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Exposition des "structures sonores" de François et Bernard Baschet, pendant le festival 'les hivernautes' à Quimper (France) en février 2007
Exhibition of the sound structures of François and Bernard Baschet, during the festival 'hivernautes' in Quimper (France) in February 2007.
2 Vivitar 285HV's Cross lighting subjects.
1 is directly to my left wide throw at 1/2 power to counter sunlight.
2 is 5-8 ft to my right normal throw 1/16 power for extra fill and pop.
Sun From mother Nature backlighting subjects above the rim of the building.
Ming Hu's ARCH 465 class created origami structures and tested which could carry the heaviest loads.
By Elmgreen & Dragset
The latest sculpture on Trafalgar Square's Fourth Plinth. Designed by Michael Elmgreen and Ingar Dragset.
The work "proposes a paraphrase of a traditional war monument beyond a dualistic worldview predicated on either victory or defeat. Instead of acknowledging the heroism of the powerful, Powerless Structures, Fig. 101 celebrates the heroism of growing up. It is a visual statement celebrating expectation and change rather than glorifying the past".
3-24-2016
400-blk Pecan Lane off of Cornwallis Rd
Mobile Home and brush fire
Garner FD, Clayton FD, Cleveland FD, NC Forest Service, Johnston County Sheriff's Office, Johnston County Fire Marshal's Office
The current cathedral is built on the site of at least two previous structures dedicated to Finbarr of Cork. The first dated from the 7th century, with works continuing through the 12th century. This building was damaged during the Siege of Cork (1690), and a new structure was built in 1735 - though elements of the earlier spire were retained.
This structure remained until the 1860s, when a competition for the building of a new larger cathedral was held 1862. In February 1863, the designs of the architect William Burges was declared the winner of the competition to build a new cathedral of St Fin Barre. His diary records his reaction - "Got Cork!" - whilst the cathedral accounts record the payment of the winning prize sum of £100. Building work took seven years before the first service was held in the cathedral in 1870. Building, carving and decoration continued into the 20th century, long after Burges's death in 1881.
The style of the building is Early French, Burges's favoured period and a style he continued to favour throughout his life, choosing it for his own home, The Tower House, in Kensington. The stipulated price for construction was to be £15,000, a sum vastly exceeded. The total cost came to significantly over £100,000. Burges was "unconcerned" (his own words) in his letter of January 1877 to the Bishop of Cork: "(In the future) the whole affair will be on its trial and, the elements of time and cost being forgotten, the result only will be looked at. The great questions will then be, first, is this work beautiful and, secondly, have those to whom it was entrusted, done it with all their heart and all their ability."
Burges oversaw all aspects of the design, including the architecture of the building, the statuary, the stained glass and the internal decoration. The result is "undoubtedly Burges's greatest work in ecclesiastical architecture".
Funkcionalistic structures of man-made nature.
portfolio: www.coco-rococo.com
blog about contemporary photography: www.cocoshoots.blogspot.com
Ming Hu's ARCH 465 class created origami structures and tested which could carry the heaviest loads.
Last week I had an amazing time at the first day of Riot Fest in Toronto. During day one I did some behind the scenes photography with Real Friends, STRUCTURES, and Every Time I Die.
This is a photo I took of Brendon Padjasek, one of the guitarist of Structures.
You can find more photos from that day at the link below!
This structure allows pages to lie completely flat, without the intrusion of coils and an annoying gap.
Quint 9, Engine 25, Engine 31 & Engine 40 at a residential structure fire caused by a lightning strike in north Fort Worth.
Louvre Islamic Arts Museum - Paris, France
HDA : Technical design & Engineering
Client : Etablissement Public du Musée du Louvre
Architect: Mario Bellini & Rudy Ricciotti
Date : 2006 - 2012
See more at : www.hda-paris.com/
Painting the structure was a good move; it helps define the space, gives it a fresh and new aesthetic and lifts it from its brown surroundings.
These structures are really high and spaced too far apart, otherwise they would have been good for a repitition shot.
Telemark has quite a few of canals. This is one of the concrete blocks that watches over them.
brainonfire.org/photo/monumental-concrete-structure-in-vr...