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The scale card along the base of the photo is marked in centimetres (black) and millimetres (white bands separated by black lines).
A sub-vertical fault plane with sharp bends and slight curves along slickenline striation paths/traces (in non-technical terms, scratches in the rock from frictional drag along the fault surface),
indicating a history of slight and temporary change in displacement direction (part of Eocene age extensional faulting in south-central British Columbia). Location: Warren Creek Road, near Greenwood, British Columbia.
C. J.R. Devaney
Structure Synth structure. Rendered in SunFlow.
EisenScript:
// Camera settings. Place these before first rule call.
set translation [-2.70854 -0.808419 -20]
set rotation [-0.845321 0.486022 -0.221727 0.530545 0.812497 -0.241696 0.06268 -0.321951 -0.944678]
set pivot [0 0 0]
set scale 0.380927
set maxdepth 600
{ color red } R1
rule R1 {
{ x 1 rz 12 ry -6 s 0.99 } R1
{ s 0.99 } x3
}
rule R2 {
{ x -1 rx 7 rx -6 s 0.99 } R2
{ s 1 } x3
}
rule x3 maxdepth 20 {
set seed initial
{ rz 10 rz 9 s 1.2 y 1 h 1.5 } x3
cbox
}
rule x3 maxdepth 20 {
set seed initial
{ rz -10 rx -6 ry 3 s 0.99 z 1 h 1 } x3
cbox
}
rule cbox {
{ s 0.1 1 1 } box
{ s 0.1 1 1 color black } grid
}
Not the first time around the barn w/ this but we were favored w/ a break in the sunshine. Really nice conditions for a LE, was even warm w/ a soft rain.
Escalier de la bibliothèque universitaire de Strasbourg.
Un grand escalier hélicoïdal y a été installé, suspendu par d'immenses tiges métalliques. C'est l'entreprise Schafner qui a participé à sa construction, considérée comme un chef d'œuvre à lui seul qui a même été primé par les Amis du Vieux Strasbourg. "Le résultat est très fidèle au concours : la lumière est abondante, zénithale, comme les Gloires dans la peinture religieuse de la Renaissance", raconte l'architecte, Nicolas Michelin.
© István Pénzes.
Please NOTE and RESPECT the copyright.
20th August 2018, Orta San Guilio, Italy
Leica M-P [Typ 240]
Leica Apo-Summicron-M 50mm 1:2/50 ASPH.
The Grey Crane in Nantes, France.
Ondu 4x5 pinhole Camera
15 sec exposure
Kodak Tmax 100
developed in Tmax. 21°c, 7'30min
Another attempt at a Gasometer - this time with a nice streaky sky. Still a long way to go to get this right, but its a good start.
Gasometer near the train line in Wood Green, north London.
Updraft base featuring stacked plate structure and RFD notch. A short time later, the storm dropped several brief tornadoes. Southwest Oklahoma - March 18, 2012.
An example of applying textures to Structure Synth -> SunFlow output.
You will have to modify the Structure Synth export templates to use the desired texture, e.g.:
shader {
name "shader05"
type phong
texture "texture.png"
spec { "sRGB nonlinear" 1.0 1.0 1.0 } 50
samples 4
}
(Notice Phong shading requires a light to be present in the scene)
In order to apply the texture you also need to assign UV (texture) coordinates to the polygons making up the standard box. Modify the existing box definition to the following:
object {
shader none
transform col 0.001 0 0 0 0 0.001 0 0 0 0 0.001 0 0 0 0 1
type generic-mesh
name "Box"
points 8
1 1 1
1 0 1
0 0 1
0 1 1
0 1 0
0 0 0
1 0 0
1 1 0
triangles 12
0 3 2
0 2 1
2 3 4
2 4 5
3 0 7
3 7 4
0 1 6
0 6 7
1 2 5
1 5 6
5 4 7
5 7 6
normals none
uvs facevarying
1 1 0 1 0 0
1 1 0 0 1 0
0 0 1 0 1 1
0 0 1 1 0 1
0 0 1 0 1 1
0 0 1 1 0 1
1 0 0 0 0 1
1 0 0 1 1 1
1 0 0 0 0 1
1 0 0 1 1 1
0 0 0 1 1 1
0 0 1 1 1 0
}
For the shader above, the texture image is repeated on each face of the box. If you want finer control over the orientation and position of the textures, you have to modify the UV coords above.
Indiana Harbor Belt took over operation of State Line Tower when Chicago & Western Indiana dissolved. The unusual operator's desk is said to have been the stationmaster's desk at C&WI's Dearborn Station before that station's closing in 1971.
Parking Structure. New York City. August 14, 2010. © Copyright 2014 G Dan Mitchell - all rights reserved.
Parking structure and urban scene near the Highline Park in New York City
When in New York City... visit the Highline Park, as we did on this 2010 summer visit. For those who may not know, the Highline Park is a novel New York location, a park high above the streets that occupies the right of way of an old elevated railway. It is widely regarded as one of the most innovative public spaces in this city, and it really is a remarkable place.
It is also a great place to do photography. There are plenty of people subjects there, and there is all of the other stuff that is worth shooting in New York, plus the elevated perspective provides a lot of views that are different from those seen from street level. We've all seen this urban parking structures, which stack cars up several deep in order to make more efficient use of limited space. But we don't often see them from above, where the metal framing suggests planes that aren't visible from below but which connect in interesting ways with the angled lines and planes of the other nearby buildings.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Taken with a Pentax Espio 120 Mi camera in week 341 of my 52 film cameras in 52 weeks project:
www.flickr.com/photos/tony_kemplen/collections/72157623113584240
Home redscaled Agfa Vista 200 film from Poundland, exposed at ISO 25 (the default ISO for non-DX coded film in this camera) and developed in the Rollei C41 kit.