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Archer by Amanda Slater

Tower of London Remembers.

To mark the centenary anniversary of the First World War the Tower of London is creating an evolving art installation "Blood Swept Lands and Seas of Red". Formed of 888,246 ceramic poppies by artist Paul Cummins, with setting by stage designer Tom Piper, each poppy represents a British military fatality during the war. The installation was officially unveiled on 5 August 2014, one hundred years since the first full day of Britain's involvement in the First World War and will be in place until 11 November 2014.

On 24 August I helped to build a just a little more of the installation by constructing and planting a batch of poppies. I believe it is now (as in these photos) about a quarter completed. Each poppy is a life lost - when it is completed maybe it will help to demonstrate the scale of those numbers which we really cannot imagine.
Printing-stuff-service-providers-in-lahore by a2z Events

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Weddings-Decorators-in-Pakistan by a2z Events

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Barat-Stages-Decorators-in-Lahore by a2z Events

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Wedding-Solutions-Providers-in-Lahore-Pakistan by a2z Events

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Best and Leading A2Z Weddings Planning and Catering Company in Lahore Pakistan, How to design best wedding events in Lahore Pakistan, How to design best weddings setups in Lahore Pakistan, how to design best and cheapest mehndi events in Lahore, Pakistan, by a2z Events

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Antique Center of Red Bank - V by RGL Photography

Antique Center of Red Bank

226 West Front Street, Red Bank, NJ 07701

Phone: (732) 842-4336

 

We pride ourselves as a family of dealers dedicated to providing those hard to find treasures, collectibles, jewelry and furnishings. The Red Bank Antique Center has been the destination for designers, collectors, movie & stage designers and dealers for over 40 years. The center was started in 1964 by the Johnson family as a permanent antique show with 12 dealers. Today it has grown to over 100 dealers in two building in the heart of the Red Bank Historical District located 1/2 mile from the shoreline of the Navesink River. Operated by Guy Johnson, we have grown to be the largest antique district in New Jersey.
Flowers-Decoration-Service-Providers-in-Lahore by a2z Events

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Thematic-Mehndi-Event-Planners-in-Lahore by a2z Events

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Events-Decoration-Services-Provider-in-Lahore by a2z Events

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Wien, 13. Bezirk (the art of very historic places in the suburbs of Vienna) - Schloss Schönbrunn (Palacio de Schönbrunn, Schönbrunn Palace, Palazzo di Schönbrunn, le Palais de Schönbrunn), Marionette Theater (Schönbrunner Schlossstraße) by Alfred Lex

Biografía

En julio de 1777, Clemens Wenzel de Sajonia, príncipe elector y arzobispo de Tréveris, visitó Viena. Era un pariente del duque Alberto de Sajonia-Teschen, yerno de María Teresa y marido de su hija favorita, Marie Christine. En honor de la visita de Tréveris Sajonia, el teatro de Marionetas del príncipe Esterházy dío un espectáculo que fue premiado de muchísimo aplauso. "Por está razón, en Schönbrunn fue construido un teatro y las marionetas y decoraciones llevados a Viena". Fue interpretado "Alceste", una parodia respecto de la ópera del mismo nombre de Christoph Willibald Gluck.

Basandose en está tradición, Christine Hierzer-Riedler y Werner Hierzer fundaron

EL TEATRO DE TÍTERES PALACIO DE SCHÖNBRUNN

Después de una generosa renovación del "tracto del consejo de la Corte" por el Palacio de Schönbrunn Empresa de cultura y de explotación, el teatro en 1994 pudo ser abierto. De está manera, en el tracto del consejo de la Corte por las reprecentaciones mágicas fue creado un ambiente perfecto.

El teatro de marionetas en Schönbrunn se administro como un teatro privado. Los dos fundadores y directores artísticos

Christine Hierzer-Riedler & Werner Hierzer

cuentan con más de 40 años de experiencia internacional en el arte del espectáculo de las marionetas. Entre los lugares destacados se incluyen ciudades como Atenas, Berlín, Boston, Bruselas, Florencia, Hong Kong, Londres, Los Ángeles, Madrid, Ciudad de México, Miami, Montreal, Nueva York, París, Pekín, Roma, Seúl, Teherán y muchos más.

Dos equipos bien entrenados permiten actuaciones de la más alta calidad, tanto en el teatro en Schönbrunn, así como en cualquier momento en sus giras internacionales.

Los títeres, los trajes, el decorado y la maquinaria escénica se producen en colaboración con destacados directores, escenógrafos y diseñadores de vestuario de teatro en los talleres internos.

Premios internacionales recompensan los esfuerzos para satisfacer los estándares más altos:

1er Premio, Festival Internacional de Teatro de Títeres, Teherán

1er Premio, Festival Mundial de la Marioneta Arte, Praga

1er Premio, Festival Internacional de Teatro PIF, Zagreb

 

Biography

It was July 1777 when Clemens Wenzel of Sachsen, Elector and Archbishop of Trier visited Vienna. He was a relative of Duke Albert of Sachsen-Teschen, Empress Maria Theresia’s son in law and husband of her favourite daughter Maria Christine. To honour this visit from Trier, the Marionette-Theatre of Prince Esterházy offered a spectacle which was much acclaimed by the visitors.

For this reason a theatre was built and the puppets and decoration were brought to Vienna. "Alceste" a parody of the original opera, written and composed by Christoph Willibald Gluck, was performed.

Following this tradition the

MARIONETTENTHEATER SCHLOSS SCHÖNBRUNN

was founded by Christine Hierzer-Riedler and Werner Hierzer.

After a generous renovation of the "Hofratstrakt" (court wing) by the Schönbrunner Kultur- und Betriebsges.m.b.H. the theatre was reopened in 1994 and forms now the perfect ambience of these enchanting shows.

The MARIONETTENTHEATER SCHLOSS SCHÖNBRUNN is a private theatre, the two founders and art directors Christine Hierzer-Riedler and Werner Hierzer are looking back on more than 40 years of international experience in performing with marionettes. They acted as puppeteers in New York, Hong Kong, Mexico City, Paris, London, Madrid, Rome, Berlin, Los Angeles, Miami, Brussels, Montreal, Boston, Peking and Seoul. In 1995 they set up a training centre for talented marionette-players in Schönbrunn to continue this tradition. There are shows of high quality throughout the year performed by two artistically skilled companies on stage at home in Schönbrunn and on tour in several countries.

With the support of famous directors and costume and stage designers the puppets, costumes, stage setting and stage techniques are all created at the theatre’s own workshops.

International awards honour the efforts to live up to the highest expectations:

1st prize, International Puppet Theatre Festival , Tehran,

1st prize, World Festival of Puppet Art, Prague,

1st prize, International Theatre Festival PIF, Zagreb

www.marionettentheater.at/theaterbiografie.html

Schloss Schönbrunn, erbaut 1695 - 1700 nach Plänen von Johann Bernhard Fischer von Erlach. Umgestaltet 1743 - 1749 unter Maria Theresia nach Plänen von Nikolaus von Pacassi.
Weddings-Setups-Designer-and-Decorator-in-Pakistan by a2z Events

#Wedding #Anniversary & #Aqiqa #Event #Khushab

 

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Wien, 13. Bezirk (Schloss Schönbrunn), Palacio de Schönbrunn, Schönbrunn Palace, Palazzo di Schönbrunn, le Palais de Schönbrunn (Marionette Theater), Schönbrunner Schlossstraße by alfred lex

Biografía

En julio de 1777, Clemens Wenzel de Sajonia, príncipe elector y arzobispo de Tréveris, visitó Viena. Era un pariente del duque Alberto de Sajonia-Teschen, yerno de María Teresa y marido de su hija favorita, Marie Christine. En honor de la visita de Tréveris Sajonia, el teatro de Marionetas del príncipe Esterházy dío un espectáculo que fue premiado de muchísimo aplauso. "Por está razón, en Schönbrunn fue construido un teatro y las marionetas y decoraciones llevados a Viena". Fue interpretado "Alceste", una parodia respecto de la ópera del mismo nombre de Christoph Willibald Gluck.

Basandose en está tradición, Christine Hierzer-Riedler y Werner Hierzer fundaron

EL TEATRO DE TÍTERES PALACIO DE SCHÖNBRUNN

Después de una generosa renovación del "tracto del consejo de la Corte" por el Palacio de Schönbrunn Empresa de cultura y de explotación, el teatro en 1994 pudo ser abierto. De está manera, en el tracto del consejo de la Corte por las reprecentaciones mágicas fue creado un ambiente perfecto.

El teatro de marionetas en Schönbrunn se administro como un teatro privado. Los dos fundadores y directores artísticos

Christine Hierzer-Riedler & Werner Hierzer

cuentan con más de 40 años de experiencia internacional en el arte del espectáculo de las marionetas. Entre los lugares destacados se incluyen ciudades como Atenas, Berlín, Boston, Bruselas, Florencia, Hong Kong, Londres, Los Ángeles, Madrid, Ciudad de México, Miami, Montreal, Nueva York, París, Pekín, Roma, Seúl, Teherán y muchos más.

Dos equipos bien entrenados permiten actuaciones de la más alta calidad, tanto en el teatro en Schönbrunn, así como en cualquier momento en sus giras internacionales.

Los títeres, los trajes, el decorado y la maquinaria escénica se producen en colaboración con destacados directores, escenógrafos y diseñadores de vestuario de teatro en los talleres internos.

Premios internacionales recompensan los esfuerzos para satisfacer los estándares más altos:

1er Premio, Festival Internacional de Teatro de Títeres, Teherán

1er Premio, Festival Mundial de la Marioneta Arte, Praga

1er Premio, Festival Internacional de Teatro PIF, Zagreb

 

Biography

It was July 1777 when Clemens Wenzel of Sachsen, Elector and Archbishop of Trier visited Vienna. He was a relative of Duke Albert of Sachsen-Teschen, Empress Maria Theresia’s son in law and husband of her favourite daughter Maria Christine. To honour this visit from Trier, the Marionette-Theatre of Prince Esterházy offered a spectacle which was much acclaimed by the visitors.

For this reason a theatre was built and the puppets and decoration were brought to Vienna. "Alceste" a parody of the original opera, written and composed by Christoph Willibald Gluck, was performed.

Following this tradition the

MARIONETTENTHEATER SCHLOSS SCHÖNBRUNN

was founded by Christine Hierzer-Riedler and Werner Hierzer.

After a generous renovation of the "Hofratstrakt" (court wing) by the Schönbrunner Kultur- und Betriebsges.m.b.H. the theatre was reopened in 1994 and forms now the perfect ambience of these enchanting shows.

The MARIONETTENTHEATER SCHLOSS SCHÖNBRUNN is a private theatre, the two founders and art directors Christine Hierzer-Riedler and Werner Hierzer are looking back on more than 40 years of international experience in performing with marionettes. They acted as puppeteers in New York, Hong Kong, Mexico City, Paris, London, Madrid, Rome, Berlin, Los Angeles, Miami, Brussels, Montreal, Boston, Peking and Seoul. In 1995 they set up a training centre for talented marionette-players in Schönbrunn to continue this tradition. There are shows of high quality throughout the year performed by two artistically skilled companies on stage at home in Schönbrunn and on tour in several countries.

With the support of famous directors and costume and stage designers the puppets, costumes, stage setting and stage techniques are all created at the theatre’s own workshops.

International awards honour the efforts to live up to the highest expectations:

1st prize, International Puppet Theatre Festival , Tehran,

1st prize, World Festival of Puppet Art, Prague,

1st prize, International Theatre Festival PIF, Zagreb

www.marionettentheater.at/theaterbiografie.html
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Wien, 13. Bezirk (the art of very historic places in the suburbs of Vienna) - Schloss Schönbrunn (Palacio de Schönbrunn, Schönbrunn Palace, Palazzo di Schönbrunn, le Palais de Schönbrunn), Marionette Theater (Schönbrunner Schlossstraße) by Alfred Lex

Biografía

En julio de 1777, Clemens Wenzel de Sajonia, príncipe elector y arzobispo de Tréveris, visitó Viena. Era un pariente del duque Alberto de Sajonia-Teschen, yerno de María Teresa y marido de su hija favorita, Marie Christine. En honor de la visita de Tréveris Sajonia, el teatro de Marionetas del príncipe Esterházy dío un espectáculo que fue premiado de muchísimo aplauso. "Por está razón, en Schönbrunn fue construido un teatro y las marionetas y decoraciones llevados a Viena". Fue interpretado "Alceste", una parodia respecto de la ópera del mismo nombre de Christoph Willibald Gluck.

Basandose en está tradición, Christine Hierzer-Riedler y Werner Hierzer fundaron

EL TEATRO DE TÍTERES PALACIO DE SCHÖNBRUNN

Después de una generosa renovación del "tracto del consejo de la Corte" por el Palacio de Schönbrunn Empresa de cultura y de explotación, el teatro en 1994 pudo ser abierto. De está manera, en el tracto del consejo de la Corte por las reprecentaciones mágicas fue creado un ambiente perfecto.

El teatro de marionetas en Schönbrunn se administro como un teatro privado. Los dos fundadores y directores artísticos

Christine Hierzer-Riedler & Werner Hierzer

cuentan con más de 40 años de experiencia internacional en el arte del espectáculo de las marionetas. Entre los lugares destacados se incluyen ciudades como Atenas, Berlín, Boston, Bruselas, Florencia, Hong Kong, Londres, Los Ángeles, Madrid, Ciudad de México, Miami, Montreal, Nueva York, París, Pekín, Roma, Seúl, Teherán y muchos más.

Dos equipos bien entrenados permiten actuaciones de la más alta calidad, tanto en el teatro en Schönbrunn, así como en cualquier momento en sus giras internacionales.

Los títeres, los trajes, el decorado y la maquinaria escénica se producen en colaboración con destacados directores, escenógrafos y diseñadores de vestuario de teatro en los talleres internos.

Premios internacionales recompensan los esfuerzos para satisfacer los estándares más altos:

1er Premio, Festival Internacional de Teatro de Títeres, Teherán

1er Premio, Festival Mundial de la Marioneta Arte, Praga

1er Premio, Festival Internacional de Teatro PIF, Zagreb

 

Biography

It was July 1777 when Clemens Wenzel of Sachsen, Elector and Archbishop of Trier visited Vienna. He was a relative of Duke Albert of Sachsen-Teschen, Empress Maria Theresia’s son in law and husband of her favourite daughter Maria Christine. To honour this visit from Trier, the Marionette-Theatre of Prince Esterházy offered a spectacle which was much acclaimed by the visitors.

For this reason a theatre was built and the puppets and decoration were brought to Vienna. "Alceste" a parody of the original opera, written and composed by Christoph Willibald Gluck, was performed.

Following this tradition the

MARIONETTENTHEATER SCHLOSS SCHÖNBRUNN

was founded by Christine Hierzer-Riedler and Werner Hierzer.

After a generous renovation of the "Hofratstrakt" (court wing) by the Schönbrunner Kultur- und Betriebsges.m.b.H. the theatre was reopened in 1994 and forms now the perfect ambience of these enchanting shows.

The MARIONETTENTHEATER SCHLOSS SCHÖNBRUNN is a private theatre, the two founders and art directors Christine Hierzer-Riedler and Werner Hierzer are looking back on more than 40 years of international experience in performing with marionettes. They acted as puppeteers in New York, Hong Kong, Mexico City, Paris, London, Madrid, Rome, Berlin, Los Angeles, Miami, Brussels, Montreal, Boston, Peking and Seoul. In 1995 they set up a training centre for talented marionette-players in Schönbrunn to continue this tradition. There are shows of high quality throughout the year performed by two artistically skilled companies on stage at home in Schönbrunn and on tour in several countries.

With the support of famous directors and costume and stage designers the puppets, costumes, stage setting and stage techniques are all created at the theatre’s own workshops.

International awards honour the efforts to live up to the highest expectations:

1st prize, International Puppet Theatre Festival , Tehran,

1st prize, World Festival of Puppet Art, Prague,

1st prize, International Theatre Festival PIF, Zagreb

www.marionettentheater.at/theaterbiografie.html

Schloss Schönbrunn, erbaut 1695 - 1700 nach Plänen von Johann Bernhard Fischer von Erlach. Umgestaltet 1743 - 1749 unter Maria Theresia nach Plänen von Nikolaus von Pacassi.
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Wien, 13. Bezirk (Schloss Schönbrunn), Palacio de Schönbrunn, Schönbrunn Palace, Palazzo di Schönbrunn, le Palais de Schönbrunn (Marionette Theater), Schönbrunner Schlossstraße by alfred lex

Biografía

En julio de 1777, Clemens Wenzel de Sajonia, príncipe elector y arzobispo de Tréveris, visitó Viena. Era un pariente del duque Alberto de Sajonia-Teschen, yerno de María Teresa y marido de su hija favorita, Marie Christine. En honor de la visita de Tréveris Sajonia, el teatro de Marionetas del príncipe Esterházy dío un espectáculo que fue premiado de muchísimo aplauso. "Por está razón, en Schönbrunn fue construido un teatro y las marionetas y decoraciones llevados a Viena". Fue interpretado "Alceste", una parodia respecto de la ópera del mismo nombre de Christoph Willibald Gluck.

Basandose en está tradición, Christine Hierzer-Riedler y Werner Hierzer fundaron

EL TEATRO DE TÍTERES PALACIO DE SCHÖNBRUNN

Después de una generosa renovación del "tracto del consejo de la Corte" por el Palacio de Schönbrunn Empresa de cultura y de explotación, el teatro en 1994 pudo ser abierto. De está manera, en el tracto del consejo de la Corte por las reprecentaciones mágicas fue creado un ambiente perfecto.

El teatro de marionetas en Schönbrunn se administro como un teatro privado. Los dos fundadores y directores artísticos

Christine Hierzer-Riedler & Werner Hierzer

cuentan con más de 40 años de experiencia internacional en el arte del espectáculo de las marionetas. Entre los lugares destacados se incluyen ciudades como Atenas, Berlín, Boston, Bruselas, Florencia, Hong Kong, Londres, Los Ángeles, Madrid, Ciudad de México, Miami, Montreal, Nueva York, París, Pekín, Roma, Seúl, Teherán y muchos más.

Dos equipos bien entrenados permiten actuaciones de la más alta calidad, tanto en el teatro en Schönbrunn, así como en cualquier momento en sus giras internacionales.

Los títeres, los trajes, el decorado y la maquinaria escénica se producen en colaboración con destacados directores, escenógrafos y diseñadores de vestuario de teatro en los talleres internos.

Premios internacionales recompensan los esfuerzos para satisfacer los estándares más altos:

1er Premio, Festival Internacional de Teatro de Títeres, Teherán

1er Premio, Festival Mundial de la Marioneta Arte, Praga

1er Premio, Festival Internacional de Teatro PIF, Zagreb

 

Biography

It was July 1777 when Clemens Wenzel of Sachsen, Elector and Archbishop of Trier visited Vienna. He was a relative of Duke Albert of Sachsen-Teschen, Empress Maria Theresia’s son in law and husband of her favourite daughter Maria Christine. To honour this visit from Trier, the Marionette-Theatre of Prince Esterházy offered a spectacle which was much acclaimed by the visitors.

For this reason a theatre was built and the puppets and decoration were brought to Vienna. "Alceste" a parody of the original opera, written and composed by Christoph Willibald Gluck, was performed.

Following this tradition the

MARIONETTENTHEATER SCHLOSS SCHÖNBRUNN

was founded by Christine Hierzer-Riedler and Werner Hierzer.

After a generous renovation of the "Hofratstrakt" (court wing) by the Schönbrunner Kultur- und Betriebsges.m.b.H. the theatre was reopened in 1994 and forms now the perfect ambience of these enchanting shows.

The MARIONETTENTHEATER SCHLOSS SCHÖNBRUNN is a private theatre, the two founders and art directors Christine Hierzer-Riedler and Werner Hierzer are looking back on more than 40 years of international experience in performing with marionettes. They acted as puppeteers in New York, Hong Kong, Mexico City, Paris, London, Madrid, Rome, Berlin, Los Angeles, Miami, Brussels, Montreal, Boston, Peking and Seoul. In 1995 they set up a training centre for talented marionette-players in Schönbrunn to continue this tradition. There are shows of high quality throughout the year performed by two artistically skilled companies on stage at home in Schönbrunn and on tour in several countries.

With the support of famous directors and costume and stage designers the puppets, costumes, stage setting and stage techniques are all created at the theatre’s own workshops.

International awards honour the efforts to live up to the highest expectations:

1st prize, International Puppet Theatre Festival , Tehran,

1st prize, World Festival of Puppet Art, Prague,

1st prize, International Theatre Festival PIF, Zagreb

www.marionettentheater.at/theaterbiografie.html
Wien, 7. Bezirk, Art of Facades of Vienna, Volkstheater - théâtre, teatro, theater (Neustiftgasse/Burggasse/Museumstraße) by alfred lex

(further information and pictures you can see by clicking on the link at the end of page!)

Volkstheater - People's Theatre

The Volkstheater (2008)

The Volkstheater is one of the most important Schauspielbühnen (drama stages) of Vienna. It was founded in 1889 by the poet Ludwig Anzengruber and the industrialist Felix Fischer by the Association of the German folk theater (Volkstheater), to create an alternative to the Imperial Hofburg Theatre, the latter one the representation of everyday life, the folksy and comedic elements keeping away from its stage boards. The first president of the club was the famous stool manufacturer Franz Thonet. The founders intended in addition to folk plays mainly classical and modern dramas being performed and to provide a broad class of population access to the theater. Therefore the famous Theaterarchitektenduo (duo of theater architects) Ferdinand Fellner and Hermann Helmer the neo-Renaissance building with the representative column loggia have given a large auditorium with little boxes and many exits to the outside, by which this building in the style of historicism became a model for the entire monarchy. The auditorium with the ceiling painting by Eduard Veith, showing the coronation of the Austrian poets Ferdinand Raimund, Johann Nepomuk Nestroy and Ludwig Anzengruber, is one of the last in its original state preserved audiences in Vienna and was with 1900 seats formerly the largest in the entire German-speaking world. Today, the capacity of the theater is 970 places and it is the second largest theater stage in Vienna. According to safety regulations, which were adopted after the Ring Theatre fire in Vienna in 1881, the Volkstheater was the first exclusively electrically lit theater house.

History

On 14 September 1889 opened the theater its doors with Ludwig Anzengruber's drama "The stain on the honor". The bourgeoisie and the aristocracy of money (Geldadel) called the new theater "their house" and thus defied the exclusively reserved for the aristocracy Court Theatre, whose artistic director initially even harbored takeover plans. When the popular theater was run down and broke, he then wanted to buy it cheap. But the people theater celebrated one success after another. Just one year after the opening had to be enlarged the stage area. In 1907 were added a further extension with additional foyer and 1911 more stage side rooms.

In the 1920s, the Volkstheater experienced under the theater directors Alfred Bernau and Rudolf Beer artistic highlights. Spectacular repertoires, prominent actors, directors and stage designers of that time continued the success story of the theater. From 1938 to 1945, the theater became part of the Nazi leisure program "Strength through Joy" of the German Labor Front under Walter Bruno Iltz. In the years 1938/1939 was rebuilt the theater and removed the sculptural decoration on the facade. For a visit of Adolf Hitler even a reception and break room was extra set up, the so-called leaders room (Führerzimmer). In 1944 the dome and foyers were destroyed in an attack, a year later the building was restored but for the time being it was decided not to reconstruct the dome and the facade decoration. Only in the course of a general renovation in the early 1980s the dome was restored. On 10 May 1945, the theater was reopened. After the war, the director and actor Günther Haenel became director of the theater. His game plan focused mainly socio-critical issues.

In the following two decades (1950s and 1960s) dominated on the initiative Leon Epps' contemporary plays and bold interpretations of classics the theater program and the popular theater became famous with Raimund and Nestroy interpretations under the direction of Gustav Manker. Manker became at the beginnings of the 1970s director of the theater and celebrated breakthroughs with the discovery of modern Austrian dramatic literature.

In 1954, the play series "People's Theatre in the districts" was launched. Individual productions of popular theater are presented in external venues in the districts of Vienna. Among these secondary venues since 2005 the "Hundsturm (dogs tower)" as a smaller stage is included in which experimental theater works are staged. But also in the main building of the popular theater are additional venues located, like the "Red Bar" (in the buffet room on the first floor), the "Black Salon", the "White Salon" and the "Reception Room" (formerly "Führerzimmer"). Since 2009/10 in Bellaria Cinema at Museum Street behind the People's Theatre the production "Go West ? - Young authors write for the popular theater" has its home.

The auditorium (2009)

On both sides of the main house in the Neustiftgasse watch "the good spirits of the Viennese popular theater". In the nearby small Weghuberpark sits theater buffoonery poet Ferdinand Raimund suspended in reverie on a marble bench, surrounded by the feminine genius of fantasy. This sculpture was created by the Austrian sculptor Franz Vogl 1898. At the corner of Burggasse/Museum Street a bust of the famous Austrian actress Johanna "Hansi" Niese (by Josef Müllner, 1952) reminds of the triumph of comedic presentation at the beginning of the century.

wienwiki.wienerzeitung.at/WIENWIKI/Volkstheater
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Wien, 7. Bezirk (the art of historic places in the suburbs not far away from the core of downtown Vienna) - Museumstraße (in memoriam Ferdinand Raimund) by Alfred Lex

(further information and pictures you can see by clicking on the link at the end of page!)

Volkstheater - People's Theatre

The Volkstheater (2008)

The Volkstheater is one of the most important Schauspielbühnen (drama stages) of Vienna. It was founded in 1889 by the poet Ludwig Anzengruber and the industrialist Felix Fischer by the Association of the German folk theater (Volkstheater), to create an alternative to the Imperial Hofburg Theatre, the latter one the representation of everyday life, the folksy and comedic elements keeping away from its stage boards. The first president of the club was the famous stool manufacturer Franz Thonet. The founders intended in addition to folk plays mainly classical and modern dramas being performed and to provide a broad class of population access to the theater. Therefore the famous Theaterarchitektenduo (duo of theater architects) Ferdinand Fellner and Hermann Helmer the neo-Renaissance building with the representative column loggia have given a large auditorium with little boxes and many exits to the outside, by which this building in the style of historicism became a model for the entire monarchy. The auditorium with the ceiling painting by Eduard Veith, showing the coronation of the Austrian poets Ferdinand Raimund, Johann Nepomuk Nestroy and Ludwig Anzengruber, is one of the last in its original state preserved audiences in Vienna and was with 1900 seats formerly the largest in the entire German-speaking world. Today, the capacity of the theater is 970 places and it is the second largest theater stage in Vienna. According to safety regulations, which were adopted after the Ring Theatre fire in Vienna in 1881, the Volkstheater was the first exclusively electrically lit theater house.

History

On 14 September 1889 opened the theater its doors with Ludwig Anzengruber's drama "The stain on the honor". The bourgeoisie and the aristocracy of money (Geldadel) called the new theater "their house" and thus defied the exclusively reserved for the aristocracy Court Theatre, whose artistic director initially even harbored takeover plans. When the popular theater was run down and broke, he then wanted to buy it cheap. But the people theater celebrated one success after another. Just one year after the opening had to be enlarged the stage area. In 1907 were added a further extension with additional foyer and 1911 more stage side rooms.

In the 1920s, the Volkstheater experienced under the theater directors Alfred Bernau and Rudolf Beer artistic highlights. Spectacular repertoires, prominent actors, directors and stage designers of that time continued the success story of the theater. From 1938 to 1945, the theater became part of the Nazi leisure program "Strength through Joy" of the German Labor Front under Walter Bruno Iltz. In the years 1938/1939 was rebuilt the theater and removed the sculptural decoration on the facade. For a visit of Adolf Hitler even a reception and break room was extra set up, the so-called leaders room (Führerzimmer). In 1944 the dome and foyers were destroyed in an attack, a year later the building was restored but for the time being it was decided not to reconstruct the dome and the facade decoration. Only in the course of a general renovation in the early 1980s the dome was restored. On 10 May 1945, the theater was reopened. After the war, the director and actor Günther Haenel became director of the theater. His game plan focused mainly socio-critical issues.

In the following two decades (1950s and 1960s) dominated on the initiative Leon Epps' contemporary plays and bold interpretations of classics the theater program and the popular theater became famous with Raimund and Nestroy interpretations under the direction of Gustav Manker. Manker became at the beginnings of the 1970s director of the theater and celebrated breakthroughs with the discovery of modern Austrian dramatic literature.

In 1954, the play series "People's Theatre in the districts" was launched. Individual productions of popular theater are presented in external venues in the districts of Vienna. Among these secondary venues since 2005 the "Hundsturm (dogs tower)" as a smaller stage is included in which experimental theater works are staged. But also in the main building of the popular theater are additional venues located, like the "Red Bar" (in the buffet room on the first floor), the "Black Salon", the "White Salon" and the "Reception Room" (formerly "Führerzimmer"). Since 2009/10 in Bellaria Cinema at Museum Street behind the People's Theatre the production "Go West ? - Young authors write for the popular theater" has its home.

The auditorium (2009)

On both sides of the main house in the Neustiftgasse watch "the good spirits of the Viennese popular theater". In the nearby small Weghuberpark sits theater buffoonery poet Ferdinand Raimund suspended in reverie on a marble bench, surrounded by the feminine genius of fantasy. This sculpture was created by the Austrian sculptor Franz Vogl 1898. At the corner of Burggasse/Museum Street a bust of the famous Austrian actress Johanna "Hansi" Niese (by Josef Müllner, 1952) reminds of the triumph of comedic presentation at the beginning of the century.

Source: Wiener Zeitung
Wien, 13. Bezirk (Schloss Schönbrunn), Palacio de Schönbrunn, Schönbrunn Palace, Palazzo di Schönbrunn, le Palais de Schönbrunn (Marionette Theater), Schönbrunner Schlossstraße by alfred lex

Biografía

En julio de 1777, Clemens Wenzel de Sajonia, príncipe elector y arzobispo de Tréveris, visitó Viena. Era un pariente del duque Alberto de Sajonia-Teschen, yerno de María Teresa y marido de su hija favorita, Marie Christine. En honor de la visita de Tréveris Sajonia, el teatro de Marionetas del príncipe Esterházy dío un espectáculo que fue premiado de muchísimo aplauso. "Por está razón, en Schönbrunn fue construido un teatro y las marionetas y decoraciones llevados a Viena". Fue interpretado "Alceste", una parodia respecto de la ópera del mismo nombre de Christoph Willibald Gluck.

Basandose en está tradición, Christine Hierzer-Riedler y Werner Hierzer fundaron

EL TEATRO DE TÍTERES PALACIO DE SCHÖNBRUNN

Después de una generosa renovación del "tracto del consejo de la Corte" por el Palacio de Schönbrunn Empresa de cultura y de explotación, el teatro en 1994 pudo ser abierto. De está manera, en el tracto del consejo de la Corte por las reprecentaciones mágicas fue creado un ambiente perfecto.

El teatro de marionetas en Schönbrunn se administro como un teatro privado. Los dos fundadores y directores artísticos

Christine Hierzer-Riedler & Werner Hierzer

cuentan con más de 40 años de experiencia internacional en el arte del espectáculo de las marionetas. Entre los lugares destacados se incluyen ciudades como Atenas, Berlín, Boston, Bruselas, Florencia, Hong Kong, Londres, Los Ángeles, Madrid, Ciudad de México, Miami, Montreal, Nueva York, París, Pekín, Roma, Seúl, Teherán y muchos más.

Dos equipos bien entrenados permiten actuaciones de la más alta calidad, tanto en el teatro en Schönbrunn, así como en cualquier momento en sus giras internacionales.

Los títeres, los trajes, el decorado y la maquinaria escénica se producen en colaboración con destacados directores, escenógrafos y diseñadores de vestuario de teatro en los talleres internos.

Premios internacionales recompensan los esfuerzos para satisfacer los estándares más altos:

1er Premio, Festival Internacional de Teatro de Títeres, Teherán

1er Premio, Festival Mundial de la Marioneta Arte, Praga

1er Premio, Festival Internacional de Teatro PIF, Zagreb

 

Biography

It was July 1777 when Clemens Wenzel of Sachsen, Elector and Archbishop of Trier visited Vienna. He was a relative of Duke Albert of Sachsen-Teschen, Empress Maria Theresia’s son in law and husband of her favourite daughter Maria Christine. To honour this visit from Trier, the Marionette-Theatre of Prince Esterházy offered a spectacle which was much acclaimed by the visitors.

For this reason a theatre was built and the puppets and decoration were brought to Vienna. "Alceste" a parody of the original opera, written and composed by Christoph Willibald Gluck, was performed.

Following this tradition the

MARIONETTENTHEATER SCHLOSS SCHÖNBRUNN

was founded by Christine Hierzer-Riedler and Werner Hierzer.

After a generous renovation of the "Hofratstrakt" (court wing) by the Schönbrunner Kultur- und Betriebsges.m.b.H. the theatre was reopened in 1994 and forms now the perfect ambience of these enchanting shows.

The MARIONETTENTHEATER SCHLOSS SCHÖNBRUNN is a private theatre, the two founders and art directors Christine Hierzer-Riedler and Werner Hierzer are looking back on more than 40 years of international experience in performing with marionettes. They acted as puppeteers in New York, Hong Kong, Mexico City, Paris, London, Madrid, Rome, Berlin, Los Angeles, Miami, Brussels, Montreal, Boston, Peking and Seoul. In 1995 they set up a training centre for talented marionette-players in Schönbrunn to continue this tradition. There are shows of high quality throughout the year performed by two artistically skilled companies on stage at home in Schönbrunn and on tour in several countries.

With the support of famous directors and costume and stage designers the puppets, costumes, stage setting and stage techniques are all created at the theatre’s own workshops.

International awards honour the efforts to live up to the highest expectations:

1st prize, International Puppet Theatre Festival , Tehran,

1st prize, World Festival of Puppet Art, Prague,

1st prize, International Theatre Festival PIF, Zagreb

www.marionettentheater.at/theaterbiografie.html
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Küçüksu Kasrı 17. yüzyıldan başlayarak çeşitli kaynaklarda Bağçe-i Göksu adıyla anılan hasbahçenin (bugün Küçüksu Çayırı'nın bulunduğu alan) eşsiz doğal güzellikleriyle ilk olarak Sultan IV. Murat'ın (1623-1640) ilgisini çektiği ve 18. yüzyıl başlarında bu çevrede ilk yapılaşmaların görüldüğü bilinmektedir. Sultan I. Mahmut (1730-1754) bu hasbahçenin deniz kıyısına iki katlı ve ahşap bir saray yaptırmış, bu yapı III. Selim (1789-1807) dönemlerinde onarılarak kullanılmış, Sultan Abdülmecit dönemindeyse (1839-1861) padişahın emriyle yıktırılmış ve yerine bugünkü kargir yapı inşa edilmiştir.

 

1857 yılında hizmete giren yeni Küçüksu Kasrı'nın mimarı Nikoğos Balyan Kalfa'dır. Bodrumu ile birlikte üç katlı olan yapının bodrum katı mutfak, kiler ve hizmetçi odalarına ayrılmış, öbür katlarsa bir orta mekâna açılan dört oda biçiminde düzenlenmiştir. Dinlenme ve av için kullanılan, bir "biniş kasrı" niteliğindeki bu yapı Sultan Abdülaziz döneminde (1861-1876) elden geçirilmiş, zaman zaman çeşitli onarımlar görerek günümüze kadar ulaşmış, ancak bu arada eski saraylardan kalan ve çeşitli işlevlerdeki eklentilerini kaybetmiştir.

  

*** ***

 

Küçüksu Palace or Küçüksu Pavilion, aka Göksu Pavilion, (Turkish: Küçüksu Kasrı) is a palace in Istanbul, Turkey, situated in Küçüksu neighborhood of Beykoz district, at the Asian shore of Bosphorus between Anadoluhisarı and Fatih Sultan Mehmet Bridge today. The tiny palace was used by Ottoman sultans for short stays during country excursions and hunting.

 

The palace was commissioned by Sultan Abd-ul-Mejid (1823-1861), and designed and constructed by the Armenian-Turkish architects Garabet Amira Balyan and his son Nigoğayos Balyan in baroque style. A two storey timber palace on the waterfront here, built during the reign of Mahmud I (1696- 1754), by his Grand Vizier Divittar Mehmed Pasha and continued to be used by Selim III (1761-1808) and Mahmud II (1785-1839), gave place to the new palace, which was completed in 1857.

 

The building consists of two main stories and a basement on a ground area of 15 x 27 m. Unlike other palace gardens with high walls; its garden is surrounded by cast iron railings with one gate at each of the four side. The basement was provided for kitchen, larder and quarters for servants. The above floors reflect the design of a traditional Turkish house so that four rooms in the corners surround a hall in the middle. The rooms at the waterfront have two fireplaces while other rooms having only one. The fireplaces were made out of colorful marble brought from Italy. The rooms have crystal chandeliers from Bohemia. The curtains, the coatings of the furniture and the fine carpets were woven in Hereke. The halls and the rooms exhibit valuable paintings and arts objects. Sechan, stage designer at Vienna State Opera, was charged for the decoration of the interior.

 

During the reign of Sultan Abd-ul-Aziz (1830-1876), more elaborate decoration was added to the façade. Some of the original additional buildings in the garden of the palace were demolished since then. In the beginning of the Republican era, the site was used as a state guesthouse for some years. After a thoroughly restoration in 1944, Küçüksu Palace is open to the public as a museum today.

  
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Volunteers by Amanda Slater

Tower of London Remembers.

To mark the centenary anniversary of the First World War the Tower of London is creating an evolving art installation "Blood Swept Lands and Seas of Red". Formed of 888,246 ceramic poppies by artist Paul Cummins, with setting by stage designer Tom Piper, each poppy represents a British military fatality during the war. The installation was officially unveiled on 5 August 2014, one hundred years since the first full day of Britain's involvement in the First World War and will be in place until 11 November 2014.

On 24 August I helped to build a just a little more of the installation by constructing and planting a batch of poppies. I believe it is now (as in these photos) about a quarter completed. Each poppy is a life lost - when it is completed maybe it will help to demonstrate the scale of those numbers which we really cannot imagine.
Wien, 13. Bezirk (the art of very historic places in the suburbs of Vienna) - Schloss Schönbrunn (Palacio de Schönbrunn, Schönbrunn Palace, Palazzo di Schönbrunn, le Palais de Schönbrunn), Marionette Theater (Schönbrunner Schlossstraße) by Alfred Lex

Biografía

En julio de 1777, Clemens Wenzel de Sajonia, príncipe elector y arzobispo de Tréveris, visitó Viena. Era un pariente del duque Alberto de Sajonia-Teschen, yerno de María Teresa y marido de su hija favorita, Marie Christine. En honor de la visita de Tréveris Sajonia, el teatro de Marionetas del príncipe Esterházy dío un espectáculo que fue premiado de muchísimo aplauso. "Por está razón, en Schönbrunn fue construido un teatro y las marionetas y decoraciones llevados a Viena". Fue interpretado "Alceste", una parodia respecto de la ópera del mismo nombre de Christoph Willibald Gluck.

Basandose en está tradición, Christine Hierzer-Riedler y Werner Hierzer fundaron

EL TEATRO DE TÍTERES PALACIO DE SCHÖNBRUNN

Después de una generosa renovación del "tracto del consejo de la Corte" por el Palacio de Schönbrunn Empresa de cultura y de explotación, el teatro en 1994 pudo ser abierto. De está manera, en el tracto del consejo de la Corte por las reprecentaciones mágicas fue creado un ambiente perfecto.

El teatro de marionetas en Schönbrunn se administro como un teatro privado. Los dos fundadores y directores artísticos

Christine Hierzer-Riedler & Werner Hierzer

cuentan con más de 40 años de experiencia internacional en el arte del espectáculo de las marionetas. Entre los lugares destacados se incluyen ciudades como Atenas, Berlín, Boston, Bruselas, Florencia, Hong Kong, Londres, Los Ángeles, Madrid, Ciudad de México, Miami, Montreal, Nueva York, París, Pekín, Roma, Seúl, Teherán y muchos más.

Dos equipos bien entrenados permiten actuaciones de la más alta calidad, tanto en el teatro en Schönbrunn, así como en cualquier momento en sus giras internacionales.

Los títeres, los trajes, el decorado y la maquinaria escénica se producen en colaboración con destacados directores, escenógrafos y diseñadores de vestuario de teatro en los talleres internos.

Premios internacionales recompensan los esfuerzos para satisfacer los estándares más altos:

1er Premio, Festival Internacional de Teatro de Títeres, Teherán

1er Premio, Festival Mundial de la Marioneta Arte, Praga

1er Premio, Festival Internacional de Teatro PIF, Zagreb

 

Biography

It was July 1777 when Clemens Wenzel of Sachsen, Elector and Archbishop of Trier visited Vienna. He was a relative of Duke Albert of Sachsen-Teschen, Empress Maria Theresia’s son in law and husband of her favourite daughter Maria Christine. To honour this visit from Trier, the Marionette-Theatre of Prince Esterházy offered a spectacle which was much acclaimed by the visitors.

For this reason a theatre was built and the puppets and decoration were brought to Vienna. "Alceste" a parody of the original opera, written and composed by Christoph Willibald Gluck, was performed.

Following this tradition the

MARIONETTENTHEATER SCHLOSS SCHÖNBRUNN

was founded by Christine Hierzer-Riedler and Werner Hierzer.

After a generous renovation of the "Hofratstrakt" (court wing) by the Schönbrunner Kultur- und Betriebsges.m.b.H. the theatre was reopened in 1994 and forms now the perfect ambience of these enchanting shows.

The MARIONETTENTHEATER SCHLOSS SCHÖNBRUNN is a private theatre, the two founders and art directors Christine Hierzer-Riedler and Werner Hierzer are looking back on more than 40 years of international experience in performing with marionettes. They acted as puppeteers in New York, Hong Kong, Mexico City, Paris, London, Madrid, Rome, Berlin, Los Angeles, Miami, Brussels, Montreal, Boston, Peking and Seoul. In 1995 they set up a training centre for talented marionette-players in Schönbrunn to continue this tradition. There are shows of high quality throughout the year performed by two artistically skilled companies on stage at home in Schönbrunn and on tour in several countries.

With the support of famous directors and costume and stage designers the puppets, costumes, stage setting and stage techniques are all created at the theatre’s own workshops.

International awards honour the efforts to live up to the highest expectations:

1st prize, International Puppet Theatre Festival , Tehran,

1st prize, World Festival of Puppet Art, Prague,

1st prize, International Theatre Festival PIF, Zagreb

www.marionettentheater.at/theaterbiografie.html

Schloss Schönbrunn, erbaut 1695 - 1700 nach Plänen von Johann Bernhard Fischer von Erlach. Umgestaltet 1743 - 1749 unter Maria Theresia nach Plänen von Nikolaus von Pacassi.

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