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Steenokkerzeel (studio), BELGIUM
I don't do a lot of typical studio photography and usually white seamless backgrounds are considered as the enemy. So I hesitated to take on this job for fashion designer Griet Verhoeven (www.enolah.be). Having the opportunity to work with my favorite model Erika, made me do it. And I'm glad I did it. It was a valuable lesson about being open to other kinds of photography. Much to my own surprise I enjoyed this shoot a lot. The soft light and white seamless makes you focus on posing much more, because that's the only tool left to tell your story. The extremely professional attitude and fun collaboration with the model, the designer, her assistant/stylist and the photographer was also very enjoyable.
Check out my blog: www.bertstephani.com/blog
or our photography project: www.squeezethelime.com
Audio recording courses are available online and if you are serious about playing your share in this music and recording industry, look no further than the companies offering Recording Equipment Rentals and Studio Equipment Rentals service
Stu-stu-studio wo-oh.
Ah stu-stu-stu-stu-studioooh wo-oh wo-oh.
Bit of Phill Collins freestyle for you.
I found this inscription ('Atelier' is german for studio) over the entrance to the old photo studio.
As a reverence to the old times, I played a bit with it in photoshop to make it look older...
Went to the pavilion to the open day and used there studio to take these amazing images none have been edited and they are a mix of studio lighting for more contrast and shadow on the model and also tried some natural hots. these are my favorite of the day
studio lighting was done unde these settings
Iso 200
F.8
1/125
wb-Flash
Model: Hayley Lewis
(her page)
www.facebook.com/TrueModellingGlasgow
Big Thank you for letting me use the studio Barrie and Fiona
(studio page)
Shooting of different Pilates exercises with the equipment (Reformer beds, Trap Table, Wunda chair and Half Barrel)
Construction of the Squish Studio in Tilting, on the North East Coast of Fogo Island, Newfoundland.
Designed by Todd Saunders (www.saunders.no) for the Fogo Island Arts Corporation (www.artscorpfogoisland.ca) and built by the Shorefast Foundation (www.shorefast.org).
This photo was taken while the band were recording the Rolling Tear EP at Ozzy Rock studios Pontefract. I used the light from the small heater to light Joe on this one .-- Do not use without Permission -- www.myspace.com/Jacksatticsound
Auto-portrait. Thème motard.
strobist: 300ws studio flash @ 1/4 in 40" brolly softbox in vertical position above and in front of me. sb-900 at right behind me directed on head. Yongnuo manual flash left of me, leaking light on me, directed towards background.
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
During my attempts to make good high key photos some of the studio shoots didn't exactly turned out as high key photographs, but they work perfectly fine as ordinary studio shoots.
Some might say! This is somewhat of an overkill.
But these are the same people that didn't get a new bargin mini studio strobe kit today ;-)
A glimpse of the fashion show at the successful launch ceremony of the Alkaram Studio (lawn and pret wear) in the new Emerald Tower in Karachi on March 24, 2011. (Lawn) Stocks were reportedly sold out in two hours.
John: A Rrose by any other name. Love studio shots.
I think it leads back to childhood memories.
Ruin: Yes, Rrose is there with Mona. This was a friend's studio in NYC, mine was much more of a mess. I put these pieces in his studio, they never existed, never got to be made, but they could have been. I have made lots of much bigger pieces, as you know. Sometimes I like to see them at the scale they could have been, given time, money and energy, all dwindling resources for persons at our end of this glorious spectrum. I also like confusing that space between what was made and what wasn't, the real and what was aspired towards. Most of what was real has been destroyed now anyway, but I do have a record of the originals. Perhaps someday they will be NFTs, who knows? The future will more or less be indifferent to our strivings, as we devolve our planet, but then I also don't think it is a devolution, it might be becoming something more evolved. I prefer that scenario, call me a cock-eyed optimist, a fool.
I especially liked putting the reflection of the red piece in the shiny floor. I presume you notice all these 'tricks' being a bit of a magician yourself.
The lady in red was there before, she did get an outing in an exhibition on Acre Lane, back at the turn of the Millennium. I met her in a bar in Helsinki, she had been beaten up by her boyfriend, who broke her wrist.
I even gave her a new, less (?) distracting, floor. Partially to confuse what was real or not real, this one was real, but I wanted to make it somewhat not so. The dodgy floor was part of that effort.
I love 'dodgy' and 'clunky', call me a child of the 60s.
Nat: I love those polished concrete floors. There was a most beautiful one at MAMCO in Geneva, which used to be a factory. I almost didn't need the Art.
Ruin: The thing is that everything we make here, you and I (and others), can be made in the future, if the future deems it worthy. I don't think that I a problem we even have to think about. Once something is out there, it's out there. If the 'idea' is worthwhile it may get picked up on and somebody else might even do it better. It might also end up in that universal dustbin of ideas that never matured, that never made much sense in the first place. I don't think that is our 'problem' at all.
Yes, I love polished concrete too. I made some floors like this in my time doing interiors, in New York and London mostly.