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Source by e_jamie
bestsexylingerie.ga/chrismas-costumeshalloween-costumesnu...
Source du site
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Source de l'article
lundi.am/Une-emeute-anti-Macron-sur-les-Champs-Elysees
Source des photos:
www.flickr.com/photos/119524765@N06/albums/72157675782332178
The aptly named 'Source' at the base of Corps de Garde mountain which is used to supply La Ferme reservoir.
Taken on 03 February 2013 in Maroc/Morocco near Ain-Leuh Middle-Atlas (DSC_5284)
freewheely.com: Cycling Africa beyond mountains and deserts until Cape Town
Abstract image created from an architectural photo of the BBC building in Leeds.
I used open source software to develop and manipulate the image.
Shot on a Canon digital point and shoot in jpeg on fully automatic setting.
My blog with tips, advice, analysis and stories.
My website www.indigo2photography.co.uk
Please see my photostream for the other images in this series.
Source: Scan of Original Postcard.
Date: 1901.
Postmark: Unused.
Publisher: Borough of Thamesdown Museums and Art Gallery.
Photographer: Unknown.
Inscription: Little London, Swindon.
Repository: Swindon Museum and Art Gallery.
FS 1014
Documentary Expressionism
Somalian Refugees 2011 - Ongoing Manipulation, War & Famine
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Charcoal & Inks
Large Cave Wall Sized - H:228cm by W:148cm
(Not yet Exhibited - Unsold)
All these large pictures as with any large pictures are created firstly to be seen large as they are exhibited in the flesh!
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This is from a series I call Documentary Expressionism - Where using source photos collected from real events in the world I make an expression of art with hopefully a respect to that event. During this expression the relative size of characters can grow bigger or smaller & their species may transform & even mix together!.
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I am full of wonder & desire to explore & discover out into the cosmos, I believe we should spend more money on it & work on it across nations to discover & better survive & expand out in peace. But don't worry I believe the most important vital goal should be the health & betterment of opportunity & potential of the living souls & planet we have already discovered & live in!! That is what my picture is about I think, I saw the photo of Somalian children refugees & their round planet world like self made hut shelters & I thought they looked like a microcosm of our world, a refugee world that has waited so long for our fantasizing distracted enslaved selves to help them that they decide to blast off & ditch us back on earth. Exodus earth! I wanted to mix the pinnacle of our outer space escapist achievements & give it to those who deserve the real best of our efforts & creativity & teamwork to achieve & better world for them & us all.
I still believe exploring out into space is a good thing we can do together & I would pay for it with a slice from the military industrial budget which I would disarm away together with the other largish nations that have expanded to match up with the U.S's overspending on terror. The main part of the savings from the military spending should go on real defense which is the protection of people's health & education & the environment and all these would also create the jobs that would be lost by the vaporized & disarmed military budgets of nations.
Timavo (Italian), in Slovene known as Timava or Timav, is a 2-kilometers long river in the Province of Trieste. It has four sources near San Giovanni di Duino and outflows in the Gulf of Panzano (part of the Gulf of Trieste) in between Treviso and Monfalcone, Italy.
The river is of karstic nature. The hypothesis that it is solely the continuation of the Reka river (Slovenia) has been refuted in the 20th century. Timavo receives one third of water from Reka and two thirds from the rivers Vipava, Soča and from the meteorite waters from the Kras plateau.
The river was mentioned already by the Roman authors Livy, Strabo and Vergilius, but they wrote about ten sources. In the area of the sources was the Roman settlement Fons Timavi.
Source: The Atlantic Monthly, Vol. 106, No. 6, December 1910.
Persistent URL: dl.lib.brown.edu/mjp/render.php?id=1236617069953125&v...
As a member of the Patriot Guard salutes, the flag draped casket of Army Spc. Edward Brooks is taken from the hearse at the House of Wheat Funeral Home on Gettysburg Avenue Wednesday morning.
Brooks was killed in Iraq. Funeral services will be held at 11 a.m. on thursday at Omega Baptist Church, 1821 Emerson Ave. Photo by Jim Witmer
Source: livinghistories.newcastle.edu.au/nodes/view/13661
This image was scanned from a film negative in the Athel D'Ombrain collection [Box Folder B10403] held by Cultural Collections at the University of Newcastle, NSW, Australia.
This image can be used for study and personal research purposes. If you wish to reproduce this image for any other purpose you must obtain permission by contacting the University of Newcastle's Cultural Collections.
Please contact us if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
If you have any information about this photograph, please contact us or leave a comment in the box below.
Arthur Kimmig GETZ •
* 17 May 1913 in Passaic, New Jersey.
✝︎ 19 January 1996 in Litchfield, Connecticut.
The New Yorker cover design.
October 11, 1958.
Issue 1756 — Volume 34 — Number 34.
About Getz ↓
He was an American illustrator best known for his fifty-year career as a cover artist for The New Yorker magazine. Between 1938 and 1988, two hundred and thirteen Getz covers appeared on The New Yorker, making Getz the most prolific New Yorker cover artist of the twentieth century.
Getz was also a fine artist, painted murals for the Works Progress Administration Program, wrote and illustrated children's books, and taught at the School of Visual Arts in New York City, the University of Connecticut, and the Washington Art Association in Washington, Connecticut. In addition to his New Yorker covers and spot drawings, Getz's illustrations were published in American Childhood, Audubon, Collier's, Consumer Reports, Cue, Esquire, Fortune, The Nation, The National Guardian, The New Masses, The New Republic, PM, Reader's Digest, Saturday Review, Stage, and The Reporter.
Early years
Arthur Getz was born in Passaic, New Jersey, the son of Madeline Kimmig Getz and Anthony Getz. He attended Pratt Institute in Brooklyn, New York, on a full scholarship, and graduated with honors in 1934 from Pratt's School of Fine and Applied Art. His very first cover illustration for The New Yorker was printed on July 23, 1938.
Murals
In 1939, Philip Guston taught Getz how to mix casein tempera, a milk-based pigment utilized for mural painting, and suggested that Getz apply for a New Deal mural contract. Over the next four years, Getz won four mural contracts:
1939: Post Office, Lancaster, New York.
1939: Textile Building, 1939 New York World's Fair.
1941: Post Office, Bronson, Michigan.
1942: Post Office, Luverne, Alabama.
The New Yorker
After serving in the Philippines during World War II as a First Lieutenant of Field Artillery, Getz returned to New York City and resumed his work as an artist, soon becoming one of the more regular contributors to The New Yorker. During the 1950s and 1960s it was not unusual for more than one Getz cover to be printed on The New Yorker during a single month.
The writer John Updike, in his foreword to The Complete Book of Covers from The New Yorker, 1925 – 1989, wrote: "The artist who has contributed most covers is Arthur Getz, whose alert eye and confident brush find endless silent dramas of contrast and tone in the world around us; beginning in 1938 and still producing, he has thus far published two hundred and thirteen."
Lee Lorenz, the former Art Editor of The New Yorker, wrote of Getz: "[He] seems to have found his particular subject, the special light of Manhattan … Arthur's paintings are a chronicle of New York's moods to be set alongside Guardi's paintings of Venice." Lorenz also wrote of Getz, "He drew inspiration equally from the night clubs of Manhattan and the apple orchards of New England, but his covers, taken as a group, seem really to be about the joy of painting itself."
In addition to his work as an illustration artist, Getz continued to pursue fine art painting. In 1960 he was offered a one-man show at the Babcock Gallery in New York City. The gallery director requested that Getz, already well known for his covers, exhibit his fine art under a different name, concerned that Getz's association with "commercial" (illustration) art would hinder his recognition as a fine artist. Getz used his middle name, Kimmig, for his signature on his fine art work. Many paintings from this era are signed "Kimmig"; some Getz re-signed later and are signed both "Kimmig" and "Getz."
In 1963 Getz and his first wife, Margarita Gibbons, were divorced. Getz later married writer Anne Carriere, and shortly after relocated from New York City to Sharon, Connecticut in 1969, where Getz lived until his death in 1996. His move to Connecticut marked a shift in the mood of his New Yorker covers from the city-centered work of his past. He began to depict more rural scenes of the countryside, familiar to the growing commuter and weekender populations. During this time Getz also wrote and illustrated four children's books and illustrated numerous others, including Jennifer's Walk, authored by Anne Carriere (Getz and Carriere divorced in 1973).
On August 29, 1988, Getz's 213th and final New Yorker cover was printed. Though a stroke rendered Getz blind in one eye in 1994, he continued to paint and draw until his death on January 19, 1996, at the age of 83.
#Sources: Wikipedia
Pictures from OSCEdays Berlin 2018 (oscedays.berlin) / All pictures are licensed CC0 creativecommons.org/publicdomain/zero/1.0/deed.de
I was one of two students from the CWU Des Moines campus accepted to present research work done during my time at CWU at the SOURCE conference (though, as branch campus students, we didn't go all the way out to Ellensburg for the full conference). Here's a few shots Prairie took of Annie and I presenting our research projects.
Source: en.wikipedia.org/wiki/Chattanooga,_Tennessee
Chattanooga is a city located in Hamilton County, southeastern Tennessee, along the Tennessee River bordering Georgia. With an estimated population of 179,139 in 2017, it is the fourth-largest city in Tennessee and one of the two principal cities of East Tennessee, along with Knoxville. Served by multiple railroads and Interstate highways, Chattanooga is a transit hub. Chattanooga lies 118 miles (190 km) northwest of Atlanta, Georgia, 112 miles (180 km) southwest of Knoxville, Tennessee, 134 miles (216 km) southeast of Nashville, Tennessee, 102 miles (164 km) east-northeast of Huntsville, Alabama, and 147 miles (237 km) northeast of Birmingham, Alabama.
The city, with a downtown elevation of approximately 680 feet (210 m), lies at the transition between the ridge-and-valley portion of the Appalachian Mountains and the Cumberland Plateau. Surrounded by mountains and ridges, the official nickname for Chattanooga is "Scenic City", reinforced by the city's reputation for outdoor activities. Unofficial nicknames include "River City", "Chatt", "Nooga", "Chattown", and "Gig City", referencing Chattanooga's claims that it has the fastest internet service in the Western Hemisphere.
Chattanooga is internationally known for the 1941 song "Chattanooga Choo Choo" by Glenn Miller and his orchestra. Chattanooga is home to the University of Tennessee at Chattanooga (UTC) and Chattanooga State Community College.
The city has its own typeface, Chatype, which was launched in August 2012. According to the Nooga.com website, this marks the first time that an American city has its own custom-made typeface and also the first time a crowd-funded custom-made typeface has been used for any municipality in the world.
Source: en.wikipedia.org/wiki/Tennessee_Valley_Railroad_Museum
The Tennessee Valley Railroad Museum (reporting mark TVRM) is a railroad museum and heritage railroad in Chattanooga, Tennessee.
The Tennessee Valley Railroad Museum was founded as a chapter of the National Railway Historical Society in 1960 by Paul H. Merriman and Robert M. Soule, Jr., along with a group of local railway preservationists who were concerned with saving steam locomotives and railway equipment for future historical display and use. Today the museum offers various tourist excursions based out of stations in Chattanooga and Etowah, Tennessee.
This piece was designed to sell child care products to nursery's, childcare centers, hospitals, hotels, and other places of business that require such items.
For more work examples and information please visit www.jameskurtz.com. Thank you.
Canon 1000D, Canon EF-S 18-55mm ƒ/4-5.6 kit lens, tripod, Canon 430EX II, bare flash from camera left and just above the face level, on light stand, triggered remotely with RF-602 wireless remote trigger. Room light above my head. Took some shots experimenting with strobe light. This aperture/shutter speed/ISO setting minimize ambient light even though the room light is switched on. Flash positioned very close (about 30cm) from my face and in low power to avoid lighting the background. The direct light in the photo from flash-head removed in post-processing and converted to black & white.
Camera Settings Manual Mode: ƒ/4.5 | 1/125sec | ISO100
Flash Settings Manual Mode: power 1/32 | zoom 50mm
Some guy built his own "Segway"-style apparatus with more-or-less off the shelf parts. Popular with visitors to the Open Source Open Day.
Screenshots van Wikipedia, Google zoekopdrachten en cachegeheugen met bijbehorend commentaar in titel. Copyright Wikipedia, hier beeldcitaat bij het volgende verhaal.
OPZET VAN EEN VOORONDERZOEK OP WIKIPEDIA COMMONS (8)
Door Marcel Douwe Dekker, Eerste versie 8 mei 2020.
Over Wikipedia Vooronderzoek om te kunnen meepraten op Wikipedia kan een hels karwei zijn als je je echt in de materie wil verdiepen. Nu wordt er hier een demonstratie gegeven van zo'n sessie met zo'n dertig stappen. Het doel hiervan is om enig begrip te kweken voor de complexiteit van de bestuursmatige kant van Wikipedia. Dit wordt gedemonstreerd aan de hand van een actuele zelfs nog lopende zaak.
De zaak van de verwijderde file op Wikicommons, de file Ewoldt.jpg. Een afbeelding van een predikant, die werkzaam was bij de Boezemkerk in Ridderkerk eind jaren 1940. Op 22 maart 2020 was deze afbeelding op Wikicommons geupload. Op 31 maart voor verwijdering voorgedragen en op 5 mei 2020 verwijderd. Na een opmerking hierover startte ik m'n vooronderzoek.
Nadat de foto was getraceerd en het commentaar van de verwijdering bezien, is naar meer achtergrond informatie gezocht. Dit was te vinden op de overlegpagina van de uploader, zie bovenstaande afbeelding. Daar legt Arie M. den Toom uit wat volgens hem de achtergrond is.
Het verhaal zelf is vrij duidelijk. Er was waarschijnlijk een parochie genoot, die maakte de foto, een plaatselijk fotograaf die de foto afdrukte, en hij die nu 70 jaar later als archivaris actief is. Het verhaal is echter allemaal mondelinge overlevering. Het is een reconstructie van een mogelijk verloop van de gebeurtenissen.
In de foto meende ik zelf een preekstoel te zien, die in foto's van het huidige interieur van de kerk niet te vinden is. Dat is ook weer een interpretatie met beperkte betekenis. Het contrasteert echter wel met de bewering, dat de foto in de kerk gemaakt is. De aanname dat de foto in 1946 gemaakt is kan waar zijn. Uit het onderschrift is duidelijk, dat die foto toen niet is ingelijst.
Zo stapelen de discrepanties zich op. De zoektocht naar antwoorden levert in eerste instantie slechts meer vragen op. Dat krijgt allemaal in het achterhoofd een plaatsje en de zoektocht gaat verder. In dit geval viel nog op, dat het betreffende verwijderingsverzoek aldaar niet het eerste verzoek was. Aan de gang van zaken had ik dat eigenlijk wel verondersteld.
Zie ook
Bronnen:
- Afbeelding van Google afbeeldingen vergroot
Taken on 08 February 2013 in Maroc/Morocco near Ziz-Gorges Aoufous (DSC_5686)
freewheely.com: Cycling Africa beyond mountains and deserts until Cape Town