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Titled after seeing image posted by www.flickr.com/photos/132103689@N03/
Thanks, Thomas!
I used Topaz Clarity and Glow 2 at a moderate opacity to give just a little Halloween look to the image.
A rework of a three year old shot, the more muted version is here... www.flickr.com/photos/darkprince66/21473787923/in/album-7...
A bit more balls, a bit more grunge and it's a rather different picture. I should have titled the picture L'oreal. 'Cos it was definitely worth it.
I'm actually supposed to be working on a project. But that cruel mistress named Distraction keeps slapping me in the face. What do you do...
O'Fallons Junction NE, 6 October 2015.
I titled this one while processing it during the last day I was in Tampa for a week long Summit about a month ago. I does look a bit apocalyptic though, doesn't it?
As I checked into my room, I kinda squealed like a chipmunk (alright, that sounds kinda weird), when I got a glimpse of the view I had for the week. I think I may have taken a couple of time-lapses too. In fact, I'm sure I did. Soon to follow I am sure.
Hope everyone is having an awesome weekend!
Check it out a bit larger here!
For more from MDSimages, please check out the links below....and thanks for stopping by!
Titled after a song by The Crystal Method, a powerful, UK techno group. It seemed to suit the image although the video link below has nada to do with the imagery I get from the song or what I've done here. The other videos were too juvenile to use as links, so I chose the current one.
The song seems to re-inforce an image of a high-tech, dazzling and faceless future based on endless self-satisfaction. June 2, 2013.
Song Link: www.youtube.com/watch?v=qLMBxbQlv0M
Mural titled "Baby with a Handgun" seen at sunset in downtown San Francisco, California. The artist is BiP, an anonymous street painter who is identified, from clues released on Twitter and by his intermediaries, to be a male Princeton graduate, former investment banker, and current artist. BiP stands for "Believe in People". BiP works internationally as a large-scale muralist, street artist, and an occasional animator.
=P
Model : Omar "Cousin"
Curly Fries all right reserve
Titled by Mohammad Ahmed Fikree -.-
The background and the kid Both are my shots :P
This HYBYCOZO sculpture is titled Insight and is on the Plants & People of the Sonoran Desert Trail by the Saguaro Harvesting Ramada. This is the view of the entire sculpture from near the Saguaro Harvest Ramada.
Insight 2018
Stainless Steel, Powder Coat Pigment, LED
This geometric sculpture is inspired by the non-repeating patterns found on rare minerals, such as meteorites. Step inside this immersive artwork, featuring 60 sides covered in intricate patterns, to experience the beauty and complexity of science, mathematics, and nature.
dbg.org/events/light-bloom/2024-10-12/
www.youtube.com/watch?v=FFelgzzzQqg
LIGHT BLOOM by HYBYCOZO is a limited-time exhibit where nature and light converge. This mesmerizing display invites you to explore the Garden transformed by stunning geometric light installations that illuminate the beauty of the desert landscape in a new way. As the sun sets, LIGHT BLOOM comes to life, casting intricate shadows and vibrant hues across the Garden. Wander the trails and let the enchanting installations transport you to a magical realm where the natural world meets the abstract.
HYBYCOZO is the collaborative studio of artists Serge Beaulieu and Yelena Filipchuk. Based in Los Angeles, their work consists of larger than life geometric sculptures, often with pattern and texture that draw on inspirations from mathematics, science, and natural phenomena. Typically illuminated, the work celebrates the inherent beauty of form and pattern and represents their ongoing journey in exploring the myriad dimensions of geometry. HYBYCOZO is short for the Hyperspace Bypass Construction Zone, a nod to their favorite novel (The Hitchhikers Guide to the Galaxy) and was the title of their first installation in 2014. They continue to create under this name. In the novel earth was being destroyed to make way for a bypass. It lead Serge and Yelena to ask what it means to make art at a time where the earth’s hospitable time in the universe may be limited.
dbg.org/meet-the-artists-behind-light-bloom/
Q: Walk us through your creative process?
A: The focus of our creative process is to explore the intricate interplay between geometry, light, space and to inspire contemplation, wonder and a sense of place among our audiences. Geometry and pattern-making serve as the backbone of our creative expression. It is the framework through which we navigate the complexities of form, proportion and spatial relationships. Patterns, both simple and complex, have a profound impact on our perception and understanding of the world. They possess the ability to evoke a sense of order, balance and aesthetic pleasure. Pattern making and geometry offer us a means of storytelling and communication. These patterns serve as conduits for deeper exploration, provoking introspection and contemplation to uncover the underlying symbols embedded within the human psyche.
Q: What inspired the concept of LIGHT BLOOM?
A: Just as many cactus and desert plants have evolved to produce night-blooming flowers, adapting to their environment and thriving in darkness, our sculptures come alive after sunset, blossoming with light and transforming the night into a glowing landscape of art and geometry.
Desert Botanical Garden has an incredible collection of plants and cacti arranged in a beautiful park setting.
"Think the desert is all dirt and tumbleweeds? Think again. Desert Botanical Garden is home to thousands of species of cactus, trees and flowers from all around the world spread across 55 acres in Phoenix, Arizona."
Desert Botanical Garden
DBG HYBYCOZO Light Bloom
This is my series titled 'sand in my shoes'. These photos were shot during our summer holiday in 2015.
These photos were also shot for Dentist Dave as a thank you for the gift coupon at Victoria's Secret. I am wearing a white Love Triangle Top and a Love Bikini and a see-through top I bought at Calzedonia, I guess.
Please feel free to fave, comment or:
- follow me on: my sexy tumblr | 500px | twitter!
- read my profile or maybe write a testimonial ? ;)
No "seen in" logos or group graphics in the comments, please. Thank you! :)
Die Eismeerkathedrale ist eine evangelisch-lutherische Pfarr- und Seemannskirche und Wahrzeichen der Stadt Tromsø(Norwegen).
Die Weihe der Kirche erfolgte am 19. Dezember 1965.
Das 23 Meter hohe Glasmosaik wurde nachträglich in einem Zeitraum von drei Jahren von Victor Sparre in Dallglas-Technik geschaffen und am 25. Juni 1972 eingeweiht. Es trägt den Titel Die Wiederkehr Jesu. Es ist eines der größten Glasgemälde Europas und besteht aus 86 rechteckigen Feldern. Insgesamt wurden elf Tonnen Glas verarbeitet.
Tromsdalen Church or the Arctic Cathedral is a parish church of the Church of Norway in Tromsø, Norway.
The modern concrete and metal church was built in a long church style in 1965 .In 1972, a glass mosaic titled "The Return of Christ" was added to the eastern side.
Lockdown 2021 continues ... and it was a camera club night ... some casual edits while I watched the presentations...
This HYBYCOZO sculpture is titled Floura and is along the Discovery Trail.
Floura
Stainless Steel, Powder Coat Pigment, LED
2022
dbg.org/events/light-bloom/2024-10-12/
www.youtube.com/watch?v=FFelgzzzQqg
LIGHT BLOOM by HYBYCOZO is a limited-time exhibit where nature and light converge. This mesmerizing display invites you to explore the Garden transformed by stunning geometric light installations that illuminate the beauty of the desert landscape in a new way. As the sun sets, LIGHT BLOOM comes to life, casting intricate shadows and vibrant hues across the Garden. Wander the trails and let the enchanting installations transport you to a magical realm where the natural world meets the abstract.
HYBYCOZO is the collaborative studio of artists Serge Beaulieu and Yelena Filipchuk. Based in Los Angeles, their work consists of larger than life geometric sculptures, often with pattern and texture that draw on inspirations from mathematics, science, and natural phenomena. Typically illuminated, the work celebrates the inherent beauty of form and pattern and represents their ongoing journey in exploring the myriad dimensions of geometry. HYBYCOZO is short for the Hyperspace Bypass Construction Zone, a nod to their favorite novel (The Hitchhikers Guide to the Galaxy) and was the title of their first installation in 2014. They continue to create under this name. In the novel earth was being destroyed to make way for a bypass. It lead Serge and Yelena to ask what it means to make art at a time where the earth’s hospitable time in the universe may be limited.
dbg.org/meet-the-artists-behind-light-bloom/
Q: Walk us through your creative process?
A: The focus of our creative process is to explore the intricate interplay between geometry, light, space and to inspire contemplation, wonder and a sense of place among our audiences. Geometry and pattern-making serve as the backbone of our creative expression. It is the framework through which we navigate the complexities of form, proportion and spatial relationships. Patterns, both simple and complex, have a profound impact on our perception and understanding of the world. They possess the ability to evoke a sense of order, balance and aesthetic pleasure. Pattern making and geometry offer us a means of storytelling and communication. These patterns serve as conduits for deeper exploration, provoking introspection and contemplation to uncover the underlying symbols embedded within the human psyche.
Q: What inspired the concept of LIGHT BLOOM?
A: Just as many cactus and desert plants have evolved to produce night-blooming flowers, adapting to their environment and thriving in darkness, our sculptures come alive after sunset, blossoming with light and transforming the night into a glowing landscape of art and geometry.
Desert Botanical Garden has an incredible collection of plants and cacti arranged in a beautiful park setting.
"Think the desert is all dirt and tumbleweeds? Think again. Desert Botanical Garden is home to thousands of species of cactus, trees and flowers from all around the world spread across 55 acres in Phoenix, Arizona."
Desert Botanical Garden
DBG HYBYCOZO Light Bloom
BONDI, AUSTRALIA - OCTOBER 20, 2016; Annual Bondi Sculptures by the Sea exhibit titled Link III by Inge King Am
September’s bright and soulful Photo of the Month, titled ‘Lost in Colour’, was shot by Roehan Rengadurai on a Nikon D7000 (bit.ly/N-D7000dc).
Roehan, 20, has been taking photos for 2.5 years. His natural eye for colour and composition caught our eye, with this photo standing out in particular.
‘This photo was taken during the celebration of Holi, the festival of colors at Chennai,’ he writes. ‘The kid in the photo was one of the many people celebrating Holi in that district. I was documenting the celebrations with my Nikon in Sowcarpet, a district in Chennai.’
‘What made this kid special is that at a point of time he suddenly lay down and started rolling in the color powder and water on the ground. So I ran towards him and started taking photographs, when he suddenly looked up at the camera as if he was lost in a dream. That is when I captured this photo.’
And a mesmerizing photo it is.
Shot at ƒ/4.5, 1/160s, ISO 1000, focal length: 35 mm.
To see more of Roehan’s colourful images of life in India, visit his Flickr page bit.ly/1ifRwCo
For the chance to have your photograph featured here and on the www.europe-nikon.com corporate website, join us on Flickr and share your best work with us in the ‘I AM Nikon’ flickr pool: bit.ly/NFlickr
#photoofthemonth #colourful #NikonD7000 #holifestival
I have titled this series Romanesque England, and so far it does correspond fairly well to what we have seen. Today however, and for the last church in the series, we visit a truly pre-Romanesque wonder, which also claims to be the oldest wooden church in the world: Saint Andrew in the hamlet of Greensted-juxta-Ongar (isn’t that a delicious name in and of itself?) in Essex.
There have been various attempts at dendrochronology dating on the timbers, bringing back results ranging from 845 to 1055 (the latter with a margin of error of 10 to 55 years). The differing results are not surprising: even though the best oak wood was certainly selected for the walls, it is to be expected that a lesser specimen went undetected and had to be replaced a couple hundred years down the road. The oldest parts (the walls of the nave) indeed appear to be what we in Continental Europe would call Carolingian, and even though that church was subjected to a lot of later alterations (the chancel is 16th century and the wooden tower 17th), it retains a unique and enormously attractive atmosphere as an ancient place of worship. The southern porch and three dormer windows were also added during the 17th century, and unfortunately further remodeled during the extensive Victorian “restoration” this church had to undergo —or should I say withstand?
Archæologists even tell us that a previous, very basic church, probably existed here as early as the late 500s, as traces of it have been found under the present chancel, which replaced an earlier, timber-made one. It may even have succeeded a more ancient, and Pagan, place of worship: early Christianity is known for having so “appropriated” (or should I say “expropriated”?) temples and oratories of cults it sought to replace. Building a church over them was a convenient way to obliterate previous constructions, effectively wiping them from the sight of the next generation —and generational succession happened quickly in those times when life was terribly short. Memory often remained through spoken tradition, though, and sometimes still remains to this day, albeit deformed by the many retellings...
Most of the generations that came before, say, the second half of the 20th century, either didn’t care about maintaining old buildings they inherited from their forefathers, or didn’t know how to do the job properly. They razed and replaced, or they maimed and rent, however well-intentioned they may have been. Considering, it is kind of miraculous that this extremely old church, even more so as it is made of a material not as durable as stone, has managed to reach our times relatively unscathed, at least as far as the nave is concerned.
This is a must-see for anyone interested in the Middle Ages, a truly unique survivor of Carolingian times... even if finding it isn’t the easiest thing, even with a good satnav!
The most fascinating part of the church, the nave from the mid-800s. The brick base is a 19th century “restoration”, no one knows what it looked like before.
I have titled this series Romanesque England, and so far it does correspond fairly well to what we have seen. Today however, and for the last church in the series, we visit a truly pre-Romanesque wonder, which also claims to be the oldest wooden church in the world: Saint Andrew in the hamlet of Greensted-juxta-Ongar (isn’t that a delicious name in and of itself?) in Essex.
There have been various attempts at dendrochronology dating on the timbers, bringing back results ranging from 845 to 1055 (the latter with a margin of error of 10 to 55 years). The differing results are not surprising: even though the best oak wood was certainly selected for the walls, it is to be expected that a lesser specimen went undetected and had to be replaced a couple hundred years down the road. The oldest parts (the walls of the nave) indeed appear to be what we in Continental Europe would call Carolingian, and even though that church was subjected to a lot of later alterations (the chancel is 16th century and the wooden tower 17th), it retains a unique and enormously attractive atmosphere as an ancient place of worship. The southern porch and three dormer windows were also added during the 17th century, and unfortunately further remodeled during the extensive Victorian “restoration” this church had to undergo —or should I say withstand?
Archæologists even tell us that a previous, very basic church, probably existed here as early as the late 500s, as traces of it have been found under the present chancel, which replaced an earlier, timber-made one. It may even have succeeded a more ancient, and Pagan, place of worship: early Christianity is known for having so “appropriated” (or should I say “expropriated”?) temples and oratories of cults it sought to replace. Building a church over them was a convenient way to obliterate previous constructions, effectively wiping them from the sight of the next generation —and generational succession happened quickly in those times when life was terribly short. Memory often remained through spoken tradition, though, and sometimes still remains to this day, albeit deformed by the many retellings...
Most of the generations that came before, say, the second half of the 20th century, either didn’t care about maintaining old buildings they inherited from their forefathers, or didn’t know how to do the job properly. They razed and replaced, or they maimed and rent, however well-intentioned they may have been. Considering, it is kind of miraculous that this extremely old church, even more so as it is made of a material not as durable as stone, has managed to reach our times relatively unscathed, at least as far as the nave is concerned.
This is a must-see for anyone interested in the Middle Ages, a truly unique survivor of Carolingian times... even if finding it isn’t the easiest thing, even with a good satnav!
General view of the church as you approach it from the road. Lovely, peaceful and quiet atmosphere.
I could perhaps have also titled this one "In the Belly of the Beast". The centrepiece in this playground is a huge climbing apparatus that does indeed look like a giant monster. These children seemed to be having enormous fun negotiating their way across the ropes where they will emerge through the mouth of the dragon. Puff the Magic Dragon?
The postcard above is an original antique postcard titled "Making up his list". It was copyrighted in 1910 by the Colonial Art Pub. Co. of Brooklyn, N.Y., and published by F.G. Henry & Co., N.Y..
Colonial Art Pub. Co. and F.G. Henry & Co. were known for publishing various postcards, including humorous, romantic, and holiday-themed real photo postcards (RPPCs) during the early 1900s. The image of Santa is part of a series produced around that time.
The postcard, titled "Making up his list", presents a charming, sepia-toned photograph of a man in a Victorian-style Father Christmas costume. He is captured in a natural, candid pose, seated comfortably in a rocking chair next to a mantelpiece adorned with a garland. A prominent feature in his left hand is a pipe, from which he appears to be taking a break from writing in a large book to enjoy a smoke. This inclusion of a pipe is characteristic of early 20th-century depictions of Santa Claus. He holds a pencil in his right hand, poised to continue his important work of listing names in the ledger resting on his lap. The scene includes festive garland decorations around a fireplace mantle with a clock in the background.
These cards were popular as real photo postcards (RPPCs) during the Edwardian period and were produced by companies such as the Tavarone Art Co. and published by F.G. Thayer.
-----------------------------------------------------------------------------------
The Pipe's Symbolism:
Reflection and Wisdom: In European and, later, American society, pipe smoking was frequently associated with intellectuals, writers, and thinkers, symbolizing contemplation and wisdom. Characters like Sherlock Holmes reinforced this idea.
A Familiar Image: The image of Santa with a pipe was popularized in part by Thomas Nast's illustrations and the classic poem 'Twas the Night Before Christmas (or A Visit from St. Nicholas), which describes St. Nick holding a "stump of a pipe... tight in his teeth" with the "smoke, it encircled his head like a wreath".
Nostalgia: For many, the image of Santa with a pipe evokes a sense of nostalgia for a bygone era.
Evolving Image: In more recent times, often due to health concerns, the pipe has frequently been removed from modern illustrations and children's books to avoid promoting smoking.
In 1910, children's Christmas gifts were simpler and often included practical items alongside toys. Based on letters to Santa published in newspapers of the time, here are some common items requested:
For Boys:
Sleds and outdoor items
Toy trains
Roller skates
A rocking horse
Simple tools like a box of tools or a pop gun
Money boxes (banks)
For Girls:
Dolls and doll buggies/prams
A set of dishes
Art supplies like a box of paints
Storybooks
Tricycles
Common Stocking Stuffers:
Beyond toys, all children often received special treats in their stockings:
Fresh oranges and apples (considered a rare and exciting treat at the time)
Nuts
Candy
Practical clothing items like mittens, gloves, or high-top shoes
Many children also used their letters to ask Santa to "not forget the orphans and the poor people," showing a strong sense of community and empathy at the time.
It was so lovely to see the little male back hunting again!
Today was gloriously sunny and slightly warmer than of late, so it was extra special to see this lad back on his lookout perch ... I hope he got something!
This is the same girl as the previous picture -- just a different angle and perspective.
Note: this photow as published as photograph #2 (of 11) in a Dec 16, 2010 blog titled "Placemaking 101: Ten Steps to Transform a Public Space."
It was also published in an undated (late Jan 2011) blog titled "Idziesz? Nie pisz! [wideo] [Aktualizacja]." And it was published in an Aug 8, 2011 blog titled "<a href="http://geeksroom.com/2011/08/tips-etiqueta-correo-electronicos/52464/" rel="nofollow"Tips de etiqueta para el envío de correos electrónicos."
***********************
During a lunch break in the last weekend in April, I had a chance to walk around Bryant Park. These are a few of the pictures I took...
The view looking East at Deepdale Junction on July 25th 1991, with Class 37 37222 off-the-beaten-track and a long way from its home depot at Cardiff Canton. The 37 had arrived with the 6P32 Toton Yard to Preston Deepdale service with a lengthy rake of loaded HEA Coal hoppers. The train was too long to fit in the headshunt beyond the level crossing at Skeffington Road (visible behind the 37), and the train had to be split into two halves. The loaded HEA's would be propelled along the track on the extreme right of this view, to access the coal yard at nearby Fletcher Road. Deepdale Junction is where the original isolated Preston & Longridge Railway route of 1840 ran to its terminus at Deepdale. The HEA's are stood on the later 1856 route of what was once the grandly titled 'Fleetwood, Preston & West Riding Junction Railway'. Beyond Skeffington Road level crossing the line once ran to the village of Longridge. There had been plans to extend the line along the Ribble Valley to Hellifield and other than a few earthworks near to the village of Hurst Green, the project came to nothing.
I have titled this series Romanesque England, and so far it does correspond fairly well to what we have seen. Today however, and for the last church in the series, we visit a truly pre-Romanesque wonder, which also claims to be the oldest wooden church in the world: Saint Andrew in the hamlet of Greensted-juxta-Ongar (isn’t that a delicious name in and of itself?) in Essex.
There have been various attempts at dendrochronology dating on the timbers, bringing back results ranging from 845 to 1055 (the latter with a margin of error of 10 to 55 years). The differing results are not surprising: even though the best oak wood was certainly selected for the walls, it is to be expected that a lesser specimen went undetected and had to be replaced a couple hundred years down the road. The oldest parts (the walls of the nave) indeed appear to be what we in Continental Europe would call Carolingian, and even though that church was subjected to a lot of later alterations (the chancel is 16th century and the wooden tower 17th), it retains a unique and enormously attractive atmosphere as an ancient place of worship. The southern porch and three dormer windows were also added during the 17th century, and unfortunately further remodeled during the extensive Victorian “restoration” this church had to undergo —or should I say withstand?
Archæologists even tell us that a previous, very basic church, probably existed here as early as the late 500s, as traces of it have been found under the present chancel, which replaced an earlier, timber-made one. It may even have succeeded a more ancient, and Pagan, place of worship: early Christianity is known for having so “appropriated” (or should I say “expropriated”?) temples and oratories of cults it sought to replace. Building a church over them was a convenient way to obliterate previous constructions, effectively wiping them from the sight of the next generation —and generational succession happened quickly in those times when life was terribly short. Memory often remained through spoken tradition, though, and sometimes still remains to this day, albeit deformed by the many retellings...
Most of the generations that came before, say, the second half of the 20th century, either didn’t care about maintaining old buildings they inherited from their forefathers, or didn’t know how to do the job properly. They razed and replaced, or they maimed and rent, however well-intentioned they may have been. Considering, it is kind of miraculous that this extremely old church, even more so as it is made of a material not as durable as stone, has managed to reach our times relatively unscathed, at least as far as the nave is concerned.
This is a must-see for anyone interested in the Middle Ages, a truly unique survivor of Carolingian times... even if finding it isn’t the easiest thing, even with a good satnav!
Inside the venerable nave, managing to “unsee” all the ugliness superimposed by modernizers and other “restorators” is not easy, but try and focus on the splendid wood frame, which does indeed show, maybe, some inspiration from Scandinavian countries, as some authors think that was where this church got some of its stylistic flair...
silver gelatine print from a 35mm BW neg -funky solarization from improper initial fixing. happy accidents
Titled because I actually bought and planted two of these plants! Two years later began an intensive removal of this invasive grass, but not before it infested my next door neighbor's flower bed. (They use the Zero-Maintenance-Method; now they have a LOT of Sea Oats) My bad!
Traveling w/ daughter all day for tennis (unless it rains). Be back later!
I have titled this series Romanesque England, and so far it does correspond fairly well to what we have seen. Today however, and for the last church in the series, we visit a truly pre-Romanesque wonder, which also claims to be the oldest wooden church in the world: Saint Andrew in the hamlet of Greensted-juxta-Ongar (isn’t that a delicious name in and of itself?) in Essex.
There have been various attempts at dendrochronology dating on the timbers, bringing back results ranging from 845 to 1055 (the latter with a margin of error of 10 to 55 years). The differing results are not surprising: even though the best oak wood was certainly selected for the walls, it is to be expected that a lesser specimen went undetected and had to be replaced a couple hundred years down the road. The oldest parts (the walls of the nave) indeed appear to be what we in Continental Europe would call Carolingian, and even though that church was subjected to a lot of later alterations (the chancel is 16th century and the wooden tower 17th), it retains a unique and enormously attractive atmosphere as an ancient place of worship. The southern porch and three dormer windows were also added during the 17th century, and unfortunately further remodeled during the extensive Victorian “restoration” this church had to undergo —or should I say withstand?
Archæologists even tell us that a previous, very basic church, probably existed here as early as the late 500s, as traces of it have been found under the present chancel, which replaced an earlier, timber-made one. It may even have succeeded a more ancient, and Pagan, place of worship: early Christianity is known for having so “appropriated” (or should I say “expropriated”?) temples and oratories of cults it sought to replace. Building a church over them was a convenient way to obliterate previous constructions, effectively wiping them from the sight of the next generation —and generational succession happened quickly in those times when life was terribly short. Memory often remained through spoken tradition, though, and sometimes still remains to this day, albeit deformed by the many retellings...
Most of the generations that came before, say, the second half of the 20th century, either didn’t care about maintaining old buildings they inherited from their forefathers, or didn’t know how to do the job properly. They razed and replaced, or they maimed and rent, however well-intentioned they may have been. Considering, it is kind of miraculous that this extremely old church, even more so as it is made of a material not as durable as stone, has managed to reach our times relatively unscathed, at least as far as the nave is concerned.
This is a must-see for anyone interested in the Middle Ages, a truly unique survivor of Carolingian times... even if finding it isn’t the easiest thing, even with a good satnav!
With this photograph of the northern side of the ancient nave, we finish both our visit of the Saint Andrew church, and our series about English Romanesque churches. I hope you have enjoyed them.
Whimsically titled I know but .. I remember it looked nice at the time .. well at least I liked it...
Olympus OM-1 w M.Zuiko 40-150/2.8 Pro
ISO80 f/4.5 40mm -2.7 and +0.3ev
Two frames raw developed in DxO PhotoLab 8.7 - Kodak Portra 160 VC, stacked and blended in ON-1 PhotoRaw 2025, colour graded in Nik 8 Color Efex - finished off back in PhotoLab.
The Shallows, Bass Point Reserve, Shellharbour, NSW