View allAll Photos Tagged Support.
The Science and User Support Building, or building 53, serves as the first stop for most new visitors to SLAC. It houses SLAC's Visitor, User, Employee (VUE) Center, Director's Office, Stanford University Office, Communications, Security, Panofsky Auditorium, cafeteria, and a number of shared meeting rooms.
About visiting SLAC: vue.slac.stanford.edu/
Credit: SLAC National Accelerator Laboratory
Fatou Dia, she is one of the beneficiary of the Senegal - Food security support project in Louga, Matam and Kaffrine regions (PASALOUMA-KAF)
U.S. Army Soldiers assigned to the 466th Area Support Medical Company, 53rd Troop Command, New York Army National Guard, salute while in formation during their deployment ceremony at the Queensbury Armory Aug. 1, 2020. Fifty-five Soldiers from this unit will leave for approximately 11 months to conduct an emergency and primary care mission to other Soldiers currently deployed in certain areas of the Middle East. (U.S. Army National Guard photo by Staff Sgt. Jonathan Pietrantoni)
Friends, family, military peers join local community civic leaders at a mobilization ceremony for the 230th Brigade Support Battalion, 30th Armored Brigade Combat Team, North Carolina National Guard at the Maxwell Center, Goldsboro, North Carolina, Aug. 17, 2019. The battalion’s 500 Soldiers are scheduled to deploy to the Middle East as part of the regular rotation of forces in support of Operation Spartan Shield to sustain theater readiness to conduct unified land operations and to support partner nations in making the region safer. (U.S. Army National Guard Photo by Robert Jordan, North Carolina National Guard)
Support teams onboard the SpaceX recovery ship MEGAN work to open the hatch of the SpaceX Dragon Endurance spacecraft shortly after it landed with NASA astronaut Jasmin Moghbeli, ESA (European Space Agency) astronaut Andreas Mogensen, Japan Aerospace Exploration Agency (JAXA) astronaut Satoshi Furukawa, and Roscosmos cosmonaut Konstantin Borisov aboard in the Gulf of Mexico off the coast of Pensacola, Florida, Tuesday, March 12, 2024. Moghbeli, Mogensen, Furukawa, and Borisov are returning after nearly six-months in space as part of Expedition 70 aboard the International Space Station. Photo Credit: (NASA/Joel Kowsky)
Young boys walking towards their school at Hanafi Zened high school using a concrete bridge built through the support of UNDP.
Villagers of Ghozo-Omerz, a village of 120 families in Panjshir province, used to be cut off from schools and hospitals by a fast flowing river. Parents were afraid to send their children to school because some had fallen in and died. Now they can cross the river using a bridge constructed through the support of UNDP. Photo: © Sayed Omer Sadaat / UNDP Afghanistan / 2015
SETERMOEN, Norway (March 7, 2022) U.S. Marines attached to 3rd Battalion, 6th Marine Regiment, 2nd Marine Division, coordinate close air support with a U.S. Marine Corps Bell AH-1Z Viper assigned to Marine Light Attack Helicopter Squadron 269 (HMLA-269), 2nd Marine Aircraft Wing, prior to Exercise Cold Response 22 in Setermoen, Norway, Mar. 8, 2022. Exercise Cold Response 22 is a biennial Norwegian national readiness and defense exercise that takes place across Norway, with participation from each of its military services, including 26 North Atlantic Treaty Organization (NATO) allied nations and regional partners. (U.S. Marine Corps photo by Sgt. William Chockey)
NAVAL SUPPORT ACTIVITY BAHRAIN (Aug. 28, 2013) Lt. Thor Gould, assigned to Commander, Task Group (CTG) 56.1, explains the capabilities of the SeaBotix remotely operated vehicle to Vice Adm. John W. Miller, commander, U.S. Naval Forces Central Command, U.S. 5th Fleet, Combined Maritime Forces, during a display of capabilities of Commander, Task Force (CTF) 56. CTF-56 is the commander of expeditionary combat forces in the region including Explosive Ordinance Disposal, Mobile Dive and Salvage, Naval Coastal Warfare, Seabees, Expeditionary Logistics Support Forces and coastal riverine forces. (U.S. Navy photo by Mass Communication Specialist 1st Class Mike Lenart/Released)
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For more about Bonfire 2015, visit www.studentbonfire.com/event/burn-night-2015/.
Supported by the international community, the Somaliland Health Authorities are working towards improving health services for the Somali people - including mothers and their babies. At the moment, maternal mortality rates are still estimated at 1044 per 100,000 live births. "I chose to become a midwife to help my community", says 24-year old Hibo, one of the midwifery students at the Edna Adan Hospital in Hargeisa. "Many women in Somaliland don't know about the good health services that are available to them. I would like to change that to make sure they take the advice we can give them and deliver their babies in a safe environment."
The End Hunger Dragon Boat Festival 2013 in North Beach MD was the inaugural year of event to raise money to support End Hunger in Calvert County. All photos in this set were taken by Your Calvert.
Below are the team names, shirt colors, and race pairings.
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This photo is being licensed under the Creative Commons Attribution No-Commercial license. A copy of the license can be found at www.yourcalvert.com/?p=858. A human readable version can be found at creativecommons.org/licenses/by-nc/3.0.
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RACE 1
PINK/LIGHT PINK -- Bay Business Group -- At beach getting ready, in boat, racing in race 1
GREEN/LIME GREEN -- Sieze The Bay -- At beach getting ready, in boat, racing in race 1
RACE 2
PURPLE/DARK PURPLE with Blue Hawaain Shirt Drummer -- Drag’n Tail -- Racing shots in race two
GREY/LIGHT GREY with Pirate Drummer who fell -- Plan B Ship Faced -- -- Racing shots from race two
RACE 3
BLUE/ROYAL BLUE with Pirate Drummer and Bandana heads in red and blue -- Team North Beach -- Racing shots from race three
GREY/DARK GREY with Bald Drummer -- Thai Paddlers -- Racing shots from race three
RACE 4 -- NO RACING PHOTOS
BLUE TEAL -- Civil Oar’s
BLUE/BRIGHT BLUE -- Blue Dragons in Nuclear Paradise
RACE 5
GREEN/BRIGHT GREEN with Hula Drummer with big sunglasses and a purple hat -- Team SMECO - Racing shots in race 5
YELLOW/BRIGHT YELLOW -- Team Toucan -- Group shots at booth, Racing shots in race 5
RACE 6
ORANGE/YELLOW -- The Titanic -- Racing shots race 6
RED/Drummer with a Red Boa -- Town of Chesapeake Beach -- Group Photo on the beach, Racing shots race 6
RACE 7
PURPLE/LIGHT PURPLE all girls -- Missfits 1 -- Racing Shots race 7
GREEN/LIGHT GREEN -- Kiss My Wake/Smurf Drummer - Smurf, Racing Shots race 7
RACE 8
GREEN/BRIGHT GREEN with tie dye bandanas -- Team Puff - one of race 8,
RED -- Chesapeake Pharmacy Paddlers/Drug Dragons - tent, one of race 8
RACE 9 - no racing shots
ORANGE/BRIGHT ORANGE -- Wednesday Wildcats -- group shots on the beach
PURPLE/LIGHT PURPLE -- Missfits 2 -- group shot on beach
RACE 10
BLUE/TEAL/BRIGHT with a VIKING drummer -- Psyc Vikes -- In the boat,
GREY/LIGHT GREY -- The Law Dawggs -- in the boat
RACE 11 - no racing shots
Plan B Ship Faced -- Group Shot
Seize the Bay
RACE 12 -- Racing shots
Bay Business Group --group shots, into boat, race
Civil Oars
RACE 13 -- NO PHOTOS
Thai Paddlers
Drag’n Tail
RACE 14 -- Racing shots
Blue Dragons in Nuclear Paradise
Team SMECO
RACE 15 - Racing Shots
Town of Chesapeake Beach
Town of North Beach
RACE 16 -- Racing Shots
Team Toucan
The Titanic
RACE 17 -- Racing Shots
The Law Dawggs
Team Puff
RACE 18 -- A few shots
Missfits 2
Psych Vikes
RACE 19 -- Racing Shots
Chesapeake Pharmacy
Missfits 1
RACE 20 -- Racing Shots
Kiss Our Wake
Wednesday Wildcats
RACE 21 -- Racing Shots
Drag’n Tail
Team North Beach
RACE 22 -- Racing Shots
Law Dawggs
Seize the Bay
RACE 23 -- Racing Shots
Kiss Our Wake
Team Puff
Adding shelves in my office closet. With so much space, it'd be a shame not to use that for storage!
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For more about Bonfire 2015, visit www.studentbonfire.com/event/burn-night-2015/.
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Photographs by @jesseashtonthephotographer
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The 3d U.S. Infantry Regiment (The Old Guard) provides ceremonial support for a wreath laying ceremony conducted by the Secretary of the Army, Honorable John McHugh at the tomb of Gen. George Washington at Mount Vernon, Va., June 13, 2014. From it’s initial formation in 1775 the United States Army has been the primary land based portion of the United States military. Washington was the first President of the United States (1789-1797), the commander-in-chief of the Continental Army during the American Revolutionary War, and one of the founding fathers of the United States. (U.S. Photo by Spc. Klinton Smith)
173161 packages, 51 vehicles, 293 passengers and 400 collecting points. Riedel is once again supporting the wonderful Christmas Parcel Convoy with radios. The convoy delivers Christmas presents to children in need living in the poorest regions of Eastern Europe.
This picture makes me remember NID film club screening in mid-2007 - of the film, Café Lumière, which makes us appreciate little moments of everyday life...so does this picture :-)
At National Institute of Design, Ahmedabad, we were shown art based movies on every Tuesdays and Thursdays. NID autitorium had its own aura, mood, reclining chairs, smell and pensive hold and will forever stay imprinted in my memories.
These 200 U-Type constant spring supports are fabricated from A-36 carbon steel and modified to accommodate extra large spring coils. They range in size from 25" to 27 " in height, 52" to 67" in length, and 25" in width. Their load capacities range from 10,300 lb. to 13,000 lb. with vertical movement ranging from 3" to 4-1/2". The constants are also modified to increase their installed height by adding a secondary plate and angles, which will be welded to the structural beam. All constants went through standard load and travel testing per MSS Standards prior to shipment.
Support the Japan buying a bear.
Take a photo of you with your bear and post it...let's see how many photos we can post to show our support! They are affordable at different prices : L$300, L$1,000 and L$3,000. Click on the website link below and it will take you right to them!
Friends, family, military peers join local community civic leaders at a mobilization ceremony for the 230th Brigade Support Battalion, 30th Armored Brigade Combat Team, North Carolina National Guard at the Maxwell Center, Goldsboro, North Carolina, Aug. 17, 2019. The battalion’s 500 Soldiers are scheduled to deploy to the Middle East as part of the regular rotation of forces in support of Operation Spartan Shield to sustain theater readiness to conduct unified land operations and to support partner nations in making the region safer. (U.S. Army National Guard Photo by Robert Jordan, North Carolina National Guard)
Art Neville
Cha Dooky Doo
Celebration of Art Neville
Tipitina's, 11/15/2014
New Orleans, Louisiana
ART NEVILLE
If you're lucky enough to be born in New Orleans, you've automatically inherited a lush tapestry of traditions, of which the richest, most varicolored and enduring motif is music. Arthur Neville came into that inheritance in 1937, but in his case the real luck fell to New Orleans, where he has spent most of a lifetime enhancing and expanding that tapestry. It's open to debate exactly where Art learned to weave such glorious new colors into such an already-vibrant fabric of sound - parents who supported and encouraged his musical quest? A childhood curiosity about music in general, and the keyboard in particular? Simply the intense and heady musical environment of the city itself?
What can't be argued that even as a kid he had already begun to shape the sumptuous patterns that the world now recognizes instantly as the Nevilles Sound. As a teenager, no amount of music - even in New Orleans - was too much for Art. He worked for a time in a record shop, where he absorbed the great doo-wop groups of the day: Clyde McPhatter's Drifters, The Orioles, The Clovers, as well as local piano rockers Professor Longhair and Fats Domino. In time he formed his own doo-wop group, and after school, after work, they would sit on a park bench in the crazy half-moon city and sing to the night.
In 1953, Art joined the Hawkettes, who recorded the classic "Mardi Gras Mambo" in 1954. That song turned out to be more influential to other musicians - and to the City of New Orleans - than even Art could have imagined. Listen to the music of his reflections on that historic (and now, very traditional) piece of pop culture:
"I became involved with the Hawkettes, I don't even remember the exact year but it must have been in '53. A friend of mine, one of the members of the Hawkettes at the time, George Davis. He was taking saxophone lessons from Alcee Wallace, one of my friends that we had the doo-wop group with. Mr. Wallace, Alcee's father, was teaching George Davis saxophone and so he told him about me and he needed a piano player."
"And so he came to my home and asked me would I be interested in playing with the Hawkettes. I didn't know who they were at that point and I said "sure," and my mother and father said 'Yeah, go ahead.' And the rest is really history. We went on, and we were the hottest band in New Orleans and the surrounding area we played for every function like sororities, fraternities, and different other functions around New Orleans: Night clubs, little small clubs, large clubs."
"We recorded this song, 'Mardi Gras Mambo,' I don't even remember the year, I think 1953 or 1954, something like that, and lo and behold! 'Mardi Gras Mambo' is still here today."
Most of the Hawkettes went off to college and other pursuits after the recording was made, but Art kept the Hawkettes together, finding musicians where he could. And did. The Hawkettes got such a wide reputation that by 1957 they found themselves touring with Larry Williams, whose "Short Fat Fannie" and "Bony Maronie" had also gone into the pop canon, and remain there. Art came home from this tour (which included the Spaniels), to be drafted into the Navy Reserve's active duty for two years.
"N.A.S., Oceana, Virginia Beach. Aviation," he remembers. "It was a good experience." In a recent discussion, Art remarked, "I was in the Navy Reserve - and I wasn't making the meetings that I should have been making - I was playing Rock 'n Roll.. So they drafted me on Active Duty and that must have been '59 or '60."
Brother Aaron hung in there with the Hawkettes, and when Art returned he rejoined his old friends. "Meanwhile, we started changing players, and we ended up with the guys who wound up being the Meters: Zigaboo, Leo, George," he says.
At the same time, Allen Toussaint and Joe Banashak approached Art with a song that's long since been a New Orleans staple: "All These Things." Art jumped at the chance to record it. "I can see it now," he says fondly.
By 1966, he was touring with brother Aaron in support of the hit single, "Tell It Like It Is." Another classic. Soon after the tour, Art took the first shot at a Neville Brothers grouping with "Art Neville and the Neville Sounds." The band consisted of Leo Nocentelli on guitar, George Porter on bass, Art on piano and organ, Zig Modeliste on drums, brothers Cyril and Aaron Neville and, on saxophone, Gary Brown. It was strictly a labor of love, and the band wasn't making money. But they were getting tighter, more streamlined musically, the sound was getting around. Eventually Art was offered a chance to play the Ivanhoe bar in New Orleans' French Quarter - a coveted gig among local musicians, except that the venue could only accomodate four musicians onstage. Cyril, Aaron and Gary Brown bowed out and went on to pursue their own musical paths, but what remained was a white-hot quartet with a solid rhythmic vision. There at the Ivanhoe, the Meters were born. The band developed a funk-infected R-B sound characterized by subtle shadings and the loose interplay among guitar, bass and Art's Professor Longhair-inspired keyboard figures.
Producer/writer Allen Toussaint took one listen and wanted the Meters for session work.
With Toussaint at the boards, the band released The Meters (1969), featuring the signature instrumentals "Cissy Strut" and "Sophisticated Cissy." By 1972, big fish were circling and the Meters recorded their first of several albums for Warner Brothers. On the strength of this work, the Meters opened for the Rolling Stones' "Tour of the Americas" the following year. In 1976, the Neville brothers' revered uncle George Landry called the boys together to work on an album entitled "The Wild Tchoupitoulas," an aural documentary of sorts of the Mardi Gras Indians. Landry told Art then that the Neville's parents had always longed to see the four brothers work together, and in 1977 that dream became reality for everyone. With Art on keys, Charles blowing sax, Cyril slapping congas and Aaron, well, playing Aaron on vocals, the Neville Brothers groove at last wove itself indelibly into the tapestry. The Neville Brothers was released on Capitol, but so unique and unclassifiable was the sound that the corporate thinkers didn't quite get how to market it.
Not black or white, not strictly soul or R-B, not exactly pop but not rigidly rock either, the problem wasn't so much that the Neville Sound was neither here nor there as that it was here, there and everywhere imaginable. It was off the label's graph and therefore out of its grasp. Things got better. Radio, the national and then the international audience began to blossom with A-M's Fiyo on the Bayou and later Neville-ization. By the time of Uptown Art and the boys were sending their New Orleans sound around the world and back again, and they followed with more of the family groove in albums like the nearly flawless Yellow Moon. The basics stitched together by Art and his keys have created ripples of soulful patterns across every curve in the musical sphere, influencing artists as diverse as Santana, and the Rolling Stones. And Art weaves on. Maybe only the lucky get to be born in New Orleans. But Arthur Neville's vision has made it possible for the rest of us to share a little bit of the grand fortune he's given back to his city.
tipitinas.com/bands/a/art-neville
Art Neville Discography:
STAND UP TO CANCER - The Hollywood community unites once again to support Stand Up To Cancer (SU2C), a program of the Entertainment Industry Foundation (EIF), staging its fourth biennial fundraising telecast FRIDAY, SEPTEMBER 5 (8:00-9:00 p.m., ET/PT). NO BOOK PUBLISHING WITHOUT PRIOR APPROVAL. NO ARCHIVE. NO RESALE. (ABC/Kevin Mazur)
PIERCE BROSNAN
© 2014 American Broadcasting Companies, Inc. All rights reserved.
Fire Associates new Fire Support Unit 1 a few days before it was placed into service, visiting Cal Fire's Almaden Fire Station.
The unit is a 1997 GMC with a light rescue body made by Burton's.
The unit is now in service and carries Rehab supplies to multi alarm fires in Santa Clara County
The men and women of Logistics Task Force—4 at Camp Leatherneck, Afghanistan work hard seven days a week supporting the Soldiers and Marines operating in the southern part of Afghanistan. They are responsible for several programs including installing armor upgrades on Army and Marine vehicles, maintenance and sustainment operations, and retrograde operations.
About the 401st:
The 401st Army field Support Brigade provides Soldiers, Sailors, Airman, and Marines, the tools and resources necessary to complete the mission. If they shoot, drive it, fly it, wear it, eat it or communicate with it, the 401st helps provide it. The brigade assists coalition partners with many of their logistical and sustainment needs. The brigade also handles the responsible disposition of equipment in Afghanistan to support evolving missions. We are the single link between Warfighters in the field, and working through Army Sustainment Command, we leverage Army Materiel Command’s worldwide Materiel Enterprise to develop, deliver, and sustain materiel to ensure a dominant joint force for the U.S. and our Allies.
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