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The art installation "Blood Swept Lands and Seas of Red" at the Tower of London, marks one hundred years since the first full day of Britain's involvement in the First World War. Created by ceramic artist Paul Cummins, with setting by stage designer Tom Piper, 888,246 ceramic poppies will progressively fill the Tower's famous moat over the summer. Each poppy represents a British military fatality during the war.
The poppies will encircle the iconic landmark, creating not only a spectacular display visible from all around the Tower but also a location for personal reflection. The scale of the installation intends to reflect the magnitude of such an important centenary creating a powerful visual commemoration.
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V Małopolskie Dni Dziedzictwa Kulturowego, maj/czerwiec 2003
Harmęże są położone w Kotlinie Oświęcimskiej. Można odwiedzić tutaj kościół pw. Matki Bożej Niepokalanej i klasztor oo. Franciszkanów oraz prowadzone przez nich Centrum Świętego Maksymiliana. Niedaleko stąd znajduje się obóz Auschwitz.
W podziemiach kościoła od kilku lat mieści się wystawa, po której obejrzeniu ks. Józef Tischner napisał: „Moja reakcja jest taka: prawdziwy Oświęcim jest tutaj. I to właściwie wszystko, co mogę powiedzieć”.
Czy można pisać o czymś, co jest tkwiącym od lat w pamięci obrazem, tytułową kliszą, a zarazem – świadectwem, według towarzyszących tej wystawie słów Zbigniewa Herberta? Przerażającym i zatrważającym świadectwem tego, jak zły i jak wspaniały może być człowiek. Autor wystawy napisał: „[...] to nie wystawa – nie sztuka, nie obrazy, a słowa zamknięte w rysunku. […] Sztuka jest bezradna wobec tego, co człowiek zgotował człowiekowi”.
Labirynt obrazów wywołanych z pamięci i odtworzony w kościelnych podziemiach wciąż się powiększa. Rysowane ołówkiem prace, rzadko wzbogacone kolorem, zapełniają ściany, a towarzyszą im rekwizyty obozowej codzienności. Drobne detale – kamienie i potłuczone szyby – tworzą niezwykle sugestywną atmosferę. Pogłębia ją panująca tutaj cisza.
Marian Kołodziej, autor wystawy, jest scenografem, absolwentem krakowskiej Akademii Sztuk Pięknych, profesorem. Był także więźniem nr 432 KL Auschwitz. Trafił tam jako kilkunastoletni chłopiec z pierwszym transportem więźniów. Żył w obozie od pierwszego dnia jego istnienia do końca. Niemcy prowadzili przeciw niemu długie śledztwo poprzedzające wyrok śmierci za przerysowywanie planów obozu dla aliantów. Nie zdążyli wykonać wyroku. Marian Kołodziej przejął swoje nazwisko po zmarłym więźniu. Nigdy nie ujawnił swej prawdziwej tożsamości.
Przez pięćdziesiąt lat milczał na temat swojej obozowej przeszłości. Wskutek ciężkiej choroby w połowie lat 90. rozpoczął rysowanie. Stało się ono dla niego walką o życie. A potem obowiązkiem i spełnieniem przyrzeczenia danego kolegom w obozie. „To list starego człowieka do samego siebie sprzed 55 lat. Również hołd tym wszystkim, którzy spopieleni – odeszli”.
„Śpię i widzę ten zmasowany atak wielogłowej Bestii, koni, smoków, gadów […]. Jest jak w Biblii. Czterech jeźdźców, Wszetecznica, plagi z nieba. Wszystko posłuszne wersetom Apokalipsy św. Jana, choć zostało wtłoczone w obóz, w realia obozu. Sami tę Apokalipsę stworzyliśmy w sobie, dla siebie. I dzisiaj śnię tak samo i to samo...” (M. Kołodziej)
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“Images from Memory” Exhibition
in Harmęże
Harmęże, situated in the Oświęcim Valley, is worth a visit as it is the home to the Church of the Immaculate Virgin, and a Franciscan monastery, the latter running the Saint Maximilian Centre.
The church’s crypt holds an exhibition which prompted priest Józef Tischner to say: “My impression is this: It is here that the real Auschwitz Concentration Camp is found. This is all I am able to say”.
Indeed it is not easy to speak of something which sticks to one’s memory as the “plate” in the title, a film of images, and a testimony – in the words of Zbigniew Herbert, which accompany the exhibition – a terrible testimony of how evil and how virtuous a human being can be. In the words of the author of the display: “[…] this is not an exhibition – this is not art, not pictures but words embedded in drawing. […] Art is useless in the face of what one man has brought upon another”.
The labyrinth of images lifted from the memory and recreated in the church’s dungeons continues to grow. Drawings in pencil, with hardly any colour, fill the walls, and they are accompanied with the props of everyday life in the concentration camp. Details such as stones and broken glass are very powerful, and the sombre mood is enhanced by the absolute silence that envelops the place.
Marian Kołodziej, the author of the exhibition and a professor, is a stage designer who graduated from the Kraków Academy of Fine Arts. He was also prisoner number 432 of the Auschwitz concentration camp. He was brought there, a teenage boy, with the first “batch” of prisoners. He lived in the camp throughout its infamous existence, from day one, until the end. The Nazis held a lengthy trial against him, concluding with a death sentence, for tracing the plans of the camp for the Allied Forces. The execution never took place. Marian Kołodziej took on the name of a dead prisoner, and he never admitted his true identity.
For 50 years he remained silent on the subject of his past in the concentration camp. When he fell seriously ill in mid-1990s, he started to draw – and drawing helped him fight to remain alive. Later it became his duty, and the fulfilment of an oath given to his camp companions. “This is a letter of an old man to himself of 55 years ago. And a homage to all those who departed – burnt to ashes.”
“I am asleep and see the charge of the manyheaded Beast, the horses, the dragons, the reptiles […]. It is like in a Bible. The Four Horsemen, the Whore, plagues from the Heavens. All in accordance with St John’s Apocalypse, but embedded in the camp and its reality. We have created this Apocalypse ourselves, within ourselves, for ourselves. And today I dream the very same dream, again and again...” (M. Kołodziej)
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#Engagement Event with VIP #Decoration and #Stage #Design in BAHRIA Town SHERAN WALA FARMHOUSE
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#Engagement Event with VIP #Decoration and #Stage #Design in BAHRIA Town SHERAN WALA FARMHOUSE
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Blood Swept Lands and Seas of Red
The evolving installation by ceramic artist Paul Cummins, with setting by stage designer Tom Piper, will be unveiled on 5 August 2014; one hundred years since the first full day of Britain’s involvement in the First World War.
Entitled ‘Blood Swept Lands and Seas of Red’, the installation is being created in the Tower’s famous dry moat. It will continue to grow throughout the summer until the moat is filled with 888,246 ceramic poppies, each poppy representing a British or Colonial military fatality during the war.
- See more at: www.hrp.org.uk/TowerOfLondon/stories/firstworldwar/TheTow...
V Małopolskie Dni Dziedzictwa Kulturowego, maj/czerwiec 2003
Harmęże są położone w Kotlinie Oświęcimskiej. Można odwiedzić tutaj kościół pw. Matki Bożej Niepokalanej i klasztor oo. Franciszkanów oraz prowadzone przez nich Centrum Świętego Maksymiliana. Niedaleko stąd znajduje się obóz Auschwitz.
W podziemiach kościoła od kilku lat mieści się wystawa, po której obejrzeniu ks. Józef Tischner napisał: „Moja reakcja jest taka: prawdziwy Oświęcim jest tutaj. I to właściwie wszystko, co mogę powiedzieć”.
Czy można pisać o czymś, co jest tkwiącym od lat w pamięci obrazem, tytułową kliszą, a zarazem – świadectwem, według towarzyszących tej wystawie słów Zbigniewa Herberta? Przerażającym i zatrważającym świadectwem tego, jak zły i jak wspaniały może być człowiek. Autor wystawy napisał: „[...] to nie wystawa – nie sztuka, nie obrazy, a słowa zamknięte w rysunku. […] Sztuka jest bezradna wobec tego, co człowiek zgotował człowiekowi”.
Labirynt obrazów wywołanych z pamięci i odtworzony w kościelnych podziemiach wciąż się powiększa. Rysowane ołówkiem prace, rzadko wzbogacone kolorem, zapełniają ściany, a towarzyszą im rekwizyty obozowej codzienności. Drobne detale – kamienie i potłuczone szyby – tworzą niezwykle sugestywną atmosferę. Pogłębia ją panująca tutaj cisza.
Marian Kołodziej, autor wystawy, jest scenografem, absolwentem krakowskiej Akademii Sztuk Pięknych, profesorem. Był także więźniem nr 432 KL Auschwitz. Trafił tam jako kilkunastoletni chłopiec z pierwszym transportem więźniów. Żył w obozie od pierwszego dnia jego istnienia do końca. Niemcy prowadzili przeciw niemu długie śledztwo poprzedzające wyrok śmierci za przerysowywanie planów obozu dla aliantów. Nie zdążyli wykonać wyroku. Marian Kołodziej przejął swoje nazwisko po zmarłym więźniu. Nigdy nie ujawnił swej prawdziwej tożsamości.
Przez pięćdziesiąt lat milczał na temat swojej obozowej przeszłości. Wskutek ciężkiej choroby w połowie lat 90. rozpoczął rysowanie. Stało się ono dla niego walką o życie. A potem obowiązkiem i spełnieniem przyrzeczenia danego kolegom w obozie. „To list starego człowieka do samego siebie sprzed 55 lat. Również hołd tym wszystkim, którzy spopieleni – odeszli”.
„Śpię i widzę ten zmasowany atak wielogłowej Bestii, koni, smoków, gadów […]. Jest jak w Biblii. Czterech jeźdźców, Wszetecznica, plagi z nieba. Wszystko posłuszne wersetom Apokalipsy św. Jana, choć zostało wtłoczone w obóz, w realia obozu. Sami tę Apokalipsę stworzyliśmy w sobie, dla siebie. I dzisiaj śnię tak samo i to samo...” (M. Kołodziej)
---
“Images from Memory” Exhibition
in Harmęże
Harmęże, situated in the Oświęcim Valley, is worth a visit as it is the home to the Church of the Immaculate Virgin, and a Franciscan monastery, the latter running the Saint Maximilian Centre.
The church’s crypt holds an exhibition which prompted priest Józef Tischner to say: “My impression is this: It is here that the real Auschwitz Concentration Camp is found. This is all I am able to say”.
Indeed it is not easy to speak of something which sticks to one’s memory as the “plate” in the title, a film of images, and a testimony – in the words of Zbigniew Herbert, which accompany the exhibition – a terrible testimony of how evil and how virtuous a human being can be. In the words of the author of the display: “[…] this is not an exhibition – this is not art, not pictures but words embedded in drawing. […] Art is useless in the face of what one man has brought upon another”.
The labyrinth of images lifted from the memory and recreated in the church’s dungeons continues to grow. Drawings in pencil, with hardly any colour, fill the walls, and they are accompanied with the props of everyday life in the concentration camp. Details such as stones and broken glass are very powerful, and the sombre mood is enhanced by the absolute silence that envelops the place.
Marian Kołodziej, the author of the exhibition and a professor, is a stage designer who graduated from the Kraków Academy of Fine Arts. He was also prisoner number 432 of the Auschwitz concentration camp. He was brought there, a teenage boy, with the first “batch” of prisoners. He lived in the camp throughout its infamous existence, from day one, until the end. The Nazis held a lengthy trial against him, concluding with a death sentence, for tracing the plans of the camp for the Allied Forces. The execution never took place. Marian Kołodziej took on the name of a dead prisoner, and he never admitted his true identity.
For 50 years he remained silent on the subject of his past in the concentration camp. When he fell seriously ill in mid-1990s, he started to draw – and drawing helped him fight to remain alive. Later it became his duty, and the fulfilment of an oath given to his camp companions. “This is a letter of an old man to himself of 55 years ago. And a homage to all those who departed – burnt to ashes.”
“I am asleep and see the charge of the manyheaded Beast, the horses, the dragons, the reptiles […]. It is like in a Bible. The Four Horsemen, the Whore, plagues from the Heavens. All in accordance with St John’s Apocalypse, but embedded in the camp and its reality. We have created this Apocalypse ourselves, within ourselves, for ourselves. And today I dream the very same dream, again and again...” (M. Kołodziej)
Pablo Picasso
Painter
Pablo Ruiz y Picasso, also known as Pablo Picasso, was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Wikipedia
Born: October 25, 1881, Málaga, Spain
Died: April 8, 1973, Mougins, France
Full name: Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso
Periods: Cubism, Picasso's Rose Period, Picasso's African Period, more
Children: Paloma Picasso, Claude Pierre Pablo Picasso, Paul Joseph Picasso, Maya Widmaier-Picasso
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Het Steen is a medieval fortress in the old city centre of Antwerp, Belgium, one of Europe's biggest ports. The surviving structure was built between 1200 and 1225 as a gateway to a larger castle of the Dukes of Brabant which was demolished in the 19th century. As the first stone fortress of Antwerp, Het Steen is Antwerp's oldest building and used to be its oldest urban centre. The words "Het Steen", are dutch for The Rock.
The first documented mention of Antwerp Castle dates back to the 12th century. However, there was a castle here as early as the Carolingian period in the 9th century. The first castle may have been built after the Viking incursions in the early Middle Ages; in 879 the Normans invaded Flanders. The Margraviate of Antwerp came into being around 974. The Duchy of Lower Lotharingia was part of the Holy Roman Empire, while on the opposite bank of the Scheldt lay the county of Flanders, which was subordinate to the king of France. From 1076 to 1100 Godfrey of Bouillon was the Margrave of Antwerp. Godfrey I, Count of Louvain, received the duchy in 1106. His great-grandson was Henry I, Duke of Brabant who received the Duchy of Brabant in 1183.
Previously known as Antwerpen Burcht (fortress), Het Steen gained its current name in around 1520, after significant rebuilding under Charles V. The rebuilding led to its being known first as "'s Heeren Steen" (the King's stone castle), and later simply as "Het Steen" (the stone castle). The Dutch word "steen" means "stone", and used to be used for "fortress" or "palace", as in the "Gravensteen" in Ghent, Belgium.
The fortress made it possible to control the access to the Scheldt, the river on whose bank it stands. It was used as a prison between 1303 and 1827. The largest part of the fortress, including dozens of historic houses and the oldest church of the city, was demolished in the 19th century when the quays were straightened to stop the silting up of the Scheldt. The remaining building, heavily changed, contains a shipping museum, with some old canal barges displayed on the quay outside.
In 1890 Het Steen became the museum of archeology and in 1952 an annex was added to house the museum of Antwerp maritime history, which in 2011 moved to the nearby Museum Aan de Stroom. Here is also a war memorial to the Canadian soldiers in World War II.
At the entrance to Het Steen is a bas-relief of Semini, above the archway, around 2nd century. Semini is the Scandinavian God of youth and fertility (with symbolic phallus)[citation needed]. A historical plaque near Het Steen explains that women of the town appealed to Semini when they desired children; the god was reviled by later religious clergy. Inhabitants of Antwerp previously referred to themselves as "children of Semini". An organization concerned with the historic preservation of Het Steen and Semini, Antwerp Komitee Semini in Ere (AKSIE), formed in 1986, holds annual celebrations at Het Steen as cultural events.
At the entrance bridge to the castle is a statue of a giant and two humans. It depicts the giant Lange Wapper who used to terrorise the inhabitants of the city in medieval times. Coordinates: 51.2227°N 4.3974°E
Richard Wagner's opera Lohengrin, which premiered in 1850, is set in Antwerp Castle around the year 933 under the reign of Henry the Fowler, with Elsa von Brabant as the main female protagonist and the swan knight Lohengrin, who magically appears on the river on a barge pulled by a swan when the king holds court hearing on the bank. Ludwig II of Bavaria had Neuschwanstein Castle designed by stage designers in 1869; its narrow rectangular inner courtyard is designed according to Wagner's stage directions for Antwerp Castle, with Elsa's wing on the left including the covered balcony on which she stands at the beginning of the second act.
V Małopolskie Dni Dziedzictwa Kulturowego, maj/czerwiec 2003
Harmęże są położone w Kotlinie Oświęcimskiej. Można odwiedzić tutaj kościół pw. Matki Bożej Niepokalanej i klasztor oo. Franciszkanów oraz prowadzone przez nich Centrum Świętego Maksymiliana. Niedaleko stąd znajduje się obóz Auschwitz.
W podziemiach kościoła od kilku lat mieści się wystawa, po której obejrzeniu ks. Józef Tischner napisał: „Moja reakcja jest taka: prawdziwy Oświęcim jest tutaj. I to właściwie wszystko, co mogę powiedzieć”.
Czy można pisać o czymś, co jest tkwiącym od lat w pamięci obrazem, tytułową kliszą, a zarazem – świadectwem, według towarzyszących tej wystawie słów Zbigniewa Herberta? Przerażającym i zatrważającym świadectwem tego, jak zły i jak wspaniały może być człowiek. Autor wystawy napisał: „[...] to nie wystawa – nie sztuka, nie obrazy, a słowa zamknięte w rysunku. […] Sztuka jest bezradna wobec tego, co człowiek zgotował człowiekowi”.
Labirynt obrazów wywołanych z pamięci i odtworzony w kościelnych podziemiach wciąż się powiększa. Rysowane ołówkiem prace, rzadko wzbogacone kolorem, zapełniają ściany, a towarzyszą im rekwizyty obozowej codzienności. Drobne detale – kamienie i potłuczone szyby – tworzą niezwykle sugestywną atmosferę. Pogłębia ją panująca tutaj cisza.
Marian Kołodziej, autor wystawy, jest scenografem, absolwentem krakowskiej Akademii Sztuk Pięknych, profesorem. Był także więźniem nr 432 KL Auschwitz. Trafił tam jako kilkunastoletni chłopiec z pierwszym transportem więźniów. Żył w obozie od pierwszego dnia jego istnienia do końca. Niemcy prowadzili przeciw niemu długie śledztwo poprzedzające wyrok śmierci za przerysowywanie planów obozu dla aliantów. Nie zdążyli wykonać wyroku. Marian Kołodziej przejął swoje nazwisko po zmarłym więźniu. Nigdy nie ujawnił swej prawdziwej tożsamości.
Przez pięćdziesiąt lat milczał na temat swojej obozowej przeszłości. Wskutek ciężkiej choroby w połowie lat 90. rozpoczął rysowanie. Stało się ono dla niego walką o życie. A potem obowiązkiem i spełnieniem przyrzeczenia danego kolegom w obozie. „To list starego człowieka do samego siebie sprzed 55 lat. Również hołd tym wszystkim, którzy spopieleni – odeszli”.
„Śpię i widzę ten zmasowany atak wielogłowej Bestii, koni, smoków, gadów […]. Jest jak w Biblii. Czterech jeźdźców, Wszetecznica, plagi z nieba. Wszystko posłuszne wersetom Apokalipsy św. Jana, choć zostało wtłoczone w obóz, w realia obozu. Sami tę Apokalipsę stworzyliśmy w sobie, dla siebie. I dzisiaj śnię tak samo i to samo...” (M. Kołodziej)
---
“Images from Memory” Exhibition
in Harmęże
Harmęże, situated in the Oświęcim Valley, is worth a visit as it is the home to the Church of the Immaculate Virgin, and a Franciscan monastery, the latter running the Saint Maximilian Centre.
The church’s crypt holds an exhibition which prompted priest Józef Tischner to say: “My impression is this: It is here that the real Auschwitz Concentration Camp is found. This is all I am able to say”.
Indeed it is not easy to speak of something which sticks to one’s memory as the “plate” in the title, a film of images, and a testimony – in the words of Zbigniew Herbert, which accompany the exhibition – a terrible testimony of how evil and how virtuous a human being can be. In the words of the author of the display: “[…] this is not an exhibition – this is not art, not pictures but words embedded in drawing. […] Art is useless in the face of what one man has brought upon another”.
The labyrinth of images lifted from the memory and recreated in the church’s dungeons continues to grow. Drawings in pencil, with hardly any colour, fill the walls, and they are accompanied with the props of everyday life in the concentration camp. Details such as stones and broken glass are very powerful, and the sombre mood is enhanced by the absolute silence that envelops the place.
Marian Kołodziej, the author of the exhibition and a professor, is a stage designer who graduated from the Kraków Academy of Fine Arts. He was also prisoner number 432 of the Auschwitz concentration camp. He was brought there, a teenage boy, with the first “batch” of prisoners. He lived in the camp throughout its infamous existence, from day one, until the end. The Nazis held a lengthy trial against him, concluding with a death sentence, for tracing the plans of the camp for the Allied Forces. The execution never took place. Marian Kołodziej took on the name of a dead prisoner, and he never admitted his true identity.
For 50 years he remained silent on the subject of his past in the concentration camp. When he fell seriously ill in mid-1990s, he started to draw – and drawing helped him fight to remain alive. Later it became his duty, and the fulfilment of an oath given to his camp companions. “This is a letter of an old man to himself of 55 years ago. And a homage to all those who departed – burnt to ashes.”
“I am asleep and see the charge of the manyheaded Beast, the horses, the dragons, the reptiles […]. It is like in a Bible. The Four Horsemen, the Whore, plagues from the Heavens. All in accordance with St John’s Apocalypse, but embedded in the camp and its reality. We have created this Apocalypse ourselves, within ourselves, for ourselves. And today I dream the very same dream, again and again...” (M. Kołodziej)
#Mehndi #Event #Faisalabad #FSD #New #Stage
Follow us on Instagram @a2zevents and @DclassyClicks
Call us for details and bookings +92-321-4268177 +92-324-4921459 +92-333-4645869
PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan
Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com, www.DClassyclicks.com , Facebook:- www.facebook.com/a2zevents #decorators #stage_decoration #enterance_decoration #stage_design #vipstage #wedding_planner_in_lahore #wedding #wedding_planning #events_planner #events_organizer #events_designer #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #events_planner_in_pakistan #events_designer_in_pakistan #birthday_parties #corporate_events_stages_setup #mehndi_setup #barat_setup #barat_event_setup #mehndi_stage_decoration #barat_stage_decoration #best_event_planners_in_lahore lahore #event_organizer_in_lahore #event_planners_in_pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway #truss #disco_lights #dj #mehndi_dance #photographers #catering_services #food_services #wedding_food #wedding_jewelry #wedding_cake #wedding_designers #wedding_decoration #wedding_services #flowers_decor #masehri_decor #Caterers_in_Lahore #events_specialists #Quality_Food_Suppliers #best_weddings_planners_in_Lahore
#Mehndi #Event #Village_Touch_Theme #Umbrella #Sialkot #MB_Villas #Groom_Entry #Groom #Jeep_Entry #Groom_men #DesiSwag #Desi_Swag #Mehndi_Entry #Unique_Wedding_Entry #best_wedding_photographers , #best_wedding_photographers_in_Lahore, #best_wedding_photographers_in_Pakistan, #Top_photography_services_provider_in_Pakistan, #top_photography_services_provider_in_Lahore, #top_photography_and_videography_services_in_Lahore, #top_photography_services_in_Lahore, #top_photography_services_in_Pakistan, Follow us on Instagram @DclassyClicks and @a2zevents We are now taking bookings for Oct-17 to Apr-18 Please Call us for details and bookings Direct Cell # +92-321-4268177 / 0331-4730273 PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800 PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com, www.DClassyclicks.com , Facebook:- www.facebook.com/a2zevents #DClassyClicks #DClassyClicksbya2zevents #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #hoteldecor #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #marriage #hotel #decor
Follow us on Instagram @DclassyClicks and @a2zevents Call us for details and bookings Direct Cell # +92-321-4268177 / 0331-4730273 PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800 PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com , Facebook:- www.facebook.com/a2zevents #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #marriage #hotel #decor
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Follow us on Instagram @a2zevents and @DclassyClicks
Call us for details and bookings +92-321-4268177 +92-324-4921459 +92-333-4645869
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#Mehndi #Event #JoharTown #Lahore Follow us on Instagram @DclassyClicks and @a2zevents Call us for details and bookings Direct Cell # +92-321-4268177 / 0331-4730273 PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800 PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com , Facebook:- www.facebook.com/a2zevents #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #marriage #hotel #decor
#Mehndi #Farm #House #Baidian Road Follow us on Instagram @DclassyClicks and @a2zevents Call us for details and bookings Direct Cell # +92-321-4268177 / 0331-4730273 PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800 PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com , Facebook:- www.facebook.com/a2zevents #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #marriage #hotel #decor
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Follow us on Instagram @a2zevents and @DclassyClicks
Call us for details and bookings +92-321-4268177 +92-324-4921459 +92-333-4645869
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#Grand #Barat #Event #Multan #a2z_Events_Solutions #Marquee
#Fun_stuff #Selfie_props #Selfi_booth #Hanging_garden
Follow us on Instagram @a2zevents and @DclassyClicks
Call us for details and bookings +92-321-4268177 +92-324-4921459 +92-333-4645869
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#Gorgeous #Engagement #Event #a2z_Events_Solutions #FarmHouse #Kahna #Marquee #Fun_stuff #Selfie_props #Selfie_booth #Hanging_garden
Follow us on Instagram @a2zevents and @DclassyClicks
Call us for details and bookings +92-321-4268177 +92-324-4921459 +92-333-4645869
#barat_stage_decoration #best_event_planners_in_Lahore #event_organizer_in_Lahore #event_planners_in_Pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway #truss #disco_lights #dj #mehndi_dance #photographers #catering_services #food_services #wedding_food #wedding_jewelry #wedding_cake #wedding_designers #wedding_decoration #wedding_services #flowers_decor #masehri_decor #Caterers_in_Lahore #events_specialists #Quality_Food_Suppliers
#Gorgeous #Engagement #Event #a2z_Events_Solutions #FarmHouse #Kahna #Marquee #Fun_stuff #Selfie_props #Selfie_booth #Hanging_garden
Follow us on Instagram @a2zevents and @DclassyClicks
Call us for details and bookings +92-321-4268177 +92-324-4921459 +92-333-4645869
#barat_stage_decoration #best_event_planners_in_Lahore #event_organizer_in_Lahore #event_planners_in_Pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway #truss #disco_lights #dj #mehndi_dance #photographers #catering_services #food_services #wedding_food #wedding_jewelry #wedding_cake #wedding_designers #wedding_decoration #wedding_services #flowers_decor #masehri_decor #Caterers_in_Lahore #events_specialists #Quality_Food_Suppliers
#Gorgeous #Engagement #Event #a2z_Events_Solutions #FarmHouse #Kahna #Marquee #Fun_stuff #Selfie_props #Selfie_booth #Hanging_garden
Follow us on Instagram @a2zevents and @DclassyClicks
Call us for details and bookings +92-321-4268177 +92-324-4921459 +92-333-4645869
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www.thewowfactory.net info@thewowfactrory.net 1.877.WOW.IN3D
City Hall stage set prop at Rincon Church of God.
#Grand #Barat #Event #Multan #a2z_Events_Solutions #Marquee
#Fun_stuff #Selfie_props #Selfi_booth #Hanging_garden
Follow us on Instagram @a2zevents and @DclassyClicks
Call us for details and bookings +92-321-4268177 +92-324-4921459 +92-333-4645869
#barat_stage_decoration #best_event_planners_in_Lahore #event_organizer_in_Lahore #event_planners_in_Pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway #truss #disco_lights #dj #mehndi_dance #photographers #catering_services #food_services #wedding_food #wedding_jewelry #wedding_cake #wedding_designers #wedding_decoration #wedding_services #flowers_decor #masehri_decor #Caterers_in_Lahore #events_specialists #Quality_Food_Suppliers
Grand Mehndi Event Open Air, Skyview Golf and Country Club DHA Lahore
Call us for details and bookings +92-321-4268177 +92-324-4921459 +92-333-4645869
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#Mehndi #Event #Faisalabad #FSD #New #Stage
Follow us on Instagram @a2zevents and @DclassyClicks
Call us for details and bookings +92-321-4268177 +92-324-4921459 +92-333-4645869
PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan
Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com, www.DClassyclicks.com , Facebook:- www.facebook.com/a2zevents #decorators #stage_decoration #enterance_decoration #stage_design #vipstage #wedding_planner_in_lahore #wedding #wedding_planning #events_planner #events_organizer #events_designer #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #events_planner_in_pakistan #events_designer_in_pakistan #birthday_parties #corporate_events_stages_setup #mehndi_setup #barat_setup #barat_event_setup #mehndi_stage_decoration #barat_stage_decoration #best_event_planners_in_lahore lahore #event_organizer_in_lahore #event_planners_in_pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway #truss #disco_lights #dj #mehndi_dance #photographers #catering_services #food_services #wedding_food #wedding_jewelry #wedding_cake #wedding_designers #wedding_decoration #wedding_services #flowers_decor #masehri_decor #Caterers_in_Lahore #events_specialists #Quality_Food_Suppliers #best_weddings_planners_in_Lahore
Follow us on Instagram @a2zevents and @DclassyClicks
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Wednesday 10 July at 6pm and 8pm, Thursday 11 July at 7pm, £15.
Garrick, Bank Street, Whitefield, M45 7JF.
A tower of lyrical excellence, cover such universal themes as procreation and conception, passage of time and mortality, jealousy and love, beauty and erotica. The first section is addressed to a young man; the second focuses on the 'dark lady'; other sonnets express the speaker's view regarding loneliness, old age, force of nature etc.
These themes - like their dramatic equivalents - are relevant for all places, times, societies and cultures. "Shakespeare's Sonnets: Poetry-Theatre on Love and Creation" – is a unique theatrical work of Shakespeare's lyrical creation of the sonnets adapted for stage. It is not an ordinary poetry reading event! The songs are transformed into dramatic pieces; the stage interpretation of main themes creates a new sort of theatrical language.
By: William Shakespeare; Translator: Shimon Zandbank; Director: Meir Ben Simon; Stage Designer: Zohar Elmaliah; Costume Designer: Rona Mishol; Music: Nadav Vikinski; Choreography: Omer Shemer; Lighting Designer: Michael Eliezer; Artistic Consultant: Roi Shulberg; Cast: Yoav Amir, Reut Berda-Levy, Odelya Dadoun, Debbie Levin, Gal Shamai.
This show is performed in Hebrew with an English introduction.
Trailer: youtu.be/4q-PQLjTyhY
Interview: youtu.be/AfRhoRH0FuE
New #Barat #Stage with #backside #Entry for #BRIDE
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#barat_stage_decoration #best_event_planners_in_lahore lahore #event_organizer_in_lahore #event_planners_in_pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway #truss #disco_lights #dj #mehndi_dance #photographers #catering_services #food_services #wedding_food #wedding_jewelry #wedding_cake #wedding_designers #wedding_decoration #wedding_services #flowers_decor #masehri_decor #Caterers_in_Lahore #events_specialists #Quality_Food_Suppliers
Tower of London
Evolving installation Blood Swept Lands and Seas of Red, marking the centenary of the outbreak of the First World War. Created by ceramic artist Paul Cummins, with setting by stage designer Tom Piper, 888,246 ceramic poppies will progressively fill the Tower’s famous moat.
Tower of London (marking the centenary of the outbreak of the First World War. Created by ceramic artist Paul Cummins, with setting by stage designer Tom Piper, 888,246 ceramic poppies progressively fill the Tower’s famous moat until 11 November 2014).
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Update, September 2016.
I have just discovered Chroma by Derek Jarman.
"The joy of black and yellow Prospect Cottage. Black as pitch with bright yellow windows, it welcomes you."
Michael Derek Elworthy Jarman (31 January 1942 – 19 February 1994), English film director, stage designer, diarist, artist, gardener and author.
With thanks to Keith Collins, Derek Jarman's partner, the owner of Prospect Cottage.
Derek Jarman’s garden at Prospect Cottage in Dungeness –
Read more in Howard Sooley’s article in The Observer here
www.guardian.co.uk/lifeandstyle/2008/feb/17/gardens
Howard Sooley has kindly updated me on ownership of Prospect Cottage: "The cottage is owned and looked after by Keith Collins, who was Derek's partner. I try to do some gardening too....this has been the case since Derek died in 1994."
Notes off the Tate’s website, on Art of the Garden Exhibition, Tate Britain 3 June – 30 August 2004.
“Derek Jarman was drawn to Dungeness by its desolate character; he used it as the setting for his film The Last of England, an allegory on the social and sexual inequalities in England under Thatcherism. Later that year he was diagnosed as HIV positive, and while his public life became increasingly dedicated to gay rights issues, he devoted his private life to the creation of a garden at Prospect Cottage, a fisherman’s house on a huge bank of shingle on the Kent coast.
Jarman was a relatively inexperienced gardener, and given the inhospitable conditions at Dungeness he initially had little hope of establishing a garden. But he succeeded with the help of friends, especially the photographer Howard Sooley, using local plants and gathering flints and stones to form large circular beds and standing stones, or ‘dragon’s teeth’. He also collected old fishing tackle, shells, broken garden tools, driftwood and pieces of twisted metal from old sea defences, using them as plant supports and garden sculptures. The front garden was more formal, the back garden more experimental, although there are no fences of walls anywhere.
Jarman’s garden featured in his 1989 film War Requiem, and in the following year was the focal point of The Garden, ‘a parable about the cruel and unnecessary perversion of innocence’ where it figured both as the Garden of Eden and the garden at Gethsemane.”
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On one evening I was lucky enough to visit Vivid Sydney 2009. That was an amazing festival of music and light happening all around Sydney. This picture shows one of the installations called “Rocklights", the light projection in Argyle Cut by German artist and stage designer Ingo Bracke. Argyle Cut itself is a tunnel that was cut through the sandstone by convicts with basic digging tools at first and then by explosives. That was a huge job for year 1868 and it is no wonder it took 25 years to complete.
The picture is tonemapped HDR from a single RAW file. The shot was taken from a tripod with 8sec exposure.
Location: The Argyle Cut, The Rocks, New South Wales, Australia
From my photoblog at www.bouncedphoton.com