Stages_Designer photos on Flickr

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Blood Swept Lands and Seas of Red, marking the centenary of the outbreak of the First World War. Created by ceramic artist Paul Cummins, with setting by stage designer Tom Piper, 888,246 ceramic poppies will progressively fill the Tower’s famous moat.

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Prospect Cottage by Stephanie Moore

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Shot in Dungeness E Sussex, Derek Jarman's Cottage; Prospect

Derek Jarman was an English film director, stage designer, artist, and writer.

Jarman's work broke new ground in creating and expanding the fledgling form of 'the pop video' in England, and as a forthright and prominent gay rights activist. Several volumes of his diaries have been published.

Jarman also directed the 1989 tour by the UK duo Pet Shop Boys. By pop concert standards this was a highly theatrical event with costume and specially shot films accompanying the individual songs. Jarman was the stage director of Sylvano Bussotti's opera L'Ispirazione, first staged in Florence in 1998.

He is also remembered for his famous shingle cottage-garden, created in the latter years of his life, in the shadow of the Dungeness power station. The house was built in tarred timber. Raised wooden text on the side of the cottage is the first stanza and the last five lines of the last stanza of John Donne's poem, The Sun Rising. The cottage's beach garden was made using local materials and has been the subject of several books. At this time, Jarman also began painting again (see the book: Evil Queen: The Last Paintings, 1994).

Jarman was the author of several books including his autobiography Dancing Ledge, a collection of poetry A Finger in the Fishes Mouth, two volumes of diaries Modern Nature and Smiling In Slow Motion and two treatises on his work in film and art The Last of England (also published as Kicking the Pricks) and Chroma. Other notable published works include film scripts (Up in the Air, Blue, War Requiem, Caravaggio, Queer Edward II and Wittgenstein: The Terry Eagleton Script/The Derek Jarman Film), a study of his garden at Dungeness Derek Jarman's Garden, and At Your Own Risk, a defiant celebration of gay sexuality.

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Poppies by Sarah Oliver

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Tower of London (marking the centenary of the outbreak of the First World War. Created by ceramic artist Paul Cummins, with setting by stage designer Tom Piper, 888,246 ceramic poppies progressively fill the Tower’s famous moat until 11 November 2014).

Poppies and Tower Bridge by It's Steven with a V

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The Tower Of London remembers the First World War 1914-1918

The major art installation Blood Swept Lands and Seas of Red at the Tower of London, marked one hundred years since the first full day of Britain's involvement in the First World War. Created by ceramic artist Paul Cummins, with setting by stage designer Tom Piper, 888,246 ceramic poppies progressively filled the Tower's famous moat between 17 July and 11 November 2014. Each poppy represented a British military fatality during the war.

The poppies encircled the iconic landmark, creating not only a spectacular display visible from all around the Tower but also a location for personal reflection. The scale of the installation was intended to reflect the magnitude of such an important centenary and create a powerful visual commemoration.

All of the poppies that made up the installation were sold, raising millions of pounds which were shared equally amongst six service charities.

WYSTAWA „KLISZE PAMIĘCI” W HARMĘŻACH, fot. M. Klag (MIK, 2003) by mik Krakow

V Małopolskie Dni Dziedzictwa Kulturowego, maj/czerwiec 2003

Harmęże są położone w Kotlinie Oświęcimskiej. Można odwiedzić tutaj kościół pw. Matki Bożej Niepokalanej i klasztor oo. Franciszkanów oraz prowadzone przez nich Centrum Świętego Maksymiliana. Niedaleko stąd znajduje się obóz Auschwitz.

W podziemiach kościoła od kilku lat mieści się wystawa, po której obejrzeniu ks. Józef Tischner napisał: „Moja reakcja jest taka: prawdziwy Oświęcim jest tutaj. I to właściwie wszystko, co mogę powiedzieć”.

Czy można pisać o czymś, co jest tkwiącym od lat w pamięci obrazem, tytułową kliszą, a zarazem – świadectwem, według towarzyszących tej wystawie słów Zbigniewa Herberta? Przerażającym i zatrważającym świadectwem tego, jak zły i jak wspaniały może być człowiek. Autor wystawy napisał: „[...] to nie wystawa – nie sztuka, nie obrazy, a słowa zamknięte w rysunku. […] Sztuka jest bezradna wobec tego, co człowiek zgotował człowiekowi”.

Labirynt obrazów wywołanych z pamięci i odtworzony w kościelnych podziemiach wciąż się powiększa. Rysowane ołówkiem prace, rzadko wzbogacone kolorem, zapełniają ściany, a towarzyszą im rekwizyty obozowej codzienności. Drobne detale – kamienie i potłuczone szyby – tworzą niezwykle sugestywną atmosferę. Pogłębia ją panująca tutaj cisza.

Marian Kołodziej, autor wystawy, jest scenografem, absolwentem krakowskiej Akademii Sztuk Pięknych, profesorem. Był także więźniem nr 432 KL Auschwitz. Trafił tam jako kilkunastoletni chłopiec z pierwszym transportem więźniów. Żył w obozie od pierwszego dnia jego istnienia do końca. Niemcy prowadzili przeciw niemu długie śledztwo poprzedzające wyrok śmierci za przerysowywanie planów obozu dla aliantów. Nie zdążyli wykonać wyroku. Marian Kołodziej przejął swoje nazwisko po zmarłym więźniu. Nigdy nie ujawnił swej prawdziwej tożsamości.

Przez pięćdziesiąt lat milczał na temat swojej obozowej przeszłości. Wskutek ciężkiej choroby w połowie lat 90. rozpoczął rysowanie. Stało się ono dla niego walką o życie. A potem obowiązkiem i spełnieniem przyrzeczenia danego kolegom w obozie. „To list starego człowieka do samego siebie sprzed 55 lat. Również hołd tym wszystkim, którzy spopieleni – odeszli”.

„Śpię i widzę ten zmasowany atak wielogłowej Bestii, koni, smoków, gadów […]. Jest jak w Biblii. Czterech jeźdźców, Wszetecznica, plagi z nieba. Wszystko posłuszne wersetom Apokalipsy św. Jana, choć zostało wtłoczone w obóz, w realia obozu. Sami tę Apokalipsę stworzyliśmy w sobie, dla siebie. I dzisiaj śnię tak samo i to samo...” (M. Kołodziej)

---

“Images from Memory” Exhibition

in Harmęże

Harmęże, situated in the Oświęcim Valley, is worth a visit as it is the home to the Church of the Immaculate Virgin, and a Franciscan monastery, the latter running the Saint Maximilian Centre.

The church’s crypt holds an exhibition which prompted priest Józef Tischner to say: “My impression is this: It is here that the real Auschwitz Concentration Camp is found. This is all I am able to say”.

Indeed it is not easy to speak of something which sticks to one’s memory as the “plate” in the title, a film of images, and a testimony – in the words of Zbigniew Herbert, which accompany the exhibition – a terrible testimony of how evil and how virtuous a human being can be. In the words of the author of the display: “[…] this is not an exhibition – this is not art, not pictures but words embedded in drawing. […] Art is useless in the face of what one man has brought upon another”.

The labyrinth of images lifted from the memory and recreated in the church’s dungeons continues to grow. Drawings in pencil, with hardly any colour, fill the walls, and they are accompanied with the props of everyday life in the concentration camp. Details such as stones and broken glass are very powerful, and the sombre mood is enhanced by the absolute silence that envelops the place.

Marian Kołodziej, the author of the exhibition and a professor, is a stage designer who graduated from the Kraków Academy of Fine Arts. He was also prisoner number 432 of the Auschwitz concentration camp. He was brought there, a teenage boy, with the first “batch” of prisoners. He lived in the camp throughout its infamous existence, from day one, until the end. The Nazis held a lengthy trial against him, concluding with a death sentence, for tracing the plans of the camp for the Allied Forces. The execution never took place. Marian Kołodziej took on the name of a dead prisoner, and he never admitted his true identity.

For 50 years he remained silent on the subject of his past in the concentration camp. When he fell seriously ill in mid-1990s, he started to draw – and drawing helped him fight to remain alive. Later it became his duty, and the fulfilment of an oath given to his camp companions. “This is a letter of an old man to himself of 55 years ago. And a homage to all those who departed – burnt to ashes.”

“I am asleep and see the charge of the manyheaded Beast, the horses, the dragons, the reptiles […]. It is like in a Bible. The Four Horsemen, the Whore, plagues from the Heavens. All in accordance with St John’s Apocalypse, but embedded in the camp and its reality. We have created this Apocalypse ourselves, within ourselves, for ourselves. And today I dream the very same dream, again and again...” (M. Kołodziej)

(www.dnidziedzictwa.pl)

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Wien, 7. Bezirk (the art of very historical buildings of Vienna), Volkstheater - théâtre, teatro, theater (Neustiftgasse/Burggasse/Museumstraße) - Old Masters by Thomas Bernhard by alfred lex

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(further information and pictures you can see by clicking on the link at the end of page!)

Volkstheater - People's Theatre

The Volkstheater (2008)

The Volkstheater is one of the most important Schauspielbühnen (drama stages) of Vienna. It was founded in 1889 by the poet Ludwig Anzengruber and the industrialist Felix Fischer by the Association of the German folk theater (Volkstheater), to create an alternative to the Imperial Hofburg Theatre, the latter one the representation of everyday life, the folksy and comedic elements keeping away from its stage boards. The first president of the club was the famous stool manufacturer Franz Thonet. The founders intended in addition to folk plays mainly classical and modern dramas being performed and to provide a broad class of population access to the theater. Therefore the famous Theaterarchitektenduo (duo of theater architects) Ferdinand Fellner and Hermann Helmer the neo-Renaissance building with the representative column loggia have given a large auditorium with little boxes and many exits to the outside, by which this building in the style of historicism became a model for the entire monarchy. The auditorium with the ceiling painting by Eduard Veith, showing the coronation of the Austrian poets Ferdinand Raimund, Johann Nepomuk Nestroy and Ludwig Anzengruber, is one of the last in its original state preserved audiences in Vienna and was with 1900 seats formerly the largest in the entire German-speaking world. Today, the capacity of the theater is 970 places and it is the second largest theater stage in Vienna. According to safety regulations, which were adopted after the Ring Theatre fire in Vienna in 1881, the Volkstheater was the first exclusively electrically lit theater house.

History

On 14 September 1889 opened the theater its doors with Ludwig Anzengruber's drama "The stain on the honor". The bourgeoisie and the aristocracy of money (Geldadel) called the new theater "their house" and thus defied the exclusively reserved for the aristocracy Court Theatre, whose artistic director initially even harbored takeover plans. When the popular theater was run down and broke, he then wanted to buy it cheap. But the people theater celebrated one success after another. Just one year after the opening had to be enlarged the stage area. In 1907 were added a further extension with additional foyer and 1911 more stage side rooms.

In the 1920s, the Volkstheater experienced under the theater directors Alfred Bernau and Rudolf Beer artistic highlights. Spectacular repertoires, prominent actors, directors and stage designers of that time continued the success story of the theater. From 1938 to 1945, the theater became part of the Nazi leisure program "Strength through Joy" of the German Labor Front under Walter Bruno Iltz. In the years 1938/1939 was rebuilt the theater and removed the sculptural decoration on the facade. For a visit of Adolf Hitler even a reception and break room was extra set up, the so-called leaders room (Führerzimmer). In 1944 the dome and foyers were destroyed in an attack, a year later the building was restored but for the time being it was decided not to reconstruct the dome and the facade decoration. Only in the course of a general renovation in the early 1980s the dome was restored. On 10 May 1945, the theater was reopened. After the war, the director and actor Günther Haenel became director of the theater. His game plan focused mainly socio-critical issues.

In the following two decades (1950s and 1960s) dominated on the initiative Leon Epps' contemporary plays and bold interpretations of classics the theater program and the popular theater became famous with Raimund and Nestroy interpretations under the direction of Gustav Manker. Manker became at the beginnings of the 1970s director of the theater and celebrated breakthroughs with the discovery of modern Austrian dramatic literature.

In 1954, the play series "People's Theatre in the districts" was launched. Individual productions of popular theater are presented in external venues in the districts of Vienna. Among these secondary venues since 2005 the "Hundsturm (dogs tower)" as a smaller stage is included in which experimental theater works are staged. But also in the main building of the popular theater are additional venues located, like the "Red Bar" (in the buffet room on the first floor), the "Black Salon", the "White Salon" and the "Reception Room" (formerly "Führerzimmer"). Since 2009/10 in Bellaria Cinema at Museum Street behind the People's Theatre the production "Go West ? - Young authors write for the popular theater" has its home.

The auditorium (2009)

On both sides of the main house in the Neustiftgasse watch "the good spirits of the Viennese popular theater". In the nearby small Weghuberpark sits theater buffoonery poet Ferdinand Raimund suspended in reverie on a marble bench, surrounded by the feminine genius of fantasy. This sculpture was created by the Austrian sculptor Franz Vogl 1898. At the corner of Burggasse/Museum Street a bust of the famous Austrian actress Johanna "Hansi" Niese (by Josef Müllner, 1952) reminds of the triumph of comedic presentation at the beginning of the century.

www.wienwiki.wienerzeitung.at/WIENWIKI/Volkstheater

Bubble Bottle Puppet Stage 2 by Wow Factory

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www.thewowfactory.net info@thewowfactrory.net 1.877.WOW.IN3D

Here is a giant bubble bottle. But that's not all it is! It's also a puppet stage!

The poppies flowing for the WW1 fallen by surreyblonde

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Blood Swept Lands and Seas of Red

The evolving installation by ceramic artist Paul Cummins, with setting by stage designer Tom Piper, will be unveiled on 5 August 2014; one hundred years since the first full day of Britain’s involvement in the First World War.

Entitled ‘Blood Swept Lands and Seas of Red’, the installation is being created in the Tower’s famous dry moat. It will continue to grow throughout the summer until the moat is filled with 888,246 ceramic poppies, each poppy representing a British or Colonial military fatality during the war.

- See more at: www.hrp.org.uk/TowerOfLondon/stories/firstworldwar/TheTow...

East Indian inspred bed pincushion by Pinks & Needles (used to be Gigi & Big Red)

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A special gift for a gal who's graduating from NYU in May. She's a costume/stage designer.

Her mom says she loves to do most of her creative thinking on her bed.

Mr. Rolston from Ireland in Maastricht by Pim Geerts

9 5

Stage designer

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Wedding-Management-Company-in-Lahore-Pakistan by a2z Events

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Blood Swept Lands and Seas of Red by Alison Clayton

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Art/memorial installation at the Tower of London, marking one hundred years since the first full day of Britain's involvement in the First World War. Created by ceramic artist Paul Cummins, with setting by stage designer Tom Piper, 888,246 ceramic poppies will progressively fill the Tower's famous moat over the summer. Each poppy represents a British military fatality during the war.

poppies.hrp.org.uk/buy-a-poppy/

I took various photos of this today but this is the one that appealed to me most. I like all the dark lines of the stems and the fact that the background colour is washed out. This is straight out of camera, by the way.

Wedding-Solutions-Providers-in-Lahore-Pakistan by a2z Events

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Wedding-Setups-Designers-and-Decorators by a2z Events

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World-Class-Weddings-Parties-and-Events-Planners-designers-decorators-and-Caterers-in-Lahore-Pakistan by a2z Events

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#Mehndi #Event #Village_Touch_Theme #Umbrella #Sialkot #MB_Villas #Groom_Entry #Groom #Jeep_Entry #Groom_men #DesiSwag #Desi_Swag #Mehndi_Entry #Unique_Wedding_Entry #best_wedding_photographers , #best_wedding_photographers_in_Lahore, #best_wedding_photographers_in_Pakistan, #Top_photography_services_provider_in_Pakistan, #top_photography_services_provider_in_Lahore, #top_photography_and_videography_services_in_Lahore, #top_photography_services_in_Lahore, #top_photography_services_in_Pakistan, Follow us on Instagram @DclassyClicks and @a2zevents We are now taking bookings for Oct-17 to Apr-18 Please Call us for details and bookings Direct Cell # +92-321-4268177 / 0331-4730273 PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800 PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com, www.DClassyclicks.com , Facebook:- www.facebook.com/a2zevents #DClassyClicks #DClassyClicksbya2zevents #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #hoteldecor #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #marriage #hotel #decor

Cracked by Gillian Everett

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Polaroid collage inspired by Hockney. Using Polaroid style images of a single subject, arranged in a patchwork to make a composite image.

My first attempt at this, using www.bighugelabs.com/hockney.php

Other versions, using Picasa, are in the first comment.

In the early 1980s, Hockney began to produce photo collages, which he called "joiners", first using Polaroid prints and subsequently 35mm, commercially-processed color prints. Using Polaroid snaps or photolab-prints of a single subject, Hockney arranged a patchwork to make a composite image. An early photomontage was of his mother. Because the photographs are taken from different perspectives and at slightly different times, the result is work that has an affinity with Cubism, one of Hockney's major aims—discussing the way human vision works. Some pieces are landscapes, such as Pearblossom Highway #2, others portraits, such as Kasmin 1982, and My Mother, Bolton Abbey, 1982.

David Hockney, OM CH RA (born 9 July 1937) is an English painter, draughtsman, printmaker, stage designer and photographer...

An important contributor to the Pop art movement of the 1960s, he is considered one of the most influential British artists of the 20th century...

Wikipedia

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Shakespeare's Sonnets 10-11 July @GarrickWfld @GMFringe by GM FRINGE

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Wednesday 10 July at 6pm and 8pm, Thursday 11 July at 7pm, £15.

Garrick, Bank Street, Whitefield, M45 7JF.

A tower of lyrical excellence, cover such universal themes as procreation and conception, passage of time and mortality, jealousy and love, beauty and erotica. The first section is addressed to a young man; the second focuses on the 'dark lady'; other sonnets express the speaker's view regarding loneliness, old age, force of nature etc. These themes - like their dramatic equivalents - are relevant for all places, times, societies and cultures. "Shakespeare's Sonnets: Poetry-Theatre on Love and Creation" – is a unique theatrical work of Shakespeare's lyrical creation of the sonnets adapted for stage. It is not an ordinary poetry reading event! The songs are transformed into dramatic pieces; the stage interpretation of main themes creates a new sort of theatrical language.

By: William Shakespeare; Translator: Shimon Zandbank; Director: Meir Ben Simon; Stage Designer: Zohar Elmaliah; Costume Designer: Rona Mishol; Music: Nadav Vikinski; Choreography: Omer Shemer; Lighting Designer: Michael Eliezer; Artistic Consultant: Roi Shulberg; Cast: Yoav Amir, Reut Berda-Levy, Odelya Dadoun, Debbie Levin, Gal Shamai.

This show is performed in Hebrew with an English introduction.

Trailer: youtu.be/4q-PQLjTyhY

Interview: youtu.be/AfRhoRH0FuE

Tickets www.greatermanchesterfringe.co.uk

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#RoyalDinner #FamilyDinner #Behria #Lahore #Birthday #JungleTheme #FarmHouse Follow us on Instagram @DclassyClicks and @a2zevents Call us for details and bookings Direct Cell # +92-321-4268177 / 0331-4730273 PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800 PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com , Facebook:- www.facebook.com/a2zevents #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #marriage #hotel #decor#Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #marriage #hotel #decor

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Follow us on Instagram @DclassyClicks and @a2zevents Call us for details and bookings Direct Cell # +92-321-4268177 / 0331-4730273 PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800 PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com , Facebook:- www.facebook.com/a2zevents #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #marriage #hotel #decor

Dorothea Tanning's Portrait of a Family (1954) by Victor Fernando R. Ocampo

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Dorothea Tanning (b Galesburg, IL, 25 Aug 1910) is an American painter, sculptor, illustrator, stage designer and writer. She studied at the school of the Art Institute of Chicago in 1932 before moving to New York, where she saw the exhibition Fantastic Art, Dada, Surrealism (1936–7; New York, MOMA) and was inspired to become a painter. After meeting Max Ernst in 1942 she became part of the group of exiled Surrealists living in New York during World War II. Her first one-woman exhibition took place at the Julien Levy Gallery in 1944.

n the 1940s, when she was one of the painters in Julien Levy’s stable, Tanning painted within the idiom of surrealist representation. By the mid-50s, her work had radically changed. As Tanning explains, “Around 1955 my canvases literally splintered . . . I broke the mirror, you might say.” Insomnias (Moderna Museet, Stockholm) — the group takes its name from a painting of the same title that Tanning made in 1957 — are forays into the realm of conjured energies. They represent a forceful shift at a particular, postwar moment that continues to reverberate today. In his essay for Dorothea Tanning: Insomnias, Charles Stuckey describes these “seemingly multidimensional mindspaces” as “among the most ambitious and sophisticated paintings to address the dilemmas of imagination and culture in a new atomic, space-race age.”

Following her retrospective at the Centre Pompidou organized by Pontus Hultén in 1974, Tanning returned to New York in 1978 after the death of her husband, Max Ernst. In her tenth decade, Tanning has often published poetry in The New Yorker, and is completing several books. Her most recent novel is Chasm (2004).

Grand Foyer | Granada Cinema, Tooting | Open House - 3 by Paul Dykes

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The Grand Foyer of the Granada, evoking a mediaeval great hall, with coffered ceiling and heraldic decoration. It was designed, along with the rest of the interior, by Russian émigré Theodore Komisarjevsky, a stage designer and theatre director.

"The Granada Cinema in Tooting, an area in the borough of Wandsworth, London was one of the great luxurious cinemas built in the 1930s. It is considered by many to be the most spectacular cinema in Britain.

"The cinema opened on 7 September 1931, as one of the Granada chain, with the film Monte Carlo and screened movies sometimes with stage shows or organ recitals until it closed as a cinema on 10 November 1973 (showing The Good, the Bad and the Ugly). The organ was a Wurlitzer theatre organ that had originally been used in Sacramento, California. It had a full size stage on which a number of theatrical productions were performed. The normal programme consisted of either two feature films, or one with a variety show.

"The building, which became the first cinema to be preserved and given a Grade I listing, was designed by Cecil Massey in the Art Deco style with four Corinthian style pillars over the entrance. It was the interior, however that was (and is still) spectacular. This was designed by Theodore Komisarjevsky, a set designer, making use of ornamental plasterwork by Clark and Fenn. It has marble foyers both at the main and balcony entrances, and a hall of mirrors and deep ceilings more suitable for a palace than a cinema.

"The seating capacity was over 3000, and was often completely sold-out. Stars such as [The Beatles], Frank Sinatra, Danny Kaye, The Andrews Sisters and Carmen Miranda gave concerts there. After closing as a cinema the building reopened as a bingo hall."

Source: Wikipedia

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Blood Swept Lands and Seas of Red by Ian Southwell

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Created by ceramic artist Paul Cummins, with setting by stage designer Tom Piper, 888,246 ceramic poppies will progressively fill the Tower's famous moat over the summer. Each poppy represents a British military fatality during the war.

The poppies will encircle the iconic landmark, creating not only a spectacular display visible from all around the Tower but also a location for personal reflection. The scale of the installation intends to reflect the magnitude of such an important centenary creating a powerful visual commemoration.

We are hoping to sell all of the poppies that make up the installation and, in doing so, raise millions of pounds which will be shared equally amongst six service charities.

Photography, Wedding-photography by a2z Events

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#Barat #Event #Jati #Umra #Farm #house #Beautiful #Couple #Selfie #Props

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PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800 PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com, www.DClassyclicks.com , Facebook:- www.facebook.com/a2zevents #Bridal_Shower #Bride_To_be #Brides_maid #Bride #Bride_sash #Mother_of_Bride #mehndi #mehndi_event, #C_stage #flower_decor #mehndi_stage #mehndi_decoration #decorators #stage_decoration #enterance_decoration #stage_design #vipstage #wedding_planner_in_lahore #wedding #wedding_planning #events_planner #events_organizer #events_designer #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #events_planner_in_pakistan #events_designer_in_pakistan #birthday_parties #corporate_events_stages_setup #mehndi_setup #barat_setup #barat_event_setup #mehndi_stage_decoration #barat_stage_decoration #best_event_planners_in_lahore #event_organizer_in_lahore #event_planners_in_pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway

World-Class-weddings-Planners-in-Lahore-Pakistan by a2z Events

New #Barat #Stage with #backside #Entry for #BRIDE

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Louis-Philippe Demers - The Tiller's Girls by Ed Jansen

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Festival de wereld van Witte de With, Rotterdam 2010

De Tiller Girls zijn terug! Dit dansgezelschap maakte begin 20e eeuw internationaal furore met hun spectaculaire en gewaagde ‘Chorus-line dance’. De dans hypnotiseerde haar toeschouwers door de uiterst strakke choreografie waarbij de rij sexy benen eindeloos hoog de lucht in gaat. Honderd jaar na dato presenteert V2_ tijdens De Wereld van Witte de With een dansvoorstelling van kunstenaar Louis-Philippe Demers geïnspireerd op dit uniek stukje dansgeschiedenis. In Demers’ wervelende show zijn de Tiller Girls vervangen door twaalf robots die een Chorus-line dance uitvoeren. Haal de smokings en de avondjurken uit de kast want zoiets heeft u nog nooit gezien!

Don't miss it – the Tiller Girls are back! This famous dance troupe caused an international sensation at the beginning of the 20th century with its spectacular, daring chorus line dance. The dance has a hypnotic effect on viewers thanks to its extremely tight choreography, in which a line of sexy legs rises endlessly up, up, up into the air.

A century after the original Tiller Girls conquered the world, V2_ presents artist Louis-Philippe Demers’ performance inspired by this unique piece of dance history during De Wereld van Witte de With. In Demers’ sparkling show, the Tiller Girls will be replaced by a dozen robots who will perform the chorus line dance. The public is welcome to attend. Get out your tuxedos and evening dresses, because you've never seen anything like this!

Louis-Philippe Demers makes large-scale robotic environments and interactive media artworks. He was Professor at the HfG/ZKM and currently is at the Interaction and Entertainment Research Centre at the NTU (Singapore).

Philip Schulze is a media artist, composer and improviser. Schulze develops site-specific visual and auditory experiences and collaborative action spaces. He is responsible for Real-Time Audio Design.

Armin Purkrabek is a stage designer, researcher and media artist. Purkrabek develops futuristic scenographies thru digital/analogue art experiments. He is responsible for Real-Time Video/Lights Design.

Wien, 13. Bezirk (the art of very historic places in the suburbs of Vienna) - Schloss Schönbrunn (Palacio de Schönbrunn, Schönbrunn Palace, Palazzo di Schönbrunn, le Palais de Schönbrunn), Marionette Theater (Schönbrunner Schlossstraße) by Alfred Lex

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Biografía

En julio de 1777, Clemens Wenzel de Sajonia, príncipe elector y arzobispo de Tréveris, visitó Viena. Era un pariente del duque Alberto de Sajonia-Teschen, yerno de María Teresa y marido de su hija favorita, Marie Christine. En honor de la visita de Tréveris Sajonia, el teatro de Marionetas del príncipe Esterházy dío un espectáculo que fue premiado de muchísimo aplauso. "Por está razón, en Schönbrunn fue construido un teatro y las marionetas y decoraciones llevados a Viena". Fue interpretado "Alceste", una parodia respecto de la ópera del mismo nombre de Christoph Willibald Gluck.

Basandose en está tradición, Christine Hierzer-Riedler y Werner Hierzer fundaron

EL TEATRO DE TÍTERES PALACIO DE SCHÖNBRUNN

Después de una generosa renovación del "tracto del consejo de la Corte" por el Palacio de Schönbrunn Empresa de cultura y de explotación, el teatro en 1994 pudo ser abierto. De está manera, en el tracto del consejo de la Corte por las reprecentaciones mágicas fue creado un ambiente perfecto.

El teatro de marionetas en Schönbrunn se administro como un teatro privado. Los dos fundadores y directores artísticos

Christine Hierzer-Riedler & Werner Hierzer

cuentan con más de 40 años de experiencia internacional en el arte del espectáculo de las marionetas. Entre los lugares destacados se incluyen ciudades como Atenas, Berlín, Boston, Bruselas, Florencia, Hong Kong, Londres, Los Ángeles, Madrid, Ciudad de México, Miami, Montreal, Nueva York, París, Pekín, Roma, Seúl, Teherán y muchos más.

Dos equipos bien entrenados permiten actuaciones de la más alta calidad, tanto en el teatro en Schönbrunn, así como en cualquier momento en sus giras internacionales.

Los títeres, los trajes, el decorado y la maquinaria escénica se producen en colaboración con destacados directores, escenógrafos y diseñadores de vestuario de teatro en los talleres internos.

Premios internacionales recompensan los esfuerzos para satisfacer los estándares más altos:

1er Premio, Festival Internacional de Teatro de Títeres, Teherán

1er Premio, Festival Mundial de la Marioneta Arte, Praga

1er Premio, Festival Internacional de Teatro PIF, Zagreb

Biography

It was July 1777 when Clemens Wenzel of Sachsen, Elector and Archbishop of Trier visited Vienna. He was a relative of Duke Albert of Sachsen-Teschen, Empress Maria Theresia’s son in law and husband of her favourite daughter Maria Christine. To honour this visit from Trier, the Marionette-Theatre of Prince Esterházy offered a spectacle which was much acclaimed by the visitors.

For this reason a theatre was built and the puppets and decoration were brought to Vienna. "Alceste" a parody of the original opera, written and composed by Christoph Willibald Gluck, was performed.

Following this tradition the

MARIONETTENTHEATER SCHLOSS SCHÖNBRUNN

was founded by Christine Hierzer-Riedler and Werner Hierzer.

After a generous renovation of the "Hofratstrakt" (court wing) by the Schönbrunner Kultur- und Betriebsges.m.b.H. the theatre was reopened in 1994 and forms now the perfect ambience of these enchanting shows.

The MARIONETTENTHEATER SCHLOSS SCHÖNBRUNN is a private theatre, the two founders and art directors Christine Hierzer-Riedler and Werner Hierzer are looking back on more than 40 years of international experience in performing with marionettes. They acted as puppeteers in New York, Hong Kong, Mexico City, Paris, London, Madrid, Rome, Berlin, Los Angeles, Miami, Brussels, Montreal, Boston, Peking and Seoul. In 1995 they set up a training centre for talented marionette-players in Schönbrunn to continue this tradition. There are shows of high quality throughout the year performed by two artistically skilled companies on stage at home in Schönbrunn and on tour in several countries.

With the support of famous directors and costume and stage designers the puppets, costumes, stage setting and stage techniques are all created at the theatre’s own workshops.

International awards honour the efforts to live up to the highest expectations:

1st prize, International Puppet Theatre Festival , Tehran,

1st prize, World Festival of Puppet Art, Prague,

1st prize, International Theatre Festival PIF, Zagreb

www.marionettentheater.at/theaterbiografie.html

Schloss Schönbrunn, erbaut 1695 - 1700 nach Plänen von Johann Bernhard Fischer von Erlach. Umgestaltet 1743 - 1749 unter Maria Theresia nach Plänen von Nikolaus von Pacassi.