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#Wedding #Anniversary & #Aqiqa #Event #Khushab
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New #Barat #Stage with #backside #Entry for #BRIDE
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#Mehndi #Event #Gulbahar #Society #Behria #Farm #House
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#Grand #Walima #Event #Sialkot
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PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com, www.DClassyclicks.com , Facebook:- www.facebook.com/a2zevents #Barat #MehndiDecor #Barat_decoration #Flower_decoration #DClassyClicks #DClassyClicksbya2zevents #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #hoteldecor #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #marriage #hotel #decor
70 cm x 50 cm
Hungarian painter, printmaker, graphic designer and animated film director, is known for his mathematically inspired works, impossible objects, optical illusions, double-meaning images and anamorphoses. The geometric art of István Orosz, with forced perspectives and optical illusions, has been compared to works by M. C. Escher.
Studied at the Hungarian University of Arts and Design (now Moholy-Nagy University of Art and Design) in Budapest as pupil of István Balogh and Ernő Rubik. After graduating in 1975 he began to deal with theatre as stage designer and animated film as animator and film director. He is known as painter, printmaker, poster designer, and illustrator as well. He likes to use visual paradox, double meaning images and illusionistic approaches while following traditional printing techniques such as woodcutting and etching. He also tries to renew the technique of anamorphosis. He is a regular participant in the major international biennials of posters and graphic art and his works has been shown in individual and group exhibitions in Hungary and abroad. Film director at the PannóniaFilm Studio in Budapest, Habil. professor at University of West Hungary in Sopron, co-founder of Hungarian Poster Association, member of Alliance Graphique International (AGI) and Hungarian Art Academie. He often uses OYTIΣ, or Utisz, (pronounced: outis) (No one) as artist's pseudonym.
During the last two decades - when most of the works shown here were made – the activities of the poster designer, the printmaker, the illustrator, and the film director have completed each other. Many motive, stylistic features, technical solutions appeared in all of the media and for Orosz it seemingly did not cause any problem to cross the borders of the different genres. When he was drawing a poster usually he did it with the preciseness of illustrators, when he was illustrating a book, he did it with the narrative mood of filmmakers, if he was animating films, sometimes he used the several layers approach of etchers and engravers and for prints he often chose the emblematic simplifying way of depiction of posters. If we call him only a poster designer based on his functional prints, we narrow down his field of activity, we go closer to the truth if we associate him with „postering" as a way of thinking, or if we call his many sided image depicting ourselves and our age as the poster-mirror of István Orosz. (Guy d'Obonner: Transfiguration of Poster - detail)
István Orosz was known as poster designer in the first part of his career. He made mainly cultural posters for theatres, movies, galleries, museums and publishing houses. At the time of the revolutions of 1989 in Eastern Europe he drew some political posters too. His "Tovarishi Adieu" (also used with text "Tovarishi Koniec" – that means Comrades it is over) appeared in many countries and it was known as symbolic image of changes in the area.
Artists who design anamorphosis (anamorphosis is Greek for "re-transformation") play with perspective to create a distorted image that appears normal only when viewed from the correct angle or with the aid of curved mirrors. The technique was often used by Renaissance-era artists. Orosz tries to renew the technique of anamorphosis and his aim is to develop it as well when he gives a meaning to the distorted image, too. It is not an amorph picture any more, but a meaningful depiction that is independent from the result that appears in the mirror or viewed from a special point of view. This approach of anamorphoses is suitable for expressing more sophisticated messages.
#Barat #Event #Jati #Umra #Farm #house #Beautiful #Couple #Selfie #Props
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PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800 PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com, www.DClassyclicks.com , Facebook:- www.facebook.com/a2zevents #Bridal_Shower #Bride_To_be #Brides_maid #Bride #Bride_sash #Mother_of_Bride #mehndi #mehndi_event, #C_stage #flower_decor #mehndi_stage #mehndi_decoration #decorators #stage_decoration #enterance_decoration #stage_design #vipstage #wedding_planner_in_lahore #wedding #wedding_planning #events_planner #events_organizer #events_designer #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #events_planner_in_pakistan #events_designer_in_pakistan #birthday_parties #corporate_events_stages_setup #mehndi_setup #barat_setup #barat_event_setup #mehndi_stage_decoration #barat_stage_decoration #best_event_planners_in_lahore #event_organizer_in_lahore #event_planners_in_pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway
#Grand #Mehndi #Event with #Live #Malko #Singing #Awan #Farmhouse Groom's Unique Entry on JEEP with his GANG 😎 #DesiSwag 😎 #Groom_Entry #Groom #Jeep_Entry #Groom_men #DesiSwag #Desi_Swag #Mehndi_Entry #Unique_Wedding_Entry #best_wedding_photographers , #best_wedding_photographers_in_Lahore, #best_wedding_photographers_in_Pakistan, #Top_photography_services_provider_in_Pakistan, #top_photography_services_provider_in_Lahore, #top_photography_and_videography_services_in_Lahore, #top_photography_services_in_Lahore, #top_photography_services_in_Pakistan, Follow us on Instagram @DclassyClicks and @a2zevents We are now taking bookings for Oct-17 to Apr-18 Please Call us for details and bookings Direct Cell # +92-321-4268177 / 0331-4730273 PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800 PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com, www.DClassyclicks.com , Facebook:- www.facebook.com/a2zevents #DClassyClicks #DClassyClicksbya2zevents #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #hoteldecor #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #marriage #hotel #decor
The art installation "Blood Swept Lands and Seas of Red" at the Tower of London, marks one hundred years since the first full day of Britain's involvement in the First World War. Created by ceramic artist Paul Cummins, with setting by stage designer Tom Piper, 888,246 ceramic poppies will progressively fill the Tower's famous moat over the summer. Each poppy represents a British military fatality during the war.
The poppies will encircle the iconic landmark, creating not only a spectacular display visible from all around the Tower but also a location for personal reflection. The scale of the installation intends to reflect the magnitude of such an important centenary creating a powerful visual commemoration.
#Walima #Defence #Marquee
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Biografía
En julio de 1777, Clemens Wenzel de Sajonia, príncipe elector y arzobispo de Tréveris, visitó Viena. Era un pariente del duque Alberto de Sajonia-Teschen, yerno de María Teresa y marido de su hija favorita, Marie Christine. En honor de la visita de Tréveris Sajonia, el teatro de Marionetas del príncipe Esterházy dío un espectáculo que fue premiado de muchísimo aplauso. "Por está razón, en Schönbrunn fue construido un teatro y las marionetas y decoraciones llevados a Viena". Fue interpretado "Alceste", una parodia respecto de la ópera del mismo nombre de Christoph Willibald Gluck.
Basandose en está tradición, Christine Hierzer-Riedler y Werner Hierzer fundaron
EL TEATRO DE TÍTERES PALACIO DE SCHÖNBRUNN
Después de una generosa renovación del "tracto del consejo de la Corte" por el Palacio de Schönbrunn Empresa de cultura y de explotación, el teatro en 1994 pudo ser abierto. De está manera, en el tracto del consejo de la Corte por las reprecentaciones mágicas fue creado un ambiente perfecto.
El teatro de marionetas en Schönbrunn se administro como un teatro privado. Los dos fundadores y directores artísticos
Christine Hierzer-Riedler & Werner Hierzer
cuentan con más de 40 años de experiencia internacional en el arte del espectáculo de las marionetas. Entre los lugares destacados se incluyen ciudades como Atenas, Berlín, Boston, Bruselas, Florencia, Hong Kong, Londres, Los Ángeles, Madrid, Ciudad de México, Miami, Montreal, Nueva York, París, Pekín, Roma, Seúl, Teherán y muchos más.
Dos equipos bien entrenados permiten actuaciones de la más alta calidad, tanto en el teatro en Schönbrunn, así como en cualquier momento en sus giras internacionales.
Los títeres, los trajes, el decorado y la maquinaria escénica se producen en colaboración con destacados directores, escenógrafos y diseñadores de vestuario de teatro en los talleres internos.
Premios internacionales recompensan los esfuerzos para satisfacer los estándares más altos:
1er Premio, Festival Internacional de Teatro de Títeres, Teherán
1er Premio, Festival Mundial de la Marioneta Arte, Praga
1er Premio, Festival Internacional de Teatro PIF, Zagreb
Biography
It was July 1777 when Clemens Wenzel of Sachsen, Elector and Archbishop of Trier visited Vienna. He was a relative of Duke Albert of Sachsen-Teschen, Empress Maria Theresia’s son in law and husband of her favourite daughter Maria Christine. To honour this visit from Trier, the Marionette-Theatre of Prince Esterházy offered a spectacle which was much acclaimed by the visitors.
For this reason a theatre was built and the puppets and decoration were brought to Vienna. "Alceste" a parody of the original opera, written and composed by Christoph Willibald Gluck, was performed.
Following this tradition the
MARIONETTENTHEATER SCHLOSS SCHÖNBRUNN
was founded by Christine Hierzer-Riedler and Werner Hierzer.
After a generous renovation of the "Hofratstrakt" (court wing) by the Schönbrunner Kultur- und Betriebsges.m.b.H. the theatre was reopened in 1994 and forms now the perfect ambience of these enchanting shows.
The MARIONETTENTHEATER SCHLOSS SCHÖNBRUNN is a private theatre, the two founders and art directors Christine Hierzer-Riedler and Werner Hierzer are looking back on more than 40 years of international experience in performing with marionettes. They acted as puppeteers in New York, Hong Kong, Mexico City, Paris, London, Madrid, Rome, Berlin, Los Angeles, Miami, Brussels, Montreal, Boston, Peking and Seoul. In 1995 they set up a training centre for talented marionette-players in Schönbrunn to continue this tradition. There are shows of high quality throughout the year performed by two artistically skilled companies on stage at home in Schönbrunn and on tour in several countries.
With the support of famous directors and costume and stage designers the puppets, costumes, stage setting and stage techniques are all created at the theatre’s own workshops.
International awards honour the efforts to live up to the highest expectations:
1st prize, International Puppet Theatre Festival , Tehran,
1st prize, World Festival of Puppet Art, Prague,
1st prize, International Theatre Festival PIF, Zagreb
www.marionettentheater.at/theaterbiografie.html
Schloss Schönbrunn, erbaut 1695 - 1700 nach Plänen von Johann Bernhard Fischer von Erlach. Umgestaltet 1743 - 1749 unter Maria Theresia nach Plänen von Nikolaus von Pacassi.
(further information and pictures you can see by clicking on the link at the end of page!)
Volkstheater - People's Theatre
The Volkstheater (2008)
The Volkstheater is one of the most important Schauspielbühnen (drama stages) of Vienna. It was founded in 1889 by the poet Ludwig Anzengruber and the industrialist Felix Fischer by the Association of the German folk theater (Volkstheater), to create an alternative to the Imperial Hofburg Theatre, the latter one the representation of everyday life, the folksy and comedic elements keeping away from its stage boards. The first president of the club was the famous stool manufacturer Franz Thonet. The founders intended in addition to folk plays mainly classical and modern dramas being performed and to provide a broad class of population access to the theater. Therefore the famous Theaterarchitektenduo (duo of theater architects) Ferdinand Fellner and Hermann Helmer the neo-Renaissance building with the representative column loggia have given a large auditorium with little boxes and many exits to the outside, by which this building in the style of historicism became a model for the entire monarchy. The auditorium with the ceiling painting by Eduard Veith, showing the coronation of the Austrian poets Ferdinand Raimund, Johann Nepomuk Nestroy and Ludwig Anzengruber, is one of the last in its original state preserved audiences in Vienna and was with 1900 seats formerly the largest in the entire German-speaking world. Today, the capacity of the theater is 970 places and it is the second largest theater stage in Vienna. According to safety regulations, which were adopted after the Ring Theatre fire in Vienna in 1881, the Volkstheater was the first exclusively electrically lit theater house.
History
On 14 September 1889 opened the theater its doors with Ludwig Anzengruber's drama "The stain on the honor". The bourgeoisie and the aristocracy of money (Geldadel) called the new theater "their house" and thus defied the exclusively reserved for the aristocracy Court Theatre, whose artistic director initially even harbored takeover plans. When the popular theater was run down and broke, he then wanted to buy it cheap. But the people theater celebrated one success after another. Just one year after the opening had to be enlarged the stage area. In 1907 were added a further extension with additional foyer and 1911 more stage side rooms.
In the 1920s, the Volkstheater experienced under the theater directors Alfred Bernau and Rudolf Beer artistic highlights. Spectacular repertoires, prominent actors, directors and stage designers of that time continued the success story of the theater. From 1938 to 1945, the theater became part of the Nazi leisure program "Strength through Joy" of the German Labor Front under Walter Bruno Iltz. In the years 1938/1939 was rebuilt the theater and removed the sculptural decoration on the facade. For a visit of Adolf Hitler even a reception and break room was extra set up, the so-called leaders room (Führerzimmer). In 1944 the dome and foyers were destroyed in an attack, a year later the building was restored but for the time being it was decided not to reconstruct the dome and the facade decoration. Only in the course of a general renovation in the early 1980s the dome was restored. On 10 May 1945, the theater was reopened. After the war, the director and actor Günther Haenel became director of the theater. His game plan focused mainly socio-critical issues.
In the following two decades (1950s and 1960s) dominated on the initiative Leon Epps' contemporary plays and bold interpretations of classics the theater program and the popular theater became famous with Raimund and Nestroy interpretations under the direction of Gustav Manker. Manker became at the beginnings of the 1970s director of the theater and celebrated breakthroughs with the discovery of modern Austrian dramatic literature.
In 1954, the play series "People's Theatre in the districts" was launched. Individual productions of popular theater are presented in external venues in the districts of Vienna. Among these secondary venues since 2005 the "Hundsturm (dogs tower)" as a smaller stage is included in which experimental theater works are staged. But also in the main building of the popular theater are additional venues located, like the "Red Bar" (in the buffet room on the first floor), the "Black Salon", the "White Salon" and the "Reception Room" (formerly "Führerzimmer"). Since 2009/10 in Bellaria Cinema at Museum Street behind the People's Theatre the production "Go West ? - Young authors write for the popular theater" has its home.
The auditorium (2009)
On both sides of the main house in the Neustiftgasse watch "the good spirits of the Viennese popular theater". In the nearby small Weghuberpark sits theater buffoonery poet Ferdinand Raimund suspended in reverie on a marble bench, surrounded by the feminine genius of fantasy. This sculpture was created by the Austrian sculptor Franz Vogl 1898. At the corner of Burggasse/Museum Street a bust of the famous Austrian actress Johanna "Hansi" Niese (by Josef Müllner, 1952) reminds of the triumph of comedic presentation at the beginning of the century.
Source: Wiener Zeitung
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'Blood Swept Lands and Seas of Red' is an installation by ceramic artist Paul Cummins, with setting by stage designer Tom Piper.
Fully unveiled on 5 August 2014, 100 years since the first full day of Britain's involvement in the war, the last poppy will be installed on 11 November.
By then there will be 888,246 poppies, each representing a British or Colonial military fatality during the war.
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'Blood Swept Lands and Seas of Red' is an installation by ceramic artist Paul Cummins, with setting by stage designer Tom Piper.
Fully unveiled on 5 August 2014, 100 years since the first full day of Britain's involvement in the war, the last poppy will be installed on 11 November.
By then there will be 888,246 poppies, each representing a British or Colonial military fatality during the war.
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Biografía
En julio de 1777, Clemens Wenzel de Sajonia, príncipe elector y arzobispo de Tréveris, visitó Viena. Era un pariente del duque Alberto de Sajonia-Teschen, yerno de María Teresa y marido de su hija favorita, Marie Christine. En honor de la visita de Tréveris Sajonia, el teatro de Marionetas del príncipe Esterházy dío un espectáculo que fue premiado de muchísimo aplauso. "Por está razón, en Schönbrunn fue construido un teatro y las marionetas y decoraciones llevados a Viena". Fue interpretado "Alceste", una parodia respecto de la ópera del mismo nombre de Christoph Willibald Gluck.
Basandose en está tradición, Christine Hierzer-Riedler y Werner Hierzer fundaron
EL TEATRO DE TÍTERES PALACIO DE SCHÖNBRUNN
Después de una generosa renovación del "tracto del consejo de la Corte" por el Palacio de Schönbrunn Empresa de cultura y de explotación, el teatro en 1994 pudo ser abierto. De está manera, en el tracto del consejo de la Corte por las reprecentaciones mágicas fue creado un ambiente perfecto.
El teatro de marionetas en Schönbrunn se administro como un teatro privado. Los dos fundadores y directores artísticos
Christine Hierzer-Riedler & Werner Hierzer
cuentan con más de 40 años de experiencia internacional en el arte del espectáculo de las marionetas. Entre los lugares destacados se incluyen ciudades como Atenas, Berlín, Boston, Bruselas, Florencia, Hong Kong, Londres, Los Ángeles, Madrid, Ciudad de México, Miami, Montreal, Nueva York, París, Pekín, Roma, Seúl, Teherán y muchos más.
Dos equipos bien entrenados permiten actuaciones de la más alta calidad, tanto en el teatro en Schönbrunn, así como en cualquier momento en sus giras internacionales.
Los títeres, los trajes, el decorado y la maquinaria escénica se producen en colaboración con destacados directores, escenógrafos y diseñadores de vestuario de teatro en los talleres internos.
Premios internacionales recompensan los esfuerzos para satisfacer los estándares más altos:
1er Premio, Festival Internacional de Teatro de Títeres, Teherán
1er Premio, Festival Mundial de la Marioneta Arte, Praga
1er Premio, Festival Internacional de Teatro PIF, Zagreb
Biography
It was July 1777 when Clemens Wenzel of Sachsen, Elector and Archbishop of Trier visited Vienna. He was a relative of Duke Albert of Sachsen-Teschen, Empress Maria Theresia’s son in law and husband of her favourite daughter Maria Christine. To honour this visit from Trier, the Marionette-Theatre of Prince Esterházy offered a spectacle which was much acclaimed by the visitors.
For this reason a theatre was built and the puppets and decoration were brought to Vienna. "Alceste" a parody of the original opera, written and composed by Christoph Willibald Gluck, was performed.
Following this tradition the
MARIONETTENTHEATER SCHLOSS SCHÖNBRUNN
was founded by Christine Hierzer-Riedler and Werner Hierzer.
After a generous renovation of the "Hofratstrakt" (court wing) by the Schönbrunner Kultur- und Betriebsges.m.b.H. the theatre was reopened in 1994 and forms now the perfect ambience of these enchanting shows.
The MARIONETTENTHEATER SCHLOSS SCHÖNBRUNN is a private theatre, the two founders and art directors Christine Hierzer-Riedler and Werner Hierzer are looking back on more than 40 years of international experience in performing with marionettes. They acted as puppeteers in New York, Hong Kong, Mexico City, Paris, London, Madrid, Rome, Berlin, Los Angeles, Miami, Brussels, Montreal, Boston, Peking and Seoul. In 1995 they set up a training centre for talented marionette-players in Schönbrunn to continue this tradition. There are shows of high quality throughout the year performed by two artistically skilled companies on stage at home in Schönbrunn and on tour in several countries.
With the support of famous directors and costume and stage designers the puppets, costumes, stage setting and stage techniques are all created at the theatre’s own workshops.
International awards honour the efforts to live up to the highest expectations:
1st prize, International Puppet Theatre Festival , Tehran,
1st prize, World Festival of Puppet Art, Prague,
1st prize, International Theatre Festival PIF, Zagreb
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#barat_stage_decoration #best_event_planners_in_lahore #lahore #event_organizer_in_lahore #event_planners_in_pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway #truss #disco_lights #dj #mehndi_dance #photographers #catering_services #food_services #wedding_food #wedding_jewelry #wedding_cake #wedding_designers #wedding_decoration #wedding_services #flowers_decor #masehri_decor #Caterers_in_Lahore #events_specialists #Quality_Food_Suppliers
#Grand #Mehndi #Event #Multan #a2z_Events_Solutions #Marquee #Fun_stuff #Selfie_props #Selfi_booth #Hanging_garden
Follow us on Instagram @a2zevents and @DclassyClicks
Call us for details and bookings +92-321-4268177 +92-324-4921459 +92-333-4645869
#barat_stage_decoration #best_event_planners_in_lahore #event_organizer_in_lahore #event_planners_in_pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway #truss #disco_lights #dj #mehndi_dance #photographers #catering_services #food_services #wedding_food #wedding_jewelry #wedding_cake #wedding_designers #wedding_decoration #wedding_services #flowers_decor #masehri_decor #Caterers_in_Lahore #events_specialists #Quality_Food_Suppliers
#Mehndi #Farm #House #Baidian Road Follow us on Instagram @DclassyClicks and @a2zevents Call us for details and bookings Direct Cell # +92-321-4268177 / 0331-4730273 PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800 PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com , Facebook:- www.facebook.com/a2zevents #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #marriage #hotel #decor
#Grand #Mehndi #Event with #Live #Malko #Singing #Awan #Farmhouse Groom's Unique Entry on JEEP with his GANG 😎 #DesiSwag 😎 #Groom_Entry #Groom #Jeep_Entry #Groom_men #DesiSwag #Desi_Swag #Mehndi_Entry #Unique_Wedding_Entry #best_wedding_photographers , #best_wedding_photographers_in_Lahore, #best_wedding_photographers_in_Pakistan, #Top_photography_services_provider_in_Pakistan, #top_photography_services_provider_in_Lahore, #top_photography_and_videography_services_in_Lahore, #top_photography_services_in_Lahore, #top_photography_services_in_Pakistan, Follow us on Instagram @DclassyClicks and @a2zevents We are now taking bookings for Oct-17 to Apr-18 Please Call us for details and bookings Direct Cell # +92-321-4268177 / 0331-4730273 PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800 PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com, www.DClassyclicks.com , Facebook:- www.facebook.com/a2zevents #DClassyClicks #DClassyClicksbya2zevents #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #hoteldecor #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #marriage #hotel #decor
#Grand_Stage #Mehndi #Event #Bedian_Farmhouse
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Follow us on Instagram @a2zevents and @DclassyClicks
Call us for details and bookings +92-321-4268177 +92-324-4921459 +92-333-4645869
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#Wedding #Anniversary & #Aqiqa #Event #Khushab
Follow us on Instagram @a2zevents and @DclassyClicks
Call us for details and bookings +92-321-4268177 +92-324-4921459 +92-333-4645869
PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com, www.DClassyclicks.com , Facebook:- www.facebook.com/a2zevents #decorators #stage_decoration #enterance_decoration #stage_design #vipstage #wedding_planner_in_lahore #wedding #wedding_planning #events_planner #events_organizer #events_designer #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #events_planner_in_pakistan #events_designer_in_pakistan #birthday_parties #corporate_events_stages_setup #mehndi_setup #barat_setup #barat_event_setup #mehndi_stage_decoration #barat_stage_decoration #best_event_planners_in_lahore lahore #event_organizer_in_lahore #event_planners_in_pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway #truss #disco_lights #dj #mehndi_dance #photographers #catering_services #food_services #wedding_food #wedding_jewelry #wedding_cake #wedding_designers #wedding_decoration #wedding_services #flowers_decor #masehri_decor #Caterers_in_Lahore #events_specialists #Quality_Food_Suppliers #best_weddings_planners_in_Lahore
Long-years old friends from Mali-Theatre in Novgorod have come to "Maggiolino" - Theatre Festival Lugano for presenting their new performance "Little Feelings". Very happy seeing them again, and showing them around for a day...
I nostri vecchi amici del Mali-Theater Novgorod con la loro nuova produzione "Little Feelings" sono stati ospiti del ""Maggiolino" - Theatre Festival Lugano. Grande gioia di rivederli, e meravigliosa gita a Gandria...
Unsere alten Freunde des Mali-Theater in Novgorod waren mit ihrer neuen Produktion "Little Feelings" zu Gast am "Maggiolino" - Theatre Festival Lugano. Grosse Wiedersehensfreude, und ein wunderbarer Ausflug nach Gandria...
zohner.ch/alter-baum-mit-jungen-zweigen-das-konig-festiva...
Novgorod theatre for children and youth ''Mali'' has been founded in 1990, and headed by artistic director Nadezhda Alexeeva. The theatre is a member of International Association of theatres for children and youth (ASSITEJ), IETM member and an active participant of projects of Theatre Union of Russia; it has visited the theatre festivals in Japan, South Korea, Baltic countries, Norway, Hungary and others, also at Russian festivals in Moscow, Saint-Petersburg, Samara, Magnitogorsk, etc. The theatre has cooperated with directors and stage designers from Switzerland and France. In 1992 theatre ''Mali'' has founded the International theatre Kingfestival, dedicated to the mythology in theatrical sphere. The theatre has got its own acting course based on Novgorod University, which first theatre master was the famous director and theatre professor Zinoviy Korogodsky. Nowadays theatre ''Mali'' is a dynamically developing theatre space; there is a place for experiment, transformation, and innovational forms. The theatre is not afraid to expand the genre borders and creates both drama performances and performances in field of object theatre and movement theatre.
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Novgorod Mali theatre for children and youth "Mali" è stato fondato nel 1990 ed è guidato dal direttore artistico Nadezhda Alexeeva. Il teatro è membro dell'Associazione Internazionale dei Teatri per bambini e giovani (ASSITEJ), membro dell'IETM e partecipante attivo di progetti della Theatre Union of Russia; è stato invitato a festival teatrali in Giappone, Corea del Sud, Paesi Baltici, Norvegia, Svizzera , Francia, Spagna, Ungheria, Polonia e altri, come anche a festival russi a Mosca, San Pietroburgo, etc. Il teatro ha inoltre collaborato con registi e scenografi provenienti da Svizzera, Francia, Lettonia, Bulgaria. Nel 1992, il teatro "Mali" ha fondato il l’International Theatre Kingfestival, dedicato alla mitologia in ambito teatrale.
Oggi "Mali" è uno spazio teatrale in dinamico sviluppo, dove trovano posto la sperimentazione, la trasformazione e l’innovazione. Il teatro non ha paura di espandere i confini di genere e crea spettacoli teatrali e performance nel campo del teatro d’oggetti e del teatro di movimento. "Mali" ha ottenuto il Premio Speciale della Theatre Union of Russia "Per il contributo allo sviluppo del teatro russo per la gioventù" e il Golden Sign della Theatre Union of Russia.
zohner.ch/alter-baum-mit-jungen-zweigen-das-konig-festiva...
Mehndi Event Lahore Follow us on Instagram @DclassyClicks and @a2zevents We are now taking bookings for Oct-17 to Apr-18 Please Call us for details and bookings Direct Cell # +92-321-4268177 / 0324-4921459 / 0331-4730273 PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800 PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com, www.DClassyclicks.com , Facebook:- www.facebook.com/a2zevents #Barat #MehndiDecor #Barat_decoration #Flower_decoration #DClassyClicks #DClassyClicksbya2zevents #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #hoteldecor #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #marriage #hotel #decor
#Grand #Walima #Event #Sialkot
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We are now taking bookings for DEC-17 to Apr-18
Please Call us for details and bookings
Direct Cell # +92-321-4268177 / 0324-4921459 / 0331-4730273 PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800
PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com, www.DClassyclicks.com , Facebook:- www.facebook.com/a2zevents #Barat #MehndiDecor #Barat_decoration #Flower_decoration #DClassyClicks #DClassyClicksbya2zevents #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #hoteldecor #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #marriage #hotel #decor
#Barat #Event #WapdaTown #3D #Backwall #Stage Follow us on Instagram @DclassyClicks and @a2zevents We are now taking bookings for July-17 to Apr-18 Please Call us for details and bookings Direct Cell # +92-321-4268177 / 0331-4730273 PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800 PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com, www.DClassyclicks.com , Facebook:- www.facebook.com/a2zevents #DClassyClicks #DClassyClicksbya2zevents #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #hoteldecor #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #marriage #hotel #decor
#Wedding #Anniversary & #Aqiqa #Event #Khushab
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PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com, www.DClassyclicks.com , Facebook:- www.facebook.com/a2zevents #decorators #stage_decoration #enterance_decoration #stage_design #vipstage #wedding_planner_in_lahore #wedding #wedding_planning #events_planner #events_organizer #events_designer #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #events_planner_in_pakistan #events_designer_in_pakistan #birthday_parties #corporate_events_stages_setup #mehndi_setup #barat_setup #barat_event_setup #mehndi_stage_decoration #barat_stage_decoration #best_event_planners_in_lahore lahore #event_organizer_in_lahore #event_planners_in_pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway #truss #disco_lights #dj #mehndi_dance #photographers #catering_services #food_services #wedding_food #wedding_jewelry #wedding_cake #wedding_designers #wedding_decoration #wedding_services #flowers_decor #masehri_decor #Caterers_in_Lahore #events_specialists #Quality_Food_Suppliers #best_weddings_planners_in_Lahore
#Mehndi #Event #Baidian #FarmHouse #Umbrella #Multicolor Follow us on Instagram @DclassyClicks and @a2zevents We are now taking bookings for July-17 to Apr-18 Please Call us for details and bookings Direct Cell # +92-321-4268177 / 0331-4730273 PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800 PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com, www.DClassyclicks.com , Facebook:- www.facebook.com/a2zevents #DClassyClicks #DClassyClicksbya2zevents #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #hoteldecor #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #marriage #hotel #decor
#Grand_Stage #Mehndi #Event #Bedian_Farmhouse
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Follow us on Instagram @a2zevents and @DclassyClicks
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#barat_stage_decoration #best_event_planners_in_Lahore #Lahore #event_organizer_in_Lahore #event_planners_in_Pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway #truss #disco_lights #dj #mehndi_dance #photographers #catering_services #food_services #wedding_food #wedding_jewelry #wedding_cake #wedding_designers #wedding_decoration #wedding_services #flowers_decor #masehri_decor #Caterers_in_Lahore #events_specialists #Quality_Food_Suppliers
#Grand_Opening_Ceremony #Hayat #Familia #Molfix #Papia #PC_Hotel_Lahore
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Tower of London, Blood Swept Lands and Seas of Red, marking the centenary of the outbreak of the First World War. Created by ceramic artist Paul Cummins, with setting by stage designer Tom Piper, 888,246 ceramic poppies will progressively fill the Tower’s famous moat.
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Studley Royal Park including the ruins of Fountains Abbey is a designated World Heritage Site in North Yorkshire, England. The site, which has an area of 800 acres (323 ha), features an 18th-century landscaped garden, some of the largest Cistercian abbey ruins in Europe, ruins of a Jacobean mansion and a Victorian church designed by William Burges.
Originally separate estates, after the Dissolution of the Monasteries, the Fountains estate was owned by the Gresham, Proctor, and Messenger families. At the same time, the Studley estate was separately held by the Mallorie (or Mallory) and then Aislabie families, after the marriage of Mary Mallory and George Aislabie. The estates were combined on 22 December 1767, when William Aislabie purchased the Fountains estate from John Messenger. In 1966, the property came into public ownership after its purchase by West Riding County Council. In 1983, it was acquired by the National Trust.
The gardens and park reflect every stage in the evolution of English garden fashion, from the late 17th century to the 1780s and beyond. Most unusually, both John and William embraced new garden fashions by extending their designed landscape rather than replacing and remaking outmoded parts. As a result, the cumulative whole is a catalogue of significant landscaping styles.
Background
Studley Royal Park is an estate in North Yorkshire, England. The land broadly slopes and east-facing views are a feature of its landscape. The River Skell runs through the site, cutting through layers of Upper Carboniferous sandstone and Permian Magnesian limestone. The park was formed through the aggregation of the former land-holdings of Fountains Abbey, which were purchased by the Gresham family after the Dissolution, and the estate of Studley Royal.
Whilst the prehistoric origins of the land upon which Studley Royal Park now stands are under-researched, there is evidence for settlement in the area. An excavated flint assemblage from the park demonstrates the presence of people working flint on the site. There is evidence of farming activity dated to 4,500 years ago.
Material from the Iron Age is also associated with the site, including a lost gold torc. Iron Age enclosures at Mackershaw date from the sixth to fifth centuries BC. In the later phases of that enclosure, Romano-British material, including an Egyptian glass bangle, has also been discovered. The presence of Romano-British communities is also attested by the excavation of four skeletons by the vicar of Wath in 1881.
Documentary sources and place-name evidence, rather than archaeological excavation, provide insight into the early medieval period in the area. The Venerable Bede recorded that king Alhfrith of Deira granted land for a monastery near Ripon to Eata.
History
Fountains Abbey was founded in 1132 by Benedictine monks who left St Mary's Abbey, York to follow the Cistercian order. During the medieval period, monastic landholding steadily increased. For example, in the 1220s, Cassandra de Aleman donated land at Swanley to become part of the monastic grange.
After the dissolution of the monasteries in 1539 by Henry VIII, the Abbey buildings and over 40% of the former monastic estate was sold by the Crown to Sir Richard Gresham, a merchant. The Greshams, as new owners of a formerly monastic site had a responsibility to render it incapable of future religious use. This was done through a programme of demolition and sale of goods, which included the stripping of lead from the buildings, the removal of glass and Nidderdale 'marble' from the church.
The property was passed down through several generations of Sir Richard's family, then sold to Stephen Proctor in 1596. This included the precinct, Fountains Park and Swanley Grange. It was Proctor who built Fountains Hall probably between 1598 and 1604. The hall is a Jacobean mansion, built partly with stone from the Abbey ruins. Proctor was subsequently imprisoned and sold Fountains Park to pay his legal fees. In April 1622 the Fountains estate was re-combined by Timothy Whittingham, who re-mortgaged it the same year to Humphrey Wharton. Over the subsequent two years, parts of the estate were ceded to several creditors, but ultimately Wharton regained control. The 1627 estate sale includes details for a lead casting workshop in the Warming House; the estate was bought by Richard Ewens and his son-in-law John Messenger. During the English Civil War Messenger reputedly fought at the Battles of Marston Moor and at Naseby. In 1655 Ewens' grandson, William Messenger, inherited the estate.
The Messengers were never wealthy, and in 1676 William Messenger had to arrange mortgages on the estate in order to pay for his daughters marriages. Other financial troubles led William to leave his family, and he died in Paris in 1680, leaving his three-year-old son, John Messenger, to inherit. He married Margaret Scrope in 1698, a year after he came of age, and around this time he began re-building works on Fountain Hall. He rented out areas of the former abbey, including the mill; however these leases excluded mineral extraction, which were kept by Messenger. The family were also keenly interested in the ruins of the abbey itself, and allowed people to visit from as early as 1655.
In 1736, William's son Michael James married Elizabeth Sayer and took responsibility for the estate. He commissioned the first measured survey of the abbey in 1758. The family's financial position was declining and by 1765 Michael was selling oaks from the estate. Michael James died in 1766 and his son John Michael inherited. On 22 December 1767, John Michael sold the Fountains estate to William Aislabie for £18,000.
Studley estate development
From 1452 onwards, Studley Royal was inhabited by the Mallory family, most notably by MPs John Mallory and William Mallory. A depiction of the enclosed park first appeared on Christopher Saxton's 1577 map of Yorkshire. In 1607 John Mallory commissioned the first surviving survey of the estate. This listed land-holdings and it demonstrated that the estate formerly extended beyond the park. During the English Civil War, William Mallory and his son John, were loyal to the Crown; John commanded a force that defended Skipton Castle. They only surrendered in December 1645. William died in 1646 and John was fined by Parliament for half the value of the estate. Paying off the fine was attempted by selling off his wife's family estate, as well as other property, including a mill at Galphay and a farm at Nunwick. However, despite this, when John died in January 1656, and his son William inherited, aged only eight years old, debts had mounted up to £10,000. During this time it was John's widow, Mary, who managed the estate and managed to bring it within its means once more. However, in 1667, William died aged nineteen and the estate passed to his sisters: the eldest Mary, who was married to George Aislabie, as well as Jane and Elizabeth.
Aislabie was the son of a farmer from Osgodby in North Yorkshire. He worked as a clerk for William Turbutt in the church courts at York. As part of Turbutt's household, Aislabie inherited £200 at his death in November 1648. After Turbutt's death Aislabie remained as part of the household, working for the widowed Elizabeth Turbutt. There is a suggestion made by John Richard Walbran that the pair may have had a romantic attachment, but this is unproven. Nevertheless he was the primary beneficiary of Turbutt's will when she died in 1662 – a result of which he purchased Treasurer's House in York. It was around this time that he married Mary Mallorie. George was killed in a duel in 1676. It was George who began plans for the re-establishment of an enlarged park with Studley Royal in its centre. Studley Great Gate, now more commonly known as East Gate, the largest probable remnant of his plans.
George Aislabie's wife, Mary, preserved the estate, but by the time of her death in 1683 was in debt. Trustees to the estate were appointed until the heir, Mallorie Aislabie, came of age: William Robinson, husband of the eldest daughter Mary and Arthur Ingram. Mallorie died in 1685 and was succeeded as heir by his brother George, who inherited but then died in 1693. The third brother, John Aislabie inherited the Studley estate. A survey in 1694 describes both an 'old park' and a 'new park' which invites consideration of expansion under his father.
By 1695 John Aislabie was the Tory Member of Parliament for Ripon, and in 1718 became Chancellor of the Exchequer. This enabled some of the family's perhaps long held plans, to landscape the park, to begin. This included the construction of a tower on How Hill, and the canal and cascade that became the foundation of the Water Garden. Aislabie was a principal sponsor of the South Sea Company scheme, the bill for which was promoted by him personally. In 1720 this vast financial operation collapsed, and in 1721 he was expelled from Parliament and disqualified for life from public office. Stocks from the South Sea Company were grafted to the East India Company, of which his brother William was a director.
Development of the gardens
Aislabie returned to Yorkshire and from 1723 devoted himself to the landscaping of the estate. This included the construction of a boundary wall along the western side of the valley between the Fountains Abbey and Studley Royal estates. This wall had at least one viewing platform and connected to the path known as High Walk. Boundaries including ha-has were also constructed at this time. It is possible the design was influenced by his kinsman William Benson's knowledge of neo-Palladian design. Other early features included The Upper Canal and Drum Falls. Flooding subsequently damaged these early developments, and by 1726 approximately 100 men were working to create water features, which included canals and ponds. The design of the cascade and the fishing lodges is attributed to Roger Morris, who worked with Colen Campbell. The cascade and the canal was described in 1729 by Stephen Switzer in his volume of engineering, Hydrostatics. Aislabie and Morris's works did not just extend to the water gardens, but also to other areas of the estate. By 1728 work was also underway on the High Stables, which can still be seen in the deer park.
During the 1730s and 1740s, there were a number of head gardeners employed by Aislabie. William Fisher worked on the estate from at least 1717 to 1732, when he was paid off. He was followed by John Hossack (left 1738), Mathias Mitchell (dismissed 1742) and then James Lockey (died 1744). Another significant employee was Robert Doe, who was a builder, mason and later head gardener too. Doe later worked on building projects for Castle Howard and for Swinton Castle. This was also a period of expansion, during which Aislabie changed the lease on Mackershaw – making it permanent, rather than leased for agriculture. During this phase, the Grotto was constructed and changes were made to footpaths around its location; the Temple of Piety was also built.
In 1738 the first known plan of the gardens was made by Sir John Clerk of Penicuik, who was visiting them as part of a northern tour. At the same time the Octagon Tower was also constructed and it was glazed and decorated during 1735; subsequently stuccowork was added by Francesco Vassalli. Other buildings constructed at this time include the Bathing House and the Boathouse. The planting at this time was perhaps sparser than that of the estate in the early twenty-first century: eighteenth-century visitors reported seeing bare rock between the trees. The late 1730s also saw a revision of the statuary scheme in the gardens, which included the introduction of a statue of Neptune, centrally located in the Moon Pond.
After Aislabie's death on 18 June 1742, his son William inherited, and whilst little is known about William's life, it is known that he set out on a Grand Tour in 1720, which was thwarted by political turmoil in France. In 1724 he married Lady Elizabeth Cecil, with whom he had six children: two sons and four daughters. Elizabeth and two of their daughters died in a smallpox outbreak in 1733. William's first scheme for the gardens was the construction of a funerary pyramid, modelled on the one at Stowe Gardens. He also extended the designed landscape further down the Skell Valley and introduced in 1745 a 'Chinese house', inspired by fashion at the time.
In 1745 William re-married, to Elizabeth Vernon, who was the niece of his step-mother. Perhaps, as a result, Studley Hall was renovated, which included the decoration of two rooms in a chinoiserie style. In the 1750s a gardeners house was built near the Kitchen Garden and two ice houses were constructed. A private garden with aviary was also created next to Studley Hall during this period. William also added new architectural features to the park: an obelisk at the western end of the main avenue and the Belvedere, which was a Gothic garden room. In addition to new buildings, existing ones had a change of character: for example the Temple of Venus had family portraits installed in it and its name changes to that of 'Banqueting House'. In the 1750s the network of footpaths around the gardens were also much greater than the modern-day lay-out. Overall, William extended the landscaped area in the picturesque romantic style, contrasting with the formality of his father's work. Between them, the two created what is arguably England's most important 18th-century landscape gardens.
Combined estates
On 22 December 1767, William Aislabie purchased the Fountains estate from John Messenger, combining the Studley and Fountains estates.
In February 1768, the gardens were flooded, which resulted in repairs and renovations. Subsequently the reservoir was expanded from a two acre, to a three and a half acre capacity. This period also included the insertion of new garden buildings, such as the Green Arch and the White Seat. In addition, new water features were added to the south-east of the gardens. 1768 also saw Robert Doe, on the instruction of Aislabie, begin to clear and stabilise the abbey ruins; work which continued until at least 1773. Part of this scheme of work included the demolition of the Lay Brothers' Cloister. It also included construction: the Gazebo was built under the east Window, which provided visitors with an elevated view of the nave.
Anne Boleyn's Hill is first named as part of the gardens in 1771, where an antiquarian headless statue looked out on the valley. The statue moved and was restored to its location in 2004. The last mention of the Rotondo and the Coffin Lawn date to 1775, and it is likely the former was used to infill the latter. The canalisation of the Skell near the Abbey was undertaken in 1773, which used the river as a framing device for the view of the abbey from Anne Boleyn's Seat (constructed c.1789–91).
William also added ornamentation to parts of the ruins, adding detailing, but most significantly recreating the location of the high alter through the repositioning of medieval tiles found throughout the site. He also added planting to the cloister, in the form of shrubs and flowers. Greater security was also introduced to the abbey, with lockable doors and gates. However there was contemporary criticism of these changes, in particular from William Gilpin, who visited Studley on a tour of the north of England.
William died on 17 May 1781 in London. The estate passed to his elder daughter, Elizabeth Allanson, after his two sons predeceased him. Whilst she spent the majority of her time as owner at her home in Twickenham, Elizabeth did continue her family's civic work in Ripon – donating to the poor, funding streetlighting and building Ripon Town Hall. However, although she appointed Christopher Hall as agent, during her ownership, and her lack of presence at the estate, many areas of the designed landscape became neglected.
Elizabeth died on 8 March 1808 and was succeeded by her niece, Elizabeth Sophia Lawrence, who lived at Studley from 1808 until her death in 1845. An influential woman in the area, she used her position to influence (and punish) voters.[10] Under her ownership, she made further additions to the grounds, which included the stone Obelisk, as well as Robin Hood's Well, which enclosed a small spring. She also made repairs to the abbey, including to Huby's Tower. It was under her ownership that John Richard Walbran first undertook excavations in 1840. In her will she left bequests totalling £237,000, including £1000 to fund a dispensary in Ripon.
The estate then devolved to Thomas Philip, 2nd Earl de Grey, a distant relative. Under de Grey, Walbran undertook further excavation. These excavations in the 1850s also piqued public interest further in the site. This was furthered by the opening of curative springs nearby in Harrogate bringing a large tourism audience with it. Management of the huge increases in the numbers of tourists entailed the creation of new routes, including the De Grey Walk and the Well Walk. In 1847 a new one shilling entrance fee was introduced. The first record of a school trip to the site was from St Peter's School, Dallowgill, in September 1851. In 1858 the first museum for the site was opened in the Muniments Room, above the Warming House. The 1850s also saw major events held at the estate for the first time. These raised funds for a variety of causes, such as the Ripon Mechanics Institute, to celebrate peace in Crimea, and a 'Great Musical Celebration' in 1868. In 1869 the third-earliest bicycle race to be held in England ran through the estate.
On de Grey's death in 1859, the estate passed to his nephew, George Frederick Samuel Robinson, the Marquess of Ripon, and later the Viceroy of India. He redeveloped areas of Studley Hall, as well as renovating the gardens near the house. He also constructed the Pheasantry at the edge of the estate, as well as building a golf course, whose first professional was Harry Vardon. He also built St Mary's church in the park. During his ownership of the estate, three structures were added: Studley tea room, an oval island in the lake, and the High Seat in the west of the gardens. During this period, more exotic trees were introduced as part of the planting scheme – for example a Wellingtonia gigantea was planted by the Prince of Wales in 1863. In 1886 a pageant was held on the estate, celebrating Ripon's millennium; a similar event was repeated in 1896 for the Diamond Jubilee of Queen Victoria.
George Frederick Samuel Robinson, the Marquess of Ripon died in 1909 and his son Frederick Oliver inherited the estate. On the death of Frederick Robinson, 2nd Marquess of Ripon in 1923, the estate was acquired by his cousin Clare George Vyner. Visitor income became more significant for the Vyner family, than it had been for the Robinsons, yet the family had a strong sense of social responsibility and in the 1930s established the Fountains Abbey Settlers Society, which provided work and skills to unemployed families. This also included a work scheme that dredged the river. In addition to the scheme on the estate, Vyner also funded the construction of a model village in Swarland, Northumberland. The Settlers Society ended at the outbreak of the Second World War, but its accommodation was repurposed to house German and Polish refugees. During the war much of the estate's land was cultivated for the first time in 600 years, as part of the 'Dig For Victory' campaign. Studley Hall after doing war service as the home of Queen Ethelburga's School, was destroyed by fire in April 1946. After the war, the upkeep of the estate became too expensive for the Vyner family, who sold it to Broadlands Properties for £1,250,000. They subsequently also sold Fountains Hall to West Riding County Council in 1969.
Public ownership
In 1966 much of the estate was purchased by West Riding County Council from Broadlands Properties, and the property was reopened to the public in 1967. However resource pressures meant that the local authority was keen to find another owner for the estate. There had been previous appeals to the National Trust to undertake running the site, including in 1923. In 1983 the property was acquired by the National Trust.
English Heritage is responsible for conservation of the abbey under a guardianship agreement, but managed on a day to day basis by the National Trust. St Mary’s Church is owned by the State and managed by the National Trust under a local management agreement. In 1986 the entire estate was designated a World Heritage Site by UNESCO. It gained recognition as it fulfils the criteria of “being a masterpiece of human creative genius, and an outstanding example of a type of building or architectural or technological ensemble or landscape which illustrates significant stages in human history”. The initial proposal for World Heritage Status only extended to Fountains Abbey and St Mary's Church; it was on the recommendation of the International Council on Monuments and Sites (ICOMOS) that the listing extended to include Studley Royal. In 1992, a new visitor centre and car parks were designed by Ted Cullinan to accommodate growing visitor numbers. Lying north-west of the Abbey above the valley floor, the new visitor centre incorporated a shop, large restaurant, lecture theatre and exhibition space (currently office space) arranged around an open courtyard.
In 2015 stage designer Gary McCann was commissioned to produce work in response to the buildings on the property; the resulting exhibition, entitled Folly!, installed works in spaces such as the Banqueting House. In 2016, Mat Collishaw created Seria Ludo and The Pineal Eye in the Temple of Piety. In 2018, Charles Holland, Lucy Orta and Flea Folly Architects created artworks to reimagine lost follies in the landscape. In 2021, Steve Messam created three artworks in an exhibition entitled These Passing Things and in 2022 Joe Cornish created a photographic exhibition Still Time to Wonder in various buildings on the property.
Significance
Studley Royal, under National Trust ownership, is the preserved core of a once much more substantial Aislabie project, which incorporated the surrounding agrarian landscape that they owned, long distance views to Ripon and beyond, and rides extending to other designed landscapes including Laver Banks and Hackfall (seven miles from Studley), 177–184 The gardens and park reflect every stage in the evolution of English garden fashion, from the late seventeenth-century to the 1780s and beyond. Most unusually both John and William embraced new garden fashions by extending their designed landscape rather than replacing and remaking outmoded parts. As a result, the cumulative whole is a catalogue of significant landscaping styles. This includes John Aislabie's ground-breaking appreciation of natural topographical landforms, for him it was not necessary to level ground and create a garden, the garden could be made to accommodate and display the underlying landscape.
Major features
The park incorporates Fountains Abbey, Fountains Hall, and a number of other notable historic features.
Studley Royal Water Garden
The water garden at Studley Royal created by John Aislabie in 1718 is one of the best surviving examples of a Georgian water garden in England. It was expanded by his son, William who purchased the adjacent Fountains Estate. The garden's elegant ornamental lakes, canals, temples and cascades provide a succession of dramatic eye-catching vistas. It is also studded with a number of follies including a neo-Gothic tower and a palladian-style banqueting house.
St Mary's Church
St Mary's Church was built by the architect William Burges and commissioned by the family of the First Marquess of Ripon. It has been suggested that the construction of this place of worship was prompted by the death of Frederick Grantham Vyner, who was kidnapped and killed in Greece in 1870.
Burges' appointment as architect was most likely due to the connection between his greatest patron, John Crichton-Stuart, 3rd Marquess of Bute and Vyner, who had been friends at Oxford. St Mary's, on Lady Ripon's estate at Studley Royal, was commissioned in 1870 and work began in 1871. The church was consecrated in 1878. As at Skelton, Burges' design demonstrates a move from his favoured Early-French, to an English style. Pevsner writes of "a Victorian shrine, a dream of Early English glory." The interior is spectacular, exceeding Skelton in richness and majesty. The stained glass is of particularly high quality. St Mary's is Burges' "ecclesiastical masterpiece."
Both marquesses and their wives are buried there.
How Hill Tower
Prior to 1346, a chapel dedicated to St Michael the Archangel was built on How Hill. This became a minor medieval pilgrimage site. Visitors to the site could see both York Minster and Ripon Cathedral from its summit. The flooring was made of mosaic tiles, similar to those attributed to a painted pavement dating to between 1236 and 1247. The chapel was repaired by Marmaduke Huby between 1494 and 1526. Post-reformation the chapel continued to be used between 1551–54 for the churching of women, until falling into ruin.
A tower was constructed next to the ruins, and re-using some of their masonry by, John Aislabie. Likely designed by Sir John Vanburgh, the view from the tower extended across the Studley estates, and York could even be seen twenty-six miles away.
In 1810 an estate survey recorded a farmhouse on the site, but by 1822 the description had changed to 'How Hill House & Tower'. Presumably the site had lost its significance as a garden building in a designed landscape and was commissioned to a more functional use. Whilst its role as a home stopped in the 1930s, there was another use-change: during the Second World War the Home Guard used it as an observation post.
Deer park
The deer park, where the church stands, is home to deer, and a wealth of other flora and fauna. At Studley there are three types of deer: Red Deer, Fallow Deer and Sika Deer. John Clerk, visiting in 1738, described how the buck deer moved in a group, so that they "resemble a moving forrest [sic]".
Buildings and structures
Studley Royal House (or Hall) stood in the north-west corner of the park. Originally a medieval manor house, there is a record from the 1220s of an extensive garden created by Cassandra de Aleman. It consisted of a main block with forward projecting wings, it burned down in 1716 and was rebuilt by John Aislabie. He filled in the centre, to which his son William added a portico in 1762 to complete its Palladian appearance.
It was altered and developed by the First Marquess of Ripon, who created a new entrance hall, a royal suite, and the reorganisation of the domestic service areas. He also added a Catholic chapel at the western side of the house in 1878.
The house burnt down in 1946, and its remains were demolished by the Vyner family, who could not afford repairs to it. Instead the splendid Georgian stable block, built for John Aislabie’s racehorses between 1728 and 1732, was converted into an elegant Palladian country house set in 2½ acres of private formal gardens on high ground overlooking the deer park towards Ripon Cathedral in the distance.
Built of stone under a slate roof with distinctive pavilion towers in each of the four corners, the pristine, 11,708sq ft house surrounds a central square courtyard overlooked by all the main rooms and dominated by the working clock tower.
Studley Magna
The deserted medieval village of Studley Magna mainly lies within the boundaries of the park. Excavation demonstrated that the village was aligned with the important road to Aldfield. The earliest ceramics from the site date to c.1180–1220, whilst the latest finds date from c.1300. The site included a large two-storey miller's house with a stone fireplace that was rare for the period. The house was sold in 1362 by Widow Horner to Richard Tempest.
The Banqueting House
Documentary evidence suggests that the Banqueting House was being completed in 1731, and is described in the estate accounts as 'the new building'. The structure had several phases of alteration after construction, and other documents refer to it as 'the Greenhouse'. In front of the façade a deep coffin-shaped lawn was introduced, who sightlines connected the building and the Rotondo. Above the Banqueting House, amongst the trees, is an oval platform, which is likely to be the Dial Lawn, which is described in accounts in 1730s.
The Temple of Piety
The building was constructed based on a sketch by Palladio owned by Lord Burlington, and was initially known as the Temple of Hercules. Documentary evidence shows that it was constructed and named by April 1736.
Mackershaw Lodges
These buildings were constructed after 1731, with the change in terms of the loan (to acquisition) of the Mackershaw area. They compromise two small lodges with classical pediments either side of a central arch, constructed from rough, undressed stone, with Venetian windows.
Lost buildings
Wattle Hall
One of the buildings most frequently attested in the early eighteenth-century is the Wattle Hall. Surviving records suggest that it was made of bent branches rather than brick or stone, and it was repaired in 1732.
Rotondo
Close to Kendall's Walk and in the north-east corner of Coffin Lawn, evidence for the Rotondo first appears in a painting dating to 1734–41. It was demolished in the 1770s. A close comparison to this would have been the Temple of Venus in Stowe Gardens.
Pyramid
William's first building work for the gardens was ordering the construction of a funerary pyramid, modelled on the one at Stowe Gardens. Whilst designs for this building exist, its location is unknown. It is possible that the stone was cut, but it was never constructed.
Chinese house
The Chinese house was constructed in 1745 and a 1751 visitor described it as having blue columns, gilded decoration, a white ceiling, a variety of Chinese ornaments and stuccowork by Giuseppe Cortese. It also had a balustrade seat running inside the columns. There is a surviving sketch of the building, but only the plinth for its survives. It was located beyond the southern limit of National Trust estate. The area around the house was known as the Chinese Wood, to which two chinoiserie-style bridges provided access.
The National Trust (Welsh: Ymddiriedolaeth Genedlaethol; Irish: Iontaobhas Náisiúnta) is a charity and membership organisation for heritage conservation in England, Wales and Northern Ireland. In Scotland, there is the separate and independent National Trust for Scotland.
The Trust was founded in 1895 by Octavia Hill, Sir Robert Hunter and Hardwicke Rawnsley to "promote the permanent preservation for the benefit of the Nation of lands and tenements (including buildings) of beauty or historic interest". It was given statutory powers, starting with the National Trust Act 1907. Historically, the Trust acquired land by gift and sometimes by public subscription and appeal, but after World War II the loss of country houses resulted in many such properties being acquired either by gift from the former owners or through the National Land Fund. Country houses and estates still make up a significant part of its holdings, but it is also known for its protection of wild landscapes such as in the Lake District and Peak District.
In addition to the great estates of titled families, it has acquired smaller houses, including some whose significance is not architectural but through their association with famous people, for example, the childhood homes of singer/composers John Lennon and Paul McCartney of The Beatles.
One of the largest landowners in the United Kingdom, the Trust owns almost 250,000 hectares (620,000 acres; 2,500 km2; 970 sq mi) of land and 780 miles (1,260 km) of coast. Its properties include more than 500 historic houses, castles, archaeological and industrial monuments, gardens, parks, and nature reserves. Most properties are open to the public for a charge (members have free entry), while open spaces are free to all. The Trust has an annual income of over £680 million, largely from membership subscriptions, donations and legacies, direct property income, profits from its shops and restaurants, and investments. It also receives grants from a variety of organisations including other charities, government departments, local authorities, and the National Lottery Heritage Fund.
The Trust was incorporated on 12 January 1895 as the "National Trust for Places of Historic Interest or Natural Beauty", which is still the organisation's legal name. The founders were social reformer Octavia Hill, solicitor Sir Robert Hunter and clergyman Hardwicke Rawnsley.
In 1876, Hill, together with her sister Miranda Hill, had set up a society to "diffuse a love of beautiful things among our poor brethren". Named after John Kyrle, the Kyrle Society campaigned for open spaces for the recreational use of urban dwellers, as well as having decorative, musical, and literary branches. Hunter had been solicitor to the Commons Preservation Society, while Rawnsley had campaigned for the protection of the Lake District. The idea of a company with the power to acquire and hold buildings and land had been mooted by Hunter in 1894.
In July 1894 a provisional council, headed by Hill, Hunter, Rawnsley and the Duke of Westminster met at Grosvenor House and decided that the company should be named the National Trust for Places of Historic Interest or Natural Beauty. Articles of association were submitted to the Board of Trade and on 12 January 1895, the Trust was registered under the Companies Act. Its purpose was to "promote the permanent preservation for the benefit of the Nation of lands and tenements (including buildings) of beauty or historic interest"
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