#Barat #Event #Marquee Follow us on Instagram @DclassyClicks and @a2zevents We are now taking bookings for Oct-17 to Apr-18 Please Call us for details and bookings Direct Cell # +92-321-4268177 / 0324-4921459 / 0331-4730273 PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800 PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com, www.DClassyclicks.com , Facebook:- www.facebook.com/a2zevents #Barat #BaratDecor #Barat_decoration #Flower_decoration #DClassyClicks #DClassyClicksbya2zevents #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #hoteldecor #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #marriage #hotel #decor

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Follow us on Instagram @DclassyClicks and @a2zevents We are now taking bookings for July-December 2017 Please Call us for details and bookings Direct Cell # +92-321-4268177 / 0331-4730273 PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800 PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com , Facebook:- www.facebook.com/a2zevents #decorators #stage_design #vipstage #wedding_planner_in_lahore #wedding #wedding_planning #events_planner #events_organizer #events_designer #events_planner_in_pakistan #events_designer_in_pakistan #birthday_parties #corporate_events_stages_setup #mehndi_setup #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #best_weddings_planners_in_Lahore #Pakistan_Best_Weddings_Caterers #Pakistan_Best_Events_Planners_&_Weddings_Planners #Pakistan_Best_Weddings_Planners #Best_Weddings_Setups #Best_Mehndi_Setup #Designers #Best_Barat_&_Walima_Setup #Best_Functions_and_Parties_Decorators #Best_Events_Designers_and_Caterers_in_Lahore

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Tower of London Remembers.

To mark the centenary anniversary of the First World War the Tower of London is creating an evolving art installation "Blood Swept Lands and Seas of Red". Formed of 888,246 ceramic poppies by artist Paul Cummins, with setting by stage designer Tom Piper, each poppy represents a British military fatality during the war. The installation was officially unveiled on 5 August 2014, one hundred years since the first full day of Britain's involvement in the First World War and will be in place until 11 November 2014.

On 24 August I helped to build a just a little more of the installation by constructing and planting a batch of poppies. I believe it is now (as in these photos) about a quarter completed. Each poppy is a life lost - when it is completed maybe it will help to demonstrate the scale of those numbers which we really cannot imagine.

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Giorgio Strehler (August 14, 1921 – December 25, 1997) was an Italian opera and theatre director.

Giorgio Strehler Memorial Site (Italian)

it.wikipedia.org/wiki/Giorgio_Strehler

Strehler was born in Barcola, Trieste to an Austrian father and a Franco-Slovene mother; he grew up speaking Italian, but spoke French well and his German was passable. Suddenly becoming fatherless at the age of three, his grandfather, Olimpio Lovric, became his father figure. Olimpio was one of the finest horn players of his day and the impresario of the Teatro Comunale Giuseppe Verdi, Trieste's Opera House. When he was seven, his grandfather died and he moved to Milan with his mother and grandmother. Milan was to become Giorgio's home until the end of his life.

He has influenced three generations of actors and inspired many around the world. His influence in the English speaking world is less felt since he spoke little English and did not direct many plays in this language. However he was given the Légion d'honneur by the French government and was named director of the "Union of the Theatres of Europe" in Paris in 1985. The first Pan-European theater project. He was President of the jury at the Cannes Film Festival in 1982.

The visual impact of his productions always concerned Strehler. The stage designers Luciano Damiani and later Ezio Frigerio closely collaborated with Strehler for many years, both for theatrical and operatic productions.

He died in Lugano, Switzerland. The funeral in Milan was attended with great participation of citizens and politicians. The parade lasted for over two days after leaving from the center of via Rovello of Piccola Scala. His ashes were deposited in the cemetery of Trieste.

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Pencil and colored pencils; 20 x 13.7 cm.

Italian painter, decorative artist, stage designer, architect, sculptor and writer. He studied at Lucca, Turin and Rome, where he briefly attended the Accademia di Belle Arti, and his work earned the appreciation of his teacher Duilio Cambellotti (b 1876). In 1912 he joined the studio of Giacomo Balla and belonged to a Futurist art collective through which he met the leaders of the movement. In April and May 1914 he exhibited with other Futurists at the Galleria Sprovieri in Rome and, shortly afterwards, in Prague. Figure+Window (1914; Rome, priv. col.; see Menna, 1967, fig. 112) exemplifies the experiments he was carrying out at the time. He was particularly interested in the use of combinations of different materials and in theoretical speculation, writing in 1915 the manifestos Scenografia e coreografia futurista, Scultura dei colori e totale and Architettura futurista.

KOVTOEN, Jevgenij F. (1993). Russische Avant-Garde. Chlebnikow en zijn tijdgenoten Malevitsj, Filonov, Tatlin, Mitoeritsj. V + K Publishing/Inmerc BV. ISBN 90 66111534 NUGI 911/953CIP

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Vladimir Tatlin ( 28 December [O.S. 16 December] 1885 – 31 May 1953) was a Russian and Soviet painter, architect and stage-designer. Tatlin achieved fame as the architect who designed the huge Monument to the Third International, also known as Tatlin's Tower. This is his design for The Monument to the Third International, more commonly known as Tatlin's Tower, which he began in 1919. With Kazimir Malevich he was one of the two most important figures in the Soviet avant-garde art movement of the 1920s, and he later became an important artist in the Constructivist movement.

Vladimir Tatlin (full name Vladimir Yevgrafovich Tatlin) was born in Kharkov, Russian Empire, now Ukraine. His father, Yevhraf Nikoforyvych Tatlin was a hereditary nobleman from Oryol, a mechanical engineer graduated from the Technological Institute in St.Petersburg and employed by the Moscow-Brest Railway in Moscow. His mother, Nadezhda Nikolaevna Tatlina (Bart), was a poet symphatizing the Narodnaya Volya revolutionary movement. After she died in 1887, his father married again and resettled to Kharkiv. His father, by whom he lived after having failed to study in Moscow School of Painting, Sculpture and Architecture died in 1904, so young Vladimir had to interrupt his studies at the Kharkov Arts School and to leave for Odessa to become a merchant sea cadet. According to his own memories, sea and distant lands gave him both means of subsistence and source of inspiration; he sailed all across the Black Sea and also to Egypt.

In 1905 he starts and in 1910 successfully completes his studies at N.Selivestrov Penza Art School in Penza. During the summer vacations he travels to Moscow and St.Petersburg to participate in various art events. In 1911 he resettled to Moscow to live by his uncle and began his art career as an icon painter. He also sang in Ukrainian and was a professional musician-bandurist, and performed as such abroad.

Tatlin became familiar with the work of Pablo Picasso during a trip to Paris in 1913.

Tatlin achieved fame as the architect who designed the huge Monument to the Third International, also known as Tatlin's Tower. Planned from 1919, the monument was to be a tall tower in iron, glass and steel which would have dwarfed the Eiffel Tower in Paris (the Monument to the Third International was a third taller at 400 meters high). Inside the iron-and-steel structure of twin spirals, the design envisaged three building blocks, covered with glass windows, which would rotate at different speeds (the first one, a cube, once a year; the second one, a pyramid, once a month; the third one, a cylinder, once a day). For financial and practical reasons, however, the tower was never built.

Tatlin was also regarded as a progenitor of Soviet post-Revolutionary Constructivist art with his pre-Revolutionary counter-reliefs, three-dimensional constructions made of wood and metal, some placed in corners (corner counter-reliefs) and others more conventionally. Tatlin conceived these sculptures in order to question the traditional ideas of art, though he did not regard himself as a Constructivist and objected to many of the movement's ideas. Later prominent constructivists included Varvara Stepanova, Alexander Rodchenko, Manuel Rendón Seminario, Joaquín Torres García, László Moholy-Nagy, Antoine Pevsner and Naum Gabo.

Although colleagues at the beginning of their careers, Tatlin and Malevich quarrelled fiercely and publicly at the time of the 0.10 Exhibition in 1915 (long before the birth of Constructivism), also called "the last futurist exhibition", apparently over the 'suprematist' works Malevich exhibited there. This led Malevich to develop his ideas further in the city of Vitebsk, where he found a school called UNOVIS (Champions of the new art).

Tatlin also dedicated himself to the study of clothes, objects and so on. At the end of his life he started to research bird flight, in order to pursue one of the great dreams of humanity: to fly.

In the year of 1930 he taught in Kiev where one of his students was Joseph Karakis.

From 1930-ties Tatlin works for the different theatres in Moscow and during the Great Patriotic War, in Gorkiy. In 1948 he was heavily criticized for his allegedly anti-communist stance and lost his job, but was not repressed.

Tatlin died in 1953 in Moscow and was buried at the Novodevichy Cemetery (Wikipedia).

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The art installation "Blood Swept Lands and Seas of Red" at the Tower of London, marks one hundred years since the first full day of Britain's involvement in the First World War. Created by ceramic artist Paul Cummins, with setting by stage designer Tom Piper, 888,246 ceramic poppies will progressively fill the Tower's famous moat over the summer. Each poppy represents a British military fatality during the war.

The poppies will encircle the iconic landmark, creating not only a spectacular display visible from all around the Tower but also a location for personal reflection. The scale of the installation intends to reflect the magnitude of such an important centenary creating a powerful visual commemoration.

Oil on plexiglass mounted in the artist's frame; Image size: 59 x 48.3 cm.

By the time László Moholy-Nagy turned towards painting after graduating from law school and developed his own abstract style influenced by Malewitsch and El Lissitzky, it was inevitable that he would become one of the most important artists of Constructivism. He soon exposed himself in Hungary as the founder of the artist group "Ma", but left his home country after the failure of the revolution.

He moved to Berlin In 1920 where Gropius noticed him and invited him to join the "Bauhaus" in 1923. There Moholy-Nagy ran the metal class but also worked in all other areas of design in which he was equally influential. The artist published his ideas in the series of Bauhaus books, for example "Malerei, Fotografie, Film" (1925). Moholy-Nagy wanted an "experimental, functional artist […] who considers art as a laboratory for new forms of expression which were then supposed to be employed in all areas of modern life" (Karin Thomas).

The expectations of the age of technology and his new media led Moholy-Nagy to a functional use of Abstraction, which he managed to show in all areas of design and which guided him through different phases of experimenting. His varied oeuvre ranges from painting, photography, film, design and stage design to experiments with photograms which considerably influenced the development of light art and kinetic art. László Moholy-Nagy left the "Bauhaus" in 1928 together with Gropius and worked in Berlin as a stage designer, exhibition organiser, typographer and film producer. He emigrated to the USA in 1937 and ran the "New Bauhaus" in Chicago. Moholy-Nagy opened his own art institute, the "School of Design", in Chicago in 1938 and enlarged it in the following years by adding the faculties economics, psychology and information theory.

László Moholy-Nagy became severely ill and died one year later, in 1946.

Festival de wereld van Witte de With, Rotterdam 2010

De Tiller Girls zijn terug! Dit dansgezelschap maakte begin 20e eeuw internationaal furore met hun spectaculaire en gewaagde ‘Chorus-line dance’. De dans hypnotiseerde haar toeschouwers door de uiterst strakke choreografie waarbij de rij sexy benen eindeloos hoog de lucht in gaat. Honderd jaar na dato presenteert V2_ tijdens De Wereld van Witte de With een dansvoorstelling van kunstenaar Louis-Philippe Demers geïnspireerd op dit uniek stukje dansgeschiedenis. In Demers’ wervelende show zijn de Tiller Girls vervangen door twaalf robots die een Chorus-line dance uitvoeren. Haal de smokings en de avondjurken uit de kast want zoiets heeft u nog nooit gezien!

Don't miss it – the Tiller Girls are back! This famous dance troupe caused an international sensation at the beginning of the 20th century with its spectacular, daring chorus line dance. The dance has a hypnotic effect on viewers thanks to its extremely tight choreography, in which a line of sexy legs rises endlessly up, up, up into the air.

A century after the original Tiller Girls conquered the world, V2_ presents artist Louis-Philippe Demers’ performance inspired by this unique piece of dance history during De Wereld van Witte de With. In Demers’ sparkling show, the Tiller Girls will be replaced by a dozen robots who will perform the chorus line dance. The public is welcome to attend. Get out your tuxedos and evening dresses, because you've never seen anything like this!

Louis-Philippe Demers makes large-scale robotic environments and interactive media artworks. He was Professor at the HfG/ZKM and currently is at the Interaction and Entertainment Research Centre at the NTU (Singapore).

Philip Schulze is a media artist, composer and improviser. Schulze develops site-specific visual and auditory experiences and collaborative action spaces. He is responsible for Real-Time Audio Design.

Armin Purkrabek is a stage designer, researcher and media artist. Purkrabek develops futuristic scenographies thru digital/analogue art experiments. He is responsible for Real-Time Video/Lights Design.

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#Walima #Event #Sialkot

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Please Call us for details and bookings Direct Cell # +92-321-4268177 / 0324-4921459 / 0331-4730273 PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800 PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com, www.DClassyclicks.com , Facebook:- www.facebook.com/a2zevents #Barat #MehndiDecor #Barat_decoration #Flower_decoration #DClassyClicks #DClassyClicksbya2zevents #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #hoteldecor #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #marriage #hotel #decor

#Grand_Stage #Barat #Event #Dha_PhaseVIII #a2z_Events_Solutions #Marquee #Fun_stuff #Selfie_props #Selfie_booth #Hanging_garden #Cinderella_Cart #Rickshaw_Entry

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#Grand #Mehndi #Event #a2z_Events_Solutions #Marquee

#Fun_stuff #Selfie_props #Selfie_booth #Hanging_garden #Rikshaw_Entry

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#barat_stage_decoration #best_event_planners_in_Lahore #event_organizer_in_Lahore #event_planners_in_Pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway #truss #disco_lights #dj #mehndi_dance #photographers #catering_services #food_services #wedding_food #wedding_jewelry #wedding_cake #wedding_designers #wedding_decoration #wedding_services #flowers_decor #masehri_decor #Caterers_in_Lahore #events_specialists #Quality_Food_Suppliers

#Mehndi #Event with #Umbrellas and #Kites #Theme at LDA City

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#Walima #Event #Sialkot

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Arthur Szyk was a graphic artist, book illustrator, stage designer and caricaturist. He was born into a Jewish family in Łódź, in the part of Poland which was under Russian rule in the 19th century. He always regarded himself both as a Pole and a Jew. From 1921, he lived and created his works mainly in France and Poland, and in 1937 he moved to the United Kingdom. In 1940 he settled permanently in the United States, where he was granted American citizenship in 1948.

Arthur Szyk became a renowned graphic artist and book illustrator as early as the interwar period – his works were exhibited and published not only in Poland, but also in France, the United Kingdom, Israel, and the United States. However, he gained real popularity through his war caricatures, in which, after the outbreak of World War II, he depicted the leaders of the Axis powers – mainly Adolf Hitler, Benito Mussolini and Emperor Hirohito. After the war, he also devoted himself to political issues, this time supporting the creation of Israel.

Szyk's work is characterized in its material content by social and political commitment, and in its formal aspect by its rejection of modernism and drawing on the traditions of medieval and renaissance painting, especially illuminated manuscripts from those periods. Unlike most caricaturists, Szyk always showed great attention to the coloristic effects and details in his works.

Today, Szyk is a well-known and often exhibited artist only in his last home country – the United States. In Europe, since the late 1990s exhibitions of his art has been mounted in the Polish cities of Kraków, Warsaw, and Łódź as well as in Berlin, Germany. The recent publication of a Polish-language edition Szyk's biography and public broadcasts of the documentary film "Arthur Szyk - Illuminator" (Marta Tv & Film, Telewizja Polska (Łódź), 2005) also have improved Szyk's stature in his mother country, Poland.

www.youtube.com/watch?v=fhJmRWQc6Yg

Young Art in the German Reich

The exhibition Young Art in the German Reich was commissioned by the Reichsstatthalter (The "Reichsstatthalter" ("Reich Lieutenant", "Reich Governor") was a title used in the German Empire and later the Third Reich) and Reichsleiter (Reich leader) Baldur von Schirach in 1943 at the Künstlerhaus (House of Art) in Vienna. Schirach's general cultural advisor, Walter Thomas in Vienna, commissioned Wilhelm Rüdiger from Munich to compile the exhibition. Shown were 582 works by 175 artists.

History

Wilhelm Rüdiger organized an exhibition of contemporary art in Weimar in the summer of 1942 on the occasion of a German-Italian youth meeting under the title "Young Creations". Schirach was enthusiastic about this exhibition and ordered the delivery of the exhibition to Vienna. In Vienna, the exhibition was supplemented by several Austrian artists.

Although the title said it was about "Young Art", many artists were already quite old. For example, Karl Albiker was already 65 years old. In the Völkischer Beobachter, Heinrich Neumayer wrote: "If we speak of young German art here, we already speak of purified wine, we do not experience fermentation processes, storm or cider in the art shown here." "Young" should be interpreted in the context of "old" art in the House of German Art. With the Exhibition Young Art in the German Reich, Schirach made a cautious attempt to reestablish the importance of Vienna as a cultural center.

Simultaneously with the exhibition Young Art in the German Reich, a Klimt exhibition was held in the exhibition house on Friedrichs street, also on the initiative of Schirach. This exhibition attracted the visitors: it counted 24,096 admissions, and the exhibition duration was extended by a week, while the exhibition young art in the German Reich reached only 9,084 visitors.

At the same time, works by Käthe Kollwitz and Egon Schiele were on display in the Albertina. All these exhibitions together were a protest against the official policy of the Berlin Reich Chamber of Culture and the Munich House of German Art. In addition, were in the exhibition Young Art in the German Reich also artists presented whose works were previously confiscated in German museums, including Josef Hegenbarth, Josef Henselmann, Hanna Nagel, Carl Moritz Schreiner, Milly Steger and Friedrich Vordemberge.

Adolf Ziegler described the exhibition in a report as a representation of "moderate form of decay art". Joseph Goebbels sent Karl Kolb, Director of the German House of Art, and Benno von Arent, Reichsbühnenbildner (Reich stage designer), to Vienna for an inspection. Their verdict was: nothing less than a "liberalist mess". The exhibition, scheduled from 7 February to 28 March, aroused the displeasure of Joseph Goebbels and Adolf Hitler. According to Schirach's memoirs, Baldur von Schirach was referred as the person responsible to Adolf Hitler: in the catalog of the exhibition this one had shown a picture and said "Look at this picture - a green dog!" (Work by Josef Hegenbarth). The exhibition was prematurely closed on March 7, 1943, allegedly because of overloading the Reichsbahn (German National Railway), as the Vienna Press reported.

In addition to the 1933 exhibition organized by the National Socialist German Student Union in Berlin "30 German Artists", it was was one of the few official Nazi exhibitions that was closed because of the "alleged suspicion of art degeneration". The exhibition was one intended provocation, not as a resistance to the Nazi regime per se. Schirach wanted to try an escape from the "sterility of the official exhibitions" to reopen the 1933/34 violent Expressionism debate in Germany. It was also an action against his inner party enemies, Goebbels and Alfred Rosenberg.

This exhibition has hurt the participating artists very much. Only two years later, these artists were seen as so-called followers and minions.

Junge Kunst im Deutschen Reich

Die Ausstellung Junge Kunst im Deutschen Reich wurde im Auftrag des Reichsstatthalters und Reichsleiters Baldur von Schirach 1943 im Wiener Künstlerhaus durchgeführt. Schirachs Generalkulturreferent, Walter Thomas in Wien, beauftragte Wilhelm Rüdiger aus München, die Ausstellung zusammenzustellen. Gezeigt wurden 582 Werke von 175 Künstlern.

Geschichte

Wilhelm Rüdiger organisierte bereits im Sommer 1942 in Weimar anlässlich eines deutsch-italienischen Jugendtreffens eine Ausstellung zeitgenössischer Kunst unter dem Titel „Junges Schaffen“. Schirach war von dieser Ausstellung begeistert und verfügte die Übergabe der Ausstellung nach Wien. In Wien wurde die Ausstellung um einige österreichische Künstler ergänzt.

Obwohl es im Titel hieß, es gehe um „Junge Kunst“, waren viele Künstler bereits recht betagt. Karl Albiker war zum Beispiel bereits 65 Jahre alt. Im Völkischen Beobachter schrieb Heinrich Neumayer dazu: „Wenn hier von junger deutscher Kunst die Rede ist, so ist durchaus schon von geläutertem Wein die Rede, nicht Gärungsprozesse, Sturm oder Most erleben wir in der hier gezeigten Kunst“. „Jung“ sollte im Kontext der „alten“ Kunst im Haus der Deutschen Kunst gedeutet werden. Mit der Ausstellung Junge Kunst im Deutschen Reich unternahm Schirach einen vorsichtigen Versuch, die Bedeutung Wiens als Kulturzentrum wieder zu etablieren.

Gleichzeitig mit der Ausstellung Junge Kunst im Deutschen Reich fand im Ausstellungshaus an der Friedrichsstraße, ebenfalls auf Anregung Schirachs, eine Klimtausstellung statt. Diese Ausstellung zog die Besucher an: sie zählte 24.096 Eintritte, und die Ausstellungsdauer wurde um eine Woche verlängert, während die Ausstellung Junge Kunst im Deutschen Reich lediglich 9.084 Besucher erreichte.

Ebenfalls zur selben Zeit waren in der Albertina Werke von Käthe Kollwitz und Egon Schiele zu sehen. Alle diese Ausstellungen zusammen kamen einem Protest gegen die offizielle Politik der Berliner Reichskulturkammer und des Münchner Hauses der Deutschen Kunst gleich. Außerdem wurden in der Ausstellung Junge Kunst im Deutschen Reich auch Künstler präsentiert, deren Werke zuvor in deutschen Museen beschlagnahmt wurden, darunter Josef Hegenbarth, Josef Henselmann, Hanna Nagel, Carl Moritz Schreiner, Milly Steger und Friedrich Vordemberge.

Adolf Ziegler bezeichnete die Ausstellung in einem Bericht als eine Darstellung von „gemäßigter Form der Verfallskunst“. Joseph Goebbels entsandte Karl Kolb, Direktor des Deutschen Haus der Kunst, und Benno von Arent, Reichsbühnenbildner, zu einer Inspektion nach Wien. Deren Urteil lautete: Eine einzige „liberalistische Schweinerei“. Die Ausstellung, geplant vom 7. Februar bis 28. März, erregte das Missfallen von Joseph Goebbels und Adolf Hitler. Baldur von Schirach wurde, gemäß Schirachs Memoiren, als Verantwortlicher vor Adolf Hilter zitiert: Dieser habe im Katalog der Ausstellung auf eine Abbildung gezeigt und gesagt „Schauen Sie sich dieses Bild an – ein grüner Hund!“ (Werk von Josef Hegenbarth). Die Ausstellung wurde vorzeitig am 7. März 1943 geschlossen, angeblich wegen Überlastung der Reichsbahn, wie die Wiener Presse vermeldete.

Sie war neben der 1933 vom Nationalsozialistischen Deutschen Studentenbund in Berlin organisierten Ausstellung „30 Deutsche Künstler“ eine der wenigen offiziellen NS-Ausstellungen, die wegen des „angeblichen Verdachts der Kunst-Entartung“ geschlossen wurde. Die Ausstellung war eine, nicht als Widerstand gegen das NS-Regime an sich, beabsichtigte Provokation. Schirach wollte einen Ausbruch aus der „Sterilität der offiziellen Ausstellungen“ versuchen, um die 1933/34 in Deutschland heftig geführte Expressionismusdebatte wieder zu eröffnen. Es war auch eine Aktion gegen seine innerparteilichen Feinde, Goebbels und Alfred Rosenberg.

Den teilnehmenden Künstlern hat diese Ausstellung sehr geschadet. Nur zwei Jahre später sah man diese Künstler als sogenannte Mitläufer und Günstlinge an.

de.wikipedia.org/wiki/Junge_Kunst_im_Deutschen_Reich

Shadows of spectators fall upon The dismantling of the Blood Swept Lands and Seas of Red exhibit, ceramic poppies, each representing a British fatality during the First World War, Tower of London, UK © Linda Dawn Hammond / IndyFoto.com Nov.14, 2014.

poppies.hrp.org.uk/ 5 August - 11 November 2014

Created by ceramic artist Paul Cummins, with setting by stage designer Tom Piper, 888,246 ceramic poppies progressively filled the Tower's famous moat. www.johnson-tiles.com/blog/2014/11/interview-paul-cummins...

On the bottom of the box is very interesting information on the hats that were fashionable in the years depicted in the art.

Needing a break from a puzzle I am currently working on ( stuck in the dreaded large dark tree area) I have just done this one. I have had it for several years now and it is probably my favourite of the Circular Springboks. "An art nouveau study of ladies' hats through the ages"

The artist Loudon Sainthill (1918-1969) who was Australian born, was" England's finest and one of the world's foremost stage designers.

His stage designs include, 1950 for Sir Robert Helpmann and Dame Margot Fonteyn's 'Ile de Sirenes' and 1951 for Michael Benthall's 'The Tempest'

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The major art installation Blood Swept Lands and Seas of Red at the Tower of London, marking one hundred years since the first full day of Britain's involvement in the First World War. Created by ceramic artist Paul Cummins, with setting by stage designer Tom Piper, 888,246 ceramic poppies will progressively fill the Tower's famous moat over the summer. Each poppy represents a British military fatality during the war.

The poppies encircled the iconic landmark, creating not only a spectacular display visible from all around the Tower but also a location for personal reflection. The scale of the installation intended to reflect the magnitude of such an important centenary creating a powerful visual commemoration.

#Grand_Opening_Ceremony #Hayat #Familia #Molfix #Papia #PC_Hotel_Lahore

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poppies.hrp.org.uk/about-the-installation

The major art installation Blood Swept Lands and Seas of Red at the Tower of London, marking one hundred years since the first full day of Britain's involvement in the First World War. Created by ceramic artist Paul Cummins, with setting by stage designer Tom Piper, 888,246 ceramic poppies will progressively fill the Tower's famous moat over the summer. Each poppy represents a British military fatality during the war.

The poppies will encircle the iconic landmark, creating not only a spectacular display visible from all around the Tower but also a location for personal reflection. The scale of the installation intends to reflect the magnitude of such an important centenary creating a powerful visual commemoration.

#Mehndi #Event #Village_Touch_Theme #Umbrella #Sialkot #MB_Villas #Groom_Entry #Groom #Jeep_Entry #Groom_men #DesiSwag #Desi_Swag #Mehndi_Entry #Unique_Wedding_Entry #best_wedding_photographers , #best_wedding_photographers_in_Lahore, #best_wedding_photographers_in_Pakistan, #Top_photography_services_provider_in_Pakistan, #top_photography_services_provider_in_Lahore, #top_photography_and_videography_services_in_Lahore, #top_photography_services_in_Lahore, #top_photography_services_in_Pakistan, Follow us on Instagram @DclassyClicks and @a2zevents We are now taking bookings for Oct-17 to Apr-18 Please Call us for details and bookings Direct Cell # +92-321-4268177 / 0331-4730273 PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800 PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com, www.DClassyclicks.com , Facebook:- www.facebook.com/a2zevents #DClassyClicks #DClassyClicksbya2zevents #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #hoteldecor #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #marriage #hotel #decor

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PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com, www.DClassyclicks.com , Facebook:- www.facebook.com/a2zevents #Barat #MehndiDecor #Barat_decoration #Flower_decoration #DClassyClicks #DClassyClicksbya2zevents #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #hoteldecor #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #marriage #hotel #decor

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Please Call us for details and bookings Direct Cell # +92-321-4268177 / 0324-4921459 / 0331-4730273 PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800 PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com, www.DClassyclicks.com , Facebook:- www.facebook.com/a2zevents #Barat #MehndiDecor #Barat_decoration #Flower_decoration #DClassyClicks #DClassyClicksbya2zevents #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #hoteldecor #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #marriage #hotel #decor

#Bridal #Shower #Multan #Night #Theme #Event

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PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com, www.DClassyclicks.com , Facebook:- www.facebook.com/a2zevents #Bridal_Shower #Bride_To_be #Brides_maid #Bride #Bride_sash #Mother_of_Bride #mehndi #mehndi_event, #C_stage #flower_decor #mehndi_stage #mehndi_decoration #decorators #stage_decoration #enterance_decoration #stage_design #vipstage #wedding_planner_in_lahore #wedding #wedding_planning #events_planner #events_organizer #events_designer #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #events_planner_in_pakistan #events_designer_in_pakistan #birthday_parties #corporate_events_stages_setup #mehndi_setup #barat_setup #barat_event_setup #mehndi_stage_decoration #barat_stage_decoration #best_event_planners_in_lahore #event_organizer_in_lahore #event_planners_in_pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway

Jesus vertreibt die Händler aus dem Tempel

Giovanni Paolo Pannini (Italian, 1691-1765) was born in 1691 in Piacenza and died in 1765 in Rome. He was trained as a stage designer but became famous in Rome as the leading painter of real and imaginary views of the city. He was the first artist to devote his painting to the study of ruins. He also did paintings of festivities and historical events and taught perspective at the Academie de France in Rome. His decision to concentrate on ruins and imaginary views took hold after his move to Rome in 1717. Pannini often created paintings documenting Rome's public celebrations and festivities, as well as happenings of historical significance. Highly skilled at portraying architectural detail, Pannini demonstrates his excellence in draftsmanship in the Gallery of the Views of Ancient Rome, painted in 1758. Unbelievably descriptive, the painting brings to life the historicaland famous monuments of Rome, including the Colosseum, the Pantheon, the Column of Trajan , various triumphal arches dedicated to rulers of Rome, and other significant ruins of antiquity.

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