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All these were shot using a standard 50/1.4 lens with an extension tube set attached to provide ~1.1 macro. I think with all 3 tubes I get a little better than 1.1. The working distance from the front of the lens to the subject was only 3 inches or less.
These were shot manual focus manual settings and manual flash. Focusing was done via moving the camera back and forth since the focus ring did so little. Also, I used an aperture of 16 or 22.
This setup isnt as sharp as a macro lens but its enough to make me lust for a macro lens.
My Mind'e Eye patterned paper, feather, bling, Maya Road pearl, bling, paper leaf, feather, cardboard.
yyam.blogspot.sg/2016/10/standard-operating-procedure-mak...
so i just got done shooting my FIRST wedding. i was really blessed to come across this great opportunity and have my buddy erik to thank.
so here's just a few shots that i've managed to get done so far.
keep a look out for more to come.
but in the mean time, feel free to comment as usual.
and any tips or criticism would be more than welcome.
French 35 mm camera Foca model "Standard" manufactured in the OPL (Optique & Précision de Levallois ) factory of Chateaudun, Eure, France, year 1959-1960.
This is the entry model of PF ("Petit Format") OPL Foca camera's with 36 mm screw mount lens. The camera was the evolution and the former Foca PF1 (1 star) with the possibility to interchange lenses with the 36mm OPL screw mount. The regular lens delivered with the Foca Standard was the Oplar 1:3.5 f=3,5 cm, a wide-angle (non retrofocus) lens more easy to use for zone focusing. The PF, as the Standard, had no range finder and was equipped by default with an integrated finder matching the field of the 35 mm lens. The focal shutter is also limited in the range 1/25 to 1/500s . The Foca Standard was a very reliable and endurant camera that was preferred for intensive uses for industry or by the "photo-filmeurs" in the 50 and early 60's.
This specific camera was first purchased in Nîmes, Gard, France, on August 12, 1960 in FOTOCINE shop, rue de la République. The warranty ticket was still conserved in the ever-ready leather bag with the camera. I found a Fuji HR100 negative color film inside exposed to the view 30 or 31.
The camera is not in good condition concerning the shutter curtains that are cracking in the polymer face causing light porosity. The command of the diaphragm is also a bit problematic. By means (that I should not describe) I restored the curtains enough for a test film. I used a Fomapan Action 400 film exposed for 250 ISO. The film was developed in Adox Adonal 1+25 for 6min at 20°C.
During the test session I also used a new laser range finder to determine some object distances. The results indicate that further works are necessary to make the curtains light-tight (the best would be to change them for new ones) and find better spring settings for correct curtains travels at 1/100 and 1/50s.