squinting at my screen. i had the camera set up next to the computer ready to upload photos and triggered the remote one more time.

Today's eBay piece is 'The Golden Squint' check it out! (Click blue link to follow to eBay)

 

It is said that if you gaze at the sunset and squint just so you can see Mount Olympus - home to the entire pantheon of Greek gods. Trying to achieve this so called 'Golden Squint' has led many a scholar to his doom but this lady seems to have nailed it without really trying. I wonder what she can see up there?

 

Cheers

 

id-iom

 

Title: The Golden Squint

Media: Pencil, gold leaf, pastel and acrylic

Size: A4

Eldon. Hampshire, England.

Squinting

i had no patience.

 

i yelled a lot.

 

i allowed them to frustrate me.

 

but flooz will be here in a few hours and she's going to school w/ me tomorrow and then hanging out all weekend, so all will be good again soon! wooo!!

Took this yesterday. Thought I would share.

Some jumping spiders' visual acuity exceeds by a factor of ten that of dragonflies, which have by far the best vision among insects; in fact the human eye is only about five times sharper than a jumping spider's. They achieve this by a telephoto-like series of lenses, a four-layer retina and the ability to swivel their eyes and integrate images from different stages in the scan. The downside is that the scanning and integrating processes are relatively slow.

Something I learned today.

Apo-Gerogon 300mm F9 EL

  

OLYMPUS DIGITAL CAMERA

The weekend.

 

At last.

 

And for the weekend, Saturday was to bring sunshine, but Sunday would bring wind and rain.

 

But, as always, no one told Mother Nature, and Saturday was graced with thick and dark cloud.

 

But first: shopping.10% of our weekly shop goes on stuff for the local foodbank. Such things should not be needed, but it is.Around the store, just about everything is well stocked, except the fresh fruit which like it has been most of the year, thin on the ground.

 

Back home to put our goodies away, the to have two breakfasts, forst one of fruit, then followed by bacon.

 

Same every week.

 

And then: time to go out.

 

I am posting my top 50 Kent churches on Twitter, or until that site crashes, and I realise I needed to go back to a couple: Newnham and Wychling. Which meant on the way I could stop to look at Stone Chapel beside what used to be Watling Street, now the old A2, between Faversham and Sittingbourne.

 

A half hour run up the A2, through Faversham. Jools dropped me off at the junction opposite the chapel, and I have to scamper across the main road.

 

That done.

 

I have wanted to visit Stone Chapel just outside of Faversham for some while, but parking here is very difficult.

 

Yesterday, with the plan to visit Newnham and Doddington, it seemed too good an opportunity to visit the ruin.

 

You can see the remains from the old A2, Watling Street, and doesn't look that much, but worth visiting for the project, I thought.

 

In fact, close up it appears to be part Roman or made with Roman remains, the nave walls on both side have layers of clearly Roman tiles.

 

I am currently reading an archaeological paper which doubts the conclusions reached on the English Heritage site.

 

It is a less travelled path across the fields to the copse with the ruins in front. The field had been left fallow, so was full of Annual Mercury, Common Groundsel and a few Shepherd's Purse.

 

Straight away the courses of red Roman tiles were obvious, and even to me, seemed to form a square. The rest of the church was built of flint, and is crumbling still. Not bad for ruins of a building abandoned in the 1530s.

 

Ferns grow out of the mortar, quite a rare ecosystem here in Kent.

 

The stone altar is still in situ in the Chancel, or what remains of it. A step leads down into the nave, and was worn with steps of nearly a thousand years of use.

 

An amazing an mysterious place.

 

I walk back over the field, wait to cross the road and join Jools back in the car. From here it was a ten minute drive to Newnham where I was pretty sure the church would be open.

 

Outside, you can't tell how dull and gloomy it is, but inside a church, then you can tell. In the church, it was dark, almost night, but the camera found things to focus on until I found the lightswitches.

 

The church has no stained glass, and few memorials, but otherwie a few things to see. But good to have visited the first church and it was open.

 

Next up it was one of my favourites: Doddington.

 

A couple of miles further on, and up the hill is the gruesomely dedicated The Beheading of St John the Baptist, though named for the feast day rather than the even itself.

 

A walk over the litter-strewn and narrow lane, and into the churchyard, where the low clapboarded tower is wonderful in itself.

 

But inside an unusual double squint, wall paintings of St Francis and St John the Baptist, a couple of fresh looking hatchings, a realy excentric roal coat of arms of an unknown monarch, but remarkable. In the churchyard, the wardens have worked with Plantlife to create fine wildflower meadows in the churchyard, turning God's Acre into something to support our native flora and fauna.

 

I take 150 or so shots, then walk back to the car, and take Jools to the next target: Wychling.

 

Wychling is a remote church, pretty much without a village, but the church lays back from the road, through a meadow and then through the bare churchyard, the church with its tower hidden by mature trees.

 

The website said it would be open, but I had my doubts, and I was proven right as the porch door was locked.

 

So, it was a long walk back to the car where Jools was waiting.

 

Our final call was to be Hollingbourne, which I seem to remember my last visit was cut short.

 

So, it was just a five mile trip over the downs, so set the sat nav, and off we went. Thing is, roads round there are narrow, and partially flooded after the week of rain, so it was quite the adventure, and a couple of times we said, "NZ Tony would love this", as we went down another road barely wider than the car.

 

The other thing I should mention is that there was a fire at one of the oldest pubs in Kent, in the village. Not that I thought that would be a problem.

 

But it was, as the road past the hotel is closed while they try to secure the building.

 

No matter, if we could get to the M20, turn off at Leeds, then there was another way into the village there.

 

So, down gravel strewn lanes, and others so covered in fallen leaves they were not really roads at all. To the A249, down the hill and onto the motorway for one junction.

 

We turned off and went under the motorway and HS1, only to find the road through the village closed, for different reasons, this side too. Looking at the map, the chuch and a few houses sit isolated in the middle of the two closed roads. Nowhere to park.

 

I gave up, and we decded to drive home.

 

Back to the motorway, and cruise back to the coast through Ashford, Hythe and Folkestone.

 

No firebombing this time, though.

 

Back in time for the second half of the League 1 game featuring the Old Farm Enemy, Ipswich. I turned it on as Town scored their second goal, and so turned it off again.

 

That's not how its supposed to happen.

 

And due to the world cup cancelling out a month of Prem and Championship football, there was no commentary on the radio, nor no videoprinter.

 

All a bit dull.

 

We have dinner: tacos and home made spiced chicken tenders and salsa.

 

It was spicy, but not too spicy.

 

And after that, no football to watch on the tellybox, so we just have Craig on the wireless, playing funk and soul.

 

Jools beats me at crib.

 

And that was it.

 

Phew.

 

--------------------------------------------------

 

An enchanting church set in a wooded churchyard on the edge of a steep valley. The building displays much of medieval interest due to minimal nineteenth-century interference. The most important feature is the small stone prayer desk next to the westernmost window of the chancel. This window is of the low side variety - the desk proving the window's part in devotional activities. The nearby thirteenth-century lancet windows have a series of wall paintings in their splays, while opposite is a fine medieval screen complete with canopy over the priests' seats. There is also an excellent example of a thirteenth-century hagioscope that gives a view of the main altar from the south aisle, which was a structural addition to the original building. The south chancel chapel belonged to the owners of Sharsted Court and contains a fine series of memorials to them. Most of the stained glass is nineteenth century - some of very good quality indeed. Outside there is a good tufa quoin on the north wall of the nave and a short weatherboarded tower.

 

www.kentchurches.info/church.asp?p=Doddington

 

--------------------------------------------

 

DODDINGTON.

NEXT to that of Linsted south-eastward, is the parish of Doddington, called in the record of Domesday, Dodeham.

 

THIS PARISH is about two miles across each way, it lies the greatest part of it on the hills on the northern side of the high road leading from Faversham through Newnham valley over Hollingborne hill towards Maidstone. It is a poor but healthy situation, being much exposed to the cold and bleak winds which blow up through the valley, on each side of which the hills, which are near the summit of them, interspersed with coppice woods, rise pretty high, the soil is mostly chalk, very barren, and much covered with slint stones. The village stands on the road in the valley, at the east end of it is a good house, called WHITEMANS, which formerly belonged to the family of Adye, and afterwards to that of Eve, of one of whom it was purchased by the Rev. Francis Dodsworth, who almost rebuilt it, and now resides in it. Upon the northern hill, just above the village, is the church, and close to it the vicarage, a neat modern fashed house; and about a mile eastward almost surrounded with wood, and just above the village of Newnham, the mansion of Sharsted, a gloomy retired situation.

 

Being within the hundred of Tenham, the whole of this parish is subordinate to that manor.

 

At the time of taking the above record, which was anno 1080, this place was part of the possessions of Odo, the great bishop of Baieux, the king's half brother; accordingly it is thus entered, under the general title of that prelate's lands:

 

The same Fulbert holds of the bishop Dodeham. It was taxed at one suling. The arable land is . . . . . In demesne there is one carucate and seventeen villeins, with ten borderers having two carucates. There is a church, and six servants, and half a fisbery of three hundred small fish, and in the city of Canterbury five houses of seven shillings and ten pence. In the time of king Edward the Confessor it was worth ten pounds. The bishop let it to ferm for ten pounds, when Fulbert received it, six pounds, and the like now . . . . . Sired held it of king Edward.

 

Four years after which the bishop of Baieux was disgraced, and all his effects were consiscated to the crown.

 

PART OF THE above-mentioned estate was, most probably, THE MANOR OF SHARSTED, or, as it was antiently called Sabersted, the seat of which, called Sharsted-court, is situated on the hill just above the village of Newnham, though within the bounds of this parish.

 

This manor gave both residence and name to a family who possessed it in very early times, for Sir Simon de Sharsted died possessed of it in the 25th year of king Edward I. then holding it of the king, of the barony of Crevequer, and by the service of part of a knight's see, and suit to the court of Ledes.

 

Richard de Sharsted lies buried in this church, in the chapel belonging to this manor. Robert de Sharsted died possessed of it in the 8th year of king Edward III. leaving an only daughter and heir, married to John de Bourne, son of John de Bourne, sheriff several years in the reign of king Edward I. whose family had been possessed of lands and resided in this parish for some generations before. In his descendants this estate continued down to Bartholomew Bourne, who possessed it in the reign of Henry VI. in whose descendants resident at Sharsted, (who many of them lie buried in this church, and bore for their arms, Ermine, on a bend azure, three lions passant guardant, or) this estate continued down to James Bourne, esq. who in the beginning of king Charles I.'s reign, alienated Sharsted to Mr. Abraham Delaune, merchant, of London, the son of Gideon Delaune, merchant, of the Black Friars there, who bore for his arms, Azure, a cross of Lozenges, or, on a chief gules, a lion passantguardant of the second, holding in his dexter paw a fleur de lis; which was assigned to him by William Segar, garter, in 1612, anno 10 James I.

 

He resided at Sharsted, in which he was succeeded by his eldest son, Sir William Delaune, who resided likewise at Sharsted, where he died in 1667, and was buried in Doddington church. He was twice married; first to Anne, daughter and only heir of Tho. Haward, esq. of Gillingham, by whom he had an only daughter Anne, heir to her mother's inheritance. His second wife was Dorcas, daughter of Sir Robert Barkham, of Tottenham High Cross, (remarried to Sir Edward Dering) by whom he had a son William, and a daughter Mary, married to colonel Edward Thornicroft, of Westminster.

 

William Delaune, esq. the son, succeeded to this estate, and was knight of the shire for this county. He died in 1739, s.p having married Anne, the widow of Arthur Swift, esq. upon which it passed by the entail in his will to his nephew Gideon Thornicroft, son of his sister Mary, widow of Edward Thornicroft, esq. by whom she had likewise three daughters, Dorcas, Elizabeth, and Anne. This branch of the family of Thornicroft was situated at Milcomb, in Oxfordshire, and was a younger branch of those of Thornicroft, in Cheshire. John Thornicroft, esq. of London, barrister-at-law, was younger brother of Edward Thornicroft, esq. of Cheshire, and father of John, for their arms, Vert, a mascle, or, between four crasscreated a baronet of August 12, 1701, and of colonel Edward Thornicroft above-mentioned. They bore for their arms, Vert, a mascle, or, between four crosscroslets, argent. Lieutenant-colonel Thornicroft was governor of Alicant, when that fortress was besieged in 1709, and perished there, by the explosion of a mine. (fn. 1)

 

Gideon Thornicroft, esq. possessed this estate but a small time, and dying in 1742, s.p. and being the last in the entail above-mentioned, he devised it by his will to his mother, Mrs.Mary Thornicroft, who dying in 1744, by her will devised to her two maiden daughters, Dorcas and Anne, this manor and seat, as well as all the rest of her estates, excepting Churchill farm in Doddington, which she gave to her second daughter Elizabeth, who had married George Nevill, lord Abergavenny, who dieds.p. and lady Abergavenny, in her life-time, made a deed of gift of this farm, to her son Alured Pinke, esq. who now owns it.

 

They possessed this estate jointly till the death of Mrs.Dorcas Thornicroft, in 1759, when she by will devised her moiety of it, as well as the rest of her estates, except the Grange in Gillingham, to her sister Mrs. Anne Thornicroft, for her life, remainder in tail to her nephew Alured Pinke, barrister-at-law, son of Elizabeth, lady Abergavenny, her sister by her second husband Alured Pinke. esq. barrister-at-law, who had by her likewise a daughter Jane, married to the Rev. Henry Shove; upon this Mrs.Anne Thornicroft before-mentioned, became the sole possessor of this manor and estate, in which she resided till her death in 1791, æt. 90, upon which it came to her nephew, Alured Pinke, esq. before-mentioned, who married Mary, second daughter of Thomas Faunce, esq. of Sutton-at-Hone, by whom he has one son Thomas. He bears for his arms, Argent, five lozenges in pale, gules, within a bordure, azure, charged with three crosses pattee, fitchee. He resides here, and is the present possessor of this seat and estate. A court baron is held for this manor.

 

DOWNE-COURT is a manor in this parish, situated on the hill, about half a mile north westward from the church. In the reign of king Edward I. it was in the possession of William de Dodington, who in the 7th year of it did homage to archbishop Peckham for this manor, as part of a knight's fee, held of him by the description of certain lands in Doddington, called Le Downe. His descendant Simon de Dodington, paid aid for it in the 20th year of king Edward III. as appears by the Book of Aid; from him it passed into the family of Bourne, of Bishopsborne, whose ancestors were undoubtedly possessed of lands in this parish, (fn. 2) so early as the reign of Henry III. for archbishop Boniface, who came to the see of Canterbury in the 29th year of it, granted to Henry de Bourne, (fn. 3) one yoke of land, in the parish of Dudingtune, belonging to his manor of Tenham, which land he held in gavelkind, and might hold to him and his heirs, of the archbishop and his successors, by the service of part of a knight's fee, and by rent to the manor of Tenham.

 

His descendant John de Bourne lived in the reign of king Edward I. in the 17th year of which he obtained a charter offree warrenfor his lands in Bourne, Higham, and Doddington, after which he was sheriff in the 22d and the two following years of it, as he was again in the 5th year of king Edward III. His son John de Bourne married the daughter and sole heir of Robert de Sharsted, by which he became possessed of that manor likewise, as has been already related, and in his descendants Downe-court continued till about the latter end of king Henry VI.'s reign, when it was alienated to Dungate, of Dungate-street, in Kingsdown, the last of which name leaving an only daughter and heir, she carried it in marriage to Killigrew, who about the beginning of Henry VIII. ending likewise in two daughters and coheirs, one of whom married Roydon, and the other Cowland, they, in right of their respective wives, became possessed of it in equal shares. The former, about the latter end of that reign, alienated his part to John Adye, gent. of Greet, in this parish, a seat where his ancestors had been resident ever since the reign of Edward III. for he was descended from John de Greet, of Greet, in this parish, who lived there in the 25th year of that king's reign. His grandson, son of Walter, lived there in the reign of Henry V. and assumed the name of Adye. (fn. 4) This family bore for their arms, Azure, a fess dancette, or, between three cherubins heads, argent, crined of the second; which coat was confirmed by-Sir John Segar, garter, anno 11 James I. to John Adye, esq. of Doddington, son and heir of John Adye, esq. of Sittingborne, and heir of John Adye, the purchaser of the moiety of this manor.

 

He possessed this moiety of Downe court on his father's death, and was resident at Sittingborne. He died on May 9, 1612, æt. 66, and was buried in Doddington church, leaving issue by Thomasine his wife, daughter and coheir of Rich. Day, gent. of Tring, in Hertsordshire, one son John, and five daughters.

 

John Adye, esq. the grandson of John, the first purchaser, succeeded at length to this moiety of Downe-court, and resided there, during which time he purchased of the heirs of Allen the other moiety of it, one of which name had become possessed of it by sale from the executors of Cowland, who by his will in 1540, had ordered it to be sold, for the payment of debts and legacies. He died possessed of the whole of this manor and estate, in 1660, and was buried in Nutsted church, of which manor he was owner. He left by his first wife several children, of whom John, the eldest, died s.p. Edward, the second, was of Barham in the reign of king Charles II. under which parish more of him and his descendants may be seen; (fn. 5) and Nicholas was the third son, of whom mention will be made hereafter. By his second wife he had Solomon, who was of East Shelve, in Lenham, and other children.

 

Nicholas Adye, esq. the third son, succeeded to Downe-court, and married Jane, daughter of Edward Desbouverie, esq. Their eldest son, John Adye, succeeded to this manor, at which he resided till he removed to Beakesborne, at the latter end of Charles II.'s reign, about which time he seems to have alienated it to Creed, of Charing, in which name it continued till it was sold to Bryan Bentham, esq. of Sheerness, who devised it to his eldest son Edward Bentham, esq. of the Navy-office, who bore for his arms, Quarterly, argent and gules, a cross story counterchanged; in the first and fourth quarters, a rose, gules, seeded, or, barbed vert; in the second and third quarters, a sun in its glory, or; being the arms given by queen Elizabeth to Thomas Bentham, D.D. bishop of Litchfield, on his being preferred to that see in 1559, the antient family arms of Bentham, of Yorkshire, being Argent, a bend between two cinquefoils, sable. Since his death this estate has by his will become vested in trustees, to fulfil the purposes of it.

 

Charities.

JOHN ADYE, ESQ. gave by will in 1660, 40s. to the poor of this parish, payable yearly out of Capel hill, in Leysdown, the estate of Samuel-Elias Sawbridge, esq.

 

AN UNKNOWN PERSON gave 20s. per annum, payable out of an estate in Doddington, late belonging to the earl of Essingham, and now to the Rev. Francis Dodsworth.

 

TEN SHILLINGS are paid yearly at Christmas, to the poor of this parish, by the lessee of the parsonage by the reservation in his lease.

 

THE REV. MR. SOMERCALES, vicar of this parish, by his will gave an Exchequer annuity of 14l. to be applied to the instructing of poor children in the Christian religion.

 

FORTY HILLINGS are payable yearly at Michaelmas, out of a field formerly called Pyding, now St.John Shotts, belonging to Alured Pinke, esq. towards the repair of the church.

 

A PERSON UNKNOWN gave for the habitation of three poor persons, a house, now containing three dwellings.

 

The poor constantly relieved are about forty-five.

 

DODDINGTON is within the ECCLESIASTICAL JURISDICTION of the dioceseof Canterbury, and deanry of Ospringe.

 

The church, which is dedicated to St. John Baptist, consists of a body and chancel, with a chapel or chantry on the south side of it, belonging to the Sharsted estate. At the west end is a low pointed steeple, in which are six bells. About the year 1650, the steeple of this church was set on fire by lightning, and much damaged. In this church are memorials for the Swalman's, Nicholson's of Homestall, and the Norton's, and in the south, or Sharsted chancel, there is a black marble of an antique form, and on a fillet of brass round the verge of it, in old French capitals, Hic Jacet Ricardus de Saherstada, with other letters now illegible, and memorials for the Bourne's and Delaune's.

 

The church of Doddington was antiently esteemed as a chapel to the church of Tenham, as appears by the Black Book of the archdencon, and it was given and appropriated with that church and its appendages, in 1227, by archbishop Stephen Langton, to the archdeaconry. It has long since been independent of the church of Tenham, and still continues appropriated to the archdeacon, who is likewise patron of the vicarage of it.

 

Richard Wethershed, who succeded archbishop Langton in 1229, confirmed the gift of master Girard, who whilst he was rector of the church of Tenham, granted to the chapel of Dudintune, that the tithes of twenty acres of the assart of Pidinge should be taken for the use of this chapel for ever, to be expended by the disposition of the curate, and two or three parishioners of credit, to the repairing of the books, vestments, and ornaments necessary to the chapel. (fn. 6)

 

It is valued in the king's books at fifteen pounds, and the yearly tenths at 1l. 10s. In the visitation of archdeacon Harpsfield, in 1557, this vicarage was returned to be of the value of twelve pounds; parishioners sixty, housholders thirty-two.

 

In 1569, at the visitation of archbishop Parker, it was returned, that the chapel of Doddington used to be let to farm for forty pounds, and sometimes for less; that there were here communicants one hundred and thirteen, housholders thirty-five. In 1640 the vicarage was valued at thirty pounds; communicants one hundred and seven.

 

¶Archdeacon Parker, at the instance of archbishop Sancrost, by lease, anno 27 Charles II. reserved an additional pension of ten pounds per annum to the vicar. It pays no procurations to the archdeacon. It is now a discharged living in the king's books.

 

www.british-history.ac.uk/survey-kent/vol6/pp307-316

... that's what I did, lol

This Northern Flicker peeks out from his tree and squints at the morning sun.

 

Taken Saturday 1/29/11 at Bombay Hook, NWR.

Ian's on the road again, wearing different shoes again.

 

Or something.

 

Yes, have audit will travel is taking me back to the north west and head office (UK) in Warrington.

 

I wasn't keen to go, as I would be one of those being audited, rather than being the auditor.

 

So it goes.

 

Up even earlier than usual, Jools went swimming first thing, while I woke up and packed.

 

It was to be a bright if cold day, and the promise of actual snow once I reached Manchester, so that was something to look forward to. No?

 

Jools dropped me off on the prom so I could have a walk, take some snaps before picking up the car.

 

It was cold.

 

Not Canada cold, clearly.

 

Minus three. And too cold to linger to watch the actual sunrise, so made do with snapping the reflected light of the hotels and a ferry coming into the harbour. I walked over Townwall Street, now cold to the bone, hoping the car hire place would be open on time.

 

It wasn't, but a couple of minutes later, a guy came to open up and let me inside where it was slightly warmer.

 

My old ruse of getting an automatic thus getting a larger car was ruined this time was I was given a Toyota Yaris. It struggled to get up Jubilee Way without the engine screaming. You'd better behave yourself for the next three days I told it.

 

Back home for breakfast, load the car and say goodbye to the cats. One last look, and I was off. The car had no sat nav, so had to use the phone.

 

Before going to the hotel, I was going to visit a former colleague who lives in Warrington, or nearly St Helens as I found out later, so programmed her address in, and off I went, along our street and towards the A2 and the long slog up to Dartford.

 

I connected my phone to charge, and straight away tunes from my Apple music store started playing. So, apart from the free U2 album it forced on all users, the rest was good if a little Skids and Velvet Underground heavy.

 

The miles were eaten up, even if I had to turn the music way up to drown the sound of the screaming engine.

 

Like all trips, I had something extra to sweeten the time away, and in this case it was a church. But not just any church, as you will see.

 

I watched a short documentary on Monday about Mary Queen of Scots, and remembered that she had been imprisoned and executed at Fotheringhay Castle in what is now Northamptonshire, and if I went over the Dartford Crossing, up the M11 to Cambridge, then were the A14 crossed the Great North Road, ten miles north was Fotheringhay.

 

So, I pressed on, under the river and into Essex, then along to the bottom of the M11, and north past Stanstead to Cambridge. Traffic wasn't bad, so I made good time, my phone telling me I would reach Fotheringhay at midday.

 

Turning off the A1, down narrow lanes, then the view to the church opens up, in what is possibly one of the finest vistas in all of England. St Mary and All Saints, 15th century and in its Perpendicular finest, it looks too good to be that old, but is.

 

Not only is the church mostly as it was, if plain inside, this was the parish church of the House of York, of several Kings including the final, Richard III.

 

This is real history.

 

I crossed over the narrow hump-back bridge that spanned the fast flowing, and nearly flooding, River Neane, into the village and parked outside the church. A set of grand gates lead off the main road to the northern porch, lined with fine trees, naked it being winter.

 

The tower seems over-large for the Nave and Chancel, it stands 116 feet tall, and is a chonker, the rest of the church seems small beside it, but the interior of the church is a large space, high to its vaulted roof.

 

I take shots, not as many as perhaps I should, but the church doesn't have centuries of memorials, but does have two House of York tombs, or mausoleums.

 

I had some time, so I thought I would visit any interesting church I might see before getting back on the A14.

 

That was the plan.

 

The road took me round Oundle, which had at least two interesting looking churches, but them being what you might call "urban", I passed both and carried on over the rolling hills of Northamptonshire, much hillier than you might have thought.

 

Just before the A14, I see a large tower, and a lane lead to the village of Titchmarsh.

 

Titchmarsh is the name of a very famous TV gardener over here in Britain, not sure if this is where he hails from.

 

The village itself is set along a long high street, lined with half-timbered houses, most thatched, which was very picturesque.

 

I parked up, screams from the primary school, out for lunch, filled the air. But I had eyes on the church.

 

Oddly, on the north side, the churchyard is marked by a haha, or half of one.

 

A ha?

 

Certainly not a ditch, but there was a grille in the wall to allow water to get out.

 

Access to the church was over a small bridge, the grand porch in front.

 

The door opened easily, and I saw first, lots of wall paintings. Not old, perhaps Victorian.

 

I set to work taking shots, using the compact to snap close ups of the windows.

 

In truth, not much of great interest, and I was aware from the radio there being talk of snow.

 

Better get going and head north.

 

Back outside, my phone tells me I should be in Warrington by four, my friend, Teresa, wouldn't be home until half past, so I could have another break on the way.

 

The sat nav took me back to the A14, and from there it is just a 60 mile drive to the bottom of the M6 and then the hike two hours north.

 

At least it was a sunny day, though clouds were building, and was it my imagination, or did it look like snow falling already?

 

No, it was snow. big, fat, wet flakes at first, not much to worry about, but I pressed on past Coventry to the toll road, I sopped for half an hour there, enough time to have a drink and some crisps, then back outside where darkness was falling, as well as more snow.

 

The M6 might have had its upgrade complete, but a trip on it is rarely without delays. And for me, an hour delayed just before Warrington due to a crash, so we inched along in near darkness.

 

Teresa lived the other side of Warrington, so I had to press on further north, then along other main roads, round a bonkers roundabout before entering the town. Roads were lined with two up/two downs, doors leading straight onto the pavement. Cozy and northern.

 

They have two dog-mountains, I'm not sure of the breed, but think of something like a St Bernard and go bigger. They had just been for a walk, were damp and happy to be inside, laying on the kitchen floor. Taking up all the kitchen floor.

 

We talked for an hour, then I received a call from a guy I was supposed to be meeting up with: heavy snow was falling, I should get there sooner than later. So, I said my goodbyes and programmed the route to the hotel. Sorry, resort. Golf resort.

 

16 miles.

 

Snow was falling heavy, not too bad on main roads back to the motorway, though traffic on that was only going 40, it was fast enough. But the final six miles was long a main road, but it was covered in snow, with more falling.

 

The the fuel warning light went on.

 

Ignore that, I just wanted to get to the hotel safe and have dinner. Not end up in a hedge.

 

The final mile was very scary, snow only an inch deep, but slippery. There was a gatehouse marking the entrance to the golf club, I turned in and parked in the first space I came to.

 

Phew.

 

I checked in, and the place is huge, swish, but full of golfers.

 

But it does a sideline in conferences, training centre and a hotel. It was full.

 

I checked in, walked to the room, which is huge, and very comfortable, dropped my bags and went to the bar for dinner of beer and burgers. The place was almost empty, I watched cricket live from South Africa while I ate and drank.

 

Would I be tempted by the cheeseboard?

 

I would, dear reader, I would.

 

To my room to watch the football and relax while snow fell outside.

 

--------------------------------------------------

 

Another bike ride into the wilds and wolds of Northamptonshire. I set off from Huntingdon railway station, and after a sixteen mile slog into the wind I crossed the county boundary at Clopton, a church I visited three weeks ago. Now, the real bike ride could now begin. Resisting a revisit to the church, I turned off on a very lonely, narrow lane through the woodlands. The Cambs/Northants borderlands are often like this, remote and lonely, wooded and rolling, devoid of houses outside the villages and with only the rare car, horse or other cyclist. It reminds me of parts of France.

   

After a couple of miles I came to Titchmarsh, and its splendid church, a big church in a pretty stone village. The tower is enormous ('The finest church tower in England outside of Somerset' - FJ Allen) and there is no spire. The churchyard is surrounded by a haha, with a little bridge across the moat. The church was being prepared for a rock concert, with a stage built up under the tower and tables and chairs in the nave. Not a huge amount to see in any case, although I liked the memorial to a servant who saved his master's life by getting in the way of an assassin's knife, only to later drown in the Nene. As you'd expect in this part of the world, good stone capitals in the arcades, with stiffleaves you could cut yourself on as well as dripping fruit.

   

And then it was on past the IKEA warehouse ('the largest building in the British Isles') into the town of Thrapston.

 

Simon Knott, July 2017.

 

www.flickr.com/photos/norfolkodyssey/35483761652/in/photo...

 

----------------------------------------------------

 

The Parish Church of St Mary the Virgin, standing in a prominent position on the higher ground to the North of the village, has been the centre of the Christian community in Titchmarsh for some 800 years.

 

The name of Tichmarsh (or the modern version Titchmarsh) seems to date from Anglo-Saxon times when a piece of land was granted to one Ticcea and became known as Ticcea’s marsh (Ticceanmersce, Tychemerche, etc).

 

The earliest records of the church date from 1240. It was from Tichmarsh that Viscount Lovell left his manor to fight with Richard III at Bosworth. Before that he had employed his Somerset mason to build what Pevsner described as “the noblest village tower outside Somerset”, on top of which in 1588 an Armada beacon was lit.

 

The church is remarkable for its magnificent tower, its long and lofty clerestory, its spacious chancel, and for its light and uncluttered interior. It also houses a collection of unique and interesting wall monuments, fine stained glass windows and a recently restored 1870 TC Lewis organ. (see separate links)

 

The building that you see today is not the first church to have existed on this site. The remains of a 12th century doorway in the chancel is the only relic of the Norman building, and the subsequent centuries have each made their distinctive architectural contribution. The building assumed its present appearance when, late in the 15th century, the tower, clerestory and porch were added, and the present perpendicular style windows were inserted. In the late 17th and early 18th century the Pickering family contributed a number of important memorials, including one to John Dryden the poet- laureate, who spent his childhood in Titchmarsh. In the 19th century a number of the windows had stained glass inserted, a vestry was added in the northwest corner, and much of the internal woodwork was replaced (including the pews, recently adapted to provide more mobile seating).

 

The focus of the church, both architecturally and spiritually, is the Altar. This is God’s table, at which the faithful share in the power of Christ’s Risen Life, by feeding on the Sacrament of his Body and Blood under the forms of bread and wine. The reredos of Caen stone and Derby alabaster (1866) depicts the Old Testament scenes of Melchizedek’s offering of bread and wine, and Abraham’s offering of his only son Isaac, illustrating different aspects of the eucharistic theme.

 

The semi-circular Norman arch to the south side is a visible reminder that Christian worship has been offered on this site for at least some eight centuries.

 

The two-level sedilia and the piscine are of the 13th century, as is also the arcading which opens into the north chapel (now occupied by the organ). The opening known as a hagioscope or squint, gave additional visual access from the north chapel to the High Altar. The low, pointed 13th century doorway to the north of the Altar probably led to a tomb or chantry adjoining the Chancel on the north side. Much of this work can be attributed to the patronage of the Lovel family, who were Lords of the Manor from about 1268 until 1485.

 

Piercing the north-west corner of the Chancel wall are the remains of the stairway which originally led to the Rood-loft.

 

Dimly discernible in the apex of the Chancel arch is a crowned head. Experts suggest that it most closely resembles Edward IV who died in 1483 when Francis 1st (and only) Viscount Lovel was Lord of the Manor. The last years of the reign of Edward IV covered a peaceful period, favourable to the rebuilding of a church. In 1486 Henry VII granted the Manor of Tichmarsh to Sir Charles Somerset when Francis Lord Lovel who had supported Richard III was deprived of his estates at the end of the War of the Roses. This is the Lovell, who as Richard III’s Chamberlain and friend, was lampooned in the contemporary rhyme:

 

‘The Cat, the Rat, and Lovell our dog

 

Rule all England under the Hog’.

 

The walls and windows of the chancel were much embellished in Victorian times. The stained glass in the chancel windows is all by Messrs. Hardman of Birmingham. The east window depicts Christ’s Nativity, Baptism, Crucifixion and Ascension, and several episodes from the life of the Blessed Virgin Mary, to whom the church is dedicated. The windows on the south side of the chancel depict various incidents from the New Testament, giving particular prominence to St Mary Magdalene and St Peter.

 

The reredos of Caen stone and Derby alabaster were completed.

 

The organ, a good example of the work of TC Lewis was installed and first used in 1870. (fully restored in 2016). We learn from the Parish Magazine that prior to the installation of the instrument, music for Devine service had been supplied by a barrel organ, the introduction of which in 1837 replaced the services of the eight singers who had occupied a musicians gallery under the tower, and sang very loud. Singing was also led by string and woodwind instruments until 1861.

 

According to the parish magazines, the paintings on the chancel walls were by Miss Agnes Saunders, who was sister-in-law to the Rev. F M Stopford, (rector 1861-1912). The fine limed oak chancel screen was the gift of Canon A M Luckock, (rector 1912-1962).

 

The North Chapel and Transept

This was largely rebuilt in the 14th century, and now houses many mural memorials to the Pickering family

 

Gilbert Pickering bought the manor of Tichmarsh from Charles Somerset’s grandson in 1553, and for more than two hundred years it remained in the possession of his descendants. When the direct line came to an end, the estates were acquired in 1778 by Thomas Powys, later the first Lord Lilford.

 

John Pickering married Susannah Dryden of Canons Ashby in 1609, and twenty-one years later, Susannah’s brother Erasmus married John’s cousin Mary Pickering. Of these unions were born two men well known in the highest circles of their day, the notorious Sir Gilbert Pickering (1613-1668) and the famous John Dryden the poet (1631-1700).

 

Sir Gilbert was a convinced Parliamentarian, and became Lord Chamberlain to Oliver Cromwell. John Dryden’s upbringing in Tichmarsh is mentioned in one of the memorials. This and another were painted by Sir Gilbert’s daughter, Elizabeth, who became the wife of John Creed.

 

A woman of talent with needle, pen and brush, Elizabeth Creed was responsible also for the wording of the altar tomb and wall angle memorials of the south aisle as well as the Dryden monument which has been moved to the north transept.

 

The South Aisle

Here we find Mrs Creed lamenting the death of her husband, a boon companion of Samuel Pepys, of their son Christ’s family. By ancient custom the Font stands near the main (west) door of the physical building, as a reminder that it is through Baptism that we enter Christ’s Church.

 

The West Window

The tracery of the tower window is 15th century, (extensively restored in 2016). In 1904 the west window was filled with stained glass, the gift of Rev’d F M Stopford to mark his 50th year in Holy Orders. It is a powerful representation of Christ’s Second Coming and the Day of Judgement, and approximately balances the episodes of Christ’s first Advent depicted in the east window. The same firm of artists, Messrs Hardman of Birmingham, was employed for the work, and it is interesting to notice how the passage of some forty years makes a considerable difference in style and taste between the tower window and their earlier work.

 

The Bells

The tower houses a fine ring of eight bells. All were recast and re-hung in 1913 as a memorial to Rev’d F M Stopford who died in office in 1912 having been rector for 51 years, and a chaplain to Queen Victoria, Edward VII and George V. Before recasting, the oldest bells dated from 1688, with additions in 1708 and 1781. The ring was completed in1885 by the gift of two bells in memory of Florence Augusta Stopford, the rector’s first wife. At the same time the present church clock, which strikes the hours and quarters, replaced the previous one made by George Eayre in 1745.

 

At the base of the tower are some interesting photographs of the re-hanging of the bells.

 

The South Porch

The original porch was a single storey structure, with window openings to east and west. The upper storey was added in1583 and housed the Pickering family pew, complete with fire place! After the death of the last Tichmarsh Pickerings the wall opening was blocked up. It was reopened in 1931, when Canon Luckock (rector 1912-1962) and his wife put in the present glass panel and hung the massive oak south door as a thanksgiving for their silver wedding. The seating around the walls of the porch is a reminder of its earlier function as a place of meeting.

 

The Exterior

The large and splendid tower is built in four stages, richly decorated with triple bands of quatrefoils in circles on the ground storey and similar bands on the second and third stages. The niches on the west face contain modern stone figures representing Moses and Aaron, the Blessed Virgin Mary and St. Peter, and the archangels Michael and Gabriel. The parish magazine for 1901 records that the rector’s wife paid for the replacements by breeding and selling black fantail pigeons.

 

The ‘crown’, ie. parapet and pinnacles above the fourth stage is considered by experts to date from about 1500. The will of one Thomas Gryndall, dated 1474, bequeaths money towards the building of the tower, probably completed except for the ‘crown’ in about 1480.

 

The prominence and size of the tower made it a significant landmark. In 1585 when the country prepared to resist the threatened invasion from Spain, the Lord Lieutenant, Sir Christopher Hatton of Kirby Hall, gave order for Beacons to be made in places accustomed and that ‘Tychemershe Beacon’ be sett upon Tychemershe church steeple

 

On the south wall of the tower is a painted sundial, dated 1798, and below it a disused clock face made in 1745. There are three scratch dials on the south side of the church – on the porch and on two of the buttresses.

 

The churchyard, which contains many good examples of local stonemasons’ work of the 18th and 19th centuries, is remarkable and perhaps unique in being bounded almost entirely by a ha-ha.

 

Acknowlegements: The Victoria County History of Northamptonshire; Northamptonshire by Niklaus Pevsner; and to various numbers of the Titchmarsh Parish Magazine; Titchmarsh Past and Present by Helen Belgion, published 1979

  

titchmarsh.info/church-of-st-mary-the-virgin/church-history/

 

6/8/2019 A view of the Coney Island beach from Steeplechase Pier. Sony a7. 7Artisans 35mm 1:2.0.

 

www.instagram.com/dtanist/

Day 15 of the virtual Advent calendar shared with my bokehlicious friend crittrs! =)

 

Have I mentioned that i love Christmas lights, especially the multicolored variety? And the Christmas light bokeh is one of my very favorites? Maybe once or twice, eh? ;)

 

I love the fact that when you squint at Christmas lights you can create your very own "live and in person" bokehlicious lights. I really, really like the big old glass lights that got way too hot, especially the way they would heat up and make a real Christmas tree smell so piney. Now I'm contented with the small plastic lights that are brightly colored; they are so easy to drape across windows, the tree, anything that will stand still...

 

Probably is TMI to say that all through college I had these lights strung up in my dorm room, year round. And, that I am not averse to keeping a set around even now, just because they make me happy. Hey, it's the little things. These beautiful, happy, colorful lights bring me so much joy it would be a shame not to enjoy them as much as possible!

 

Hope each of you have parts of your life that create small joys throughout, "just because." =) And, hope you're all having a great week, my friends!

Trailside on the way back from Macomb Canyon - doing a good job of blending.

__________________________________________________

Summer 2019: Snakes & Lakes

 

We looped up through Utah into and across Idaho, then back down across the northeast corner of Nevada.

 

June 3: Canyon Rims Recreation Area: Rone Bailey Mesa.

And The Chadar Runs

 

Crumpled white sheet of snow, by her thigh,

The sleeping Beaut stirs by my side,

Peaceful dreams flicker her eye lashes,

Stretches, yawns & her wave splashes,

She squints at the sun, tosses & turns

And the Chadar runs.

 

Peeps, smiles & sleeps one more dream,

I watch her bosom swell, with each breath she takes,

“Chadar Gorgeous” I whisper & touch, she quivers

Winter hibernate her no more,

Icy nights, a thing of yore,

And the Chadar runs.

 

Wide awake, she dazzles me with her eyes green,

hums a love song from the mountains she had been,

throatily she laughs, as I goose-bump on her embrace,

Snuggles close to my chest, last time she does,

Leaves her fresh breath on my neck, she kisses adieu

And the Chadar runs.

 

I watch the pristine Chadar undulate away,

through the valley, with a woman’s sway,

In the know of her fate, I sigh in vain,

Beauty to be soon sullied by sewage drain,

Polluted, tainted & dishonored by us, ask I why

Ravaged, Oh muffled the Chadar will cry.

 

And yet the Chadar runs.

And yet the Chadar runs.

 

Taken in October 1974.

 

This girl is either squinting because of the sun's glare on her book or crying at something in the story. On City Hall Plaza. (The book's front cover has been torn off -- she got it cheap.)

I love the sun. I don't mind the squint cause it makes the image approachable... almost sexy in it's warmth. I can feel the sun in this shot, and her shoulders hair and expression gives an ambiance that is at once coy and confrontational.

 

Photoshop: ACME glam at 20%, some added contrast through curves, skin retouch and a 15% edge darkening.

Screech owl from another angle.

Many places like to wear their connections with Charles Dickens visibly, but I find it hard to believe anywhere does it more completely than Blundeston.

 

Blundeston is mentioned in David Copperfield, and there has been a strong movement by the local parish planners to ensure that most street names now have a Dicken connection. I know this a a colleague of mine resisted the overtures to name their new dwellings something Dickensian, but stuck with the family name after all.

 

I also have family connections with Blundeston, and indeed a distant relation is on the war memorial, but he is one of the branch that has an extra D in their name, the first one I have ever seen. My name is very mis-spelt, and the double D variation the most common.

 

Anyway, late one afternoon, I arrive in Blundeston to visit the church, and see, or notice the pound for the first time. Situated on a road junction, the brick-built circular enclosure was once used to corral livestock. It is a rare survivor, and the first time I had noticed it.

 

It is a fine round-towered church, with plenty of interest inside, and the medieval (I guess) glass in the porch the first of many. Some unusual tessellated tiling in the chancel, but the sanctuary is now a book shop and the altar brought forward.The font, at least to my eyes, looks Norman, and is impressive, as is the arts and crafts window, but I guess this is where Simon puts me right on many points.....

 

-----------------------------------------

 

"I was born at Blunderstone, in Suffolk. There is nothing half so green as I know anywhere, as the grass of that churchyard; nothing half so shady as its trees; nothing half so quiet as its tombstones. The sheep are feeding there, when I kneel up to look out. Here is our pew in the church. What a high-backed pew! With a window near it, out of which our house can be seen.

I look up at the monumental tablets on the wall, and try to think of Mr Bodgers late of this parish, and what the feelings of Mrs Bodgers must have been, when affliction sore, long time Mr Bodgers bore, and physicians were in vain. I look to the pulpit, and think what a good place it would be to play in, and what a castle it would make, with another boy coming up the stairs to attack it..."

 

- Charles Dickens, David Copperfield

 

Blundeston is these days a very pleasant outer suburb of Lowestoft, although wise planners have kept a cordon sanitaire between it and the rampaging new estates of Oulton and Gunton. Everything here is very trim and polite, although St Mary itself has a rather more primitive air about it. Its narrow, tapering tower rises up sharply beside the steeply banked roof of its nave, for all the world like a Cornish tin mine or Derbyshire mill. This is an ancient building. The tower, at least the lower part, is clearly Saxon, and here inside there are some other ancient details.

 

You step into a church which is much bigger than it might appear from the outside, with a gentle High Church feel to it. The nave was widened in the late medieval period, and although there is no aisle or arcade, the tower has been left offset. The font dates from the 12th century, a plain, octagonal bowl set on 8 relief legs. The tower arch is earlier, and beside it there is a very curious detail. A circular squint hole, about 12 inches across, about 5 feet from the floor in the north-west corner. It is obviously intended to line up with something outside the church, but what, exactly? There is one exactly like it, in the same position, two miles away at Lound. They do not align with each other, though. Perhaps an outdoor Easter sepulchre? or to enable an internal sepulchre to be seen on Good Friday, when the church was out of use?

 

Above the south door, the arms of Charles II are very curious. They have been reused as a hatchment at some point, but the overpainting has faded to reveal the true origin. An altar against the north wall is dedicated to St Andrew, in memory of the nearby former church at Flixton, which was destroyed in a storm early in the 18th century. The font in the churchyard here comes from Flixton, too.

And the memorials? Well, I'm afraid there is no 'Mr Bodgers, late of this parish', and probably never was. The high-backed pews are all gone, and although the pulpit would certainly make an excellent castle, it post-dates Dickens's (and Copperfield's) time. The grass is still lush and green in the churchyard though, and much wilder than the neatly trimmed lawns of the very pleasant houses that surround it.

  

Simon Knott, June 2008

 

www.suffolkchurches.co.uk/Blundeston.htm

 

-----------------------------------------

 

Blundeston.

There are two manors here—those of Blundeston Hall, and Gonville's. The former was held by a family which took their name from the place, and retained it, with the patronage of the church, till the end of the reign of Edward III. In the ninth of Edward I., Robert de Blundeston was lord; (fn. 1) and in the twenty-third of Edward III., in the year 1348, there was a conveyance from Osbertus, Rector of the church of Blundeston, and Oliverus de Wysete, to William, the son of Robert de Blundeston, and the heirs of his body, of the manor of Blundeston, with all the lands and appurtenances in Blundeston, Oulton, and Flixton; together with the advowson of the church of the village of Blundeston, with the appurtenances; all which were formerly of Robert de Blundeston; to hold to the said William and the heirs of his body lawfully begotten. From this family the manor and advowson passed to that of Yarmouth; Henry Yarmouth, of Blundeston, presenting to the church in 1438. Humphrey Yarmouth, his descendant, on the 1st of December, 1570, conveyed to William Sydnor the manor of Blundeston, cum pertinentibus, and all other his manors, tenements, liberties, swanmarks, and hereditaments in Blundeston, Corton, Lound, Somerleyton, Flixton, Lowestoft, and Gunton, or elsewhere, and all other his manors and hereditaments, in the said towns, in fee. The manor, &c., and the messuages, were found to be holden of Sir John Heveningham, of his manor of South Leet, in soccage. (fn. 2) The said William Sydnor, by deed indented 6th of October, twenty-sixth of Elizabeth, 1584, in consideration of a jointure to Elizabeth, late wife of Henry Sydnor, his son, and heir apparent, did enfeoff John Read, and others, and their heirs, of a house called Gillam's, and 90 acres of land in Blundeston and Flixton; a meadow of 12 acres in Flixton; a marsh called Wrentham's, and 41 acres of land in Blundeston; two other messuages and 9 acres of land in Blundeston; a house called Chamber's, and 104 acres of land in Henstead. And of the manor called Blundeston; and the manor of Fritton with the appurtenances, to their uses; viz., as to the manor of Blundeston with the appurtenances, to the use of the said William for life; and after to the use of the said Henry, and his heirs male by the said Elizabeth, his wife; and after to the right heirs of the said William. The marriage between the aforesaid Henry Sydnor and Elizabeth was solemnized on the 1st of February, twenty-seventh of Elizabeth. He died during his father's lifetime, in December, 1611. William Sydnor, the father, died on the 26th of August, 1612. By his will, dated the 26th of March, in the same year, being "then of Christ's Church, but late of Blundeston," he gave to the poor of Blundeston, Henstead, Fritton, Belton, Conisford at the Gate (Norwich), Berstete St. John's, 20 shillings to each parish, and to Trowse on this side the Bridge 10 shillings. He desired "his body to be buried in the chauncell of the parishe church of Blundeston." He gave unto Dorothy Sydnor, his daughter, £ 200 of lawful English money, some furniture, and £10 in gold, to be paid within fourteen days; a cup of silver with three feet, and a cover. To Alice Goldsmithe, his daughter, all her mother's apparell, and £10 in gold, &c. Among other bequests, he leaves to William Sydnor, his grandchild, some furniture, and a great carved chest which lately came from Blundeston, and his next best salt-cellar. After leaving annuities to his servants, he directed "that his house in Christ's Church in all things be mayntayned and kept as usually he did for the entertainment of his children; and such of his children and servants as would stay and live orderly, and do their service honestly, during the time of their stay; for which they were to have their wages. The charges of such housekeeping to be defrayed by his executors; and he desired that Dorothy Sydnor, his daughter, during the said month should have the government of the said house." (fn. 3)

 

By an inquisition, held the 30th of August, in the twelfth of James I., when the death of William Sydnor was returned, it was found that William, the son of Henry, his eldest son, then deceased, was his next heir, and of the age of 24 years and more. And that the said William, eldest, was seized in fee of the manor of Blunston, alias Blundeston, with the appurtenances in Blundeston, Corton, Gunton, Lowestoft, Oulton, Ashby, Flixton, Bradwell, Burgh, Fritton, Belton, Herringfleet, Lound, Somerleyton, Hopton, and Gorleston.

 

On the 13th of February, eleventh of James I., William Sydnor, the grandson, in consideration of a marriage with Anne Harborne, did covenant with William Harborne, her father, to convey to him, Sir Anthony Drury, and others, and their heirs, the manor of Fritton, with the appurtenances, in Suffolk, and all lands, tenements, &c., of the said William, in Fritton, or in the towns adjoining, to the use of himself and his heirs until the marriage, and after the marriage to the use of himself and the said Anne, for jointure, and the heirs male of his body, with several remainders over to Robert, Thomas, and Henry, his brothers, Edmund, William, Francis, and Paul Sydnor, his uncles, and the heirs male of every of their several bodies. And after to the use of the right heirs of the said William Sydnor, the grandfather. And the manor of Blundeston, with the rights, members, and appurtenances, in Suffolk, and all lands, tenements, and other hereditaments, &c., of the said William Sydnor, the grandson, in Blundeston, or in the towns adjoining, or any of them, to and for the like uses, and estates, and remainders as before; omitting only the said Anne, and her estates, for life. In the following year a fine was levied in pursuance, by the said William Sydnor, his uncle, and the heirs of Sir Anthony, of the manors of Fritton and Blundeston, with the appurtenances. By the Office of the ninth of Charles I., after the death of William Sydnor, the grandson, it was found that he died, seized, on the 13th of June, eighth of Charles I., 1632, without issue male. By the same Office, Elizabeth, Anne, Sarah, Mary, Hester, Susanna, Abigail, and Lydia, were found to be the daughters and co-heiresses of the said William Sydnor, and that Elizabeth, the eldest, was, at her father's death, under eleven years of age, and all the rest under fourteen years of age. (fn. 4) On the 3rd of July, in the tenth of Charles I., the King, by ind're under the seal of the Court of Wards, granted to Anthony Bury, for a fine of 200 marks, the custody, wardship, and marriages of the said co-heiresses, to his own use. On the 2nd of July, tenth of Charles, the King, by another ind're, under the seal of the said Court, granted and leased to him, in consideration of £10, the manor of Henstead Pierpoind's, and two acres in Blundeston, during the minority of the said co-heiresses, at the yearly rent of £ 2. 6s. 8d. On the 20th of November, in the same year, this Anthony Bury, by ind're, assigned all his interests to Dr. Talbot, who married the said Anne, mother of the said co-heiresses, to his own use, for £330 paid, besides £100 for Bury, to the receiver of the Court of Wards, for leave of the King's fine. In Michaelmas Term, 1640, there was a decree in the Court of Wards, against Sir John Wentworth, who, in his answer to the information of the attorney of the wards on behalf of the said co-heiresses, denied they had the manor of Blundeston, but confessed they had the manor of Gonville's, in Blundeston, and that their father purchased that of one Jettor. But the Court decreed that the said co-heiresses had the manor of Blundeston, and also the manor of Gonville's. And such possession as the father of the said wards had in Blundeston great water, and fishing, is by the decree settled with the wards during their minority, and until livery sued. And Sir John desired not to fish in right of a tenement in Blundeston, which was his father's. As to the wards' suit as touching an hoorde, some lands in Fritton, and other matters, they are left to trial at law.

 

Elizabeth, Anne, Sarah, Mary, Hester, Susanna, Abigail, and Lydia Sydnor, the eight daughters and co-heiresses of William Sydnor, of Blundeston, by fine levied, and recovery suffered, and by deed dated the 19th of December, 1651, conveyed the said manors in Blundeston and Fritton to hold to William Heveningham, Esq., his heirs and assigns, for ever.

 

¶The family of Sydnor, from whom Blundeston thus passed, appears to have originated from — Sydnor, who married a daughter of Sir John Berney, of Reedham, in Norfolk. The following pedigree is derived from an abstract of the title of the estates, sold by the eight daughters and co-heiresses of William Sydnor, made in 1651; except the marriages of the eight daughters, which are added from the abstract continued to 1663, at which time Sarah was married to William Castleton. The other daughters had been all married before that date.

 

William Sydnor, the purchaser of Blundeston, as appears from bequests in his will, left three daughters, namely, Dorothy Sydnor, Alice Sydnor, who married Henry Goldsmith, and left issue Charles Goldsmith; and Elizabeth Sydnor, who married W. Doans, and left a son, William. Henry Sydnor, who died in his father's lifetime, left also three daughters, Elizabeth, Catharine, and Alice.

 

William Heveningham, Esq., who purchased the manors of Blundeston and Fritton of the Sydnors, was in the year 1661 convicted and attainted of high treason, as has been already shown under Mutford, &c. By letters patent, dated 28th September, thirteenth Charles II., the King did give unto Brian, Viscount Cullen, Sir Thomas Fanshaw, Sir Ralph Banks, Knights, Edward Pitt, and Charles Cornwallis, Esqrs., among other manors and lands, the said manors of Blundeston and Fritton; to hold to them, the said Brian, Viscount Cullen, &c., and their heirs, for ever. The said Brian, Viscount Cullen, &c., by their deed-poll, dated 3rd October, thirteenth Charles II., made between them, the said Brian, Viscount Cullen, &c., George, Earl of Bristol, Henry, Earl of Dover, and Margaret Heveningham, wife of the said William Heveningham, which was also signed by His Majesty's sign manual, did declare the use of the aforesaid letters patent to be to the intent that the said Brian, Viscount Cullen, &c., should, either by perception of the profits or sale of the aforesaid manors of Blundeston and Fritton, amongst others, raise £11,000 for the said Earl of Bristol, and several other trusts therein comprised: the remainder to be for the use of the said Mary, wife of the said William. The said William Heveningham, and Mary his wife, in Michaelmas Term, thirteenth Charles II., levied a fine, and suffered a recovery of the said manors of Blundeston and Fritton, inter alia. And by indenture, dated 24th of October, thirteenth of Charles II., the said William and Mary declared that the said fine and recovery should be to the use of the said Brian, Viscount Cullen, Sir Thomas Fanshaw, Sir Ralph Banks, Edward Pitt, and Charles Cornwallis, and their heirs, for ever.

 

In the 10th and 11th of December, 1662, fourteenth of Charles II., appear a lease and release from the Earl of Bristol, Brian, Viscount Cullen, Sir Thomas Fanshaw, Sir Ralph Banks, Edward Pitt, and Charles Cornwallis, unto Sir John Tasburgh, of the manor of Blundeston, and the capital house called Blundeston Hall, and the manor of Fritton, alias Freton Paston's, and all that manor called Blundeston, alias Gunville's, alias Scroope Hall, alias Gunville's Blundeston, with all the rights, members, and appurtenances to the said manors belonging; and the advowson of the churches, rectories, and vicarages of Blundeston and Fritton aforesaid; and courts-leet and view of frank-pledge, &c., to hold to him and his heirs, for ever. Consideration, £4000 in hand, and £4000 to be paid as therein named. On the 27th of December, 1662, the said William Heveningham and Mary his wife did grant, release, and confirm all and every the said manors of Blundeston, Fritton, and Blundeston Gunville's, to the said John Tasburgh, and his heirs, for ever.

 

These estates next passed to the Allins; for, on the 20th July, 1668, are letters of attorney from Thomas Allin, of Lowestoft, Knt., to Richard London, &c., to receive livery of seizin of John Tasburgh, of Bodney, in Norfolk, Esq., of all his manors, messuages, lands and fruits, and hereditaments situated in Blundeston, Fritton, Corton, or any other town adjoining. Sir Thomas Allin held his first court baron for these manors on the 3rd of November, 1668. (fn. 5)

 

On the 9th of July, 1712, the trustees of Richard Allin, under a deed authorizing them to sell lands to satisfy his debts, sold a messuage and about 76 acres of land at Blundeston and Fritton, of the yearly rent of £39. 10s., to Gregory Clarke, for £663; and on the 30th of August following, two other pieces of land, containing 13 acres, of the yearly rent of £5. 10s., to the same Gregory Clarke, for £100. These estates were afterwards purchased by Sir Ashurst Allin, Bart., who resided there; and were by him devised to his daughter, Frances Allin, for life. On the 29th of September, 1714, Blundeston Hall-farm, lands and decoy, of the yearly rent of £217. 2s. 6d., were sold to William Luson, merchant, the consideration money being £3691. 2s. 6d., who devised them to Robert Luson, his son, who, by his will of the 1st of May, 1767, bequeathed them to his eldest daughter, Maria, in fee, who married George Nicholls, Esq., by whom this estate was sold to Robert Woods, who, by his will, dated July 4th, 1780, devised the same to his wife to sell, and in 1791, she conveyed it to Thomas Woods in fee. Other estates in Blundeston were by Robert Luson devised to his second daughter, Hephzibah, who married Nathaniel Rix, Esq. An estate at Blundeston, and Corton, and Lound, he devised to Elizabeth, his daughter, who afterwards married Cammant Money, by whom the second property was sold to J. B. Roe, and the first to J. Manship. (fn. 6) The Decoy farm, at Blundeston, was, by the executors of Robert Luson, under the powers in the will contained, sold to William Berners, Esq., of Woolverstone Hall, whose son, Charles, resold it to Thomas Morse, Esq. (fn. 7) The manor of Fritton, and an estate of the annual value of £173, were sold to Samuel Fuller, Esq., for £ 2660. (fn. 8)

 

The manors of Blundeston Hall and Gunville's united, as will be presently shown, remained with the Allins, and passed with their other estates to the family of Anguish. From the Anguishes they descended to Lord Sydney Osborne, who sold them, in 1844, to Samuel Morton Peto, Esq.

 

The Manor of Gonville's, in Blundeston,

¶was the lordship of John, the son of Nicholas de Gunville or Gonville, in the fourteenth of Edward III., in the month of March in which year is a "note of time" of this manor between the aforesaid John, who is styled the son of Nicholas Gonvyll, chyvaler, and Johan, his wife, complainants, and William de Gonvyll, parson of the church of Thelnethan, John Gonvyll, parson of the church of Lylyng, Osbert, parson of the church of Blundeston, and Thomas de Kalkhyll, deforcients, of 24 messuages, 332 acres of land, 16 acres of meadow, &c., in Gorleston, Louystoft, Barneby, Little Yarmouth, and Hopton, to John, son of Nicholas and Johan, and the heirs of their bodies; and remainder, after the decease of John and Johan, to the right heirs of John, the son of Nicholas. (fn. 9) The manor remained with this ancient line till it passed, in the early part of the fifteenth century, to Sir Robert Herling, Knt., who married Joan or Jane, the heiress of the Gonvilles, as the subjoined pedigree will show.

 

Sir Robert Herling, and Joan his wife, held the manor of Gonville's in 1420, as we learn from an inquisitio ad quod damnum, taken in that year. "Robtus Harlyng, miles, et Johanna, uxor ejus, tempore ultimi pascigii d'ni Henr. Regis nunc ad partes Norman: seiziti fuerunt de mn'o vocat Gunvilles manor: cum p'tin: in villis de Blundeston, Olton, et Flyxton, in d'mico suo ut de feodo." (fn. 10) Sir Robert Herling left a daughter and heiress, Anne, who was thrice married; first, to Sir William Chamberlain, Knight of the Garter; secondly, to Sir Robert Wingfield, Knt., who in 1474 settled, amongst divers manors and estates in Norfolk and Cambridgeshire, the manors of Gnateshall, Corton, Newton, Lound, and Blundeston, with Lound advowson, in Suffolk, on themselves and their trustees. He died seized of these in 1480. In 1492, Anne, his widow, married, thirdly, John, Lord Scroop, of Bolton, who died in 1494. (fn. 11) On her death, without issue, the manor of Gonville's went to Margaret, her father's sister, the wife of Sir Robert Tuddenham, Knt. (fn. 12) On the 4th of April, sixth of James I., Robert Jettor conveyed to William Sydnor the site, manor, or member of a manor, called Blundeston, Gunvilles Blundeston, or Gunvilles cum pertin: and a close called Gunvilles, reputed the site of the said manor, containing six acres; another close called the Home-close, in Blundeston, and four several fish-ponds, with several waters and fishings in Blundeston and Flixton, and with covenant to levy a fine thereof to the use of the said William Sydnor, and his heirs. William Sydnor's eight daughters and co-heiresses conveyed it to William Heveningham. Both manors in this parish being thus united, were granted, with the advowson, to Lady Heveningham's trustees in 1661, as already shown.

 

Early in the seventeenth century, Sir Butts Bacon, created a Baronet on the 29th of July, 1627, possessed an estate and resided at Blundeston. He married Dorothy, daughter of Sir Henry Warner, of Parham, in Suffolk, Knt., and widow of William, second son of Sir Henry Jermyn, Knt., by whom he had three sons, Charles and Clement, who died without issue, and Sir Henry Bacon, his successor. He had also two daughters, Anne, the wife of Henry Kitchingman, of Blundeston Hall, and Dorothy, who married William Peck, of Cove. Sir Butts died in 1661, and his widow in 1679. They lie buried in Blundeston church. Soon after the year 1700, the estate of the Bacons was sold to the Allins of Somerleyton; and in 1770 became the property of Frances, the daughter of the Rev. Ashurst Allin, of whose executors it was purchased by Nicholas Henry Bacon, Esq., the second surviving son of the late Sir Edmund Bacon, Bart., of Raveningham, in Norfolk, who sold it in 1832 to Charles Steward, Esq., an officer in the Honourable East India Company's service, who is the present possessor. He married his first-cousin, Harriet, the only daughter, by his first wife, of Ambrose Harbord Steward, Esq., of Stoke Park, near Ipswich, High Sheriff for Suffolk in 1822, by whom he has an only son, Charles John.

 

The mansion erected on this estate has been termed at different periods Sydnors, and Blundeston Villa, but is now designated Blundeston House. The spot is more celebrated for the loveliness of its scenery than the grandeur of the residence, which is simply a good substantial house, erected in a style of unpretending architecture. But its verdant lawns and ample sparkling lake bear testimony of a long subjection to the hand of taste, which evidently still controls. The domain was many years the residence of the late Rev. Norton Nicholls. Mr. Mathias, an author well known by his 'Observations on the Character and Writings of Gray,' in a letter to a friend, occasioned by the death of this "rare and gifted man," terms his villa here "an oasis." Speaking of what Mr. Nicholls had perfected at Blundeston, he says, "if barbarous taste should not improve it, or some more barbarous land-surveyor level with the soil its beauties and its glories, (it) will remain as one of the most finished scenes of cultivated sylvan delight which this island can offer to our view." An aged pollard oak, and a summer-house placed at the termination of the lake, are said to have been favourite haunts of Gray, who was an occasional guest of Mr. Nicholls at Blundeston. In 1799, this gentleman entertained here the gallant Admiral Duncan, soon after his return to Yarmouth, crowned with the laurels won at Camperdown. Mr. Nicholls died on the 22nd of November, 1809, aged 68, and was buried at Richmond church, in Surrey. The vicinity of Blundeston House, while tenanted by Dr. Saunders, was some years since the scene of an unfortunate accident, which deprived that gentleman of life. Being in the act of reloading his double-barrelled gun, a favourite dog fawning upon him, sprung the trigger of the second barrel, and discharged the contents into his master's body. Dr. Saunders's melancholy fate is recorded in the 'Suffolk Chronicle' of October the 15th, 1814.

 

¶The lake, or Blundeston Great Water, as it is called in ancient writings, was the subject of a dispute in the reign of James I., very similar to that recorded at Ashby, as we learn from the following "exemplification of interrogatories to be administered on the part and behalf of John Ufflet, Gent., Henry Winston, Henry Doughtie, and Anne his wife, Thomas Stares, and Anthony Thornwood, complainants, against William Sydnor, Esq., and Henry Sydnor, Gent., deforcients; and of depositions taken at Lowestoft, on the 15th of March, in the seventh of James I., before Anthony Shardelow, William Southwell, William Cuddon, and Benedict Campe, Gents., by virtue of His Majesty's commission out of the Court of Chancery, to them directed. Richard Burman deposed, inter alia, that he knew the great water in Blundeston, called the common fenne, or common water, and the piece of ground called Hempwater green, containing about three acres; that the said water contained about sixteen or seventeen acres. That the messuage wherein Henry Sydnor then dwelt was sometimes of Maister Yarmouth. That the water and green had always been reputed as common. That the inhabitants fished in the water; wetted their hemp therein, and dried it on the green, and fed their cattle thereon. William Pynne deposed, inter alia, that he did not know that the said William Sydnor or Humphrey Yarmouth had any manor in the said towne; nor that there were more manors therein than the manor of Mr. Jettor, called Gunvilles. Robert Jettor deposed that the water is called the common water of Blundeston in a court-roll of the manor of Blundeston Gonville, dated the thirty-first of Henry VIII., and that he did not know that Mr. Yarmouth, or the defendants, had any manor in Blundeston, or that there was any other manor therein than his, called Blundeston Gonvilles. John Wood deposed, inter alia, that the said William Sydnor had obtained the leases from divers owners of sundry messuages or dwelling-houses in Blundeston, of their interests of their fishing in the said great water about twenty years sithence, and that he had before that sued some of the inhabitants of the said towne for having fished therein. That he and another, then churchwardens of Blundeston, did sell the alders growing in or near the said water, and did convert the money to the reparations of the town-house, and that other inhabitants did take poles, splints, and other wood growing there, &c. That he had heard that Mr. Yarmouth did keep courts in Blundeston, and had tenants therein, and that this deponent did hold of Mr. Sydnor, who had Mr. Yarmouth's estate, three acres of land, &c., and that Mr. Jettor had a manor in Blundeston, &c. Interrogatories to be administered to the witnesses to be produced on the part and behalf of William Sydnor, Esq., and Henry Sydnor, Gent., complainants, against Henry Winston, &c., deforcients. Inter alia. Do you know that Humphrey Yarmouth, Esq., deceased, was seized of the manor of Blundeston in Blundeston, and of land covered with water, containing forty acres, and which, on his death, descended to Henry Yarmouth, his son, also dead; who sold the same to William Sydnor; and that they severally held courts-baron, &c. And whether Humphrey Yarmouth, and Henry Yarmouth, his son, and William Sydnor afterwards, did not present to the living on the death or resignation of the incumbents. If the house wherein Henry Sydnor then dwelt was not called Blundeston Hall in court-rolls and writings. Whether, in the twenty-eighth of Elizabeth, in a controversy between the said William Sydnor, lord of Blundeston, and owner of the water, with the inhabitants as to the same being common or not, the dispute was not referred to Sir Edward Coke, then Attorney-General, and afterwards Chief Justice of the Common Pleas, and to Richard Godfrey, Esq. Whether in the thirty-first of Elizabeth there was not a similar dispute, and that it was amicably settled by the said Henry Winston and certain others of the inhabitants agreeing to release their rights of fishing in the water, and that they should have in lieu thereof, a certain driftway thereto from the highway, near the mansion of the said William Sydnor, and a certain piece of land at the end of the said water, containing three acres, for their use, and the feed thereof; and to wet hemp in the water, and dry the same on the said three acres of land, and might dig the soil and carry it away therefrom, and also from Mill Hill, in Belton Heath, and the timber, &c., growing on the said way for repairing the town-house; and whether the said agreement was not carried into execution; and if complainants did not for twelve years quietly enjoy the water, &c., after the execution of the releases. And whether, before the agreement, the inhabitants had a right to take the land, gravel, &c.; and if complainant did not clear the water, and make a bank, &c., for the fowl to breed, &c."

 

he Church at Blundeston,

which is a rectory dedicated to St. Mary, and now consolidated with the adjoining benefice of Flixton, is valued in the King's books at £13. 6s. 8d. It is a singular edifice, comprising a nave and chancel, with a remarkably high-pitched roof, covered with thatch. The tower, which is circular and small in diameter, rises but little above the ridge of the nave, and looks more like a chimney than a steeple. It exhibits decided marks of Norman erection, and was probably attached to an earlier edifice than the present church, which, apparently incorporating the north wall of the ancient nave, seems raised on a wider ground-plan, thereby bringing the apex of the western gable to the southward of the tower, and producing a very inharmonious effect. The masonry of both nave and chancel is composed of large squared flints, but the walls of the latter bulge outwards in a threatening angle, and foretell a speedy dissolution. The interior is lofty and effective, and very neatly kept; and a carved oaken screen beneath the chancel arch is well deserving of observation. The lower compartments of this screen were in olden days richly painted and gilt, as the accidental discovery of one portion, by the removal of some boards, fortunately evinces. This splendid example of ancient art forms an illustration to the present work, and has been engraved from the faithful pencil of the late Miss Dowson, of Yarmouth. St. Peter pointing to the keys of Heaven and Hell, and an angel with uplifted hands assuring us of our salvation through the passion of Christ, occupy the two compartments of a pointed arch, richly backed by a crimson ground, diapered with gold. There is a stiffness in the attitude of each figure, and a harshness of outline visible here, as in the works of more celebrated artists, even at a later period; but these paintings are, nevertheless, extremely interesting, as illustrating the success of art in England in the fifteenth century. There is a small piscina in the chancel, and some oaken benches in the body of the church of excellent workmanship, and an ancient benetura near the south door. In the tower hang two bells, one of which was brought from the ruinated church of the adjoining village of Flixton. The body of the church, which presents a far less fearful aspect than the chancel, has lately undergone considerable renovation, and is indebted to the zeal of Mr. Steward for the preservation of many of its ancient features.

 

Reginald Wynstone, by his last will, dated the 14th of April, 1438, leaves his body to be buried within the church of Blundeston, and constitutes William Wynstone and John Wynstone, his sons, his executors. In the Lansdowne MSS. (fn. 13) is a note, taken apparently about the year 1573, of several armorial cognizances which then ornamented the windows of this building. "In the chancel windows. Arg. a lion sable. FitzOsbert and Jerningham. Quarterly, arg. and b. quarterly indented, a bend gules. Arg. a cross engrailed gules. Bloundeville, or and b. quarterly, indented, a bend gules, sided with Gurney. Gules, 3 gemelles or, a canton ermine, billetted sable. Sable a cross sarsele or, betwixt four scallops arg. Sable, a chevron arg. between 3 cinquefoils or."—"In the church, gul. a lion argent. Arg. 3 buckles lozengy gules, Jernegan. Gu. and b. pale, on a fess wavy arg., 3 crescents sab. betwixt three crosses pale or. Blundeville and Inglos. Erm. on a chevron sab., 3 crescents or, syded with Nownton. Sir Ed. Jenney, erm. a bend gul. cotised or, quartering sab. a chevr. twyxt 3 buckles argent. Or and g. barre unde. Castell, gu., 3 castells arg. Sab. a chev. gules, droppe or, twixt 3 cinquefoils pserd ermine. Or and b. checke. Paston, Bolaine, Nawton, and Barney, Nawton and Howard. Or 3 chev. gu., on each 3 ermines arg. sided with Nawton. Sampson syded with Felbrig. Felbrig, on his shoulder a mullet arg. Bedingfeld quartering Tuddenham, and one of Knevett single."

 

Monuments.—There is an old floor-stone with a cross, but no other ancient memorials, in this church. Among the more modern are the following:

 

Robertus Snelling, Rector, obt. Sep. 12, 1690, æt. 65. Hic jacet Butts Bacon, Baronettus, Nicholai Bacon, Angliæ Baronetti primi filius septimus, qui obiit Maij 29, 1661. Dorothea Bacon, his widow, obt. Sep. 4, 1679. Arms. Bacon.

 

Elizabeth, daughter of John Burkin, of Burlingham, died Jan. 26, 1735. She was first married to the Rev. Mr. Gregory Clarke, and after his decease to the Rev. Mr. Thomas Carter.

 

¶Samuel Luson, died July 7, 1766, aged 33. Luson bears, quarterly, 1st and 4th, az. and gul., 3 sinister hands arg., 2nd and 3rd, erm., 3 roses. . . . Sarah Keziah Thurtell, died May 29th, 1833, aged 18 years. William Wales, died June 8, 1710, aged 63. Gregory Clarke, Christi minister, died 3 Ides of Jan. 1726, aged 45. William Sydnor, Esq., died 1613. Robert Brown, died Sep. 6, 1813, aged 52 years. Mary, his daughter, Aug. 18, 1812, aged 22 years. Sarah, wife of John Clark, widow of the above Robert Brown, died Nov. 16, 1818, aged 59. Elizabeth, second wife of James Thurtell, of Flixton, died June 15, 1823, aged 75 years. Elizabeth, wife of John Clark, died Jan. 28, 1801, aged 28 years. John Clark, died Oct. 7, 1826, aged 57 years. Stephen Saunders, M. D., born 17th Oct. 1777, died 1st Oct. 1814. Timothy Steward, of Great Yarmouth, died 25th of June, 1836. Mary, his wife, daughter of John Fowler, and Ann, his wife, died 22 Jan. 1837. Arms. Steward, quarterly, 1st and 4th. Or, a fess chequee arg. and az.; 2nd and 3rd, arg., a lion ramp. gules, debruised with a bendlet raguly or, impales Fowler, az. on a fess between 3 lions pass. guard, or, as many crosses patonce sable.

 

The registers of Blundeston commence in 1558. They contain several notices of monies collected by Brief in aid of sufferers by fire in distant parts of England. Among others, "To a loss by fire at ye head of ye Cannon-gate at Edinburgh, in North Britain, Jan. 13, 1708/9, 1s. 6d." The advowson of Blundeston with Flixton was sold in 1844, by Lord Sydney Osborne, to Thomas Morse, Esq., of Blundeston.

 

www.british-history.ac.uk/no-series/suffolk-history-antiq...

The publication of the unpublished book of my 3D cross-eyed conversions continues. Over 100 pages of paintings, comics, illustrations by famous and less famous authors that I will publish every day. If you are squint, you will have fun.

All from Doreen's photo albums

Just a cool picture of him.

by guillaume.trahan #brighton

The Sistine Chapel ceiling, painted in fresco by Michelangelo between 1508 and 1512, is a cornerstone work of High Renaissance art.

The Sistine Chapel is the large papal chapel built within the Vatican between 1477 and 1480 by Pope Sixtus IV, for whom the chapel is named. The ceiling was painted at the commission of Pope Julius II.

The ceiling's various painted elements form part of a larger scheme of decoration within the chapel. Prior to Michelangelo's contribution, the walls were painted by several leading artists of the late 15th century including Sandro Botticelli, Domenico Ghirlandaio, and Pietro Perugino. After the ceiling was painted, Raphael created a set of large tapestries (1515–1516) to cover the lower portion of the wall. Michelangelo returned to the chapel to create The Last Judgment, a large wall fresco situated behind the altar. The chapel's decoration illustrates much of the doctrine of the Catholic Church, serving as the location for papal conclaves and many other important services.

Central to the ceiling decoration are nine scenes from the Book of Genesis, including The Creation of Adam. The complex design includes several sets of figures, some clothed and some nude, allowing Michelangelo to demonstrate his skill in depicting the human figure in a variety of poses. The ceiling was immediately well-received and imitated by other artists, continuing to the present. It has been restored several times, most recently from 1980-94.

The walls of the Sistine Chapel had been decorated 20 years before Michelangelo's work on the ceiling. Following this, Raphael designed a set of tapestries (1515–1516) to cover the lowest of three levels; the surviving tapestries are still hung on special occasions. The middle level contains a complex scheme of frescoes illustrating the Life of Christ on the right side and the Life of Moses on the left side. It was carried out by some of the most renowned Renaissance painters: Sandro Botticelli, Domenico Ghirlandaio, Pietro Perugino, Pinturicchio, Luca Signorelli, and Cosimo Rosselli. The upper level of the walls contains the windows, between which are painted pairs of illusionistic niches with representations of the first 32 popes.

The original ceiling painting was by Pier Matteo d'Amelia, and had depicted stars over a blue background like the ceiling of the Arena Chapel decorated by Giotto at Padua.For six months in 1504, a diagonal crack in the chapel's vault had made the chapel unusable, and Pope Julius II (Giuliano della Rovere) had the damaged painting removed by Piero Roselli, a friend of Michelangelo. Julius II was a "warrior pope" who in his papacy undertook an aggressive campaign for political control to unite and empower Italy under the leadership of the Catholic Church. He invested in symbolism to display his temporal power, such as his procession, in which he (in the Classical manner) rode a chariot through a triumphal arch after one of his many military victories. Julius II's project to rebuild St. Peter's Basilica would distinguish it as the most potent symbol of the source of papal power; he ultimately demolished and replaced the original basilica with a grander one intended to house his own tomb. The pope summoned Michelangelo to Rome in early 1505 and commissioned him to design his tomb, forcing the artist to leave Florence with his planned Battle of Cascina painting unfinished. By this time, Michelangelo was established as an artist;[a] both he and Julius II had hot tempers and soon argued. On 17 April 1506, Michelangelo left Rome in secret for Florence, remaining there until the Florentine government pressed him to return to the pope.

In 1506, the same year the foundation stone was laid for the new St. Peter's, Julius II conceived a programme to paint the ceiling of the Sistine Chapel. It is probable that, because the chapel was the site of regular meetings and Masses of an elite body of officials known as the Papal Chapel (who would observe the decorations and interpret their theological and temporal significance), it was Julius II's intention and expectation that the iconography of the ceiling was to be read with many layers of meaning. The scheme proposed by the pope was for twelve large figures of the Apostles to occupy the pendentives. Michelangelo negotiated for a grander, much more complex scheme and was finally permitted, in his own words, "to do as I liked". It has been suggested that Augustinian friar and cardinal Giles of Viterbo could have influenced the ceiling's theological layout. Many writers consider that Michelangelo had the intellect, the biblical knowledge, and the powers of invention to have devised the scheme himself. This is supported by Michelangelo's biographer Ascanio Condivi's statement that the artist read and reread the Old Testament while he was painting the ceiling, drawing his inspiration from the words of the scripture, rather than from the established traditions of sacral art.

On 10 May 1506, Piero Roselli wrote to Michelangelo on behalf of the pope. In this letter, Roselli mentions that papal court architect Donato Bramante doubted that Michelangelo could take on such a large fresco project, as he had limited experience in the medium. According to Bramante, Michelangelo stated his refusal. In November 1506 Michelangelo went to Bologna, where he received a commission from the pope to construct a colossal bronze statue of him conquering the Bolognese. After he completed this in early 1508, Michelangelo returned to Rome expecting to resume work on the papal tomb, but this had been quietly set aside. Michelangelo was instead commissioned for a cycle of frescoes on the vault and upper walls of the Sistine Chapel. Michelangelo, who was not primarily a painter but a sculptor, was reluctant to take on the work; he suggested that his young rival Raphael take it on instead. The pope was persistent; according to Giorgio Vasari, he was provoked by Bramante to insist that Michelangelo take on the project, leaving him little choice but to accept. The contract was signed on 8 May 1508, with a promised fee of 3,000 ducats. At the pope's behest, Bramante built the initial scaffolding, hung via ropes from holes in the ceiling. This method displeased Michelangelo as it would force him to paint around the holes, and he had freestanding scaffolding constructed instead. This was built by Piero Roselli, who subsequently roughcasted the ceiling. Michelangelo initially sought to engage assistants who were more well-versed in fresco-painting, but he was unable to find suitable candidates and determined to paint the whole ceiling alone. Among the Florentine artists whom Michelangelo brought to Rome in the hope of assisting in the fresco, Vasari names Francesco Granacci, Giuliano Bugiardini, Jacopo di Sandro, l'Indaco the Elder, Agnolo di Domenico, and Aristotile.

Michelangelo soon began his work, starting at the west end with the Drunkenness of Noah and the Prophet Zechariah and working backwards through the narrative to the Creation of Eve, in the vault's fifth bay, finished in September 1510. The first half of the ceiling was unveiled with a preliminary showing on 14 August 1511 and an official viewing the next day. A long hiatus in painting occurred as new scaffolding was made ready. The second half of the ceiling's frescoes were done swiftly, and the finished work was revealed on 31 October 1512, All Hallows' Eve, being shown to the public by the next day, All Saints' Day. Michelangelo's final scheme for the ceiling includes over 300 figures. Vasari states that "When the chapel was uncovered, people from everywhere [rushed] to see it, and the sight of it alone was sufficient to leave them amazed and speechless." At the age of 37, Michelangelo's reputation rose such that he was called il divino, and he was henceforth regarded as the greatest artist of his time, who had elevated the status of the arts themselves, a recognition that lasted the rest of his long life. The ceiling was immediately considered one of the greatest masterpieces of all time, a distinction which continues to endure.

Michelangelo probably began working on the plans and sketches for the design from April 1508. The preparatory work on the ceiling was complete in late July the same year and on 4 February 1510, Francesco Albertini recorded that Michelangelo had "decorated the upper, arched part with very beautiful pictures and gold". The main design was largely finished in August 1510, as Michelangelo's texts suggest. From September 1510 until February, June, or September 1511, Michelangelo did no work on the ceiling on account of a dispute over payments for work done; in August 1510 the pope left Rome for the Papal States' campaign to reconquer Bologna and despite two visits there by Michelangelo, resolution only came months after the pope's return to Rome in June 1511. On 14 August 1511, Julius held a papal mass in the chapel and saw the progress of the work so far for the first time. This was the vigil for Assumption Day on 15 August, the Sistine Chapel's patronal feast. The whole design was revealed to visitors on 31 October 1512 with a formal papal mass the following day, the feast of All Saints.[40] Clerical use of the chapel continued throughout, exempting when the work on the scaffolding necessitated its closure, and disruption to the rites was minimized by beginning the work at the west end, furthest from the liturgical centre around the altar at the east wall. Debate exists on what sequence the parts of the ceiling were painted in and over how the scaffold that allowed the artists to reach the ceiling was arranged. There are two main proposals.

The majority theory is that the ceiling's main frescoes were applied and painted in phases, with the scaffolding each time dismantled and moved to another part of the room, beginning at the chapel's west end. The first phase, including the central life of Noah, was completed in September 1509 and the scaffolding removed; only then were the scenes visible from the floor level. The next phase, in the middle of the chapel, completed the Creation of Eve and the Fall and Expulsion from Paradise. The Cumaean Sibyl and Ezekiel were also painted in this phase. Michelangelo painted the figures at a larger scale than in the previous section; this is attributed to the artist's ability to effectively judge the foreshortening and composition from ground level for the first time. The figures of the third phase, at the east end, were at still grander scale than the second; The Creation of Adam and the other Creation panels were finished at this stage, which took place in 1511. The lunettes above the windows were painted last, using a small movable scaffold. In this scheme, proposed by Johannes Wilde, the vault's first and second registers, above and below the fictive architectural cornice, were painted together in stages as the scaffolding moved eastwards, with a stylistic and chronological break westwards and eastwards of the Creation of Eve. After the central vault the main scaffold was replaced by a smaller contraption that allowed the painting of the lunettes, window vaults, and pendentives. This view supplanted an older view that the central vault formed the first part of the work and was completed before work began on the other parts of Michelangelo's plan.

Another theory is that the scaffolding must have spanned the entire chapel for years at a time. To remove the existing decoration of the ceiling, the entire area had to be accessible for workmen to chisel away the starry-sky fresco before any new work was done. On 10 June 1508, the cardinals complained of the intolerable dust and noise generated by the work; by 27 July 1508, the process was complete and the corner spandrels of the chapel had been converted into the doubled-spandrel triangular pendentives of the finished design. Then the frame of the new designs had to be marked out on the surface when frescoeing began; this too demanded access to the whole ceiling. This thesis is supported by the discovery during the modern restoration of the exact numbers of the giornate employed in the frescoes; if the ceiling was painted in two stages, the first spanning two years and extending to the Creation of Eve and the second lasting just one year, then Michelangelo would have to have painted 270 giornate in the yearlong second phase, compared with 300 painted in the first two years, which is scarcely possible. By contrast, if the ceiling's first register – with the nine scenes on rectangular fields, the medallions, and the ignudi – was painted in the first two years, and in the second phase, Michelangelo painted only their border in the second register with the Prophets and Sibyls, then the giornate finished in each year are divided almost equally. Ulrich Pfisterer, advancing this theory, interprets Albertini's remark on "the upper, arched part with very beautiful pictures and gold" in February 1510 as referring only to the upper part of the vault – the first register with its nine picture fields, its gnudi, and its medallions embellished with gold – and not to the vault as a whole since the fictive architectural attic with its prophets and prophetesses were yet to be started.

The scaffolding needed to protect the chapel's existing wall frescoes and other decorations from falling debris and allow the religious services to continue below, but also to allow in air and some light from the windows below. The chapel's cornice, running around the room below the lunettes at the springing of the window arches themselves, supported the structure's oblique beams, while the carrying beams were set into the wall above the cornice using putlog holes. This open structure supported catwalks and the movable working platform itself, whose likely stepped design followed the contour of the vault. Beneath was a false ceiling that protected the chapel. Though some sunlight would have entered the workspace between the ceiling and the scaffolding, artificial light would have been required for painting, candlelight possibly influencing the appearance of the vivid colors used.

Restoration overseer Fabrizio Mancinelli speculates that Michelangelo may have only installed scaffolding platforms in one half of the room at a time to cut the cost of timber and to allow light to pass through the uncovered windows. The areas of the wall covered by the scaffolding still appear as unpainted areas at the base of the lunettes.

The entire ceiling is a fresco, which is an ancient method for painting murals that relies upon a chemical reaction between damp lime plaster and water-based pigments to permanently fuse the work into the wall. Michelangelo had been an apprentice in the workshop of Domenico Ghirlandaio, one of the most competent and prolific of Florentine fresco painters, at the time that the latter was employed on a fresco cycle at Santa Maria Novella and whose work was represented on the walls of the Sistine Chapel. At the outset, the plaster, intonaco, began to grow mildew or mould because it was too wet. When Michelangelo despaired of continuing, the pope sent Giuliano da Sangallo, who explained how to remove the fungus. Because Michelangelo was painting alfresco, the plaster was laid in a new section every day, called a giornata. At the beginning of each session, the edges would be scraped away and a new area laid down.

The work commenced at the end of the building furthest from the altar with the last chronological part of the narrative and progressed towards the altar with the scenes of the Creation. The first three scenes, from The Drunkenness of Noah, contain crowded compositions of smaller figures than other panels, evidently, because Michelangelo misjudged the ceiling's size. Also painted in the early stages was the Slaying of Goliath. After painting the Creation of Eve adjacent to the marble screen which divided the chapel,[h] Michelangelo paused in his work to move the scaffolding to the other side. After having seen his completed work so far, he returned to work with the Temptation and Fall, followed by the Creation of Adam. As the scale of the work got larger, Michelangelo's style became broader; the final narrative scene of God in the act of creation was painted in a single day.

According to Vasari, the ceiling was unveiled before it could be reworked with a secco and gold to give it "a finer appearance" as had been done with the chapel's wall frescoes. Both Michelangelo and Pope Julius II wanted these details to be added, but this never took place, in part because Michelangelo did not want to rebuild the scaffolding; he also argued that "in those days men did not wear gold, and those who are painted ... were holy men who despised wealth." Julius II died only months after the ceiling's completion, in February 1513.

According to Vasari and Condivi, Michelangelo painted in a standing position, not lying on his back, as another biographer, Paolo Giovio, imagined. Vasari wrote: "These frescos were done with the greatest discomfort, for he had to stand there working with his head tilted backwards." Michelangelo may have described his physical discomfort in a poem, accompanied by a sketch in the margin, which was probably addressed to the humanist academician Giovanni di Benedetto da Pistoia, a friend with whom Michelangelo corresponded. Leonard Barkan compared the posture of Michelangelo's marginalia self-portrait to the Roman sculptures of Marsyas Bound in the Uffizi Gallery; Barkan further connects the flayed Marsyas with Michelangelo's purported self-portrait decades later on the flayed skin of St Bartholomew in his Last Judgment but cautions that there is no certainty the sketch represents the process of painting the chapel ceiling. Michelangelo wrote the poem describing the arduous conditions under which he worked. Michelangelo's illustrated poem reads:

I’ ho già fatto un gozzo in questo stento,

coma fa l’acqua a’ gatti in Lombardia

o ver d’altro paese che si sia,

c’a forza ’l ventre appicca sotto ’l mento.

La barba al cielo, e la memoria sento

in sullo scrigno, e ’l petto fo d’arpia,

e ’l pennel sopra ’l viso tuttavia

mel fa, gocciando, un ricco pavimento.

E’ lombi entrati mi son nella peccia,

e fo del cul per contrapeso groppa,

e ’ passi senza gli occhi muovo invano.

Dinanzi mi s’allunga la corteccia,

e per piegarsi adietro si ragroppa,

e tendomi com’arco sorïano.

Però fallace e strano

surge il iudizio che la mente porta,

ché mal si tra’ per cerbottana torta.

La mia pittura morta

difendi orma’, Giovanni, e ’l mio onore,

non sendo in loco bon, né io pittore.

I've grown a goitre by dwelling in this den–

As cats from stagnant streams in Lombardy,

Or in what other land they hap to be–

Which drives the belly close beneath the chin:

My beard turns up to heaven; my nape falls in,

Fixed on my spine: my breast-bone visibly

Grows like a harp: a rich embroidery

Bedews my face from brush-drops thick and thin.

My loins into my paunch like levers grind:

My buttock like a crupper bears my weight;

My feet unguided wander to and fro;

In front my skin grows loose and long; behind,

By bending it becomes more taut and strait;

Crosswise I strain me like a Syrian bow:

Whence false and quaint, I know,

Must be the fruit of squinting brain and eye;

For ill can aim the gun that bends awry.

Come then, Giovanni, try

To succour my dead pictures and my fame;

Since foul I fare and painting is my shame.

—№ 5. "A Giovanni quel propio da Pistoia"—№ 5: To Giovanni a Pistoia – On the Painting of the Sistine Chapel,

trans. John Addington Symonds, 1878

Jelbert has suggested that the physical pain described in this poem, and the pose of Michelangelo in his illustration for it, resonate with the agonised postures of the Vatican's 'Laocoön Group'. In the illustration, suggests Jelbert, Michelangelo appears to have drawn himself as the dying son on the right-hand side of the group (his arm sheered at the wrist), and the figure he is painting has the raised knees, wild eyes and broken right arm of Laocoön himself. Michelangelo's reference to the 'Laocoön Group' in the 'Brazen Serpent' has been noted above, but the artist also alluded to this sculpture in other areas of the Sistine ceiling, including the 'Punishment of Haman', and a pair of ignudi between the 'Sacrifice of Noah' and the 'Prophet Isiah'.

 

Iowa Pacific's unnamed Budd Diner #800448 brings up the markers on the westbound California Zephyr while deadheading to IP's shop in Alamosa, CO.

 

Here, its seen at the east end of the former Burlington platform in Omaha, NE, and if you squint just a little bit, it could surely pass for a scene out of the 60's.

  

Squinting!

Sundrum, Coylton, South Ayrshire

Scotland

New York wandering

I suppose I have been driving up and down the A143 for the last 33 years, and I have noticed the sign to Mendham the very first time I drove down there, as Mendham was also the surname of one of the Norwich City players at this time.

 

But it wasn't until a friend posted a shot of the church from the air, that the thought of visiting it entered my little head. (www.flickr.com/photos/john_fielding/)

 

Anyway, I turned off the main road into the lane that leads to Mendham, the lane shrinking to a width of just wider than the car, before it plunged down a valley side to the now dry water meadows before a bridge took me over the river and from Norfolk into Suffolk.

 

The church was at the entrance to the village, guarded by a pillbox, looking over the lane now, but 75 years ago would have covered fire on the lane and bridge that spans the mighty river Waveney, which must be some ten feet side at this point.

 

The church was open, and despite the gloomy day, I could see lots of interest, including a blocked squint, but not too sure about that east window, but then I'm no expert.

 

-----------------------------------------

 

(Introduction: In 2007, I started revisiting the churches of Suffolk. It was interesting to look back at what I'd written when I'd first come this way. Back then, by the time I got to Mendham in 2002, the journey was almost complete. Here, and on the entry for neighbouring Weybread, there is a demob-happy irreverence which suggests I was happy for the journey to be coming to an end. In truth, I think I was exhausted, and it would actually be another year before I started on Norfolk. But that was in the future. I came to Mendham in the days before I owned a digital camera, which was the main reason for going back. Apart from replacing the old photographs and adding lots of new ones, I have left the account pretty much as I wrote it in 2002. This entry seems to have an uncharacteristic number of side-swipes at other villages, and the Countryside Alliance, who were at that time making themselves rather unpleasant. Perhaps they have been proved right, who can say? Anyway, this is what I wrote.)

 

2002: Mendham, for me, is synonymous with civilisation. I had come here from Bungay, one of my favourite East Anglian towns, and I had made the choice there to travel onwards on the Suffolk side of the Waveney, even though the more direct trip on the Norfolk side would take me through Earsham and Redenhall. This was because I wanted to visit Flixton, where the 19th century church of St Mary is a direct copy by Salvin of the Saxon church at Sompting in Sussex. Out of Flixton, I could stay on the main road, or try and take a short cut through the Saints.

Now, anyone who knows Suffolk will tell you that no one takes a short cut through the Saints. This elaborate maze of twelve villages is connected by threadlike roads without name, direction or purpose, that lead you into farmyards and then peter out, or double back on themselves, so you see yourself across the fields trying to get to somewhere other than the place where you are. The Saints were created by a Zen Buddhist God to demonstrate the futility of life.

 

But I ambled on, aiming for the easily recognisable tower of the church of St George, South Elmham St Cross, which would lead me to my intended destination. The road lurched and dipped, straining to throw me off down some unmarked byway, but I held to my course. I had a map, a sense of direction, and would not be diverted from reaching St George. And then I got there, and it turned out to be South Elmham St Peter.

 

I stopped for a moment, exasperated. Looking at the map, it was easy to see where I had gone wrong (they do this to you, the Saints, they point out your inadequacies) but I was now 4 miles further east than I should have been. I found a lane that led me down into South Elmham St Margaret, and resisted the temptation to head off of this road, which was the correct one.

 

Okay, then I didn't. I was going to stick to it, but a sudden lane pointed to St Cross. So I took it. Instantly, it narrowed, dipped, and sent me hurtling into a tunnel overgrown with hawthorn. The road surface disappeared under a sea of mud, obviously left over from the winter ploughing. My bike cheerfully sprayed the slurry all up the front of me. Now, I'm a reasonable man - well, mostly. But I have no time for the Countryside Alliance mob, and howled in execration, something along the lines of "----ing farmers, why can't they keep their mud on their ----ing fields where it belongs", which caused mild consternation to the donkey skulking under a tree at the bottom of the dip.

 

I climbed up the other side of the valley - and at the top of the rise there was a proper road, and a sign saying Mendham 2 and I knew I was free. With a cry of "YES!" I headed on into Mendham, a large and civilised place, which was birthplace and home to the artist Sir Alfred Munnings. Right beside the Waveney sits the pretty church of All Saints in a delightful graveyard.

 

The first impression is a neat, substantial building, and indeed this is a major 19th century restoration that was done well. The 14th tower is slightly older than the body of the church it stands against, but the chancel is late 19th century. The going over the rest of the church received 20 years earlier was at the hands of our old friend Richard Phipson, and the headstops on the porch will instantly remind us of his contemporary work at St Mary le Tower, Ipswich.

 

It is a big church, and the inside is pretty much all the work of Phipson in his 'see, I can be surprisingly creative when I try' period. So it is very Victorian, although I thought the roof angels were superb despite this. They bear shields with a complete set of Passion symbols. The chancel arch is very striking, being wooden, and based on a pair of arch braces. There is a fine memorial to William Godbold, as well as a number of lovely brasses to the Freston family, which don't seem to get mentioned in books on the subject. Best of all, I think, is the 1880s east window by Ward and Hughes depicting the Ascension.

 

Mortlock thought the painting of the Presentation in the Temple was probably Venetian, dating from the early 17th century. In general, this is a crisp, spare, simple interior, a cool place to pause in the middle of a busy journey.

 

Back outside again, the graveyard has something that no other graveyard in Suffolk has. The western edge drops straight into the Waveney, and against this edge is a pill box, a machine gun emplacement from the Second World War (or, at least, I'm guessing it was built to repel Nazi invaders, rather than anything that might come across from the Norfolk side).

 

My next port of call was Weybread, just three miles away - but five if I stayed in the narrow winding lanes on the Suffolk bank, so I took a deep breath, screwed up my courage, and crossed the river into Norfolk.

  

All Saints, Mendham, is situated between Bungay and Harleston, Norfolk, just south of the border. I found it open.

 

Simon Knott 2002 (revised and updated 2007)

  

www.suffolkchurches.co.uk/mendham.htm

-----------------------------------------

 

edham, adjoins east to Brockdish, on the great road; and is originally a hamlet and chapelry to Mendham, which is a very extensive place; the parish church stands just over the river, and so is in Suffolk; but this hamlet and the adjacent part between it and the parish church, on the Norfolk side, were no less than two miles and five furlongs long, and seven furlongs broad, at the Conqueror's survey, and paid 7d. to the geld or tax; and the part on the Norfolk side (exclusive of the bounds of this ancient hamlet) was called Scotford, or the part at the ford, (over which there is a good brick bridge built, called Shotford bridge at this day,) and for many ages had a rector presented to it, who served in the church of Mendham, by the name of the rector of Shotford portion in Mendham.

 

Part of Herolveston or Harleston then belonged to Mendham also; and now, that part of the town opposite to the south side of the chapel, on which the publick-house called the Pye stands, is in Mendham.

 

Mendham parish church is dedicated to All the Saints, and was originally a rectory, one turn of which, was in Sir William de Huntingfield, founder of the priory here, to which he gave it, and the other in Sir Thomas de Nedham, who gave it to William Prior of the Holy Trinity at Ipswich, and the convent there, to which it was appropriated by Thomas de Blundeville Bishop of Norwich, in 1227, when the vicarage was settled to consist of a messuage and 24 acres of land, 6 acres of meadow and marsh, with all the alterage belonging to the church, and the tithes of the mills, hay, turf, and fish, and all sorts of pulse, and 10s. per annum rent; viz. from the Lady Eve de Arches half a mark, &c. (fn. 1) and the said Prior was to pay all dues to the bishop and archdeacon, except synodals; (fn. 2) and Henry de Diss, chaplain, the first vicar here, was presented by the Prior of Ipswich. The account of this church in Norwich Domesday is thus; the Prior of the Holy Trinity of Ipswich hath the moiety of the church of Mendham, appropriated to his convent, and hath a house and two carucates of land, and receives the tithes of the demeans of Sir Thomas de Nedham; this was valued formerly at 15 marks. The Prior of Mendham hath the other moiety, and receives the tithes of Sir William de Hunting field, and his moiety is valued at ten marks. Sir Thomas de Clare is patron of the third part, which the vicar holds of the fee of Cockfield, and is valued at tive marks.

 

The chapel of St. Peter at Nedham was in all probability founded by the Nedham family, and most likely, by Sir Thomas de Nedham himself, for his own tenants; and being so far from the mother-church of Mendham, was made parochial, and hath separate bounds, officers, administration of sacraments, and burial; it is under the episcopal, but exempt from the archidiaconal jurisdiction; for it pays neither synodals, procurations, nor Peter-pence: and in 1329, a perpetual composition and agreement was made between the parishioners of the mother-church of Mendham, and those of the chapel of Nedham; by which, in lieu of all reparations and dues to the parish of Mendham, they agreed to pay 18d. every Easter-day, towards the repairs of Mendham church, as an acknowledgment that they were members of it. In 1411, the parishioners of Nedham, complained to Pope John XXIII. that their chapel was not well served, though the Prior of Mendham was well paid his tithes; upon which, a bull directed to Alexander de Totington Bishop of Norwich, issued; (fn. 3) commanding him to oblige the Prior of Mendham to find, and give security to him, that that convent would always find a parochial chaplain resident in Nedham, well and duly to serve the chapel there: and ever since, the impropriator of Mendham nominates the parish chaplain. In 1603, it was returned that

 

Mr. Andrew Wily, clerk, was curate, that there were 220 communicants, and that it was an impropriation; the herbages being reserved for the maintenance of the minister, who hath now the vicarial tithes, amounting to about 14l. per annum, for which it is served once every fortnight;

 

The Rev. Mr. John Tracey being the present curate.

 

The steeple is round at bottom and octangular at top, and hath four bells in it; the south porch and nave are tiled; there are several stones, but none with inscriptions on them, all their brasses being reaved: the chancel was wholly rebuilt in 1735, of brick, and tiled (though less than the old one was) by William Freston, Esq. who is interred in it; for whom there is a mural monument on the south side, with the

 

Crest of Freston, viz. a demi-greyhound arg. collared sab. and his arms,

 

Az. on a fess or, three leopards heads gul. which were first granted to the Frestons of Yorkshire, (fn. 4) impaling

 

Kedington, and this inscription,

 

Memoriæ sacrum, Gulielmi Freston de Mendham in Agro Norfolciensi, Armigeri, qui ex hac Vitâ demigravit 26° Die Oct. A. D. MDCCXXXIXo. Ætatis LVo. Et Margarettæ Uxoris Charissimæ, Filiæ et Herædis Henrici Kedington, Armigeri, quæ nimio ob Mariti obitum indulgens Dolori, Die 2do. Julij animam efflavit Anno Dni. DCCXLIo. Ætatis LIo. Vincula Amoris inter eos arctissima ut ad Amorem mutuum nihil posset accedere. Ex his nati sunt octo Liberi, Quorum sex jam Superstites; Maria Filia natû maxima, 20° Die Mensis Junij mortem obijt A. D. MDCCXL. Æt. XVII. Et in hoc Adesto (cum Johanne Fratre Infantulo) humata jacet. Hoc Monumentum Pietatis Ergo Coke Freston Filius natû maximus posuit.

 

Anno Domini MDCCXLVI.

 

This chapelry hath a lete held in it by the Duke of Norfolk's steward, it being in his Grace's liberty, who is lord paramount in right of his hundred of Earsham, over all the Norfolk part of Mendham; and in 1285, Roger Bigot, then lord of the hundred, had free-warren allowed him here.

 

The abbot and convent of Sibton in Suffolk had a fishery, and water-mill called Fryer's Mill, in this place; (fn. 5) which was let with their grange and manor of Weybrede in Suffolk; which in 1611, belonged to George Hering of Norwich.

 

This hamlet originally belonged to the Abbot of Bury, (fn. 6) and was infeoffed by one Frodo at the Conquest, whose descendants took the sirname of Nedham, and contrary to the common rule, gave their name to this place; it should seem that the family extinguished in several heiresses, by the many parts or manors it was divided into; and now there are four manors still subsisting here.

 

The first is a very small one, called Sileham Comitis, ex Parte Norfolk; and was originally part of the Earl's manor of Sileham, from which it was separated, and now belongs to Mr. James Bransby of Shotesham.

 

The second is called Denison's, or Denston's manor: this was given to the priory of Mendham, to which it belonged till its Dissolution.

 

This monastery was founded in King Stephen's time, by Will. son of Rog. de Hunting field, with the approbation of Roger his son and heir, who gave the whole isle of Mendham, called Medenham, or the village of meadows, to the monks of Castleacre, on condition they should erect a church of stone, and build a convent by it, and place at least eight of their monks there: in the place called Hurst, or Bruningsherst, being then a woody isle on the Suffolk side of the river; accordingly, monks being placed there, the founder ordered that they should be subject to Castleacre monks, as a cell to that house, in the same manner as Castleacre itself was, to the monastery of St. Pancras at Lewes in Suffolk; and that to the church of Cluni or Clugny in France: but after the death of the founder, the Prior of Castleacre covenanted with Roger de Hunting field his son, (who was also a great benefactor,) to maintain at least eight monks at Mendham, and not to depose the Prior there, unless for disobedience, incontinence, or dilapidations of the house.

 

Their founder gave the whole island of St. Mary of Mendham, with Ulveshage and the Granges there; and many other lands, rents, and homages; and all his lands in Crochestune, and his homagers there, which were all to be employed by the Prior, to the maintenance of Mendham monks, except half a mark of silver to be paid yearly to the priory of Castleacre, as an acknowledgment of their depending as a cell to that monastery; (fn. 7) he gave them also, St. Margaret's church at Linstede, and St. Peter's there; the moiety of the church of Trideling; an aldercarr and 11 acres by the mill, of Thomas de Mendham; and the third part of the tithes of his demeans in Suttorp; and 5s. rent in Bradenham; together with all his right in the church of Mendham: to all which, William the Dean of Redenhall, and others, were witnesses. And Stephen de Saukeville released all his right in Hurst. In 1239, Richard son of Benedict, after his decease, settled a messuage and 60 acres of land on this priory. In 1386, Sir Robert de Swillington, Knt. Sir Roger Bois, Knt. John Pyeshale, clerk, and Robert de Ashfield, settled the patronage of this monastery, on Isabel Countess of Suffolk. This house and all its revenues, were given by King Henry VIII. together with the lands of the dissolved priories of Ankerwick in Lincolnshire, and Little Marlow in Buckinghamshire, to the then newly restored monastery at Bisham or Butlesham in Berkshire, in 1537, (fn. 8) by way of augmentation to the value of 661l. 14s. 9d. per annum for the maintenance of an abbot and 13 monks of the Benedictine order. But that monastery was short-lived and soon fell; and this house, &c. in 1539, was granted to Charles Duke of Suffolk, and with it, this manor of Denston's, which, 2d 3d Philip and Mary, was conveyed to Richard Freston Esq. and Anne his wife, and he was lord of it in 1567; and it continued in his family some time: it now belongs to Mrs. Frances Bacon of Earlham, widow.

 

The prior was taxed for all his temporals in Mendham on the Norfolk side, at 4l. 12s. 11d.

 

From the rolls of this manor, I find the following Priors of Mendham, to have kept courts here.

 

1239, John. 1250, Simon. 1336. Nic. Cressi; he died this year, and Sir Rog. de Hunting field, patron of the priory, kept a court during the vacancy.

 

1340, John de Waltun; succeeded in 1342, by Henry de Berlegh. 1353, William. 1382, John de Tomston. 1400, Robert. 1420, John Betelee succeeded. 1449, Sir Tho. Rede. 1487, Sir Tho Pytte. 1501, Sir Tho. Bullock. 1523, Simon. Robert Howton, sub-prior, and Sir Ric. Pain, monk.

 

The third manor is called Bourt's and was owned by Daniel Bourt in 1345, and after by John le Straunge and Thomas de Hales, who held it at half a fee of the heirs of Roger de Hunting field; it after belonged to the Grices of Brockdish, for which family I refer you thither. In 1600, Thomas Pawlet, Esq. conveyed it to Thomas Leigh and John Godfrey; and it now belongs to Sir Edmund Bacon of Gillingham, Bart.

 

The fourth manor is called Gunshaw's, which see at p. 348.

 

To this hamlet, joins the aforesaid portion of Mendham, called

 

Shotford in Mendham,

Which contains two manors, called Whitendons, or the Whitehills, and Seameares, each of which originally presented alternately to the portion of Shotford in Mendham church.

 

Rectors of Shotford portion.

 

1317, Ralf son of Sir William de Ingham, accolite. Lady Maroya, relict of Sir John de Ingham, Knt. for this turn

 

1318, Walter of Ipswich, priest.

 

1328, Jeffry de Swanton.

 

1332, Roger Nicole, priest. John son of Robert de Ingham, attorney to Sir Oliver Ingham, Knt.

 

1339, Roger de Hempstede.

 

1347, Robert at Wode. Lady Isabel Queen of England.

 

1349, Giles Arches of Mendham, to the rectory of the third part of the church of Mendham, called Shotford portion in Norfolk. Sir Roger Lord Strange of Knokyn, Knt. He resigned in 1350, and the Lady Joan le Strange gave it to

 

Robert de Harwoode; afterwards the noble Sir Miles Stapleton, Knt. having the whole advowson, gave it to Mendham priory; and on the 3d of July, 1385, it was appropriated to the monastery of the blessed Virgin Mary at Mendham, and no vicarage ordained, so that the Prior received all tithes whatever of the whole portion, paying a pension of 6s. 8d. yearly to the Bishop, and finding a chaplain to perform a third part of the service in Mendham church: which service was after turned into that of a chantry priest, who was to officiate in St. Mary's chapel on the east side of Mendham churchyard; and that service ceased in Edward the Sixth's time, and the chapel was granted by the Crown into lay hands, and is now used as a malt-house.

 

The manor of Semere's

 

At the Conqueror's survey, belonged to Roger of Poictou, third son of Roger de Montgomery Earl of Arundel, and was held in the Confessor's time by a freeman named Ulfriz: (fn. 9) it was then valued at 10s. and after at 20. It divided into two parts, one belonged in 1311, to Alice and Edmund de Sancto Mauro or Seymor, Knt. and Joan his wife, from which family it took its name: this Sir Edmund, in 1335, infeoffed it with the manors of Sileham and Esham, and their advowsons, in Sir John Wing field, Knt. as trustee; and Laurence Seymour, parson of the united churches of Sileham and Esham, and Ralf his brother, released all their right; and the next year, Sir John released them to John son and heir of Sir Edward Seymour, Knt. It appears, that in 1291, John de Brampton held the other part of Elizabeth de Ingham at half a fee, and that it then divided, the one half continuing in the Inghams, of which Sir John Ingham, Knt. was lord, and Maroya or Mariona, his widow, in 1217. In 1331, Sir Oliver Ingham, Knt. and it passed with that family, till Sir Miles Stapleton gave it to Mendham priory, when it became joined to Denston's in Nedham. The other part, now Semere's manor, was sold to Sir John Wingfield by Laurence de Seymor; and in 1349, John Garlek and Sara his wife conveyed their third parts of Sileham, Esham, and this manor, and their advowson, to him. In 1401, Edw. Hales was lord; in 1551, it was sold to Henry Floteman, and it is now owned by John Kerrich of Bury M. D.

 

Whitendons, or Wichendons manor,

 

Belonged to Humfry, a freeman of Edric's in the Confessor's time; and to Robert Malet, lord of the honour of Eye, in the Conqueror's; (fn. 10) it after belonged to a family sirnamed De Arcubus; and in 1226, William de Arches and Eve his wife gave it to the Priory of the Holy Trinity at Ipswich; in which house it continued till its dissolution, when it came to the Crown, and the first year of Edward VI. 1546, he granted the advowson of Sileham and its appurtenances, this manor of Wichendon, and all the tithes and glebes, in Mendham, Nedham, and Metfield, late in the tenure of Richard Freston, Esq. to the said Richard and his heirs; (fn. 11) who upon this grant, came and settled in the manor-house here; and his descendants have continued in it to this time.

 

This Richard, in 1534, (fn. 12) appears to be treasurer, and a great favourite of Charles Brandon Duke of Suffolk; and an intimate acquaintance of Sir Rob. Budde, who was master of Wingfield college, and chaplain to his grace; and by his interest it was, that he obtained several great grants from the Crown; (fn. 13) among which, he had Denston's manor in Nedham, and many lands belonging to Mendham priory: he was afterwards knighted, and lies buried with Dame Anne Coke his wife, in Mendham chancel, for whom there is a monument against the east part of the north wall, with the arms of Freston impaling Coke, which shows that he outlived his wife, and died in 1557; and was succeeded by

 

Richard, his son and heir, who married Cecily, daughter of Thomas Felton, Esq.; (fn. 14) she lies buried in the chancel, under a stone, on which is her effigies, and the following inscriptions in Roman capitals on brass plates:

 

Cecilia Freston, (fn. 15) Filia Thomæ Felton Arm. Uxor dicti Ricardi, viro Amore Charissima, habuerunt sex Filios et 2 Filias et obdormivit in Domino 6 Sep. 1615. Christus mihi Vita.

 

An adjoining stone hath the arms of Freston with a mullet, impaling Felton, and his image in brass, and this,

 

Ricardus Freestone Armiger, (fn. 16) vir singulari Pietate, Eraditione, et Integritate, qui obdormivit in Domino 27 Nov. 1616. mors mihi lucrum.

 

William Freston, Esq. their eldest son, inherited; and in 1620, settled the manor on Alban Pigot, Esq. with the patronage of Nedham chapel; and the same year, Sir Robert Heath, Knt. recovered it against Pigot, and conveyed it to Freston again; he died soon after, and

 

Richard his brother inherited, and died seized of this and Denston's manor in 1634; (fn. 17) he is buried under a stone in the chancel, with his crest and arms, impaling in fess, an inescutcheon, on which a plain cross between three crosslets formy fitché, the sharpened parts pointing towards the inescutcheon; and on a brass plate this,

 

Animam Creatori, Marmoreo presenti Monumento, Ricardus Freston (dum vixit, in Agro Norfolciensi Armiger) Corporis Reliquias, amicis omnibus sui desiderium, 20 Dec. A. D. 1634, reliquit, non procul a cujus dextrâ, Pater Materque ejus requiescunt. Vitam vixit summâ cum Pietate, tum morum probitate, laudabilem Amicitiam magnâ cum Sinceritate coluit.

 

By this lies a stone with Freston's arms single.

 

Hic jacet Corpus Richardi Freston Armigeri, Filij Richardi Freeston de Mendham in Agro Norfolciensi Armigeri, qui hinc translatus est ad supera, Flore Juventutis suæ, vir summis dotibus Animi et Corporis, recumbens in Christi merita, obijt 14 Augusti 1648.

 

Anthony Freston, brother of the said Richard, (fn. 18) was buried Oct. 13, 1655; Lydia his wife lies buried in the chancel under a stone, with the arms of Freston impaling on a chief indented, two hands cooped at the wrist.

 

Ledia Wife of Anthony Freston, younger son of Richard Freston Esq; ob. 22 Mar. 1651.

 

Anthony, son of the said Anthony, married Bridget, (fn. 19) daughter of Henry Coke, Esq. of Thorington in Suffolk, and Margaret Lovelace his wife; which Henry was son to Sir Edward Coke and Dame Bridget Paston his wife, and had a daughter,

 

Penelope, late wife of John Smith of Cratfield in Suffolk, buried here in 1681, æt. 51, whose marble lies in the altar rails, and hath

 

Smith's crest, viz. an arm cooped at the shoulder, holding a chaplet; the arms are, Barry of six arg. and sab. in chief three barnacles of the 2d, (which coat was granted to the Smiths of Lincolnshire,) quartering a chevron ingrailed between three garbs, and a lion rampant impaling Freston.

 

Eliz. Daughter of Anthony Freston Esq; and Bridget his Wife, was buried May 4, 1716, æt. 62.

 

Theophila their youngest daughter, married James Rant, Esq. and is buried here with this,

 

Hic jacet Sepulta Theophila Uxor Jacobi Rant Armigeri, Filii natû quarti, Gvlielmi Rant de Yelverton in Com. Norf. Armigeri, et Elizæ. Uxoris secundæ: Theophila prædicta, minima natû Filia fuit, Antonij Freston de Mendham in Com. Norf. Armigeri, et Brigidæ Uxoris ejus, E Vitâ excessit 12° Die Aprilis A.D. 1721, Ao Æt. 55. Duos Filios superstites reliquit, viz. Frestonum et Gulielmum.

 

Si quæris, Lector, qualis sub marmore dormit Fœmina! Scito brevi, casta, benigna, pia.

 

Rant's arms as in vol. i. p. 204, impaling Freston.

 

Over the south chancel door is a mural monument thus inscribed,

 

Beneath this Monument lyeth interred the Body of Edward Freston, Gent. youngest Son of Anthony Freston of Mendham in the County of Norfolk, Esq; and Bridget his Wife, Daughter of Henry Coke of Thorington in the County of Suffolk, Esq; he died 28 Day of Dec. 1708, Ao, Æt. 43. As also the Body of Elizabeth the Wife of Edward Freston, and Daughter of John Sayer of Pulham St. Mary the Virgin, in the County of Norfolk, Gent. she died the 25 Day of Sept. 1727, Ao Æt. 55.

 

Freston's crest and arms, impaling Sayer, as at p. 31, vol. iv. and crest on a cap of maintenance, a dragon's head erased vert.

 

Another monument more west, against the south wall, hath the arms of Freston impaling,

 

Cooke, or, a chevron ingrailed between three cinquefoils az. on a chief of the 2d, a lion passant guardant az.

 

M. S. Sub hoc marmore conditæ sunt reliquiæ Richardi Freston, Arm. hominis adprimè pij; mariti Uxoris amantissimi, Parentis, propitij, et clementis Domini: Vis plura Lector? Scies, hoc Monumentum a Maria Uxore ejus, Filia viri colendissimi, Domini Gulielmi Cooke, in Agro Norfolciensi, quondam Baronetti; Amoris et Pietatis Ergo extructum, ut omnes qui huc venient et intuentur, tam clari exempli memores sint et æmuli, et Vitâ cum eo fruantur æternâ, obijt 22 Junij 1721, æt. 68.

 

William Freston and Margaret Kedington his wife, who are buried in Nedham chapel as before, left this manor, impropriation, and a good estate, to

 

Coke Freston, Esq. their eldest son, who now owns them, and dwells in the site of the manor, called Wichingdon-hall.

 

In the Suffolk part of Mendham, there are four manors; the first is called

 

Mendham's-Hall, or Mendham-Hall,

 

From the ancient lords of it, who took their sirname from the town: it originally belonged to the Abbot of Bury, and was infeoffed by Baldwin Abbot there, in Hugh de Vere, of whom Nicholas de Menham had it; in 1205, William de Mendham, and in 1239, Benedict son of Serlo de Mendham conveyed a messuage and 10 acres to the prior of Ipswich, who had obtained in 1230 a release from Robert Byhurt, of all his right in Mendham advowson. In 1285 Thomas de Mendham, who was lord also in 1306; in 1312, John de Mendham had it; in 1318, John son of John de Mendham, and Christian his wife, sold it to the lord of

 

Kingshall in Mendham, (fn. 20)

 

To which it hath been joined ever since. This manor belonged to the King, according as its name intimates, and was settled by Edw. I. on Queen Eleanor his first wife, after whose death it came to the Veres Earls of Oxford; and Sir Robert Vere, in 1314, sold it to Sir John de Fresingfield, Knt. son of Seman de Fresingfield; at which time, Robert son of John de Mendham, released to him all right in Mendham's-Hall manor; and in 1317, Sir John sold them to Sir Walter de Norwich, Knt. and his heirs, the Earl of Oxford releasing all right; Sir John de Insula, or L'isle, Sir John de Foxele, and Sir John Abel, Knts. Barons of the King's Exchequer, Sir John Muteford, justice of the King's Bench, and others, being witnesses. In 1353, Sir John de Huntingfield held those manors late of Thomas Earl of Oxford, at half a fee. In 1363, it was presented that William de Huntingfield held the river Waghene as a separate fishing, from Mendham bridge to King's-hall mill, and that he had the fishery there, as belonging to his manor of King's-hall. In 1369, Will. de Huntingfield held it for life; and in 1370, John Deyns, rector of Toft in Lincolnshire, and Richard Wright of Holbech, chaplain, his trustees, released to Roger de Huntingfield, who, with his trustees, John de Seckford, parson of Somercotes, John de Linstede, parson of Cawston, Tho. Horne, rector of Huntingfield, and others, soon after, settled them on Mendham priory: in which they continued to its dissolution, and then were granted to Charles Brandon Duke of Suffolk, and his heirs, by King Henry VIII. in 1540, along with the lete of Metfield, and

 

The manor of Mendham Priory,

 

Which was given to it by its founder. They after belonged to the Frestons, and in 1551, Richard Freston was lord; in 1619, Sir Thomas Holland of Quidenham, Knt. sold to Edw. Ward of Mendham in Suffolk, Esq. the site of Mendham priory manor, now called Mendham'shall, &c. Kings-hall meadow, &c. the park, the manor of Mendhamhall, &c. with the letes thereto belonging, situate in Mendham, Withersdale, and Waybrede; all which, he purchased of Anthony Gosnold of Clopton, Esq. Anthony Gosnold of Swillington, Gent. Robert Gosnold of Ottley in Suffolk, Esq. Thomas Laurence of St. James's in S. Elmham, Gent. Michael Wentworth of Rogersthorpe in Yorkshire, Esq. Thomas Wales of Thorp in Norfolk, yeoman, and Loye Browne of Norwich: and the said Thomas, and Dame Mary his wife, sued a fine, and passed a recovery to the use of the said Edward Ward the elder, and his heirs; together with the fishery in the river Wayveneth. It came afterwards to the Baxters, and thence to the Gardiners of Norwich; and was sold by Richard Berney, Esq. recorder of Norwich, executor to Stephen Gardiner, Esq. late recorder there, to the Rev. Mr. Thomas Whitaker, late rector of Fresingfield, whose widow now owns them. They have a lete here, and another in Metfield, belonging to them; they give dower, and the eldest son is heir.

 

I find the following memorials relating to the Baxters in this church:

 

Depositum Stephani Baxter Generosi, qui decessit 12 Die Sept. 1696, æt. 79,

 

On a neat mural monument are the arms of

 

Godbold, az. two long bows in saltier or. Crest, an arm cooped at the shoulder az.

 

M.S. V. C.mi. D. Gulielmi Godbold Militis, ex illustri et perantiquâ Prosapiâ oriundi, qui post septennem peregrinationem, animi excolendi Gratiâ, per Italiam, Greciam, Palœstinam, &c. in solo natali in bonarum Literarum Studijs consenescens, morte repentinâ obijt Londini, Mense Aprilis Ao MDCXIIIC. Ætatis LXIXo. Hoc Monumentum designavit vir integerrimus, et sinceræ Probitatis Exemplar, Thomas Baxter Generosus, quem Testamenti sui Curatorem instituit; ipso autem Thomâ, morte subitaneâ perempto, collapso super eum Equo, nocte intempestivâ et tenebrosâ. IIII Calendas Septemb. MDCXC. Franciscus Gardiner de Civitate Norwicensi Armiger, ejusdem Thomœ Baxter sororis maritus, et Testamenti Curator, posuit. Baxter with a label of three, (see p. 212,) impaling D'eye, as in vol. ii. p. 345.

 

Hic reposita, beatam præstolatur Resurrectionem Fæmina, Pietate et Virtute insignis, Elizabetha Filia Thomœ Dey, de Insula, sive Eay in Agro Suffolciensi Armigeri, Uxor Thomæ Baxter de Mendham in eodem Agro Generosi, cui prolem edidit Masculam unam, alteramque fœminam, Quarum utramque ipso die lustrico et renata simul et denata est, annos nata triginta sex, nupta plus minus septendecem; obijt 27 Dec. 1681.

 

The next manor here, is called

 

Walsham-Hall,

 

From Gilbert de Walsham, who held it of the Abbot of Bury in the time of King Ric. I. at one fee; and lately it belonged to the Hobarts, who lived in the site of it, till Anthony Hobart, Gent. sold it to Mr. Robert Bransby, senior, of Shotesham, who sold it to Mrs. Sarah Woogan, wife of the Rev. Mr. Holmes, rector of Fresingfield, who now owns it.

 

I find the following account of the Hobarts buried here:

 

In the chancel on brass plates, Hobart's arms with a label of three.

 

William Son of James Hobart of Mendham Esq; died 9 March 1641. aged 3 Months.

 

Hobart with a crescent, on a stone at the east end of the nave, part of which is covered by a seat.

 

Hic expectant Christi adventum relliquiæ Jacobi Hobart Arm. (Filij unici Edwardi Hobart, dum vixit de Langley in Agro Norfolciensi Armigeri) qui Vitâ per 57 annos, piè justè, et sobriè peractâ, Patriam repetijt 20 Aug. Ao 1669: Cujus fœlici memoriæ, castissima illius Uxor, Brigetta (Gulielmi Spring, nuper de Pakenham Suffolciâ Militis Filia,) hoc &c.

 

An adjoining stone hath the arms of Hobart impaling Spring, as at vol. ii. p. 485.

 

Resurrectionem in Christo hic expectat Brigetta, Jacobi Hobart Arm. Relicta, Filiaque Gulielmi Spring nuper de Pakenham in Agro Suffolciensi Militis, quæ dum vixit Pietatem coluit et 26° Die Jan. placidè in Domino obdormivit A0 Sal. 1671.

 

Vivit post Funera Virtus.

 

On a black marble in the south isle,

 

Hic jacet Jacobus Filius et Hæres, Jacobi Hobart nuper de Mendham, Armigeri, ultimo Die Martij ad Cœlestem Patriam emigravit Ao Xti. 1673, æt. 23.

 

Animam Cœlo, Corpus humo reddidit.

 

Miles another Son, buried Jun. 8, 1686.

 

Edward Hobart, Esq; Son of James Hobart of Mendham, Esq; did 4 Nov. 1711, æt. 60. James his eldest son died 7 Aug. 1676, æt. 1 Mens. Sarah a Daughter 1689. Thomas a Son 1698, æt. 1 An. And John, Anthony, and Elizabeth, other Children buried here, and Lydia a Daughter in 1691.

 

Lydia Daughter of Edward Hobart Esq; and Penelope his Wife, died 31 Oct. 1680, æt. 1 An. 7 Mens.

 

Her Time was short, the longer is her Rest, God calls them soonest, whom he loves best.

 

There is an under manor or free-tenement, called Midletonhall, in this town, which belongs to Mrs. Whitaker, and is a good old seat; here Richard de Midleton lived in 1373, and William his son in 1390, who was succeeded by William his son; on whose marriage in 1392, it was settled on Margaret his wife, with estates in South-Elmham and Redenhale: this family always sealed with a fess erm. between three croslets; and it continued in it a long time. In 1457, William Midleton owned it, and Robert Midleton in 1467, who lived here in 1491. In 1558, Henry Reppes of Mendham died seized of it, and of Thorney manor in Stow in Suffolk, and gave them to Anne Wodehouse, alias Reppes, for life, with remainder to John Reppes, son of his brother Francis, remainder to John Reppes his brother, &c. In 1562, Ric. Whetley, rector of Homersfield, leased his rectory to Bassingbourn Gawdy of Midleton-hall in Mendham, Esq. by whom it was sold, and so became joined to the other manors.

 

There is an ancient seat here called Oaken-hill, (but no manor,) in which the family of the Batemans have resided ever since the time of William Bateman Bishop of Norwich; and William Bateman, only son of William Bateman, Gent. of Mendham, lately deceased, now dwells there: (see vol. iii. p. 506;) most of this family have had the christian name of William, ever since the Bishop's time.

 

Mendham church is a good building, with a square tower and five bells; having its nave, two isles, and south porch leaded, and chancel tiled, in which are the following memorials, besides those already taken notice of:

 

In the north isle window, France and England in a bordure gul. impaling or, an eagle displayed sab. quartering Morley.

 

And this on a stone,

 

M. S. Aliciæ Filiæ Henrici Borret de Stradbrook in Agro Suffolciensi Generosi, ob. 4 Oct. 1690, æt. 49.

 

Expectans ultimum Sonum Tubæ.

 

On a mural monument against the north chancel wall,

 

In medio hujus-ce Templi Tramite, juxta Cineres matris suæ Pientissimæ, Theop. Rant, suos etiam voluit deponi Frestonus Rant Armiger, cum quo unà sepeliuntur Urbanitas, et suavissima Facetiarum copia, cum quo unà abripiuntur ditissima placendi vena, animusque arctioris Amicitiæ necessitudini accomodalus, Hoc Juvene adempto, vix alterum reperies, aut literarum Scientiâ præcellentiorem aut humanitate Parem, cum difficilem Legis Angliœ Doctrinam, universum ferè Quinquennium apud Hospitium Grayense Studio sanè Laudabili prosecutus est, acerba suis, luctuosa sodalibus, gravis omnibus, labori vitæque mors Finem imposuit 23° Sept. Ao 1728, æt. suæ 27°. Et Luctûs et Pietatis Monumentum, Pater suus amantissimus, Jacobus Rant Armiger, hoc marmor posuit.

 

James Rant, Esq. his father, is since dead, and buried by him, and Will. Rant, Esq. his only surviving son, now lives in MendhamPriory, which is situated just by the river Waveney, about five furlongs south-west of the church, where there is a good old chapel still left, which is kept clean and neat; but there is no manor remaining with the site.

 

In the chancel,

 

Tirrel impales a chevron between three stags passant. James Tirrel Esq; May 22, 1656, 48. and left behind him his dear Consort his 2d Wife, and two Daughters by her, Eliz. and Jane. Eliz. his Widow died 1697. James his Son 1640.

 

In the churchyard are memorials for William Bateman, Gent. Jan. 9, 1659, æt. 70.

 

Hic spe plenâ resurgendi, situm est depositum mortale Johannis Kerrich Clerici Rectoris de Sternefield in Comitatû Suffolciæ, Qui, dum vixit, Dei Gloriam et animarum Salutem sedulò Studuit ob. 14 Maij. A. D. 1691, æt. 28°. Hic juxta jacet etiam Henricus Kerrich Frater supradicti Johannis qui obijt Apr. 17°, A.D. 1687, æt. 18. John Kerrich ob. June 24 1704, æt. 72. Mary his Wife, ob. 18 March 1708, æt. 76. James their Son 29 Apr. 1715, æt. 44.

 

In 1469, Walter Nyche or Neech of Mendham, was buried in AllSaints church there, before St. Nicholas's altar, and gave 12d. to every monk of Mendham, and five marks for a new tabernacle at St. Nicholas's altar; he owned an estate here, which had continued many generations in his family. In 1610, 21 Jan. Anne Neech married to William Bateman, Gent. to whose family the estate now belongs. He left Katerine his wife, Alice and Margaret, his daughters; and three sons, Robert, John le Senior, priest, and John le Junior; from whom descended the Rev. Mr. Anthony Neech, late rector of Snitterton, of whom in vol. i. p. 110, 421.

 

The vicarage stands in the King's Books at 5l. 5s. 2d. ob. and being sworn of the clear yearly value of 23l. 4s. 7d. is capable of augmentation, and was augmented accordingly by the Rev. Mr. Whitaker, late rector of Fresingfield, the patron, who presented his nephew, the Rev. Mr. Thomas Whitaker, the present vicar.

 

Vicars here.

 

1228, Henry de Diss, the first vicar, presented by the Prior of Ipswich, as were all the succeeding vicars to the Dissolution.

 

1305, Walter le Shepherd.

 

1318, Benedict.

 

1320, Hervy del Welle of Mendham.

 

1329, William son of John Gibbs of Kenford, who resigned in

 

1347, to John de Reppes, priest, in exchange for Shelton mediety.

 

1364, Edward de Flete.

 

1394, John de Hunstanton.

 

1505, Sir Jeffery Lowen.

 

1534, Will. Grave.

 

1631, Thomas Trendle, buried here 18 June the same year.

 

1632, George Fen.

 

1653, Mr. John Harward, minister.

 

1671, John Mayhew, sequestrator.

 

1677, Mr. Ric. Jennings, sequestrator, succeeded by Mr. Child, sequestrator; who was succeeded by the present vicar's predecessor,

 

Mr. Seth Turner, who was presented by Mr. Stephen Baxter,-and was vicar above 50 years; he is buried here.

 

Medefield, or Metfield, (fn. 21)

Is also another hamlet and parochial chapel of Mendham, the great tithes of which, belong to the impropriator there, who nominates and pays the stipendiary chaplain. The Rev. Mr. John Mendham, vicar of Weybrede, hath it now; and I am informed, there is a good house and glebe given to the serving minister since the Reformation.

 

The chapel is dedicated to St. John the Baptist, and hath a square tower, clock, and three bells; on the biggest is this,

 

Munere Baptiste, Benedictus sit chorus iste.

 

The south porch, nave, and chancel, are leaded. There are stones for John Norton 1609. Anne wife of John Francklin, Gent. daughter of William and Elizabeth Blobold, Gent. 1636, and left John, William, Elizabeth, and Anne. Will. Browne 1660, 70.

 

Francis Smallpeece Esq; Son and Heir of Tho. Smallpeece Esq; and Anne his Wife. 1652.

 

Smallpeece, S. a chevron ingrailed between three cinquefoils ar. Crest, a bird rising.

 

But this hamlet is of chief remark, as being the ancient seat of the Jermys.

 

It seems this manor, called

 

Metefield In Mendham,

 

Was anciently of the fee of the abbot of Holm, of whom it was held in the time of Richard I. at half a fee, by Hugh Burd; after which, it was escheated to the Crown, and was granted to Thomas de Brotherton, son to King Edward I. who married Alice, daughter of Sir Roger Hales of Harwich, Knt. whose sister Joan, (fn. 22) married to Sir John Germyn or Jermy, Knt.; and in 1325, the said Thomas conveyed to his brother-in-law, Sir John Jermy, Knt. two parts of this manor, and the third part to his wife, for the assignment of her dower. In 1353, Sir John Germy, Knt. held it at a quarter of a fee of the manor of King's-hall in Mendham. In 1385, Sir Will. Jermy, Knt. was buried here; Elizabeth his wife survived him. In 1428, Sir John Jermy, Knt. and Margaret Mounteney his wife, owned this and Withersdale manors; and he it was, that rebuilt this church and manor-house, where he placed the matches of his family in the windows; and his own arms are carved several times on the timber of the roof, and are still in several windows, and in stone on the font; he died in 1487, and was buried at the north-east corner of the chancel; his inscription was cut in old text letters on his stone, but it is so worn and broken, that this only remains,

 

Johannes Jermy Miles quondam Dominus et qui obiit

 

By his will in Register Aleyn, fo. 330, which is dated at BukenhamFerry, Oct. 24, 1487, he appointed to be buried here, and gave a legacy to this church, and those of Bukenham-Ferry and Hasingham, of which he was patron; he ordered 100 marks to be distributed to the poor on his burial day, and gave the manor and advowsons of Bukenham and Hasingham, to be sold, after his wife Margaret's death: he gave 200 marks to the Abbot of St. Bennet at the Holm in Ludham, to found a chantry priest to sing mass daily there, for him and his family for ever; he is called Sir John Jermy, senior, Knt.

 

Sir John Jermy, junior, Knt. his son and heir, married Elizabeth, daughter of Will. Wroth of Enfield, Esq. and had two sons; from Thomas, the younger son, descended the Jermys of Bayfield in Norfolk, under which place I design an ample account of the family. And

 

John Jermy, Esq. the eldest son, continued the family at Metfield; he married Isabel, daughter of John Hopton, Esq. and lies buried in the chancel by his grandfather, with this on a brass plate on his stone;

Orate pro animabus Johannis Jermy et Jsabelle Uroris sue, unius Filiarum Johannis Nopton Armigeri, qui quidem Johannis obiit riiio Die Januarii Anno Domini Mo vc iiii. Quorum anima- bus propicietur Deus Amen. (fn. 23)

 

Jermy, arg. a lion rampant guardant gul. impaling Hopton, as at vol. iii. p. 553.

 

Edmund Jermy, Esq. his son and heir, married a daughter of William Booth, Esq. and left Sir John Jermy of Metfield and Brightwell, Knight of the Bath; (fn. 24) who by Margaret, daughter and heir of Sir Thomas Teye, Knt. had Francis Jermy of Brightwell, Esq. who by Eliz. daughter and coheir of Sir William Fitz-Williams of Ireland, Knt. had Sir Thomas Jermy, Knight of the Bath; who by Jane, daughter and heiress of Edward Stuart or Styward, of Teversham in Cambridgeshire, had four sons, Thomas, Edmund, John, and William, of which,

 

Thomas, his eldest son, settled here, for whom there is an altar tomb at the north-east corner of this chancel, with the arms of Jermy, and a griffin proper for the crest, and this,

 

Thomas Jarmy Esq; Sonne and Heire of Sir Thomas Jarmy Knight of the noble Order of the Bath. 21 Dec. 1652.

 

Since which time, the manor hath been sold from the family, and now belongs to Walter Plommer, Esq.

 

¶I have an account, which says, that more gentlemen kept coaches in Mendham, than in any place in Suffolk, and that in 1642, many cavileers in these parts, raised a sum for the King; among which in this town, Richard Baxter, Gent. lord, 30l. Rob. Harper 30l. William Bateman, senior, 10l. James Terrold. Gent. 10l. William Jacob 20l. Will. Herring 3l. &c. Thomas Jermy, Esq. 20l. Anthony Freston, Gent. 5l.

 

In Charles the Second's time, Sir William Godbould lived here, and Colonel John Hobard; and Edward Ward, Esq. justice of the peace, in K. James the Second's time.

 

www.british-history.ac.uk/topographical-hist-norfolk/vol5...

Song Sparrow, Oso Flaco Lake, California

4/27/2019 Visitors at the Cherry Blossom Festival in the Brooklyn Botanic Garden. Sony a7. 7Artisans 35mm 1:2.0.

 

www.instagram.com/dtanist/

Have a wonderful weekend, everyone :)

How can anyone resist that face and those eyes?

2048 x 2048 pixel image for the iPad’s 2048 x 1536 pixel retina display.

 

Designed to complement the iPad iOS 7 lock screen, also works on an iPhone, simply centre the image horizontally after selecting it.

 

Image via Unsplash, © Mario Calvo www.flickr.com/photos/mariocalvo10

 

Typefaces: Bureau Grotesque, Adobe Garamond

 

The old biddy's shades are being repaired. She's having a difficult time viewing things in the bright light. It delights her twin sister, the old broad, to no end .

365....days, project, 2021, flickr. Sunday, August 29, 2021.

From Fimo polymer clay.

Been ages since i posted something of myself.

 

wind was blowing, sun was shining.

 

you can follow my style blog here;

www.dreamcassette.blogspot.com.

 

x

only looking slightly goth

photo by my dad on a 35mm

 

shawl from grandma's closet

two tanks from thrift store

handmade necklace by robby (found chain and red guitar pic)

old fishnets worn as armwarmers