View allAll Photos Tagged Splinter
He really does look like he's about to cast a spell here.
Ratty photos by Grace Kendall, photographer extraordinaire
Photography is a system of visual editing. At bottom, it is a matter of surrounding with a frame a portion of one’s cone of vision, while standing in the right place at the right time. Like chess, or writing, it is a matter of choosing from among given possibilities, but in the case of photography the number of possibilities is not finite but infinite.
—John Szarkowski
Wandering through Allison Park in Englewood Cliffs this afternoon and I came upon a cobblestone cottage they use for arts and crafts classes in the summer. Now it's all locked up and abandoned.. On the porch was a giant wooden spool with all these marks on it and it looked ancient and splintered.
I just love all the texture and worn writing.
No clue what this was... it was near the Central Energy Plant. Would make one HELL of a bonfire pit!
Dixie Square Mall -- Harvey, IL -- 8/22/10
Lassù, dove il mirto contende le radure al rododendro e il larice ascolta l'eco di valli lontane, il cielo decise un giorno di adagarsi a contemplare le vette innevate. Se ne innamorò. E fu così che lasciò infiniti frammenti di sè sparsi sulla catena montuosa più affascinante del mondo: il Lagorai.
Schegge di cielo sulla terra.
Teenage Mutant Ninja Turtles. For those who might be wondering how shredder got into that position. I don't have the time or patience or good enough software to edit out the clear pieces. Less editing means more building!
Lances splinter as Knights of Mayhem jousters hit each other during the London Bridge Renaissance Faire in Lake Havasu City, Arizona, U.S.A. Charlie Andrews is aboard Warwick, left, and Daniel Landry is aboard Arthur. Warwick was participating in his first joust. (April 4, 2025)
Photo © 2025 Marcie Heacox, all rights reserved. For use by permission only. Contact maheacox [at] gmail.com .
McQueen's Island, GA, 1998.
The pain is real. He has a splinter in his finger.
Holga 6x4.5cm negative.
Sarah Splinter.
soundcloud.com/cassey-doreen/this-girl-cassey-doreen-bootleg
Toronto, Canada ~ April 19, 2017.
Colors and markings:
The aircraft was supposed to enter service around 1943, so I settled for a typical „Type 5“ splinter scheme of that time in RLM 74/75/76. The paint scheme was inspired by contemporary Bf 110 aircraft, and I used Humbrol colors. 245 and 247 (RLM 74 and 76) are IMHO very good representations of the Luftwaffe tones, especially the RLM 74 is nice because it has a recognizable greenish hue that most other offerings lack. Only Humbrol's RLM 75 (246) looks a bit fishy to me - it is IMHO too dark, it almost looks like German Panzergrau. Even British Extra Dark Sea Grey (164) is better, or Modelmaster's Authentic tone. I used Humbrol 176 (US Neutral Grey) as replacement, it is lighter than RLM 75 but this just emhances the color contrast with the RLM 74.
RLM 76 was taken high on the fuselage flanks and the fin, and large blotches with RLM 75, 74 and 02 added – this time not a finely mottled finish, but “art brut”.
The codes and markings are based on a real Bf 109 from VII/JG1 and represent a machine that was just marked in the newly introduced Reichsverteidigungcodes with fuselage bands in different colors and compositions. The simple red band was allocated to JG1. Only the white fin rudder is a personal addition. All markings were puzzled together from various aftermarket sheets (e .g. from Printscale), the red band was manually cut from a generic red TL Modellbau sheet which offers a perfect, dull red.
A bit of shading was done through dry-brushing and a light black ink wash, but that was all - no soot stains or chipped paint. Finally, the kit was sealed with acrlyic matt varnish.
Deadvlei, Sossusvlei, Namibia.
Deadveli means "dead marsh." The trees here are believed to be about 900 years old, but have not decomposed because the environment is so dry.
Photography of a live performance of Splinter from StopGAP's Trespass double-bill.
Featuring dancers (left to right): David Willdridge, Sophie Brown, Laura Jones, Chris Pavia and Lucy Bennett.
Photography by: Chris Linaker