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#Engagement Event with VIP #Decoration and #Stage #Design in BAHRIA Town SHERAN WALA FARMHOUSE

 

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www.thewowfactory.net info@thewowfactrory.net 1.877.WOW.IN3D

City Hall stage set prop at Rincon Church of God.

#Grand #Barat #Event #Multan #a2z_Events_Solutions #Marquee

 

#Fun_stuff #Selfie_props #Selfi_booth #Hanging_garden

 

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#Mehndi #Event #Faisalabad #FSD #New #Stage

 

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PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan

 

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#Engagement Event with VIP #Decoration and #Stage #Design in BAHRIA Town SHERAN WALA FARMHOUSE

 

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PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan

 

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4117 MuzJez František Muzika 1900 – 1974 Pastoral scene - Pastorále 1923 Oil on canvas 2015 S 2454 KutnaGaler_007 Kutná Hora

 

Born 26 June 1900

Prague, Czechoslovakia

Died 1 November 1974 (aged 74)

Prague, Czechoslovakia

Nationality Czech

Known forpainting

scenography

  

František Muzika (26 June 1900 – 1 November 1974) was a Czech artist and a prominent representative of avant-garde in Czechoslovakia in the first half of the 20th century. He was a member of Devětsil since 1921 and Mánes since 1923.

 

Muzika was a painter, graphic designer, stage designer, illustrator, editor and professor at the Academy of Arts and Industrial Design (UMPRUM) in Prague.

 

en.wikipedia.org/wiki/Franti%C5%A1ek_Muzika

  

Friendship is unnecessary, like philosophy, like art (...). It has no survival value; rather it is one of those things which give value to survival. Clive Stapies Lewis, Four Loves

 

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Friendship is unnecessary, like philosophy, like art (...). It has no survival value; rather it is one of those things which give value to survival. Clive Staples Lewis, Four Loves.

 

en.wikipedia.org/wiki/C._S._Lewis

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Grand Mehndi Event Open Air, Skyview Golf and Country Club DHA Lahore

 

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Tempera On Canvas; 33 1/4 x 20 1/2 in.

 

Swiss painter, draughtsman, sculptor and stage designer. He took an apprenticeship as a draughtsman-architect (1924–7) and then studied at the Ecole des Arts et Métiers in Lucerne (1927–8). Between 1928 and 1929 he stayed for the first time in Paris, where he attended the Académie Julian. He continued his training at the Vereinigte Staatschulen für freie und angewandte Kunst, Berlin (1929–30). The works of this period are signed François Grècque, a pseudonym that shows his admiration for ancient Greek art, traces of which are found in his works. In the course of many visits to Paris between 1932 and 1934, he had contacts with many artists, including Brancusi, Alexander Calder, Kandinsky, Mondrian and Henry Moore, and he was strongly influenced by the works of Braque and Picasso. In October 1933 he joined the Abstraction–Création group. In 1935 he collaborated in the exhibition Thèse, antithèse, synthèse at the Kunstmuseum in Lucerne, and in the same year he won a competition organized by that city, which involved the creation of a fresco, The Three Graces of Lucerne, to decorate the railway station. Many official commissions for frescoes or mural reliefs followed.

Oil and sand on canvas; 160 by 100cm.

 

Italian painter and stage designer. His interest in art was encouraged by his father, the art historian Umberto Gnoli, and his mother, the painter and ceramicist Annie de Garon, but his only training consisted of lessons in drawing and printmaking from the Italian painter and printmaker Carlo Alberto Petrucci (b 1881). After holding his first one-man exhibition in 1950, he studied stage design briefly in 1952 at the Accademia di Belle Arti in Rome; he enjoyed immediate success in this field, for example designing a production of William Shakespeare’s As You Like It for the Old Vic Theatre in London in 1955. He then began to live part-time in New York, where he began to work as an illustrator for magazines such as Sports Illustrated. During this period he drew inspiration from earlier art, especially from master printers such as Jacques Callot and Hogarth, from whom he derived his taste for compositions enlivened by large numbers of figures stylized to the point of caricature. In other works he emphasized the patterns of textiles or walls, boldly succumbing to the seduction of manual dexterity and fantasy in a style that was completely out of step with the prevailing trends of the 1950s.

New #Barat #Stage with #backside #Entry for #BRIDE

 

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#Mehndi #Event #Faisalabad #FSD #New #Stage

 

Follow us on Instagram @a2zevents and @DclassyClicks

 

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PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan

 

Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com, www.DClassyclicks.com , Facebook:- www.facebook.com/a2zevents #decorators #stage_decoration #enterance_decoration #stage_design #vipstage #wedding_planner_in_lahore #wedding #wedding_planning #events_planner #events_organizer #events_designer #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #events_planner_in_pakistan #events_designer_in_pakistan #birthday_parties #corporate_events_stages_setup #mehndi_setup #barat_setup #barat_event_setup #mehndi_stage_decoration #barat_stage_decoration #best_event_planners_in_lahore lahore #event_organizer_in_lahore #event_planners_in_pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway #truss #disco_lights #dj #mehndi_dance #photographers #catering_services #food_services #wedding_food #wedding_jewelry #wedding_cake #wedding_designers #wedding_decoration #wedding_services #flowers_decor #masehri_decor #Caterers_in_Lahore #events_specialists #Quality_Food_Suppliers #best_weddings_planners_in_Lahore

Tower of London (marking the centenary of the outbreak of the First World War. Created by ceramic artist Paul Cummins, with setting by stage designer Tom Piper, 888,246 ceramic poppies progressively fill the Tower’s famous moat until 11 November 2014).

 

Tower of London

 

Evolving installation Blood Swept Lands and Seas of Red, marking the centenary of the outbreak of the First World War. Created by ceramic artist Paul Cummins, with setting by stage designer Tom Piper, 888,246 ceramic poppies will progressively fill the Tower’s famous moat.

Update, September 2016.

I have just discovered Chroma by Derek Jarman.

"The joy of black and yellow Prospect Cottage. Black as pitch with bright yellow windows, it welcomes you."

 

Michael Derek Elworthy Jarman (31 January 1942 – 19 February 1994), English film director, stage designer, diarist, artist, gardener and author.

 

With thanks to Keith Collins, Derek Jarman's partner, the owner of Prospect Cottage.

 

Derek Jarman’s garden at Prospect Cottage in Dungeness –

Read more in Howard Sooley’s article in The Observer here

www.guardian.co.uk/lifeandstyle/2008/feb/17/gardens

 

Howard Sooley has kindly updated me on ownership of Prospect Cottage: "The cottage is owned and looked after by Keith Collins, who was Derek's partner. I try to do some gardening too....this has been the case since Derek died in 1994."

 

www.howardsooley.com

 

Notes off the Tate’s website, on Art of the Garden Exhibition, Tate Britain 3 June – 30 August 2004.

“Derek Jarman was drawn to Dungeness by its desolate character; he used it as the setting for his film The Last of England, an allegory on the social and sexual inequalities in England under Thatcherism. Later that year he was diagnosed as HIV positive, and while his public life became increasingly dedicated to gay rights issues, he devoted his private life to the creation of a garden at Prospect Cottage, a fisherman’s house on a huge bank of shingle on the Kent coast.

Jarman was a relatively inexperienced gardener, and given the inhospitable conditions at Dungeness he initially had little hope of establishing a garden. But he succeeded with the help of friends, especially the photographer Howard Sooley, using local plants and gathering flints and stones to form large circular beds and standing stones, or ‘dragon’s teeth’. He also collected old fishing tackle, shells, broken garden tools, driftwood and pieces of twisted metal from old sea defences, using them as plant supports and garden sculptures. The front garden was more formal, the back garden more experimental, although there are no fences of walls anywhere.

Jarman’s garden featured in his 1989 film War Requiem, and in the following year was the focal point of The Garden, ‘a parable about the cruel and unnecessary perversion of innocence’ where it figured both as the Garden of Eden and the garden at Gethsemane.”

 

www.barbarachandler.co.uk

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On one evening I was lucky enough to visit Vivid Sydney 2009. That was an amazing festival of music and light happening all around Sydney. This picture shows one of the installations called “Rocklights", the light projection in Argyle Cut by German artist and stage designer Ingo Bracke. Argyle Cut itself is a tunnel that was cut through the sandstone by convicts with basic digging tools at first and then by explosives. That was a huge job for year 1868 and it is no wonder it took 25 years to complete.

 

The picture is tonemapped HDR from a single RAW file. The shot was taken from a tripod with 8sec exposure.

 

Location: The Argyle Cut, The Rocks, New South Wales, Australia

 

From my photoblog at www.bouncedphoton.com

 

Large On Black

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#Grand_Stage #Barat #Event #Dha_PhaseVIII #a2z_Events_Solutions #Marquee #Fun_stuff #Selfie_props #Selfie_booth #Hanging_garden #Cinderella_Cart #Rickshaw_Entry

 

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#Walima Behria #FarmHouse Follow us on Instagram @DclassyClicks and @a2zevents Call us for details and bookings Direct Cell # +92-321-4268177 / 0331-4730273 PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800 PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com , Facebook:- www.facebook.com/a2zevents #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #marriage #hotel #decor

Walima Highlights Marian Gujranwala Direct Cell # +92-321-4268177 / 0331-4730273 PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800 PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com , Facebook:- www.facebook.com/a2zevents #creativeweddingplanner #pakistaniweddings #events #weddingsby #themedweddings #mehendistage #mehendistagedecoration #pakistaniweddingideas #pakistaniweddingplanner #weddingdesigner #stagedecorator #weddingsinpakistan #a2zeventssolutions #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #wallima #reception #Bridal #Photography #Shoot #islamabad #marquee #marriage #hotel #decor

#Grand_Opening_Ceremony #Hayat #Familia #Molfix #Papia #PC_Hotel_Lahore

 

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#BaratEvent #Behria #FarmHouse Follow us on Instagram @DclassyClicks and @a2zevents Call us for details and bookings Direct Cell # +92-321-4268177 / 0331-4730273 PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800 PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com , Facebook:- www.facebook.com/a2zevents #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #marriage #hotel #decor

1918. Oil on canvas. The Russian Museum, St. Petersburg, Russia.

 

Boris Mikhaylovich Kustodiev (Russian: Бори́с Миха́йлович Кусто́диев) (March 7, 1878–May 28, 1927) was a Russian painter and stage designer.

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Colored crayon and sanguine; 75.8 x 51.8 cm.

 

Rosenberg Lev Samoylovich called Bakst was a painter and a stage designer of Belorussian birth. Born into a middle class Jewish family, Bakst was educated in St Peterburg, attending the Academy of Arts. Bakst traveled regularly to Europe and North Africa and studied in Paris with a number of notable artists at the Academie Julian. With Alexander Benois and Serge Diaghlev he was a founder of the WORLD OF ART group in 1898. In 1906 he became a drawing teacher at the Yelizaveta Zvantseva's private school in St Peterburg.

 

Bakst realized his greatest artistic success in the theatre. In 1909 he collaborated with Diaghilev in the founding of Ballets Russes, where he acted as artistic director, and his stages designs rapidly brought him international fame. Between 1909 and 1921 his name became inseparable from the Ballets Russes. He also designed for other celebrities, included the artist producers Vera Komissarzhervskaya in 1906, Ida Rubinstein between 1911 to 1924. He settled in Paris in 1912, having being exiled from St Peterburg where, as a Jew he was unable to obtain a residence permit.

 

Bakst was arguably the most accomplish painter, as well as designer, in the World of Art group. His early preferences were for Realist painters and Old Masters, such as Rembrandt and Velazquez. The animated line and relaxed postures in his portraiture also suggest the influence of his close friend Valentin Serov. Through Benois and his circle Bakst was attracted to "retrospectivism" and Orientalism, and motifs from ancient Greece and Egypt became signatures in his easel paintings and theoretical work. The Benois circle also introduced him to Symbolism and Art Nouveau.

  

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Festival de wereld van Witte de With, Rotterdam 2010

 

De Tiller Girls zijn terug! Dit dansgezelschap maakte begin 20e eeuw internationaal furore met hun spectaculaire en gewaagde ‘Chorus-line dance’. De dans hypnotiseerde haar toeschouwers door de uiterst strakke choreografie waarbij de rij sexy benen eindeloos hoog de lucht in gaat. Honderd jaar na dato presenteert V2_ tijdens De Wereld van Witte de With een dansvoorstelling van kunstenaar Louis-Philippe Demers geïnspireerd op dit uniek stukje dansgeschiedenis. In Demers’ wervelende show zijn de Tiller Girls vervangen door twaalf robots die een Chorus-line dance uitvoeren. Haal de smokings en de avondjurken uit de kast want zoiets heeft u nog nooit gezien!

 

Don't miss it – the Tiller Girls are back! This famous dance troupe caused an international sensation at the beginning of the 20th century with its spectacular, daring chorus line dance. The dance has a hypnotic effect on viewers thanks to its extremely tight choreography, in which a line of sexy legs rises endlessly up, up, up into the air.

 

A century after the original Tiller Girls conquered the world, V2_ presents artist Louis-Philippe Demers’ performance inspired by this unique piece of dance history during De Wereld van Witte de With. In Demers’ sparkling show, the Tiller Girls will be replaced by a dozen robots who will perform the chorus line dance. The public is welcome to attend. Get out your tuxedos and evening dresses, because you've never seen anything like this!

 

Louis-Philippe Demers makes large-scale robotic environments and interactive media artworks. He was Professor at the HfG/ZKM and currently is at the Interaction and Entertainment Research Centre at the NTU (Singapore).

 

Philip Schulze is a media artist, composer and improviser. Schulze develops site-specific visual and auditory experiences and collaborative action spaces. He is responsible for Real-Time Audio Design.

 

Armin Purkrabek is a stage designer, researcher and media artist. Purkrabek develops futuristic scenographies thru digital/analogue art experiments. He is responsible for Real-Time Video/Lights Design.

#Ayaan #Shoaib #First #Birthday #Jungle #Theme #Touch Follow us on Instagram @DclassyClicks and @a2zevents We are now taking bookings for July-17 to Apr-18 Please Call us for details and bookings Direct Cell # +92-321-4268177 / 0331-4730273 PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800 PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com, www.DClassyclicks.com , Facebook:- www.facebook.com/a2zevents #DClassyClicks #DClassyClicksbya2zevents #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #hoteldecor #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #marriage #hotel #decor

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Collage of twigs in a vase? shot in Derek Jarman's Cottage garden; Prospect

Derek Jarman was an English film director, stage designer, artist, and writer.

Jarman's work broke new ground in creating and expanding the fledgling form of 'the pop video' in England, and as a forthright and prominent gay rights activist. Several volumes of his diaries have been published.

 

Jarman also directed the 1989 tour by the UK duo Pet Shop Boys. By pop concert standards this was a highly theatrical event with costume and specially shot films accompanying the individual songs. Jarman was the stage director of Sylvano Bussotti's opera L'Ispirazione, first staged in Florence in 1998.

 

He is also remembered for his famous shingle cottage-garden, created in the latter years of his life, in the shadow of the Dungeness power station. The house was built in tarred timber. Raised wooden text on the side of the cottage is the first stanza and the last five lines of the last stanza of John Donne's poem, The Sun Rising. The cottage's beach garden was made using local materials and has been the subject of several books. At this time, Jarman also began painting again (see the book: Evil Queen: The Last Paintings, 1994).

 

Jarman was the author of several books including his autobiography Dancing Ledge, a collection of poetry A Finger in the Fishes Mouth, two volumes of diaries Modern Nature and Smiling In Slow Motion and two treatises on his work in film and art The Last of England (also published as Kicking the Pricks) and Chroma. Other notable published works include film scripts (Up in the Air, Blue, War Requiem, Caravaggio, Queer Edward II and Wittgenstein: The Terry Eagleton Script/The Derek Jarman Film), a study of his garden at Dungeness Derek Jarman's Garden, and At Your Own Risk, a defiant celebration of gay sexuality.

  

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#Mehfl-e-Naat #Ferozpur City Lahore Follow us on Instagram @DclassyClicks and @a2zevents We are now taking bookings for Oct-17 to Apr-18 Please Call us for details and bookings Direct Cell # +92-321-4268177 / 0324-4921459 / 0331-4730273 PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800 PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com, www.DClassyclicks.com , Facebook:- www.facebook.com/a2zevents #Barat #MehndiDecor #Barat_decoration #Flower_decoration #DClassyClicks #DClassyClicksbya2zevents #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #hoteldecor #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #marriage #hotel #decor

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Festival de wereld van Witte de With, Rotterdam 2010

 

De Tiller Girls zijn terug! Dit dansgezelschap maakte begin 20e eeuw internationaal furore met hun spectaculaire en gewaagde ‘Chorus-line dance’. De dans hypnotiseerde haar toeschouwers door de uiterst strakke choreografie waarbij de rij sexy benen eindeloos hoog de lucht in gaat. Honderd jaar na dato presenteert V2_ tijdens De Wereld van Witte de With een dansvoorstelling van kunstenaar Louis-Philippe Demers geïnspireerd op dit uniek stukje dansgeschiedenis. In Demers’ wervelende show zijn de Tiller Girls vervangen door twaalf robots die een Chorus-line dance uitvoeren. Haal de smokings en de avondjurken uit de kast want zoiets heeft u nog nooit gezien!

 

Don't miss it – the Tiller Girls are back! This famous dance troupe caused an international sensation at the beginning of the 20th century with its spectacular, daring chorus line dance. The dance has a hypnotic effect on viewers thanks to its extremely tight choreography, in which a line of sexy legs rises endlessly up, up, up into the air.

 

A century after the original Tiller Girls conquered the world, V2_ presents artist Louis-Philippe Demers’ performance inspired by this unique piece of dance history during De Wereld van Witte de With. In Demers’ sparkling show, the Tiller Girls will be replaced by a dozen robots who will perform the chorus line dance. The public is welcome to attend. Get out your tuxedos and evening dresses, because you've never seen anything like this!

 

Louis-Philippe Demers makes large-scale robotic environments and interactive media artworks. He was Professor at the HfG/ZKM and currently is at the Interaction and Entertainment Research Centre at the NTU (Singapore).

 

Philip Schulze is a media artist, composer and improviser. Schulze develops site-specific visual and auditory experiences and collaborative action spaces. He is responsible for Real-Time Audio Design.

 

Armin Purkrabek is a stage designer, researcher and media artist. Purkrabek develops futuristic scenographies thru digital/analogue art experiments. He is responsible for Real-Time Video/Lights Design.

#Grand_Stage #Barat #Event #Dha_PhaseVIII #a2z_Events_Solutions #Marquee #Fun_stuff #Selfie_props #Selfie_booth #Hanging_garden #Cinderella_Cart #Rickshaw_Entry

 

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New #Barat #Stage with #backside #Entry for #BRIDE

 

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#Engagement Event with VIP #Decoration and #Stage #Design in BAHRIA Town SHERAN WALA FARMHOUSE

 

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PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan

 

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#Walima #Defence #Marquee

 

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#Mehfl-e-Naat #Ferozpur City Lahore Follow us on Instagram @DclassyClicks and @a2zevents We are now taking bookings for Oct-17 to Apr-18 Please Call us for details and bookings Direct Cell # +92-321-4268177 / 0324-4921459 / 0331-4730273 PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800 PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com, www.DClassyclicks.com , Facebook:- www.facebook.com/a2zevents #Barat #MehndiDecor #Barat_decoration #Flower_decoration #DClassyClicks #DClassyClicksbya2zevents #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #hoteldecor #Mehndi #a2zeventssolutions #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #Wedding #Planner #stage #decor #mehndi #baraat #reception #Bridal #Photography #Shoot #islamabad #marquee #marriage #hotel #decor

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The art installation "Blood Swept Lands and Seas of Red" at the Tower of London, marks one hundred years since the first full day of Britain's involvement in the First World War. Created by ceramic artist Paul Cummins, with setting by stage designer Tom Piper, 888,246 ceramic poppies will progressively fill the Tower's famous moat over the summer. Each poppy represents a British military fatality during the war.

 

The poppies will encircle the iconic landmark, creating not only a spectacular display visible from all around the Tower but also a location for personal reflection. The scale of the installation intends to reflect the magnitude of such an important centenary creating a powerful visual commemoration.

(further information and pictures you can see by clicking on the link at the end of page!)

Volkstheater - People's Theatre

The Volkstheater (2008)

The Volkstheater is one of the most important Schauspielbühnen (drama stages) of Vienna. It was founded in 1889 by the poet Ludwig Anzengruber and the industrialist Felix Fischer by the Association of the German folk theater (Volkstheater), to create an alternative to the Imperial Hofburg Theatre, the latter one the representation of everyday life, the folksy and comedic elements keeping away from its stage boards. The first president of the club was the famous stool manufacturer Franz Thonet. The founders intended in addition to folk plays mainly classical and modern dramas being performed and to provide a broad class of population access to the theater. Therefore the famous Theaterarchitektenduo (duo of theater architects) Ferdinand Fellner and Hermann Helmer the neo-Renaissance building with the representative column loggia have given a large auditorium with little boxes and many exits to the outside, by which this building in the style of historicism became a model for the entire monarchy. The auditorium with the ceiling painting by Eduard Veith, showing the coronation of the Austrian poets Ferdinand Raimund, Johann Nepomuk Nestroy and Ludwig Anzengruber, is one of the last in its original state preserved audiences in Vienna and was with 1900 seats formerly the largest in the entire German-speaking world. Today, the capacity of the theater is 970 places and it is the second largest theater stage in Vienna. According to safety regulations, which were adopted after the Ring Theatre fire in Vienna in 1881, the Volkstheater was the first exclusively electrically lit theater house.

History

On 14 September 1889 opened the theater its doors with Ludwig Anzengruber's drama "The stain on the honor". The bourgeoisie and the aristocracy of money (Geldadel) called the new theater "their house" and thus defied the exclusively reserved for the aristocracy Court Theatre, whose artistic director initially even harbored takeover plans. When the popular theater was run down and broke, he then wanted to buy it cheap. But the people theater celebrated one success after another. Just one year after the opening had to be enlarged the stage area. In 1907 were added a further extension with additional foyer and 1911 more stage side rooms.

In the 1920s, the Volkstheater experienced under the theater directors Alfred Bernau and Rudolf Beer artistic highlights. Spectacular repertoires, prominent actors, directors and stage designers of that time continued the success story of the theater. From 1938 to 1945, the theater became part of the Nazi leisure program "Strength through Joy" of the German Labor Front under Walter Bruno Iltz. In the years 1938/1939 was rebuilt the theater and removed the sculptural decoration on the facade. For a visit of Adolf Hitler even a reception and break room was extra set up, the so-called leaders room (Führerzimmer). In 1944 the dome and foyers were destroyed in an attack, a year later the building was restored but for the time being it was decided not to reconstruct the dome and the facade decoration. Only in the course of a general renovation in the early 1980s the dome was restored. On 10 May 1945, the theater was reopened. After the war, the director and actor Günther Haenel became director of the theater. His game plan focused mainly socio-critical issues.

In the following two decades (1950s and 1960s) dominated on the initiative Leon Epps' contemporary plays and bold interpretations of classics the theater program and the popular theater became famous with Raimund and Nestroy interpretations under the direction of Gustav Manker. Manker became at the beginnings of the 1970s director of the theater and celebrated breakthroughs with the discovery of modern Austrian dramatic literature.

In 1954, the play series "People's Theatre in the districts" was launched. Individual productions of popular theater are presented in external venues in the districts of Vienna. Among these secondary venues since 2005 the "Hundsturm (dogs tower)" as a smaller stage is included in which experimental theater works are staged. But also in the main building of the popular theater are additional venues located, like the "Red Bar" (in the buffet room on the first floor), the "Black Salon", the "White Salon" and the "Reception Room" (formerly "Führerzimmer"). Since 2009/10 in Bellaria Cinema at Museum Street behind the People's Theatre the production "Go West ? - Young authors write for the popular theater" has its home.

The auditorium (2009)

On both sides of the main house in the Neustiftgasse watch "the good spirits of the Viennese popular theater". In the nearby small Weghuberpark sits theater buffoonery poet Ferdinand Raimund suspended in reverie on a marble bench, surrounded by the feminine genius of fantasy. This sculpture was created by the Austrian sculptor Franz Vogl 1898. At the corner of Burggasse/Museum Street a bust of the famous Austrian actress Johanna "Hansi" Niese (by Josef Müllner, 1952) reminds of the triumph of comedic presentation at the beginning of the century.

Source: Wiener Zeitung

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