Susan photos on Flickr

My friends and I decided to change our looks for one night so I dug out my old wig and tried it on. Kind of changes my look a little but I still like it. it’s a little longer too.

Patratu dam by Chandra Prakash

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Rioting Susans by T i s d a l e

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Black Eyed Susans in the field. Thanks for the look in and have a great evening.

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Susan Burnstine "... When?" by Starlight Children's Foundation

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As a child, I suffered from severe nightmares that frequently stayed with me for days. Often, I would see an image in my waking life but would not know if it was something real or from my dreams. By focusing on my unconscious world for years, I found there's a very thin line between my dream life and my waking life. This discovery became the inception of my series On Waking Dreams. ... When? represents the tireless pursuit to understand through the spirit and magic of childhood wonder, the courage to dream, the attempt to ask the most difficult questions and the ability to overcome in the face of ones fears.

Size: 12"x12"

Value: $800; Buy It Now: $1,600

To purchase, please email your interest to indomitable.spirit@starlight.org.

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Susan by Andrew

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Susan Rose by Donna Owens

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susan by Peter Schultz

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walking through morning mist.

Susan's Highlight by Paul Hollins

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Taken during a sunrise shoot at Susan Gilmore Beach, NSW, Australia.

I've noticed that my eye is drawn to the brightest parts of an image first, so I tried to catch the brightness of the sunlit wave as it broke.

This small beach was once locally infamous as a nudist beach, but changing times and attitudes have changed this trend.

As always, thanks for any comments, views or favorites, they are much appreciated!

BLACKEYED SUSAN by gilbert d'orléans

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www.gilbertdorleansphotography.com/p329267821

Susan Dacy by Chad Horwedel

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Susan by John Mackaill

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Gunby Hall Gardens, Skegness, Lincolnshire

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Susan Bra & Panties by Roy Llowarch

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Photos of Susan in bra and panties flashing her wet pussy in a couple of these. Key West Florida 2010

Susan. Key West by Roy Llowarch

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Weekend playtimes with beautiful Susan in Key West Florida.

PS That is not a bruise on Susan's left upper arm!! It is a birthmark

Black Eyed Susans by Joe

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A group of Black Eyed Susans shot on Lomo Redscale. This was my first roll using Redscale, and somehow I convinced myself that these should be shot between ISO 200-400, which is wrong. All the pictures came out way underexposed and overly grainy, so I converted this to Black and White in post.

Black-Eyed Susan by Scarlet Black

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Rudbeckia hirta, commonly called black-eyed-Susan

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Susans by Dave's Dogma

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Spotmatic SPII, Fomapan 100, FX55

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by Ace Starry

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Susan Denberg by Truus, Bob & Jan too!

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German postcard by ISV, Sort. 19/6.

German-born Austrian Susan Denberg (1944) was a Bluebell dancer and Playboy Playmate who had a brief acting career in the 1960s. One of her few roles was as Peter Cushing’s beautiful new creation in the Hammer horror Frankenstein Created Woman (1967).

Susan Denberg was born Dietlinde Ortrun Zechner in Bad Polzin, Germany (now Polczyn-Zdrój, Poland) in 1944. She was the eldest of three children of Austrian-German parents, and grew up with her two brothers, Reinhard and Ulrich, in Klagenfurt in Austria. Her father operated several electrical shops there. At 18, she travelled to England to work as an au pair. In 1963 she met a dancer of the Bluebell Girls and did an audition in Paris. She was hired for the chorus line and in 1964 and 1965, she performed in the Stardust Hotel in Las Vegas. There she met and married Latino singer Tony Scotti in 1965. She deserted the Bluebells for a movie career in Hollywood and landed a co-starring role as a German girl on the TV series 12 O'Clock High (1964-1967). This ABC drama set during World War II was the television version of the Oscar-winning classic Twelve O'Clock High (Henry King, 1949) starring Gregory Peck. The following year, Zechner made her feature film debut with a supporting role in An American Dream (Robert Gist, 1966). This trashy film drama, based on a Norman Mailer novel, starred Stuart Whitman and Janet Leigh. While working on this film, Warner Bros. held a nationwide contest to find Dietlinde a new screen name. They offered a $500 award to whoever came up with the best one. There were 5,000 entries, including ‘Norma Mailer’, but all were ultimately rejected. She herself came up with Susan Denberg. She was featured as Playmate of the Month for Playboy magazine's August 1966 issue. In her profile, Denberg stated that she had ambitions to become an actress. Denberg was later one of the finalists for the title of 1967's Playmate of the Year, though the title ultimately went to Lisa Baker. Denberg's best-known screen appearance was in the Star Trek episode Mudd’Women (Harvey Hart, 1966). She played one of the three mysterious and stunningly beautiful women of the title, who have an odd effect on all the male crew of the Starship Enterprise (except Spock, who looks on bemused), causing involuntary arousal.

Susan Denberg moved to England to play in Hammer Film's cult science fiction/horror film Frankenstein Created Woman (Terence Fisher, 1967). It is the fourth film in Hammer's Frankenstein series with Peter Cushing as Baron Frankenstein and Denberg as his new creation. Where Hammer's previous Frankenstein films were concerned with the physical aspects of the Baron's work, the interest here is in the metaphysical dimensions of life, such as the question of the soul, and its relationship to the body. Frankenstein Created Woman is one of the most critically acclaimed Hammer films. Nick Faust at IMDb: “Within the confines of a Hammer movie's melodrama, Fisher, a classical stylist and at times a superb artist, often created magic. This is one of those times. The performances are all equally compelling. Cushing gives the Baron more texture here than in any of the other films, I think. Thorley Walters is a good foil, and his befuddled affection and respect for the Baron make some of this rather touching. Arthur Grant's photography has never been better. I urge viewers to watch the film with an open mind. This is not the usual horror film; it's more a fantasy, a fairy tale.” Martin Scorsese picked the film as part of a 1987 National Film Theatre season of his favourite films, saying "If I single this one out it's because here they actually isolate the soul... The implied metaphysics are close to something sublime." However, Denberg's voice in the film was dubbed as her Austrian accent was considered too strong. Denberg had become immersed in the drugs and sex lifestyle of the 1960s. She divorced Tony Scotti in 1968. She left show business and returned to Austria. Newspapers reported at the time that Denberg was suicidal and stayed in mental homes. During the 1970s, she performed in Viennese nightclubs. Nowadays, Susan Denberg lives in Klagenfurt, Austria, under her real name, Dietlinde Zechner.

Sources: Ted Newsom (IMDb), Memory Alpha (IMDb), Nick Faust (IMDb), Glamour Girls of the Silver Screen, HorrorStars.net, Wikipedia (English and German) and IMDb.

Susan Denberg by Truus, Bob & Jan too!

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Spanish postcard by Editorial Filkasol.

German-born Austrian Susan Denberg (1944) was a Bluebell dancer and Playboy Playmate who had a brief acting career in the 1960s. One of her few roles was as Peter Cushing’s beautiful new creation in the Hammer horror Frankenstein Created Woman (1967).

Susan Denberg was born Dietlinde Ortrun Zechner in Bad Polzin, Germany (now Polczyn-Zdrój, Poland) in 1944. She was the eldest of three children of Austrian-German parents, and grew up with her two brothers, Reinhard and Ulrich, in Klagenfurt in Austria. Her father operated several electrical shops there. At 18, she travelled to England to work as an au-pair. In 1963 she met a dancer of the Bluebell Girls and did an audition in Paris. She was hired for the chorus line and in 1964 and 1965, she performed in the Stardust Hotel in Las Vegas. There she met and married Latino singer Tony Scotti in 1965. She deserted the Bluebells for a movie career in Hollywood, and landed a co-starring role as a German girl on the TV series 12 O'Clock High (1964-1967). This ABC drama set during World War II was the television version of the Oscar winning classic Twelve O'Clock High (1949, Henry King) starring Gregory Peck. The following year, Zechner made her feature film debut with a supporting role in An American Dream (1966, Robert Gist). This trashy film drama, based on a Norman Mailer novel, starred Stuart Whitman and Janet Leigh. While working on this film, Warner Bros. held a nationwide contest to find Dietlinde a new screen name. They offered a $500 award to whoever came up with the best one. There were 5,000 entries, including ‘Norma Mailer’, but all were ultimately rejected. She herself came up with Susan Denberg. She was featured Playmate of the Month for Playboy magazine's August 1966 issue. In her profile, Denberg stated that she had ambitions to become an actress. Denberg was later one of the finalists for the title of 1967's Playmate of the Year, though the title ultimately went to Lisa Baker. Denberg's best known screen appearance was in the Star Trek episode Mudd’Women (1966, Harvey Hart). She played one of the three mysterious and stunningly beautiful women of the title, who have an odd effect on all the male crew of the Starship Enterprise (except Spock, who looks on bemused), causing involuntary arousal.

Susan Denberg moved to England to play in Hammer Film's cult science fiction/horror film Frankenstein Created Woman (1967, Terence Fisher). It is the fourth film in Hammer's Frankenstein series with Peter Cushing as Baron Frankenstein and Denberg as his new creation. Where Hammer's previous Frankenstein films were concerned with the physical aspects of the Baron's work, the interest here is in the metaphysical dimensions of life, such as the question of the soul, and its relationship to the body. Frankenstein Created Woman is one of the most critically acclaimed Hammer films. Nick Faust at IMDb: “Within the confines of a Hammer movie's melodrama, Fisher, a classical stylist and at times a superb artist, often created magic. This is one of those times. The performances are all equally compelling. Cushing gives the Baron more texture here than in any of the other films, I think. Thorley Walters is a good foil, and his befuddled affection and respect for the Baron makes some of this really rather touching. Arthur Grant's photography has never been better. I urge viewers to watch the film with an open mind. This is not the usual horror film; it's more a fantasy, a fairy tale.” Martin Scorsese picked the film as part of a 1987 National Film Theatre season of his favourite films, saying "If I single this one out it's because here they actually isolate the soul... The implied metaphysics are close to something sublime." However, Denberg's voice in the film was dubbed as her Austrian accent was considered too strong. Denberg had become immersed in the drugs and sex life style of the 1960s. She divorced Tony Scotti in 1968. She left show business and returned to Austria. Newspapers reported at the time that Denberg was suicidal and stayed in mental homes. During the 1970s she also performed in Viennese nightclubs. Nowadays, Susan Denberg lives in Klagenfurt, Austria, under her real name, Dietlinde Zechner.

Sources: Ted Newsom (IMDb), Memory Alpha (IMDb), Nick Faust (IMDb), Glamour Girls of the Silver Screen, HorrorStars.net, Wikipedia (English and German) and IMDb.

Susan by Joakim Fransson

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I shot some portraits with my new Lens yesterday i picked up at BLACK FRIDAY and its the 24-70mm F/4 L USM IS USM and im really happy with this lens!

Instagram: www.instagram.com/jfphotos_net/

Facebook: www.facebook.com/FotografJocke/

500px: 500px.com/photographerjockefransson</a

Susan Meiselas by Rob Corder

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Waiting for the tent to fill. Essex Junction, Vermont, 1973. Gelatin silver print. SFMOMA

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