what happened during the two days of the event; two photos of the mummy of Baron Altadonna have been included, which is located in the crypt of the Capuchin Fathers of Savoca; the portraits of two "Lucie" from previous editions, grandfather and great-grandfather of the "DIAVOLI" dynasty were included; the "silver palm" was delivered by Lucia of 2016 (Valentina), to the current Lucia (Miriana), in 2017 the event was not performed.
Ezio Famà.
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questa è una narrazione fotografica che parla dell'eterna lotta che avviene tra il bene ed il male, che parla di un periodo buio della storia, che parla delle violenze subite dalle donne ma anche da coloro che appartenevano alle classi sociali più povere, fatti storici che sono stati tramandati fino a noi in forma di racconto ed associati-trasmutati nel martirio di Santa Lucia, questo è quanto accade nel paese di Savoca (Sicilia). Questo è un report corto e lungo, che ho realizzato in quel di Savoca lo scorso mese di Agosto 2018, su quella che è la rappresentazione vivente del martirio di Santa Lucia (Santa patrona della città di Savoca); il culto della giovane Santa di Siracusa sembra risalire al XV secolo, sotto l'influenza delle tradizioni spagnole. La rievocazione vivente della storia di S.Lucia avviene in due giornate consecutive, il sabato e la domenica: qui tento di raccontare alcuni momenti della giornata della domenica, giorno durante il quale la festa si svolge nel pieno della sua bellezza. E' questa una rievocazione storica che parla di Demoni ed Angeli: la storia rievoca di quando la Santa, si rifiutò di andare in sposa ad un suo ricco e potente pretendente (essendosi dichiarata Cristiana e sposa in Cristo), il quale per vendetta riferì della fede Cristiana di Lucia al prefetto Pascasio; costui diede ordine ai suoi pretoriani di trascinare Lucia con una corda fino ad un lupanare, un luogo di prostituzione; la leggenda narra che la Santa divenne pesantissima, si tentò allora di trascinarla con l'ausilio dei buoi, ma fu impossibile smuoverla da dove si trovava; non riuscendo in ciò, fu allora dato l'ordine di cavarle gli occhi, ma alla giovane martire (nativa di Siracusa) gli occhi le rispuntarono. Nel paese di Savoca una giovane ragazza, chiamata con affetto "la Lucia" viene portata in spalla lungo le vie del paese (seduta su di un cuscino legato sulla spalla di un uomo; in realtà gli uomini portatori sono due, dandosi il cambio l'un l'altro); la giovane Santa rimane impassibile di fronte alle tentazioni demoniache: il Diavolo, chiamato in dialetto siciliano "u Diavulazzu, agita, scuote, fa ruotare il suo forcone nel tentativo di "distrarre" la Santa ma, vani saranno i suoi tentativi. Il primo giorno di questa rappresentazione, il sabato, in una vecchia chiesa di Savoca, le due bambine che impersonano la Lucia, dell'anno in corso e dell'anno precedente, si incontrano con la consegna della palma da una bimba all'altra; l'evento tradizionale al quale si assiste il sabato, ha tutto l'aspetto di una importante prova generale per il giorno dopo, quando la domenica la festa tradizionale avverrà in tutta la sua bellezza.La domenica: in cima alla processione ci sono i "Giudei" (gli emissari del prefetto Pascasio) insieme ad alcuni Angeli, subito dopo si trova il carro tirato da due giumente dalle quali si diparte una corda che giungerà fino a cingere il fianco della bimba che impersona Santa Lucia (una bambina di sei anni); tra lei e le giumente ci sono i soldati Romani, che si fanno largo tra la folla dimenandosi a più non posso; a tenere la corda ci sono anche delle figure maschili che evitano che gli strattonamenti dei soldati romani possano giungere fino alla Santa (ricordiamolo, che è legata a quella corda); davanti alla Santa piroetta il diavolo tentatore, u' Diavulazzu (la maschera è in legno, la cui fattura è datata, sembra, del 400'), il cui compito è quello di distrarre la piccola Santa con l'aiuto di un lungo bastone dotato di punte ricurve, chiamto dialettalmente "u' croccu": Lucia difficilmente si lascerà ingannare dalle promesse del Maligno, non abbandonerà quel suo stato di immobile concentrazione, aiutata in ciò dal fissare, quasi in stato di trance, un piccolo ramo di palma in argento, che lei strige devotamente tra le sue mani. E’ fondamentale menzionare tra i vari personaggi storici della tradizione, il barone Baldassarre, vissuto in Savoca in epoca medioevale, soprannominato barone Altadonna, che applicava senza remora alcuna la pratica della Jus primae noctis: avvalendosi di questa legge il barone obbligava le giovani spose a trascorrere la prima notte di nozze nella sua alcova. E’ fortemente ipotizzabile che nella rappresentazione di Santa Lucia di Savoca il personaggio del Diavolo che tenta la giovane Santa col suo forcone, in realtà non sia altro che egli stesso, il barone Altadonna, così allegoricamente descritto nella festa tradizionale siciliana: la figura del Diavolo, se si tiene conto di quanto narrano gli storici, non apparterrebbe più alla leggenda, ma a questo tristo personaggio realmente vissuto, che usava quotidianamente la moneta della prepotenza. Post scriptum: le fotografie, realizzate sia il sabato che la domenica, sono state organizzate e postate senza tenere conto della cronologia temporale di quanto avvenuto nei due giorni della manifestazione; sono state inserite due foto della mummia del barone Altadonna, che si trova nella cripta dei Padri Cappuccini di Savoca; sono stati inseriti i ritratti di due "Lucie" delle precedenti edizioni, del nonno e del bisnonno della dinastia dei "DIAVOLI"; la "palma d'argento" è stata consegnata dalla Lucia del 2016 (Valentina), alla attuale Lucia (Miriana); nel 2017 la manifestazione non è stata eseguita.
Ezio Famà.
---- Angels & Demons (devil tries to tempt Saint Lucia, August 2018, Savoca - Sicily) ----
---- Angeli & Demoni (il demonio tenta Santa Lucia, agosto 2018, Savoca - Sicilia) ----
-----------------------------------------------------------------
Qi Bo's photos on Flickr Hive Mind
www.worldphoto.org/sony-world-photography-awards/winners-...
www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
-------------------------------------------------------------------
this is a photographic narration that speaks of the eternal struggle that takes place between good and evil, which speaks of a dark period of history, speaks of the violence suffered by women but also by those who belonged to the poorest social classes, historical facts that have been handed down to us in the form of a story and associated-transmuted in the martyrdom of Saint Lucia, this is what happens in the town of Savoca (Sicily). This is a short and long report, I did in Savoca on August 2018 about the living representation of the martyrdom of Saint Lucia (patron saint of the city of Savoca); the cult of the young Saint of Syracuse seems to date back to the fifteenth century, under the influence of Spanish traditions. The commemoration of the history of St. Lucia occurs in two consecutive days, Saturday and Sunday: here I try to tell some times of the day on Sunday, a day during which the festival is held at the height of her beauty. And 'This is a historical event which speaks of Demons and Angels: Saint Lucy refused to marry a rich and powerful suitor (Lucy declared She was married in Christ), which reported the Christian faith of Lucia to prefect Pascasio that ordered his Praetorian Guard to drag Lucia with a rope to a place of prostitution; legend has it that the Holy became heavy, they then tried to drag it with the help of oxen, but it was impossible to move it from where he stood; failing in this, it was then given the order to cavarle eyes, but the young martyr (native of Syracuse) her eyes reappeared.
In the village of Savoca a young girl, affectionately called the "Lucy" is carried on the shoulder of a porter along the streets of the country (sitting on a pillow tied on the shoulder of a man, but in fact men are two); the young Saint remains impassive in the face of demonic temptations: the Devil, called in Sicilian dialect "u Diavulazzu, shake, shakes, turns his pitchfork in an attempt to "distract" the Saint.
The first day of this representation, on Saturday, in an old church in Savoca, the two girls who impersonate the Lucia, of the current year and the previous year, meet with the delivery of palm; the traditional event which we witness on Saturday, has all the appearance of an important rehearsal for the next day, on Sunday when the traditional festival will take place in all its beauty.
Sunday: on top of the procession there are the "Jews" (the emissaries of the prefect Pascasio) along with some Angels, is located immediately after the wagon drawn by two cows from which branches off a rope that will arrive to Saint Lucia (a girl of six years); between her and the cows there are Roman soldiers, who make their way through the crowd squirming like crazy; to hold the rope there are also male figures; the job of Devil (his mask is made of wood, whose invoice is dated, it seems, of the 400') is to distract the little Saint with the help of a long stick equipped of curved points, called "u 'croccu": Lucia hardly is deceived by the promises of the evil one, she will not abandon the state of her property concentration, aided in this by staring, almost in a trance, a small palm branch in silver , she brings devoutly in her hands.It's very important to mention the Baron Baldassarre (nicknamed Baron Altadonna), who applied without any hesitation the practice of Jus de seigneur: using this law the Baron obliged the young brides to spend the wedding night in his alcove. It 'very possible that in the representation of Saint Lucia of Savoca the character of the Devil tempting young Santa with his pitchfork, in reality is nothing but himself, Baron Altadonna, so allegorically described in this traditional Sicilian feast: the figure of the Devil if one takes into account what historians relate, does not belong more to the legend, but sadly to actual event happened. Post scriptum: the photographs, realized both on Saturday and Sunday, were organized and posted without taking into account the temporal chronology of what happened during the two days of the event; two photos of the mummy of Baron Altadonna have been included, which is located in the crypt of the Capuchin Fathers of Savoca; the portraits of two "Lucie" from previous editions, grandfather and great-grandfather of the "DIAVOLI" dynasty were included; the "silver palm" was delivered by Lucia of 2016 (Valentina), to the current Lucia (Miriana), in 2017 the event was not performed.
Ezio Famà.
------------------------------------------------------------------------------------------
questa è una narrazione fotografica che parla dell'eterna lotta che avviene tra il bene ed il male, che parla di un periodo buio della storia, che parla delle violenze subite dalle donne ma anche da coloro che appartenevano alle classi sociali più povere, fatti storici che sono stati tramandati fino a noi in forma di racconto ed associati-trasmutati nel martirio di Santa Lucia, questo è quanto accade nel paese di Savoca (Sicilia). Questo è un report corto e lungo, che ho realizzato in quel di Savoca lo scorso mese di Agosto 2018, su quella che è la rappresentazione vivente del martirio di Santa Lucia (Santa patrona della città di Savoca); il culto della giovane Santa di Siracusa sembra risalire al XV secolo, sotto l'influenza delle tradizioni spagnole. La rievocazione vivente della storia di S.Lucia avviene in due giornate consecutive, il sabato e la domenica: qui tento di raccontare alcuni momenti della giornata della domenica, giorno durante il quale la festa si svolge nel pieno della sua bellezza. E' questa una rievocazione storica che parla di Demoni ed Angeli: la storia rievoca di quando la Santa, si rifiutò di andare in sposa ad un suo ricco e potente pretendente (essendosi dichiarata Cristiana e sposa in Cristo), il quale per vendetta riferì della fede Cristiana di Lucia al prefetto Pascasio; costui diede ordine ai suoi pretoriani di trascinare Lucia con una corda fino ad un lupanare, un luogo di prostituzione; la leggenda narra che la Santa divenne pesantissima, si tentò allora di trascinarla con l'ausilio dei buoi, ma fu impossibile smuoverla da dove si trovava; non riuscendo in ciò, fu allora dato l'ordine di cavarle gli occhi, ma alla giovane martire (nativa di Siracusa) gli occhi le rispuntarono. Nel paese di Savoca una giovane ragazza, chiamata con affetto "la Lucia" viene portata in spalla lungo le vie del paese (seduta su di un cuscino legato sulla spalla di un uomo; in realtà gli uomini portatori sono due, dandosi il cambio l'un l'altro); la giovane Santa rimane impassibile di fronte alle tentazioni demoniache: il Diavolo, chiamato in dialetto siciliano "u Diavulazzu, agita, scuote, fa ruotare il suo forcone nel tentativo di "distrarre" la Santa ma, vani saranno i suoi tentativi. Il primo giorno di questa rappresentazione, il sabato, in una vecchia chiesa di Savoca, le due bambine che impersonano la Lucia, dell'anno in corso e dell'anno precedente, si incontrano con la consegna della palma da una bimba all'altra; l'evento tradizionale al quale si assiste il sabato, ha tutto l'aspetto di una importante prova generale per il giorno dopo, quando la domenica la festa tradizionale avverrà in tutta la sua bellezza.La domenica: in cima alla processione ci sono i "Giudei" (gli emissari del prefetto Pascasio) insieme ad alcuni Angeli, subito dopo si trova il carro tirato da due giumente dalle quali si diparte una corda che giungerà fino a cingere il fianco della bimba che impersona Santa Lucia (una bambina di sei anni); tra lei e le giumente ci sono i soldati Romani, che si fanno largo tra la folla dimenandosi a più non posso; a tenere la corda ci sono anche delle figure maschili che evitano che gli strattonamenti dei soldati romani possano giungere fino alla Santa (ricordiamolo, che è legata a quella corda); davanti alla Santa piroetta il diavolo tentatore, u' Diavulazzu (la maschera è in legno, la cui fattura è datata, sembra, del 400'), il cui compito è quello di distrarre la piccola Santa con l'aiuto di un lungo bastone dotato di punte ricurve, chiamto dialettalmente "u' croccu": Lucia difficilmente si lascerà ingannare dalle promesse del Maligno, non abbandonerà quel suo stato di immobile concentrazione, aiutata in ciò dal fissare, quasi in stato di trance, un piccolo ramo di palma in argento, che lei strige devotamente tra le sue mani. E’ fondamentale menzionare tra i vari personaggi storici della tradizione, il barone Baldassarre, vissuto in Savoca in epoca medioevale, soprannominato barone Altadonna, che applicava senza remora alcuna la pratica della Jus primae noctis: avvalendosi di questa legge il barone obbligava le giovani spose a trascorrere la prima notte di nozze nella sua alcova. E’ fortemente ipotizzabile che nella rappresentazione di Santa Lucia di Savoca il personaggio del Diavolo che tenta la giovane Santa col suo forcone, in realtà non sia altro che egli stesso, il barone Altadonna, così allegoricamente descritto nella festa tradizionale siciliana: la figura del Diavolo, se si tiene conto di quanto narrano gli storici, non apparterrebbe più alla leggenda, ma a questo tristo personaggio realmente vissuto, che usava quotidianamente la moneta della prepotenza. Post scriptum: le fotografie, realizzate sia il sabato che la domenica, sono state organizzate e postate senza tenere conto della cronologia temporale di quanto avvenuto nei due giorni della manifestazione; sono state inserite due foto della mummia del barone Altadonna, che si trova nella cripta dei Padri Cappuccini di Savoca; sono stati inseriti i ritratti di due "Lucie" delle precedenti edizioni, del nonno e del bisnonno della dinastia dei "DIAVOLI"; la "palma d'argento" è stata consegnata dalla Lucia del 2016 (Valentina), alla attuale Lucia (Miriana); nel 2017 la manifestazione non è stata eseguita.
Ezio Famà.
Or, as I'll be calling her, Steelheart from Silverhawks. Very happy to pick up one for $30 Australian (about 20 bucks USD). About seven inches tall. Can't wait to get some more photos of her, she even comes with a flight stand, such luxury!
Even as a kid I always loved things that flew, birds, aircraft, etc. But especially characters that fly could also fly through the air: Peter Pan, Buzz Lightyear, the Decepticon Seekers, Astroboy, Storm, Kiki, etc. Something about those god-like powers, the transmutation between a creature stuck to the ground and something else that can dwell in the sky, I dunno. It gets me every time.
The Hermes Paradigm, Book Two: The First Work
It's seeks to define the importance of John Dee in mediaval and renaissance esoterica, outlined with the Monas Hieroglyphica wich was transmitted through the Rosicrucian movement, through Johann Valentin Andreae and his Chymische Hochzeit Christiani 1459.Many students of alchemy have been waiting patiently (and, in some cases, impatiently) since October 2009 for the publication of the second volume in Rubaphilos Salfluĕre’s five book cycle, The Hermes Paradigm. We are pleased to confirm that The Hermes Paradigm, Book Two: The First Work is scheduled for publication 01 February 2012. Although the edition will be limited, the wise reader can secure a copy by pre-ordering directly from Salamander and Sons. Visit our website to learn more about the book and its contents.It is not widely understood, today, that the way in which we approach the orderly study of laboratory alchemy in the 21st century was established by the famous 20th century alchemist Albert Riedel. Albert Riedel went by the esoteric alias Frater Albertus Spagyricus. Albertus taught his approach to alchemy through a school that he had established in the U.S.A. during the 1960s. He was the first person in modern history to teach a near-classic approach to traditional laboratory alchemy in a semi-public situation. Before Albertus’ re-establishment of accurate laboratory alchemy practice in mainstream Western esoteric study, the art had existed so far underground that knowledge of it was all but lost to the broader Western tradition.Albertus influenced a large number of serious occultists who adopted his ideas as being fundamental to a proper understanding of alchemy. Some of these individuals went on to have a major influence on the wider Western esoteric community, establishing a standard approach to alchemical study which has today become the accepted format for teaching the subject in esoteric fraternities. A major part of the effect Albertus had on the modern study of laboratory alchemy was to define a relatively rigid set of stages through which the student should ascend an orderly study of the work. (Unfortunately, true to historic form, the basic format for study that Albertus laid down was strong in the laboratory aspect, but very weak in the inner facet). Hard work by accomplished alchemists since Albertus’ time has made even greater improvements in the laboratory aspect, but a good esoteric theory and practice is still largely absent in the popular level of the tradition. This situation has encouraged most modern authors and teachers of the subject to generally follow the philosophy that if you teach a strong lab foundation, the student will figure the rest out in good time. Experience has shown, though, that this is rarely the case, partially because the initial foundation is not strong, in the greatest number of cases. Instead, most students learn the fundamentals of the popular approach to the physical lab techniques, then continue to practice them by rote without ever developing an effective grasp of the deeper truths of the subject. In saying as much I should add that this situation is tolerated for good reason. Those who are in a position to provide accurate teaching prefer to maintain control over just who finds themselves in a position to receive the same.
Albertus taught that the study of alchemy should be broken down into roughly three levels (which he taught in seven stages). Study of plant alchemy came first, then animal alchemy and then the basic mineral work. Finally the focus was placed upon advanced mineral alchemy … the Great Work of confecting the Philosopher’s Stone. The attainment of the ‘Stone’ of each realm was considered an indicator of Mastery in that realm, from a laboratory perspective. In this way the title of Master Alchemist is only ever given to that Adept who performs a metallic transmutation with a Stone confected by his or her own hands.Posted by Salamander and Sons in Alchemy Books, The Hermes Paradigm.Posted by Salamander and Sons in Alchemy Books, The Hermes Paradigm
A somewhat experimental shot of Princess' Lego Speeder Bike. You can see what's solid colour and trans. Shot placed on a light table with a lamp very close under the glass.
from my series that is searching for the optimum context for news to spontaneously to evolve. this could be it!
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It's the Luner 7th month, which means it's the scariest month in the whole year according to Chinese believes.
As a child I was always warned to be extra cautious: avoid going out at night, never answer when I heard anyone call my name from behind, don't whistle and no mention the word "ghosts" are among the rules during the Ghost Month.
This year I decide to pay a visit to one of the remaining Ghost Month ( which is called "Yu Lan Festival" in the formal term ) to document some of its believes.
So here's the beginning of my first documentation of the Hungry Ghost Festival.
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The Ghost Festival, also known as the Hungry Ghost Festival, or Yu Lan is a traditional Chinese festival and holiday celebrated by Chinese in many countries. In the Chinese calendar (a lunisolar calendar), the Ghost Festival is on the 15th night of the seventh month (14th in southern China).
In Chinese tradition, the fifteenth day of the seventh month in the lunar calendar is called Ghost Day and the seventh month in general is regarded as the Ghost Month (鬼月), in which ghosts and spirits, including those of the deceased ancestors, come out from the lower realm.
Distinct from both the Qingming Festival (in spring) and Chung Yeung Festival (in autumn) in which living descendants pay homage to their deceased ancestors, on Ghost Day, the deceased are believed to visit the living.
On the fifteenth day the realms of Heaven and Hell and the realm of the living are open and both Taoists and Buddhists would perform rituals to transmute and absolve the sufferings of the deceased. Intrinsic to the Ghost Month is ancestor worship, where traditionally the filial piety of descendants extends to their ancestors even after their deaths.
Activities during the month would include preparing ritualistic food offerings, burning incense, and burning joss paper, a papier-mâché form of material items such as clothes, gold and other fine goods for the visiting spirits of the ancestors
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More images of the Hungry Ghosts "Yu Lan" Festival here:
Hungry Ghosts "Yu Lan" Festival
More Chinese Temples images here:
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---- Angels & Demons (devil tries to tempt Saint Lucia, August 2018, Savoca - Sicily) ----
---- Angeli & Demoni (il demonio tenta Santa Lucia, agosto 2018, Savoca - Sicilia) ----
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Qi Bo's photos on Flickr Hive Mind
www.worldphoto.org/sony-world-photography-awards/winners-...
www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
-------------------------------------------------------------------
this is a photographic narration that speaks of the eternal struggle that takes place between good and evil, which speaks of a dark period of history, speaks of the violence suffered by women but also by those who belonged to the poorest social classes, historical facts that have been handed down to us in the form of a story and associated-transmuted in the martyrdom of Saint Lucia, this is what happens in the town of Savoca (Sicily). This is a short and long report, I did in Savoca on August 2018 about the living representation of the martyrdom of Saint Lucia (patron saint of the city of Savoca); the cult of the young Saint of Syracuse seems to date back to the fifteenth century, under the influence of Spanish traditions. The commemoration of the history of St. Lucia occurs in two consecutive days, Saturday and Sunday: here I try to tell some times of the day on Sunday, a day during which the festival is held at the height of her beauty. And 'This is a historical event which speaks of Demons and Angels: Saint Lucy refused to marry a rich and powerful suitor (Lucy declared She was married in Christ), which reported the Christian faith of Lucia to prefect Pascasio that ordered his Praetorian Guard to drag Lucia with a rope to a place of prostitution; legend has it that the Holy became heavy, they then tried to drag it with the help of oxen, but it was impossible to move it from where he stood; failing in this, it was then given the order to cavarle eyes, but the young martyr (native of Syracuse) her eyes reappeared.
In the village of Savoca a young girl, affectionately called the "Lucy" is carried on the shoulder of a porter along the streets of the country (sitting on a pillow tied on the shoulder of a man, but in fact men are two); the young Saint remains impassive in the face of demonic temptations: the Devil, called in Sicilian dialect "u Diavulazzu, shake, shakes, turns his pitchfork in an attempt to "distract" the Saint.
The first day of this representation, on Saturday, in an old church in Savoca, the two girls who impersonate the Lucia, of the current year and the previous year, meet with the delivery of palm; the traditional event which we witness on Saturday, has all the appearance of an important rehearsal for the next day, on Sunday when the traditional festival will take place in all its beauty.
Sunday: on top of the procession there are the "Jews" (the emissaries of the prefect Pascasio) along with some Angels, is located immediately after the wagon drawn by two cows from which branches off a rope that will arrive to Saint Lucia (a girl of six years); between her and the cows there are Roman soldiers, who make their way through the crowd squirming like crazy; to hold the rope there are also male figures; the job of Devil (his mask is made of wood, whose invoice is dated, it seems, of the 400') is to distract the little Saint with the help of a long stick equipped of curved points, called "u 'croccu": Lucia hardly is deceived by the promises of the evil one, she will not abandon the state of her property concentration, aided in this by staring, almost in a trance, a small palm branch in silver , she brings devoutly in her hands.It's very important to mention the Baron Baldassarre (nicknamed Baron Altadonna), who applied without any hesitation the practice of Jus de seigneur: using this law the Baron obliged the young brides to spend the wedding night in his alcove. It 'very possible that in the representation of Saint Lucia of Savoca the character of the Devil tempting young Santa with his pitchfork, in reality is nothing but himself, Baron Altadonna, so allegorically described in this traditional Sicilian feast: the figure of the Devil if one takes into account what historians relate, does not belong more to the legend, but sadly to actual event happened. Post scriptum: the photographs, realized both on Saturday and Sunday, were organized and posted without taking into account the temporal chronology of what happened during the two days of the event; two photos of the mummy of Baron Altadonna have been included, which is located in the crypt of the Capuchin Fathers of Savoca; the portraits of two "Lucie" from previous editions, grandfather and great-grandfather of the "DIAVOLI" dynasty were included; the "silver palm" was delivered by Lucia of 2016 (Valentina), to the current Lucia (Miriana), in 2017 the event was not performed.
Ezio Famà.
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questa è una narrazione fotografica che parla dell'eterna lotta che avviene tra il bene ed il male, che parla di un periodo buio della storia, che parla delle violenze subite dalle donne ma anche da coloro che appartenevano alle classi sociali più povere, fatti storici che sono stati tramandati fino a noi in forma di racconto ed associati-trasmutati nel martirio di Santa Lucia, questo è quanto accade nel paese di Savoca (Sicilia). Questo è un report corto e lungo, che ho realizzato in quel di Savoca lo scorso mese di Agosto 2018, su quella che è la rappresentazione vivente del martirio di Santa Lucia (Santa patrona della città di Savoca); il culto della giovane Santa di Siracusa sembra risalire al XV secolo, sotto l'influenza delle tradizioni spagnole. La rievocazione vivente della storia di S.Lucia avviene in due giornate consecutive, il sabato e la domenica: qui tento di raccontare alcuni momenti della giornata della domenica, giorno durante il quale la festa si svolge nel pieno della sua bellezza. E' questa una rievocazione storica che parla di Demoni ed Angeli: la storia rievoca di quando la Santa, si rifiutò di andare in sposa ad un suo ricco e potente pretendente (essendosi dichiarata Cristiana e sposa in Cristo), il quale per vendetta riferì della fede Cristiana di Lucia al prefetto Pascasio; costui diede ordine ai suoi pretoriani di trascinare Lucia con una corda fino ad un lupanare, un luogo di prostituzione; la leggenda narra che la Santa divenne pesantissima, si tentò allora di trascinarla con l'ausilio dei buoi, ma fu impossibile smuoverla da dove si trovava; non riuscendo in ciò, fu allora dato l'ordine di cavarle gli occhi, ma alla giovane martire (nativa di Siracusa) gli occhi le rispuntarono. Nel paese di Savoca una giovane ragazza, chiamata con affetto "la Lucia" viene portata in spalla lungo le vie del paese (seduta su di un cuscino legato sulla spalla di un uomo; in realtà gli uomini portatori sono due, dandosi il cambio l'un l'altro); la giovane Santa rimane impassibile di fronte alle tentazioni demoniache: il Diavolo, chiamato in dialetto siciliano "u Diavulazzu, agita, scuote, fa ruotare il suo forcone nel tentativo di "distrarre" la Santa ma, vani saranno i suoi tentativi. Il primo giorno di questa rappresentazione, il sabato, in una vecchia chiesa di Savoca, le due bambine che impersonano la Lucia, dell'anno in corso e dell'anno precedente, si incontrano con la consegna della palma da una bimba all'altra; l'evento tradizionale al quale si assiste il sabato, ha tutto l'aspetto di una importante prova generale per il giorno dopo, quando la domenica la festa tradizionale avverrà in tutta la sua bellezza.La domenica: in cima alla processione ci sono i "Giudei" (gli emissari del prefetto Pascasio) insieme ad alcuni Angeli, subito dopo si trova il carro tirato da due giumente dalle quali si diparte una corda che giungerà fino a cingere il fianco della bimba che impersona Santa Lucia (una bambina di sei anni); tra lei e le giumente ci sono i soldati Romani, che si fanno largo tra la folla dimenandosi a più non posso; a tenere la corda ci sono anche delle figure maschili che evitano che gli strattonamenti dei soldati romani possano giungere fino alla Santa (ricordiamolo, che è legata a quella corda); davanti alla Santa piroetta il diavolo tentatore, u' Diavulazzu (la maschera è in legno, la cui fattura è datata, sembra, del 400'), il cui compito è quello di distrarre la piccola Santa con l'aiuto di un lungo bastone dotato di punte ricurve, chiamto dialettalmente "u' croccu": Lucia difficilmente si lascerà ingannare dalle promesse del Maligno, non abbandonerà quel suo stato di immobile concentrazione, aiutata in ciò dal fissare, quasi in stato di trance, un piccolo ramo di palma in argento, che lei strige devotamente tra le sue mani. E’ fondamentale menzionare tra i vari personaggi storici della tradizione, il barone Baldassarre, vissuto in Savoca in epoca medioevale, soprannominato barone Altadonna, che applicava senza remora alcuna la pratica della Jus primae noctis: avvalendosi di questa legge il barone obbligava le giovani spose a trascorrere la prima notte di nozze nella sua alcova. E’ fortemente ipotizzabile che nella rappresentazione di Santa Lucia di Savoca il personaggio del Diavolo che tenta la giovane Santa col suo forcone, in realtà non sia altro che egli stesso, il barone Altadonna, così allegoricamente descritto nella festa tradizionale siciliana: la figura del Diavolo, se si tiene conto di quanto narrano gli storici, non apparterrebbe più alla leggenda, ma a questo tristo personaggio realmente vissuto, che usava quotidianamente la moneta della prepotenza. Post scriptum: le fotografie, realizzate sia il sabato che la domenica, sono state organizzate e postate senza tenere conto della cronologia temporale di quanto avvenuto nei due giorni della manifestazione; sono state inserite due foto della mummia del barone Altadonna, che si trova nella cripta dei Padri Cappuccini di Savoca; sono stati inseriti i ritratti di due "Lucie" delle precedenti edizioni, del nonno e del bisnonno della dinastia dei "DIAVOLI"; la "palma d'argento" è stata consegnata dalla Lucia del 2016 (Valentina), alla attuale Lucia (Miriana); nel 2017 la manifestazione non è stata eseguita.
Ezio Famà.
---- Angels & Demons (devil tries to tempt Saint Lucia, August 2018, Savoca - Sicily) ----
---- Angeli & Demoni (il demonio tenta Santa Lucia, agosto 2018, Savoca - Sicilia) ----
-----------------------------------------------------------------
Qi Bo's photos on Flickr Hive Mind
www.worldphoto.org/sony-world-photography-awards/winners-...
www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
-------------------------------------------------------------------
this is a photographic narration that speaks of the eternal struggle that takes place between good and evil, which speaks of a dark period of history, speaks of the violence suffered by women but also by those who belonged to the poorest social classes, historical facts that have been handed down to us in the form of a story and associated-transmuted in the martyrdom of Saint Lucia, this is what happens in the town of Savoca (Sicily). This is a short and long report, I did in Savoca on August 2018 about the living representation of the martyrdom of Saint Lucia (patron saint of the city of Savoca); the cult of the young Saint of Syracuse seems to date back to the fifteenth century, under the influence of Spanish traditions. The commemoration of the history of St. Lucia occurs in two consecutive days, Saturday and Sunday: here I try to tell some times of the day on Sunday, a day during which the festival is held at the height of her beauty. And 'This is a historical event which speaks of Demons and Angels: Saint Lucy refused to marry a rich and powerful suitor (Lucy declared She was married in Christ), which reported the Christian faith of Lucia to prefect Pascasio that ordered his Praetorian Guard to drag Lucia with a rope to a place of prostitution; legend has it that the Holy became heavy, they then tried to drag it with the help of oxen, but it was impossible to move it from where he stood; failing in this, it was then given the order to cavarle eyes, but the young martyr (native of Syracuse) her eyes reappeared.
In the village of Savoca a young girl, affectionately called the "Lucy" is carried on the shoulder of a porter along the streets of the country (sitting on a pillow tied on the shoulder of a man, but in fact men are two); the young Saint remains impassive in the face of demonic temptations: the Devil, called in Sicilian dialect "u Diavulazzu, shake, shakes, turns his pitchfork in an attempt to "distract" the Saint.
The first day of this representation, on Saturday, in an old church in Savoca, the two girls who impersonate the Lucia, of the current year and the previous year, meet with the delivery of palm; the traditional event which we witness on Saturday, has all the appearance of an important rehearsal for the next day, on Sunday when the traditional festival will take place in all its beauty.
Sunday: on top of the procession there are the "Jews" (the emissaries of the prefect Pascasio) along with some Angels, is located immediately after the wagon drawn by two cows from which branches off a rope that will arrive to Saint Lucia (a girl of six years); between her and the cows there are Roman soldiers, who make their way through the crowd squirming like crazy; to hold the rope there are also male figures; the job of Devil (his mask is made of wood, whose invoice is dated, it seems, of the 400') is to distract the little Saint with the help of a long stick equipped of curved points, called "u 'croccu": Lucia hardly is deceived by the promises of the evil one, she will not abandon the state of her property concentration, aided in this by staring, almost in a trance, a small palm branch in silver , she brings devoutly in her hands.It's very important to mention the Baron Baldassarre (nicknamed Baron Altadonna), who applied without any hesitation the practice of Jus de seigneur: using this law the Baron obliged the young brides to spend the wedding night in his alcove. It 'very possible that in the representation of Saint Lucia of Savoca the character of the Devil tempting young Santa with his pitchfork, in reality is nothing but himself, Baron Altadonna, so allegorically described in this traditional Sicilian feast: the figure of the Devil if one takes into account what historians relate, does not belong more to the legend, but sadly to actual event happened. Post scriptum: the photographs, realized both on Saturday and Sunday, were organized and posted without taking into account the temporal chronology of what happened during the two days of the event; two photos of the mummy of Baron Altadonna have been included, which is located in the crypt of the Capuchin Fathers of Savoca; the portraits of two "Lucie" from previous editions, grandfather and great-grandfather of the "DIAVOLI" dynasty were included; the "silver palm" was delivered by Lucia of 2016 (Valentina), to the current Lucia (Miriana), in 2017 the event was not performed.
Ezio Famà.
------------------------------------------------------------------------------------------
questa è una narrazione fotografica che parla dell'eterna lotta che avviene tra il bene ed il male, che parla di un periodo buio della storia, che parla delle violenze subite dalle donne ma anche da coloro che appartenevano alle classi sociali più povere, fatti storici che sono stati tramandati fino a noi in forma di racconto ed associati-trasmutati nel martirio di Santa Lucia, questo è quanto accade nel paese di Savoca (Sicilia). Questo è un report corto e lungo, che ho realizzato in quel di Savoca lo scorso mese di Agosto 2018, su quella che è la rappresentazione vivente del martirio di Santa Lucia (Santa patrona della città di Savoca); il culto della giovane Santa di Siracusa sembra risalire al XV secolo, sotto l'influenza delle tradizioni spagnole. La rievocazione vivente della storia di S.Lucia avviene in due giornate consecutive, il sabato e la domenica: qui tento di raccontare alcuni momenti della giornata della domenica, giorno durante il quale la festa si svolge nel pieno della sua bellezza. E' questa una rievocazione storica che parla di Demoni ed Angeli: la storia rievoca di quando la Santa, si rifiutò di andare in sposa ad un suo ricco e potente pretendente (essendosi dichiarata Cristiana e sposa in Cristo), il quale per vendetta riferì della fede Cristiana di Lucia al prefetto Pascasio; costui diede ordine ai suoi pretoriani di trascinare Lucia con una corda fino ad un lupanare, un luogo di prostituzione; la leggenda narra che la Santa divenne pesantissima, si tentò allora di trascinarla con l'ausilio dei buoi, ma fu impossibile smuoverla da dove si trovava; non riuscendo in ciò, fu allora dato l'ordine di cavarle gli occhi, ma alla giovane martire (nativa di Siracusa) gli occhi le rispuntarono. Nel paese di Savoca una giovane ragazza, chiamata con affetto "la Lucia" viene portata in spalla lungo le vie del paese (seduta su di un cuscino legato sulla spalla di un uomo; in realtà gli uomini portatori sono due, dandosi il cambio l'un l'altro); la giovane Santa rimane impassibile di fronte alle tentazioni demoniache: il Diavolo, chiamato in dialetto siciliano "u Diavulazzu, agita, scuote, fa ruotare il suo forcone nel tentativo di "distrarre" la Santa ma, vani saranno i suoi tentativi. Il primo giorno di questa rappresentazione, il sabato, in una vecchia chiesa di Savoca, le due bambine che impersonano la Lucia, dell'anno in corso e dell'anno precedente, si incontrano con la consegna della palma da una bimba all'altra; l'evento tradizionale al quale si assiste il sabato, ha tutto l'aspetto di una importante prova generale per il giorno dopo, quando la domenica la festa tradizionale avverrà in tutta la sua bellezza.La domenica: in cima alla processione ci sono i "Giudei" (gli emissari del prefetto Pascasio) insieme ad alcuni Angeli, subito dopo si trova il carro tirato da due giumente dalle quali si diparte una corda che giungerà fino a cingere il fianco della bimba che impersona Santa Lucia (una bambina di sei anni); tra lei e le giumente ci sono i soldati Romani, che si fanno largo tra la folla dimenandosi a più non posso; a tenere la corda ci sono anche delle figure maschili che evitano che gli strattonamenti dei soldati romani possano giungere fino alla Santa (ricordiamolo, che è legata a quella corda); davanti alla Santa piroetta il diavolo tentatore, u' Diavulazzu (la maschera è in legno, la cui fattura è datata, sembra, del 400'), il cui compito è quello di distrarre la piccola Santa con l'aiuto di un lungo bastone dotato di punte ricurve, chiamto dialettalmente "u' croccu": Lucia difficilmente si lascerà ingannare dalle promesse del Maligno, non abbandonerà quel suo stato di immobile concentrazione, aiutata in ciò dal fissare, quasi in stato di trance, un piccolo ramo di palma in argento, che lei strige devotamente tra le sue mani. E’ fondamentale menzionare tra i vari personaggi storici della tradizione, il barone Baldassarre, vissuto in Savoca in epoca medioevale, soprannominato barone Altadonna, che applicava senza remora alcuna la pratica della Jus primae noctis: avvalendosi di questa legge il barone obbligava le giovani spose a trascorrere la prima notte di nozze nella sua alcova. E’ fortemente ipotizzabile che nella rappresentazione di Santa Lucia di Savoca il personaggio del Diavolo che tenta la giovane Santa col suo forcone, in realtà non sia altro che egli stesso, il barone Altadonna, così allegoricamente descritto nella festa tradizionale siciliana: la figura del Diavolo, se si tiene conto di quanto narrano gli storici, non apparterrebbe più alla leggenda, ma a questo tristo personaggio realmente vissuto, che usava quotidianamente la moneta della prepotenza. Post scriptum: le fotografie, realizzate sia il sabato che la domenica, sono state organizzate e postate senza tenere conto della cronologia temporale di quanto avvenuto nei due giorni della manifestazione; sono state inserite due foto della mummia del barone Altadonna, che si trova nella cripta dei Padri Cappuccini di Savoca; sono stati inseriti i ritratti di due "Lucie" delle precedenti edizioni, del nonno e del bisnonno della dinastia dei "DIAVOLI"; la "palma d'argento" è stata consegnata dalla Lucia del 2016 (Valentina), alla attuale Lucia (Miriana); nel 2017 la manifestazione non è stata eseguita.
Ezio Famà.
---- Angels & Demons (devil tries to tempt Saint Lucia, August 2018, Savoca - Sicily) ----
---- Angeli & Demoni (il demonio tenta Santa Lucia, agosto 2018, Savoca - Sicilia) ----
-----------------------------------------------------------------
Qi Bo's photos on Flickr Hive Mind
www.worldphoto.org/sony-world-photography-awards/winners-...
www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
-------------------------------------------------------------------
this is a photographic narration that speaks of the eternal struggle that takes place between good and evil, which speaks of a dark period of history, speaks of the violence suffered by women but also by those who belonged to the poorest social classes, historical facts that have been handed down to us in the form of a story and associated-transmuted in the martyrdom of Saint Lucia, this is what happens in the town of Savoca (Sicily). This is a short and long report, I did in Savoca on August 2018 about the living representation of the martyrdom of Saint Lucia (patron saint of the city of Savoca); the cult of the young Saint of Syracuse seems to date back to the fifteenth century, under the influence of Spanish traditions. The commemoration of the history of St. Lucia occurs in two consecutive days, Saturday and Sunday: here I try to tell some times of the day on Sunday, a day during which the festival is held at the height of her beauty. And 'This is a historical event which speaks of Demons and Angels: Saint Lucy refused to marry a rich and powerful suitor (Lucy declared She was married in Christ), which reported the Christian faith of Lucia to prefect Pascasio that ordered his Praetorian Guard to drag Lucia with a rope to a place of prostitution; legend has it that the Holy became heavy, they then tried to drag it with the help of oxen, but it was impossible to move it from where he stood; failing in this, it was then given the order to cavarle eyes, but the young martyr (native of Syracuse) her eyes reappeared.
In the village of Savoca a young girl, affectionately called the "Lucy" is carried on the shoulder of a porter along the streets of the country (sitting on a pillow tied on the shoulder of a man, but in fact men are two); the young Saint remains impassive in the face of demonic temptations: the Devil, called in Sicilian dialect "u Diavulazzu, shake, shakes, turns his pitchfork in an attempt to "distract" the Saint.
The first day of this representation, on Saturday, in an old church in Savoca, the two girls who impersonate the Lucia, of the current year and the previous year, meet with the delivery of palm; the traditional event which we witness on Saturday, has all the appearance of an important rehearsal for the next day, on Sunday when the traditional festival will take place in all its beauty.
Sunday: on top of the procession there are the "Jews" (the emissaries of the prefect Pascasio) along with some Angels, is located immediately after the wagon drawn by two cows from which branches off a rope that will arrive to Saint Lucia (a girl of six years); between her and the cows there are Roman soldiers, who make their way through the crowd squirming like crazy; to hold the rope there are also male figures; the job of Devil (his mask is made of wood, whose invoice is dated, it seems, of the 400') is to distract the little Saint with the help of a long stick equipped of curved points, called "u 'croccu": Lucia hardly is deceived by the promises of the evil one, she will not abandon the state of her property concentration, aided in this by staring, almost in a trance, a small palm branch in silver , she brings devoutly in her hands.It's very important to mention the Baron Baldassarre (nicknamed Baron Altadonna), who applied without any hesitation the practice of Jus de seigneur: using this law the Baron obliged the young brides to spend the wedding night in his alcove. It 'very possible that in the representation of Saint Lucia of Savoca the character of the Devil tempting young Santa with his pitchfork, in reality is nothing but himself, Baron Altadonna, so allegorically described in this traditional Sicilian feast: the figure of the Devil if one takes into account what historians relate, does not belong more to the legend, but sadly to actual event happened. Post scriptum: the photographs, realized both on Saturday and Sunday, were organized and posted without taking into account the temporal chronology of what happened during the two days of the event; two photos of the mummy of Baron Altadonna have been included, which is located in the crypt of the Capuchin Fathers of Savoca; the portraits of two "Lucie" from previous editions, grandfather and great-grandfather of the "DIAVOLI" dynasty were included; the "silver palm" was delivered by Lucia of 2016 (Valentina), to the current Lucia (Miriana), in 2017 the event was not performed.
Ezio Famà.
------------------------------------------------------------------------------------------
questa è una narrazione fotografica che parla dell'eterna lotta che avviene tra il bene ed il male, che parla di un periodo buio della storia, che parla delle violenze subite dalle donne ma anche da coloro che appartenevano alle classi sociali più povere, fatti storici che sono stati tramandati fino a noi in forma di racconto ed associati-trasmutati nel martirio di Santa Lucia, questo è quanto accade nel paese di Savoca (Sicilia). Questo è un report corto e lungo, che ho realizzato in quel di Savoca lo scorso mese di Agosto 2018, su quella che è la rappresentazione vivente del martirio di Santa Lucia (Santa patrona della città di Savoca); il culto della giovane Santa di Siracusa sembra risalire al XV secolo, sotto l'influenza delle tradizioni spagnole. La rievocazione vivente della storia di S.Lucia avviene in due giornate consecutive, il sabato e la domenica: qui tento di raccontare alcuni momenti della giornata della domenica, giorno durante il quale la festa si svolge nel pieno della sua bellezza. E' questa una rievocazione storica che parla di Demoni ed Angeli: la storia rievoca di quando la Santa, si rifiutò di andare in sposa ad un suo ricco e potente pretendente (essendosi dichiarata Cristiana e sposa in Cristo), il quale per vendetta riferì della fede Cristiana di Lucia al prefetto Pascasio; costui diede ordine ai suoi pretoriani di trascinare Lucia con una corda fino ad un lupanare, un luogo di prostituzione; la leggenda narra che la Santa divenne pesantissima, si tentò allora di trascinarla con l'ausilio dei buoi, ma fu impossibile smuoverla da dove si trovava; non riuscendo in ciò, fu allora dato l'ordine di cavarle gli occhi, ma alla giovane martire (nativa di Siracusa) gli occhi le rispuntarono. Nel paese di Savoca una giovane ragazza, chiamata con affetto "la Lucia" viene portata in spalla lungo le vie del paese (seduta su di un cuscino legato sulla spalla di un uomo; in realtà gli uomini portatori sono due, dandosi il cambio l'un l'altro); la giovane Santa rimane impassibile di fronte alle tentazioni demoniache: il Diavolo, chiamato in dialetto siciliano "u Diavulazzu, agita, scuote, fa ruotare il suo forcone nel tentativo di "distrarre" la Santa ma, vani saranno i suoi tentativi. Il primo giorno di questa rappresentazione, il sabato, in una vecchia chiesa di Savoca, le due bambine che impersonano la Lucia, dell'anno in corso e dell'anno precedente, si incontrano con la consegna della palma da una bimba all'altra; l'evento tradizionale al quale si assiste il sabato, ha tutto l'aspetto di una importante prova generale per il giorno dopo, quando la domenica la festa tradizionale avverrà in tutta la sua bellezza.La domenica: in cima alla processione ci sono i "Giudei" (gli emissari del prefetto Pascasio) insieme ad alcuni Angeli, subito dopo si trova il carro tirato da due giumente dalle quali si diparte una corda che giungerà fino a cingere il fianco della bimba che impersona Santa Lucia (una bambina di sei anni); tra lei e le giumente ci sono i soldati Romani, che si fanno largo tra la folla dimenandosi a più non posso; a tenere la corda ci sono anche delle figure maschili che evitano che gli strattonamenti dei soldati romani possano giungere fino alla Santa (ricordiamolo, che è legata a quella corda); davanti alla Santa piroetta il diavolo tentatore, u' Diavulazzu (la maschera è in legno, la cui fattura è datata, sembra, del 400'), il cui compito è quello di distrarre la piccola Santa con l'aiuto di un lungo bastone dotato di punte ricurve, chiamto dialettalmente "u' croccu": Lucia difficilmente si lascerà ingannare dalle promesse del Maligno, non abbandonerà quel suo stato di immobile concentrazione, aiutata in ciò dal fissare, quasi in stato di trance, un piccolo ramo di palma in argento, che lei strige devotamente tra le sue mani. E’ fondamentale menzionare tra i vari personaggi storici della tradizione, il barone Baldassarre, vissuto in Savoca in epoca medioevale, soprannominato barone Altadonna, che applicava senza remora alcuna la pratica della Jus primae noctis: avvalendosi di questa legge il barone obbligava le giovani spose a trascorrere la prima notte di nozze nella sua alcova. E’ fortemente ipotizzabile che nella rappresentazione di Santa Lucia di Savoca il personaggio del Diavolo che tenta la giovane Santa col suo forcone, in realtà non sia altro che egli stesso, il barone Altadonna, così allegoricamente descritto nella festa tradizionale siciliana: la figura del Diavolo, se si tiene conto di quanto narrano gli storici, non apparterrebbe più alla leggenda, ma a questo tristo personaggio realmente vissuto, che usava quotidianamente la moneta della prepotenza. Post scriptum: le fotografie, realizzate sia il sabato che la domenica, sono state organizzate e postate senza tenere conto della cronologia temporale di quanto avvenuto nei due giorni della manifestazione; sono state inserite due foto della mummia del barone Altadonna, che si trova nella cripta dei Padri Cappuccini di Savoca; sono stati inseriti i ritratti di due "Lucie" delle precedenti edizioni, del nonno e del bisnonno della dinastia dei "DIAVOLI"; la "palma d'argento" è stata consegnata dalla Lucia del 2016 (Valentina), alla attuale Lucia (Miriana); nel 2017 la manifestazione non è stata eseguita.
Ezio Famà.
ENTER the DRAGON...
The ouroboros is an ancient symbol depicting a serpent or dragon eating its own tail. The ouroboros entered Western tradition via ancient Egyptian iconography and the Greek magical tradition. It was adopted as a symbol in Gnosticism and Hermeticism and most notably in ALCHEMY.
Ref: en.wikipedia.org/wiki/Ouroboros
An ouroboros from a 1478 drawing in an alchemical tract.
Ancient Egypt - the Tomb of Tutankhamun
One of the earliest known ouroboros motifs is found in the Enigmatic Book of the Netherworld, an ancient Egyptian funerary text in KV62, the tomb of Tutankhamun, in the 14th century BCE.
DRAGONS In ALCHEMY:
Symbolism of Two Hermaphrodites - 15th-century German alchemical documents.
Some Dictionary Definitions of Alchemy:
⦁a medieval chemical science and speculative philosophy aiming to achieve the transmutation of the base metals into gold, the discovery of a universal cure for disease, and the discovery of a means of indefinitely prolonging life
⦁a power or process that changes or transforms something in a mysterious or impressive way
⦁an inexplicable or mysterious transmuting
SUN and MOON symbolism is a frequent theme in Alchemical texts.
A reference to SOL(o)MON's Temple perhaps, where the ARK of the COVENANT is kept - the CONTRACT of the ARCH.
The Twin Pillars of Jachin and Boaz.
The ALCHEMical fusion of male and female to create a parthenogenic ‘HYBRID’.
The Chemical Wedding of Man and Woman, Mater and Pater, Sun and Moon, Mona and Lisa…
SOVEREIGN – to reign from above – the ‘HIGH BRID(e)’ – the monARCH.
SUPERIUS – The HYBRID(e) – monARCH – Sovereign – GOLD
INFERIUS – Man and Woman – LEAD
Figure 12 from "Hermaphrodite Child of the Sun and Moon" by Johann Augustin Brunnhofer (1752)
Alchemical DRAGON from “Hermaphrodite Child of the Sun and Moon” by Johann Augustin Brunnhofer (1752)
The word 'DRAGON' is 13th century.
'DRAGON' entered the English language in the early 13th century from Old French word, 'DRAGON'.
ANDROGynous, however, is a much older word - from Latin androgynus, from Greek androgynos "hermaphrodite, male and female in one; womanish man".
ANDROGynous - a mixed up DRAGON.
Most interestingly, it requires very little or no translation in a significant number of languages - a UNIVERSAL word of sorts.
The definition of CATHOLIC - COMPREHENSIVE, UNIVERSAL.
The suggestion of this post is therefore that DRAGONs are used as symbolism for a 'SUPERIOR' monARCHical HYBRID ANDROGynous ROYAL BLOODLINE descended from the EGYPTIAN PHaraohs.
After all, the ancient Egyptian OSIRIS myth is all about ISIS conceiving HORUS without a PHallus - the original immaculate conception.
HORUS - the WIDOW's SON.
Christianity is merely a continuation of the worship of these ANDROGynous ROYAL BLOODLINES.
DRAG ACTS
The term "DRAG" refers to the performance of exaggerated masculinity, femininity, or other forms of gender expression, usually for entertainment purposes. Drag usually involves cross-dressing. A drag queen is someone who performs femininity and a drag king is someone who performs masculinity.
pubastrology.files.wordpress.com/2023/05/v-for-victory-v1...
A Kind of Bright Darkness
There is a stile still standing in the ghost
of a hedge, and a broken gate beside it, opening
on the pathless nowhere of a ploughed field.
I don't walk there; nor do I retrace my steps
down the route I did not take to get here.
Cuckoos are silent, so next time, I must be
gone. The nearer ground has lapsed to shadow;
the middle distance echoes with a kind of bright
darkness, as though the slow alchemy of sun
and soil has not made gold, but crumbling crusts
of verdigris. The sky is strewn, as at an augury,
with molten copper: to scry it is to go blind.
This aching transmutation of light into a sightless
knowing is all that I can give you: my hands and feet
have vanished. No one walks. The landscape is in flux.
Poem by Giles Watson, 2013. Folklore insists that if you hear the song of the cuckoo, you will be in the same place again next year. The title is a quotation from the shortest and best review my poems have received: "He has a wonderful sensibility for the layered British landscape and for a kind of bright darkness", by Vahni Capildeo.
---- Angels & Demons (devil tries to tempt Saint Lucia, August 2018, Savoca - Sicily) ----
---- Angeli & Demoni (il demonio tenta Santa Lucia, agosto 2018, Savoca - Sicilia) ----
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Qi Bo's photos on Flickr Hive Mind
www.worldphoto.org/sony-world-photography-awards/winners-...
www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
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this is a photographic narration that speaks of the eternal struggle that takes place between good and evil, which speaks of a dark period of history, speaks of the violence suffered by women but also by those who belonged to the poorest social classes, historical facts that have been handed down to us in the form of a story and associated-transmuted in the martyrdom of Saint Lucia, this is what happens in the town of Savoca (Sicily). This is a short and long report, I did in Savoca on August 2018 about the living representation of the martyrdom of Saint Lucia (patron saint of the city of Savoca); the cult of the young Saint of Syracuse seems to date back to the fifteenth century, under the influence of Spanish traditions. The commemoration of the history of St. Lucia occurs in two consecutive days, Saturday and Sunday: here I try to tell some times of the day on Sunday, a day during which the festival is held at the height of her beauty. And 'This is a historical event which speaks of Demons and Angels: Saint Lucy refused to marry a rich and powerful suitor (Lucy declared She was married in Christ), which reported the Christian faith of Lucia to prefect Pascasio that ordered his Praetorian Guard to drag Lucia with a rope to a place of prostitution; legend has it that the Holy became heavy, they then tried to drag it with the help of oxen, but it was impossible to move it from where he stood; failing in this, it was then given the order to cavarle eyes, but the young martyr (native of Syracuse) her eyes reappeared.
In the village of Savoca a young girl, affectionately called the "Lucy" is carried on the shoulder of a porter along the streets of the country (sitting on a pillow tied on the shoulder of a man, but in fact men are two); the young Saint remains impassive in the face of demonic temptations: the Devil, called in Sicilian dialect "u Diavulazzu, shake, shakes, turns his pitchfork in an attempt to "distract" the Saint.
The first day of this representation, on Saturday, in an old church in Savoca, the two girls who impersonate the Lucia, of the current year and the previous year, meet with the delivery of palm; the traditional event which we witness on Saturday, has all the appearance of an important rehearsal for the next day, on Sunday when the traditional festival will take place in all its beauty.
Sunday: on top of the procession there are the "Jews" (the emissaries of the prefect Pascasio) along with some Angels, is located immediately after the wagon drawn by two cows from which branches off a rope that will arrive to Saint Lucia (a girl of six years); between her and the cows there are Roman soldiers, who make their way through the crowd squirming like crazy; to hold the rope there are also male figures; the job of Devil (his mask is made of wood, whose invoice is dated, it seems, of the 400') is to distract the little Saint with the help of a long stick equipped of curved points, called "u 'croccu": Lucia hardly is deceived by the promises of the evil one, she will not abandon the state of her property concentration, aided in this by staring, almost in a trance, a small palm branch in silver , she brings devoutly in her hands.
It's very important to mention the Baron Baldassarre (nicknamed Baron Altadonna), who applied without any hesitation the practice of Jus de seigneur: using this law the Baron obliged the young brides to spend the wedding night in his alcove. It 'very possible that in the representation of Saint Lucia of Savoca the character of the Devil tempting young Santa with his pitchfork, in reality is nothing but himself, Baron Altadonna, so allegorically described in this traditional Sicilian feast: the figure of the Devil if one takes into account what historians relate, does not belong more to the legend, but sadly to actual event happened. Post scriptum: the photographs, realized both on Saturday and Sunday, were organized and posted without taking into account the temporal chronology of what happened during the two days of the event; two photos of the mummy of Baron Altadonna have been included, which is located in the crypt of the Capuchin Fathers of Savoca; the portraits of two "Lucie" from previous editions, grandfather and great-grandfather of the "DIAVOLI" dynasty were included; the "silver palm" was delivered by Lucia of 2016 (Valentina), to the current Lucia (Miriana), in 2017 the event was not performed.
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questa è una narrazione fotografica che parla dell'eterna lotta che avviene tra il bene ed il male, che parla di un periodo buio della storia, che parla delle violenze subite dalle donne ma anche da coloro che appartenevano alle classi sociali più povere, fatti storici che sono stati tramandati fino a noi in forma di racconto ed associati-trasmutati nel martirio di Santa Lucia, questo è quanto accade nel paese di Savoca (Sicilia). Questo è un report corto e lungo, che ho realizzato in quel di Savoca lo scorso mese di Agosto 2018, su quella che è la rappresentazione vivente del martirio di Santa Lucia (Santa patrona della città di Savoca); il culto della giovane Santa di Siracusa sembra risalire al XV secolo, sotto l'influenza delle tradizioni spagnole. La rievocazione vivente della storia di S.Lucia avviene in due giornate consecutive, il sabato e la domenica: qui tento di raccontare alcuni momenti della giornata della domenica, giorno durante il quale la festa si svolge nel pieno della sua bellezza. E' questa una rievocazione storica che parla di Demoni ed Angeli: la storia rievoca di quando la Santa, si rifiutò di andare in sposa ad un suo ricco e potente pretendente (essendosi dichiarata Cristiana e sposa in Cristo), il quale per vendetta riferì della fede Cristiana di Lucia al prefetto Pascasio; costui diede ordine ai suoi pretoriani di trascinare Lucia con una corda fino ad un lupanare, un luogo di prostituzione; la leggenda narra che la Santa divenne pesantissima, si tentò allora di trascinarla con l'ausilio dei buoi, ma fu impossibile smuoverla da dove si trovava; non riuscendo in ciò, fu allora dato l'ordine di cavarle gli occhi, ma alla giovane martire (nativa di Siracusa) gli occhi le rispuntarono. Nel paese di Savoca una giovane ragazza, chiamata con affetto "la Lucia" viene portata in spalla lungo le vie del paese (seduta su di un cuscino legato sulla spalla di un uomo; in realtà gli uomini portatori sono due, dandosi il cambio l'un l'altro); la giovane Santa rimane impassibile di fronte alle tentazioni demoniache: il Diavolo, chiamato in dialetto siciliano "u Diavulazzu, agita, scuote, fa ruotare il suo forcone nel tentativo di "distrarre" la Santa ma, vani saranno i suoi tentativi. Il primo giorno di questa rappresentazione, il sabato, in una vecchia chiesa di Savoca, le due bambine che impersonano la Lucia, dell'anno in corso e dell'anno precedente, si incontrano con la consegna della palma da una bimba all'altra; l'evento tradizionale al quale si assiste il sabato, ha tutto l'aspetto di una importante prova generale per il giorno dopo, quando la domenica la festa tradizionale avverrà in tutta la sua bellezza.La domenica: in cima alla processione ci sono i "Giudei" (gli emissari del prefetto Pascasio) insieme ad alcuni Angeli, subito dopo si trova il carro tirato da due giumente dalle quali si diparte una corda che giungerà fino a cingere il fianco della bimba che impersona Santa Lucia (una bambina di sei anni); tra lei e le giumente ci sono i soldati Romani, che si fanno largo tra la folla dimenandosi a più non posso; a tenere la corda ci sono anche delle figure maschili che evitano che gli strattonamenti dei soldati romani possano giungere fino alla Santa (ricordiamolo, che è legata a quella corda); davanti alla Santa piroetta il diavolo tentatore, u' Diavulazzu (la maschera è in legno, la cui fattura è datata, sembra, del 400'), il cui compito è quello di distrarre la piccola Santa con l'aiuto di un lungo bastone dotato di punte ricurve, chiamto dialettalmente "u' croccu": Lucia difficilmente si lascerà ingannare dalle promesse del Maligno, non abbandonerà quel suo stato di immobile concentrazione, aiutata in ciò dal fissare, quasi in stato di trance, un piccolo ramo di palma in argento, che lei strige devotamente tra le sue mani. E’ fondamentale menzionare tra i vari personaggi storici della tradizione, il barone Baldassarre, vissuto in Savoca in epoca medioevale, soprannominato barone Altadonna, che applicava senza remora alcuna la pratica della Jus primae noctis: avvalendosi di questa legge il barone obbligava le giovani spose a trascorrere la prima notte di nozze nella sua alcova. E’ fortemente ipotizzabile che nella rappresentazione di Santa Lucia di Savoca il personaggio del Diavolo che tenta la giovane Santa col suo forcone, in realtà non sia altro che egli stesso, il barone Altadonna, così allegoricamente descritto nella festa tradizionale siciliana: la figura del Diavolo, se si tiene conto di quanto narrano gli storici, non apparterrebbe più alla leggenda, ma a questo tristo personaggio realmente vissuto, che usava quotidianamente la moneta della prepotenza. Post scriptum: le fotografie, realizzate sia il sabato che la domenica, sono state organizzate e postate senza tenere conto della cronologia temporale di quanto avvenuto nei due giorni della manifestazione; sono state inserite due foto della mummia del barone Altadonna, che si trova nella cripta dei Padri Cappuccini di Savoca; sono stati inseriti i ritratti di due "Lucie" delle precedenti edizioni, del nonno e del bisnonno della dinastia dei "DIAVOLI"; la "palma d'argento" è stata consegnata dalla Lucia del 2016 (Valentina), alla attuale Lucia (Miriana); nel 2017 la manifestazione non è stata eseguita.
---- Angels & Demons (devil tries to tempt Saint Lucia, August 2018, Savoca - Sicily) ----
---- Angeli & Demoni (il demonio tenta Santa Lucia, agosto 2018, Savoca - Sicilia) ----
-----------------------------------------------------------------
Qi Bo's photos on Flickr Hive Mind
www.worldphoto.org/sony-world-photography-awards/winners-...
www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
-------------------------------------------------------------------
this is a photographic narration that speaks of the eternal struggle that takes place between good and evil, which speaks of a dark period of history, speaks of the violence suffered by women but also by those who belonged to the poorest social classes, historical facts that have been handed down to us in the form of a story and associated-transmuted in the martyrdom of Saint Lucia, this is what happens in the town of Savoca (Sicily). This is a short and long report, I did in Savoca on August 2018 about the living representation of the martyrdom of Saint Lucia (patron saint of the city of Savoca); the cult of the young Saint of Syracuse seems to date back to the fifteenth century, under the influence of Spanish traditions. The commemoration of the history of St. Lucia occurs in two consecutive days, Saturday and Sunday: here I try to tell some times of the day on Sunday, a day during which the festival is held at the height of her beauty. And 'This is a historical event which speaks of Demons and Angels: Saint Lucy refused to marry a rich and powerful suitor (Lucy declared She was married in Christ), which reported the Christian faith of Lucia to prefect Pascasio that ordered his Praetorian Guard to drag Lucia with a rope to a place of prostitution; legend has it that the Holy became heavy, they then tried to drag it with the help of oxen, but it was impossible to move it from where he stood; failing in this, it was then given the order to cavarle eyes, but the young martyr (native of Syracuse) her eyes reappeared.
In the village of Savoca a young girl, affectionately called the "Lucy" is carried on the shoulder of a porter along the streets of the country (sitting on a pillow tied on the shoulder of a man, but in fact men are two); the young Saint remains impassive in the face of demonic temptations: the Devil, called in Sicilian dialect "u Diavulazzu, shake, shakes, turns his pitchfork in an attempt to "distract" the Saint.
The first day of this representation, on Saturday, in an old church in Savoca, the two girls who impersonate the Lucia, of the current year and the previous year, meet with the delivery of palm; the traditional event which we witness on Saturday, has all the appearance of an important rehearsal for the next day, on Sunday when the traditional festival will take place in all its beauty.
Sunday: on top of the procession there are the "Jews" (the emissaries of the prefect Pascasio) along with some Angels, is located immediately after the wagon drawn by two cows from which branches off a rope that will arrive to Saint Lucia (a girl of six years); between her and the cows there are Roman soldiers, who make their way through the crowd squirming like crazy; to hold the rope there are also male figures; the job of Devil (his mask is made of wood, whose invoice is dated, it seems, of the 400') is to distract the little Saint with the help of a long stick equipped of curved points, called "u 'croccu": Lucia hardly is deceived by the promises of the evil one, she will not abandon the state of her property concentration, aided in this by staring, almost in a trance, a small palm branch in silver , she brings devoutly in her hands.It's very important to mention the Baron Baldassarre (nicknamed Baron Altadonna), who applied without any hesitation the practice of Jus de seigneur: using this law the Baron obliged the young brides to spend the wedding night in his alcove. It 'very possible that in the representation of Saint Lucia of Savoca the character of the Devil tempting young Santa with his pitchfork, in reality is nothing but himself, Baron Altadonna, so allegorically described in this traditional Sicilian feast: the figure of the Devil if one takes into account what historians relate, does not belong more to the legend, but sadly to actual event happened. Post scriptum: the photographs, realized both on Saturday and Sunday, were organized and posted without taking into account the temporal chronology of what happened during the two days of the event; two photos of the mummy of Baron Altadonna have been included, which is located in the crypt of the Capuchin Fathers of Savoca; the portraits of two "Lucie" from previous editions, grandfather and great-grandfather of the "DIAVOLI" dynasty were included; the "silver palm" was delivered by Lucia of 2016 (Valentina), to the current Lucia (Miriana), in 2017 the event was not performed.
Ezio Famà.
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questa è una narrazione fotografica che parla dell'eterna lotta che avviene tra il bene ed il male, che parla di un periodo buio della storia, che parla delle violenze subite dalle donne ma anche da coloro che appartenevano alle classi sociali più povere, fatti storici che sono stati tramandati fino a noi in forma di racconto ed associati-trasmutati nel martirio di Santa Lucia, questo è quanto accade nel paese di Savoca (Sicilia). Questo è un report corto e lungo, che ho realizzato in quel di Savoca lo scorso mese di Agosto 2018, su quella che è la rappresentazione vivente del martirio di Santa Lucia (Santa patrona della città di Savoca); il culto della giovane Santa di Siracusa sembra risalire al XV secolo, sotto l'influenza delle tradizioni spagnole. La rievocazione vivente della storia di S.Lucia avviene in due giornate consecutive, il sabato e la domenica: qui tento di raccontare alcuni momenti della giornata della domenica, giorno durante il quale la festa si svolge nel pieno della sua bellezza. E' questa una rievocazione storica che parla di Demoni ed Angeli: la storia rievoca di quando la Santa, si rifiutò di andare in sposa ad un suo ricco e potente pretendente (essendosi dichiarata Cristiana e sposa in Cristo), il quale per vendetta riferì della fede Cristiana di Lucia al prefetto Pascasio; costui diede ordine ai suoi pretoriani di trascinare Lucia con una corda fino ad un lupanare, un luogo di prostituzione; la leggenda narra che la Santa divenne pesantissima, si tentò allora di trascinarla con l'ausilio dei buoi, ma fu impossibile smuoverla da dove si trovava; non riuscendo in ciò, fu allora dato l'ordine di cavarle gli occhi, ma alla giovane martire (nativa di Siracusa) gli occhi le rispuntarono. Nel paese di Savoca una giovane ragazza, chiamata con affetto "la Lucia" viene portata in spalla lungo le vie del paese (seduta su di un cuscino legato sulla spalla di un uomo; in realtà gli uomini portatori sono due, dandosi il cambio l'un l'altro); la giovane Santa rimane impassibile di fronte alle tentazioni demoniache: il Diavolo, chiamato in dialetto siciliano "u Diavulazzu, agita, scuote, fa ruotare il suo forcone nel tentativo di "distrarre" la Santa ma, vani saranno i suoi tentativi. Il primo giorno di questa rappresentazione, il sabato, in una vecchia chiesa di Savoca, le due bambine che impersonano la Lucia, dell'anno in corso e dell'anno precedente, si incontrano con la consegna della palma da una bimba all'altra; l'evento tradizionale al quale si assiste il sabato, ha tutto l'aspetto di una importante prova generale per il giorno dopo, quando la domenica la festa tradizionale avverrà in tutta la sua bellezza.La domenica: in cima alla processione ci sono i "Giudei" (gli emissari del prefetto Pascasio) insieme ad alcuni Angeli, subito dopo si trova il carro tirato da due giumente dalle quali si diparte una corda che giungerà fino a cingere il fianco della bimba che impersona Santa Lucia (una bambina di sei anni); tra lei e le giumente ci sono i soldati Romani, che si fanno largo tra la folla dimenandosi a più non posso; a tenere la corda ci sono anche delle figure maschili che evitano che gli strattonamenti dei soldati romani possano giungere fino alla Santa (ricordiamolo, che è legata a quella corda); davanti alla Santa piroetta il diavolo tentatore, u' Diavulazzu (la maschera è in legno, la cui fattura è datata, sembra, del 400'), il cui compito è quello di distrarre la piccola Santa con l'aiuto di un lungo bastone dotato di punte ricurve, chiamto dialettalmente "u' croccu": Lucia difficilmente si lascerà ingannare dalle promesse del Maligno, non abbandonerà quel suo stato di immobile concentrazione, aiutata in ciò dal fissare, quasi in stato di trance, un piccolo ramo di palma in argento, che lei strige devotamente tra le sue mani. E’ fondamentale menzionare tra i vari personaggi storici della tradizione, il barone Baldassarre, vissuto in Savoca in epoca medioevale, soprannominato barone Altadonna, che applicava senza remora alcuna la pratica della Jus primae noctis: avvalendosi di questa legge il barone obbligava le giovani spose a trascorrere la prima notte di nozze nella sua alcova. E’ fortemente ipotizzabile che nella rappresentazione di Santa Lucia di Savoca il personaggio del Diavolo che tenta la giovane Santa col suo forcone, in realtà non sia altro che egli stesso, il barone Altadonna, così allegoricamente descritto nella festa tradizionale siciliana: la figura del Diavolo, se si tiene conto di quanto narrano gli storici, non apparterrebbe più alla leggenda, ma a questo tristo personaggio realmente vissuto, che usava quotidianamente la moneta della prepotenza. Post scriptum: le fotografie, realizzate sia il sabato che la domenica, sono state organizzate e postate senza tenere conto della cronologia temporale di quanto avvenuto nei due giorni della manifestazione; sono state inserite due foto della mummia del barone Altadonna, che si trova nella cripta dei Padri Cappuccini di Savoca; sono stati inseriti i ritratti di due "Lucie" delle precedenti edizioni, del nonno e del bisnonno della dinastia dei "DIAVOLI"; la "palma d'argento" è stata consegnata dalla Lucia del 2016 (Valentina), alla attuale Lucia (Miriana); nel 2017 la manifestazione non è stata eseguita.
Ezio Famà.
---- Angels & Demons (devil tries to tempt Saint Lucia, August 2018, Savoca - Sicily) ----
---- Angeli & Demoni (il demonio tenta Santa Lucia, agosto 2018, Savoca - Sicilia) ----
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Qi Bo's photos on Flickr Hive Mind
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this is a photographic narration that speaks of the eternal struggle that takes place between good and evil, which speaks of a dark period of history, speaks of the violence suffered by women but also by those who belonged to the poorest social classes, historical facts that have been handed down to us in the form of a story and associated-transmuted in the martyrdom of Saint Lucia, this is what happens in the town of Savoca (Sicily). This is a short and long report, I did in Savoca on August 2018 about the living representation of the martyrdom of Saint Lucia (patron saint of the city of Savoca); the cult of the young Saint of Syracuse seems to date back to the fifteenth century, under the influence of Spanish traditions. The commemoration of the history of St. Lucia occurs in two consecutive days, Saturday and Sunday: here I try to tell some times of the day on Sunday, a day during which the festival is held at the height of her beauty. And 'This is a historical event which speaks of Demons and Angels: Saint Lucy refused to marry a rich and powerful suitor (Lucy declared She was married in Christ), which reported the Christian faith of Lucia to prefect Pascasio that ordered his Praetorian Guard to drag Lucia with a rope to a place of prostitution; legend has it that the Holy became heavy, they then tried to drag it with the help of oxen, but it was impossible to move it from where he stood; failing in this, it was then given the order to cavarle eyes, but the young martyr (native of Syracuse) her eyes reappeared.
In the village of Savoca a young girl, affectionately called the "Lucy" is carried on the shoulder of a porter along the streets of the country (sitting on a pillow tied on the shoulder of a man, but in fact men are two); the young Saint remains impassive in the face of demonic temptations: the Devil, called in Sicilian dialect "u Diavulazzu, shake, shakes, turns his pitchfork in an attempt to "distract" the Saint.
The first day of this representation, on Saturday, in an old church in Savoca, the two girls who impersonate the Lucia, of the current year and the previous year, meet with the delivery of palm; the traditional event which we witness on Saturday, has all the appearance of an important rehearsal for the next day, on Sunday when the traditional festival will take place in all its beauty.
Sunday: on top of the procession there are the "Jews" (the emissaries of the prefect Pascasio) along with some Angels, is located immediately after the wagon drawn by two cows from which branches off a rope that will arrive to Saint Lucia (a girl of six years); between her and the cows there are Roman soldiers, who make their way through the crowd squirming like crazy; to hold the rope there are also male figures; the job of Devil (his mask is made of wood, whose invoice is dated, it seems, of the 400') is to distract the little Saint with the help of a long stick equipped of curved points, called "u 'croccu": Lucia hardly is deceived by the promises of the evil one, she will not abandon the state of her property concentration, aided in this by staring, almost in a trance, a small palm branch in silver , she brings devoutly in her hands.It's very important to mention the Baron Baldassarre (nicknamed Baron Altadonna), who applied without any hesitation the practice of Jus de seigneur: using this law the Baron obliged the young brides to spend the wedding night in his alcove. It 'very possible that in the representation of Saint Lucia of Savoca the character of the Devil tempting young Santa with his pitchfork, in reality is nothing but himself, Baron Altadonna, so allegorically described in this traditional Sicilian feast: the figure of the Devil if one takes into account what historians relate, does not belong more to the legend, but sadly to actual event happened. Post scriptum: the photographs, realized both on Saturday and Sunday, were organized and posted without taking into account the temporal chronology of what happened during the two days of the event; two photos of the mummy of Baron Altadonna have been included, which is located in the crypt of the Capuchin Fathers of Savoca; the portraits of two "Lucie" from previous editions, grandfather and great-grandfather of the "DIAVOLI" dynasty were included; the "silver palm" was delivered by Lucia of 2016 (Valentina), to the current Lucia (Miriana), in 2017 the event was not performed.
Ezio Famà.
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questa è una narrazione fotografica che parla dell'eterna lotta che avviene tra il bene ed il male, che parla di un periodo buio della storia, che parla delle violenze subite dalle donne ma anche da coloro che appartenevano alle classi sociali più povere, fatti storici che sono stati tramandati fino a noi in forma di racconto ed associati-trasmutati nel martirio di Santa Lucia, questo è quanto accade nel paese di Savoca (Sicilia). Questo è un report corto e lungo, che ho realizzato in quel di Savoca lo scorso mese di Agosto 2018, su quella che è la rappresentazione vivente del martirio di Santa Lucia (Santa patrona della città di Savoca); il culto della giovane Santa di Siracusa sembra risalire al XV secolo, sotto l'influenza delle tradizioni spagnole. La rievocazione vivente della storia di S.Lucia avviene in due giornate consecutive, il sabato e la domenica: qui tento di raccontare alcuni momenti della giornata della domenica, giorno durante il quale la festa si svolge nel pieno della sua bellezza. E' questa una rievocazione storica che parla di Demoni ed Angeli: la storia rievoca di quando la Santa, si rifiutò di andare in sposa ad un suo ricco e potente pretendente (essendosi dichiarata Cristiana e sposa in Cristo), il quale per vendetta riferì della fede Cristiana di Lucia al prefetto Pascasio; costui diede ordine ai suoi pretoriani di trascinare Lucia con una corda fino ad un lupanare, un luogo di prostituzione; la leggenda narra che la Santa divenne pesantissima, si tentò allora di trascinarla con l'ausilio dei buoi, ma fu impossibile smuoverla da dove si trovava; non riuscendo in ciò, fu allora dato l'ordine di cavarle gli occhi, ma alla giovane martire (nativa di Siracusa) gli occhi le rispuntarono. Nel paese di Savoca una giovane ragazza, chiamata con affetto "la Lucia" viene portata in spalla lungo le vie del paese (seduta su di un cuscino legato sulla spalla di un uomo; in realtà gli uomini portatori sono due, dandosi il cambio l'un l'altro); la giovane Santa rimane impassibile di fronte alle tentazioni demoniache: il Diavolo, chiamato in dialetto siciliano "u Diavulazzu, agita, scuote, fa ruotare il suo forcone nel tentativo di "distrarre" la Santa ma, vani saranno i suoi tentativi. Il primo giorno di questa rappresentazione, il sabato, in una vecchia chiesa di Savoca, le due bambine che impersonano la Lucia, dell'anno in corso e dell'anno precedente, si incontrano con la consegna della palma da una bimba all'altra; l'evento tradizionale al quale si assiste il sabato, ha tutto l'aspetto di una importante prova generale per il giorno dopo, quando la domenica la festa tradizionale avverrà in tutta la sua bellezza.La domenica: in cima alla processione ci sono i "Giudei" (gli emissari del prefetto Pascasio) insieme ad alcuni Angeli, subito dopo si trova il carro tirato da due giumente dalle quali si diparte una corda che giungerà fino a cingere il fianco della bimba che impersona Santa Lucia (una bambina di sei anni); tra lei e le giumente ci sono i soldati Romani, che si fanno largo tra la folla dimenandosi a più non posso; a tenere la corda ci sono anche delle figure maschili che evitano che gli strattonamenti dei soldati romani possano giungere fino alla Santa (ricordiamolo, che è legata a quella corda); davanti alla Santa piroetta il diavolo tentatore, u' Diavulazzu (la maschera è in legno, la cui fattura è datata, sembra, del 400'), il cui compito è quello di distrarre la piccola Santa con l'aiuto di un lungo bastone dotato di punte ricurve, chiamto dialettalmente "u' croccu": Lucia difficilmente si lascerà ingannare dalle promesse del Maligno, non abbandonerà quel suo stato di immobile concentrazione, aiutata in ciò dal fissare, quasi in stato di trance, un piccolo ramo di palma in argento, che lei strige devotamente tra le sue mani. E’ fondamentale menzionare tra i vari personaggi storici della tradizione, il barone Baldassarre, vissuto in Savoca in epoca medioevale, soprannominato barone Altadonna, che applicava senza remora alcuna la pratica della Jus primae noctis: avvalendosi di questa legge il barone obbligava le giovani spose a trascorrere la prima notte di nozze nella sua alcova. E’ fortemente ipotizzabile che nella rappresentazione di Santa Lucia di Savoca il personaggio del Diavolo che tenta la giovane Santa col suo forcone, in realtà non sia altro che egli stesso, il barone Altadonna, così allegoricamente descritto nella festa tradizionale siciliana: la figura del Diavolo, se si tiene conto di quanto narrano gli storici, non apparterrebbe più alla leggenda, ma a questo tristo personaggio realmente vissuto, che usava quotidianamente la moneta della prepotenza. Post scriptum: le fotografie, realizzate sia il sabato che la domenica, sono state organizzate e postate senza tenere conto della cronologia temporale di quanto avvenuto nei due giorni della manifestazione; sono state inserite due foto della mummia del barone Altadonna, che si trova nella cripta dei Padri Cappuccini di Savoca; sono stati inseriti i ritratti di due "Lucie" delle precedenti edizioni, del nonno e del bisnonno della dinastia dei "DIAVOLI"; la "palma d'argento" è stata consegnata dalla Lucia del 2016 (Valentina), alla attuale Lucia (Miriana); nel 2017 la manifestazione non è stata eseguita.
Ezio Famà.
Latex queen Shimmerah, known for her beauty and dominant personality, had a sister named Shellyana. The two sisters lived in the queendom of Gonzzul under the rule of their parents, Queen Veloria and King Zorath. While Shimmerah was self-centered and power-hungry, Shellyana was portrayed as more empathetic and concerned about their family’s well-being.
Shellyana’s Departure
When Shimmerah became queen after her parents’ departure to seek the Stone of Seeing, she began to treat her subjects poorly, including her sister. Shellyana grew increasingly uncomfortable with Shimmerah’s tyrannical behavior and the way she treated those around her. Concerned for their parents’ safety and disillusioned by Shimmerah’s actions, Shellyana made a significant decision.
Shellyana left the queendom of Shimmerah’s rule to go looking for their parents. She felt it was necessary to find out what had happened to them since they had been gone for an extended period without any word about their well-being. This decision highlights Shellyana’s caring nature and desire to restore family unity amidst the chaos created by Shimmerah’s reign.
She went to the east of her sisters queendom called Woodon town, a Town made of wood with a large wooden dock for pirate ships. Here is where Shellyana meet Cordelia captain to The rubber sails. She was not royalty but wore shiny latex clothing from the rubber trees from the Kingdom of Latxrubbero. She said that Queen Veloria had given her 20 latex outfits to take Queen Veloria and King Zorath over the sea of ships to Ship sunk bay of Terrubagron, by they never returned. So Shellyana took to help from Cordelia and went upon The rubber sails across the Sea of ships to Ship sunk bay.
Terrubagron is an other large land mass which is mostly barren, the race which live there are mostly giants and some humans as there where a few citys in Terrubagron. The giants mined for gold and sliver.
Of Shellyana's beauty like her sister Shimmerah she could get her way from her looks, to the beings of Terrubagron she was the fairest they had ever seen and in there worship to her they made her queen of there land after finding out she was a princess. As her sister Shimmerah was the fairest and most spoiled Shellyana liked having a land to rule for her own.
As the years went by Queen Shellyana she took over all of Terrubagron as the mine where the giants worked called the pit of gold was all hers.
Like Shimmerah, Shellyana came into power also but she got her power from gifts. Her fave power is her object transmutation and meta magic, its this power that let her change the magic rules of the Ring of Chrysopoeia that let her trun anything she wanted into pure gold, but with that power she changed the rings power so it now changes all into pure latex of any color she wishes. All the pretty clothing that is gifted to her, she will touch it when wearing the ring and they will turn into shiny latex. Shellyana was jealous of Shimmerahs shiny sexy looks, but now She thinks when Shimmerah finds out what power she has that Shimmerah will be jealous of her.
At the age of 23 Shellyana meet Cordelia on Ship sunk bay after spotting her ship called The rubber sails. Cordelia told her That queen Shimmerah had almost taken over all the the 12 kingdoms and queendoms and had taken so much power from magical items that nothing could stop her. So Shellyana wanted to take over all of the lost lands. She took her army of giants which stood 20 - 30 feet tall and went south to the land called The woodland of elf's. Hearing of her evil sister Shimmerah and seeing Shellyana was sexy but not evil there joined her and letting Shellyana rule over there land as queen. Here was where Shellyana got the Stone of life letting her look into the next life and being dead ones back if wanted.
At the age of 24 Shellyana took the last land of the land of the lost called the land of Fortress-fortress. This was not easy as the dwarf would not give it up. The land has many fortress one after the next. Shellyana's giants had the smash there way into the high walls with the elf's using magic as the dwarf's used rocks and bombs. The battle went on for 4 days but Shellyana used her magic and took the last land.
Now at age 26 Shellyana now rules over all the 3 lands of the lost lands. Cordelia came to Shellyana saying that Shimmerah is now the Latex Empress who rules all the 12 kingdoms and queendoms and had renamed it Shimmerathia. Cordelia told her that the people of Shimmerathia have no idea about the lost lands as she no only about Shimmerahs rule.
Despite never discovering what happened to their parents or locating the Stone of Seeing during her adventures, Shellyana maintains a close friendship with Cordelia. She gifts Cordelia the Stone of the Sea which allows control over tides and winds—a symbol of their bond forged through shared trials.
At age 27, a portal opened near Shellyana's palace, from which emerged mages, witches, and sorceresses. Initially, Shellyana's knights and giants prepared for battle, but when the newcomers, led by Mistress Virella, declared their intent to protect Shellyana and her lands from Shimmerah, Shellyana allowed them entry. Shellyana, adorned in a gold latex catsuit, corset, gloves, boots, and cape, and wielding the Staff of Wealth, embraced Virella while there latex outfits squeaked. Her palace floor was covered in gold coins and shiny gold objects, with her throne made of polished gold and gold latex
Virella, however, expressed concern about Shellyana's apparent greed and immense power. Shellyana countered that she had amassed power solely to protect her land and people. Virella subsequently cast a powerful spell shield around Terrubagron to conceal their activities from Shimmerah, though they were unsure if the Mirror of Knowing could penetrate it. Their attempts to observe Shimmerah with crystal balls were unsuccessful.
More about Shellyana
Name: Shellyana
Her parents: Queen Veloria and King Zorath
Her sister: Shimmerah
Birthplace: Wealthold city - Capital of Gonzzul
Her queendom: the barren lands of Terrubagron
Continent - The lost lands
Planet: Dommalex
Height : 5, 9
Age: 26
Hair colour: white
Eye colour: light blue
Favourite colours: gold and sliver
Sexually: bisexual
Personality: careing, helpful, loves her own beauty, adventurous.
Powers
1) Object Transmutation
2) Telekinesis
3) Meta magic
Powerful items
1) Staff of wealth
2) Ring of Chrysopoeia
3) Ring of change
4) Ring of movement
5) Stone of life
Some more fun inside this amazing art installation at Bombay Beach.
Photos and light painting by Katrina Brown. A little bit of post-processing by me.
An art installation by Jeff Frost, it's a tribute to two local artists that took their lives in 2021. The color palette is composed of their favorite colors.
Masters, Adepts and Initiates
and thus contact them in full waking consciousness,registering those contacts with his physical brain apparatus.Hence the
necessity of becoming aware of one's own light, of trimming one'slamp
and of using the light that is in one, to the full. By use and care, the power of the spiritual lightgrows and waxes and develops a dual function….here are two inferences here which have nothing to correspond to them in modern thought. One is,that there is a
light in the head
; and the other, that
there are divine beings who maybe seen by those who thus concentrate upon the 'light in the head.
' It is heldthat a certain nerve, or psychic current, called Brahmarandhra-nadi, passes out through the brain near the top of the head.
In this there collects more of the luminous principle innature than elsewhere in the body
and it is
called jyotis—the light in the head
.And, as every result is to be brought about by the use of appropriate means, the seeing of divine beingscan be accomplished by concentration upon that part of the body more nearly connected with them.This point—the end of Brahmarandhra-nadi—is [Page 315] also the place where the connection ismade between man and the solar forces."It is
this light which causes the "face to shine
" and is responsible for the halo depictedaround the head of all saints and Masters and which is seen by those with clairvoyant vision aroundthe head of all advanced aspirants and disciples.Dvivedi also gives the same teaching in the following words:"The light in the head is explained to be that
collective flow of the light of sattva
which isseen at the Brahmarandhra which is variously supposed to be somewhere near the coronal artery, the pineal gland, or over the medulla oblongata. Just as the light of a lamp burning within the four wallsof a house presents a luminous appearance at the keyhole,
so even does the light of sattvashow itself at the crown of the head.
This light is very familiar to all acquainted evenslightly with Yoga practices and
is seen even by concentration on the space betweenthe eyebrows
. By Samyama (meditation) on this light the class of beings called siddhas— popularly known in theosophic circles as Mahatmas or high adepts—able to walk through spaceunseen, are immediately brought to view, notwithstanding obstacles of space and time."33. All things can be known in the vivid light of the intuition.There are
three aspects of knowledge associated with the light in the head.First, there is that knowledge which the ordinary [Page 316] man canpossess, which perhaps is best expressed in the word theoretical. It makes a
man aware of certain hypotheses, possibilities and explanations. It gives to him an understanding of ways, means and methods, and enables him to take the first step towards correct ascertainment andachievement. This is true of that knowledge which Patanjali deals with. By acting upon thisknowledge and by conforming to the requirements of the intended investigation or development, theaspirant
becomes aware of the light in the head.Secondly, discriminative knowledge is the next type utilized by the aspirant
.The light having been contacted, is used, and the result is that the pairs of opposites become apparent,duality is known, and the question of choice comes in. The light of God is cast upon either side of the
razor edged path the aspirant is endeavouring to tread, and at first this "noble middle" path is not soapparent as that which lies on either side. By the addition of dispassion or non-attachment todiscriminative knowledge, hindrances are worn away, the veil which hides the light becomesincreasingly thin until eventually the
third or highest light is touched
.
Thirdly, the "light of the intuition
" is one of the terms which can be applied to this type of illuminative knowledge. It results from the treading of the path and the overcoming of the pairs of opposites, and is the forerunner of complete illumination and the full light of day. Ganganatha Jha inhis brief commentary touches on all these three. He says:"Intelligence is the emancipator—the forerunner of discriminative knowledge, as the dawn is of sunrise. On the production of intuitional insight, the yogi comes to know everything."….Through
concentration, therefore, on the light in the head
, knowledge of thespiritual worlds and of those pure spirits who work and walk in them is achieved, for Atma or spiritshines there. Similarly through concentrated meditation upon the heart, knowledge of the secondaspect, of the conscious intelligent principle which makes a man a son of God, is gained.(SAIM 143) Another effect claimed for this relationship between the two head centres and their corresponding glands is that the
interplay between the two produces the shiningforth of a light
. There is much corroborative evidence in this connection in the Scriptures of theworld, including Christ's injunction to His followers to "let their light shine." There is cumulativeevidence also in the lives of [Page 143] the mystics, who again and again in their writings bear testimony to a light that has been seen. I sent out a letter to a group of students (who have beenstudying meditation for several years) asking if they were aware of any phenomena of interest as theresult of their work. The letter was not sent to neurotics and visionary types, but to men and women of good standing in the business, artistic and literary fields, and with accomplishment to their credit.
Seventy-five per cent testified to seeing a light in the head
. Were they hallucinated?Were they the victims of their imaginations? What was it they saw? and constantly see?An interesting field for investigation lies here also, and the results may have a basis in the fact, nowrecognised by science, that light is matter, and matter is light. When the soul is functioning and theman has achieved conscious union with that soul, he may then, through the extra stimulation involved, become aware of the light of the etheric body at its main point of junction with the physical body atthe most important centre in the body, the head centre. Professor Bazzoni says:"We have seen that all forms of matter on the earth are made up of 92 different kinds of atoms groupedinto molecules which, taken together in countless millions, form all of the bodies which we see aboutus and indeed for that matter, our own bodies. Now, any one of these 92 kinds of atoms when
stimulated in certain ways well known to science can be made to give off light
—generally coloured light—and the nature of [Page 144] this light is peculiar and characteristicfor each of the 92 atoms."(EP1 131) The achievement of full awareness is of course the goal of the evolutionary process.Again symbolically speaking, the unevolved man emits or manifests no light. The
light in thehead is invisible, though the clairvoyant investigators would see the dimglow of the light
within the elements which constitute the body, and the light hidden in the atomswhich constitute the form nature.
As evolution proceeds, these dim points of "dark light" intensify their glow; the
light within thehead flickers at intervals
during the life of the average man, and becomes a shining light as heenters upon the path of discipleship. When he becomes
an initiate, the light of the atomsis so bright, and the light in the head so intense
(with a paralleling stimulation of thecentres of force in the body), that the light body appears. Eventually this body of light becomesexternalised and of greater prominence than the dense tangible physical body. This is the body of lightin which the true son of God consciously dwells.
After the third initiation, the dual lightbecomes accentuated and takes on a still greater brilliancy
through the
blending with it of the energy of spirit.
This is not really the admission or the re-combining of a third light, but the
fanning of the light of matter and the light of thesoul into a greater glory
through the Breath of the spirit. Something anent this light has beenearlier indicated in A Treatise on Cosmic Fire.(EP1 231) The mineral kingdom is governed astrologically by Taurus, and there is a symbolic relation between the "
eye" in the head of the Bull, the third eye, the light in the head,and the diamond
. The consciousness of the Buddha has been called the "diamond-eye."(EPII 594) 2. The rhythm of psychic life. This is, in reality, the revelation of where the man stands inrelation to consciousness and its contacts. The adept, when seeking information upon this point, looksfirst of all at the solar plexus centre and then at the heart and head, for in
these three centresand in their relative "light and radiant brightness", the whole story of theindividual stands revealed
. [Page 594] The head centre, looked at for the average or belowaverage man, is the centre between the eyebrows. In the case of the aspirant, mystic and disciple, it isthe highest head centre.(WM 433) there are energies which emanate from...the
Heart of the Sun
; these sweep throughone or other of the
planets in seven great streams
...and produce the
seven types of souls or rays.
(EPII 610) The registering of this inner light often causes serious concern and difficulty to theinexperienced person and the intensity of their concern and fear leads them to think so much of the problem that they become what we occultly call "
obsessed with the light and so fail tosee the Lord of Light
and that which the Light reveals". I would point out here that
allaspirants and occult students do not see this light.
Seeing it is dependent upon
several factors—temperament, the quality of the physical cells of the brain,the nature of the work
which has been done or of the particular task, and the extent of themagnetic field. There never need be any difficulty if the [Page 610] aspirant will use the light which isin him for the helping of his fellowmen. It is the
self-centred mystic who gets intodifficulty
, as does the occultist who uses the light which he discovers within himself for selfish purposes, and personal ends.An incidental difficulty is sometimes found when the "
doorway out into the other worlds"is discovered
and becomes, not a door for rightful and proper use, but a way of escape from thedifficulties of life and a short cut out of conscious physical experience. The connection then betweenthe mystic and his physical vehicle becomes less and less firmly established and the link gets looser and looser until the man spends most of his time out of his body in a condition of semi-trance or adeep sleep condition
(EPII 610) Students should make
no effort to see the light in the head
, but when it issensed and seen—then there should be a careful regulation and registration of it.
Second raytypes will respond to this phenomenon more easily
and more frequently than first or third ray types.
First ray people will register the inflow of force and power
withfacility and will discover that their problem lies in the control and the right direction of such energies.Much of the present impasse to be found in the personalities of the aspirants of the world is due to thefact that the
light that is in them remains undirected and the power that isflowing through them remains unused or misapplied.
Much of the
physicalblindness and the poor sight
to be found in the world today (unless the result of accident) is
due to the presence of the light of the head—unrecognised and unused
—andthus producing or exciting a definite effect upon the eyes and upon the optic nerve. Technicallyspeaking, the light of the soul—localised in the region of the pineal gland—works through and would be directed through the right eye which is (as you have been told) the organ of the buddhi, [Page 611]whilst the light of the personality—localised in the region of the pituitary body—functions through theleft eye. The time has not yet come when this statement means much except to very advancedstudents, but it should be on record for the future use of disciples and aspirants.I would also like to point out that one of the difficulties today is that the
light of thepersonality is more active within the head than is the light of the soul
and thatit has far more of the quality of burning than has soul light. The
effect of the soul light isstimulating and occultly cool.
It brings the brain cells into functioning activity, evokingresponse from cells at present quiescent and unawakened. It is as these cells are brought into activity by the inflow of the
light of the soul that genius appears
, accompanied often by some lack of balance or control in certain directions.(RI 274) The two types of triangles now being created by a mere handful of people are related to that basic triangle. A
third type of triangle will at some much later date
be constructed but only when these two earlier types are well established in the consciousness of humanity. Then theactivity of all the three Buddhas will be involved and present, and a major planetary integration willtake place. This is symbolised in man when the
three centres in the head (the ajnacentre, the brahmarandra centre, and the alta major centre)
are [Page 274] allfunctioning and unshakably related, thereby
constituting a triangle of light within thehead.
(RI 671) What is oft omitted from normal consideration is the fact that the increasing activity of these
two "points of light within the head
" is basically related to what is occurring in the sacraland throat centres, as the transmutative process proceeds and the energies of the sacral centre aregathered up into the throat centre—without, however, withdrawing all the energy from the lower centre; thus its normal activity is properly preserved. The two centres in the head then becomecorrespondingly active; the negative and the positive elements affect each other, and the
light inthe head shines forth; a line of light,
permitting free interplay, is established
betweenthe ajna centre and the head centre, and therefore between the pituitarybody and the pineal gland
. When this line of light is present and there is an
unobstructed relation between the two centres and the two glands, then thefirst initiation becomes possible
. When this takes place, it must not be inferred that the task of transmutation going on between the lower and the higher centres and the relationship between
two head centres is fully and finally completed and established. The line of light is still tenuous andunstable, but it is in existence. It is the energy let loose at the first initiation and distributed into thesacral and the throat centres (via the slowly awakening head centre) which brings the transmutation process to a successful conclusion and stabilises the relationship within the head. This process maytake several lives of steadily intensifying effort on the part of the initiate-disciple.…Just as the antahkarana has to be constructed and established as a bridge of
light between theSpiritual Triad and the soul-infused personality,
so a similar bridge or correspondence is established between the soul and the personality, and, in connection with themechanism of the disciple, between the two head centres and the two glands within the head.(WM 41) The personality hides within itself, as a casket hides [Page 41] the
jewel, that point of soul light which we call the light in the head.
This is found within the brain, and isonly discovered and later used when the highest aspect of the personality, the mind, is developed andfunctioning. Then the union with the soul is made and the soul functions through the lower personalnature.(WM 96) When, however, the sutratmic sushumna, the central nerve channel and its energy isemployed, the soul, as a magnetic intelligent creator, transmits its energies. The plans can then matureaccording to divine purpose and proceed with their building activities "in the light". The
point of egoic and lunar contact emits ever the point of light,
as we have seen from our Rulesfor Magic, and that has its
focus at the point in the sutratma
which has its correspondencein the light in the head of the aspirant.(WM 98) The Solar Orb shines forth in radiant splendor. The
illuminated mind reflects thesolar glory.
The lunar orb rises from the centre to the summit, and is transformed into a radiantsun of light. When these three suns are one, Brahma breaks forth. A lighted world is born.This literally means that when the
soul (symbolized as the Solar Orb) the mind, andthe light in the head form one unit,
the creative power of the solar Angel can express itself in the three worlds, and can construct a form through which its energy can actively express itself. The
lunar orb is a symbolic way of expressing the solar plexus
which eventually mustdo two things:1. Blend and fuse the energies of the
lower two centres of force
, and2. Raise these fused energies and so, blending with the energies of the other and higher centres, reachthe head.(WM 98) I would like also to point out the nature of the service humanity as a whole is rendering inthe general plan of evolution. The rule under our consideration applies not only to the individual man but to the predestined activity of the fourth Kingdom in Nature. Through his meditation, disciplineand service, man
fans into radiant light, illuminating the three worlds, thatpoint of light
which flickered into being at the time of his individualization in past ages. This
finds its reflection in the light in the head
. Thus a rapport is set up, which permits notonly of vibratory synchronization but of a radiation and display of magnetic force, permitting of itsrecognition in the three worlds of a man's immediate environment.(WM 105) Let us now consider the words at the end of the previous rule: "The lower light is thrownupward and the
greater light illuminates the three
; the
work of the fourproceedeth
."
The Universe ❤ ツ
You may be familiar with much of the information presented here, either intellectually or intuitively, or perhaps you may be aware of different pieces of the puzzle. In any case, you may also discover something new or gain valuable insights as your subconscious connects the dots. Once you begin to assimilate and apply this knowledge your life will never be the same again. You will begin to view, perceive and experience reality in an entirely new, very liberating way.
When you become aware of the true nature of reality, you will begin to understand who you truly are and how the universal laws affect your life and the world around you. With this realization comes a certain degree of responsibility as you will no longer be oblivious to the fact that you are in complete control of your life experience and what this truly means. This new understanding of Life, the Universe and the laws that govern it is the key to your true freedom. All of this wisdom already exists within you as innate knowledge encoded in your DNA. It contains all of the information related to who you truly are, your past lives, your galactic and spiritual heritage and all of the information relating to your individual evolution as a light being. Your understanding of the information presented here will vary depending on your level of activation or spiritual development. The further you progress on your quest, the greater the responsibility in terms of applying what you are learning to your life and the world around you.
The first thing you need to be aware of is your personal belief system. Your belief system has been shaped by the various thought forms and emotions you have experienced since early childhood right up to the present day. There are also thought forms from your earliest ancestors and your past lives encoded within your DNA (cellular memory) which also affect your belief system. Your belief system encompasses more than just religion or spiritual beliefs, it is your understanding of the world around you and how you experience or interpret your reality. Everyone is entitled to their belief system and the information presented here is open to your interpretation. If you do not agree with something or you feel it doesn't fit with your belief system simply discard it. All you need to do is approach the information with an open heart and an open mind.
The Energetic Universe ❤ ツ
Everything that we can see and all that we can't exists as a form of energy. The entire universe and all of creation is a manifestation of this energy. Even the dense human form is constructed from this universal energy, from the highly energetic particles we call atoms. Science has shown the structure of an atom to be mostly space with a few tiny particles thrown in, which are in turn made up of even smaller particles. All physical matter is well over 90% pure space. The rest is resonating Light patterned by consciousness. It is all Light.
Scientifically speaking, Einstein’s theory of relativity E=mc² demonstrates how energy and mass (matter) are equivalent and transmutable. As you approach the speed of light you are converted into pure energy. If we go beyond the physical universe, into the microscopic universe, past the cells that make up our bodies, past the molecules which make up our cells, into the atomic and subatomic realms, the lines of reality begin to blur. No longer are objects seemingly separate from ourselves, everything becomes a sea of atoms and sub atomic particles. An integrated ocean of pure energy. From this comes the understanding that we are all connected with everything. This is one of the fundamental concepts that need to be understood in order to disconnect yourself from the illusion of a reality of separation. We are all one.
The Multi-Dimensional Universe ❤ ツ
Our universe contains many different dimensions superimposed over one another. These dimensions are separated from each other along different octaves determined by the rate of vibration of light. It is similar in concept to the musical scale. As the strings generating music vibrate at different levels they produce different harmonics and sounds. The greater the vibration of light, the higher you move through the dimensional levels eventually returning to the source, or God.
As an analogy: picture an onion and all of its layers in your mind. The whole onion represents God, and its different layers represent the different dimensions that make up our universe. Each dimension or layer exists separately to the others yet all are still part of the whole. In reality all of the dimensions co-exist simultaneously over lapping each other however each level is clearly defined and only accessible via a certain light pattern or vibration.
Everything exists as a form of energy and has a vibration associated with it. Your physical body, which is really made of light, is vibrating at a specific frequency. The higher your vibration, the greater your expansion as you shed density towards becoming pure energy. As you lower your vibration you descend further into density. It is important for you to understand that different emotional states trigger vibrational changes within the human being. There are only two core emotions that we feel, these being the emotions of Love and Fear. Every other emotion we experience comes from these two basic emotions. Fear produces a lower frequency or vibration within you where as Love produces a higher frequency or rapid vibration. This is another key concept that needs to be understood in order for spiritual progression. It is very important to practice the art of unconditional love in your life, as this raises your frequency or vibration allowing you to access the higher dimensions, taking you closer to Spirit. All of our spiritual teachers and masters throughout history have urged us to love one another… Why ? Because the vibration of love is the core harmonic/pattern of our bodies. It turn us ON in regenerative ways, where as fear turns us OFF in degenerative ways.
There is only Love and Light, they are one and the same, they represent Spirit. Everything starts from Spirit as pure love and light. As you begin to lower your light vibration you begin to seemingly separate from this source, downward through the dimensions towards the other end of the scale, deeper into density (less light energy), darkness (less light) and fear (less love). You can never totally separate from the source as you are a fragment of Spirit.
Each of the dimensional levels in our universe have different universal laws affecting them. Trying to understand the higher dimensions is impossible from the context and perspective of our third dimensional existence in limited consciousness. During waking reality you exist on the third dimension. In actual fact you are a multi-dimensional being existing on a number of levels all at once, however you are only aware of this 3rd dimensional existence which constitutes the physical world around us. You are a transitional being living a human life on the planet Earth. When your physical body dies you don't actually go anywhere, however you do move into a higher dimension, in your Astral Body. You transition from the 3rd dimension into the 4th, which is where you will find the astral plane. Funnily enough, the 4th dimension is also where you go every single night when you go to sleep! This transition is not new to you, it is your true home.
Take a moment to process this information. This is how you can still see loved ones that have crossed over in your dreams. In reality they can visit you while you’re in the 3rd dimensional waking state at any time and they can see you but you can’t see them for they exist in a higher vibration in a higher dimension. It's simillar to the electro-magnetic spectrum where we can only see the frequencies of visible light, the rest (infra-red, microwave, ultra violet, X-rays, Gamma Rays, Cosmic Rays) are invisible to us. They permeate everything but we cannot see them. Remember that all the dimensions overlap. It is possible to access the higher dimensions through your consciousness, using natural psychic abilities, but your ability to interpret and manipulate the energy around you is limited by your belief system. You must believe in something before it can become a reality.
Now you can begin to understand some of the differences between the 3rd dimension and the 4th. When you are dreaming you are not bound by the same physical (universal) laws as you are here in this dimension. You are immortal, able to fly, teleport, walk through walls, change your physical appearance, look at an object from all sides at once, and experience the world in a totally different way, which is often why dreams often don't make sense when you wake up and put them back into a 3D box. When you are dreaming your subconscious mind is running the show, however it is possible for you to consciously experience the 4th dimension, through thought/astral projection, lucid dreaming, physical ascension or death.
You are in complete control of every aspect of your life experience here on Earth. Before you incarnate you predetermine several exit windows, or opportunities for you to potentially terminate your incarnation. During the course of your life certain events may happen where you are involved in an accident, or you become ill, when you have the opportunity to evaluate your progress on a higher level and make the choice to continue or leave. The third dimension or life is a great school where you have the ability to learn many valuable lessons and accelerate your progress very quickly, while in this state of amnesia. When you terminate your incarnation and decide to leave you re-enter Earth's incarnational cycle. When you are ready you will reincarnate back onto the Earth and continue your spiritual evolution. The Earth has shifted to a new energy and the time is approaching for the entire planet and her inhabitants to experience a new level of reality. We are heading towards the 5th dimension (physical/planetary ascension). We will not be skipping the 4th; we have already spent much time there in between incarnations, it is our true home.
Consciousness ❤ ツ
Everything is connected! There is only one Reality and one God, but there are many, many ways that the one Reality can be interpreted. In fact, the number of ways to interpret the Reality are just about infinite. There are certain realities that many people have agreed on, and these realities are called levels of consciousness. There are realities that extremely large numbers of beings are focusing on, which include the one you and I are experiencing right now. At one time we existed on Earth in a very high level of awareness that was far beyond anything we can even imagine now. We hardly have even the capability to imagine where we once were, because who we were then is so out of context with who we are now. Because of the events that happened between 16,000 and 13,000 years ago, humanity fell from that very high place through many dimensions and overtones, ever increasing in density, until we reached this particular place, which we call the third dimension on planet Earth, the modern world.
Our consciousness is not stored in the body or the brain. When you understanding that, you begin to realise that there is a common spiritual bond between all things in the universe, and that we are all part of the one divine intelligence. Your consciousness can be viewed as existing in two parts, as the individual and the group. You are most familiar with your individual consciousness in this reality of separation which creates the illusion that you are inside a body looking out into the world at everything around you that is separate from yourself. However, your consciousness is also connected to the group, or mass consciousness of every human on the planet (which is then connected to the mass consciousness of the Earth, which is connected to the solar system, connected to the central sun of the galaxy, all the way back to unity consciousness with Source or God). Consciousness is the force that connects the spiritual realms with the physical creation.
Consciousness is the seat of the soul, and the source of all creation. Consciousness is what moulds and creates our reality. Scientifically this is demonstrated in quantum physics. The Heisenberg uncertainty principle states that the mere act of looking at an object will change its state from what it originally was, not enabling us to see its original state. Another experiment that demonstrates how conscious throughts affect our reality was performed by Japanese researcher Dr. Masaru Emoto. He devised a technique to photograph water crystals and essentially capture the state of the water which had been affected by conscious thoughts, feelings and emotions. He separated the water into bottles, and on each bottle was taped a message, such as “I love you”, “I hate you”, and “You make me sick, I will kill you”. After a period of time the water was frozen then examined. The resultant formation of the water crystals matched the energetic structure of the messages. The messages of love created elaborate crystals with beautiful symmetry, while the messages of hate generated crystals of no form, dysfunction, and distress. This is more tangible proof that thoughts and feelings affect physical reality/matter. What is interesting to note here is that the human body is over 70% water. If thoughts and feelings could affect water like that, imagine what our thoughts and feelings are doing to us. Consciousness is what binds our universe together and it is what creates our reality.
“The whole history of science has been the gradual realization that events do not happen in an arbitrary manner, but that they reflect a certain underlying order” Stephen W. Hawking. This unified field of consciousness and energy is our concept of Spirit. The conscious living universe exists on an unimaginable scale. In this reality of separation most of us are preoccupied with daily life, and the "external" world we see with our eyes. It’s not often we raise our thoughts above this to the higher consciousness which makes up our universe, and the realization that we are all from the same source and that we are all connected.
How Big is God? ❤ ツ
I want you to imagine the Atlantic Ocean. It's huge! Yet this ocean has a oneness about it. This entire ocean is pulled as one object by the moon. Seemingly as one entity, it bulges gently and causes tides and waters to be pushed and pulled on beaches thousands of miles apart. If you study the tides and the currents, you might wonder how there could be a system where the ocean seems to respond as though it were one consciousness. It seems to coordinate itself in many ways, yet it's made of trillions of parts called water molecules.
Now here's the metaphor: The ocean is made of water, which is the water molecule you know as H2O. So I want you to visualize in your mind how many molecules there are in the ocean! I'll give you a moment to count them.
You can't do it, can you? It's an unbelievably large number, understandable only by math. It's too big to imagine, so notations in mathematics would be given that only the mathematicians can truly grasp. It would be a number that would be so large that it would be out of your view as a Human.
Now, imagine (in this metaphor) that each one of those molecules is an angel. In addition (just to make this more complex), somehow these trillions and trillions of molecules know one another! They all know each other at a quantum level... it's a system where what happens to one of them happens to them all - at the same time. Somehow they're all connected. One knows the other no matter how many thousands of miles apart they are within the ocean. Can you imagine such a connection?
Consider the ocean in this metaphor for a moment, to be what you think of as God. God is not one thing, but a combination of trillions of parts of angelic consciousness (the ocean). Contemplate just how big this would be to a molecule! Now take a small glass of water, fill it almost to the top with a little of this enormous ocean, then let it bob around in a gentle way on the ocean's surface. For this metaphor, the glass of water is planet Earth.
Now I want you to notice something: The glass is filled with water from the ocean. Are you starting to understand? Whatever the ocean means to you, it's also in the glass. In fact, if you were in the glass, and you were a molecule of H2O, you wouldn't be able to see through the glass clearly. In fact, you wouldn't even know that the ocean existed. Yet you'd be pushed and pulled and bobbed around just as though you were part of the ocean.
Without the knowledge of this vast ocean, you wouldn't truly know who you were. You wouldn't even know you were an H2O molecule. When you looked around spiritually, you might say, "Well, it looks like the wall of our water glass is the limit. We're contained by the glass and we can't see anything beyond it. We can't see outside! In addition, there's no evidence that there's anyone beyond the glass. So we'll turn inward and examine only ourselves." This is the earth.
But if the glass contains ocean water, this means that the glass actually contains angels [according to the metaphor]! But in this case, they're angels that don't seem to know that they're angels. There seems to be total isolation, and disconnected from everything except what's going on in the glass of water. The water in the glass can't even see how big the ocean is... if they even believe there is one. Oh, they can look at the stars and appreciate the Universe, but they can't see through the glass to really see how big God is.
Yet there's something interesting going on here. There's a mass intuition. At the centre of every molecule, somehow they know that there's something bigger than themselves. It's intuitive, and all throughout the glass it's felt. Here is a fact of your humanness: Eighty-five percent of humanity believes in the afterlife. Hundreds of religions, developed independently at many times and places in history, all have something in common: They believe that when you leave Earth, you go somewhere else!
Now, 85 percent would be an amazing number if you were doing a political poll! It's more than a majority - it's a mandate of consciousness. And so at the cellular level, the Human Being knows that there's something beyond the glass. Even though there's no entity that can prove it, the belief continues through the ages and into the future, and men and women continue to die in battle defending their belief that beyond the glass is their own God.
Eighty-five percent of the people on the earth can't all have the same thought and have it be a coincidence, or just wishful thinking. At some level, you not only know about the ocean on the other side of the glass, but you also know about the family who's there... trillions and trillions of them. If you could only know more! That's the spiritual quest that often drives Human cultures and even wars, where one side believes that their God is better than the other. Therefore, they kill each other to rid the planet of "wrong thinking." Odd, isn't it, how the unseen actually postures governments, shapes countries, and creates wars? That's a lot of effort and energy spent on "wishful thinking."
We stop and apologize for having to use metaphors so often, but we must give you this information in this fashion to even get to the next step of the teaching. And so I'm going to stop for a moment and ask you this question: Do you see how amazing this system is?
How big is God? ❤ ツ
Big enough to have created multiple Universes - trillions and trillions of angelic entities, stretching farther than you can imagine - levels of dimensionality that you cannot conceive of. Bigger than big!
Yet small enough to love you and live in your heart.
What is the perception, therefore, of God? Looking at it from the outside of the glass, it's actually quite amusing for us [Kryon]. Let me tell you what happens: The molecules in the glass [Human-angels] start to look around and wonder about everything. As discussed, they believe in the afterlife. Therefore, they feel there must be a God somewhere. Then they decide from the depths of their wisdom that God must be a giant molecule! Why? Because it's the only thing they can see. They have only one model - themselves. Then they say that there's proof of this, since scripture says so. In just one example, there's Holy Scripture that says that you're "made in the image of God." Now, if you're a molecule, God must therefore be a giant molecule, too, since, if you believe scripture, you look just like God.
How can I tell you this, dear one? This is the premise we've taught from the beginning that's so difficult for you to grasp. You have it reversed! Your logic is reversed. You don't understand this because you can't broach the glass. "Made in His image" means that every single molecule in the glass is part of the ocean! You have it backwards, you see. God's "image" is the mastery of the Universe. It's the divinity of the angelic realm, and it is indeed your image. The "image" is inside you.
It's interesting that Humans can only imagine the highest thing in their own reality. And so those in the glass, for thousands of years, have decided that God is a molecule. Pictures of God are Human-like, and all the angels are, too. Every time an angel appears on Earth, those who create the history of the event have to put skin and wings on them, pretend they're of singular nature, and give them one name. This is very funny! For angels are interdimensional, without wings or Human form, and they always have a "group" attribute. That's because they represent the consciousness of the whole ocean. But in order for Humans to grasp their visit, they're brought to the Human form and level.
You see how limited that is? Think of it... if that glass contained only anteaters, they would have chosen to say that God must be a large anteater! Then they'd go on to say, "When I get to heaven, there will be lots of ants!" Amusing, isn't it? But that's not very different from what most Humans do. You've been told that when you go to heaven, there will be streets of gold - mansions for each one of you. Some cultures believe that you'll be met by 72 virgins [just the men qualify for this, of course]. Do you see what I'm saying? You can only go to the limit of the wall of the glass based on your spiritual thinking and your own reality. Your idea of what God must be and what heaven must be is contained in, and limited to, your own Human experience.
The truth? There are no streets or mansions (or Human virgins) when you get to the other side of the glass. What there is, is a splendorous reality that you instantly remember. There is expansion, and you become the part of God that you always were, and all is known. You go home! In this metaphor, the wall of the glass is the veil. You can't see through it, and you never actually see the ocean [God]. So everything you conceive of isn't much bigger than the glass, and that's what you decide to worship. You worship what you can't see, thinking that whatever that force is on the other side of the glass, it has to be wiser and bigger than you. What you don't understand is the actual test you're in that creates this.
Can angels, sequestered in the glass, eventually discover the truth about who they are? Will they ever acknowledge that they're part of the ocean? Or will they eventually kill each other trying to reach the streets of gold or the 72 virgins? This is what the Kryon work is about. We're here because there's an awakening... a great shift... and humanity is beginning to see through the glass. Let me make a statement. There's nothing to worship; there's everything to discover. It's time you thought interdimensionally.
But let's stop for a moment. Look at the system and all that it represents. God is huge - immense. The ocean stretches for trillions of light years, through quantum Universes and multiverses, yet the angels all know each other. How can this be? It's the staple of an interdimensional existence... that everything is connected, yet seemingly separate and removed by distance. Spread through the Universe is a hugeness you cannot imagine, but since the angels are all connected in real time, every single one of them knows your name! You see?
How big is God? ❤ ツ
Big enough to have created the Universe... yet small enough to know your name - small enough to be here today - small enough to be next to you as you read these words.
Spinchat Healing - the Gifted Revolution
www.spinchat.com/group/Healing_-_Meditation_-_Karma_-_Spi...
---- Angels & Demons (devil tries to tempt Saint Lucia, August 2018, Savoca - Sicily) ----
---- Angeli & Demoni (il demonio tenta Santa Lucia, agosto 2018, Savoca - Sicilia) ----
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Qi Bo's photos on Flickr Hive Mind
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this is a photographic narration that speaks of the eternal struggle that takes place between good and evil, which speaks of a dark period of history, speaks of the violence suffered by women but also by those who belonged to the poorest social classes, historical facts that have been handed down to us in the form of a story and associated-transmuted in the martyrdom of Saint Lucia, this is what happens in the town of Savoca (Sicily). This is a short and long report, I did in Savoca on August 2018 about the living representation of the martyrdom of Saint Lucia (patron saint of the city of Savoca); the cult of the young Saint of Syracuse seems to date back to the fifteenth century, under the influence of Spanish traditions. The commemoration of the history of St. Lucia occurs in two consecutive days, Saturday and Sunday: here I try to tell some times of the day on Sunday, a day during which the festival is held at the height of her beauty. And 'This is a historical event which speaks of Demons and Angels: Saint Lucy refused to marry a rich and powerful suitor (Lucy declared She was married in Christ), which reported the Christian faith of Lucia to prefect Pascasio that ordered his Praetorian Guard to drag Lucia with a rope to a place of prostitution; legend has it that the Holy became heavy, they then tried to drag it with the help of oxen, but it was impossible to move it from where he stood; failing in this, it was then given the order to cavarle eyes, but the young martyr (native of Syracuse) her eyes reappeared.
In the village of Savoca a young girl, affectionately called the "Lucy" is carried on the shoulder of a porter along the streets of the country (sitting on a pillow tied on the shoulder of a man, but in fact men are two); the young Saint remains impassive in the face of demonic temptations: the Devil, called in Sicilian dialect "u Diavulazzu, shake, shakes, turns his pitchfork in an attempt to "distract" the Saint.
The first day of this representation, on Saturday, in an old church in Savoca, the two girls who impersonate the Lucia, of the current year and the previous year, meet with the delivery of palm; the traditional event which we witness on Saturday, has all the appearance of an important rehearsal for the next day, on Sunday when the traditional festival will take place in all its beauty.
Sunday: on top of the procession there are the "Jews" (the emissaries of the prefect Pascasio) along with some Angels, is located immediately after the wagon drawn by two cows from which branches off a rope that will arrive to Saint Lucia (a girl of six years); between her and the cows there are Roman soldiers, who make their way through the crowd squirming like crazy; to hold the rope there are also male figures; the job of Devil (his mask is made of wood, whose invoice is dated, it seems, of the 400') is to distract the little Saint with the help of a long stick equipped of curved points, called "u 'croccu": Lucia hardly is deceived by the promises of the evil one, she will not abandon the state of her property concentration, aided in this by staring, almost in a trance, a small palm branch in silver , she brings devoutly in her hands.It's very important to mention the Baron Baldassarre (nicknamed Baron Altadonna), who applied without any hesitation the practice of Jus de seigneur: using this law the Baron obliged the young brides to spend the wedding night in his alcove. It 'very possible that in the representation of Saint Lucia of Savoca the character of the Devil tempting young Santa with his pitchfork, in reality is nothing but himself, Baron Altadonna, so allegorically described in this traditional Sicilian feast: the figure of the Devil if one takes into account what historians relate, does not belong more to the legend, but sadly to actual event happened. Post scriptum: the photographs, realized both on Saturday and Sunday, were organized and posted without taking into account the temporal chronology of what happened during the two days of the event; two photos of the mummy of Baron Altadonna have been included, which is located in the crypt of the Capuchin Fathers of Savoca; the portraits of two "Lucie" from previous editions, grandfather and great-grandfather of the "DIAVOLI" dynasty were included; the "silver palm" was delivered by Lucia of 2016 (Valentina), to the current Lucia (Miriana), in 2017 the event was not performed.
Ezio Famà.
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questa è una narrazione fotografica che parla dell'eterna lotta che avviene tra il bene ed il male, che parla di un periodo buio della storia, che parla delle violenze subite dalle donne ma anche da coloro che appartenevano alle classi sociali più povere, fatti storici che sono stati tramandati fino a noi in forma di racconto ed associati-trasmutati nel martirio di Santa Lucia, questo è quanto accade nel paese di Savoca (Sicilia). Questo è un report corto e lungo, che ho realizzato in quel di Savoca lo scorso mese di Agosto 2018, su quella che è la rappresentazione vivente del martirio di Santa Lucia (Santa patrona della città di Savoca); il culto della giovane Santa di Siracusa sembra risalire al XV secolo, sotto l'influenza delle tradizioni spagnole. La rievocazione vivente della storia di S.Lucia avviene in due giornate consecutive, il sabato e la domenica: qui tento di raccontare alcuni momenti della giornata della domenica, giorno durante il quale la festa si svolge nel pieno della sua bellezza. E' questa una rievocazione storica che parla di Demoni ed Angeli: la storia rievoca di quando la Santa, si rifiutò di andare in sposa ad un suo ricco e potente pretendente (essendosi dichiarata Cristiana e sposa in Cristo), il quale per vendetta riferì della fede Cristiana di Lucia al prefetto Pascasio; costui diede ordine ai suoi pretoriani di trascinare Lucia con una corda fino ad un lupanare, un luogo di prostituzione; la leggenda narra che la Santa divenne pesantissima, si tentò allora di trascinarla con l'ausilio dei buoi, ma fu impossibile smuoverla da dove si trovava; non riuscendo in ciò, fu allora dato l'ordine di cavarle gli occhi, ma alla giovane martire (nativa di Siracusa) gli occhi le rispuntarono. Nel paese di Savoca una giovane ragazza, chiamata con affetto "la Lucia" viene portata in spalla lungo le vie del paese (seduta su di un cuscino legato sulla spalla di un uomo; in realtà gli uomini portatori sono due, dandosi il cambio l'un l'altro); la giovane Santa rimane impassibile di fronte alle tentazioni demoniache: il Diavolo, chiamato in dialetto siciliano "u Diavulazzu, agita, scuote, fa ruotare il suo forcone nel tentativo di "distrarre" la Santa ma, vani saranno i suoi tentativi. Il primo giorno di questa rappresentazione, il sabato, in una vecchia chiesa di Savoca, le due bambine che impersonano la Lucia, dell'anno in corso e dell'anno precedente, si incontrano con la consegna della palma da una bimba all'altra; l'evento tradizionale al quale si assiste il sabato, ha tutto l'aspetto di una importante prova generale per il giorno dopo, quando la domenica la festa tradizionale avverrà in tutta la sua bellezza.La domenica: in cima alla processione ci sono i "Giudei" (gli emissari del prefetto Pascasio) insieme ad alcuni Angeli, subito dopo si trova il carro tirato da due giumente dalle quali si diparte una corda che giungerà fino a cingere il fianco della bimba che impersona Santa Lucia (una bambina di sei anni); tra lei e le giumente ci sono i soldati Romani, che si fanno largo tra la folla dimenandosi a più non posso; a tenere la corda ci sono anche delle figure maschili che evitano che gli strattonamenti dei soldati romani possano giungere fino alla Santa (ricordiamolo, che è legata a quella corda); davanti alla Santa piroetta il diavolo tentatore, u' Diavulazzu (la maschera è in legno, la cui fattura è datata, sembra, del 400'), il cui compito è quello di distrarre la piccola Santa con l'aiuto di un lungo bastone dotato di punte ricurve, chiamto dialettalmente "u' croccu": Lucia difficilmente si lascerà ingannare dalle promesse del Maligno, non abbandonerà quel suo stato di immobile concentrazione, aiutata in ciò dal fissare, quasi in stato di trance, un piccolo ramo di palma in argento, che lei strige devotamente tra le sue mani. E’ fondamentale menzionare tra i vari personaggi storici della tradizione, il barone Baldassarre, vissuto in Savoca in epoca medioevale, soprannominato barone Altadonna, che applicava senza remora alcuna la pratica della Jus primae noctis: avvalendosi di questa legge il barone obbligava le giovani spose a trascorrere la prima notte di nozze nella sua alcova. E’ fortemente ipotizzabile che nella rappresentazione di Santa Lucia di Savoca il personaggio del Diavolo che tenta la giovane Santa col suo forcone, in realtà non sia altro che egli stesso, il barone Altadonna, così allegoricamente descritto nella festa tradizionale siciliana: la figura del Diavolo, se si tiene conto di quanto narrano gli storici, non apparterrebbe più alla leggenda, ma a questo tristo personaggio realmente vissuto, che usava quotidianamente la moneta della prepotenza. Post scriptum: le fotografie, realizzate sia il sabato che la domenica, sono state organizzate e postate senza tenere conto della cronologia temporale di quanto avvenuto nei due giorni della manifestazione; sono state inserite due foto della mummia del barone Altadonna, che si trova nella cripta dei Padri Cappuccini di Savoca; sono stati inseriti i ritratti di due "Lucie" delle precedenti edizioni, del nonno e del bisnonno della dinastia dei "DIAVOLI"; la "palma d'argento" è stata consegnata dalla Lucia del 2016 (Valentina), alla attuale Lucia (Miriana); nel 2017 la manifestazione non è stata eseguita.
Ezio Famà.
---- Angels & Demons (devil tries to tempt Saint Lucia, August 2018, Savoca - Sicily) ----
---- Angeli & Demoni (il demonio tenta Santa Lucia, agosto 2018, Savoca - Sicilia) ----
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this is a photographic narration that speaks of the eternal struggle that takes place between good and evil, which speaks of a dark period of history, speaks of the violence suffered by women but also by those who belonged to the poorest social classes, historical facts that have been handed down to us in the form of a story and associated-transmuted in the martyrdom of Saint Lucia, this is what happens in the town of Savoca (Sicily). This is a short and long report, I did in Savoca on August 2018 about the living representation of the martyrdom of Saint Lucia (patron saint of the city of Savoca); the cult of the young Saint of Syracuse seems to date back to the fifteenth century, under the influence of Spanish traditions. The commemoration of the history of St. Lucia occurs in two consecutive days, Saturday and Sunday: here I try to tell some times of the day on Sunday, a day during which the festival is held at the height of her beauty. And 'This is a historical event which speaks of Demons and Angels: Saint Lucy refused to marry a rich and powerful suitor (Lucy declared She was married in Christ), which reported the Christian faith of Lucia to prefect Pascasio that ordered his Praetorian Guard to drag Lucia with a rope to a place of prostitution; legend has it that the Holy became heavy, they then tried to drag it with the help of oxen, but it was impossible to move it from where he stood; failing in this, it was then given the order to cavarle eyes, but the young martyr (native of Syracuse) her eyes reappeared.
In the village of Savoca a young girl, affectionately called the "Lucy" is carried on the shoulder of a porter along the streets of the country (sitting on a pillow tied on the shoulder of a man, but in fact men are two); the young Saint remains impassive in the face of demonic temptations: the Devil, called in Sicilian dialect "u Diavulazzu, shake, shakes, turns his pitchfork in an attempt to "distract" the Saint.
The first day of this representation, on Saturday, in an old church in Savoca, the two girls who impersonate the Lucia, of the current year and the previous year, meet with the delivery of palm; the traditional event which we witness on Saturday, has all the appearance of an important rehearsal for the next day, on Sunday when the traditional festival will take place in all its beauty.
Sunday: on top of the procession there are the "Jews" (the emissaries of the prefect Pascasio) along with some Angels, is located immediately after the wagon drawn by two cows from which branches off a rope that will arrive to Saint Lucia (a girl of six years); between her and the cows there are Roman soldiers, who make their way through the crowd squirming like crazy; to hold the rope there are also male figures; the job of Devil (his mask is made of wood, whose invoice is dated, it seems, of the 400') is to distract the little Saint with the help of a long stick equipped of curved points, called "u 'croccu": Lucia hardly is deceived by the promises of the evil one, she will not abandon the state of her property concentration, aided in this by staring, almost in a trance, a small palm branch in silver , she brings devoutly in her hands.It's very important to mention the Baron Baldassarre (nicknamed Baron Altadonna), who applied without any hesitation the practice of Jus de seigneur: using this law the Baron obliged the young brides to spend the wedding night in his alcove. It 'very possible that in the representation of Saint Lucia of Savoca the character of the Devil tempting young Santa with his pitchfork, in reality is nothing but himself, Baron Altadonna, so allegorically described in this traditional Sicilian feast: the figure of the Devil if one takes into account what historians relate, does not belong more to the legend, but sadly to actual event happened. Post scriptum: the photographs, realized both on Saturday and Sunday, were organized and posted without taking into account the temporal chronology of what happened during the two days of the event; two photos of the mummy of Baron Altadonna have been included, which is located in the crypt of the Capuchin Fathers of Savoca; the portraits of two "Lucie" from previous editions, grandfather and great-grandfather of the "DIAVOLI" dynasty were included; the "silver palm" was delivered by Lucia of 2016 (Valentina), to the current Lucia (Miriana), in 2017 the event was not performed.
Ezio Famà.
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questa è una narrazione fotografica che parla dell'eterna lotta che avviene tra il bene ed il male, che parla di un periodo buio della storia, che parla delle violenze subite dalle donne ma anche da coloro che appartenevano alle classi sociali più povere, fatti storici che sono stati tramandati fino a noi in forma di racconto ed associati-trasmutati nel martirio di Santa Lucia, questo è quanto accade nel paese di Savoca (Sicilia). Questo è un report corto e lungo, che ho realizzato in quel di Savoca lo scorso mese di Agosto 2018, su quella che è la rappresentazione vivente del martirio di Santa Lucia (Santa patrona della città di Savoca); il culto della giovane Santa di Siracusa sembra risalire al XV secolo, sotto l'influenza delle tradizioni spagnole. La rievocazione vivente della storia di S.Lucia avviene in due giornate consecutive, il sabato e la domenica: qui tento di raccontare alcuni momenti della giornata della domenica, giorno durante il quale la festa si svolge nel pieno della sua bellezza. E' questa una rievocazione storica che parla di Demoni ed Angeli: la storia rievoca di quando la Santa, si rifiutò di andare in sposa ad un suo ricco e potente pretendente (essendosi dichiarata Cristiana e sposa in Cristo), il quale per vendetta riferì della fede Cristiana di Lucia al prefetto Pascasio; costui diede ordine ai suoi pretoriani di trascinare Lucia con una corda fino ad un lupanare, un luogo di prostituzione; la leggenda narra che la Santa divenne pesantissima, si tentò allora di trascinarla con l'ausilio dei buoi, ma fu impossibile smuoverla da dove si trovava; non riuscendo in ciò, fu allora dato l'ordine di cavarle gli occhi, ma alla giovane martire (nativa di Siracusa) gli occhi le rispuntarono. Nel paese di Savoca una giovane ragazza, chiamata con affetto "la Lucia" viene portata in spalla lungo le vie del paese (seduta su di un cuscino legato sulla spalla di un uomo; in realtà gli uomini portatori sono due, dandosi il cambio l'un l'altro); la giovane Santa rimane impassibile di fronte alle tentazioni demoniache: il Diavolo, chiamato in dialetto siciliano "u Diavulazzu, agita, scuote, fa ruotare il suo forcone nel tentativo di "distrarre" la Santa ma, vani saranno i suoi tentativi. Il primo giorno di questa rappresentazione, il sabato, in una vecchia chiesa di Savoca, le due bambine che impersonano la Lucia, dell'anno in corso e dell'anno precedente, si incontrano con la consegna della palma da una bimba all'altra; l'evento tradizionale al quale si assiste il sabato, ha tutto l'aspetto di una importante prova generale per il giorno dopo, quando la domenica la festa tradizionale avverrà in tutta la sua bellezza.La domenica: in cima alla processione ci sono i "Giudei" (gli emissari del prefetto Pascasio) insieme ad alcuni Angeli, subito dopo si trova il carro tirato da due giumente dalle quali si diparte una corda che giungerà fino a cingere il fianco della bimba che impersona Santa Lucia (una bambina di sei anni); tra lei e le giumente ci sono i soldati Romani, che si fanno largo tra la folla dimenandosi a più non posso; a tenere la corda ci sono anche delle figure maschili che evitano che gli strattonamenti dei soldati romani possano giungere fino alla Santa (ricordiamolo, che è legata a quella corda); davanti alla Santa piroetta il diavolo tentatore, u' Diavulazzu (la maschera è in legno, la cui fattura è datata, sembra, del 400'), il cui compito è quello di distrarre la piccola Santa con l'aiuto di un lungo bastone dotato di punte ricurve, chiamto dialettalmente "u' croccu": Lucia difficilmente si lascerà ingannare dalle promesse del Maligno, non abbandonerà quel suo stato di immobile concentrazione, aiutata in ciò dal fissare, quasi in stato di trance, un piccolo ramo di palma in argento, che lei strige devotamente tra le sue mani. E’ fondamentale menzionare tra i vari personaggi storici della tradizione, il barone Baldassarre, vissuto in Savoca in epoca medioevale, soprannominato barone Altadonna, che applicava senza remora alcuna la pratica della Jus primae noctis: avvalendosi di questa legge il barone obbligava le giovani spose a trascorrere la prima notte di nozze nella sua alcova. E’ fortemente ipotizzabile che nella rappresentazione di Santa Lucia di Savoca il personaggio del Diavolo che tenta la giovane Santa col suo forcone, in realtà non sia altro che egli stesso, il barone Altadonna, così allegoricamente descritto nella festa tradizionale siciliana: la figura del Diavolo, se si tiene conto di quanto narrano gli storici, non apparterrebbe più alla leggenda, ma a questo tristo personaggio realmente vissuto, che usava quotidianamente la moneta della prepotenza. Post scriptum: le fotografie, realizzate sia il sabato che la domenica, sono state organizzate e postate senza tenere conto della cronologia temporale di quanto avvenuto nei due giorni della manifestazione; sono state inserite due foto della mummia del barone Altadonna, che si trova nella cripta dei Padri Cappuccini di Savoca; sono stati inseriti i ritratti di due "Lucie" delle precedenti edizioni, del nonno e del bisnonno della dinastia dei "DIAVOLI"; la "palma d'argento" è stata consegnata dalla Lucia del 2016 (Valentina), alla attuale Lucia (Miriana); nel 2017 la manifestazione non è stata eseguita.
Ezio Famà.