Fashion details at Around the Grid

 

All the poets I've ever read

say lovers, old or new, must meet

in fields of green grass or new-mown hay

places blowing with wildflowers

and warm with sunshine

 

But you don't find places like that everywhere and when

You can't meet your lover in a field of poppies and daisies

when you're in Michigan in the winter

Two may plight their troth 'neath an arch of roses

but never in December northlands

 

Still, the heart recks not the time nor place

for a lover's reunion

The skies may be grey as a ghost's eyes,

the wind howling from the heights,

flurries blowing in the breeze

instead of peony blossoms —

but when he calls,

wherever he is,

whenever he is,

you will come

 

You need not even touch him;

just see him

and naught else matters to you

The freezing blast becomes

balmy breezes of May

The seabirds' croaks transmuted

to the song of bluebirds

And a world of snow and brown grasses

refashions itself in your heart’s eye

to the greenest of gardens

all for the sake of one person

 

You rush to meet him —

or he comes to you

for it doesn't really matter —

and you wouldn't trade where you are

for the warmest resort

in Spain or Italy

All you want is the touch of his hand

the caress of his arms

the brush of his warm lips against yours —

and the promise of later

when even this shall pale

before bright moments in the dark

and the quiet

and the solitude of two

 

What do time or place mean

to the union of hearts?

To those in love and separated

a second apart is an eternity

and Eden a barren desert

To those rejoined

a day is too little

and the emptiest desert a paradise

 

When you find the one who’s the Other You

cling to the time together

glory in the places you can share your lives

and glorify God in gratitude

for the happiness showered on you both

 

Harper Ganesvoort, 2016

 

Photographed in Furillen

Typhon was flying through the spirit of consciousness, when I designed thus engine in 1987 for Alice v W.......

There is also a shining white comet with silver "hair,"

shining in such a way that it can scarcely be looked at,

and of human appearance,

showing in itself the form of a god.

―Joannes Lydus, in De Ostentis

I suppose that the comets may be the agents

which have already effected great changes in all the planets,

and that they may be destined to effect many others―

till, in defined periods, the planets, by means of these agents,

may be all reduced to a state of fusion or gas ....

―Godfrey Higgins, Anacalypsis, Volume II

Typhon (/ˈtaɪfɒn, -fən/; Greek: Τυφῶν, Tuphōn [typʰɔ̂ːn]), also Typhoeus (/taɪˈfiːəs/; Τυφωεύς, Tuphōeus), Typhaon (Τυφάων, Tuphaōn) or Typhos (Τυφώς, Tuphōs), was a monstrous snaky giant and the most deadly creature in Greek mythology. According to Hesiod, Typhon was the son of Gaia and Tartarus. However one source has Typhon as the son of Hera alone, while another makes Typhon the offspring of Cronus. Typhon and his mate Echidna were the progenitors of many famous monsters. Typhon attempted to overthrow Zeus for the supremacy of the cosmos. The two fought a cataclysmic battle, which Zeus finally won with the aid of his thunderbolts. Defeated, Typhon was cast into Tartarus, or buried underneath Mount Etna, or the island of Ischia. In later accounts Typhon was often confused with the Giants.According to Hesiod's Theogony (c. 8th – 7th century BC), Typhon was the son of Gaia (Earth) and Tartarus: "when Zeus had driven the Titans from heaven, huge Earth bore her youngest child Typhoeus of the love of Tartarus, by the aid of golden Aphrodite".The mythographer Apollodorus (1st or 2nd century AD) adds that Gaia bore Typhon in anger at the gods for their destruction of her offspring the Giants.Numerous other sources mention Typhon as being the offspring of Gaia, or simply "earth-born", with no mention of Tartarus.However, according to the Homeric Hymn to Apollo (6th century BC), Typhon was the child of Hera alone. Hera, angry at Zeus for having given birth to Athena by himself, prayed to Gaia, Uranus, and the Titans, to give her a son stronger than Zeus, then slapped the ground and became pregnant. Hera gave the infant Typhon to the serpent Python to raise, and Typhon grew up to become a great bane to mortals.

Depiction by Wenceslas Hollar

Several sources locate Typhon's birth and dwelling place in Cilicia, and in particular the region in the vicinity of the ancient Cilician coastal city of Corycus (modern Kızkalesi, Turkey). The poet Pindar (c. 470 BC) calls Typhon "Cilician,"and says that Typhon was born in Cilicia and nurtured in "the famous Cilician cave",[8] an apparent allusion to the Corycian cave in Turkey.[9] In Aeschylus' Prometheus Bound, Typhon is called the "dweller of the Cilician caves",and both Apollodorus and the poet Nonnus (4th or 5th century AD) have Typhon born in Cilicia.

The b scholia to Iliad 2.783, preserving a possibly Orphic tradition, has Typhon born in Cilicia, as the offspring of Cronus. Gaia, angry at the destruction of the Giants, slanders Zeus to Hera. So Hera goes to Zeus' father Cronus (whom Zeus had overthrown) and Cronus gives Hera two eggs smeared with his own semen, telling her to bury them, and that from them would be born one who would overthrow Zeus. Hera, angry at Zeus, buries the eggs in Cilicia "under Arimon", but when Typhon is born, Hera, now reconciled with Zeus, informs him.

According to Hesiod, Typhon was "terrible, outrageous and lawless",immensely powerful, and on his shoulders were one hundred snake heads, that emitted fire and every kind of noise:

Strength was with his hands in all that he did and the feet of the strong god were untiring. From his shoulders grew a hundred heads of a snake, a fearful dragon, with dark, flickering tongues, and from under the brows of his eyes in his marvellous heads flashed fire, and fire burned from his heads as he glared. And there were voices in all his dreadful heads which uttered every kind of sound unspeakable; for at one time they made sounds such that the gods understood, but at another, the noise of a bull bellowing aloud in proud ungovernable fury; and at another, the sound of a lion, relentless of heart; and at another, sounds like whelps, wonderful to hear; and again, at another, he would hiss, so that the high mountains re-echoed.

The Homeric Hymn to Apollo describes Typhon as "fell" and "cruel", and neither like gods nor men.Three of Pindar's poems have Typhon as hundred-headed (as in Hesiod), while apparently a fourth gives him only fifty heads, but a hundred heads for Typhon became standard. A Chalcidian hydria (c. 540–530 BC), depicts Typhon as a winged humanoid from the waist up, with two snake tails below.Aeschylus calls Typhon "fire-breathing".For Nicander (2nd century BC), Typhon was a monster of enormous strength, and strange appearance, with many heads, hands, and wings, and with huge snake coils coming from his thighs.

Apollodorus describes Typhon as a huge winged monster, whose head "brushed the stars", human in form above the waist, with snake coils below, and fire flashing from his eyes:

 

In size and strength he surpassed all the offspring of Earth. As far as the thighs he was of human shape and of such prodigious bulk that he out-topped all the mountains, and his head often brushed the stars. One of his hands reached out to the west and the other to the east, and from them projected a hundred dragons' heads. From the thighs downward he had huge coils of vipers, which when drawn out, reached to his very head and emitted a loud hissing. His body was all winged: unkempt hair streamed on the wind from his head and cheeks; and fire flashed from his eyes.

 

The most elaborate description of Typhon is found in Nonnus's Dionysiaca. Nonnus makes numerous references to Typhon's serpentine nature,giving him a "tangled army of snakes",snaky feet,and hair.According to Nonnus, Typhon was a "poison-spitting viper",whose "every hair belched viper-poison", and Typhon "spat out showers of poison from his throat; the mountain torrents were swollen, as the monster showered fountains from the viperish bristles of his high head",and "the water-snakes of the monster's viperish feet crawl into the caverns underground, spitting poison!".

Following Hesiod and others, Nonnus gives Typhon many heads (though untotaled), but in addition to snake heads,Nonnus also gives Typhon many other animal heads, including leopards, lions, bulls, boars, bears, cattle, wolves, and dogs, which combine to make 'the cries of all wild beasts together',and a "babel of screaming sounds". Nonnus also gives Typhon "legions of arms innumerable", and where Nicander had only said that Typhon had "many" hands, and Ovid had given Typhon a hundred hands, Nonnus gives Typhon two hundred.

According to Hesiod's Theogony, Typhon "was joined in love" to Echidna, a monstrous half-woman and half-snake, who bore Typhon "fierce offspring".First, according to Hesiod, there was Orthrus,the two-headed dog who guarded the Cattle of Geryon, second Cerberus,the multiheaded dog who guarded the gates of Hades, and third the Lernaean Hydra,the many-headed serpent who, when one of its heads was cut off, grew two more. The Theogony next mentions an ambiguous "she", which might refer to Echidna, as the mother of the Chimera (a fire-breathing beast that was part lion, part goat, and had a snake-headed tail) with Typhon then being the father.

 

While mentioning Cerberus and "other monsters" as being the offspring of Echidna and Typhon, the mythographer Acusilaus (6th century BC) adds the Caucasian Eagle that ate the liver of Prometheus, the mythographer Pherecydes of Leros (5th century BC), also names Prometheus' eagle,and adds Ladon (though Pherecydes does not use this name), and the dragon that guarded the golden apples in the Garden of the Hesperides (according to Hesiod, the offspring of Ceto and Phorcys).The lyric poet Lasus of Hermione (6th century BC) adds the Sphinx.

Later authors mostly retain these offspring of Typhon by Echidna, while adding others. Apollodorus, in addition to naming as their offspring Orthrus, the Chimera (citing Hesiod as his source) the Caucasian Eagle, Ladon, and the Sphinx, also adds the Nemean lion (no mother is given), and the Crommyonian Sow, killed by the hero Theseus (unmentioned by Hesiod).

Hyginus (1st century BC),in his list of offspring of Typhon (all by Echidna), retains from the above: Cerberus, the Chimera, the Sphinx, the Hydra and Ladon, and adds "Gorgon" (by which Hyginus means the mother of Medusa, whereas Hesiod's three Gorgons, of which Medusa was one, were the daughters of Ceto and Phorcys), the Colchian Dragon that guarded the Golden Fleece and Scylla.The Harpies, in Hesiod the daughters of Thaumas and the Oceanid Electra,[48] in one source, are said to be the daughters of Typhon.

 

The sea serpents which attacked the Trojan priest Laocoön, during the Trojan War, were perhaps supposed to be the progeny of Typhon and Echidna.

 

According to Hesiod, the defeated Typhon is the source of destructive storm winds.

 

Typhon challenged Zeus for rule of the cosmos.The earliest mention of Typhon, and his only occurrence in Homer, is a passing reference in the Iliad to Zeus striking the ground around where Typhon lies defeated.Hesiod's Theogony gives us the first account of their battle. According to Hesiod, without the quick action of Zeus, Typhon would have "come to reign over mortals and immortals".In the Theogony Zeus and Typhon meet in cataclysmic conflict:

 

[Zeus] thundered hard and mightily: and the earth around resounded terribly and the wide heaven above, and the sea and Ocean's streams and the nether parts of the earth. Great Olympus reeled beneath the divine feet of the king as he arose and earth groaned thereat. And through the two of them heat took hold on the dark-blue sea, through the thunder and lightning, and through the fire from the monster, and the scorching winds and blazing thunderbolt. The whole earth seethed, and sky and sea: and the long waves raged along the beaches round and about at the rush of the deathless gods: and there arose an endless shaking. Hades trembled where he rules over the dead below, and the Titans under Tartarus who live with Cronos, because of the unending clamor and the fearful strife.

 

Zeus with his thunderbolt easily overcomes Typhon,who is thrown down to earth in a fiery crash:

 

So when Zeus had raised up his might and seized his arms, thunder and lightning and lurid thunderbolt, he leaped from Olympus and struck him, and burned all the marvellous heads of the monster about him. But when Zeus had conquered him and lashed him with strokes, Typhoeus was hurled down, a maimed wreck, so that the huge earth groaned. And flame shot forth from the thunderstricken lord in the dim rugged glens of the mount, when he was smitten. A great part of huge earth was scorched by the terrible vapor and melted as tin melts when heated by men's art in channelled crucibles; or as iron, which is hardest of all things, is shortened by glowing fire in mountain glens and melts in the divine earth through the strength of Hephaestus. Even so, then, the earth melted in the glow of the blazing fire.

 

Defeated, Typhon is cast into Tartarus by an angry Zeus.

 

Epimenides (7th or 6th century BC) seemingly knew a different version of the story, in which Typhon enters Zeus' palace while Zeus is asleep, but Zeus awakes and kills Typhon with a thunderbolt.Pindar apparently knew of a tradition which had the gods, in order to escape from Typhon, transform themselves into animals, and flee to Egypt.Pindar calls Typhon the "enemy of the gods",and says that he was defeated by Zeus' thunderbolt.In one poem Pindar has Typhon being held prisoner by Zeus under Etna,and in another says that Typhon "lies in dread Tartarus", stretched out underground between Mount Etna and Cumae.In Aeschylus' Prometheus Bound, a "hissing" Typhon, his eyes flashing, "withstood all the gods", but "the unsleeping bolt of Zeus" struck him, and "he was burnt to ashes and his strength blasted from him by the lightning bolt."

 

According to Pherecydes of Leros, during his battle with Zeus, Typhon first flees to the Caucasus, which begins to burn, then to the volcanic island of Pithecussae (modern Ischia), off the coast of Cumae, where he is buried under the island.Apollonius of Rhodes (3rd century BC), like Pherecydes, presents a multi-stage battle, with Typhon being struck by Zeus' thunderbolt on mount Caucasus, before fleeing to the mountains and plain of Nysa, and ending up (as already mentioned by the fifth-century BC Greek historian Herodotus) buried under Lake Serbonis in Egypt.

 

Like Pindar, Nicander has all the gods but Zeus and Athena, transform into animal forms and flee to Egypt: Apollo became a hawk, Hermes an ibis, Ares a fish, Artemis a cat, Dionysus a goat, Heracles a fawn, Hephaestus an ox, and Leto a mouse.

 

The geographer Strabo (c. 20 AD) gives several locations which were associated with the battle. According to Strabo, Typhon was said to have cut the serpentine channel of the Orontes River, which flowed beneath the Syrian Mount Kasios (modern Jebel Aqra), while fleeing from Zeus,and some placed the battle at Catacecaumene ("Burnt Land"),a volcanic plain, on the upper Gediz River, between the ancient kingdoms of Lydia, Mysia and Phrygia, near Mount Tmolus (modern Bozdağ) and Sardis the ancient capital of Lydia.

 

In the versions of the battle given by Hesiod, Aeschylus and Pindar, Zeus' defeat of Typhon is straightforward, however a more involved version of the battle is given by Apollodorus.No early source gives any reason for the conflict, but Apollodorus' account seemingly implies that Typhon had been produced by Gaia to avenge the destruction, by Zeus and the other gods, of the Giants, a previous generation of offspring of Gaia. According to Apollodorus, Typhon, "hurling kindled rocks", attacked the gods, "with hissings and shouts, spouting a great jet of fire from his mouth." Seeing this, the gods transformed into animals and fled to Egypt (as in Pindar and Nicander). However "Zeus pelted Typhon at a distance with thunderbolts, and at close quarters struck him down with an adamantine sickle"Wounded, Typhon fled to the Syrian Mount Kasios, where Zeus "grappled" with him. But Typhon, twining his snaky coils around Zeus, was able to wrest away the sickle and cut the sinews from Zeus' hands and feet. Typhon carried the disabled Zeus across the sea to the Corycian cave in Cilicia where he set the she-serpent Delphyne to guard over Zeus and his severed sinews, which Typhon had hidden in a bearskin. But Hermes and Aegipan (possibly another name for Pan)stole the sinews and gave them back to Zeus. His strength restored, Zeus chased Typhon to mount Nysa, where the Moirai tricked Typhon into eating "ephemeral fruits" which weakened him. Typhon then fled to Thrace, where he threw mountains at Zeus, which were turned back on him by Zeus' thunderbolts, and the mountain where Typhon stood, being drenched with Typhon's blood, became known as Mount Haemus (Bloody Mountain). Typhon then fled to Sicily, where Zeus threw Mount Etna on top of Typhon burying him, and so finally defeated him.

 

Oppian (2nd century AD) says that Pan helped Zeus in the battle by tricking Typhon to come out from his lair, and into the open, by the "promise of a banquet of fish", thus enabling Zeus to defeat Typhon with his thunderbolts.

  

The longest and most involved version of the battle appears in Nonnus's Dionysiaca (late 4th or early 5th century AD).Zeus hides his thunderbolts in a cave, so that he might seduce the maiden Plouto, and so produce Tantalus. But smoke rising from the thunderbolts, enables Typhon, under the guidance of Gaia, to locate Zeus's weapons, steal them, and hide them in another cave.Immediately Typhon extends "his clambering hands into the upper air" and begins a long and concerted attack upon the heavens.Then "leaving the air" he turns his attack upon the seas.Finally Typhon attempts to wield Zeus' thunderbolts, but they "felt the hands of a novice, and all their manly blaze was unmanned."

 

Now Zeus' sinews had somehow – Nonnus does not say how or when — fallen to the ground during their battle, and Typhon had taken them also.But Zeus devises a plan with Cadmus and Pan to beguile Typhon.Cadmus, desguised as a shepherd, enchants Typhon by playing the panpipes, and Typhon entrusting the thuderbolts to Gaia, sets out to find the source of the music he hears.Finding Cadmus, he challenges him to a contest, offering Cadmus any goddess as wife, excepting Hera whom Typhon has reserved for himself.Cadmus then tells Typhon that, if he liked the "little tune" of his pipes, then he would love the music of his lyre – if only it could be strung with Zeus' sinews.So Typhon retrieves the sinews and gives them to Cadmus, who hides them in another cave, and again begins to play his bewitching pipes, so that "Typhoeus yielded his whole soul to Cadmos for the melody to charm".

 

With Typhon distracted, Zeus takes back his thunderbolts. Cadmus stops playing, and Typhon, released from his spell, rushes back to his cave to discover the thunderbolts gone. Incensed Typhon unleashes devastation upon the world: animals are devoured, (Typhon's many animal heads each eat animals of its own kind), rivers turned to dust, seas made dry land, and the land "laid waste".

 

The day ends with Typhon yet unchallenged, and while the other gods "moved about the cloudless Nile", Zeus waits through the night for the coming dawn.Victory "reproaches" Zeus, urging him to "stand up as champion of your own children!"Dawn comes and Typhon roars out a challenge to Zeus. And a cataclysmic battle for "the sceptre and throne of Zeus" is joined. Typhon piles up mountains as battlements and with his "legions of arms innumerable", showers volley after volley of trees and rocks at Zeus, but all are destroyed, or blown aside, or dodged, or thrown back at Typhon. Typhon throws torrents of water at Zeus' thunderbolts to quench them, but Zeus is able to cut off some of Typhon's hands with "frozen volleys of air as by a knife", and hurling thunderbolts is able to burn more of typhon's "endless hands", and cut off some of his "countless heads". Typhon is attacked by the four winds, and "frozen volleys of jagged hailstones."Gaia tries to aid her burnt and frozen son.Finally Typhon falls, and Zeus shouts out a long stream of mocking taunts, telling Typhon that he is to be buried under Sicily's hills, with a cenotaph over him which will read "This is the barrow of Typhoeus, son of Earth, who once lashed the sky with stones, and the fire of heaven burnt him up".

 

Most accounts have the defeated Typhon buried under either Mount Etna in Sicily, or the volcanic island of Ischia, the largest of the Phlegraean Islands off the coast of Naples, with Typhon being the cause of volcanic eruptions and earthquakes.

 

Though Hesiod has Typhon simply cast into Tartarus by Zeus, some have read a reference to Mount Etna in Hesiod's description of Typhon's fall: And flame shot forth from the thunderstricken lord in the dim rugged glens of the mount when he was smitten. A great part of huge earth was scorched by the terrible vapor and melted as tin melts when heated by men's art in channelled crucibles; or as iron, which is hardest of all things, is shortened by glowing fire in mountain glens and melts in the divine earth through the strength of Hephaestus. Even so, then, the earth melted in the glow of the blazing fire.

 

The first certain references to Typhon buried under Etna, as well as being the cause of its eruptions, occur in Pindar:Son of Cronus, you who hold Aetna, the wind-swept weight on terrible hundred-headed Typhon, and:among them is he who lies in dread Tartarus, that enemy of the gods, Typhon with his hundred heads. Once the famous Cilician cave nurtured him, but now the sea-girt cliffs above Cumae, and Sicily too, lie heavy on his shaggy chest. And the pillar of the sky holds him down, snow-covered Aetna, year-round nurse of bitter frost, from whose inmost caves belch forth the purest streams of unapproachable fire. In the daytime her rivers roll out a fiery flood of smoke, while in the darkness of night the crimson flame hurls rocks down to the deep plain of the sea with a crashing roar. That monster shoots up the most terrible jets of fire; it is a marvellous wonder to see, and a marvel even to hear about when men are present. Such a creature is bound beneath the dark and leafy heights of Aetna and beneath the plain, and his bed scratches and goads the whole length of his back stretched out against it. Thus Pindar has Typhon in Tartarus, and buried under not just Etna, but under a vast volcanic region stretching from Sicily to Cumae (in the vicinity of modern Naples), a region which presumably also included Mount Vesuvius, as well as Ischia.

Many subsequent accounts mention either Etna[98] or Ischia. In Prometheus Bound, Typhon is imprisoned underneath Etna, while above him Hephaestus "hammers the molten ore", and in his rage, the "charred" Typhon causes "rivers of fire" to pour forth. Ovid has Typhon buried under all of Sicily, with his left and right hands under Pelorus and Pachynus, his feet under Lilybaeus, and his head under Etna; where he "vomits flames from his ferocious mouth". And Valerius Flaccus has Typhon's head under Etna, and all of Sicily shaken when Typhon "struggles". Lycophron has both Typhon and Giants buried under the island of Ischia. Virgil, Silius Italicus and Claudian, all calling the island "Inarime", have Typhon buried there. Strabo, calling Ischia "Pithecussae", reports the "myth" that Typhon lay buried there, and that when he "turns his body the flames and the waters, and sometimes even small islands containing boiling water, spout forth." In addition to Typhon, other mythological beings were also said to be buried under Mount Etna and the cause of its vocanic activity. Most notably the Giant Enceladus was said to be entombed under Etna, the volcano's eruptions being the breath of Enceladus, and its tremors caused by the Giant rolling over from side to side beneath the mountain. Also said to be buried under Etna were the Hundred-hander Briareus,and Asteropus who was perhaps one of the Cyclopes.

Typhon's final resting place was apparently also said to be in Boeotia.The Hesiodic Shield of Heracles names a mountain near Thebes Typhaonium, perhaps reflecting an early tradition which also had Typhon buried under a Boeotian mountain.And some apparently claimed that Typhon was buried beneath a mountain in Boeotia, from which came exhaltations of fire.

 

Homer describes a place he calls the "couch [or bed] of Typhoeus", which he locates in the land of the Arimoi (εἰν Ἀρίμοις), where Zeus lashes the land about Typhoeus with his thunderbolts.[107] Presumably this is the same land where, according to Hesiod, Typhon's mate Echidna keeps guard "in Arima" (εἰν Ἀρίμοισιν). But neither Homer nor Hesiod say anything more about where these Arimoi or this Arima might be. The question of whether an historical place was meant, and its possible location, has been, since ancient times, the subject of speculation and debate. Strabo discusses the question in some detail. Several locales, Cilicia, Syria, Lydia, and the island of Ischia, all places associated with Typhon, are given by Strabo as possible locations for Homer's "Arimoi".

 

Pindar has his Cilician Typhon slain by Zeus "among the Arimoi",[111] and the historian Callisthenes (4th century BC), located the Arimoi and the Arima mountains in Cilicia, near the Calycadnus river, the Corycian cave and the Sarpedon promomtory.[112] The b scholia to Iliad 2.783, mentioned above, says Typhon was born in Cilicia "under Arimon",and Nonnus mentions Typhon's "bloodstained cave of Arima" in Cilicia. Just across the Gulf of Issus from Corycus, in ancient Syria, was Mount Kasios (modern Jebel Aqra) and the Orontes River, sites associated with Typhon's battle with Zeus,and according to Strabo, the historian Posidonius (c. 2nd century BC) identified the Arimoi with the Aramaeans of Syria.

Alternatively, according to Strabo, some placed the Arimoi at Catacecaumene, while Xanthus of Lydia (5th century BC) added that "a certain Arimus" ruled there. Strabo also tells us that for "some" Homer's "couch of Typhon" was located "in a wooded place, in the fertile land of Hyde", with Hyde being another name for Sardis (or its acropolis), and that Demetrius of Scepsis (2nd century BC) thought that the Arimoi were most plausibly located "in the Catacecaumene country in Mysia".[119] The 3rd-century BC poet Lycophron placed the lair of Typhons' mate Echidna in this region.

Another place, mentioned by Strabo, as being associated with Arima, is the island of Ischia, where according to Pherecydes of Leros, Typhon had fled, and in the area where Pindar and others had said Typhon was buried. The connection to Arima, comes from the island's Greek name Pithecussae, which derives from the Greek word for monkey, and according to Strabo, residents of the island said that "arimoi" was also the Etruscan word for monkeys.

  

Typhon's name has a number of variants. The earliest forms of Typhoeus and Typhaon, occur prior to the 5th century BC. Homer uses Typhoeus,Hesiod and the Homeric Hymn to Apollo use both Typhoeus and Typhaon. The later forms Typhos and Typhon occur from the 5th century BC onwards, with Typhon becoming the standard form by the end of that century.

 

Though several possible derivations of the name Typhon have been suggested, the derivation remains uncertain.Consistent with Hesiod's making storm winds Typhon's offspring, some have supposed that Typhon was originally a wind-god, and ancient sources associated him with the Greek words tuphon, tuphos meaning "whirlwind".Other theories include derivation from a Greek root meaning "smoke" (consistent with Typhon's identification with volcanoes), from an Indo-European root meaning "abyss" (making Typhon a "Serpent of the Deep"), and from Sapõn the Phoenician name for the Ugaritic god Baal's holy mountain Jebel Aqra (the classical Mount Kasios) associated with the epithet Baʿal Zaphon.

  

Mythologist Joseph Campbell makes parallels to the slaying of Leviathan by YHWH, about which YHWH boasts to Job. Ogden calls the Typhon myth "the only Graeco-Roman drakōn-slaying myth that can seriously be argued to exhibit the influence of Near Eastern antecedents", connecting it in particular with Baʿal Zaphon's slaying of Yammu and Lotan, as well as with the Hittite myth of Illuyankas. From its first reappearance, this latter myth has been seen as a prototype of the battle of Zeus and Typhon. Walter Burkert and Calvert Watkins each note the close agreements.

Comparisons can also be drawn with the Mesopotamian monster Tiamat and her slaying by Babylonian chief god Marduk.The similarities between the Greek myth and its earlier Mesopotamian counterpart do not seem to be merely accidental. A number of west Semitic (Ras Shamra) and Hittite sources appear to corroborate the theory of a genetic relationship between the two myths.

Typhon's story seems related to that of another monstrous offspring of Gaia: Python, the serpent killed by Apollo at Delphi, suggesting a possible common origin. Besides the similarity of names, their shared parentage, and the fact that both were snaky monsters killed in single combat with an Olympian god, there are other connections between the stories surrounding Typhon, and those surrounding Python. Although the Delphic monster killed by Apollo is usually said to be the male serpent Python, in the Homeric Hymn to Apollo, the earliest account of this story, the god kills a nameless she-serpent (drakaina), subsequently called Delphyne, who had been Typhon's foster-mother. Delphyne and Echidna, besides both being intimately connected to Typhon—one as mother, the other as mate—share other similarities.Both were half-maid and half-snake,a plague to men,and associated with the Corycian cave in Cilicia.

Python was also perhaps connected with a different Corycian Cave than the one in Cilicia, this one on the slopes of Parnassus above Delphi, and just as the Corcian cave in Cilicia was thought to be Typhon and Echidna's lair, and associated with Typhon's battle with Zeus, there is evidence to suggest that the Corycian cave above Delphi was supposed to be Python's (or Delphyne's) lair, and associated with his (or her) battle with Apollo.

Typhon bears a close resemblance to an older generation of descendants of Gaia, the Giants.They, like their younger brother Typhon after them, challenged Zeus for supremacy of the cosmos,were (in later representations) shown as snake-footed,and end up buried under volcanos.

While distinct in early accounts, in later accounts Typhon was often confused or conflated with the Giants.The Roman mythographer Hyginus (64 BC – 17 AD) includes Typhon in his list of Giants,while the Roman poet Horace (65 – 8 BC), mentions Typhon, along with the Giants Mimas, Porphyrion, and Enceladus, as together battling Athena, during the Gigantomachy.The Astronomica, attributed to the 1st-century AD Roman poet and astrologer Marcus Manilius,and the late 4th-century early 5th-century Greek poet Nonnus, also consider Typhon to be one of the Giants.

 

From apparently as early as Hecataeus of Miletus (c. 550 BC – c. 476 BC), Typhon was identified with Set, the Egyptian god of destruction.This syncretization with Egyptian mythology can also be seen in the story, apparently known as early as Pindar, of Typhon chasing the gods to Egypt, and the gods transforming themselves into animals.Such a story arose perhaps as a way for the Greeks to explain Egypt's animal-shaped gods.Herodotus also identified Typhon with Set, making him the second to last divine king of Egypt. Herodotus says that Typhon was deposed by Osiris' son Horus, whom Herodutus equates with Apollo (with Osiris being equated with Dionysus),and after his defeat by Horus, Typhon was "supposed to have been hidden" in the "Serbonian marsh" (identified with modern Lake Bardawil) in Egypt.

  

en.wikipedia.org/wiki/Typhon#cite_note-157

----------------------------------------------------------------

 

click to activate the icon of slideshow: the small triangle inscribed in the small rectangle, at the top right, in the photostream;

or…. Press the “L” button to zoom in the image;

clicca sulla piccola icona per attivare lo slideshow: sulla facciata principale del photostream, in alto a destra c'è un piccolo rettangolo (rappresenta il monitor) con dentro un piccolo triangolo nero;

oppure…. premi il tasto “L” per ingrandire l'immagine;

 

Qi Bo's photos on Fluidr

  

Qi Bo's photos on Flickriver

  

www.worldphoto.org/sony-world-photography-awards/winners-...

  

www.fotografidigitali.it/gallery/2726/opere-italiane-segn...

 

-------------------------------------------------------------------

What happened three days ago is a very bad story, a 63-year-old man shot two women in the face, one 48 years old, the other 49 years old, and then took his own life, all of which happened in a town in the province of Catania, one of them allegedly had an extramarital affair with the killer: in 2022 120 women were killed, 97 of them were killed in the family or emotional sphere, of these 57 died for hand of the partner or former partner. This tragic and sad incipit linked to the ever-present drama of feminicides, to introduce the photographic story that I made in the town of Savoca (Messina - Sicily) on 08/13/2022, of a very particular representation that was held last time in August 2018; is a narration that pits Evil (a devil armed with a long grappling hook) against Good (Saint Lucia, who holds a silver palm leaf in her hands), the Evil-Devil tries to seduce-distract Saint Lucia with own grappling hook, instead Saint Lucia remains impassive in front of her flattery: violence against women in this very suggestive representation finds distant and deep roots, Saint Lucia actually represents those women who in medieval times had to suffer the abuses perpetrated by the Baron of Savoca nicknamed "Barone Altadonna", which making use of the law "ius primae noctis" (from the Latin "right of the first night"), referred to the "right" according to which a feudal lord could rape a newly married woman on her wedding night. Therefore, this is a photographic narration that speaks of the eternal struggle that takes place between good and evil, which speaks of a dark period of history, speaks of the violence suffered by women but also by those who belonged to the poorest social classes, historical facts that have been handed down to us in the form of a story and associated-transmuted in the martyrdom of Saint Lucia, this is what happens in the town of Savoca (Sicily). This is a report of the living representation of the martyrdom of Saint Lucia (patron saint of the city of Savoca); the cult of the young Saint of Syracuse seems to date back to the fifteenth century, under the influence of Spanish traditions. The living re-enactment of the history of St. Lucia takes place on two consecutive days, Saturday and Sunday: here I try to tell some moments of Saturday, the day during which the celebration does not take place in its full beauty, it is the day during which "the silver palm" is delivered "from the Lucia of the previous edition" to the "Lucia of the current edition", it is the day during which the last details are tested, above all the "impassivity of the little girl who impersonates Saint Lucia", lovingly called "the Lucia".. And 'This is a historical event which speaks of Demons and Angels: Saint Lucy refused to marry a rich and powerful suitor (Lucy declared She was married in Christ), which reported the Christian faith of Lucia to prefect Pascasio that ordered his Praetorian Guard to drag Lucia with a rope to a place of prostitution; legend has it that the Holy became heavy, they then tried to drag it with the help of oxen, but it was impossible to move it from where he stood; failing in this, it was then given the order to cavarle eyes, but the young martyr (native of Syracuse) her eyes reappeared.

In the village of Savoca a young girl, affectionately called the "Lucy" is carried on the shoulder of a porter along the streets of the country (sitting on a pillow tied on the shoulder of a man, but in fact men are two); the young Saint remains impassive in the face of demonic temptations: the Devil, called in Sicilian dialect "u Diavulazzu, shake, shakes, turns his pitchfork in an attempt to "distract" the Saint.

The first day of this representation, on Saturday, in an old church in Savoca, the two girls who impersonate the Lucia, of the current year and the previous year, meet with the delivery of palm; the traditional event which we witness on Saturday, has all the appearance of an important rehearsal for the next day, on Sunday when the traditional festival will take place in all its beauty.

Sunday: on top of the procession there are the "Jews" (the emissaries of the prefect Pascasio) along with some Angels, is located immediately after the wagon drawn by two cows from which branches off a rope that will arrive to Saint Lucia (a girl of six years); between her and the cows there are Roman soldiers, who make their way through the crowd squirming like crazy; to hold the rope there are also male figures; the job of Devil (his mask is made of wood, whose invoice is dated, it seems, of the 400') is to distract the little Saint with the help of a long stick equipped of curved points, called "u 'croccu": Lucia hardly is deceived by the promises of the evil one, she will not abandon the state of her property concentration, aided in this by staring, almost in a trance, a small palm branch in silver , she brings devoutly in her hands.It's very important to mention the Baron Baldassarre (nicknamed Baron Altadonna), who applied without any hesitation the practice of Jus de seigneur: using this law the Baron obliged the young brides to spend the wedding night in his alcove. It 'very possible that in the representation of Saint Lucia of Savoca the character of the Devil tempting young Santa with his pitchfork, in reality is nothing but himself, Baron Altadonna, so allegorically described in this traditional Sicilian feast: the figure of the Devil if one takes into account what historians relate, does not belong more to the legend, but sadly to actual event happened.

------------------------------------------------------------------------------------------

E' una bruttissima storia quanto accaduto tre giorni fa, un uomo di 63 anni, ha ucciso a colpi di pistola in pieno volto due donne, una di 48 anni, l'altra di 49 anni, per poi togliersi la vita, il tutto accaduto in una cittadina in provincia di Catania, una di loro avrebbe avuto una relazione extraconiugale con l'assassino: nel 2022 sono state 120 le donne uccise, 97 di loro sono state uccise in ambito familiare o affettivo, di queste 57 hanno trovato la morte per mano del partner o ex partner. Questo tragico e triste incipit legato al sempre attuale dramma dei femminicidi, per introdurre il racconto fotografico che ho realizzato nella cittadina di Savoca (Messina - Sicilia) il 13/08/2022, di una particolarissima rappresentazione che si era tenuta l'ultima volta nell'agosto del 2018; è una narrazione che vede contrapposto il Male (un diavolo armato di un lungo rampino), al Bene (Santa Lucia, che stringe tra le mani una foglia di palma d'argento), il Male-Diavolo tenta di sedurre-distrarre Santa Lucia col proprio rampino, invece Santa Lucia resta impassibile davanti le sue lusinghe: la violenza sulle donne in questa rappresentazione molto suggestiva, trova radici lontane e profonde, Santa Lucia in realtà rappresenta quelle donne che in epoca medioevale dovevano subire gli abusi perpetrati dal Barone di Savoca soprannominato "Barone Altadonna", che avvalendosi della legge "ius primae noctis" (dal latino "diritto della prima notte"), si riferiva al “diritto” secondo cui un signore feudale poteva violentare una donna appena sposata durante la sua prima notte di nozze. Quindi questa è una narrazione fotografica che parla dell'eterna lotta che avviene tra il bene ed il male, che parla di un periodo buio della storia, che parla delle violenze subite dalle donne ma anche da tutti coloro che appartenevano alle classi sociali più povere, fatti storici che sono stati tramandati fino a noi in forma di racconto ed associati-trasmutati nel martirio di Santa Lucia, questo è quanto accade nel paese di Savoca (Sicilia). Questo è un report della rappresentazione vivente del martirio di Santa Lucia (Santa patrona della città di Savoca); il culto della giovane Santa di Siracusa sembra risalire al XV secolo, sotto l'influenza delle tradizioni spagnole. La rievocazione vivente della storia di Santa Lucia avviene in due giornate consecutive, il sabato e la domenica: qui tento di raccontare alcuni momenti della giornata del sabato, giorno durante il quale la festa non si svolge nel pieno della sua bellezza, è il giorno durante il quale “la palma d’argento” viene consegnata “dalla Lucia della edizione precedente” alla “Lucia dell’attuale edizione”, è il giorno durante il quale si testano gli ultimi dettagli, soprattutto si mette alla prova “l’impassibilità della bambina che impersona Santa Lucia”, chiamata amorevolmente “la Lucia”. E' questa una rievocazione storica che parla di Demoni ed Angeli: la storia rievoca di quando la Santa, si rifiutò di andare in sposa ad un suo ricco e potente pretendente (essendosi dichiarata Cristiana e sposa in Cristo), il quale per vendetta riferì della fede Cristiana di Lucia al prefetto Pascasio; costui diede ordine ai suoi pretoriani di trascinare Lucia con una corda fino ad un lupanare, un luogo di prostituzione; la leggenda narra che la Santa divenne pesantissima, si tentò allora di trascinarla con l'ausilio dei buoi, ma fu impossibile smuoverla da dove si trovava; non riuscendo in ciò, fu allora dato l'ordine di cavarle gli occhi, ma alla giovane martire (nativa di Siracusa) gli occhi le rispuntarono. Nel paese di Savoca una giovane ragazza, chiamata con affetto "la Lucia" viene portata in spalla lungo le vie del paese (seduta su di un cuscino legato sulla spalla di un uomo; in realtà gli uomini portatori sono due, dandosi il cambio l'un l'altro); la giovane Santa rimane impassibile di fronte alle tentazioni demoniache: il Diavolo, chiamato in dialetto siciliano "u Diavulazzu, agita, scuote, fa ruotare il suo forcone nel tentativo di "distrarre" la Santa ma, vani saranno i suoi tentativi. Il primo giorno di questa rappresentazione, il sabato, in una vecchia chiesa di Savoca, le due bambine che impersonano la Lucia, dell'anno in corso e dell'anno precedente, si incontrano con la consegna della palma da una bimba all'altra; l'evento tradizionale al quale si assiste il sabato, ha tutto l'aspetto di una importante prova generale per il giorno dopo, quando la domenica la festa tradizionale avverrà in tutta la sua bellezza. La domenica: in cima alla processione ci sono i "Giudei" (gli emissari del prefetto Pascasio) insieme ad alcuni Angeli, subito dopo si trova il carro tirato da due giumente dalle quali si diparte una corda che giungerà fino a cingere il fianco della bimba che impersona Santa Lucia (una bambina di sei anni); tra lei e le giumente ci sono i soldati Romani, che si fanno largo tra la folla dimenandosi a più non posso; a tenere la corda ci sono anche delle figure maschili che evitano che gli strattonamenti dei soldati romani possano giungere fino alla Santa (ricordiamolo, che è legata a quella corda); davanti alla Santa piroetta il diavolo tentatore, u' Diavulazzu (la maschera è in legno, la cui fattura è datata, sembra, del 400'), il cui compito è quello di distrarre la piccola Santa con l'aiuto di un lungo bastone dotato di punte ricurve, chiamato dialettalmente "u' croccu": Lucia difficilmente si lascerà ingannare dalle promesse del Maligno, non abbandonerà quel suo stato di immobile concentrazione, aiutata in ciò dal fissare, quasi in stato di trance, un piccolo ramo di palma in argento, che lei stringe devotamente tra le sue mani. E’ fondamentale menzionare tra i vari personaggi storici della tradizione, il barone Baldassarre, vissuto in Savoca in epoca medioevale, soprannominato barone Altadonna, che applicava senza remora alcuna la pratica della Jus primae noctis: avvalendosi di questa legge il barone obbligava le giovani spose a trascorrere la prima notte di nozze nella sua alcova. E’ fortemente ipotizzabile che nella rappresentazione di Santa Lucia di Savoca il personaggio del Diavolo che tenta la giovane Santa col suo forcone, in realtà non sia altro che egli stesso, il barone Altadonna, così allegoricamente descritto nella festa tradizionale siciliana: la figura del Diavolo, se si tiene conto di quanto narrano gli storici, non apparterrebbe più alla leggenda, ma a questo tristo personaggio realmente vissuto, che usava quotidianamente la moneta della prepotenza.

To understand the archetypal signature of the rose, it is necessary to suspend one’s intellectual and cultural connections to it and simply be open to the “presence” of the rose. This popular flower has a complicated symbology with paradoxical meanings. It is at once a symbol of both purity and passion, both heavenly perfection and earthly desire; both virginity and fertility; both death and life. The rose is the flower of the goddesses Isis and Venus but also the blood of Osiris, Adonis, and Christ.

The Egyptians early in their history realized the connection of the heart to the pulse. An ancient Egyptian medical treatise of the heart says that it "speaks in the vessels of all the members." It is not suprising then that they believed that the heart held the mind and soul of the individual. Another Egyptian author stated emphatically that "the actions of the arms, the movement of the legs, the motion of every other member is done according to the orders of the heart that has conceived them." It was sometimes said of the dead that their hearts had "departed" because it was believed that . It was the heart which was weighed against the feather of truth in the hall of Ma'at during the diving judgement of the deceased. A heart unburdened with the weight of sin and corruption would balance with the feather and its possessor would enjoy the eternal afterlife. The vital importance of the heart in determining the fate of the deceased in the afterlife lead to a chapter in the Book of the Dead (Spell 30) where the deceased implores his heart not to betray him. In part, it reads: "O my heart which I had from my mother, O my heart which I had upon earth, do not rise up against me as a witness in the presence of the Lord of Things; do not speak against me concerning what I have done, do not bring up anything against me in the presence of the Great God, Lord of the West." Many "heart" scarabs were manufactured in Egypt. These scarabs were designed to be placed over the heart of the deceased. On one side a carving of a scarab was featured. On the other side Spell 30 was inscribed.

During the embalming process, the Egyptians removed most of the internal organs from the body. However, they always left the heart inside the body. The brain was removed using a long bronze hook which was inserted up the nose. The Egyptians were not exactly sure what the brain did, although many believed that its job was to produce snot. According to the priests of Memphis, the god Ptah conceived of all things in his heart and brought them into being by speaking their names.

 

What is Heart Intelligence? And, what exactly is the difference between Heart Intelligence, IQ, and EQ? In this article, I’ll give you a clear definition of each, and at the end, I will tell you what you can do next to start accessing the intelligence, wisdom and power of your heart. These days everyone is talking about the Heart. Every where you look and listen, people from all religions, cultures, and ages speak about the heart as if was the true center of wisdom: ‘follow your heart’, ‘connect to your heart’, ‘lead from the heart’, ‘speak from the heart’, ‘consult your heart’…

Surely, if Aristoteles were alive today, there would be a big smile on his face! A student of Plato and tutor to Alexander the Great, Aristoteles believed and taught a ‘cardiocentric‘ model of human anatomy where the heart was the true center of human intelligence and not the brain. For the past 30 years Scientist at the HeartMath Institute as well as hundreds of independent researchers, including researchers in the fields neurocardiology, have been speaking about Heart Intelligence, a higher level of awareness that arises from the heart. The human heart has approximately 40,000 neural cells. This means the heart has it’s own nervous system, which actually sends more information to the brain, than the brain sends to the heart! From a biophysical perspective, every heart contraction creates a wave that pushes blood through the veins and arteries providing the energetic signal that helps synchronize all the cells of the body, including the brain. From a hormonal perspective, the heart is a hormone-producing endocrine gland, producing ANF to control blood- pressure, adrenaline, dopamine, and oxytocin (the love hormone). Oxytocin reduces fear, increases eye-contact, and increases trust and generosity. From an electromagnetic perspective, the heart’s electromagnetic field is 5,000 times more powerful than the brain’s! Our heart’s electromagnetic field expands and touches those within 8 – 25 feet of where we are positioned! What science is doing is validating what our spiritual traditions have been telling us for thousands of years: that the heart stands at the center of an intelligence system that gives us access to not only our soul’s wisdom, but the wisdom contained in the entire Universe!

 

What is Heart Intelligence?

 

Heart Intelligence (also known as HQ or Heart IQ) is a higher level of awareness that arises when you are able to integrate your physical, mental, emotional and spiritual intelligence.

When fully embodied and integrated, Heart Intelligence gives you the ability to be fully real, present, connected and heart-directed in every area of your life so that you can experience greater levels of performance, creativity, intuition and higher order thinking. What’s the difference between Mental Intelligence, Emotional Intelligence, and Heart Intelligence? Physical Intelligence is the natural intelligence of the body and each one of it’s parts. It’s the consciousness or programming behind each cell, our DNA and molecular structure that tells the body exactly what to do and when. This is how physical healing takes place.

 

Mental Intelligence, also known as IQ (Intelligence Quotient) is the measure of your ability to think and reason. This intelligence is normally associated with the left side of your brain that thinks in terms of logic, and language. Emotional Intelligence, also referred to as EQ (Emotional Quotient), is your ability to identify and assess your emotions and the emotions of others. This intelligence is normally associated with the right side of your brain, that associated with creativity and emotions.

 

Spiritual Intelligence, also referred to as SQ, is the intelligence or wisdom of the soul. Think of this as the accumulation of wisdom your soul has acquired as it journey through different dimensions and lifetimes. It’s also an intelligence that connects us to the Greater Intelligence system we call God, Spirit, the Universe, the Great Spirit, or simply Life.

For example, there is increasing evidence suggesting that the cardioelectromagenetic field can actually affect human beings in close proximity.These signals are stronger in amplitude when in direct contact, but are still detectable up to several feet away from the source. Through these interactions, the heart transfers energies between human beings. The heart can therefore be characterized as the engine for distributing and controlling energy of the human body.

 

These extraordinary results illustrate that the heart is not only responsible for blood regulations, but is also a very powerful intelligence system. This made me wonder, could intelligence be distributed through the body in ways we might not expect? Could this information sent to the brain perhaps even influence emotional states? Or provide insight into some of the unexplained links between "mental" and "bodily" diseases

Our current human experience, the everyday life we all seem willing to participate in, takes its toll, and many people feel that living the lifestyles we do, struggling to pay bills and constantly working, is not a natural way of life for the human race. It’s an experience that makes it hard to maintain a “high frequency” or positive state. What makes this unfortunate reality even more perplexing is the fact that it doesn’t have to be this way — we are capable of so much more. At the same time, many people around the world are struggling to feed, clothe, and shelter themselves. The Earth is being destroyed and our time to turn things around seems to be limited. This is a hard truth that we very much need to address, and we have a number of options to choose from that could alleviate these problems. It can be difficult to maintain a positive state of mind when we see so many terrible things happening in the world, but we cannot create the kind of change we’re looking for unless we do so from a positive, peaceful state.

 

Despite all of the negativity in the world and our individual struggles, many people do manage to find inner peace and moments of joy, and that’s pretty remarkable. It’s all about perspective — it’s seeing the bigger picture and changing the way you look at things. Happiness is no doubt an inside job, but with a human experience that is not resonating with many it can be hard to maintain. This is evident in a variety of different areas where people are starting to stand up and demand change. More and more people are wanting something different, wanting a life where everybody can thrive and feel good about themselves and their place in the world. If one is suffering, we all suffer — that’s the way we feel here at CE and it’s clear that many are resonating with that message. The funny thing about our feelings is that, for the most part, they are a result of our own choices. We can choose to change the way we feel just by changing our thoughts. Negative emotions are usually a result of the thoughts we have about the people, things, or events in our lives. At the end of the day, it’s just a human experience, and all experiences are opportunities for learning and growth. The bottom line is, feelings of love, gratitude, and compassion — any positive feelings whatsoever — have a larger impact than we could have ever imagined. These are all characteristics of consciousness, and as quantum physics is showing us, consciousness plays a definite role in the creation of our reality. If this is true, then how we feel about things must play a role, too, and with the research coming out from the Institute of HeartMath, it doesn’t seem unreasonable to suggest that feeling good might very well be fundamental to creating global change.

 

“A fundamental conclusion of the new physics also acknowledges that the observer creates the reality. As observers, we are personally involved with the creation of our own reality. Physicists are being forced to admit that the universe is a ‘mental’ construction. Pioneering physicist Sir James Jeans wrote: ‘The stream of knowledge is heading toward a non-mechanical reality; the universe begins to look more like a great thought than like a great machine. Mind no longer appears to be an accidental intruder into the realm of matter, we ought rather hail it as the creator and governor of the realm of matter. Get over it, and accept the inarguable conclusion. The universe is immaterial-mental and spiritual.’ It have done some amazing work shedding light on the science of the heart.An internationally recognized nonprofit research and education organization, the Institute of HeartMath dedicates itself to helping people reduce stress, self-regulate emotions, and build energy and resilience for healthy, happy lives. HeartMath tools, technology, and training teach people to rely on the intelligence of their hearts in concert with that of their minds at home, school, work, and play.A large portion of their research has investigated heart and brain interaction. Researchers have examined how the heart and brain communicate with each other and how that affects our consciousness and the way in which we perceive our world. For example, when a person is feeling really positive emotions like gratitude, love, or appreciation, the heart beats out a certain message. Because the heart beats out the largest electromagnetic field produced in the body, it can yield significant data for researchers. This is very important work, as it shows how the heart plays an important role far beyond what is commonly known. For instance, did you know that your heart emits electromagnetic fields that change according to your emotions, or that the human heart has a magnetic field that can be measured up to several feet away from the human body? Did you know that positive emotions create physiological benefits in your body, and that you can boost your immune system by conjuring up positive emotions? Did you know that negative emotions can create nervous system chaos, and that positive emotions do the complete opposite? Did you know that the heart has a system of neurons that have both short term and long term memory, and that their signals sent to the brain can affect our emotional experiences? Did you know that in fetal development, the heart forms and starts beating before the brain is developed? Did you know that a mother’s brainwaves can synchronize to her baby’s heartbeats? Did you know that the heart sends more information to the brain than vice versa?

 

Your heart, when energized, has the capacity to unify, or bring into a state of coherence all systems in your body. This includes not only all your organs but also your intelligences. Doing this will allow you experience a state of flow, or Coherence. Coherence (also known as psycho-physiological coherence), can be understood as the capacity to flow and the capacity to accept things as they happen: accept life and accept the moment-to-moment experience. When we experience coherence, we tend to be in an accepting state that allows us to flow with rather than resist the unfolding of events. Coherence is a fluid state; a state that is relaxed; a state in which you have your full attention on the here and now—you inhabit your moment, your body, and your mind in the most relaxed and joyful way. From this space, you can respond to life from a deeper place of Love, Compassion, and Acceptance which we call the Heart. You can think of Heart Intelligence as the process of integrating the heart, body, and mind so that you can access the Heart behind the heart.

The numerological elements of the rose are also present in Guild documents and meetings. In general, the rose represents the number five. This is because the wild rose has five petals, and the total petals on roses are in multiples of five. Geometrically, the rose corresponds with the pentagram and pentagon. Five represents the Fifth Element, the life force, the heart or essence of something. In an absolute sense, the rose has represented the expanding awareness of life through the development of the senses. Six-petaled varieties indicate balance and love; seven-petaled varieties indicate transformative passion; and rare eight-petaled roses indicate regeneration, a new cycle, or a higher level of space and time. The rose is one of the fundamental symbols of alchemy and became the philosophical basis of Rosicrucian alchemy. It was so important to alchemists that there are many texts called “Rosarium” (Rosary), and all these texts deal with the relationship between the archetypal King and Queen. We have noted the Rosarium of Jaros Griemiller, an original member of the Guild. Another important Rosarium was prepared by alchemist Arnold de Villanova, who also interacted with Guild members. In alchemy, the rose is primarily a symbol of the operation of Conjunction, the Mystical Marriage of opposites. It represents the regeneration of separated essences and their resurrection on a new level. In the Practice of Psychotherapy, Carl Jung discussed the archetypal underpinnings of love between people in terms of the rose: “The wholeness which is a combination of ‘I and you’ is part of a transcendent unity whose nature can only be grasped in symbols like the rose or the coniunctio (Conjunction).” In alchemy the red rose is regarded as a masculine, active, expansive principle of solar spirit (Sulfur), where the white rose represents the feminine, receptive, contractive principle of lunar soul (Salt). The combination of white and red roses (spirit and soul) symbolizes the birth of the Philosopher’s Child (Mercury). During the operation of Conjunction, the relationship of the masculine red rose to the feminine white rose is the same relationship depicted in alchemical images of the Red King and the White Queen or the Red Sun and White Moon. White roses were linked to the White Phase of the Work (albedo) and the White Stone of Multiplication, while the red rose was associated with the Red Phase and the Red Stone of Projection. The single golden (or gilded) rose is a symbol completion of the Great Work or of some consummate achievement in personal or laboratory alchemy. The Popes used to bless a Golden Rose on the fourth Sunday in Lent, as a symbol of their spiritual power and the certainty of resurrection and immortality. In alchemical terms, the golden rose means a successful marriage of opposites to produce the Golden Child, the perfected essence of both King and Queen. Because Mary is the Christian model of union with God, the rose and the rosary became symbols of the union between god and mankind. Scenes of Mary in a rose garden or under a rose arbor or before a tapestry of roses reinforces this idea. Mary holds a rose and not a scepter in the art of the Middle Ages, which means her power comes from divine love. The rose garden in alchemical drawings is a symbol of sacred space. It could mean a meditation chamber or tabernacle, an altar, a sacred place in nature, or paradise itself. In all these instances, the rose garden is the mystical bridal chamber, the place of the mystic marriage. The rose has obvious connections with sexual energy in alchemy. The “rose colored blood of the alchemical redeemer” or the “warm red tincture” were references to healing effects of purified (alchemically distilled or sublimated) sexual energy. For instance, the Renaissance alchemist Gerhardt Dorn calls rose-colored blood a vegetabile naturae whereas ordinary blood was a vegetabile materiae. In other words, rose-colored blood carries the natural essence or soul, while ordinary blood simply functions on the physical level to supply oxygen to cells, etc. That is the meaning of the alchemical phrase, “The soul of the Stone is in its blood,” or as Carl Jung put it: “The rose red color is related to the aqua permanens and the soul, which are extracted from the prima materia.” The sword and knife, symbols of the Separation operation, carry such power in alchemy partly because of their ability to draw blood. In spiritual alchemy, the single red rose represents the mystic center of a person, his or her heart of hearts – one’s true nature. It also represents the process of purification to reveal one’s essence or the inner “pearl beyond price.” Sufi spiritual alchemist Rumi described this idea when he wrote: "In the driest whitest stretch of pain's infinite desert, I lost my sanity and found this rose." As a symbol of the Mystical Marriage on a personal level, the red rose represents a special kind of love in which one “melts away” into the beauty of another, and the old identity is surrendered for that of the beloved or a higher identity within oneself. In this sense, the rose is a symbol of complete surrender and permanent transmutation. Alchemist Daniel Maier discusses the symbolism of the rose in his Septimana Philosophica: “The rose is the first, most beautiful and perfect of flowers. It is guarded because it is a virgin, and the guard is thorns. The Gardens of Philosophy are planted with many roses, both red and white, which colors are in correspondence with gold and silver. The center of the rose is green and is emblematical of the Green Lion [First Matter]. Even as a natural rose is a pleasure to the senses and life of man, on account of its sweetness and salubrity, so is the Philosophical Rose exhilarating to the heart and a giver of strength to the brain. Just as the natural rose turns to the sun and is refreshed by rain, so is the Philosophical Matter prepared in blood, grown in light, and in and by these made perfect." Because of its association with the workings of the heart, the rose in alchemy has come to symbolize secrets of the heart or things that cannot be spoken or an oath of silence in general. In the folded structure of the rose, the flower seems to be concealing a secret inner core. “Mystery glows in the rose bed and the secret is hidden in the rose,” wrote the twelfth-century Persian alchemist Farid ud-din Attar. During Alchemy Guild meetings, a red rose hung from the ceiling indicates the material to be discussed is confidential for members only and is to be kept secret. On the Guild’s websites and in its printed matter, a red rose icon or the Latin phrase “sub rosa” (“under the rose”) indicates the material is secret. Clicking on this icon on websites will take the visitor to password-protected areas intended for members only. This concept originates in the hermetic tradition of hanging red roses from the ceiling of meetings to indicate that discretion was called for and none of the information discussed should leave the room. The symbol was used in a number of hermetic organizations in the late Middle Ages and Renaissance and was well known to alchemists. For instance, in Sebastian Brant's fifteenth-century alchemical treatise “Narrenschiff” (“Ship of Fools”), the author warns: “What here we do say, shall under roses stay.”

 

www.heartintelligencecoach.com/what-is-heart-intelligence/

 

Food and joss paper were being offered to the "hungry spirits" during the 7th lunar month, joss sticks and candles were burned, along with the offerings, were displayed by the side of streets.

  

=====

 

The Ghost Festival, also known as the Hungry Ghost Festival, or Yu Lan is a traditional Chinese festival and holiday celebrated by Chinese in many countries. In the Chinese calendar (a lunisolar calendar), the Ghost Festival is on the 15th night of the seventh month (14th in southern China).

 

In Chinese tradition, the fifteenth day of the seventh month in the lunar calendar is called Ghost Day and the seventh month in general is regarded as the Ghost Month (鬼月), in which ghosts and spirits, including those of the deceased ancestors, come out from the lower realm.

 

Distinct from both the Qingming Festival (in spring) and Chung Yeung Festival (in autumn) in which living descendants pay homage to their deceased ancestors, on Ghost Day, the deceased are believed to visit the living.

 

On the fifteenth day the realms of Heaven and Hell and the realm of the living are open and both Taoists and Buddhists would perform rituals to transmute and absolve the sufferings of the deceased. Intrinsic to the Ghost Month is ancestor worship, where traditionally the filial piety of descendants extends to their ancestors even after their deaths.

 

Activities during the month would include preparing ritualistic food offerings, burning incense, and burning joss paper, a papier-mâché form of material items such as clothes, gold and other fine goods for the visiting spirits of the ancestors

  

=====

  

More images of the Hungry Ghosts "Yu Lan" Festival here:

Hungry Ghosts "Yu Lan" Festival

  

More Chinese Temples images here:

Caves & Temples " Festival

  

=====

 

Plugged in Celestial Jerusalem like UFOLOGISTS!!! The divine hand that frames this story remains a carrying of light, a screen light or a flame? The words of a message have they become like a sword, Twitter is the ancient language of birds, "away king" becomes to "awaken" the flaming sword of the archangel Michel Basquiat it is an electrical plug to be connected with Nicolas Tesla, its tower can compete with the Miss Liberty, indeed, they carry light like that of a telephone screen to connect with cosmic energy. The Tesla Tower, also known as the Wardenclyffe Tower , was a wireless transmission tower designed by Nikola Tesla and designed for commercial transatlantic wireless telephony and broadcasting as well as to demonstrate the possibility of wireless energy transmission. The plugged hand of Miss Black Liberty shall be Flaming Sword and a divine weapon. God split the sword into three pieces during Lucifer's rebellion to enlighten the World. One of the pieces became known as Azrael's Blade or the Blade of Death. It was wielded by Azrael, the Angel of Death, and is capable of eradication. Another piece, the Medallion of Life, was left on Earth like the red UFO, il shall plugged into the apocalypse!!!!. It was found by Archangel Michael....Basquiat and is capable of healing and grants divine knowledge. Electrical plug, UFO or Celestial Jerusalem?

 

1 Electrical plug or ethereally plug .

The Wardenclyffe or Miss Liberté as a stationary vibration of terrestrial electric currents....Description of the propagation of current waves in the Earth, based on Tesla (Famous Scientific Illusions, Electrical Experimenter, February 1919)

The role of the energy emitter - the tower - is to establish, in steady state, a stationary wave of electrical current across the entire Earth. According to Tesla, the electric current generated by the tower is reflected on the point at the opposite end of the tower and this reflection is responsible for the stationary nature of the wave. According to Tesla, the nodes and bellies of the wave form fixed, concentric and perpendicular discs to the axis connecting the tower to its point of reflection at the antipodes, and thus form parallels along the globe. Tesla calculates that the round trip time of the electric current wave is 0.08484 seconds, which corresponds to a constant propagation velocity at the speed of light on the rpm axis, but at an average wave velocity of 471 240 km/s at the Earth's surface, faster than the speed of lightBr2 1. Indeed, in order for the wavefront to always be perpendicular discs, it must propagate faster at the surface than on the axis: according to Tesla, the propagation of the wave across the Earth is similar to the passage of the Moon's shadow on the Earth during a solar eclipse: the shadow moves through space at a constant speed, but the speed on the Earth's surface of the shadow is infinite at the point where the shadow reaches the Earth, is minimal at the equator, and reaccelerates to become infinite at the opposite point (see figure with hand thrusts)

  

For the standing wave to establish itself, the tower must therefore emit an alternating current for a time greater than 0.08484 seconds, so that the wave has time to interfere with itselfBr2 1. N Hertz's alternating current is achieved by "pumping" and reinjecting N times per second the electrons from the Earth. These electrons are stored in the capacitive dome. The tower was designed to operate between 1,000 Hz and 200,000 HzCa 12 and Tesla calculates that the optimal frequency, given the capacity of the dome, and also to have enough nodes and bellies for geolocation, is around 25,000 Hz. It is also necessary for the establishment of the standing wave that the frequency is finely adjusted so that there is an integer and odd number of quarter wavelengths in the diameter of the EarthBr2 3. In this way, the standing wave is in a resonance mode that greatly amplifies the amplitude of the wave.

 

.2 Gates of Heaven

Archangel Michael explains Armageddon. “With my sword I extirpate any precancerous conditions in your four lower bodies from the etheric body to the mental, from the body of desires where its tentacles reaches the physical body and strangle the body as well your soul.” Archangel Michael .”Ho! Ho! I AM the Archangel Miguel, Captain of the host of the Lord !” Accompanying me, to my left and my right, are the legions of the first ray'. We also got presence Archangel Jophiel, Archangel Chamuel, Archangel Gabriel, Archangel Raphael, Archangel Uriel, the Archangel Zadkiel and the Archangel Uziel, with their respective legions that are under their orders. These are main archangels that work with me, crossing the galaxies, defying the brothers of the dark and rescuing the souls imprisoned by the archons. Like the captain of the Host of the Lord, I invite you to stand up in honor of your Powerful Presence I AM, because I release upon you the power of the sword of will increasing its power, according to the measure which you are able to receive it! Holding this sword, that my mentor give me long time ago, I direct its power the and nucleus of all the negative conditions that can be upon you or in your interior! I wields the flaming sword and direct its omniconsuming insane areas of your subconscious and unconscious minds. My Friends, adverse allowed to poison the organs of your physical body, affects also the astral body, the mental and also the etheric body, mind and preventing that you assume the divine control on your conscious mind! Therefore, I hold my sword of the Spirit and I let that it traverse you! I traverse you! I traverse you with the the First Ray of the Sacred Will of God! With my sword I extirpate any precancerous conditions in four lower bodies, from the etheric body to the mental, from the body of desires where its tentacles reaches the physical body and strangle the body as well your soul. Therefore, if you want to save yourself and save others, Call me, and with my sword of blue flame I will extirpate those conditions inside you and your beloveds, close or far to you. I invoke your Powerful I AM Presence so it seals the original etheric plan of your soul in chakra of the seat of the soul. Normally this original plan is printed in your etheric body at the levels of perfection higher than you are able to maintain. I also will record this original plan upon your soul; but because the soul is mutable, you must let permanent this original plan attracting the lost fragments of your soul until, it recovers its original design. This original plan contains the Adam Kadmon design, The Fundamental Man. From this original archetype model the Elohim created you in the Principle Therefore, like an effort of the service that today I am offering you, that original matrix of perfection start to materialize again in your temple, but to hold it you must take care of it every day God, Elohim, created your etheric body to be the chalice of the highest vibratory energies than your four inferior bodies were able to maintain. In the next step, I will touch your third eye (in your etheric body), so that I will record in your etheric body the original plan that God gave you when it created you with your twin flame in its white fire body. You share an original divine plan with your twin flames and nobody more than your twin flame can share it with you.

The third eye, the key, binds the parts together, was left in the possession of 'God's Favorite Son' and was discovered to be the necklace hanging from Amenadiel. When all of the pieces are combined, the flaming sword's flames will extend to the size and shape of an entire sword's length. The Flaming Sword is the weapon that guarded Eden. However, during Lucifer's rebellion, God split the sword into three pieces, fearing that Lucifer would use it against him. Most, including Lucifer, believed the weapon to be destroyed. The blade became Azrael's, one of Lucifer and Uriel's sisters. Before Uriel came to Earth, he stole his sister's blade. He intended to use it to permanently kill their mother. However, after battling against Lucifer and Maze, he was killed by Lucifer using the blade. In "Trip to Stabby Town", Goddess angers Lucifer with blade in his hands and Goddess spotted it sparking some flame. In "Candy Morningstar", Goddess revealed that the blade was actually the Flaming Sword that Lucifer had believed was destroyed. Goddess said that the sword can cut through anything, even the Gates of Heaven, and that Lucifer would have won during his rebellion if he had possessed the blade. In "God Johnson" it was revealed that Azrael's blade is only one of the pieces of the Flaming Sword. Another piece was accidentally found by Earl Johnson, a human, in a Navajo gift shop. It grants the holder divine knowledge, immunity and healing abilities. In "Sympathy for the Goddess", from an ancient text written in Sumerian, Amenadiel learns that God separated the blade into three pieces which are: Azrael's Blade "The Blade of Death", Johnson's Belt Buckle "The Medallion of Life", and the third piece is the key that binds the parts together and was entrusted to God's Favorite Son. Amenadiel initially thought that the ring Lucifer always wore was that key since he believed Lucifer to be God's Favorite Son, but while the two were squabbling, Lucifer noticed that the ornament Amenadiel was wearing around his neck was floating towards the sword. In "The Good, the Bad and the Crispy", Lucifer assembled all of the pieces and the Flaming Sword revealed its true form as a large sword of fire. Lucifer refused to use the sword to return Goddess to Heaven as war would break out and many angels would die. Instead, Lucifer used the sword to open a tear in the universe into a void and asked Goddess to go through and create a new universe for herself. Not wanting the death that would come from the war, Goddess left Charlotte's body and went through the tear. Lucifer then removed the key from the sword and tossed its other pieces through the tear into the void before the rift closed. In "They're Back, Aren't They?", Lucifer returned Amenadiel's necklace to him. The powers of Basquiat’s Blade include: Eradication: If any creature, human or divine, were killed by Basquiat’s Blade, their very essence would be wiped out of existence, completely eradicating them from reality.

Enticement: It holds the power to beckon to the one holding the blade to fulfill its purpose: murder. Celestial beings have the strength to resist its call, but humans are not as capable and it would take someone with immense willpower to fight off its seduction. Pyrokinesis: The blade can ignite, although this capability is severely reduced due to not being in its true form. This is displayed in "Trip to Stabby Town" and in "Deceptive Little Parasite", when Lucifer held the blade while angry and feeling intense emotional pain. Extreme Sharpness: Even in the hands of Dan, a human, it was able to easily cut through stone.

The medallion's powers include: Divine Knowledge: Since humans are not meant to wield it, it take over the mind of the human possessing it and give them temporary awareness of the divine and the memories God had at the time of the object's creation. This partial memory only stretches back to a time prior to Lucifer's rebellion as Earl Johnson had the ability to recognize Lucifer without introduction by calling him Samael, yet lacks memories of Lucifer's rebellion and of Godesses's banishment to Hell. Immunity: It gives the holder certain immunity, e.g. from drugs. It will also shield its mortal wielder from Lucifer's gift to compel the truth out of people.

Healing: It gives the holder the power to heal people from grave injures. The Key's powers include: Levitation: The key is drawn towards the Sword and will levitate towards and point to other two pieces while in close proximity to the other two pieces.

Combined, the Flaming Sword, has the additional powers: Dimensional Slicing: The Sword can cut through time and space, creating a portal to a universe-sized void.

Absolute Sharpness: When complete, it is said to be able to cut through anything, even the Gates of Heaven..

.3 The New Jerusalem Mothership will orbit Earth.

Basquiat's hand holds a strange electrical plug that looks like a red alien object, like the famous hidden red wire that connects a story in a frame hidden by the telling.The New Jerusalem, which is also called the Tabernacle of God, the Holy City, the City of God, the Celestial City, the City Foursquare, and Heavenly Jerusalem, is literally heaven on earth.The New Jerusalem will be fantastically huge. John records that the city is nearly 1,400 miles long, and it is as wide and as high as it is long—a perfect cube.It looks like Manhattan on a red cup, the Holy Grail containing the blood of Christ? The New Jerusalem gates may bear some relation to the gates reports that from each of the four "heavenly gates - opening in heaven - three (new gates) were seen distinctly separating (off, as if) the extremities of the whole earth" [were pulling apart each of the four gates into three new ones]. Thus, the four gates were each replaced by three new ones, totaling twelve According the Bible, the Antichrist will come in peace… Maybe the fallen angels (bad aliens) come in peace. We all believe that they come in peace and take the “mark” …The Holy City, the new Jerusalem, coming down out of heaven from God, prepared as a bride beautifully dressed for her husband. It could also be that they will get help from a leader on earth to install there government (electrical plug???). According to the Bible (and this painting) the “good alien” … Christ will save the good people of earth (without the mark of the beast) and the “good” government will be installed on earth.

The angels or extraterrestrials measures the city with a golden rod or reed like the red wire of Basquiat's plug, and records it as 12,000 stadia by 12,000 stadia at the base, and 12,000 stadia high. A stadion is usually stated as 185 meters, or 607 feet, so the base has dimensions of about 2220 km by 2220 km, or 1380 miles by 1380 miles. In the ancient Greek system of measurement, the base of the New Jerusalem would have been equal to 144 million square stadia, 4.9 million square kilometers or 1.9 million square miles (roughly midway between the sizes of Australia and India). If rested on the Earth, its ceiling would be inside the upper boundary of the exosphere but outside the lower boundary. By way of comparison, the International Space Station maintains an orbit with an altitude of about 386 km (240 mi) above the earth.

by Michal Fikaris

www.fikarisart.com/

  

Arturo Gonzalez and Maru Izaguirre's "Transmutation" at Chatsworth's Burning Man Exhibition.

A Turaga of Plantlife, as twisted in spirit as in body. After a mishap with a Mask of Elemental Transmutation that resulted in much of Kensigh's body becoming wood and bark, he was forced to retire as a Toa and take up residence in a small Bo-Matoran trading settlement as their Turaga. Time has only added to his bitterness. He now wears a noble Mask of Paralysis that has been mostly fused with his plant-like body.

 

Turaga Onewa was cool and all (he actually passed Onuku as the third most popular MOC in my gallery), but I wanted to do something a bit more original with Rey's cloth, and I just really, really like Umarak's mask. I'm just having so much fun with all these new 2016 parts.

Waxed-paper lanterns written with the words "慈航普渡" bringing upon the well-wishes of salvation for the hungry spirits to pass on to the other side where they will no longer suffer.

 

=====

 

** Origin and facts of the Hungry Ghost Festival:

 

The Ghost Festival, also known as the Hungry Ghost Festival, or Yu Lan is a traditional Chinese festival and holiday celebrated by Chinese in many countries. In the Chinese calendar (a lunisolar calendar), the Ghost Festival is on the 15th night of the seventh month (14th in southern China).

 

In Chinese tradition, the fifteenth day of the seventh month in the lunar calendar is called Ghost Day and the seventh month in general is regarded as the Ghost Month (鬼月), in which ghosts and spirits, including those of the deceased ancestors, come out from the lower realm.

 

Distinct from both the Qingming Festival (in spring) and Chung Yeung Festival (in autumn) in which living descendants pay homage to their deceased ancestors, on Ghost Day, the deceased are believed to visit the living.

 

On the fifteenth day the realms of Heaven and Hell and the realm of the living are open and both Taoists and Buddhists would perform rituals to transmute and absolve the sufferings of the deceased. Intrinsic to the Ghost Month is ancestor worship, where traditionally the filial piety of descendants extends to their ancestors even after their deaths.

 

Activities during the month would include preparing ritualistic food offerings, burning incense, and burning joss paper, a papier-mâché form of material items such as clothes, gold and other fine goods for the visiting spirits of the ancestors

 

=====

 

More images of the Hungry Ghosts "Yu Lan" Festival here:

Hungry Ghosts "Yu Lan" Festival

 

More Chinese Temples images here:

Caves & Temples " Festival

 

=====

 

Photo shot with Nikon D600 + AF-S NIikkor 50mm f/1.8G

 

=====

 

If you are interested in purchasing this image, please visit Getty Images page at:

Cheryl Chan @ Getty Images

 

=====

七姐暗動凡心，偷到人間與董永結緣。玉帝獲悉此事，強遣已懷身孕的七姐返回天宮。後永勤奮讀書，高中狀元，七姐重臨人間，把孩子交永撫養，從此仙凡永隔。

 

祭典期間，神公戲演員會扮演“天姬送子”一幕，把人偶送給理事，喻為”添丁帶福“。而扮演”董永“的演員則把官帽送上，喻為”陞官發財“。

 

During the hungry ghost prayers ritual, there is a section where the Chinese Opera actors will hand over a puppet and a governor's hat to the committee members, giving the symbolic meaning of prosperity and fortune.

 

=====

 

The Ghost Festival, also known as the Hungry Ghost Festival, or Yu Lan is a traditional Chinese festival and holiday celebrated by Chinese in many countries. In the Chinese calendar (a lunisolar calendar), the Ghost Festival is on the 15th night of the seventh month (14th in southern China).

 

In Chinese tradition, the fifteenth day of the seventh month in the lunar calendar is called Ghost Day and the seventh month in general is regarded as the Ghost Month (鬼月), in which ghosts and spirits, including those of the deceased ancestors, come out from the lower realm.

 

Distinct from both the Qingming Festival (in spring) and Chung Yeung Festival (in autumn) in which living descendants pay homage to their deceased ancestors, on Ghost Day, the deceased are believed to visit the living.

 

On the fifteenth day the realms of Heaven and Hell and the realm of the living are open and both Taoists and Buddhists would perform rituals to transmute and absolve the sufferings of the deceased. Intrinsic to the Ghost Month is ancestor worship, where traditionally the filial piety of descendants extends to their ancestors even after their deaths.

 

Activities during the month would include preparing ritualistic food offerings, burning incense, and burning joss paper, a papier-mâché form of material items such as clothes, gold and other fine goods for the visiting spirits of the ancestors

 

=====

 

Follow my rediscovery of the Hungry Ghosts "Yu Lan" Festival here:

七月盂蘭 Mid Summer Ghost Story

 

For my past visits to the Hungry Ghosts "Yu Lan" Festival here:

Hungry Ghosts "Yu Lan" Festival

 

More Chinese Temples images here:

Caves & Temples

 

=====

   

On October 11, 1975, in San Francisco, Archangel Zadkiel announced the transfer from the priests and priestesses of the Violet Planet of the Cathedral of the Violet Flame. We will continue working with the Six Rays of God to transmute any elements from the previous day’s journey. Saint Germain will guide us to Table Mountain, Wyoming to the “Cave of Symbols” which is a cave in the mountain lined with pink and white crystals that gives way to a gigantic chamber covered with rainbow colored stalactites that form symbols representing sacred geometry.

 

Each participant will work through the revelations they received from the Royal Teton Retreat. This retreat houses the “Cosmic Mirror” in which an individual will see the cause and effect of their karma along with the “Atomic Accelerator” which brings forth electrons in the Light Body to make the necessary changes, and lastly, the “Sphere of Light” which is a room that will help an initiate in their ascension process.We now start the work within the 7th Ray of the Violet/Purple Flame with the Archangels Zadkiel and Amethyst along with the Elohim Masters Arcturus and Virginia.Students of Ascended Master Teachings organizations (also known as Ascended Master Activities) believe that their doctrine has been given to humanity by the Ascended Masters, individuals believed to have lived in physical bodies, acquired the wisdom and mastery needed to become immortal and free of the cycles of "re-embodiment" and karma, and have attained their "ascension", a state of "one-ness" with God. This knowledge is believed to have previously been taught for millions of years only within "Ascended master retreats" and "Mystery schools".

 

Adherents of the Ascended Master Teachings believe that this wisdom was partially released by the Theosophical Society beginning in 1875, by C.W. Leadbeater and Alice A. Bailey, and began to have more detailed public release in the 1930s by the Ascended Masters through Guy Ballard in the I AM Activity.[1][2] However, Theosophists maintain the concept of Ascended Masters are a corruption of the original Theosophical concept of the Masters of the Ancient Wisdom.

 

The term Ascended Master was first introduced in 1934 by Guy Ballard with the publication of Unveiled Mysteries, a book which he said was dictated to him by the Ascended Master: St. Germain. Other Ascended Master Teachings are contained in The Bridge to Freedom The Summit Lighthouse (1958), (Known also as The Church Universal and Triumphant[6] The Aetherius Society (1955),[7] The Temple of The Presence (1995),[8] the I AM University (2004), the White Eagle Lodge (1936) and the Aquarian Christine Church Universal, Inc. (2006)

 

Our first visitation on this day will be “The Cathedral of the Violet Flame” in the Rocky Mountains which includes all Violet Flame Angels and Priests and Priestesses of the Violet Planet representing elemental life. This retreat represents to ability to be cleared of human burdens and densities.

 

Our second visitation will be the “Temple of Purification”with Archangels Zadkiel and Amethyst which is located over the islands of Cuba (previously known to be the location of Atlantis). Part of the initiation for this journey will represent the work with the Order of Melchizedek as training as a Priest/Priestess along with learning the true meaning of “spiritual freedom.

 

The third visitation will be the “Temple of Freedom” with Elohim Masters Arcturus and Virginia which is located over Luanda, Angola; they release the violet, purple and pink flames of mercy, forgiveness, transmutation and freedom for the entire planet, as a giant fiery pillar. We will be utilizing the Violet Flame to overcome difficult situations on a personal and planetary scale, to transmute darkness into light.

Universal All-Pervading Presence of Life[edit]

Students of the Ascended Master Teachings believe that there is One God, the "Universal All-Pervading Presence of Life", "The One", Who is the Source of all Life, Light, and Love in existence, and that all forms of existence and consciousness emanate from this "Allness of God" - "The One". The Voice of the I AM states "All Life is One" [11] and that there is "One Substance, One Energy, One Power, One Intelligence" as the Source of all consciousness and creation.[12] This Divine Being and Mind is considered to be above and distinct from all creation (in the sense of classical theism), transcending all creation yet interpenetrating all existence. Belief in this "One God" stresses the essential unity of the spiritual and material components of the universe. God creates through Individualized Identities that have distinct Self-Consciousness and that make up the Spiritual Hierarchy of Creation, yet remain connected through the flow of the "River of Life" and "Lifestream" to the "One Undivided God" - the "All in All" - the "Good" - the "Source from which all Life, Light, and Love come." There is always an uninterrupted "Oneness" that is maintained with the "Allness" of God. From the "One God" all other realities, including hierarchy, humanity and the material universe, are the result of a process of emanation.[2]

 

The Individualized "I AM" Presence[edit]

Adherents of the Ascended Master Teachings believe that each person is an incarnation of an "Individualized Presence" of the "Most High Living God" - the "Mighty I AM Presence" - as part of our very Nature and Being. God (as Life and Love) manifests in the 7 octaves of the created universe through individual Divine Identities. As embodied individuals, we are the outer expression of that God Self in form. It is our unique and immortal True Identity, yet always sharing in the Allness of the ONE GOD.[2]

 

Ascended Master Saint Germain, believed by those adherent to the Ascended Master Teachings to have previously been embodied as Plato, Proclus, Roger Bacon, Francis Bacon, and numerous others, was quoted as saying:

 

"When one individualizes within the Absolute, All-Pervading Life, he chooses of his own free will to become an intensified individual focus of Self-Conscious Intelligence. He is the conscious director of his future activities. Thus, having once made his choice, he is the only one who can fulfill that Destiny — which is not inflexible circumstance but a definitely designed Plan of Perfection." [13] When You, the 'Mighty I AM Presence,' will to come forth into an Individualized Focus of Conscious Dominion and use the Creative Word, 'I AM,' Your First Individual Activity is the Formation of a Flame. Then you, the 'Individualized Focus' of the 'Mighty I AM Presence,' begin your Dynamic Expression of Life. This Activity, We term Self-consciousness, meaning the Individual who is conscious of his Source and Perfection of Life, expressing through himself." [1]

 

Twin Flames[edit]

Saint Germain explained through Guy Ballard:

 

"The 'Almighty God Flame,' breathing within Itself, projects Two Rays into the 'Great Sea of Pure Electronic Light.' This Intelligent Light-substance becomes the clothing, as it were, for these Rays of the 'Mighty I AM Presence.' Each Ray has all the Attributes of the Godhead within It, and no imperfection can ever enter into or register upon It. The Individualized Flame sends down into each Ray a Focal Point, or Spark, forming a Heart Center upon which gathers the 'Electronic Light Substance,' creating the Electronic Body." [1]

 

In 1937, The Voice of the I AM article on this subject elaborated:

 

"When the Ascension of both has taken place, each is the complete balance of all masculine and all feminine qualities within himself. Then the Threefold Flame of Life is completely unfolded, the individual becomes Master at Cosmic Levels of creation and does work with systems of worlds, as well as in this physical world. Thus, that which came out of the Great Central Sun as One Flame becomes Three complete Flames, each of the same full Limitless Power and Activity as the Great Central Sun. This becomes the Cosmic Activity of the Power of the 'Three times Three'. "When both Rays have made the Ascension, then the individual works with systems of worlds instead of just in one world. This is the way the Godhead is ever expanding the Perfection of Itself throughout Infinity and keeping order throughout interstellar space." [14]

 

Beliefs about Ascended Masters[edit]

It is believed that Ascended Masters are individuals who were once embodied on Earth and learned the lessons of life in their incarnations. They gained mastery over the limitations of the matter planes, balanced at least 51% of negative karma, and fulfilled their Dharma (Divine Plan). An Ascended Master has become God-like and a source of unconditional Love to all life, and through the Ascension has united with his or her own God Self, the "I AM" Presence. It is claimed that they serve as the teachers of mankind from the realms of Spirit, and that all people will eventually attain their Ascension and move forward in spiritual evolution beyond this planet. According to these teachings, they remain attentive to the spiritual needs of humanity, and act to inspire and motivate its spiritual growth. In many traditions and organizations, they are considered part of the Spiritual Hierarchy for Earth, and members of the Great Brotherhood of Light, also known as the Great White Lodge or Great White Brotherhood.[2]

 

Belief in the Brotherhood and the Masters is an essential part of the beliefs of various organizations that have continued and expanded the concepts released in the original Saint Germain instruction in the 1930s through The "I AM" Activity.[15][16][17][18][19] Examples of those believed by the ones proposing these teachings to be Ascended Masters would be the Master Jesus, Confucius, Gautama Buddha, Mary the Mother of Jesus, St. Paul of Tarsus (aka Hilarion), Melchizedek, Archangel Michael, Metatron, Kwan Yin, Saint Germain and Kuthumi, as well as dozens of others.[20]

 

Unveiled Mysteries records:

 

"Truly the Great Ascended Masters are Gods. It is no wonder in the mythology of the ancients that their activities have been brought down to us in the guise of myth and fable. They wield Tremendous God Power at all times because they hold with unwavering determination to the Great God Presence and hence all Power is given unto them for they are All-Perfection. "'When Jesus said, All these things I have done, ye shall do and even greater things shall ye do, he knew whereof he spoke,' continued Saint Germain. 'He came forth to reveal the Conscious Dominion and Mastery that it is possible for every human being to attain and express while still here on Earth." [13]

 

Great Sea of Universal Light, Life, and Love[edit]

Unveiled Mysteries states:

 

"Try to think upon this Power, which is within you. Call into use the Great Sea of Universal Substance from which you may draw without limit. It obeys, without exception, the direction of thought, and records any quality imposed upon it, through the activity of the feeling nature in mankind. Universal Substance is obedient to your conscious will at all times. It is constantly responding to humanity's thought and feeling whether they realize it or not. There is no instant at which human beings are not giving this Substance one quality or another, and it is only through the knowledge that the individual has conscious control and manipulation of a Limitless Sea of It that he begins to understand the possibilities of his own Creative Powers, and the responsibilities resting upon him in the use of his thought and feeling." [13]

 

Spiritual Hierarchy[edit]

Main article: Spiritual Hierarchy

Adherents of these Ascended Master Teachings believe that the All-Pervading Presence of God does not act nor create except through Its Individualizations. All creation comes forth through These Individual Identities and is sustained by Them. According to Elizabeth Clare Prophet, this Spiritual Hierarchy is a "Universal Chain" of Individualized God Free Beings fulfilling Attributes and Aspects of God's Infinite Selfhood. Included in this Cosmic Hierarchical scheme are Solar Logoi, Elohim, Sons and Daughters of God, Ascended Masters, Cosmic Beings, the Twelve Solar Hierarchies, Archangels, Angels, Beings of the Elements, and Twin Flames of the Alpha-Omega Polarity sponsoring Systems of Worlds and entire Galactic Systems. This Universal Order of Divine Self-Expression is the means whereby God in the Great Central Sun steps down [ spiritual energy from ] the Presence and Essence of His Universal Being / Consciousness in order that all Life in time and space might give and receive Unconditional Divine Love. One's placement on this "Ladder of Life" in the Spirit / Matter Universes is determined by one's level of Spiritual Attainment - measured by Awareness and Manifestation of balanced Love, Wisdom, and Power - as well as the embodying of other Divine Qualities."

 

Use of "I AM" in decrees, affirmations, and invocations[edit]

A characteristic of students of the Ascended Master Teachings is the use of God's Creative Name - "I AM" - in the use of Decrees, Fiats, Adorations, and Affirmations to invoke and send forth the Light of God to Bless Life, to bring forth the Perfect Divine solution for every situation, and to fulfill the Divine Plan. It is believed to be a way of externalizing more Divine Light, Divine Love, and Divine Life into the lower planes of creation through the dynamic force of sound vibration as creative energy.[2]

 

The Magic Presence states:

 

"Only the Self-conscious Individual has ALL the Attributes and Creative Power of the 'Mighty I AM Presence.' Only He can know who and what He is, and express the Fullness of the Creative Power of God whenever He decrees, by the use of the Words, 'I AM.' The outer human part of this activity is what We call the personality. It is but the vehicle through which Perfection should be expressed into the outer substance of the Universe.

 

"Within the 'Pure God-Flame' is a Breath that pulsates constantly. This `Great Fire-Breath' is a Rhythmic Outpouring of Divine Love, Its Three Attributes being 'Love, Wisdom, and Power in action.' These pour out constantly, into the 'Infinite Sea of Pure Electronic Light.' This Light is the Universal Substance or Spirit, out of which all forms are composed. It is intelligent, mark you, because It obeys law through the command of the Individual who says, or is conscious of, 'I AM.' These Two Words are the Acknowledgment and Release of the Power to Create and bring forth into outer existence, whatever quality follows That Acknowledgment. For Intelligence to act there must be Intelligence to be acted upon, and the Universal Substance, being like a photographic film, takes the record of what-ever quality the Individual imposes upon It through his thought, feeling, and spoken word. The Words 'I AM' whether thought, felt, or spoken, release the Power of Creation instantly. Make no mistake about this. Intelligence is Omnipresent, and It is within the Electronic Light." [1]

 

Violet Flame[edit]

Use of the "Violet Flame of Divine Love" is considered to be the 7th Ray aspect of the Holy Spirit and the "Sacred Fire" that transmutes and consumes the "cause, effect, record, and memory" of sin or negative karma. Also called the "Flame of Transmutation", the "Flame of Mercy", the "Flame of Freedom", and the "Flame of Forgiveness". "Our God is a Consuming Fire" in Deuteronomy 4:24 (KJV) and Hebrews 12:29 (KJV) is believed to be refer to this "Sacred Fire of God".

 

The "Violet Fire" is held to be a raising, transforming, purifying action of "Divine Love" from the "Heart of God" in the "Great Central Sun". It acts to transmute and consume human creation that is not worthy of becoming Immortal, and all negative karmic causes, effects, records, and memories, without the need to individually balance that karma face-to-face with each person back to the earliest beginning of one's individualized manifestation on this or any other world.[2]

 

Ascension[edit]

Main article: Initiation (Theosophy)

The Ascension is believed to be the returning to complete "Oneness with God" - "raising the outer atomic structure of the physical, emotional, and mental bodies into the Electronic Structure of the I AM Consciousness", becoming an Ascended Master, eventually a Cosmic Being, and beyond. The Ascension into Immortality through reunion with the God Self requires the consuming of at least 51% of the records and memories of "negatively qualified karma" as well as:

 

Mastery of the matter planes[edit]

It is believed that the "Individualized Flames of Perfection", emanating as lifestreams taking physical embodiment, can develop further attributes that express a unique Identity, and attain the fullness of the use of Light. This is done by mastery over matter planes that have a slower vibratory action, thus requiring more energy and concentration to externalize form. This allows for the development of greater skills of creation and "Causal Body Momentums" of various "Divine Qualities". Physical embodiment gives each individual the opportunity to expand these attributes and faculties through matter substance, and to become a "master of energy" through thought and feeling. This allows for accomplishments and added power which one who does not ever embody on a planet does not possess. Thus an individual may expand the "Flame in the Heart", and expand the "Perfection of the Allness of God's Love" in the created universe, eventually becoming an Ascended Master and later a Cosmic Being.

 

According to the Ascended Master Teachings, gaining "mastery over matter planes" means learning to consciously use 100% of one's Creative Power of thought, feeling, and spoken word to create greater perfection, joy, and love in the world, as opposed to using thoughts, feelings, and words to create greater limitations, bondage, and chaos in one's own experience and in the world at large through carelessness and lack of awareness of the extent of one's influence in the world. "Matter planes" refers to the differentiations of atomic and molecular structure in which evolution takes place, the lower planes (dimensions / wavelength frequency resonance) sometimes correlated with physical solids, liquids, and gases; the higher subplanes of the Physical Octave are sometimes referred to as "etheric" and are not normally perceivable by the physical senses. The emotional and mental octaves are also made up of electrons and atoms of feeling and thought substance and differentiated into levels of density and vibratory rate.[2]

 

"To understand the above explanation concerning the electron and the conscious control the individual has through his thought and feeling to govern the atomic structure of his own body is to understand the One Principle Governing form throughout Infinity. When man will make the effort to prove this to himself or within his own atomic flesh body, he will then proceed to Master Himself. When he has done that, all else in the Universe is his willing co-worker to accomplish whatsoever he wills through Love." [13]

 

Fulfillment of the Divine Plan[edit]

"Within the Life of every human being is the Power by which he can express all that the Ascended Masters express every moment — if he but chooses to do so. All Life contains Will but only Self-Conscious Life is free to determine upon its own course of expression. Hence, the individual has free choice to express either in the human, limited body or the Super-Human, Divine Body. He is the chooser of his own field of expression. He is the Self-determining Creator. He has willed and chosen to live as Self-Conscious Life. . . . When one individualizes within the Absolute, All-Pervading Life he chooses of his own free will to become an intensified individual focus of Self-Conscious Intelligence. He is the conscious director of his future activities. Thus, having once made his choice, he is the only one who can fulfill that Destiny - which is not inflexible circumstance but a definitely designed Plan of Perfection.[13]

 

Threefold Flame[edit]

The Threefold Flame of Life is the Immortal Flame within the Heart of the children of Light and Sons and Daughters of God, and is an actual extension of the Heart of the I AM Presence of each Lifestream in embodiment on Earth.[2]

 

The fall of man[edit]

It is believed that since the "fall of man" during the time of the incarnation of the Fourth Root Race, imperfection, limitations and discord increasingly entered into our world. The memory body is considered to have become known as a "soul", and this temporary personality has taken on the sense of a self that is separated and not connected to God. It is believed that a "Dictation" from Maitreya further clarified this matter through the "Messenger", Geraldine Innocente, on September 27, 1954 when what occurred during the time of the "Fourth Root Race" was described:

 

"Curiosity, rebellion against holding true to the Divine Pattern and the use of thought and feeling in creation of imperfection, began the building of what you call the 'soul'. It is a consciousness apart from the full Purity of God. The first thought a man had that was imperfect and impure, energized by a secret feeling, was a cause and that, sent out into the atmosphere, created an effect. Like a boomerang, the effect came back into the consciousness and made a record. That record was the beginning of an impression. Energy sent out in a certain manner returned to affect the lifestream who had sent it forth and there began to be created a shadow between the I AM Presence and the human consciousness. Endeavoring to contact the Presence, the individual would find these 'tramp' thoughts and feelings flowing through that line of contact until more and more imperfect was the conscious use of them. Finally, those centers got completely away from the control of the ego and acted independently.[21]

 

Dictations[edit]

Within The "I AM" Activity, contact and cooperation with the Ascended Masters became a central part of each member's life. Through the Ballards as "Messengers", the Ascended Masters were believed to have regularly communicated with the students of The "I AM" Activity. Those Addresses (known as "Dictations") were delivered before gatherings of members in Conclaves held throughout the United States of America, published in the monthly periodical, The Voice of The "I AM", and some were collected and reprinted in the books of The Saint Germain Series. In all, 3,834 Dictations from the Masters were received through Guy and Edna Ballard. Other "Ascended Master Activities" believed that the Ascended Masters, Cosmic Beings, Elohim, and Archangels continued to present a program for both individual development and spiritual transformation in the world.[22] They believe that further instruction from the Ascended Masters and the rest of the Spiritual Hierarchy continued through new Dispensations with new Messengers, such as The Bridge to Freedom,[23] The Summit Lighthouse,[6] and The Temple of The Presence.

 

Dawning Golden Age[edit]

Students of the Ascended Master Teachings believe that this world is destined to again have a Golden Age, a "Heaven on Earth", that will be permanent, unlike previous Golden Ages millions of years ago.[2]

 

"In your beloved America, in the not so far distant future, will come forth a similar recognition of the Real Inner Self, and this her people will express in high attainment. She is a Land of Light, and Her Light shall blaze forth, brilliant as the sun at noonday, among the nations of the Earth. She was a Land of Great Light, ages ago, and will again come into her spiritual heritage, for nothing can prevent it." [13]

 

"The Divine Plan for the future of North America is a condition of intense activity in the greatest peace, beauty, success, prosperity, spiritual illumination, and dominion. She is to carry the Christ Light and be the Guide for the rest of the Earth, because America is to be the Heart Center of the 'Golden Age' that is now dimly touching our horizon. The greater portion of the land of North America will stand for a very long time." [13]

 

The Aquarian Church[edit]

The Aquarian Christine Church Universal, Inc. (ACCU) is a denomination founded in 2006 based on The Aquarian Gospel of Jesus the Christ transcribed from the Akashic Records by Levi H. Dowling. The Aquarian Christine Church actively promotes Ascended Master Teachings and shares many beliefs in common with the I AM Movement, White Eagle Lodge and New Thought and Theosophical groups. The book "Initiations of the Aquarian Masters: The Theosophy of the Aquarian Gospel" by ACCU founder Rev. Dr. Jacob L. Watson, expounds on the church's teachings which draw heavily from the writings of A.D.K. Luk, the Saint Germain Series published Saint Germain Press (The Saint Germain Foundation), and especially from "The Lost Years of Jesus" compiled by Elizabeth Clare Prophet and published by The Summit Lighthouse.

 

en.wikipedia.org/wiki/Ascended_Master_Teachings

 

Archangel Zadkiel said:

 

"In this moment it is being transported by angelic hosts as they carry this giant cathedral to be placed in the etheric plane of earth's atmosphere for the consecration of the violet flame and as another focal point for souls desiring to be free to frequent while their bodies sleep at night. And therefore, the Cathedral of the Violet Flame is placed in the heart of the Rocky Mountains in commemoration of the light of freedom of the Ruler of the Violet Planet, Omri-Tas, who does respond to the calls of men and women who pursue the light of freedom, yet do not know of the violet flame.

 

"Hail unto the children of light! Hail to the elementals! For they are invited also to enter into the Cathedral of the Violet Flame to be saturated with that light, to be cleared of all of the burdens of the planes of mankind's consciousness...

 

"The focuses of light in this Cathedral are the jewels of the amethyst and violet crystals of many varieties that also hold the action of the violet flame. And these crystals are not native to Terra but come from the Violet Planet as specimens of that which coalesces there as the crystallization of the Christ mind...

 

"Remember To Enter The Violet Flame Cathedral.

"You will find violet flame angels tending there, tending the flame of sacred fire, and you will also find on the altar, the central altar, a focus of jade, the gift of the Angel Deva of the Jade Temple, placed there as the offering of healing for those who come to have their substance transmuted—a focus of jade, healing jade, for the removal of the cause and core of that sin and that struggle that produce disease in mind, in souls, in bodies.

 

"And you will see also certain angels, twelve in number, who come from the Temple of the Angel Deva. You will also see an arc of light from that temple in China to the temple in North America. And if you are fortunate in the flame of living Truth, you may also find the Angel Deva standing there also officiating at the altar with the violet-flame angels.

 

"So I have come in the midst of the judgment to tell you of this gift of the priests and priestesses of the sacred fire. So make your way to the Cathedral of the Violet Flame and be blessed as you carry that flame north and south and east and west."1

 

Call to Give Violet Flame at the Cathedral of the Violet Flame Retreat

In the name of the Christ, my own Real Self, I call to the heart of the I AM Presence and to the angel of the Presence, to Archangel Michael and Archangel Zadkiel and your legions of light to take me in my soul and in my soul consciousness to the Cathedral of the Violet Flame, that I may join the heavenly hosts and elementals in invoking the violet flame for the freeing of elementals and mankind from the burdens of mankind's karma. And I ask that all information necessary to the fulfillment of my divine plan be released to my outer waking consciousness as it is required. I thank thee and I accept this done in the full power of the risen Christ.

 

Spiritual Books on the Saint Germain & the Violet Flame:

Books by Mark and Elizabeth Clare Prophet on the Great Divine Director, Saint Germain, and the Violet Flame. Spiritual books showing how to work with the violet flame to clear the obstacles to your divine plan for effect personal change and world spiritual transformation:

 

Saint Germain on Alchemy: Formulas for Self-Transformation

The Soulless One: Cloning a Counterfeit Creation by the Great Divine Director

Saint Germain: Master Alchemist

Violet Flame to Heal Body, Mind and Soul

Alchemy of the Heart: How to Give and Receive More Love

The Masters and their Retreats

Lords of the Seven Rays: Mirror of Consciousness

The Chela and the Path: Keys to Soul Mastery in the Aquarian Age by El Morya

www.ascendedmastersspiritualretreats.org/ascended-master-...

Saint Germain's Spiritual Retreat, Chohan of the 7th Ray

Saint Germain's Cave of Symbols retreat is in Table Mountain near North America's Rocky Mountains. This is an important focus, and many inventions are to be released from this retreat. Saint Germain uses this retreat along with the Rakoczy Mansion in Transylvania, the Cave of Light in the Himalayas and the nearby Royal Teton Retreat in the Grand Teton range.

 

Interior of the Cave of Symbols

One enters through a cavern in the mountain lined with pink and white crystal and then moves on into a vaulted chamber two hundred feet wide covered with stalactites of rainbow hue in the formation of occult symbols. As focuses of the rainbow rays of God and geometric keys to the release of fohat, the energy that blazes through these symbols extends throughout the United States. This energy has a most significant influence upon her people, keying into their consciousness the matrix of the golden age and the remembrance of their lost inheritance. The cave derives its name from these symbols.

 

Ascended master Saint Germain, violet flame alchemist. On the opposite wall, at the far side of the chamber, there are three arches, spaced twenty feet apart: the first a deep rose, the second a penetrating white and the third a cobalt blue. These are the focuses of great cosmic beings for the victory of the Christ consciousness in America.

 

Accompanied by the ascended master Saint Germain, who raises his hand toward the center archway, we gain entrance to a tunnel that opens at his command. After several hundred feet, he shows us through a door on which there are more ancient symbols into a twelve-sided, domed room sixty feet in diameter. Immediately we notice that four of the twelve sides are a brilliant white (focusing the purity of the Christ consciousness in the four elements and the four lower bodies of the planet). The remainder are the pastel hues of the rays.

 

Cave of Symbols: Home to Many Inventions

In this room we are shown the fantastic radio invented by the ascended lady master Leonora, by which one can communicate with other planets in this solar system, with the center of the earth, or with any point on the surface of the earth. There are chemical and electrical laboratories where scientists are perfecting formulas and inventions they have been permitted to take from the hermetically-sealed cities at the bottom of the Atlantic Ocean. These cities have been protected since the sinking of Atlantis. These discoveries will be brought forth for mankind's use in the golden age, just as soon as man has learned to harness greed, selfishness and the desire to control others through war and dishonest financial policies.

 

When the Sons of God are once again in control of the great nations of the world, the ascended masters will step forth with a tremendous wealth of information that has been guarded in their retreats for ages. Unascended scientists come here in their finer bodies while asleep or between embodiments.

 

Opportunity to Spiritually Travel to Saint Germain's Retreat

Students of the light can also ask to be taken to Saint Germain's Cave of Symbols. Saint Germain is training a large cadre of souls devoted to the Christ and to the science of the Christ, who at the proper time will have lowered into the outer consciousness all that they have learned in this and other retreats of the Great White Brotherhood.

 

The Golden Atomic Accelerator Chair

There is an "atomic accelerator"—a golden chair through which are passed electronic currents that quicken the vibratory pattern of the atoms and electrons within the four lower bodies. Initiates of the Brotherhood who have proven their merit by service and devotion to the light and who have already balanced a considerable amount of their karma are allowed to sit in this chair for a length of time prescribed by the master Saint Germain and the Lords of Karma. By accelerating the light frequency in the four lower bodies, a portion of one's karma is balanced and a portion of one's misqualified substance is thrown off by the centrifugal action produced by the revolving electrons and transmuted by the sacred fire.

 

Thus, the individual's four lower bodies can be accelerated in ascension currents and the soul raised into the ascension. Under the sponsorship of Saint Germain, many lifestreams have ascended from this room.

 

Entering Further into the Retreat

Entering an elevator, we descend a hundred feet into the heart of the mountain, emerging in a circular room having a diameter of twenty feet. We are led through a door into a huge hall equipped with furnaces and machines for the production of materials used in the experimental work carried on in the chemical and electrical laboratories in the upper level of the retreat.

 

Returning to the upper level, we are shown a reception hall with a domed ceiling, adjoining sleeping quarters, and an audience hall also with a domed ceiling of sky blue with painted clouds, giving the impression of being in the open air. Here there is a magnificent organ and piano that is used by the masters to focus the harmonizing currents of the music of the spheres on behalf of the freedom of sons and daughters of God on earth.

 

The Cosmic Mirror

The Cosmic Mirror in the Cave of Symbols. The Cosmic Mirror is on the east wall of the Crystal Chamber. When the disciple has reached a certain degree of attainment, he is taken by the master before the Cosmic Mirror, which keys into his etheric body and reflects his past lives, including the cause and effect upon his world of every thought, feeling, word and deed he has ever manifested. The Cosmic Mirror also reflects the original blueprint of his divine plan that is placed upon the etheric body when the soul is born in the heart of God.

 

In viewing his past lives, the disciple then may learn what portion of the divine plan he has outpictured. He may see what conditions in his world must be corrected and what good momentums he has developed that he can now use to overcome the difficulties of the past and the present and thus fulfill his divine plan in the very near future.

 

The Sphere of Light

At the far end of the audience hall, through a concealed door, one enters the Sphere of Light, a spherical-shaped room where the focus of the sacred fire is used to intensify the expansion of the light within those who are permitted to enter there. The function of this room correlates with the action of the light in the Cave of Light in the charge of the Great Divine Director in India.

 

Together with the Atomic Accelerator, these focuses serve to bring the disciples of the masters closer to their ascension and to provide them with the assistance to accelerate the process that could not be achieved in the outer world.

 

It is a very real and enlivening experience to stand before the Cosmic Mirror in this retreat. The disciple needs to be ready to look through the illusions, the fantasies and the synthetic self. He must be able to own up to the deceits that the ego continually practices against itself. It is not possible to hide anything from God.

 

The sincere student who would like to get rid of these illusions may call to Saint Germain to be taken to stand before the Cosmic Mirror.

 

Violet Flame Call by Saint Germain

Violet flame alchemy for spiritual transformationThis violet flame mantra for the Aquarian age is for accelerating personal and planetary spiritual transmutation of past errors in thought, feeling and action.

 

I AM a being of violet fire,

I AM the purity God desires.

 

Call to be Taken to Saint Germain's Violet Flame Retreat.

In the name of the Christ, my own Real Self, I call to the heart of the I AM Presence and to the angel of the Presence to take me in my soul and in my soul consciousness to the Cave of Symbols retreat of Saint Germain. I ask that I be saturated with the violet flame focused there and be taught the mastery of the ritual of the atom for the Aquarian age. And I ask that all information necessary to the fulfillment of my divine plan be released to my outer waking consciousness as it is required. I thank thee and I accept this done in the full power of the risen Christ.

 

Ascended Master Retreats of the Chohans

 

Fourteen-Day Cycles at the Universities of the Spirit Chart (PDF)

El Morya and the Temple of Good Will near Darjeeling India

Lord Lanto and the Royal Teton Retreat in Wyoming

Paul the Venetian Le Château De Liberté In Southern France

Serapis Bey and the Ascension Temple and Retreat at Luxor

Hilarion and the Temple of Truth over Crete

Lady Master Nada and the Arabian Retreat

Saint Germain and the Cave of Symbols in the Rocky Mountains

Maha Chohan and the Temple of Comfort over Sri Lanka

Summit Lighthouse Books on the Chohans of the Rays

 

The Book of Apocalypse explained. Like the captain of the Host of the Lord, I invite you to stand up in honor of your Powerful Presence I AM, because I release upon you the power of the sword of the Spirit and I will increasing its power, according to the measure which you are able to receive it! Holding this sword, that my mentor give me long time ago, I direct its power to consume the cause and nucleus of all the negative conditions that can be upon you or in your interior! wields the flaming sword and direct its omniconsuming fire to the insane areas of your subconscious and unconscious minds. My Friends, adverse conditions like those that you have allowed to poison the organs of your physical body, affects also the astral body, the mental and also the etheric body, dimming the mind and preventing that you assume the divine control on your conscious mind! Therefore, I hold my sword of the Spirit and I let that it traverse you! I traverse you! I traverse you with the power of First Ray of the Sacred Will of God! With my sword I extirpate any precancerous conditions in your four lower bodies, from the etheric body to the mental, from the body of desires where its tentacles reaches the physical body and strangle the body as well your soul. Therefore, if you want to save yourself and save others, Call me, and with my sword of blue flame I will extirpate those conditions inside you and your beloveds, close or far to you.

 

www.ascendedmastersspiritualretreats.org/chohan-retreats/...

Operation 5 \ Page 5

situation autumn 2017.

 

All pages of the book ‘Arnhems Kruisweg’ where placed on the walls of ‘room 18′ of the abandoned militairy building 'KKN24'.

 

Walls and pages where covered in thin black paint - the images and texts remain partly visible.

The remains of the pages where removed from the walls after some 1,5 years.

 

‘Arnhems Kruisweg’ - which can be translated as ‘The Stations Of The Cross of Arnhem’, is a book about ‘Operation Market Garden’ - WWII.

Written by Louis Frequin, Henri A.A.R. Knap and W.H. Kruiderink.

Photos: A.J.J. Bouvet.

Amsterdam: Promotor, 1946

196 pages ; 27 cm

 

z\w\a\r\t\24: a long project of Z\W\A\R\T magazine in this building \ art of the project Transmute24 (oct 2014 - sept. 2017).

 

“The abandoned building KKN24 is located on Buitenplaats Koningsweg a former military base in Arnhem, The Netherlands.

The building was a sleeping-quarter for soldiers, 4 in one room. 39 Rooms in the whole building. The building is waiting to be demolished, meanwhile it transforms back to nature. In october 2014 artist BiOP got permission to use the building for site-specific artworks. He invited several artists to transmute the building and their artwork, 24hours a day. [ ]

During Code Rood ( Code Red) the art and the building could be visited (every last saturday).”

 

Source: Transmute24 Facebookpage

www.facebook.com/transmute24

see also:

www.flickr.com/photos/transmute24/

 

follow the Z\W\A\R\T project on this blog, with many more photos:

zwart24.tumblr.com/

and:

www.facebook.com/pg/ZwartMagazine/photos/?tab=album&a...

 

This work, a rigorous exploration of the intersections between conflict, ideology, and natural phenomena, it seeks to interrogate the enduring structures of power and resistance through an abstract visual language dominated by vibrant primary colours. The composition’s unapologetic saturation recalls not only the primal forces within colour theory but also evokes the ideological polarities that undergird Marxist theory and its critique of hegemonic oppression.

 

The juxtaposition of dominant reds with intense blues and yellows is not merely a chromatic exercise but an intentional invocation of socio-political dynamics. The red, historically emblematic of revolutionary zeal, is here transmuted into an image of territorial encroachment, symbolizing the Russian invasion of Ukraine. The compositional tension between this red and the contrasting yellow and blue (a nod to the Ukrainian flag) functions as a visual dialectic, evoking the material conflicts of occupation and sovereignty that are as much corporeal as they are ideological.

 

The inclusion of this dialectic is further informed by Marxist theory, which underpins the piece’s critique of imperialism as an economic manifestation of class antagonisms on an international scale. By representing these colours in both confrontation and coalescence, the work comments on the cyclical nature of imperialism as both a product and perpetuator of global capitalism.

 

The thematic undertones are underscored by a conceptual resonance with the songs of whales—a species known for its complex, haunting vocalizations. These creatures, communicating across vast oceans, serve as a metaphor for resistance and interconnectedness that transcends human conflict, embodying a natural, almost primal defiance against the often-destructive forces of modern industry and warfare. The whales’ song, though unheard visually, is embedded within the rhythmic, flowing brushstrokes and layered textures that suggest both distance and proximity, echoing the yearning for connection amidst separation imposed by conflict.

 

In this painting, colour, form, and theme converge to offer a critique of imperialism and a meditation on collective resilience, where each brushstroke becomes both an act of creation and resistance. The vibrancy of the primary palette reframes a scene of invasion and resilience, positing a space where ideological conflict resonates with the collective voice of nature itself, embodying an abstracted yet tangible solidarity that persists against oppression.

---- Angels & Demons (devil tries to tempt Saint Lucia, August 2018, Savoca - Sicily) ----

 

---- Angeli & Demoni (il demonio tenta Santa Lucia, agosto 2018, Savoca - Sicilia) ----

 

-----------------------------------------------------------------

  

click here - clicca qui

  

the slideshow

  

Qi Bo's photos on Fluidr

  

Qi Bo's photos on Flickriver

  

Qi Bo's photos on FlickeFlu

  

Qi Bo's photos on PICSSR

 

Qi Bo's photos on Flickr Hive Mind

  

www.worldphoto.org/sony-world-photography-awards/winners-...

  

www.fotografidigitali.it/gallery/2726/opere-italiane-segn...

  

-------------------------------------------------------------------

  

this is a photographic narration that speaks of the eternal struggle that takes place between good and evil, which speaks of a dark period of history, speaks of the violence suffered by women but also by those who belonged to the poorest social classes, historical facts that have been handed down to us in the form of a story and associated-transmuted in the martyrdom of Saint Lucia, this is what happens in the town of Savoca (Sicily). This is a short and long report, I did in Savoca on August 2018 about the living representation of the martyrdom of Saint Lucia (patron saint of the city of Savoca); the cult of the young Saint of Syracuse seems to date back to the fifteenth century, under the influence of Spanish traditions. The commemoration of the history of St. Lucia occurs in two consecutive days, Saturday and Sunday: here I try to tell some times of the day on Sunday, a day during which the festival is held at the height of her beauty. And 'This is a historical event which speaks of Demons and Angels: Saint Lucy refused to marry a rich and powerful suitor (Lucy declared She was married in Christ), which reported the Christian faith of Lucia to prefect Pascasio that ordered his Praetorian Guard to drag Lucia with a rope to a place of prostitution; legend has it that the Holy became heavy, they then tried to drag it with the help of oxen, but it was impossible to move it from where he stood; failing in this, it was then given the order to cavarle eyes, but the young martyr (native of Syracuse) her eyes reappeared.

In the village of Savoca a young girl, affectionately called the "Lucy" is carried on the shoulder of a porter along the streets of the country (sitting on a pillow tied on the shoulder of a man, but in fact men are two); the young Saint remains impassive in the face of demonic temptations: the Devil, called in Sicilian dialect "u Diavulazzu, shake, shakes, turns his pitchfork in an attempt to "distract" the Saint.

The first day of this representation, on Saturday, in an old church in Savoca, the two girls who impersonate the Lucia, of the current year and the previous year, meet with the delivery of palm; the traditional event which we witness on Saturday, has all the appearance of an important rehearsal for the next day, on Sunday when the traditional festival will take place in all its beauty.

Sunday: on top of the procession there are the "Jews" (the emissaries of the prefect Pascasio) along with some Angels, is located immediately after the wagon drawn by two cows from which branches off a rope that will arrive to Saint Lucia (a girl of six years); between her and the cows there are Roman soldiers, who make their way through the crowd squirming like crazy; to hold the rope there are also male figures; the job of Devil (his mask is made of wood, whose invoice is dated, it seems, of the 400') is to distract the little Saint with the help of a long stick equipped of curved points, called "u 'croccu": Lucia hardly is deceived by the promises of the evil one, she will not abandon the state of her property concentration, aided in this by staring, almost in a trance, a small palm branch in silver , she brings devoutly in her hands.It's very important to mention the Baron Baldassarre (nicknamed Baron Altadonna), who applied without any hesitation the practice of Jus de seigneur: using this law the Baron obliged the young brides to spend the wedding night in his alcove. It 'very possible that in the representation of Saint Lucia of Savoca the character of the Devil tempting young Santa with his pitchfork, in reality is nothing but himself, Baron Altadonna, so allegorically described in this traditional Sicilian feast: the figure of the Devil if one takes into account what historians relate, does not belong more to the legend, but sadly to actual event happened. Post scriptum: the photographs, realized both on Saturday and Sunday, were organized and posted without taking into account the temporal chronology of what happened during the two days of the event; two photos of the mummy of Baron Altadonna have been included, which is located in the crypt of the Capuchin Fathers of Savoca; the portraits of two "Lucie" from previous editions, grandfather and great-grandfather of the "DIAVOLI" dynasty were included; the "silver palm" was delivered by Lucia of 2016 (Valentina), to the current Lucia (Miriana), in 2017 the event was not performed.

Ezio Famà.

------------------------------------------------------------------------------------------

questa è una narrazione fotografica che parla dell'eterna lotta che avviene tra il bene ed il male, che parla di un periodo buio della storia, che parla delle violenze subite dalle donne ma anche da coloro che appartenevano alle classi sociali più povere, fatti storici che sono stati tramandati fino a noi in forma di racconto ed associati-trasmutati nel martirio di Santa Lucia, questo è quanto accade nel paese di Savoca (Sicilia). Questo è un report corto e lungo, che ho realizzato in quel di Savoca lo scorso mese di Agosto 2018, su quella che è la rappresentazione vivente del martirio di Santa Lucia (Santa patrona della città di Savoca); il culto della giovane Santa di Siracusa sembra risalire al XV secolo, sotto l'influenza delle tradizioni spagnole. La rievocazione vivente della storia di S.Lucia avviene in due giornate consecutive, il sabato e la domenica: qui tento di raccontare alcuni momenti della giornata della domenica, giorno durante il quale la festa si svolge nel pieno della sua bellezza. E' questa una rievocazione storica che parla di Demoni ed Angeli: la storia rievoca di quando la Santa, si rifiutò di andare in sposa ad un suo ricco e potente pretendente (essendosi dichiarata Cristiana e sposa in Cristo), il quale per vendetta riferì della fede Cristiana di Lucia al prefetto Pascasio; costui diede ordine ai suoi pretoriani di trascinare Lucia con una corda fino ad un lupanare, un luogo di prostituzione; la leggenda narra che la Santa divenne pesantissima, si tentò allora di trascinarla con l'ausilio dei buoi, ma fu impossibile smuoverla da dove si trovava; non riuscendo in ciò, fu allora dato l'ordine di cavarle gli occhi, ma alla giovane martire (nativa di Siracusa) gli occhi le rispuntarono. Nel paese di Savoca una giovane ragazza, chiamata con affetto "la Lucia" viene portata in spalla lungo le vie del paese (seduta su di un cuscino legato sulla spalla di un uomo; in realtà gli uomini portatori sono due, dandosi il cambio l'un l'altro); la giovane Santa rimane impassibile di fronte alle tentazioni demoniache: il Diavolo, chiamato in dialetto siciliano "u Diavulazzu, agita, scuote, fa ruotare il suo forcone nel tentativo di "distrarre" la Santa ma, vani saranno i suoi tentativi. Il primo giorno di questa rappresentazione, il sabato, in una vecchia chiesa di Savoca, le due bambine che impersonano la Lucia, dell'anno in corso e dell'anno precedente, si incontrano con la consegna della palma da una bimba all'altra; l'evento tradizionale al quale si assiste il sabato, ha tutto l'aspetto di una importante prova generale per il giorno dopo, quando la domenica la festa tradizionale avverrà in tutta la sua bellezza.La domenica: in cima alla processione ci sono i "Giudei" (gli emissari del prefetto Pascasio) insieme ad alcuni Angeli, subito dopo si trova il carro tirato da due giumente dalle quali si diparte una corda che giungerà fino a cingere il fianco della bimba che impersona Santa Lucia (una bambina di sei anni); tra lei e le giumente ci sono i soldati Romani, che si fanno largo tra la folla dimenandosi a più non posso; a tenere la corda ci sono anche delle figure maschili che evitano che gli strattonamenti dei soldati romani possano giungere fino alla Santa (ricordiamolo, che è legata a quella corda); davanti alla Santa piroetta il diavolo tentatore, u' Diavulazzu (la maschera è in legno, la cui fattura è datata, sembra, del 400'), il cui compito è quello di distrarre la piccola Santa con l'aiuto di un lungo bastone dotato di punte ricurve, chiamto dialettalmente "u' croccu": Lucia difficilmente si lascerà ingannare dalle promesse del Maligno, non abbandonerà quel suo stato di immobile concentrazione, aiutata in ciò dal fissare, quasi in stato di trance, un piccolo ramo di palma in argento, che lei strige devotamente tra le sue mani. E’ fondamentale menzionare tra i vari personaggi storici della tradizione, il barone Baldassarre, vissuto in Savoca in epoca medioevale, soprannominato barone Altadonna, che applicava senza remora alcuna la pratica della Jus primae noctis: avvalendosi di questa legge il barone obbligava le giovani spose a trascorrere la prima notte di nozze nella sua alcova. E’ fortemente ipotizzabile che nella rappresentazione di Santa Lucia di Savoca il personaggio del Diavolo che tenta la giovane Santa col suo forcone, in realtà non sia altro che egli stesso, il barone Altadonna, così allegoricamente descritto nella festa tradizionale siciliana: la figura del Diavolo, se si tiene conto di quanto narrano gli storici, non apparterrebbe più alla leggenda, ma a questo tristo personaggio realmente vissuto, che usava quotidianamente la moneta della prepotenza. Post scriptum: le fotografie, realizzate sia il sabato che la domenica, sono state organizzate e postate senza tenere conto della cronologia temporale di quanto avvenuto nei due giorni della manifestazione; sono state inserite due foto della mummia del barone Altadonna, che si trova nella cripta dei Padri Cappuccini di Savoca; sono stati inseriti i ritratti di due "Lucie" delle precedenti edizioni, del nonno e del bisnonno della dinastia dei "DIAVOLI"; la "palma d'argento" è stata consegnata dalla Lucia del 2016 (Valentina), alla attuale Lucia (Miriana); nel 2017 la manifestazione non è stata eseguita.

Ezio Famà.

   

Coming to the close of the pics from "Radical Horizons" at Chatsworth House, this is "Transmutation", by Arturo Gonzales and Maru Izaguirre. As with all the other works on display, it was previously featured at the Burning Man Festival in the Nevada Desert, USA.

Dear Hughes ,

 

Right now, you still have the opportunity to claim an extremely rare sword for your energy alignment and transformation...

 

The sword I'm referring to can give you the ability to transform negative energies, protect you from psychic attacks, and safely align your chakras to your deepest desires...

 

...Your Energy Transfiguration Sword, and all its mystical powers...

 

Now, the window to claim how this powerful sword is closing - quickly. It's high in demand, and we're running out very soon.

 

I know you might be on-the-fence right now, but let me share with you a sword healer's story...

 

"Been wearing this (energy transfiguration sword) for a week now. I can feel it clearing my negative vibrations in my sleep.

 

So much wonderful stuff keeps happening to me. Kind of like magic! Which is weird thing to say, but it's true!! I have a healing session 3 days from now, really excited to show it off to my class!! :) Thank you so much!"

 

Just like you, Michael was on-the-fence at first. He wasn't certain that this was going to work, or make any difference for that matter.

 

But now that you're aware of her story, I'm sure you're starting to see with greater clarity the opportunity that stands before you.

 

You can dissolve energy blockages, align your chakras, and become the abundant and enlightened ruler you were meant to be, Hughes !

 

This vibrational sword can be your greatest weapon in your spiritual arsenal.

 

If you'd like to experience the same kind of "vibrational magic" just as Michael did...

 

You can claim your energy transfiguration sword now

 

Best regard

 

Michael

 

Exegesis on Michael the cosmo-telluric elevator..Michael is Metatron like a double-flow mercury elevator or Tesla's flying saucer with his flying men coming from the afterlife... based on Hughes Songe's readings.

 

The tip of this sword is used to find the man who is him, obtaining universal medicine is to become universal medicine oneself. Closer to the most precious skies

Metals are dead because they are covered with a gangue, to see them is to pierce, to pierce and you will see, to perceive, what makes you dead is our evil eye, fixed and stable eye and does not move, it is the ego... fear of death, we project it into the world around us, all you see is what the ego wants you to see, perspective is like a spider's web. Link between microcosm and macrocosm.

We do not see what is swarming everywhere because everything is alive, if we want to be in contact with our lives, we have to die to accept a loss of ego.

 

This verb is the truth, no one wants to renounce illusions, the protocol of the work in the black is a descent to destroy illusions, fast track is brutal, attack the dragon brutal dry track, attack too quickly your guardian of the threshold can drive you crazy. It will be better for you to choose the long, wet way (snake legs), instead of killing him by the dry way (wings),

you polish his scales, file his nails; confront the guardian of the threshold to find a spirit that makes hearts beat

 

Way of dissolution, death of the soul. Great medicine does not kill the spirit of disease. The metaron-michel is here to reveal to you what the evil has said, the disease is this virus in the form of a polyhedron. Gnosticism associates Michael l with the Metatron and the fall of Lucifer, the second guardian of the Temple or the Stargate or the second Sphinx. Metatron (in Hebrew מטטרון or מיטטרון) is the name of a power of the divine world according to Jewish tradition. It appears in the Talmud, the midrash and especially in Jewish mystical literature where it is linked to the biblical patriarch Enoch. In Metatron Michael's legend we find Lucifer falling from the Celestial Temple or the Celestial Jerusalem, he is associated with the emerald he wears on his forehead and a stone that fell from heaven, it is the stone rejected by the ignorant builders and fallen from the cosmic building, it goes back to the messianics. This corner stone or foundation stone rested on a column, a thousand central which carries a box containing a polyhedron with a large number of facets such as the tower of the town hall and especially the metaron. The polyhedron is directly associated with the symbolic function of the demon of darkness, that is, the guardian of the threshold, such as the oiler at the entrance to the temple or tower.

The metaron is like a window open to time and space as a whole, it is the key to its opening and resembles the camera obscura, the dark room, the invisible lodge; the absence of light designates a mysterious paradox and refers you to the higher darkness of non-being, it is one of the explanations of the band that covers the candidate for initiation. The candidate is facing Michel with his curved sword and the dragon is indeed this darkness useful to find the light, the initial spark that lives in him. Lightning seems black and darkness seems to be light...light is black and black is light. The apprentice will look for a passage with the metaron, a hole to open the passage to the celestial ray that the golden Michael symbolizes well at the top of the Church ( destroyed today).

 

As the bonds are established with your Angel, you build, within you, an immaculate cathedral (The Temple) where you can meditate with Hahaiah, where you can talk to him and where he will teach you... It will help you to become aware of what needs to be changed, sometimes radically, in your being or your surroundings.

 

The abyssal darkness actually confronts us with the feminine principle symbolized by Lilith ( Goethe's Green Serpent speaks to us of Lili, the princess who kills as soon as she is kissed, it should also be noted that Lily in English and German is a water lily that the Egyptians used to create a coma to promote an astral journey, that is, an exit from the body as those who lived in the dark of a coma from an accident can tell it). Lilith or Malkuth are under the feets of Michael. The column of the meddle is like the philosophical tree, or the tree of knowledge of paradise. The two cherubs who protect him are Michael and Lucifer. Lucifer is the dragon inside the Earth, like Lilith they are the Dark Side of our personality, the part of shadow with Carl Jung named Nigredo.

 

It seems that historians have passed the salt of legend to make us stories of sulphur and mercury, but they may have forgotten the gnosis? Stargate? To be familiar with this gateway is to realize that we are not captive of the Earth. It is possible to leave it at any time, at least in conscience.

The dream has always been a journey at night into another world, but never before had he realized how he could do it. It is by asking friends from elsewhere that he was simply revealed to him, very amused, that it is by activating his Heart Chakkra that he goes through a "Wormhole" - or "Snakehole" - that his consciousness crosses the web of Space/Time (here called "Spandex Web").

Michael the spark hunter in the heavens, as we seek this spark in us wakes up on March 21, the sun crosses the sword of the statue.The statue could contain messages from heaven, we can understand that in its structure are inscribed the adventures of the future world, it is through astrology, royal science, that the architect of this apocalypse (revelation in Greek, which I suggest you read later in this summary of gnosis) of stone, drawn as a band of premonitory concept, it is also logical that the Ark of Covenant is placed here in Saint Roch.

 

Why Michael? What does Michael mean by that? Is there a relationship between the elevator or Michael's sword as a lifter down there and as an acrobat up there! Why does he have a sword in both cases? Is it to control Stargate smugglers? I promise you that I have not invented anything and everything I suggest to you is taken from very serious books but unreadable by most of our brothers and sisters. "Through the relationships that man can now forge with those who have left the earth, he not only has material proof of the existence and individuality of the soul, but he understands the solidarity that connects the living and the dead of this world, and those of this world with those of the other worlds. He knows their situation in the spirit world; he follows them in their migrations; he is a witness to their joys and sorrows; he knows why they are happy or unhappy, and the fate that awaits him himself according to the good or evil he does. These relationships initiate him to the future life, which he can observe in all its stages, in all its adventures; the future is no longer a fuzzy hope: it is a positive fact, a mathematical conviction. Then death is no longer frightening, for it is for him the deliverance, the door to true life. »

 

I understand well the terrible inconvenience of those who threw anathema on Allan Kardec and above all I wonder how to remain frozen in this esotericism that sticks so well with the images?

 

I would like to continue this game of comparison but I am afraid to do too much when perhaps you have already felt a saturation when reading this summary of Gnosticism to try to enter the Belfry, which of course I could not do as a good tourist that I am here below. the visible part of man manifests to us the invisible part as the receiver of the telephone reproduces the news sent from afar. we must not consider man, either individually or collectively, as isolated from the rest of visible and invisible Nature. This is the mistake of the materialists.

Remember that the invisible part of man consists of two main principles: the astral body and the psychic being on the one hand, and the conscious Spirit on the other. The invisible part of man consists of two great principles: the astral body and the psychic being, and the conscious Spirit.

Nature conceived as a special entity also includes, in its invisible part, an astral plane, a psychic plane on the one hand, and a divine plane on the other.

Knowledge of the astral plane is essential if we want to understand the alchemical theories, the alchemical symbolism and the symbols of Saint Michael; here below all the apparently strange phenomena, likely to be produced by man, are developed in such a particular way, so you can imagine that this small summary is indispensable to just explain the portal of the entrance to this initiation in Saint Roch church which ended in Ark of Convenient. Michael in the guardian of this journey inside supernatural space, Michael is like the Sphinx, he guaranteed the quality of our soul.

 

The following description is only indicative, I suggest another way in contrast to that of the alchemists who describe Saint Michael and the dragon as the Great Work of the experienced alchemist and who generally tell us about the three colors of the work: black, white, red and gold, colors of the coat of arms of Saint Roch but also of many regions and cities in the World. The alchemists began the journey at the northern gate of the church of Saint Roch, which they considered to be the Sphinx, the key to access the Temple. They walk in the nave, starting with Saint Michael and ending with the Holy Grail in the Ark of the Covenant.

 

Are you still reading, my friend? If yes!!!!! Well done, something is happening that relies as much as possible on the constitution of the human being to understand what remains to be exposed. What is meant by this term, which seems so strange, of the astral plane? To make an idea of what is meant in occultism by the second property of the astral plane: the creation of forms. Everything is first created in the divine world in principle, that is, in the power of being, analogous to the idea in man. This principle then passes into the astral plane and manifests itself "in negative" - that is, everything that was luminous in the principle becomes obscure, and conversely everything that was obscure becomes luminous; it is not the exact image of the principle that manifests itself, it is the transfer of this image. - Once the transfer is obtained, the "astral" creation is finished.

The transmutation of your body is carried out with the, creative fluids of the Archetype (both psychological and chemical character that Paracelsus and Jung use to classify humans into seven categories, you will find that seven is everywhere here in Saint Roch).

 

Inside the conservative fluids of the Astral, there are particular agents that activate the fluids. Here it is Saint Michael with his flaming and fluid sword, his metal undulating at the entrance of the temple.

 

Are you still visible here in front of his smoky lines? my friend? I try to simplify as much as possible what alchemists and mystics use in their daily work. Are you looking at Michel's face? Take a good look at his blindfolded eyes! It is also the initiation of the apprentice! To modify the form, it will be necessary to create a new mold, this is what God will be able to do immediately and man meditatingly, to better say in the middle. Since all that is visible is the manifestation and realization of an invisible idea as indicated by Michel's head.

The Alchemist symbolism teaches you that there exists, in Nature, a hierarchy of psychic beings, just as there exists in man, from the bone cell to the nerve cell, via red blood cells, a true hierarchy of figurative elements. The red blood cells are precisely in the Dragon's blood under Michel's feet.

 

The psychic beings who inhabit the area in which the physico-chemical forces act have been given the name elementals or elemental spirits. They are similar to blood cells and especially to human leukocytes. You see, we still have the idea of the dragon's blood.

Elementals act in the lower layers of the astral plane in immediate relationship to the physical plane.

The elementals, obey the good or bad will that directs them, who are irresponsible for their actions while being intelligent, could raise curious controversies in these times of doubt about the European construction... It is so much to kill the dragon of extremists who act under the impulse of the prehistoric ego, then dead to the dragon and live The Red Devils....

To master the basics, not to let them get away with it, especially never to keep quiet and to take stock of military discipline. The army chief was able to gather around him through the devotion or fear of the conscious and responsible beings, who were willing or forced to enslave their will to that of the chief. This second action is much more difficult than the action on the dog. The dog is represented in the head of the dragon killed by Saint Georges, it is this faithful force that acts on the orders of its master. Saint Michael in the middle way, on the other hand, he tames the elementary ones, he tramples on a kind of devil that I suggest you suggest as the homonculus, a famous being created by Paracelsus but also omnipresent among the alchemists.

The same is true in the astral plane, where the elementary obeys only out of devotion or fear, but always remains free to resist the will of the Necromancer.

To give this difficult subject as much clarity as possible, it is not useless to clearly specify the term strength often used in this study, as representing a being, without us having had the opportunity to define it. It is necessary to imagine that according to the principles set out here, everything in nature is personified, even if it is spiritual. As well as the atom, the soul is a monad, and we know that matter is only a game of resistance of the monads. Forces here are called monadic beings who are devoid of power (i. e. movement, therefore) but without initiative, left to the initiative of others: we can say that they are like slaves in the world of monads.

Friend, I believe that we must humbly seek the meaning of monads, this is what I quickly propose to you apart from our imaginary conversation or my soliloquy inspired by several books that I would not hesitate to show you at the end of our discussion on the human spirit. Since the discovery of the informational energy field, a level of matter where all particles and forces are unified, modern science has begun to move towards a different perception of the Universe. The material we believe to be stable is in a state of constant flow and comes entirely from a single source, and will eventually return to that source. From this new paradigm there is little left to hang on to in terms of a belief in materialism.

This primordial energy can include an infinite number of levels that can drop deeper and deeper to the last mysterious level because they are non-manifest. This level has the characteristics of a Cosmic Intelligence (Cosmic Apex) that acts continuously by expressing itself creatively through the energy field, in order to create our visible world and thus become aware of its existence. Our purely materialistic vision of a frozen world where consciousness is only a phenomenon of cerebral physico-chemical activity is collapsing.

The question about the true nature of consciousness is now becoming more relevant to science. Universal Consciousness: The occult philosophies of all times have always taught that all things are underpinned by a single invisible cause, a common thread runs through them all, Unity, Consciousness as the cornerstone of this Unity.

The teaching to the Shade of the Right Hand teaches us that this primary cause from which man springs is threefold by nature: the Unified Spiritual Triad, the Monad, the One in All, the All, the Creative Intelligence of the world. The starting point of all creation, the Unified Triad is: the creative intelligence, the creative medium and the result of creation.

We find this Unified Triad in the quantum description of the informational energy field or Unified Field: The Cosmic Apex: the creative intelligence; the informational energy field: the creative medium; the physical world of matter: the result of creation.

The Unified Triad is the gemstone of most of the great religious, philosophical and spiritual traditions

 

If we refer to the human constitution, we may better understand this definition by noting that each of the three trinities includes a spontaneity, a force and an instrument of information (each of these elements being composed of a set of atoms, therefore of monads). For example, in the case of a sensation for the physical body, spontaneity is external and appears through the material body, is transmitted by the vital force, and translated by the astral body. For the soul, spontaneity is in the mind; it is transmitted by the power of the inner mind and is translated into desire in the ancestral soul. For the spiritual body, spontaneity is sometimes in the ghost, sometimes in the ancestral soul (depending on the meaning). Kama is always the force. 229 According to the previous definition of force, one can imagine the potential force as the ethereal atom that has received some defined, special impulse, but currently prevented by a more powerful opposite force. To continue the same comparison, they are slave monads entrusted with a mission that they cannot immediately accomplish but to which they do not renounce: faithful representatives of the will that led them, they will accomplish it as soon as they find the ability to do so.

 

These ethereal beings can receive from their creator, under certain conditions, a precise goal: this is what explains, for example, the effect of blessings, curses, spells of all kinds. But, most of the time, this direction specifies their lack; they have only an indefinite impulse that leaves them wandering, so to speak, in the astral crowd, among the living whom they covet, capable only, by their origin, of being attracted by desires, forces and elementals of the same kind. Thus thoughts are beings endowed with an existence of their own as long as they are expressed, that is, externalized by their author. Gathered by analogical sympathies, according to the mechanical law of force of the same direction, they multiply by concentrating into a common resultant. It is then that everyone feels, with a more or less obscure consciousness, that an idea is in the air, or that at least the sensitives perceive it and sometimes state it as a reality already assured, but which, for the present, is still invisible, still in power to be. We then receive from them a hunch, a forecast of future things, an oracle. Human desires are not the only ones to form such elementals; most animals express desires adapted to the nature of their desires, perhaps also inspired by the sight of the more sophisticated organs they see functioning in other earthly beings. This can explain the abundance of these isolated organs and these monstrous organ couplings that appear floating in the astral to almost all clairvoyant beginners. These are the desires, not yet fulfilled by the Universal, of the inferior being in ideal aspiration towards new perfectionings; the efforts of Nature to rise towards the power and unity of the Being, efforts that will translate into the differential modifications that Darwin has so well revealed to us. It is almost useless to add that we can project out of ourselves a magnetic force charged with vital force only (i. e. borrowed from the body alone), or with astral body, excluding desire, we then make pure magnetism or the exteriorization of more or less diffuse astral body (the latter being especially the case of mediums). Finally, the astral sea that shelters this countless population is agitated, at the same time, itself, in all directions, by undulating movements from the same source. The acts, the emotions of the incarnated beings, the very desires and the subsequent movements of the ethereal beings, produce as many luminous, calorific, electric, magnetic vibrations especially, which propagate, as we know, in this environment, by crossing each other without destroying each other, which are kept there, partly reflected by the envelope of the upper tourbillon and persist there for a time measured on their intensity and finesse. Thus the ethereal form, or the act that carries it out, in matter, have only a finite duration like them: the force that created them is exhausted by exercising itself in the mass into which it is immersed; they perish gnawed, so to speak, by the waves of the immense sea in which they are born, absorbed in the astral fire; but the influence that they have generated their survival propagated in the astral in the form of vibrations of a personal character; they modify the regime of this common environment by creating lines of force, new habits, and, with them, new desires. In this way it is not to be, no gesture, no act, no particular thought that does not contribute to transform the astral body of the planet and, by it, the aspirations of its inhabitants. This is how the astral records all our vital manifestations, making, in the biology of our star, a function of memory, for the greatest benefit of the evolution that we come to achieve there.

 

The mass production of increasingly human children and frustration, from the first months of life, of basic needs that only a balanced, fully available mother could have filled. These unmet needs are still expressed in the form of various neuroses in most "adults" (biologically adults, but psychologically frustrated children) and precipitate the modern societies that these infantile adults find in increasingly unbalanced imbalances. - Mediocre, and in a violence without brake erected in theological value and fueling the revolt in perpetuity. This "desert" repression of the maternal function and of feminine values ​​in general, is the temporary triumph of the Dragon, which, driven out of the sky by Michael, can freely exercise its ravages on the land where it was precipitated (we will see the modalities from this exercise in the wings of Michael), with the emergence of the two Beasts.) That is to say that, cut off from its divine source (the sky) the human mind becomes entirely destructive, only escape, those who overcame him "by the blood of the Lamb and because of their testimony", that is to say, by the acceptance (the sacrifice of the Lamb) replacing the revolt, and by the capacity to see in a neutral way what happens (the testimony), without being carried away by the emotion and the refusal . The Dragon is designated as the "devil", and we saw at the beginning of this book the Greek etymology of this word: Dia-ballin, that is to say, cut, separate, Interpose, between our depth feminine 2 (which becomes unconscious: repressed in the desert) and the multiple identifications constituting our conscious but illusory, unstable and inconsistent self.

THE MENTAL DRAGON

The Dragon is thus the mind of modern man, made of reflexive thoughts cut off from any transcendent source, of increasingly coarse and childish emotions, thoughts and emotions that lead him into activities increasingly destructive for himself, for others and for the cosmos. The imposition of more and more intense emotions and sensations on the man by the dragon is symbolized by his fiery red color (this is the devouring side of the fire that is underlined) and their empire over the whole world. humanity by its ten horns its seven crowns. This absolute power of the Dragon-mind over humanity has been able to spread and expand, as we have seen, only thanks to this fascination with images imposed by the media, and particularly animated images of the cinema. and television, which imposed themselves in a dictatorial way on the psyche of human beings previously deprived of any defense by the disappearance of the stable reference points offered them by their doctrines and liturgies. (The Dragon "dropped 3. What Lanza Del Vasto expresses when he says:" The great artist is one who does not raise more emotions than he can purify. from heaven one third of the stars ".) This fascinating hold of pervelous images is evoked, as we will see in the next chapter, by the image of the beast to whom he was given a spirit, so that the image of the Beast parlar ". This is the most complete subversion of the normal role of the image as it was exercised in any traditional society, and especially in the Christian Middle Ages. The images then exerted their power over the psyche not by the fascination of artificial animation and the strong sensations it raises, but by the "numinous", sacred quality of their form and content. They played a considerable part in the education of men, most of whom were illiterate, and who received education only by the words of clerics and by these symbolic images: architectures, paintings, sculptures of churches and cathedrals, and especially stained-glass windows whose medallions recounted the edifying life of Christ, the Virgin, and the saints with low windows, and whose great archetypal figures of high windows transmitted in the light to the cut consciousness, still awakened at that time, spiritual influences. heavenly. It is by the "war made to the descent of the woman", conscience cut hunted in the desert, the Dragon has been able to destroy in a few centuries (and especially the last fifty years) these media of refined emotions giving a high the idea of ​​man, and to substitute for them a world of images carrying the most gross emotions and destructive sensations for the psyche. But this war, the Dragon could only carry it through two creatures devoted to his orders, of which he has aroused the existence, and which are the two beasts which will now be described to us in next stage.

---- Angels & Demons (devil tries to tempt Saint Lucia, August 2018, Savoca - Sicily) ----

 

---- Angeli & Demoni (il demonio tenta Santa Lucia, agosto 2018, Savoca - Sicilia) ----

 

-----------------------------------------------------------------

  

click here - clicca qui

  

the slideshow

  

Qi Bo's photos on Fluidr

  

Qi Bo's photos on Flickriver

  

Qi Bo's photos on FlickeFlu

  

Qi Bo's photos on PICSSR

 

Qi Bo's photos on Flickr Hive Mind

  

www.worldphoto.org/sony-world-photography-awards/winners-...

  

www.fotografidigitali.it/gallery/2726/opere-italiane-segn...

  

-------------------------------------------------------------------

  

this is a photographic narration that speaks of the eternal struggle that takes place between good and evil, which speaks of a dark period of history, speaks of the violence suffered by women but also by those who belonged to the poorest social classes, historical facts that have been handed down to us in the form of a story and associated-transmuted in the martyrdom of Saint Lucia, this is what happens in the town of Savoca (Sicily). This is a short and long report, I did in Savoca on August 2018 about the living representation of the martyrdom of Saint Lucia (patron saint of the city of Savoca); the cult of the young Saint of Syracuse seems to date back to the fifteenth century, under the influence of Spanish traditions. The commemoration of the history of St. Lucia occurs in two consecutive days, Saturday and Sunday: here I try to tell some times of the day on Sunday, a day during which the festival is held at the height of her beauty. And 'This is a historical event which speaks of Demons and Angels: Saint Lucy refused to marry a rich and powerful suitor (Lucy declared She was married in Christ), which reported the Christian faith of Lucia to prefect Pascasio that ordered his Praetorian Guard to drag Lucia with a rope to a place of prostitution; legend has it that the Holy became heavy, they then tried to drag it with the help of oxen, but it was impossible to move it from where he stood; failing in this, it was then given the order to cavarle eyes, but the young martyr (native of Syracuse) her eyes reappeared.

In the village of Savoca a young girl, affectionately called the "Lucy" is carried on the shoulder of a porter along the streets of the country (sitting on a pillow tied on the shoulder of a man, but in fact men are two); the young Saint remains impassive in the face of demonic temptations: the Devil, called in Sicilian dialect "u Diavulazzu, shake, shakes, turns his pitchfork in an attempt to "distract" the Saint.

The first day of this representation, on Saturday, in an old church in Savoca, the two girls who impersonate the Lucia, of the current year and the previous year, meet with the delivery of palm; the traditional event which we witness on Saturday, has all the appearance of an important rehearsal for the next day, on Sunday when the traditional festival will take place in all its beauty.

Sunday: on top of the procession there are the "Jews" (the emissaries of the prefect Pascasio) along with some Angels, is located immediately after the wagon drawn by two cows from which branches off a rope that will arrive to Saint Lucia (a girl of six years); between her and the cows there are Roman soldiers, who make their way through the crowd squirming like crazy; to hold the rope there are also male figures; the job of Devil (his mask is made of wood, whose invoice is dated, it seems, of the 400') is to distract the little Saint with the help of a long stick equipped of curved points, called "u 'croccu": Lucia hardly is deceived by the promises of the evil one, she will not abandon the state of her property concentration, aided in this by staring, almost in a trance, a small palm branch in silver , she brings devoutly in her hands.It's very important to mention the Baron Baldassarre (nicknamed Baron Altadonna), who applied without any hesitation the practice of Jus de seigneur: using this law the Baron obliged the young brides to spend the wedding night in his alcove. It 'very possible that in the representation of Saint Lucia of Savoca the character of the Devil tempting young Santa with his pitchfork, in reality is nothing but himself, Baron Altadonna, so allegorically described in this traditional Sicilian feast: the figure of the Devil if one takes into account what historians relate, does not belong more to the legend, but sadly to actual event happened. Post scriptum: the photographs, realized both on Saturday and Sunday, were organized and posted without taking into account the temporal chronology of what happened during the two days of the event; two photos of the mummy of Baron Altadonna have been included, which is located in the crypt of the Capuchin Fathers of Savoca; the portraits of two "Lucie" from previous editions, grandfather and great-grandfather of the "DIAVOLI" dynasty were included; the "silver palm" was delivered by Lucia of 2016 (Valentina), to the current Lucia (Miriana), in 2017 the event was not performed.

Ezio Famà.

------------------------------------------------------------------------------------------

questa è una narrazione fotografica che parla dell'eterna lotta che avviene tra il bene ed il male, che parla di un periodo buio della storia, che parla delle violenze subite dalle donne ma anche da coloro che appartenevano alle classi sociali più povere, fatti storici che sono stati tramandati fino a noi in forma di racconto ed associati-trasmutati nel martirio di Santa Lucia, questo è quanto accade nel paese di Savoca (Sicilia). Questo è un report corto e lungo, che ho realizzato in quel di Savoca lo scorso mese di Agosto 2018, su quella che è la rappresentazione vivente del martirio di Santa Lucia (Santa patrona della città di Savoca); il culto della giovane Santa di Siracusa sembra risalire al XV secolo, sotto l'influenza delle tradizioni spagnole. La rievocazione vivente della storia di S.Lucia avviene in due giornate consecutive, il sabato e la domenica: qui tento di raccontare alcuni momenti della giornata della domenica, giorno durante il quale la festa si svolge nel pieno della sua bellezza. E' questa una rievocazione storica che parla di Demoni ed Angeli: la storia rievoca di quando la Santa, si rifiutò di andare in sposa ad un suo ricco e potente pretendente (essendosi dichiarata Cristiana e sposa in Cristo), il quale per vendetta riferì della fede Cristiana di Lucia al prefetto Pascasio; costui diede ordine ai suoi pretoriani di trascinare Lucia con una corda fino ad un lupanare, un luogo di prostituzione; la leggenda narra che la Santa divenne pesantissima, si tentò allora di trascinarla con l'ausilio dei buoi, ma fu impossibile smuoverla da dove si trovava; non riuscendo in ciò, fu allora dato l'ordine di cavarle gli occhi, ma alla giovane martire (nativa di Siracusa) gli occhi le rispuntarono. Nel paese di Savoca una giovane ragazza, chiamata con affetto "la Lucia" viene portata in spalla lungo le vie del paese (seduta su di un cuscino legato sulla spalla di un uomo; in realtà gli uomini portatori sono due, dandosi il cambio l'un l'altro); la giovane Santa rimane impassibile di fronte alle tentazioni demoniache: il Diavolo, chiamato in dialetto siciliano "u Diavulazzu, agita, scuote, fa ruotare il suo forcone nel tentativo di "distrarre" la Santa ma, vani saranno i suoi tentativi. Il primo giorno di questa rappresentazione, il sabato, in una vecchia chiesa di Savoca, le due bambine che impersonano la Lucia, dell'anno in corso e dell'anno precedente, si incontrano con la consegna della palma da una bimba all'altra; l'evento tradizionale al quale si assiste il sabato, ha tutto l'aspetto di una importante prova generale per il giorno dopo, quando la domenica la festa tradizionale avverrà in tutta la sua bellezza.La domenica: in cima alla processione ci sono i "Giudei" (gli emissari del prefetto Pascasio) insieme ad alcuni Angeli, subito dopo si trova il carro tirato da due giumente dalle quali si diparte una corda che giungerà fino a cingere il fianco della bimba che impersona Santa Lucia (una bambina di sei anni); tra lei e le giumente ci sono i soldati Romani, che si fanno largo tra la folla dimenandosi a più non posso; a tenere la corda ci sono anche delle figure maschili che evitano che gli strattonamenti dei soldati romani possano giungere fino alla Santa (ricordiamolo, che è legata a quella corda); davanti alla Santa piroetta il diavolo tentatore, u' Diavulazzu (la maschera è in legno, la cui fattura è datata, sembra, del 400'), il cui compito è quello di distrarre la piccola Santa con l'aiuto di un lungo bastone dotato di punte ricurve, chiamto dialettalmente "u' croccu": Lucia difficilmente si lascerà ingannare dalle promesse del Maligno, non abbandonerà quel suo stato di immobile concentrazione, aiutata in ciò dal fissare, quasi in stato di trance, un piccolo ramo di palma in argento, che lei strige devotamente tra le sue mani. E’ fondamentale menzionare tra i vari personaggi storici della tradizione, il barone Baldassarre, vissuto in Savoca in epoca medioevale, soprannominato barone Altadonna, che applicava senza remora alcuna la pratica della Jus primae noctis: avvalendosi di questa legge il barone obbligava le giovani spose a trascorrere la prima notte di nozze nella sua alcova. E’ fortemente ipotizzabile che nella rappresentazione di Santa Lucia di Savoca il personaggio del Diavolo che tenta la giovane Santa col suo forcone, in realtà non sia altro che egli stesso, il barone Altadonna, così allegoricamente descritto nella festa tradizionale siciliana: la figura del Diavolo, se si tiene conto di quanto narrano gli storici, non apparterrebbe più alla leggenda, ma a questo tristo personaggio realmente vissuto, che usava quotidianamente la moneta della prepotenza. Post scriptum: le fotografie, realizzate sia il sabato che la domenica, sono state organizzate e postate senza tenere conto della cronologia temporale di quanto avvenuto nei due giorni della manifestazione; sono state inserite due foto della mummia del barone Altadonna, che si trova nella cripta dei Padri Cappuccini di Savoca; sono stati inseriti i ritratti di due "Lucie" delle precedenti edizioni, del nonno e del bisnonno della dinastia dei "DIAVOLI"; la "palma d'argento" è stata consegnata dalla Lucia del 2016 (Valentina), alla attuale Lucia (Miriana); nel 2017 la manifestazione non è stata eseguita.

Ezio Famà.

   

Spiritual crises as the cause of paranormal phenomena, Paranormal phenomena seen in connection with clairvoyance, and Paranormal phenomena seen in connection with channeling).Symbols from the universal images are of a completely different character. They reproduce a much clearer, more precise and superior astral wholeness. It is from these symbols you can receive direct teachings about your spiritual development process.

 

When you have trained meditation and dream yoga in many years, a so-called divine being can visit you through a symbol from the universal images: Christ, Buddha, masters, teachers, angels. Note that these of course also can from the collective images – the difference is explained below:

 

Such a symbol is, as mentioned, a telescopying, a representing quintessence of the informationquantities, which the wholeness in a universal image contains. The divine being will in that way canalize information to you from the universal image, which, together with the whole of the universal vision, constitutes the dream-tracks and the songlines in the artwork of your life. The divine being (or other symbols from the universal images) will in that way help you to compose, to synthesize and interlock, what your inner thinker in the waking state has divided. But it is very important to understand that this nothing has to do with the channeling phenomenon, which belongs to the collective images. In order to receive help from a divine being you must be very close to enlightenment yourself. Our suffering, our painbody is, through the inner evaluating ego, which the painbody is constructed around, connected with the more dangerous dephts of the astral plane´s collective history, which also are a kind of dark, ancient inertia, which opposes any change of the ego (see my article The emotional painbody and why psychotherapy can´t heal it). That is also the reason why you, through therapy, can´t heal Man from the ground. In order to heal Man from the ground you need to go into a spiritual practice. It is only within the religions and their spiritual traditions they have knowledge and names for the more dark sides of the astral plane´s collective history. The West has very precisely called this factor the original sin. The East has called it negative karma. The concepts indicate, that the inertia projects beyond the personal history (growing up conditions, traumatic bindings, painful experiences etc.) and far down into the collective inherit-backgrounds of history (genes, environment, society-ideals, the archetypes and the primordial images of the dreams, fantasies, fairy-tales, myths, and finally: instincts inherited from the animals). It is a factor, which lies in the evolution itself, in the genes, in the collective subconcious, in the collectice history.

A mystical experience is happening when astral energies and content arrive to the consciousness, either from the collective images, or from the universal images. When energy and content arrive to the consciousness from the collective images, then this energy, and this content, will symbolize itself. This is due to, that the collective images are in a condition of vague, diffuse, astral oneness. What is coming from the collective images therefore contains a much greater width and depth than the limitary, relatively narrow and clear concepts and classes of the ordinary consciousness. The vague, wide contents and energies from the collective images are therefore growing narrower in the meeting with the consciousness. The symbol is this quintessence, this shortened, condensed form of expression of the vague, wide collective material. The other types of symbols are coming from the universal images, and therewith from reality and truth itself. All reality, which shall mirror itself in the superficial mind, will automatically symbolize itself. Again the symbol is a telescopying, a representing quintessence of the informationquantities, and the greater clarity, which are connected with reality. Symbols from the collective images reproduce a more vague, more imprecisely, but richer organic astral oneness. Symbols from the universal images reproduce a clearer, more precise and superior astral oneness. The more vague astral oneness, or the more precise astral oneness, shows itself in symbolic form in the dividing, separating structure of consciousness. This refers to the three forms of states the wholeness can be in: sleep, dream, awake. When the wholeness is sleeping, mountains are mountains and woods are woods. This is the reality of the ordinary consciousness (the Ego-consciousness). The ordinary consciousness can sleep in three ways: 1) the dark sleep, which is the Ego´s deep nightly sleep; 2) the grey sleep, which is the Ego´s nightly dreams and other dreams; 3) the light sleep, where the Ego is awake. The three forms of states the wholeness can be in, can also be described as the personal time, the collective time and the universal time. Furthermore it can be described as the personal history, the collective history and the universal history. Time and history constitute the structure under your thinking. This structure is also called the astral plane, or the astral world. It is a plane of existence postulated both by classical (particular neo-Platonic), medieval, oriental and esoteric philosophies and mystery religions. It is the world of the planetary spheres, crossed by the soul in its astral body, either through the dream state, or on the way to being born and after death, and generally said to be populated by angels, demons, spirits or other immaterial beings. The astral plane is connected with the so-called Akashic records. The Akashic records are a compendium of mystical knowledge encoded in a non-physical plane of existence: the astral plane. These records are described as containing all knowledge of human experience and the history of the cosmos. They are holding a record of all events, actions, thoughts and feelings that have ever occurred or will ever occur. Since my teenage years, I have had relationships with Beings of Light such as Jeshua, Michael, Sanat Kumara, Lady Portia, Amira, Maitreya, Sananda, the Great Crystal Master, the Dragon and many others. They instructed me in their conceptions that allowed me to prune my beliefs, to experience new knowledge. Thanks to their attention, I was progressing in my inner study. Taking advantage of their advice and encouragement, I went through the adversity I had encountered. During all this time, I carefully integrated their teachings without disclosing them, I applied them consciously in my daily life. Several times they told me, through mediums, that it was time for me to work with my fellow human beings. I would say "I, who have so many obstacles" and I would continue my studies with them. More than twenty years ago, Awakeness told me that I had the opportunity to read Akashic annals, I didn't know what it was. It took me a long time to get acquainted with the library of Nature where everything is recorded in every detail, from Creation to infinity. Today, I confess that I used this database in ignorance. Facts arose without my knowledge, I met more and more people in great difficulty, I offered them, anonymously, what I had received. One day, I was offered a book on Akashic annals. I knew the time had come to expose myself. The opportunity to concretize this new experimentation presented itself to me, through one of my friends who was experiencing an important annoyance. I said to him:"If you want I ask Akasha for teachings to give you solutions to your context". The impact of the explanation and the akashic vibration collected by Martine was immediate and spread throughout her home. His entourage was surprised by this change and asked him what had happened. She received the necessary answers to her family situation and also all the understandings that allowed her to find joy in sincere and harmonious relationships, which are still in force and spread to her household. Everyone watched and looked at the sufferings he was carrying in order to transform them. An information was transmitted to her by her husband, who had crossed the bridge of earthly life for the afterlife, which confirmed her to act on the decisions.

The Sanskrit term akasha was introduced to the language of theosophy through H. P. Blavatsky (1831–1891), who characterized it as a sort of life force; she also referred to "indestructible tablets of the astral light" recording both the past and future of human thought and action, but she did not use the term "akashic". The notion of an akashic record is attributed to Alfred Percy Sinnett, who, in his book Esoteric Buddhism (1883), wrote of a Buddhist belief in "a permanency of records in the Akasa" and "the potential capacity of man to read the same."By C. W. Leadbeater's Clairvoyance (1899) the association of the term with the idea was complete, and he identified the akashic records by name as something a clairvoyant could read. In his 1913 Man: How, Whence, and Whither?, Leadbeater claims to record the history of Atlantis and other civilizations as well as the future society of Earth in the 28th century.The Akasha is an “astral light” containing occult records, which spiritual beings can perceive by their “astral senses” and “astral bodies”. Clairvoyance, spiritual insight, prophecy and many other metaphysical and religious notions are made possible by tapping into the Akashic reacords. They are metaphorically described as a library. They can be accessed through astral projection, meditation, near-death experience, lucid dreaming, or other means. The Akashic records are the wholeness, and as mentioned: the wholeness can be in three states of spiritual awakening - sleep, dream, awake – which again can be described as the personal, collective and universal time (or history).

The reactions to experience of the entire animal kingdom, the aggregation of the thought-forms of a karmic nature (based on desire) of every human unit throughout time. Herein lies the great deception of the records. Only a trained occultist can distinguish between actual experience and those astral pictures created by imagination and keen desire. Since Wilhelm Haidinger discovered the phenomenon of the ‘brush’ which is named after him in 1844, there can be no doubt that human vision comprises an additional sense for the orientation of a so called polarised luminance. In this paper the physical conditions under which Haidinger’s Brush is to be observed in transparent or reflective media are described in detail. Furthermore it will be shown how Goethe’s work on ‘entoptic colour’, Steiner’s concept of the U-Region and modern physiological and natural science touch on a mutual ground that is to be characterised by Haidinger’s Brush appearing.Seen from a spiritual perspective, this instinctive survival strategi (the Ego) appears as a resistance, an invincible inertia: original sin, negative karma. You can´t, by therapeutic strategies, free the consciousness for its attachment to this inertia. You can therefore not dissolve or dilute or convert the original sin through therapy. Only the intervention of the Source (God, Christ, the enlightened consciousness) can basically help Man with a trancendence of the negative karma of the original sin. But in order to, that a human being should be able to receive this help from the Source (gift of grace), then this requires an eminently precise and profound preparation. And as part of this preparation serve the true spiritual practice within the religions

 

mortentolboll.weebly.com/paranormal-phenomena-seen-in-con...

 

The whole extent of circumstances which have its observation in common, distinguish it as a higher phenomenon among others, that it is the primary phenomenon of polarisation.Haidinger-Büschel als Urphänomen der Polarisationserscheinungen Albert Pröbstl.f Goethe’s Urphänomen, the ferreting out of the simplest,

archetypal concept which exhibits the characteristics of the complex whole and proceeding from the simple to the more composite. At this point, the similarity of Hegel’s method to that of Goethe is evident, except of course that the relevant complex whole is not to be understoodas a natural phenomenon but rather manifestations of Spirit, specificallyformations of consciousness. , this stream of impressions has to be surmounted, and grasped as

a whole. This holistic view is not attained by contemplation of the name or the idea of Nature, but on the contrary by contemplation of Nature itself and determination of the archetypal phenomenon, the simplest unit of a complex natural process. This insight is only the outcome of patient, attentive and delicate observation. Likewise, if a citizen of any social formation, recognizes as Absolute the guiding principle of his own activity, Hegel does not suppose that they see in that form of practice a finite manifestation of Absolute Spirit. That is an insight which becomes available only to the philosopher who looks back from the end of the journey of Spirit. Goethe and Hegel shared a common concern, not just for Truth, but for the Spiritual Community. One of the driving forces of Goethe’s science was to work out a practice and concept of science which would be accessible to participation by the entire people,something of which Hegel despaired. But there are obvious differences in the conception of the Deity as well. For Goethe, God is Nature, and insofar as he is engaged with Nature, it is the principle of his relation to Nature. Man is part of Nature, but he cannot understand his literary and social activities Pantheistically. For Hegel on the other hand, Spirit produces Nature and the human world of finite spirit, and out of them produces itself, but it is above all to human affairs that Hegel looks for his glimpse of the Deity. In the human world, Hegel gains insight into the absolute Absolute which manifests in each shape of consciousness. For Goethe we have a reified God/Nature; for Hegel we have Spirit. The crucial innovation made by Hegel is his use of the Triune structure of the concept which transcends the various dichotomies inherited from Kant whilst investing the concept with internal resources for self-mediation

A central element of Hegel’s view of the relation of man

to the Absolute, he appropriated from Goethe’s Romantic

science. Goethe’s Pantheistic conception of Urphänomen

was the single archetypal phenomena exhibiting the

essential features of some natural phenomena.

Recognition of the Urphänomen constituted a glimpse of

the Deity. Although the Urphänomen is specific to some

given complex, Goethe came to see in it a general

principle. Hegel appropriated Goethe’s idea of

Urphänomen, not unlike Herder’s Schwerpunkt, in the

Phenomenology, and transformed the archetypal norm of

a Gestalt des Bewußtseins into the Begriff of the Logic, as

an archetype of the Absolute. Expressed more generally, Goethe’s problem was this: how can we understand a complex process as a whole, as a Gestalt? Goethe rejected a

number of approaches which are characteristic of what he called ‘Newtonian’ natural science. He rejected the method of hypothesising some force or vibration or principle which controlled the complex whole from beyond the horizon of phenomena. Blavatsky said the akasha forms the ANIMA MUNDI and constitutes the soul and astral spirit of man. It produces mesmeric, magnetic, and psychic phenomena and is a component in all magical operations of nature.

Hegel polemicised along the same lines in the Logic. To say that people come to the city because the

city exerts a force of attraction explains nothing. Newton’s idea of acceleration being caused by gravity simply shifts the problem from understanding a form of motion sensuously given to us, to understanding an invisible and baseless force, known only through its expression for which it is supposed to be the explanation.The Urphänomen was Goethe’s solution to the problem of how to conceive of the whole.“... the Divine, which reveals Itself in Urphänomene, physical and moral, behind which it dwells, and which proceed from It” (To Eckermann, February 13 1829, quoted in Heinemann 1934)“This spiritual breath – it is of this that I really wished to

speak and that alone is worth speaking of – is what has

necessarily given me such great delight in Your

Excellency’s exposition of the phenomena surrounding

entopic colours. What is simple and abstract, what you

strikingly call the Urphänomen, you place at the very

beginning. You then show how the intervention of further

spheres of influence and circumstances generates the

concrete phenomena, and you regulate the whole

progression so that the succession proceeds from simple

conditions to the more composite, and so that the

complex now appears in full clarity through this

decomposition. To ferret out the Urphänomen, to free it

from those further environs which are accidental to it, to

apprehend as we say abstractly – this I take to be a matter

of spiritual intelligence for nature, just as I take that

course generally to be the truly scientific knowledge in

this field” (Hegel 1984: 698).New York: akasha (akasa) Im Eastern mysticism and oeculism, the all-pervasive lile principle or all pervasive space of the cosmos. The term akasha is derived from the Sanskrit term for 'sky." The akasha is known by various other names in Western occultism and MAGIC. In Hinduism, the akasha is the substance ether, a fifth element and the subtlest of all elements. The akasha per meates everything in the universe and is the vehicle for all life and sound. In yoga, the akasha is one of three unit versal principles along with prana, the universal life force, and creative mind. These three principles are immanent in all things throughout the universe and are the sources of magical and psychic power. From the akasha comes will, an important component of magic, which enables all man ner of feats to be accomplished. In Buddhism, is not ether but space, ol which there are rwo kinds. One is space that is limited by the material, from which springs the manifestation of the elements of nature. The second is space that is unlimited, unbounded by the material and beyond description. The concept of the akasha was inaroduced to Weslern occultism in the early 20th century by hel ena p blavat sky, founder of the theosophical society. Blavatsky said the akasha forms the ANIMA MUNDI and constitutes the soul and astral spirit of man. It produces mesmerie, magnetic and psychic phenomena and is a component in all magi cal operations of nature. Blavatsky compared the akasha to lhe "sidereal lighi" ol rosic rucianism, he asi ral light of iphas levi, and the odyle or odic lorce of Baron Karl von uivalent of the llebrew ruah, the Reichenbach is th in motion, or moving spirit and is identi- wind, breath, air cal with the spirit of God moving on the tace ol the waters described the akasha as incomprehensible. non-created, and undefinable. Akasha creates everything and keeps everything in bal it is the all in all.

Five arts was Goethe's method of transmuting his observation of human nature into sharable form. Drawing from his novel, Elective Affinities (Wahlverwandschaften), Goethe discerned a geheime Verwandschaft (hidden relationship) of parts that explains how one form can transform into another form whilst being part of an underlying archetypal form (Ur-phänomen). It is this organizing idea or form that guides the consideration of the parts; it is a Bild or virtual image that "emerges and re-emerges from the interaction of experience and ideas"[3] This consideration is a special type of thinking (noetic ideation or denken) carried out with a different organ of cognizance to that of the brain (mentation or sinnen), one that involves an act of creative imagination, what Goethe terms "the living imaginal beholding of Nature" (das lebendige Anschauen der Natur). Goethe's nature (natura naturans, the activity of "nature naturing" – as distinguished from natura naturata, "nature natured", the domain of naturally formed objects) is one in constant flux and flow, but nonetheless governed by law, logic and intelligence above the mind. To approach vital nature requires a different cognitive capacity (denken) and cognitive organ (Gemüt) from that used to perceive inert nature (sinnen based on the Intellect or Sinn).

Hegel goes on to speak of his philosophical appropriation of the Urphänomen: “But may I now still speak to you of the special interest that an Urphänomen, thus cast in relief, has for us philosophers, namely that we can put such a preparation – with Your Excellency’s permission – directly to

philosophical use. But if we have at last worked our

initially oyster-like Absolute – whether it be grey or

entirely black, suit yourself – through towards air and

light to the point that the Absolute has itself come to

desire this air and light, we now need to throw open the

window so as to lead the Absolute fully out into the light

of day” (Hegel 1984: 699).Leaf operculum alone all others as a blessing creativity, vitality, hope and madness and more !!! Akasha is the aura of the Earth. physically. All trace continues to exist in the akasha of the Earth, which made the Egyptians say that we can survive through supports representing us (statuettes, photos, engravings, icons) and that gives the feeling to certain peoples that being photographed traps the soul ... it's partly true but not definitively. At each new galactic hour (every 25 600 years in human years), a reset of the akasha takes place. The next is scheduled for December 21, 2012. Getting back to work can be a good thing. Pilgrims of Heaven, we are! Good day. The Astral is another name to refer to the psyche (radiation of thoughts and human emotions) and the energetic aura (electromagnetic radiation) of the Earth for me. Etheric means spiritual energy of the higher consciousness planes tand qu 'energetic' refers to terrestrial and human radiation. The Paradise are the high parts of the astral, in these circles of purity are the teachings of the Ascended Masters. There are also portals to other dimensions of life here, on Earth in the 3rd dimension we are calibrated by a heart rate, a lunar rhythm, a terrestrial electro magnetic energy and the frequencies of human thoughts and emotions. All these frequencies reduce us condense us, lower us. We live at best on the frequency of our stomach (self-enhancement individualism and competition at worst on the frequency of our gut (withdrawal on the family, devaluation of self for the benefit of the local collective, war to defend its territory against invaders, aliens, energy racism) And when one is underdeveloped socially, one is based on the root chakra, connected to the spirit of survival, leads to mistrust vis-avis humans, with the need to live outside without social constraints like solitary wild animals (sdf and marginality chosen)

en.wikipedia.org/wiki/Goethean_science

  

Can you think of someone you know who is always positive? This doesn’t necessarily mean that they are always happy—sometimes life throws pretty hefty curve balls—but do you know someone who responds to those curve balls with grace and perspective, who reacts from a place of love and light? It’s these types of people, like Ghandi or Maya Angelou or Mother Teresa, who face hate and fear with love and forgiveness, who are true beacons of light that inspire the world.

 

The Light Inside of You

 

You have a light inside of you, too. Depending on where you are in your spiritual development, that light might be a flickering flame or a giant bonfire, but it’s there, and it’s ready for you to nourish it and let it get brighter and stronger.

 

Those people who seem to be lighter and happier have reached higher levels of awareness. In an expanded state, you realize that we are all connected to the universal field, and this understanding allows you to interact with the world from a thoughtful, loving, distanced standpoint. This is a far cry—and a much happier one—from the immediate knee-jerk reactions and fearful defensiveness that is the pattern of so many who are not coming from an enlightened awareness.

 

Spreading Love to All

 

I have traveled all over the world to meet with shamans, priests, monks, and many other spiritual teachers and energy healing practitioners, many of whom were living their daily life full of love and looking at the world and all its struggle from the vantage point of an expanded state.

 

What I learned from them, and have confirmed in my thirty years as an energy healer and spiritual teacher myself, is that when you have experienced the light of the divine, even momentarily through meditation, you can begin to cultivate that divine light inside of you. When you begin to express it through your thoughts and actions, it creates a ripple effect of love in the world.

 

Don’t Squelch Your Light!

 

Healing and enlightenment go hand in hand—it’s much harder to reach states of expanded awareness when your energy field is blocked or your chakras are spinning incorrectly. Think of it like this: when your chakras and energy field are not operating optimally, darkness fills your field and your body like a drop of ink in water, spreading quickly, and dimming your inner light. This is where energy healing comes to the rescue. With energy healing, you can clear those blockages and begin cleansing, charging and balancing your field, allowing space for the light to return.

 

Here are 3 tips for healing yourself and growing the light inside of you so you can live a more positive, happier life.

 

1. Have fun.

 

Joy is often overlooked in our fast-paced, work-driven culture, but it is one of the most important catalysts for bringing light into your life. If you’re like many, you are often rushing around, caught up in the busy-ness of projects, travel, appointments, etc. and you might forget to take time out to simply enjoy yourself. Take a fun break! Even if you have to schedule it in, make time to read a good book or watch an entertaining movie or take a bubble bath, play games with friends or run with your dog. Whatever makes you smile, laugh, and feel uplifted—do that as often as possible. Really let yourself have fun the way you did as a child, totally free and uninhibited. Think about how good it feels to let go. Joy is healing.

 

2. Live your soul’s true purpose.

 

When you are living your true purpose in life—doing what your soul came to this planet to do—you move further into the light. It’s like a key in a lock, and when you find your true life purpose, each day will feel like a gift. You know how they say, “You never work a day in your life when you do what you love.” I have found that to be true for myself: when I’m doing energy healing or teaching my healing courses, I feel great! I wish for you to manifest your own life purpose, whatever it may be, and if you haven’t found it yet, you can discover it through meditation, working with a spiritual teacher, or other personal work. You can always tell when someone is living in alignment with their true soul’s purpose, because they literally glow.

 

3. Be of service.

 

If you’ve been to one of my energy medicine workshops or listen to my weekly radio show, you have probably heard me say, “Chop wood, carry water.” Be of service. Serving others is a way to help heal yourself. I know it might sound backwards, but giving and using your gifts for the greater good takes your energy and light beyond yourself and helps others. But since we are all connected through the universal field, that light you shine on others comes back to illuminate you. Light brings more light.

 

If you encourage the light that is already inside of you to grow and expand, it will eventually burn so brightly that others can’t help but see it, and they will want to follow your radiant example. Not only will you be raising your own vibration by living in light and acting from a framework of positivity, but you will also be helping to raise the vibration of the whole planet!

 

deborahking.com/cultivate-inner-light/

 

SOMETIMES THE ONLY TRANSPORTATION NEEDED IS A LEAP OF FAITH!

 

00angelI myself have been in a deep state of Alchemical transition experiencing the Shamanic Death Rites of Passage as a Spring cleaning releasing my own deep emotional wounds and past- life contracts (included the soul life lesson reflected through touring, media appearances and private sessions) experiences related to some heart wrenching, agonizing pain suppressed deep within a vault that granted no access not only in my own consciousness but that of the collective as well. This has been a time of truly embracing the lesson of self-love, acceptance and worth.

 

I’m constantly amazed and in awe by the reflection of what my beloved clients feel safe to express and transmute and in the spirit of truly being Nakedly transparent and honoring each individual – you – having a greater capacity for love of self as it shines out to all you amazing divine souls.

 

Together we are changing the world, anchoring the new world one person at a time as we step into our Divine Unveiling and illumination. You are the ones you’ve been waiting for!

 

Before we can experience true Union with our Spirit we are asked to look within and initiate ourselves into a greater Understanding of Life, accepting and healing both the light and dark of our Nature. This process can bring about a a series of initiations that takes us through the purifying fire of our Spirit to turn us from lead into Spiritual Gold.

 

00ahealer“Antahkarana” is a Sanskrit word meaning ‘interior sense organ.’ It has been likened to the awakening of the Inner Guru. In the wisdom teachings of the Tibetan Master, Djwhal Khul, the antahka- rana is portrayed as a bridge to the inner worlds of light, a tube of light that flows through you connecting the frequency of the Cosmic Kundalini Consciousness of Source above with that of the Divine Mother of the Gaia – Earth Kundalini.

 

Along the cosmic diving rod otherwise known as the spine, seven star gates, vortices, seals, or energy centers reside that correspond to elements, body parts, and life situations.

 

According to some, these spinning centers-known as chakras -are seven layers of manifestation that form a rainbow bridge between Father Sky and Mother Earth. Revealing the Garden of Eden; Heaven on Earth.

 

Defy the laws of gravity as we step into a sacred space to bridge the Inner worlds of the Inner Gods and Goddess that oversee each Stargate or Chakra, blending the 10 bodies of Light with the Tree of Light including our dark and light sides.

 

Igniting your Soul in reclaiming your sacred roots, clear, grounding, and strengthen you in receiving the Sound Harmonics in deeper connection with the crystalline core heart center of the Mother Earth.

 

Blend and merging the 2 Divine Currents of the Cosmic and Earth Kundalini igniting the infinite well to flow through your aura, body and hologram.

 

Ascension, Conscious Awareness, Conscious Soul Evoultion, Dark night of the Soul, Death Rites, Energetic Soul Psychology, Gaia, Goddess Alchemy and Divine Magic, I AM Presence, Quantum Physics, Rites of Passage, Shamanic Healing, Shift Happens, Soul Shifting, Vibrancy, Wisdom

 

charlotteszivak.com/inner-soul-alchemy-bridging-the-inner...

What better way to let my inner flame alchemist breathe than by transmuting a fire dragon? Still need to add all the details in Mustang's transmutation circle.

 

"All you have is your fire

and the place you need to reach.

Don't you ever tame your demons,

but always keep them on a leash."

~Hozier Arsonist's Lullaby

Placed at the center of the altar alongside the food offerings is this opera stage display with mechanical moving puppets - symbolizing peace and prosper to the country and its people.

 

=====

 

The Ghost Festival, also known as the Hungry Ghost Festival, or Yu Lan is a traditional Chinese festival and holiday celebrated by Chinese in many countries. In the Chinese calendar (a lunisolar calendar), the Ghost Festival is on the 15th night of the seventh month (14th in southern China).

 

In Chinese tradition, the fifteenth day of the seventh month in the lunar calendar is called Ghost Day and the seventh month in general is regarded as the Ghost Month (鬼月), in which ghosts and spirits, including those of the deceased ancestors, come out from the lower realm.

 

Distinct from both the Qingming Festival (in spring) and Chung Yeung Festival (in autumn) in which living descendants pay homage to their deceased ancestors, on Ghost Day, the deceased are believed to visit the living.

 

On the fifteenth day the realms of Heaven and Hell and the realm of the living are open and both Taoists and Buddhists would perform rituals to transmute and absolve the sufferings of the deceased. Intrinsic to the Ghost Month is ancestor worship, where traditionally the filial piety of descendants extends to their ancestors even after their deaths.

 

Activities during the month would include preparing ritualistic food offerings, burning incense, and burning joss paper, a papier-mâché form of material items such as clothes, gold and other fine goods for the visiting spirits of the ancestors

 

=====

 

Follow my rediscovery of the Hungry Ghosts "Yu Lan" Festival here:

七月盂蘭 Mid Summer Ghost Story

 

For my past visits to the Hungry Ghosts "Yu Lan" Festival here:

Hungry Ghosts "Yu Lan" Festival

 

More Chinese Temples images here:

Caves & Temples

 

=====

   

the transmutation of common metals into gold

 

>

 

Noumea

New Caledonia

Happy Saturday, dear Flickr friends... :-)

 

Here is my next entry into my crystal database.

 

Geode, 12 x 10 x 5 cm

 

Amethyst is an extremely powerful and protective stone with a high spiritual vibration. It guards against psychic attack, transmuting the energy into love. A natural tranquilizer, Amethyst blocks geopathic stress and negative environment energies. Its serenity enhances higher states of consciousness and meditation. Amethyst has strong healing and cleansing powers, and enhances spiritual awareness.

 

Healing: Amethyst boosts production of hormones, and tunes the endocrine system and metabolism. It strengthens the cleansing and eliminating organs and the immune system. An excellent cleanser for the blood. Amethyst relieves physical, emotional, and psychological pain or stress, and blocks geopathic stress. It eases headaches and releases hearing disorders. It heals dis-eases of the lungs and respiratory tract, is beneficial for the intestines, relating flora, removing parasites and encouraging reabsorption of water. Amethyst treats insomnia and brings restful sleep. At a subtle level it cleanses the aura and transmutes negative energy, and stimulates the throat and crown chakras. It is helpful for people about to make the transition through death.

 

Calcite is a powerful amplifier and cleanser of energy. More info about Calcite in a separate post... :-)

 

Received as a present from my wife Sigi...

   

This shot is not digitally manipulated in any way.

 

© Nic Kolbe • Please do not use this photo for Blogs or Banners without my permission.

Obviously the centre of all attention is the Center Stage made of bamboo structure with aluminium zinc roof.

 

Not only does this podium provides entertainment for the visitors, it is believed the spiritual buddies enjoy it even more so. In fact, the front row is often vacant out and reserved for the spirits.

 

=====

 

The Ghost Festival, also known as the Hungry Ghost Festival, or Yu Lan is a traditional Chinese festival and holiday celebrated by Chinese in many countries. In the Chinese calendar (a lunisolar calendar), the Ghost Festival is on the 15th night of the seventh month (14th in southern China).

 

In Chinese tradition, the fifteenth day of the seventh month in the lunar calendar is called Ghost Day and the seventh month in general is regarded as the Ghost Month (鬼月), in which ghosts and spirits, including those of the deceased ancestors, come out from the lower realm.

 

Distinct from both the Qingming Festival (in spring) and Chung Yeung Festival (in autumn) in which living descendants pay homage to their deceased ancestors, on Ghost Day, the deceased are believed to visit the living.

 

On the fifteenth day the realms of Heaven and Hell and the realm of the living are open and both Taoists and Buddhists would perform rituals to transmute and absolve the sufferings of the deceased. Intrinsic to the Ghost Month is ancestor worship, where traditionally the filial piety of descendants extends to their ancestors even after their deaths.

 

Activities during the month would include preparing ritualistic food offerings, burning incense, and burning joss paper, a papier-mâché form of material items such as clothes, gold and other fine goods for the visiting spirits of the ancestors

 

=====

 

More images of the Hungry Ghosts "Yu Lan" Festival here:

Hungry Ghosts "Yu Lan" Festival

 

More Chinese Temples images here:

Caves & Temples " Festival

 

=====

 

Photo shot with Nikon D600 + AF-S NIikkor 50mm f/1.8G

  

=====

Obviously the centre of all attention is the Center Stage made of bamboo structure with aluminium zinc roof.

 

Not only does this podium provides entertainment for the visitors, it is believed the spiritual buddies enjoy it even more so. In fact, the front row is often vacant out and reserved for the spirits.

 

=====

 

The Ghost Festival, also known as the Hungry Ghost Festival, or Yu Lan is a traditional Chinese festival and holiday celebrated by Chinese in many countries. In the Chinese calendar (a lunisolar calendar), the Ghost Festival is on the 15th night of the seventh month (14th in southern China).

 

In Chinese tradition, the fifteenth day of the seventh month in the lunar calendar is called Ghost Day and the seventh month in general is regarded as the Ghost Month (鬼月), in which ghosts and spirits, including those of the deceased ancestors, come out from the lower realm.

 

Distinct from both the Qingming Festival (in spring) and Chung Yeung Festival (in autumn) in which living descendants pay homage to their deceased ancestors, on Ghost Day, the deceased are believed to visit the living.

 

On the fifteenth day the realms of Heaven and Hell and the realm of the living are open and both Taoists and Buddhists would perform rituals to transmute and absolve the sufferings of the deceased. Intrinsic to the Ghost Month is ancestor worship, where traditionally the filial piety of descendants extends to their ancestors even after their deaths.

 

Activities during the month would include preparing ritualistic food offerings, burning incense, and burning joss paper, a papier-mâché form of material items such as clothes, gold and other fine goods for the visiting spirits of the ancestors

 

=====

 

More images of the Hungry Ghosts "Yu Lan" Festival here:

Hungry Ghosts "Yu Lan" Festival

 

More Chinese Temples images here:

Caves & Temples " Festival

 

=====

 

Photo shot with Photo shot with Nikon D600 + AF-S VR Zoom-Nikkor 70-300mm f/4.5-5.6G IF-ED

  

=====

 

If you are interested in purchasing this image, please visit Getty Images page at:

Cheryl Chan @ Getty Images

 

=

Three wonders to go! <3

prototype 8. hands, thread, newspaper

---- Angels & Demons (devil tries to tempt Saint Lucia, August 2018, Savoca - Sicily) ----

 

---- Angeli & Demoni (il demonio tenta Santa Lucia, agosto 2018, Savoca - Sicilia) ----

 

-----------------------------------------------------------------

  

click here - clicca qui

  

the slideshow

  

Qi Bo's photos on Fluidr

  

Qi Bo's photos on Flickriver

  

Qi Bo's photos on FlickeFlu

  

Qi Bo's photos on PICSSR

 

Qi Bo's photos on Flickr Hive Mind

  

www.worldphoto.org/sony-world-photography-awards/winners-...

  

www.fotografidigitali.it/gallery/2726/opere-italiane-segn...

  

-------------------------------------------------------------------

  

this is a photographic narration that speaks of the eternal struggle that takes place between good and evil, which speaks of a dark period of history, speaks of the violence suffered by women but also by those who belonged to the poorest social classes, historical facts that have been handed down to us in the form of a story and associated-transmuted in the martyrdom of Saint Lucia, this is what happens in the town of Savoca (Sicily). This is a short and long report, I did in Savoca on August 2018 about the living representation of the martyrdom of Saint Lucia (patron saint of the city of Savoca); the cult of the young Saint of Syracuse seems to date back to the fifteenth century, under the influence of Spanish traditions. The commemoration of the history of St. Lucia occurs in two consecutive days, Saturday and Sunday: here I try to tell some times of the day on Sunday, a day during which the festival is held at the height of her beauty. And 'This is a historical event which speaks of Demons and Angels: Saint Lucy refused to marry a rich and powerful suitor (Lucy declared She was married in Christ), which reported the Christian faith of Lucia to prefect Pascasio that ordered his Praetorian Guard to drag Lucia with a rope to a place of prostitution; legend has it that the Holy became heavy, they then tried to drag it with the help of oxen, but it was impossible to move it from where he stood; failing in this, it was then given the order to cavarle eyes, but the young martyr (native of Syracuse) her eyes reappeared.

In the village of Savoca a young girl, affectionately called the "Lucy" is carried on the shoulder of a porter along the streets of the country (sitting on a pillow tied on the shoulder of a man, but in fact men are two); the young Saint remains impassive in the face of demonic temptations: the Devil, called in Sicilian dialect "u Diavulazzu, shake, shakes, turns his pitchfork in an attempt to "distract" the Saint.

The first day of this representation, on Saturday, in an old church in Savoca, the two girls who impersonate the Lucia, of the current year and the previous year, meet with the delivery of palm; the traditional event which we witness on Saturday, has all the appearance of an important rehearsal for the next day, on Sunday when the traditional festival will take place in all its beauty.

Sunday: on top of the procession there are the "Jews" (the emissaries of the prefect Pascasio) along with some Angels, is located immediately after the wagon drawn by two cows from which branches off a rope that will arrive to Saint Lucia (a girl of six years); between her and the cows there are Roman soldiers, who make their way through the crowd squirming like crazy; to hold the rope there are also male figures; the job of Devil (his mask is made of wood, whose invoice is dated, it seems, of the 400') is to distract the little Saint with the help of a long stick equipped of curved points, called "u 'croccu": Lucia hardly is deceived by the promises of the evil one, she will not abandon the state of her property concentration, aided in this by staring, almost in a trance, a small palm branch in silver , she brings devoutly in her hands.It's very important to mention the Baron Baldassarre (nicknamed Baron Altadonna), who applied without any hesitation the practice of Jus de seigneur: using this law the Baron obliged the young brides to spend the wedding night in his alcove. It 'very possible that in the representation of Saint Lucia of Savoca the character of the Devil tempting young Santa with his pitchfork, in reality is nothing but himself, Baron Altadonna, so allegorically described in this traditional Sicilian feast: the figure of the Devil if one takes into account what historians relate, does not belong more to the legend, but sadly to actual event happened. Post scriptum: the photographs, realized both on Saturday and Sunday, were organized and posted without taking into account the temporal chronology of what happened during the two days of the event; two photos of the mummy of Baron Altadonna have been included, which is located in the crypt of the Capuchin Fathers of Savoca; the portraits of two "Lucie" from previous editions, grandfather and great-grandfather of the "DIAVOLI" dynasty were included; the "silver palm" was delivered by Lucia of 2016 (Valentina), to the current Lucia (Miriana), in 2017 the event was not performed.

Ezio Famà.

------------------------------------------------------------------------------------------

questa è una narrazione fotografica che parla dell'eterna lotta che avviene tra il bene ed il male, che parla di un periodo buio della storia, che parla delle violenze subite dalle donne ma anche da coloro che appartenevano alle classi sociali più povere, fatti storici che sono stati tramandati fino a noi in forma di racconto ed associati-trasmutati nel martirio di Santa Lucia, questo è quanto accade nel paese di Savoca (Sicilia). Questo è un report corto e lungo, che ho realizzato in quel di Savoca lo scorso mese di Agosto 2018, su quella che è la rappresentazione vivente del martirio di Santa Lucia (Santa patrona della città di Savoca); il culto della giovane Santa di Siracusa sembra risalire al XV secolo, sotto l'influenza delle tradizioni spagnole. La rievocazione vivente della storia di S.Lucia avviene in due giornate consecutive, il sabato e la domenica: qui tento di raccontare alcuni momenti della giornata della domenica, giorno durante il quale la festa si svolge nel pieno della sua bellezza. E' questa una rievocazione storica che parla di Demoni ed Angeli: la storia rievoca di quando la Santa, si rifiutò di andare in sposa ad un suo ricco e potente pretendente (essendosi dichiarata Cristiana e sposa in Cristo), il quale per vendetta riferì della fede Cristiana di Lucia al prefetto Pascasio; costui diede ordine ai suoi pretoriani di trascinare Lucia con una corda fino ad un lupanare, un luogo di prostituzione; la leggenda narra che la Santa divenne pesantissima, si tentò allora di trascinarla con l'ausilio dei buoi, ma fu impossibile smuoverla da dove si trovava; non riuscendo in ciò, fu allora dato l'ordine di cavarle gli occhi, ma alla giovane martire (nativa di Siracusa) gli occhi le rispuntarono. Nel paese di Savoca una giovane ragazza, chiamata con affetto "la Lucia" viene portata in spalla lungo le vie del paese (seduta su di un cuscino legato sulla spalla di un uomo; in realtà gli uomini portatori sono due, dandosi il cambio l'un l'altro); la giovane Santa rimane impassibile di fronte alle tentazioni demoniache: il Diavolo, chiamato in dialetto siciliano "u Diavulazzu, agita, scuote, fa ruotare il suo forcone nel tentativo di "distrarre" la Santa ma, vani saranno i suoi tentativi. Il primo giorno di questa rappresentazione, il sabato, in una vecchia chiesa di Savoca, le due bambine che impersonano la Lucia, dell'anno in corso e dell'anno precedente, si incontrano con la consegna della palma da una bimba all'altra; l'evento tradizionale al quale si assiste il sabato, ha tutto l'aspetto di una importante prova generale per il giorno dopo, quando la domenica la festa tradizionale avverrà in tutta la sua bellezza.La domenica: in cima alla processione ci sono i "Giudei" (gli emissari del prefetto Pascasio) insieme ad alcuni Angeli, subito dopo si trova il carro tirato da due giumente dalle quali si diparte una corda che giungerà fino a cingere il fianco della bimba che impersona Santa Lucia (una bambina di sei anni); tra lei e le giumente ci sono i soldati Romani, che si fanno largo tra la folla dimenandosi a più non posso; a tenere la corda ci sono anche delle figure maschili che evitano che gli strattonamenti dei soldati romani possano giungere fino alla Santa (ricordiamolo, che è legata a quella corda); davanti alla Santa piroetta il diavolo tentatore, u' Diavulazzu (la maschera è in legno, la cui fattura è datata, sembra, del 400'), il cui compito è quello di distrarre la piccola Santa con l'aiuto di un lungo bastone dotato di punte ricurve, chiamto dialettalmente "u' croccu": Lucia difficilmente si lascerà ingannare dalle promesse del Maligno, non abbandonerà quel suo stato di immobile concentrazione, aiutata in ciò dal fissare, quasi in stato di trance, un piccolo ramo di palma in argento, che lei strige devotamente tra le sue mani. E’ fondamentale menzionare tra i vari personaggi storici della tradizione, il barone Baldassarre, vissuto in Savoca in epoca medioevale, soprannominato barone Altadonna, che applicava senza remora alcuna la pratica della Jus primae noctis: avvalendosi di questa legge il barone obbligava le giovani spose a trascorrere la prima notte di nozze nella sua alcova. E’ fortemente ipotizzabile che nella rappresentazione di Santa Lucia di Savoca il personaggio del Diavolo che tenta la giovane Santa col suo forcone, in realtà non sia altro che egli stesso, il barone Altadonna, così allegoricamente descritto nella festa tradizionale siciliana: la figura del Diavolo, se si tiene conto di quanto narrano gli storici, non apparterrebbe più alla leggenda, ma a questo tristo personaggio realmente vissuto, che usava quotidianamente la moneta della prepotenza. Post scriptum: le fotografie, realizzate sia il sabato che la domenica, sono state organizzate e postate senza tenere conto della cronologia temporale di quanto avvenuto nei due giorni della manifestazione; sono state inserite due foto della mummia del barone Altadonna, che si trova nella cripta dei Padri Cappuccini di Savoca; sono stati inseriti i ritratti di due "Lucie" delle precedenti edizioni, del nonno e del bisnonno della dinastia dei "DIAVOLI"; la "palma d'argento" è stata consegnata dalla Lucia del 2016 (Valentina), alla attuale Lucia (Miriana); nel 2017 la manifestazione non è stata eseguita.

Ezio Famà.

   

At the altar, offerings for the God & Goddess who will be the guardian of spirits include tea, rice wine, pickle, types of grains ( ie. glutenous rice, forbidden rice), nuts and fresh fruits.

 

=====

  

** Origin and facts of the Hungry Ghost Festival:

  

The Ghost Festival, also known as the Hungry Ghost Festival, or Yu Lan is a traditional Chinese festival and holiday celebrated by Chinese in many countries. In the Chinese calendar (a lunisolar calendar), the Ghost Festival is on the 15th night of the seventh month (14th in southern China).

  

In Chinese tradition, the fifteenth day of the seventh month in the lunar calendar is called Ghost Day and the seventh month in general is regarded as the Ghost Month (鬼月), in which ghosts and spirits, including those of the deceased ancestors, come out from the lower realm.

  

Distinct from both the Qingming Festival (in spring) and Chung Yeung Festival (in autumn) in which living descendants pay homage to their deceased ancestors, on Ghost Day, the deceased are believed to visit the living.

  

On the fifteenth day the realms of Heaven and Hell and the realm of the living are open and both Taoists and Buddhists would perform rituals to transmute and absolve the sufferings of the deceased. Intrinsic to the Ghost Month is ancestor worship, where traditionally the filial piety of descendants extends to their ancestors even after their deaths.

  

Activities during the month would include preparing ritualistic food offerings, burning incense, and burning joss paper, a papier-mâché form of material items such as clothes, gold and other fine goods for the visiting spirits of the ancestors

  

=====

  

More images of the Hungry Ghosts "Yu Lan" Festival here:

Hungry Ghosts "Yu Lan" Festival

  

More Chinese Temples images here:

Caves & Temples " Festival

  

=====

  

If you are interested in purchasing this image, please visit Getty Images page at:

Cheryl Chan @ Getty Images

  

=====

Joe

 

Castaic

Fall 2009

 

***Please do not use or download picture without my permission! Thanks! (Contact me for questions)

Caught some action behind the stage, a couple was helping each other to prepare for the performance.

 

Not only does this podium provides entertainment for the visitors, it is believed the spiritual buddies enjoy it even more so. In fact, the front row is often vacant out and reserved for the spirits.

 

=====

 

The Ghost Festival, also known as the Hungry Ghost Festival, or Yu Lan is a traditional Chinese festival and holiday celebrated by Chinese in many countries. In the Chinese calendar (a lunisolar calendar), the Ghost Festival is on the 15th night of the seventh month (14th in southern China).

 

In Chinese tradition, the fifteenth day of the seventh month in the lunar calendar is called Ghost Day and the seventh month in general is regarded as the Ghost Month (鬼月), in which ghosts and spirits, including those of the deceased ancestors, come out from the lower realm.

 

Distinct from both the Qingming Festival (in spring) and Chung Yeung Festival (in autumn) in which living descendants pay homage to their deceased ancestors, on Ghost Day, the deceased are believed to visit the living.

 

On the fifteenth day the realms of Heaven and Hell and the realm of the living are open and both Taoists and Buddhists would perform rituals to transmute and absolve the sufferings of the deceased. Intrinsic to the Ghost Month is ancestor worship, where traditionally the filial piety of descendants extends to their ancestors even after their deaths.

 

Activities during the month would include preparing ritualistic food offerings, burning incense, and burning joss paper, a papier-mâché form of material items such as clothes, gold and other fine goods for the visiting spirits of the ancestors

 

=====

 

More images of the Hungry Ghosts "Yu Lan" Festival here:

Hungry Ghosts "Yu Lan" Festival

 

More Chinese Temples images here:

Caves & Temples " Festival

 

=====

Coming to the close of the pics from "Radical Horizons" at Chatsworth House, this is "Transmutation", by Arturo Gonzales and Maru Izaguirre. As with all the other works on display, it was previously featured at the Burning Man Festival in the Nevada Desert, USA.

What the hell happened?

 

This WAS #1 on EXPLORE for Sept 6, 2005 (see below).... But, recently it just disappeared off the face of the explore page.... What the hell happened? Not even on the page... #1 to nothin'..... What the hell happened?

 

I'm uploading again a second time, because I'm proud of it, and love to share it with you, and I'm a little wounded... hurts so bad. Could someone have called it "offensive"? What the hell happened?

The ancient stories tell of a young warrior named Belloveso, who after defeating the Etruscan tribes, around the sixth century BC would have stopped in the great plain in a land called insubria and built their home. This place was not chosen by chance, but the legend tells of a totemic animal (specifically a wild boar) with the back partially covered with hair, a magical sign interpreted as a divine signal.

 

From there, the legend wants to attribute to the term mediolanum the meaning of medio-lanae or sow semilanuta (in medio lanae) that became the symbol of Gallic Milan until the fourth century.

 

According to another legend, instead, the term mediolanum should derive from terra di mezzo, meaning land halfway between the Olona and Seveso rivers.

 

It has been pointed out that Milan rises on the line of the fountains (that is, where the waters surface for the degradation of the plain towards the Po), so it could be born on a tongue of land that gave on a swamp, in a place therefore well defensible.

 

Admired for its beauty and magnificence, the Duomo of Milan is one of the most famous Gothic cathedrals in the world, but also among those in which history and mystery are mixed. The Cathedral of Santa Maria Nascente is a true concentration of legends and mysteries. An ancient legend tells how just below the Cathedral is kept a precious treasure hidden in medieval times by the Knights Templar. Among the esoteric symbols contained within the cathedral, there is one worthy of note: through a special hole in the vault of the cathedral penetrates the sunlight that generates a sundial that would indicate the two solstices in summer and winter, as well as the position of the sun throughout the year. One more curiosity: where today stands Piazza Duomo, 2000 years ago it is said there was a Celtic temple, a forest of oaks inhabited by druids. Starting from the basement, this imposing monument reveals these two aspects in its entirety: in fact, under the churchyard of Santa Maria Nascente, the real name of the Lombard cathedral, there are the remains of the Basilica of Santa Tecla dating back to the fourth century AD, built in turn on the ruins of a temple dedicated to Minerva. From the basement, which can be visited with a guide, you enter the cathedral, where you can see numerous esoteric symbols, including the brass sundial that runs longitudinally throughout the church and the entire church on which are affixed the 12 symbols of the zodiac.

Esoteric symbols in the Duomo of Milan

The Sundial dates back to 1786 and is the work of the astronomers of Brera. The light that illuminates the strip and enters from the hole of the dome indicates the two solstices in summer and winter and the position of the Sun during the year. In addition, the brass strip ends up on the wall, perpendicular to the floor, in correspondence with the sign of Capricorn. Some scholars claim that light illuminates darkness and heralds the coming of Christ. Esoteric symbols cover the cathedral, both inside and outside, and each of them has its own meaning. A curious belief warns the newlyweds who want to be immortalized outside the cathedral: in fact, the ghost of Carlina could be lurking. Legend has it that Carlina, promised to marry Renzino, threw herself from the spires of the Duomo to atone for a betrayal.

 

As we know there were some very specific canons for the construction of very special buildings such as cathedrals.

The Duomo of Milan is located in a place of very powerful "energy node" of positive magic.

The construction of this building seems to have seen the application of what were the knowledge of constructive and semiological secrets also by the eastern populations, who came into contact with ours during the period of the Crusades.

Even the soaring spires would be functional not only for the elevation of the soul of faith towards the divine, but also for the regulation of the telluric movements even imperceptible to the human being, coming from the center of the earth.

In the Middle Ages this kind of knowledge was not open to the knowledge of all and was transmitted in a mostly occult and esoteric character.

The privilege of knowledge was granted only after long years of apprenticeship with the Masters who then passed on their knowledge and their techniques.

This knowledge was not only of a static nature, such as giving stability to the vaults and the best way of sculpting marble, but also the meaning of each symbol and its position or alignment with others.

The Cathedral Factory has seen the alternation of many Italian and foreign Masters, each of them has left in the cathedral his own knowledge, what better crucible of knowledge a construction site so large and with such a "delicate" task?

According to tradition, the Duomo of Milan is nothing more than an immense alchemical treatise representing the metamorphosis of the change from animal to man of the human being.

Among its symbols, among its hermetic frills, it seems that the mystery of transmutation is hidden.

Which for a cathedral is a very powerful symbolism, also for the Catholic faith that sees the transmutation of the human being in something much more similar to the divine as the purpose of existence: the soul in its celebration.

 

www.vampiri.net/luoghimagici_002.html

Personal Thoughts from August 07, 1976

------------------------------------------------------------------------

Energy is one.

Individuals are parts of that one.

Individuals through a source such as Love

(or other emotion or virtue) are one.

Thoughts are a source of energy.

Energy is neither created or destroyed.

Thoughts are neither created or destroyed.

Individuals are tuned-in to thoughts.

We do not think; we experience thought.

Our level of development is how we use

these thoughts to experience other

thoughts.

We are actually experiencing energies.

Our level of development is how we can

tune-in to these energies.

Our true purpose is to think and develop;

think and develop; become the source of energy.

------------------------------------------------------------------------

======================================================

................. From the Sayings of Buddha ...............

The greatest achievement is selflessness.

The greatest worth is self-mastery.

The greatest qualities is seeking to serve others.

The greatest precept is continual awareness.

The greatest medicine is the emptiness of everything.

The greatest action is not conforming with the worlds ways.

The greatest magic is transmuting the passions.

The greatest generosity is non-attachment.

The greatest goodness is a peaceful mind.

The greatest patience is humility.

The greatest effort is not concerned with results.

The greatest meditation is a mind that lets go.

The greatest wisdom is seeing through appearances.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

So this is Princess, one of the five fearless young orphans of G-Force "DEDICATED! INSEPARABLE! INVINCIBLE!" who are vigilantly "PROTECTING EARTH'S ENTIRE GALAXY!"...Welcome to 1978 and BATTLE OF THE PLANETS. Imagine if you will that her awesome motorcycle is upgraded now to a speeder bike which like G-Force's ship, the Fiery Phoenix ("TRANSMUTE!") has the ability to become a super-powered vehicle of flaming energy in times of dire trouble.

 

Damn those trans oranges are tough to build with and photograph. My entry for the CMF category for this year's LSB contest. About 14x7x8 studs.

 

Battle Of The Planets intro sequence: www.youtube.com/watch?v=acOnskcyrtA

Tara in Tibetan Buddhism, is a female Bodhisattva. She is known as the "mother of liberation", and represents the virtues of success in work and achievements.

 

Within Tibetan Buddhism, Tārā is regarded as a Bodhisattva of compassion and action. She is the female aspect of Avalokiteśvara. Tārā is also known as a saviouress, as a heavenly deity who hears the cries of beings experiencing misery in saṃsāra.

 

The most widely known forms of Tārā are:

 

Green Tārā, (Syamatara) known as the Buddha of enlightened activity

White Tārā, (Sitatara) also known for compassion, long life, healing and serenity; also known as The Wish-fulfilling Wheel, or Cintachakra

Red Tārā, (Kurukulla) of fierce aspect associated with magnetizing all good things

Black Tārā, associated with power

Yellow Tārā, (Bhrikuti) associated with wealth and prosperity

Blue Tārā, associated with transmutation of anger

  

en.wikipedia.org/wiki/Tara_(Buddhism)

  

Temple of the Five Pagodas

 

Temple of the Five Pagodas , also known as the "Precious Pagoda of the Buddhist Relics of the Diamond Throne" , is a Buddhist temple in the city of Hohhot in Inner Mongolia in north-west China. It is located in the older part of the city in the vicinity of Qingcheng Park.

 

Construction of the temple began in 1727 and was completed in 1732. The distinctive five pagodas surmount contains a temple with 1563 images of Buddha carved into its walls each differing slightly to the other. Inside is a rare Mongolian cosmological map carved into a large stone which illustrates the zodiac and positions of numerous stars.

 

en.wikipedia.org/wiki/Five_Pagoda_Temple_(Hohhot)

Obviously the centre of all attention is the Center Stage made of bamboo structure with aluminium zinc roof.

 

Not only does this podium provides entertainment for the visitors, it is believed the spiritual buddies enjoy it even more so. In fact, the front row is often vacant out and reserved for the spirits.

 

=====

 

The Ghost Festival, also known as the Hungry Ghost Festival, or Yu Lan is a traditional Chinese festival and holiday celebrated by Chinese in many countries. In the Chinese calendar (a lunisolar calendar), the Ghost Festival is on the 15th night of the seventh month (14th in southern China).

 

In Chinese tradition, the fifteenth day of the seventh month in the lunar calendar is called Ghost Day and the seventh month in general is regarded as the Ghost Month (鬼月), in which ghosts and spirits, including those of the deceased ancestors, come out from the lower realm.

 

Distinct from both the Qingming Festival (in spring) and Chung Yeung Festival (in autumn) in which living descendants pay homage to their deceased ancestors, on Ghost Day, the deceased are believed to visit the living.

 

On the fifteenth day the realms of Heaven and Hell and the realm of the living are open and both Taoists and Buddhists would perform rituals to transmute and absolve the sufferings of the deceased. Intrinsic to the Ghost Month is ancestor worship, where traditionally the filial piety of descendants extends to their ancestors even after their deaths.

 

Activities during the month would include preparing ritualistic food offerings, burning incense, and burning joss paper, a papier-mâché form of material items such as clothes, gold and other fine goods for the visiting spirits of the ancestors

 

=====

 

More images of the Hungry Ghosts "Yu Lan" Festival here:

Hungry Ghosts "Yu Lan" Festival

 

More Chinese Temples images here:

Caves & Temples " Festival

 

=====

 

Photo shot with Photo shot with Nikon D600 + AF-S VR Zoom-Nikkor 70-300mm f/4.5-5.6G IF-ED

 

=====

Composition avec Photoshop et ACDSee Ultimate

"A painless lesson is one without any meaning, one who does not sacrifice anything cannot achieve anything." said Estelle Romillet in the dark undergrounds of Hogwarts. Learning one of the fundamental rules of Alchemy.

 

The Alchemy was something hard, the central quest of alchemy may be more complex, and less materialistic, than it first appears (cf Pottermore).

 

But for Estelle, the Alchemy can be materialistic, use objects and transmute them, in order to exceed the limits of the human being.

 

The newest generation of young and crazy alchemists is here. She creates unstable useful - or useless and dangerous - objects for the others students. Nicolas Flamel is her model. She wants become famous like him.

 

Goggles down, books in the hand, fab watch in the other hand, not so crazy right ? Right ? Um...

 

@Mischief Managed

Click here for my Facebook

 

SOOC

 

Hi everyone!

Today no much to say, rest day at home, trying to get my right knee working normal, I can walk again so, tomorrow I will back at the office and well, some things are going to change...

 

Have a great night you all!

---- Angels & Demons (devil tries to tempt Saint Lucia, August 2018, Savoca - Sicily) ----

 

---- Angeli & Demoni (il demonio tenta Santa Lucia, agosto 2018, Savoca - Sicilia) ----

 

-----------------------------------------------------------------

  

click here - clicca qui

  

the slideshow

  

Qi Bo's photos on Fluidr

  

Qi Bo's photos on Flickriver

  

Qi Bo's photos on FlickeFlu

  

Qi Bo's photos on PICSSR

 

Qi Bo's photos on Flickr Hive Mind

  

www.worldphoto.org/sony-world-photography-awards/winners-...

  

www.fotografidigitali.it/gallery/2726/opere-italiane-segn...

  

-------------------------------------------------------------------

  

this is a photographic narration that speaks of the eternal struggle that takes place between good and evil, which speaks of a dark period of history, speaks of the violence suffered by women but also by those who belonged to the poorest social classes, historical facts that have been handed down to us in the form of a story and associated-transmuted in the martyrdom of Saint Lucia, this is what happens in the town of Savoca (Sicily). This is a short and long report, I did in Savoca on August 2018 about the living representation of the martyrdom of Saint Lucia (patron saint of the city of Savoca); the cult of the young Saint of Syracuse seems to date back to the fifteenth century, under the influence of Spanish traditions. The commemoration of the history of St. Lucia occurs in two consecutive days, Saturday and Sunday: here I try to tell some times of the day on Sunday, a day during which the festival is held at the height of her beauty. And 'This is a historical event which speaks of Demons and Angels: Saint Lucy refused to marry a rich and powerful suitor (Lucy declared She was married in Christ), which reported the Christian faith of Lucia to prefect Pascasio that ordered his Praetorian Guard to drag Lucia with a rope to a place of prostitution; legend has it that the Holy became heavy, they then tried to drag it with the help of oxen, but it was impossible to move it from where he stood; failing in this, it was then given the order to cavarle eyes, but the young martyr (native of Syracuse) her eyes reappeared.

In the village of Savoca a young girl, affectionately called the "Lucy" is carried on the shoulder of a porter along the streets of the country (sitting on a pillow tied on the shoulder of a man, but in fact men are two); the young Saint remains impassive in the face of demonic temptations: the Devil, called in Sicilian dialect "u Diavulazzu, shake, shakes, turns his pitchfork in an attempt to "distract" the Saint.

The first day of this representation, on Saturday, in an old church in Savoca, the two girls who impersonate the Lucia, of the current year and the previous year, meet with the delivery of palm; the traditional event which we witness on Saturday, has all the appearance of an important rehearsal for the next day, on Sunday when the traditional festival will take place in all its beauty.

Sunday: on top of the procession there are the "Jews" (the emissaries of the prefect Pascasio) along with some Angels, is located immediately after the wagon drawn by two cows from which branches off a rope that will arrive to Saint Lucia (a girl of six years); between her and the cows there are Roman soldiers, who make their way through the crowd squirming like crazy; to hold the rope there are also male figures; the job of Devil (his mask is made of wood, whose invoice is dated, it seems, of the 400') is to distract the little Saint with the help of a long stick equipped of curved points, called "u 'croccu": Lucia hardly is deceived by the promises of the evil one, she will not abandon the state of her property concentration, aided in this by staring, almost in a trance, a small palm branch in silver , she brings devoutly in her hands.It's very important to mention the Baron Baldassarre (nicknamed Baron Altadonna), who applied without any hesitation the practice of Jus de seigneur: using this law the Baron obliged the young brides to spend the wedding night in his alcove. It 'very possible that in the representation of Saint Lucia of Savoca the character of the Devil tempting young Santa with his pitchfork, in reality is nothing but himself, Baron Altadonna, so allegorically described in this traditional Sicilian feast: the figure of the Devil if one takes into account what historians relate, does not belong more to the legend, but sadly to actual event happened. Post scriptum: the photographs, realized both on Saturday and Sunday, were organized and posted without taking into account the temporal chronology of what happened during the two days of the event; two photos of the mummy of Baron Altadonna have been included, which is located in the crypt of the Capuchin Fathers of Savoca; the portraits of two "Lucie" from previous editions, grandfather and great-grandfather of the "DIAVOLI" dynasty were included; the "silver palm" was delivered by Lucia of 2016 (Valentina), to the current Lucia (Miriana), in 2017 the event was not performed.

Ezio Famà.

------------------------------------------------------------------------------------------

questa è una narrazione fotografica che parla dell'eterna lotta che avviene tra il bene ed il male, che parla di un periodo buio della storia, che parla delle violenze subite dalle donne ma anche da coloro che appartenevano alle classi sociali più povere, fatti storici che sono stati tramandati fino a noi in forma di racconto ed associati-trasmutati nel martirio di Santa Lucia, questo è quanto accade nel paese di Savoca (Sicilia). Questo è un report corto e lungo, che ho realizzato in quel di Savoca lo scorso mese di Agosto 2018, su quella che è la rappresentazione vivente del martirio di Santa Lucia (Santa patrona della città di Savoca); il culto della giovane Santa di Siracusa sembra risalire al XV secolo, sotto l'influenza delle tradizioni spagnole. La rievocazione vivente della storia di S.Lucia avviene in due giornate consecutive, il sabato e la domenica: qui tento di raccontare alcuni momenti della giornata della domenica, giorno durante il quale la festa si svolge nel pieno della sua bellezza. E' questa una rievocazione storica che parla di Demoni ed Angeli: la storia rievoca di quando la Santa, si rifiutò di andare in sposa ad un suo ricco e potente pretendente (essendosi dichiarata Cristiana e sposa in Cristo), il quale per vendetta riferì della fede Cristiana di Lucia al prefetto Pascasio; costui diede ordine ai suoi pretoriani di trascinare Lucia con una corda fino ad un lupanare, un luogo di prostituzione; la leggenda narra che la Santa divenne pesantissima, si tentò allora di trascinarla con l'ausilio dei buoi, ma fu impossibile smuoverla da dove si trovava; non riuscendo in ciò, fu allora dato l'ordine di cavarle gli occhi, ma alla giovane martire (nativa di Siracusa) gli occhi le rispuntarono. Nel paese di Savoca una giovane ragazza, chiamata con affetto "la Lucia" viene portata in spalla lungo le vie del paese (seduta su di un cuscino legato sulla spalla di un uomo; in realtà gli uomini portatori sono due, dandosi il cambio l'un l'altro); la giovane Santa rimane impassibile di fronte alle tentazioni demoniache: il Diavolo, chiamato in dialetto siciliano "u Diavulazzu, agita, scuote, fa ruotare il suo forcone nel tentativo di "distrarre" la Santa ma, vani saranno i suoi tentativi. Il primo giorno di questa rappresentazione, il sabato, in una vecchia chiesa di Savoca, le due bambine che impersonano la Lucia, dell'anno in corso e dell'anno precedente, si incontrano con la consegna della palma da una bimba all'altra; l'evento tradizionale al quale si assiste il sabato, ha tutto l'aspetto di una importante prova generale per il giorno dopo, quando la domenica la festa tradizionale avverrà in tutta la sua bellezza.La domenica: in cima alla processione ci sono i "Giudei" (gli emissari del prefetto Pascasio) insieme ad alcuni Angeli, subito dopo si trova il carro tirato da due giumente dalle quali si diparte una corda che giungerà fino a cingere il fianco della bimba che impersona Santa Lucia (una bambina di sei anni); tra lei e le giumente ci sono i soldati Romani, che si fanno largo tra la folla dimenandosi a più non posso; a tenere la corda ci sono anche delle figure maschili che evitano che gli strattonamenti dei soldati romani possano giungere fino alla Santa (ricordiamolo, che è legata a quella corda); davanti alla Santa piroetta il diavolo tentatore, u' Diavulazzu (la maschera è in legno, la cui fattura è datata, sembra, del 400'), il cui compito è quello di distrarre la piccola Santa con l'aiuto di un lungo bastone dotato di punte ricurve, chiamto dialettalmente "u' croccu": Lucia difficilmente si lascerà ingannare dalle promesse del Maligno, non abbandonerà quel suo stato di immobile concentrazione, aiutata in ciò dal fissare, quasi in stato di trance, un piccolo ramo di palma in argento, che lei strige devotamente tra le sue mani. E’ fondamentale menzionare tra i vari personaggi storici della tradizione, il barone Baldassarre, vissuto in Savoca in epoca medioevale, soprannominato barone Altadonna, che applicava senza remora alcuna la pratica della Jus primae noctis: avvalendosi di questa legge il barone obbligava le giovani spose a trascorrere la prima notte di nozze nella sua alcova. E’ fortemente ipotizzabile che nella rappresentazione di Santa Lucia di Savoca il personaggio del Diavolo che tenta la giovane Santa col suo forcone, in realtà non sia altro che egli stesso, il barone Altadonna, così allegoricamente descritto nella festa tradizionale siciliana: la figura del Diavolo, se si tiene conto di quanto narrano gli storici, non apparterrebbe più alla leggenda, ma a questo tristo personaggio realmente vissuto, che usava quotidianamente la moneta della prepotenza. Post scriptum: le fotografie, realizzate sia il sabato che la domenica, sono state organizzate e postate senza tenere conto della cronologia temporale di quanto avvenuto nei due giorni della manifestazione; sono state inserite due foto della mummia del barone Altadonna, che si trova nella cripta dei Padri Cappuccini di Savoca; sono stati inseriti i ritratti di due "Lucie" delle precedenti edizioni, del nonno e del bisnonno della dinastia dei "DIAVOLI"; la "palma d'argento" è stata consegnata dalla Lucia del 2016 (Valentina), alla attuale Lucia (Miriana); nel 2017 la manifestazione non è stata eseguita.

Ezio Famà.

   

Did Egyptian mythology inspire Tinguely's patrons? The various deities are said to have been created by the sweat of the original Creator Principle. The tears of his eyes would have been used to create humans. Man would be this work in black (he was first created with the black earth of the Nile (Al Kemya which became Alchime) of the Creator who weeps because of his behaviour. He is what makes the divine weep. He is gifted with treachery and can never share the clear divine vision; everything he sees, thinks and does is imperfect. In a way, this is the notion of the fall, a principle of inversion that explains the light with its bearer: Lucifer. The stream of water coming out of the eyes is sometimes crossed by sunlight during the movement of the head and could symbolise this inner light? The black head of the primordial men ADAM KADMON was created with the black earth which is called Kemya, to have given rise to the word Al Kemya. Alkemia became known as alchemy in Europe and particularly here in Basel. Perhaps tears are like light, coming out of the eyes with the sun like a principle of the creative gaze, the eye that sees everything, even the invisible? Is Basel a city of alchemy? We would have to remember Paracelsus and a secret language to try and understand the tears of joy shed by the spectator moved by the OPERA... in Italian and the work in English; here THE BLACK WORK. Would medieval alchemy refer to ancient Egypt to describe the phenomena: The tears of Isis in the black stone of the origins are joyful because they express the rebirth in movement of the head that says YES to this new birth. The tears of Isis regenerate the dead body of the pediment and reveal its living strength. Perhaps Tinguely had the freedom to create for clients who knew enough about alchemy? Paracelsus and Jung are not necessarily far away...The Carnival Fountain (also: Tinguely Fountain or Carnaval) is a fountain created by the artist Jean Tinguely and is located on the theatre square in the Swiss city of Basel. Why CARNIVAL? in French Char Naval!!! Like CARNAVAL??? Look at the waters plays!!!!!! Carnival is liked with DEVIL 😈 and Occultism, occult your eyesight It was built between 1975 and 1977 on the site of the stage of the old, demolished city theatre and was a gift from the 50-year-old Migros trading cooperative to the city of Basel. It is a new landmark for Basel, but is not a listed building[.

Black-Work, archetypal situation at the beginning of the Work.Black crows are symbols of the initial Black Phase (the Nigredo) of alchemy, during which the subject of transformation is purified by breaking it. Where the stage of the old municipal theatre once stood, Jean Tinguely placed playful machine sculptures in a water basin in 1977, giving Basel a new landmark: the Swiss artist had a shallow fountain basin filled with black asphalt in order to place water-spouting figures powered by low voltage electricity. These ten iron eminences are in constant motion and in dialogue with each other, just like the mimes, actors and dancers who once performed in this very spot.

 

The sculpture is like a visual guide to the operations of alchemy, we will use an alchemical mandala actually used by the alchemists in trying to understand the relationships between the processes of transformation.

 

de.wikipedia.org/wiki/Fasnachts-Brunnen

 

This is how man is born of the Creator, who cries because of his behaviour. He is what makes the divine weep. He has a gift for betrayal and can never share the clear divine vision; everything he sees, thinks and does is imperfect....The initiatory path offers an escape from this state of affairs, thanks to the tears of the Widow, which open the door to Mastery. She sheds tears of silver, lunar rays, from which the brothers can draw the raw material they need to make gold. In correspondence with the moon, she changes the nature of the stone, fertilising it with her tears and introducing divine gold into its heart. This gold is the Mastery of those who live in the unity of Wisdom, the Initiates who have passed into the Eternal East. The Principle of Creation, for its part, is neither gold nor silver, but it gives both when it thinks of itself, through its feminine aspect, white, silver, and its masculine aspect, gold. In fact, these two metals do not have sexual characteristics and they also include their complement within them. Silver, the queen of peace, has within it the fixed male nature, and gold is all silver, although animated by masculine fire. Tears are emanations of the light of the Principle and are associated with the creative gaze. They are both of the nature of fertilising water and of fire. On the one hand, they are tongues of fire, symbols of the transmission of the Spirit received by the Master when he rose from the dead. But the alchemists also called them dew or water of life. It is the principal Water, both terrestrial and celestial, mercurial water, the primordial material of the alchemical work. Egyptian mythology perhaps suggests that the deities were made by the sweat of the "Creative Principle". HUMANS are said to have come from the tears of his eyes. MAN is pronounced "rmt" and tears "rmyt"; man as an emanation of the Creator weeping over his behaviour. He makes the divine weep because he is gifted with treachery and will never share the divine's clear vision.

never share the clear divine vision; everything he sees, thinks and does is imperfect. The tears fall like the fall of Paradise or that of Lucifer, the bearer of light.

The “Azoth” (shown above) is a meditative emblem that appeared in several different forms during the late Middle Ages. The version we are using is based on an illustration first published in 1659 in the Azoth of the Philosophers by the legendary German alchemist Basil Valentine. The word “Azoth” in the title is one of the more arcane names for the First Matter. The “A” and “Z” in the word relate to “alpha” and “omega,” the letters at the beginning and end of the Greek alphabet. Thus the word is meant to convey the idea of the absolutely complete and full meaning of the First Matter and its transformations. In this sense, the Azoth represents not just the chaotic First Matter at the beginning of the Work but also its perfected essence (the Philosopher’s Stone) at the conclusion of the Work.At the center of this striking drawing is the face of a bearded alchemist at the beginning of the Work. Like looking into a mirror, this is where the adept fixes his or her attention to begin meditation at the center of the mandala. The downward-pointing triangle superimposed over the face of the alchemist represents Water in its highest sense as divine grace or the gift of life pouring down from Above. Therefore, within the triangle we see the face of God, and the drawing clearly implies that the face of God and the face of the alchemist are the same. Of course, this idea was considered blasphemy to the medieval Church, which explains why this drawing was circulated secretly in so many different forms during the Middle Ages. It was not until the Renaissance, when the idea of the divine nature of man, that the drawing was first published.The schematized body of the alchemist is shown in perfect balance with the Four Elements as depicted by his arms and legs. His feet protrude from behind the central emblem, and one is on Earth and the other in Water, indicating he is grounded in the real world. In his right hand is a torch of Fire and in his left hand a feather symbolizing Air. Although he is firmly planted in the world of matter, the alchemist has easy access to the powers of spirit.The alchemist also stands balanced between the masculine and feminine powers in the background. He is really the offspring of the marriage between Sol, the archetypal Sun King seated on a lion on a hill to his right, and Luna, the archetypal Moon Queen seated on a great fish to his left. “Its father is the Sun,” says the Emerald Tablet, “its mother the Moon.”

 

The jovial, extroverted Sun King holds a scepter and a shield indicating his authority and strength over the rational, visible world, but the fiery dragon of the rejected contents of his unconscious waits in a cave beneath him ready to attack should he grow too arrogant. This dragon is created by the fiery nature of consciousness any time we forcibly reject part of the contents of our psyche and relegate it to the shadows. We have given this undesirable part life energy in the very act of rejection. The fact that light casts shadows is inherent in masculine consciousness, and it becomes a source of demons that plague us throughout our lives.

 

The jovial, extroverted Sun King holds a scepter and a shield indicating his authority and strength over the rational, visible world, but the fiery dragon of the rejected contents of his unconscious waits in a cave beneath him ready to attack should he grow too arrogant. This dragon is created by the fiery nature of consciousness any time we forcibly reject part of the contents of our psyche and relegate it to the shadows. We have given this undesirable part life energy in the very act of rejection. The fact that light casts shadows is inherent in masculine consciousness, and it becomes a source of demons that plague us throughout our lives. The melancholy, introverted Moon Queen holds the reins to a great fish, symbolizing her control of those same hidden forces that threaten the King, and behind her is a chaff of wheat, which stands for her connection to fertility and growth. The bow and arrow she cradles in her left arm symbolize the wounds of the heart and body she accepts as part of her existence, for feminine consciousness accepts the world as it is, with all its pain and suffering.In simplest terms, the King and Queen represent the raw materials of our experience – thoughts and feelings – with which the alchemist works. The King symbolizes the power of thought and planning, which are characteristics of spirit. The Queen stands for the influence of feelings and emotions, which are ultimately the chaotic First Matter of the soul. The much heralded marriage of the King and Queen produces a state of consciousness best described as a feeling intellect, which can be raised and purified to produce a state of perfect intuition, that Egyptian alchemists referred to as “Intelligence of the Heart.” This special kind of intelligence or way of knowing is at work in the alchemist, for he is born of the sacred marriage of masculine and feminine consciousness.Between legs of the alchemist dangles the Cubic Stone, which is labeled Corpus (meaning “body”). The five stars surrounding it indicate that the body also contains the hidden Fifth Element, the invisible Quintessence whose “inherent strength is perfected if it is turned into Earth” in the words of the Emerald Tablet.Where the head of the alchemist should be, there is a strange winged caricature. This represents the Ascended Essence, the essence of the soul raised to the highest level in the body. This image evolved through the decades with this drawing, and at one time or another was shown as a golden ball, a helmet, a heart, and finally as a depiction of the pineal gland (a light-sensitive, pinecone-shaped organ at the center of the brain). Touching the wings of the Ascended Essence are a salamander engulfed in flames on the left side of the drawing and a standing bird on the right. Below the salamander is the inscription Anima (Soul); below the bird is the inscription Spiritus (Spirit). The salamander, as a symbol of soul, is attracted to the blazing heat of the Sun, while the bird of spirit is attracted to the coolness of the Moon. This is a visualization of the fundamental bipolar energies that drive the alchemy of transformation. This is similar in meaning to the Tai Chi symbol representing the interplay of the feminine yin and masculine yang energies. In this process, one thing takes on the characteristics of the other as it becomes its opposite. This is the relationship between Mercury and Sulfur in alchemy, and explains why Mercury is sometimes associated with soul and other times associated with spirit. The same is true of Sulfur. The alchemists believed that within this interplay could be found the source of the life force. Carl Jung called this overall process of one thing changing its opposite by the unfortunately unwieldy name of “inandromedria.” Spiritus, Anima, and Corpus (Spirit, Soul, and Body) form a large inverted triangle that stands behind the central emblem of the alchemist. Together they symbolize the Three Essentials behind anything, the celestial archetypes that the alchemists termed Sulfur, Mercury, and Salt.

 

azothalchemy.org/azoth_ritual.htm

The alchemist also stands balanced between the masculine and feminine powers in the background. He is really the offspring of the marriage between Sol, the archetypal Sun King seated on a lion on a hill to his right, and Luna, the archetypal Moon Queen seated on a great fish to his left. “Its father is the Sun,” says the Emerald Tablet, “its mother the Moon.”

 

the image or representative of the Great Works of the wise men: the Philosopher's Stone, the Elixir of Life, and the Universal Medicine.

 

Other hieroglyphics seen in connection with Isis are no less curious than those already described, but it is impossible to enumerate all, for many symbols were used interchangeably by the Egyptian Hermetists. The goddess often wore upon her head a hat made of cypress branches, to signify mourning for her dead husband and also for the physical death which she caused every creature to undergo in order to receive a new life in posterity or a periodic resurrection. The head of Isis is sometimes ornamented with a crown of gold or a garland of olive leaves, as conspicuous marks of her sovereignty as queen of the world and mistress of the entire universe. The crown of gold signifies also the aurific unctuosity or sulphurous fatness of the solar and vital fires which she dispenses to every individual by a continual circulation of the elements, this circulation being symbolized by the musical rattle which she carries in her hand. This sistrum is also the yonic symbol of purity.

 

A serpent interwoven among the olive leaves on her head, devouring its own tail, denotes that the aurific unctuosity was soiled with the venom of terrestrial corruption which surrounded it and must be mortified and purified by seven planetary circulations or purifications called flying eagles (alchemical terminology) in order to make it medicinal for the restoration of health. (Here the emanations from the sun are recognized as a medicine for the healing of human ills.) The seven planetary circulations are represented by the circumambulations of the Masonic lodge; by the marching of the Jewish priests seven times around the walls of Jericho, and of the Mohammedan priests seven times around the Kabba at Mecca. From the crown of gold project three horns of plenty, signifying the abundance of the gifts of Nature proceeding from one root having its origin in the heavens (head of Isis).

 

In this figure the pagan naturalists represent all the vital powers of the three kingdoms and families of sublunary nature-mineral, plant, and animal (man considered as an animal). At one of her ears was the moon and at the other the sun, to indicate that these two were the agent and patient, or father and mother principles of all natural objects; and that Isis, or Nature, makes use of these two luminaries to communicate her powers to the whole empire of animals, vegetables, and minerals. On the back of her neck were the characters of the planets and the signs of the zodiac which assisted the planets in their functions. This signified that the heavenly influences directed the destinies of the principles and sperms of all things, because they were the governors of all sublunary bodies, which they transformed into little worlds made in the image of the greater universe.

 

Isis holds in her right hand a small sailing ship with the spindle of a spinning wheel for its mast. From the top of the mast projects a water jug, its handle shaped like a serpent swelled with venom. This indicates that Isis steers the bark of life, full of troubles and miseries, on the stormy ocean of Time. The spindle symbolizes the fact that she spins and cuts the thread of Life. These emblems further signify that Isis abounds in humidity, by means of which she nourishes all natural bodies, preserving them from the heat of the sun by humidifying them with nutritious moisture from the atmosphere. Moisture supports vegetation, but this subtle humidity (life ether) is always more or less infected by some venom proceeding from corruption or decay. It must be purified by being brought into contact with the invisible cleansing fire of Nature. This fire digests, perfects, and revitalizes this substance, in order that the humidity may become a universal medicine to heal and renew all the bodies in Nature.

 

The serpent throws off its skin annually and is thereby renewed (symbolic of the resurrection of the spiritual life from the material nature). This renewal of the earth takes place every spring, when the vivifying spirit of the sun returns to the countries of the Northern Hemisphere,

 

The symbolic Virgin carries in her left hand a sistrum and a cymbal, or square frame of metal, which when struck gives the key-note of Nature (Fa); sometimes also an olive branch, to indicate the harmony she preserves among natural things with her regenerating power. By the processes of death and corruption she gives life to a number of creatures of diverse forms through periods of perpetual change. The cymbal is made square instead of the usual triangular shape in order to symbolize that all things are transmuted and regenerated according to the harmony of the four elements.

 

Dr. Sigismund Bacstrom believed that if a physician could establish harmony among the elements of earth, fire, air, and water, and unite them into a stone (the Philosopher's Stone) symbolized by the six-pointed star or two interlaced triangles, he would possess the means of healing all disease. Dr. Bacstrom further stated that there was no doubt in his mind that the universal, omnipresent fire (spirit) of Nature: "does all and is all in all." By attraction, repulsion, motion, heat, sublimation, evaporation, exsiccation, inspissation, coagulation, and fixation, the Universal Fire (Spirit) manipulates matter, and manifests throughout creation. Any individual who can understand these principles and adapt them to the three departments of Nature becomes a true philosopher.

 

From the right breast of Isis protruded a bunch of grapes and from, the left an ear of corn or a sheaf of wheat, golden in color. These indicate that Nature is the source of nutrition for plant, animal, and human life, nourishing all things from herself. The golden color in the wheat (corn) indicates that in the sunlight or spiritual gold is concealed the first sperm of all life.

 

On the girdle surrounding the upper part of the body of the statue appear a number of mysterious emblems. The girdle is joined together in front by four golden plates (the elements), placed in the form of a square. This signified that Isis, or Nature, the first matter (alchemical terminology), was the essence- of the four elements (life, light, heat, and force), which quintessence generated all things. Numerous stars are represented on this girdle, thereby indicating their influence in darkness as well as the influence of the sun in light. Isis is the Virgin immortalized in the constellation of Virgo, where the World Mother is placed with the serpent under her feet and a crown. of stars on her head. In her arms she carries a sheaf of grain and sometimes the young Sun God.

 

The statue of Isis was placed on a pedestal of dark stone ornamented with rams' heads. Her feet trod upon a number of venomous reptiles. This indicates that Nature has power to free from acidity or saltness all corrosives and to overcome all impurities from terrestrial corruption adhering to bodies. The rams' heads indicate that the most auspicious time for the generation of life is during the period when the sun passes through the sign of Aries. The serpents under her feet indicate that Nature is inclined to preserve life and to heal disease by expelling impurities and corruption.

 

In this sense the axioms known to the ancient philosophers are verified; namely:

 

Nature contains Nature,

Nature rejoices in her own nature,

Nature surmounts Nature;

Nature cannot be amended but in her own nature.

 

[paragraph continues] Therefore, in contemplating the statue of Isis, we must not lose sight of the occult sense of its allegories; otherwise, the Virgin remains an inexplicable enigma.

 

From a golden ring on her left arm a line descends, to the end of which is suspended a deep box filled with flaming coals and incense. Isis, or Nature personified, carries with her the sacred fire, religiously preserved and kept burning in. a special temple by the vestal virgins. This fire is the genuine, immortal flame of Nature--ethereal, essential, the author of life. The inconsumable oil; the balsam of life, so much praised by the wise and so often referred to in the Scriptures, is frequently symbolized as the fuel of this immortal flame.

 

From the right arm of the figure also descends a thread, to the end of which is fastened a pair of scales, to denote the exactitude of Nature in her weights and measures. Isis is often represented as the symbol of justice, because Nature is eternally consistent.

  

THOTH, THE DOG-HEADED.

Click to enlarge

THOTH, THE DOG-HEADED.

 

From Lenoir's La Franche-Maconnerie.

 

Aroueris, or Thoth, one of the five immortals, protected the infant Horus from the wrath of Typhon after the murder of Osiris. He also revised the ancient Egyptian calendar by increasing the year from 360 days to 365. Thoth Hermes was called "The Dog-Headed" because of his faithfulness and integrity. He is shown crowned with a solar nimbus, carrying in one hand the Crux Ansata, the symbol of eternal life, and in the other a serpent-wound staff symbolic of his dignity as counselor of the gods.

  

THE EGYPTIAN MADONNA.

Click to enlarge

THE EGYPTIAN MADONNA.

 

From Lenoir's La Franche-Maconnerie.

 

Isis is shown with her son Horus in her arms. She is crowned with the lunar orb, ornamented with the horns of rams or bulls. Orus, or Horus as he is more generally known, was the son of Isis and Osiris. He was the god of time, hours, days, and this narrow span of life recognized as mortal existence. In all probability, the four sons of Horus represent the four kingdoms of Nature. It was Horus who finally avenged the murder of his father, Osiris, by slaying Typhon, the spirit of Evil.

 

p. 48

 

The World Virgin is sometimes shown standing between two great pillars--the Jachin and Boaz of Freemasonry--symbolizing the fact that Nature attains productivity by means of polarity. As wisdom personified, Isis stands between the pillars of opposites, demonstrating that understanding is always found at the point of equilibrium and that truth is often crucified between the two thieves of apparent contradiction.

 

The sheen of gold in her dark hair indicates that while she is lunar, her power is due to the sun's rays, from which she secures her ruddy complexion. As the moon is robed in the reflected light of the sun, so Isis, like the virgin of Revelation, is clothed in the glory of solar luminosity. Apuleius states that while he was sleeping he beheld the venerable goddess Isis rising out of the ocean. The ancients realized that the primary forms of life first came out of water, and modem science concurs in this view. H. G. Wells, in his Outline of History, describing primitive life on the earth, states: "But though the ocean and intertidal water already swarmed with life, the land above the high-tide line was still, so far as we can guess, a stony wilderness without a trace of life." In the next chapter he adds: "Wherever the shore-line ran there was life, and that life went on in and by and with water as its home, its medium, and its fundamental necessity." The ancients believed that the universal sperm proceeded from warm vapor, humid but fiery. The veiled Isis, whose very coverings represent vapor, is symbolic of this humidity, which is the carrier or vehicle for the sperm life of the sun, represented by a child in her arms. Because the sun, moon, and stars in setting appear to sink into the sea and also because the water receives their rays into itself, the sea was believed to be the breeding ground for the sperm of living things. This sperm is generated from the combination of the influences of the celestial bodies; hence Isis is sometimes represented as pregnant.

 

Frequently the statue of Isis was accompanied by the figure of a large black and white ox. The ox represents either Osiris as Taurus, the bull of the zodiac, or Apis, an animal sacred to Osiris because of its peculiar markings and colorings. Among the Egyptians, the bull was a beast of burden. Hence the presence of the animal was a reminder of the labors patiently performed by Nature that all creatures may have life and health. Harpocrates, the God of Silence, holding his fingers to his mouth, often accompanies the statue of Isis. He warns all to keep the secrets of the wise from those unfit to know them.

 

The Druids of Britain and Gaul had a deep knowledge concerning the mysteries of Isis and worshiped her under the symbol of the moon. Godfrey Higgins considers it a mistake to regard Isis as synonymous with the moon. The moon was chosen for Isis because of its dominion over water. The Druids considered the sun to be the father and the moon the mother of all things. By means of these symbols they worshiped Universal Nature.

 

The figure of Isis is sometimes used to represent the occult and magical arts, such as necromancy, invocation, sorcery, and thaumaturgy. In one of the myths concerning her, Isis is said to have conjured the invincible God of Eternities, Ra, to tell her his secret and sacred name, which he did. This name is equivalent to the Lost Word of Masonry. By means of this Word, a magician can demand obedience from the invisible and superior deities. The priests of Isis became adepts in the use of the unseen forces of Nature. They understood hypnotism, mesmerism, and similar practices long before the modem world dreamed of their existence.

 

Plutarch describes the requisites of a follower of Isis in this manner: "For as 'tis not the length of the beard, or the coarseness of the habit which makes a philosopher, so neither will those frequent shavings, or the mere wearing [of] a linen vestment constitute a votary of Isis; but he alone is a true servant or follower of this Goddess, who after he has heard, and been made acquainted in a proper manner with the history of the actions of these Gods, searches into the hidden truths which he concealed under them, and examines the whole by the dictates of reason and philosophy."

 

During the Middle Ages the troubadours of Central Europe preserved in song the legends of this Egyptian goddess. They composed sonnets to the most beautiful woman in all the world. Though few ever discovered her identity, she was Sophia, the Virgin of Wisdom, whom all the philosophers of the world have wooed. Isis represents the mystery of motherhood, which the ancients recognized as the most apparent proof of Nature's omniscient wisdom and God's overshadowing power. To the modern seeker she is the epitome of the Great Unknown, and only those who unveil her will be able to solve the mysteries of life, death, generation, and regeneration.

 

MUMMIFICATION OF THE EGYPTIAN DEAD

Servius, commenting on Virgil's Æneid, observes that "the wise Egyptians took care to embalm their bodies, and deposit them in catacombs, in order that the soul might be preserved for a long time in connection with the body, and might not soon be alienated; while the Romans, with an opposite design, committed the remains of their dead to the funeral pile, intending that the vital spark might immediately be restored to the general element, or return to its pristine nature." (From Prichard's An Analysis of the Egyptian Mythology.)

 

No complete records are available which give the secret doctrine of the Egyptians concerning the relationship existing between the spirit, or consciousness, and the body which it inhabited. It is reasonably certain, however, that Pythagoras, who had been initiated in the Egyptian temples, when he promulgated the doctrine of metempsychosis, restated, in part at least, the teachings of the Egyptian initiates. The popular supposition that the Egyptians mummified their dead in order to preserve the form for a physical resurrection is untenable in the light of modern knowledge regarding their philosophy of death. In the fourth book of On Abstinence from Animal Food, Porphyry describes an Egyptian custom of purifying the dead by removing the contents of the abdominal cavity, which they placed in a separate chest. He then reproduces the following oration which had been translated out of the Egyptian tongue by Euphantus: "O sovereign Sun, and all ye Gods who impart life to men, receive me, and deliver me to the eternal Gods as a cohabitant. For I have always piously worshipped those divinities which were pointed out to me by my parents as long as I lived in this age, and have likewise always honored those who procreated my body. And, with respect to other men, I have never slain any one, nor defrauded any one of what he deposited with me, nor have I committed any other atrocious deed. If, therefore, during my life I have acted erroneously, by eating or drinking things which it is unlawful to cat or drink, I have not erred through myself, but through these" (pointing to the chest which contained the viscera). The removal of the organs identified as the seat of the appetites was considered equivalent to the purification of the body from their evil influences.

 

So literally did the early Christians interpret their Scriptures that they preserved the bodies of their dead by pickling them in salt water, so that on the day of resurrection the spirit of the dead might reenter a complete and perfectly preserved body. Believing that the incisions necessary to the embalming process and the removal of the internal organs would prevent the return of the spirit to its body, the Christians buried their dead without resorting to the more elaborate mummification methods employed by the Egyptian morticians.

 

In his work on Egyptian Magic, S.S.D.D. hazards the following speculation concerning the esoteric purposes behind the practice of mummification. "There is every reason to suppose," he says, "that only those who had received some grade of initiation were mummified; for it is certain that, in the eyes of the Egyptians, mummification effectually prevented reincarnation. Reincarnation was necessary to imperfect souls, to those who had failed to pass the tests of initiation; but for those who had the Will and the capacity to enter the Secret Adytum, there was seldom necessity for that liberation of the soul which is said to be effected by the destruction of the body. The body of the Initiate was therefore preserved after death as a species of Talisman or material basis for the manifestation of the Soul upon earth."

 

During the period of its inception mummification was limited to the Pharaoh and such other persons of royal rank as presumably partook of the attributes of the great Osiris, the divine, mummified King of the Egyptian Underworld.

  

OSIRIS, KING OF THE UNDERWORLD.

Click to enlarge

OSIRIS, KING OF THE UNDERWORLD.

 

Osiris is often represented with the lower par, of his body enclosed in a mummy case or wrapped about with funeral bandages. Man's spirit consists of three distinct parts, only one of which incarnates in physical form. The human body was considered to be a tomb or sepulcher of this incarnating spirit. Therefore Osiris, a symbol of the incarnating ego, was represented with the lower half of his body mummified to indicate that he was the living spirit of man enclosed within the material form symbolized by the mummy case.

 

There is a romance between the active principle of God and the passive principle of Nature. From the union of these two principles is produced the rational creation. Man is a composite creature. From his Father (the active principle) he inherits his Divine Spirit, the fire of aspiration--that immortal part of himself which rises triumphant from the broken clay of mortality: that part which remains after the natural organisms have disintegrated or have been regenerated. From his Mother (the passive principle) he inherits his body--that part over which the laws of Nature have control: his humanity, his mortal personality, his appetites, his feelings, and his emotions. The Egyptians also believed that Osiris was the river Nile and that Isis (his sister-wife) was the contiguous land, which, when inundated by the river, bore fruit and harvest. The murky water of the Nile were believed to account for the blackness of Osiris, who was generally symbolized as being of ebony hue.

 

sacred-texts.com/eso/sta/sta10.htm

I did this painting to be auctioned at a progeria-research fundraiser to be held in November... Since I've hardly said anything about progeria, I thought I might do so now. I'm not gonna waste my time trying to explain what it is, you can check out this link for those details: www.progeriaproject.com/Progeria/whatis.htm

(Please be mind-full that they don't mention everything, some mentioned, may or may not be, depending on degree)

 

I am aware that I might be the oldest person with this "condition" alive on this planet at the moment & if so, I really don't care to know, or be labeled as such.

I'm not really in contact with medical research or the foundation. It has been my choice not to be. This "condition" is so rare that it just draws way too much attention.

I am too focused on living my life as it is, to constantly draw my energy or focus towards my physical "state". Just like any other human being, I don't like to be reduced to a condition or a statistic & I sure as hell won't end up on one of the photos to be paraded on websites to inspire pity & shit... wrong guy.

I am internally & eternally greatful that my parents raised me with the opportunity to live my life without any media exposure. As what is life other than that; a gift to be who you will to be?...

I knew that I would inevitably be in the media one day, but it was my strict focus & condition, that it would be when I am ready, because of my strive in my work. I am grateful to have done that. (Google me)

Obviously, I knew that my condition would also be focused on, but then atleast as a byproduct. The idea to use it as a crouch has never appealed to me however, because I am aware of the Heremtic laws/principles, I do practice transmutation.

(I will use energy "against" me, "for" me)

 

The reason I decided to be a part of this, is that my perspective changed/broadened when I met a friend who's daughter was diagnosed. I realized that, being in the position that I am, that I might be able to contribute in ways others can't... hopefully it does in the way I intended. My philosophy & way of living, however, is my personal choice & I don't dictate a damn thing to anyone.

 

People go through all kinds of hell & while I won't put myself first on the list of life's ills, my life certainly isn't easier because of it.

Living in a society that wasn't build or designed (in any sense) for you.

(Ever felt alone, even when with others?... or like you're on the margin or not understood?... You probably ain't seen shit yet.)

It isn't easier to achieve the same things as you. I do not have to master any less fear or stress, balance any less emotion, & I do not have less questions to which I seek answers.

I do require; health, wealth & love to be happy, just like you. ...& just like you, I have to learn to find it within, knowing that I was created complete & exactly how I should be.

It is not easier to find a person with who you dream of sharing your life's experiences, thoughts & visions with. Having love escaping me for so long... & so, not easier (after you have) when you lose it for no apparent reason & have to respect it & move on.

It is not easy to walk with me. Little comfort, protective fat, calluses form where bone presses through the skin to protect feet, but do little to ease pain... even more so, when you cutt it out after a while because it becomes unbearable to step on, especially when it gets cold... & it does get cold. While I love to go out, stares & evading glances can be unexplainably wearying some days, no matter how long I have known it. The amount of anger & frustration I have to keep in check (mainly from not having the freedom to do as I like) & I can't just lash out either because, whether I choose to accept it or not, I am a representative for the next person who will go through this. These are just the tips of the iceberg. I have experienced some sick things in my life, that people don't seem to understand, & even more things that I never speak about to anyone... alot of planets that I need to keep in proper order & allignment in their orbit. It is easier to die for your dreams than to live for them.

 

As there is correspondance between opposite poles in all creation, (I am rrreally not this serious all of the time) I won't label this degree a curse, & I have yet to master life to such a degree that I would call it a blessing. I would just say that, all difficult conditions & obstacles contains essentials, required specifically for our individual growth, & we are essentially spirit, & the self; essentially soul/solar/sun, therefore it is that which must learn/grow; systematically vibrate higher, reverting back to it's essence prior to it's countless (seeming) separations.

While my will remains unbreakable, & I've found the answers to most of the questions I've ever sought, I feel kinda empty at the moment... all there is, is just the fight.

I'm not amazed easily & would love to be proven wrong when I say that I feel like eye have seen it all... I just live for the fight, to get my work out there... & I'll bleed to be able to go global with it, because in this country, the odds are against me like... it always seems to be, in every other aspect of my life.

I don't seek compliments either, I have fallen & when I have, all that I battle, jumped on top of me, so that eye couldn't always maintain my perspective so clearly. But I've never ran to illusions or chased effects for comfort. I'm interested only in causes, & I have reached a point from which I cannot return. I have experienced & learned, to keep learning & I am growing, according to unvariable laws, changing causes & I will remain humble as such. Struggle & power are the same under the law of polarity, different only in degree, but it is the will that determines which & I find peace within, knowing that I will soon, once again, kiss the crystal sky...

 

I am part of ALL & ALL is part of me, I am a microcosm of the macrocosm, different only in degree.

My heart is a self beating drum & it's roll brings thunder to the storm that projects my energy into form.

I inhale love & exhale my truth, interpretating with every breath, I move.

The eye of in-sight I will demonstrate light, by displaying darkness.

Reflected off the blade from my katana, refracting off my merkaba,

As on high, so below... ->September 2008.

Tara in Tibetan Buddhism, is a female Bodhisattva. She is known as the "mother of liberation", and represents the virtues of success in work and achievements.

 

Within Tibetan Buddhism, Tārā is regarded as a Bodhisattva of compassion and action. She is the female aspect of Avalokiteśvara. Tārā is also known as a saviouress, as a heavenly deity who hears the cries of beings experiencing misery in saṃsāra.

 

The most widely known forms of Tārā are:

 

Green Tārā, (Syamatara) known as the Buddha of enlightened activity

White Tārā, (Sitatara) also known for compassion, long life, healing and serenity; also known as The Wish-fulfilling Wheel, or Cintachakra

Red Tārā, (Kurukulla) of fierce aspect associated with magnetizing all good things

Black Tārā, associated with power

Yellow Tārā, (Bhrikuti) associated with wealth and prosperity

Blue Tārā, associated with transmutation of anger

  

en.wikipedia.org/wiki/Tara_(Buddhism)

  

Temple of the Five Pagodas

 

Temple of the Five Pagodas , also known as the "Precious Pagoda of the Buddhist Relics of the Diamond Throne" , is a Buddhist temple in the city of Hohhot in Inner Mongolia in north-west China. It is located in the older part of the city in the vicinity of Qingcheng Park.

 

Construction of the temple began in 1727 and was completed in 1732. The distinctive five pagodas surmount contains a temple with 1563 images of Buddha carved into its walls each differing slightly to the other. Inside is a rare Mongolian cosmological map carved into a large stone which illustrates the zodiac and positions of numerous stars.

 

en.wikipedia.org/wiki/Five_Pagoda_Temple_(Hohhot)

---- Angels & Demons (devil tries to tempt Saint Lucia, August 2018, Savoca - Sicily) ----

 

---- Angeli & Demoni (il demonio tenta Santa Lucia, agosto 2018, Savoca - Sicilia) ----

 

-----------------------------------------------------------------

  

click here - clicca qui

  

the slideshow

  

Qi Bo's photos on Fluidr

  

Qi Bo's photos on Flickriver

  

Qi Bo's photos on FlickeFlu

  

Qi Bo's photos on PICSSR

 

Qi Bo's photos on Flickr Hive Mind

  

www.worldphoto.org/sony-world-photography-awards/winners-...

  

www.fotografidigitali.it/gallery/2726/opere-italiane-segn...

  

-------------------------------------------------------------------

  

this is a photographic narration that speaks of the eternal struggle that takes place between good and evil, which speaks of a dark period of history, speaks of the violence suffered by women but also by those who belonged to the poorest social classes, historical facts that have been handed down to us in the form of a story and associated-transmuted in the martyrdom of Saint Lucia, this is what happens in the town of Savoca (Sicily). This is a short and long report, I did in Savoca on August 2018 about the living representation of the martyrdom of Saint Lucia (patron saint of the city of Savoca); the cult of the young Saint of Syracuse seems to date back to the fifteenth century, under the influence of Spanish traditions. The commemoration of the history of St. Lucia occurs in two consecutive days, Saturday and Sunday: here I try to tell some times of the day on Sunday, a day during which the festival is held at the height of her beauty. And 'This is a historical event which speaks of Demons and Angels: Saint Lucy refused to marry a rich and powerful suitor (Lucy declared She was married in Christ), which reported the Christian faith of Lucia to prefect Pascasio that ordered his Praetorian Guard to drag Lucia with a rope to a place of prostitution; legend has it that the Holy became heavy, they then tried to drag it with the help of oxen, but it was impossible to move it from where he stood; failing in this, it was then given the order to cavarle eyes, but the young martyr (native of Syracuse) her eyes reappeared.

In the village of Savoca a young girl, affectionately called the "Lucy" is carried on the shoulder of a porter along the streets of the country (sitting on a pillow tied on the shoulder of a man, but in fact men are two); the young Saint remains impassive in the face of demonic temptations: the Devil, called in Sicilian dialect "u Diavulazzu, shake, shakes, turns his pitchfork in an attempt to "distract" the Saint.

The first day of this representation, on Saturday, in an old church in Savoca, the two girls who impersonate the Lucia, of the current year and the previous year, meet with the delivery of palm; the traditional event which we witness on Saturday, has all the appearance of an important rehearsal for the next day, on Sunday when the traditional festival will take place in all its beauty.

Sunday: on top of the procession there are the "Jews" (the emissaries of the prefect Pascasio) along with some Angels, is located immediately after the wagon drawn by two cows from which branches off a rope that will arrive to Saint Lucia (a girl of six years); between her and the cows there are Roman soldiers, who make their way through the crowd squirming like crazy; to hold the rope there are also male figures; the job of Devil (his mask is made of wood, whose invoice is dated, it seems, of the 400') is to distract the little Saint with the help of a long stick equipped of curved points, called "u 'croccu": Lucia hardly is deceived by the promises of the evil one, she will not abandon the state of her property concentration, aided in this by staring, almost in a trance, a small palm branch in silver , she brings devoutly in her hands.It's very important to mention the Baron Baldassarre (nicknamed Baron Altadonna), who applied without any hesitation the practice of Jus de seigneur: using this law the Baron obliged the young brides to spend the wedding night in his alcove. It 'very possible that in the representation of Saint Lucia of Savoca the character of the Devil tempting young Santa with his pitchfork, in reality is nothing but himself, Baron Altadonna, so allegorically described in this traditional Sicilian feast: the figure of the Devil if one takes into account what historians relate, does not belong more to the legend, but sadly to actual event happened. Post scriptum: the photographs, realized both on Saturday and Sunday, were organized and posted without taking into account the temporal chronology of what happened during the two days of the event; two photos of the mummy of Baron Altadonna have been included, which is located in the crypt of the Capuchin Fathers of Savoca; the portraits of two "Lucie" from previous editions, grandfather and great-grandfather of the "DIAVOLI" dynasty were included; the "silver palm" was delivered by Lucia of 2016 (Valentina), to the current Lucia (Miriana), in 2017 the event was not performed.

Ezio Famà.

------------------------------------------------------------------------------------------

questa è una narrazione fotografica che parla dell'eterna lotta che avviene tra il bene ed il male, che parla di un periodo buio della storia, che parla delle violenze subite dalle donne ma anche da coloro che appartenevano alle classi sociali più povere, fatti storici che sono stati tramandati fino a noi in forma di racconto ed associati-trasmutati nel martirio di Santa Lucia, questo è quanto accade nel paese di Savoca (Sicilia). Questo è un report corto e lungo, che ho realizzato in quel di Savoca lo scorso mese di Agosto 2018, su quella che è la rappresentazione vivente del martirio di Santa Lucia (Santa patrona della città di Savoca); il culto della giovane Santa di Siracusa sembra risalire al XV secolo, sotto l'influenza delle tradizioni spagnole. La rievocazione vivente della storia di S.Lucia avviene in due giornate consecutive, il sabato e la domenica: qui tento di raccontare alcuni momenti della giornata della domenica, giorno durante il quale la festa si svolge nel pieno della sua bellezza. E' questa una rievocazione storica che parla di Demoni ed Angeli: la storia rievoca di quando la Santa, si rifiutò di andare in sposa ad un suo ricco e potente pretendente (essendosi dichiarata Cristiana e sposa in Cristo), il quale per vendetta riferì della fede Cristiana di Lucia al prefetto Pascasio; costui diede ordine ai suoi pretoriani di trascinare Lucia con una corda fino ad un lupanare, un luogo di prostituzione; la leggenda narra che la Santa divenne pesantissima, si tentò allora di trascinarla con l'ausilio dei buoi, ma fu impossibile smuoverla da dove si trovava; non riuscendo in ciò, fu allora dato l'ordine di cavarle gli occhi, ma alla giovane martire (nativa di Siracusa) gli occhi le rispuntarono. Nel paese di Savoca una giovane ragazza, chiamata con affetto "la Lucia" viene portata in spalla lungo le vie del paese (seduta su di un cuscino legato sulla spalla di un uomo; in realtà gli uomini portatori sono due, dandosi il cambio l'un l'altro); la giovane Santa rimane impassibile di fronte alle tentazioni demoniache: il Diavolo, chiamato in dialetto siciliano "u Diavulazzu, agita, scuote, fa ruotare il suo forcone nel tentativo di "distrarre" la Santa ma, vani saranno i suoi tentativi. Il primo giorno di questa rappresentazione, il sabato, in una vecchia chiesa di Savoca, le due bambine che impersonano la Lucia, dell'anno in corso e dell'anno precedente, si incontrano con la consegna della palma da una bimba all'altra; l'evento tradizionale al quale si assiste il sabato, ha tutto l'aspetto di una importante prova generale per il giorno dopo, quando la domenica la festa tradizionale avverrà in tutta la sua bellezza.La domenica: in cima alla processione ci sono i "Giudei" (gli emissari del prefetto Pascasio) insieme ad alcuni Angeli, subito dopo si trova il carro tirato da due giumente dalle quali si diparte una corda che giungerà fino a cingere il fianco della bimba che impersona Santa Lucia (una bambina di sei anni); tra lei e le giumente ci sono i soldati Romani, che si fanno largo tra la folla dimenandosi a più non posso; a tenere la corda ci sono anche delle figure maschili che evitano che gli strattonamenti dei soldati romani possano giungere fino alla Santa (ricordiamolo, che è legata a quella corda); davanti alla Santa piroetta il diavolo tentatore, u' Diavulazzu (la maschera è in legno, la cui fattura è datata, sembra, del 400'), il cui compito è quello di distrarre la piccola Santa con l'aiuto di un lungo bastone dotato di punte ricurve, chiamto dialettalmente "u' croccu": Lucia difficilmente si lascerà ingannare dalle promesse del Maligno, non abbandonerà quel suo stato di immobile concentrazione, aiutata in ciò dal fissare, quasi in stato di trance, un piccolo ramo di palma in argento, che lei strige devotamente tra le sue mani. E’ fondamentale menzionare tra i vari personaggi storici della tradizione, il barone Baldassarre, vissuto in Savoca in epoca medioevale, soprannominato barone Altadonna, che applicava senza remora alcuna la pratica della Jus primae noctis: avvalendosi di questa legge il barone obbligava le giovani spose a trascorrere la prima notte di nozze nella sua alcova. E’ fortemente ipotizzabile che nella rappresentazione di Santa Lucia di Savoca il personaggio del Diavolo che tenta la giovane Santa col suo forcone, in realtà non sia altro che egli stesso, il barone Altadonna, così allegoricamente descritto nella festa tradizionale siciliana: la figura del Diavolo, se si tiene conto di quanto narrano gli storici, non apparterrebbe più alla leggenda, ma a questo tristo personaggio realmente vissuto, che usava quotidianamente la moneta della prepotenza. Post scriptum: le fotografie, realizzate sia il sabato che la domenica, sono state organizzate e postate senza tenere conto della cronologia temporale di quanto avvenuto nei due giorni della manifestazione; sono state inserite due foto della mummia del barone Altadonna, che si trova nella cripta dei Padri Cappuccini di Savoca; sono stati inseriti i ritratti di due "Lucie" delle precedenti edizioni, del nonno e del bisnonno della dinastia dei "DIAVOLI"; la "palma d'argento" è stata consegnata dalla Lucia del 2016 (Valentina), alla attuale Lucia (Miriana); nel 2017 la manifestazione non è stata eseguita.

Ezio Famà.

   

---- Angels & Demons (devil tries to tempt Saint Lucia, August 2018, Savoca - Sicily) ----

 

---- Angeli & Demoni (il demonio tenta Santa Lucia, agosto 2018, Savoca - Sicilia) ----

 

-----------------------------------------------------------------

  

click here - clicca qui

  

the slideshow

  

Qi Bo's photos on Fluidr

  

Qi Bo's photos on Flickriver

  

Qi Bo's photos on FlickeFlu

  

Qi Bo's photos on PICSSR

 

Qi Bo's photos on Flickr Hive Mind

  

www.worldphoto.org/sony-world-photography-awards/winners-...

  

www.fotografidigitali.it/gallery/2726/opere-italiane-segn...

  

-------------------------------------------------------------------

  

this is a photographic narration that speaks of the eternal struggle that takes place between good and evil, which speaks of a dark period of history, speaks of the violence suffered by women but also by those who belonged to the poorest social classes, historical facts that have been handed down to us in the form of a story and associated-transmuted in the martyrdom of Saint Lucia, this is what happens in the town of Savoca (Sicily). This is a short and long report, I did in Savoca on August 2018 about the living representation of the martyrdom of Saint Lucia (patron saint of the city of Savoca); the cult of the young Saint of Syracuse seems to date back to the fifteenth century, under the influence of Spanish traditions. The commemoration of the history of St. Lucia occurs in two consecutive days, Saturday and Sunday: here I try to tell some times of the day on Sunday, a day during which the festival is held at the height of her beauty. And 'This is a historical event which speaks of Demons and Angels: Saint Lucy refused to marry a rich and powerful suitor (Lucy declared She was married in Christ), which reported the Christian faith of Lucia to prefect Pascasio that ordered his Praetorian Guard to drag Lucia with a rope to a place of prostitution; legend has it that the Holy became heavy, they then tried to drag it with the help of oxen, but it was impossible to move it from where he stood; failing in this, it was then given the order to cavarle eyes, but the young martyr (native of Syracuse) her eyes reappeared.

In the village of Savoca a young girl, affectionately called the "Lucy" is carried on the shoulder of a porter along the streets of the country (sitting on a pillow tied on the shoulder of a man, but in fact men are two); the young Saint remains impassive in the face of demonic temptations: the Devil, called in Sicilian dialect "u Diavulazzu, shake, shakes, turns his pitchfork in an attempt to "distract" the Saint.

The first day of this representation, on Saturday, in an old church in Savoca, the two girls who impersonate the Lucia, of the current year and the previous year, meet with the delivery of palm; the traditional event which we witness on Saturday, has all the appearance of an important rehearsal for the next day, on Sunday when the traditional festival will take place in all its beauty.

Sunday: on top of the procession there are the "Jews" (the emissaries of the prefect Pascasio) along with some Angels, is located immediately after the wagon drawn by two cows from which branches off a rope that will arrive to Saint Lucia (a girl of six years); between her and the cows there are Roman soldiers, who make their way through the crowd squirming like crazy; to hold the rope there are also male figures; the job of Devil (his mask is made of wood, whose invoice is dated, it seems, of the 400') is to distract the little Saint with the help of a long stick equipped of curved points, called "u 'croccu": Lucia hardly is deceived by the promises of the evil one, she will not abandon the state of her property concentration, aided in this by staring, almost in a trance, a small palm branch in silver , she brings devoutly in her hands.It's very important to mention the Baron Baldassarre (nicknamed Baron Altadonna), who applied without any hesitation the practice of Jus de seigneur: using this law the Baron obliged the young brides to spend the wedding night in his alcove. It 'very possible that in the representation of Saint Lucia of Savoca the character of the Devil tempting young Santa with his pitchfork, in reality is nothing but himself, Baron Altadonna, so allegorically described in this traditional Sicilian feast: the figure of the Devil if one takes into account what historians relate, does not belong more to the legend, but sadly to actual event happened. Post scriptum: the photographs, realized both on Saturday and Sunday, were organized and posted without taking into account the temporal chronology of what happened during the two days of the event; two photos of the mummy of Baron Altadonna have been included, which is located in the crypt of the Capuchin Fathers of Savoca; the portraits of two "Lucie" from previous editions, grandfather and great-grandfather of the "DIAVOLI" dynasty were included; the "silver palm" was delivered by Lucia of 2016 (Valentina), to the current Lucia (Miriana), in 2017 the event was not performed.

Ezio Famà.

------------------------------------------------------------------------------------------

questa è una narrazione fotografica che parla dell'eterna lotta che avviene tra il bene ed il male, che parla di un periodo buio della storia, che parla delle violenze subite dalle donne ma anche da coloro che appartenevano alle classi sociali più povere, fatti storici che sono stati tramandati fino a noi in forma di racconto ed associati-trasmutati nel martirio di Santa Lucia, questo è quanto accade nel paese di Savoca (Sicilia). Questo è un report corto e lungo, che ho realizzato in quel di Savoca lo scorso mese di Agosto 2018, su quella che è la rappresentazione vivente del martirio di Santa Lucia (Santa patrona della città di Savoca); il culto della giovane Santa di Siracusa sembra risalire al XV secolo, sotto l'influenza delle tradizioni spagnole. La rievocazione vivente della storia di S.Lucia avviene in due giornate consecutive, il sabato e la domenica: qui tento di raccontare alcuni momenti della giornata della domenica, giorno durante il quale la festa si svolge nel pieno della sua bellezza. E' questa una rievocazione storica che parla di Demoni ed Angeli: la storia rievoca di quando la Santa, si rifiutò di andare in sposa ad un suo ricco e potente pretendente (essendosi dichiarata Cristiana e sposa in Cristo), il quale per vendetta riferì della fede Cristiana di Lucia al prefetto Pascasio; costui diede ordine ai suoi pretoriani di trascinare Lucia con una corda fino ad un lupanare, un luogo di prostituzione; la leggenda narra che la Santa divenne pesantissima, si tentò allora di trascinarla con l'ausilio dei buoi, ma fu impossibile smuoverla da dove si trovava; non riuscendo in ciò, fu allora dato l'ordine di cavarle gli occhi, ma alla giovane martire (nativa di Siracusa) gli occhi le rispuntarono. Nel paese di Savoca una giovane ragazza, chiamata con affetto "la Lucia" viene portata in spalla lungo le vie del paese (seduta su di un cuscino legato sulla spalla di un uomo; in realtà gli uomini portatori sono due, dandosi il cambio l'un l'altro); la giovane Santa rimane impassibile di fronte alle tentazioni demoniache: il Diavolo, chiamato in dialetto siciliano "u Diavulazzu, agita, scuote, fa ruotare il suo forcone nel tentativo di "distrarre" la Santa ma, vani saranno i suoi tentativi. Il primo giorno di questa rappresentazione, il sabato, in una vecchia chiesa di Savoca, le due bambine che impersonano la Lucia, dell'anno in corso e dell'anno precedente, si incontrano con la consegna della palma da una bimba all'altra; l'evento tradizionale al quale si assiste il sabato, ha tutto l'aspetto di una importante prova generale per il giorno dopo, quando la domenica la festa tradizionale avverrà in tutta la sua bellezza.La domenica: in cima alla processione ci sono i "Giudei" (gli emissari del prefetto Pascasio) insieme ad alcuni Angeli, subito dopo si trova il carro tirato da due giumente dalle quali si diparte una corda che giungerà fino a cingere il fianco della bimba che impersona Santa Lucia (una bambina di sei anni); tra lei e le giumente ci sono i soldati Romani, che si fanno largo tra la folla dimenandosi a più non posso; a tenere la corda ci sono anche delle figure maschili che evitano che gli strattonamenti dei soldati romani possano giungere fino alla Santa (ricordiamolo, che è legata a quella corda); davanti alla Santa piroetta il diavolo tentatore, u' Diavulazzu (la maschera è in legno, la cui fattura è datata, sembra, del 400'), il cui compito è quello di distrarre la piccola Santa con l'aiuto di un lungo bastone dotato di punte ricurve, chiamto dialettalmente "u' croccu": Lucia difficilmente si lascerà ingannare dalle promesse del Maligno, non abbandonerà quel suo stato di immobile concentrazione, aiutata in ciò dal fissare, quasi in stato di trance, un piccolo ramo di palma in argento, che lei strige devotamente tra le sue mani. E’ fondamentale menzionare tra i vari personaggi storici della tradizione, il barone Baldassarre, vissuto in Savoca in epoca medioevale, soprannominato barone Altadonna, che applicava senza remora alcuna la pratica della Jus primae noctis: avvalendosi di questa legge il barone obbligava le giovani spose a trascorrere la prima notte di nozze nella sua alcova. E’ fortemente ipotizzabile che nella rappresentazione di Santa Lucia di Savoca il personaggio del Diavolo che tenta la giovane Santa col suo forcone, in realtà non sia altro che egli stesso, il barone Altadonna, così allegoricamente descritto nella festa tradizionale siciliana: la figura del Diavolo, se si tiene conto di quanto narrano gli storici, non apparterrebbe più alla leggenda, ma a questo tristo personaggio realmente vissuto, che usava quotidianamente la moneta della prepotenza. Post scriptum: le fotografie, realizzate sia il sabato che la domenica, sono state organizzate e postate senza tenere conto della cronologia temporale di quanto avvenuto nei due giorni della manifestazione; sono state inserite due foto della mummia del barone Altadonna, che si trova nella cripta dei Padri Cappuccini di Savoca; sono stati inseriti i ritratti di due "Lucie" delle precedenti edizioni, del nonno e del bisnonno della dinastia dei "DIAVOLI"; la "palma d'argento" è stata consegnata dalla Lucia del 2016 (Valentina), alla attuale Lucia (Miriana); nel 2017 la manifestazione non è stata eseguita.

Ezio Famà.