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Source: livinghistories.newcastle.edu.au/nodes/view/45739
This image was scanned from a photograph in the University's historical photographic collection held by Cultural Collections at the University of Newcastle, NSW, Australia.
If you have any information about this photograph, or would like a higher resolution copy, please contact us or leave a comment.
Source to Sea Cleanup on the Connecticut River at Northfield Mount Hermon, September 26, 2015. Photographs by Glenn Minshall.
Pictures from OSCEdays Berlin 2018 (oscedays.berlin) / All pictures are licensed CC0 creativecommons.org/publicdomain/zero/1.0/deed.de
I was one of two students from the CWU Des Moines campus accepted to present research work done during my time at CWU at the SOURCE conference (though, as branch campus students, we didn't go all the way out to Ellensburg for the full conference). Here's a few shots Prairie took of Annie and I presenting our research projects.
This piece was designed to sell child care products to nursery's, childcare centers, hospitals, hotels, and other places of business that require such items.
For more work examples and information please visit www.jameskurtz.com. Thank you.
Canon 1000D, Canon EF-S 18-55mm ƒ/4-5.6 kit lens, tripod, Canon 430EX II, bare flash from camera left and just above the face level, on light stand, triggered remotely with RF-602 wireless remote trigger. Room light above my head. Took some shots experimenting with strobe light. This aperture/shutter speed/ISO setting minimize ambient light even though the room light is switched on. Flash positioned very close (about 30cm) from my face and in low power to avoid lighting the background. The direct light in the photo from flash-head removed in post-processing and converted to black & white.
Camera Settings Manual Mode: ƒ/4.5 | 1/125sec | ISO100
Flash Settings Manual Mode: power 1/32 | zoom 50mm
Source to Sea Cleanup on the Connecticut River at Northfield Mount Hermon, September 26, 2015. Photographs by Glenn Minshall.
Some guy built his own "Segway"-style apparatus with more-or-less off the shelf parts. Popular with visitors to the Open Source Open Day.
verdwenen. Herinnert gij U tien jaar geleden den kamp tusschen Jan Gratama en A. W. Weissman over de handvormsteen. Toen werd het tijdperk ingeluid van de prachtige warme — zwaai met Uw linkerhand met uitgestrekte vingers door de lucht — van de diep gloeiende, heerlijk rulle, baksteen — zwaai met Uw rechterhand met uitgestrekte
vingers door de lucht — en de verglaasde steen had afgedaan.
En ziet, na tien jaar in het schijndoodenrijk vertoefd te hebben, herrijst de verglaasde steen weer aan den onderbouw van dit bouwblok en . . . het is een verrassing. Bruin aan de gevels, wit inde portieken, zou het alleen de charme van het nieuwe zijn? De kunstenaars beweren vrij te zijn van mode. Maar is dat wel- zoo?
Setz' dir Perücken auf von Millionen Locken
Setz' deinen Fusz auf ellenhohe Socken
Du bleibst doch immer, was du bist.
J. P. M.
Rea IRVIN • American
* 26 August 1881 in San Francisco, California.
✝︎ 28 May 1972 in Frederiksted, U.S. Virgin Islands.
The New Yorker cover design.
August 25, 1934.
Issue 497 — Volume 10 — Number 28.
About IRVIN ↓
Few artists have had as enduring an influence on one magazine as cartoonist Rea Irvin has had on The New Yorker. As the magazine's first art editor, Irvin created a style that continues to define the publication to this day, witty, urbane, and socially and culturally aware. He is known for his distinctive thin and trembly line, poached eyes, and almost oriental splendor of his drawings.
Born in San Francisco on August 28, 1881, Irvin started his career in illustration as an unpaid cartoonist for The San Francisco Examiner. His only former training consisted of six months' study at the Hopkins Art Institute. At the age of 25, he moved to the East Coast and was soon a regular contributor to Life and Cosmopolitan magazines.
In 1924, Irvin joined an advisory board to help launch The New Yorker. For the cover of the magazine's debut issue the next year, Irvin created Eustice Tilley, a smartly attired dandy with a monocle and top hat. This amusing and worldly, yet somewhat detached, character embodied the spirit of the new publication. Tilley quickly became Irvin's signature piece and has reappeared on the magazine's cover every year since, with one exception — 1994.
Irvin, as a veteran editor of Life magazine, served for twenty-one years as the art director of The New Yorker. It was said that the first issues of the brash, new magazine were so top heavy with art that one observer dubbed it, 'The best magazine in the world for people who can't read.'
Between 1925 and 1958, Irvin's work appeared on 169 covers of The New Yorker. Hundreds of other illustrations by Irvin were also published inside the magazine. In addition to his illustrations, Irvin contributed significantly to The New Yorker's layout and design. He created the magazine's sharp and casually elegant type style, which is still known as "Irvin type," and he added the squiggly column rules that provide a distinct delineation between text and illustrations.
In 1967, Irvin gave his personal collection of 412 works on paper to the Museum of the City of New York. In March 2000, an exhibition of his work, "The Talk of the Town; Rea Irvin of The New Yorker", was shown at the Brandywine River Museum. It presented 83 original illustrations from the Museum of the City of New York's extensive collection of Irvin's original covers, drawings and cartoons. The exhibition featured many of these works, including caricatures of contemporary figures such as Diego Rivera and Pablo Picasso, and parodies of social issues. One example, The Unity of the Allied Nations which appeared on The New Yorker's July 1, 1944 cover, depicts the American Eagle, the Chinese Dragon, the Russian Bear and the British Lion clearly united in the pursuit of victory during World War II. The exhibit introduced visitors to the broad range of Irvin's talent and explored his enduring influence on The New Yorker magazine and American illustration.
Rea Irvin died on May 28, 1972, in Fredericksted, Virgin Islands, at the age of 90.
#Source: Brandywine Museum of Art.
Bron: hdl.handle.net/21.12133/93C6A77A4AB547F086AA0C269637568F
Beschrijving: Achterhaven uit het zuiden. Rechts het magazijn van de VOC; rechts daarvan de toegang vanuit de Achterhaven (destijds ook wel Nieuwehaven genoemd) tot de Buizenwaal waaraan de helling van de werf van de VOC lag.
Datering: 01-01-1778 - 31-12-1790
Toegangsnummer: 4080
Collectie: Prenten en tekeningen
Vervaardiger: Gerrit (G.) Groenewegen, 16/10/1754-07/08/1826
Source: en.wikipedia.org/wiki/Pensacola,_Florida
Pensacola is the westernmost city in the Florida Panhandle, and the county seat of Escambia County, Florida. As of 2018, the population was estimated to be 52,713. Pensacola is the principal city of the Pensacola Metropolitan Area, which had an estimated 494,883 residents as of 2018. Pensacola is one of the largest metropolitan areas in the Gulf Coast region, the largest between New Orleans and Tampa.
Pensacola is the site of the first Spanish settlement within the borders of the continental United States in 1559, predating the establishment of St. Augustine by 6 years, although the settlement was abandoned due to a hurricane and not re-established until 1698. Pensacola is a seaport on Pensacola Bay, which is protected by the barrier island of Santa Rosa and connects to the Gulf of Mexico. A large United States Naval Air Station, the first in the United States, is located southwest of Pensacola near Warrington; it is the base of the Blue Angels flight demonstration team and the National Naval Aviation Museum. The main campus of the University of West Florida is situated north of the city center.
The area was originally inhabited by Muskogean-speaking peoples. The Pensacola people lived there at the time of European contact, and Creek people frequently visited and traded from present-day southern Alabama. Spanish explorer Tristán de Luna founded a short-lived settlement in 1559. In 1698 the Spanish established a presidio in the area, from which the modern city gradually developed. The area changed hands several times as European powers competed in North America. During Florida's British rule (1763–1781), fortifications were strengthened.
It is nicknamed "The City of Five Flags", due to the five governments that have ruled it during its history: the flags of Spain (Castile), France, Great Britain, the United States of America, and the Confederate States of America. Other nicknames include "World's Whitest Beaches" (due to the white sand of Florida panhandle beaches), "Cradle of Naval Aviation", "Western Gate to the Sunshine State", "America's First Settlement", "Emerald Coast", "Red Snapper Capital of the World", and "P-Cola".
Source: en.wikipedia.org/wiki/National_Naval_Aviation_Museum
The National Naval Aviation Museum, formerly known as the National Museum of Naval Aviation and the Naval Aviation Museum, is a military and aerospace museum located at Naval Air Station Pensacola, Florida.
Source: livinghistories.newcastle.edu.au/nodes/view/34862
This photograph was taken by Brian R Andrews of Killingworth NSW. Brian worked for 20 years as a Draftsman for Coal and Allied Industries Limited. This photograph is part of Brian's private collection. Brian has kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to his collection and allowed us to publish the images.
Please contact Cultural Collections at the University of Newcastle Library, NSW, Australia if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
If you have any information on the photograph, please contact Cultural Collections.
Source: en.wikipedia.org/wiki/St._Louis
St. Louis is an independent city and inland port in the U.S. state of Missouri. It is situated along the western bank of the Mississippi River, which marks Missouri's border with Illinois. The Missouri River merges with the Mississippi River just north of the city. These two rivers combined form the fourth longest river system in the world. The city had an estimated 2017 population of 308,626 and is the cultural and economic center of the St. Louis metropolitan area (home to nearly 3,000,000 people), which is the largest metropolitan area in Missouri, the second-largest in Illinois (after Chicago), and the 22nd-largest in the United States.
Before European settlement, the area was a regional center of Native American Mississippian culture. The city of St. Louis was founded in 1764 by French fur traders Pierre Laclède and Auguste Chouteau, and named after Louis IX of France. In 1764, following France's defeat in the Seven Years' War, the area was ceded to Spain and retroceded back to France in 1800. In 1803, the United States acquired the territory as part of the Louisiana Purchase. During the 19th century, St. Louis became a major port on the Mississippi River; at the time of the 1870 Census it was the fourth-largest city in the country. It separated from St. Louis County in 1877, becoming an independent city and limiting its own political boundaries. In 1904, it hosted the Louisiana Purchase Exposition and the Summer Olympics.
The economy of metropolitan St. Louis relies on service, manufacturing, trade, transportation of goods, and tourism. Its metro area is home to major corporations, including Anheuser-Busch, Express Scripts, Centene, Boeing Defense, Emerson, Energizer, Panera, Enterprise, Peabody Energy, Ameren, Post Holdings, Monsanto, Edward Jones, Go Jet, Purina and Sigma-Aldrich. Nine of the ten Fortune 500 companies based in Missouri are located within the St. Louis metropolitan area. The city has also become known for its growing medical, pharmaceutical, and research presence due to institutions such as Washington University in St. Louis and Barnes-Jewish Hospital. St. Louis has two professional sports teams: the St. Louis Cardinals of Major League Baseball and the St. Louis Blues of the National Hockey League. One of the city's iconic sights is the 630-foot (192 m) tall Gateway Arch in the downtown area.
Source: en.wikipedia.org/wiki/Forest_Park_(St._Louis)
Forest Park is a public park in western St. Louis, Missouri. It is a prominent civic center and covers 1,326 acres (5.37 km2). Opened in 1876, more than a decade after its proposal, the park has hosted several significant events, including the Louisiana Purchase Exposition of 1904 and the 1904 Summer Olympics. Bounded by Washington University in St. Louis, Skinker Boulevard, Lindell Boulevard, Kingshighway Boulevard, and Oakland Avenue, it is known as the "Heart of St. Louis" and features a variety of attractions, including the St. Louis Zoo, the St. Louis Art Museum, the Missouri History Museum, and the St. Louis Science Center.
Since the early 2000s, it has carried out a $100 million restoration through a public-private partnership aided by its Master Plan. Changes have extended to improving landscaping and habitat as well. The park's acreage includes meadows and trees and a variety of ponds, manmade lakes, and freshwater streams. For several years, the park has been restoring prairie and wetlands areas of the park. It has reduced flooding and attracted a much greater variety of birds and wildlife, which have settled in the new natural habitats.
Source: en.wikipedia.org/wiki/Missouri_History_Museum
The Missouri History Museum is located in St. Louis, Missouri in Forest Park showcasing Missouri history. The museum is operated by the Missouri Historical Society, which was founded in 1866. The main galleries of the museum are free through a public subsidy by the Metropolitan Zoological Park and Museum District.
The River Lemon is one of many running off Dartmoor.
It is not named after any citrus fruit, but after the Celtic word for Ash Tree.
Source to Sea Cleanup on the Connecticut River at Northfield Mount Hermon, September 26, 2015. Photographs by Glenn Minshall.
Source: en.wikipedia.org/wiki/Gatlinburg,_Tennessee
Gatlinburg is a mountain resort city in Sevier County, Tennessee, United States. It is located 39 miles (63 km) southeast of Knoxville and had a population of 3,944 at the 2010 Census and an estimated U.S. Census population of 4,144 in 2018. It is a popular vacation resort, as it rests on the border of Great Smoky Mountains National Park along U.S. Route 441, which connects to Cherokee, North Carolina, on the southeast side of the national park. Prior to incorporation, the town was known as White Oak Flats, or just simply White Oak.
Source: en.wikipedia.org/wiki/Gatlinburg,_Tennessee
Hollywood Star Cars Museum, which opened in 1996, features Mayberry's squad car, The Beverly Hillbillies jalopy, DRAG-U-LA from The Munsters, two Batmobiles, the Camaro from Charlie's Angels, and Herbie the Love Bug. Many of the featured vehicles were designed by George Barris.
Source: starcars.fandom.com/wiki/Hollywood_Star_Cars_Museum_(Gatlinburg,_Tennessee)
The Hollywood Star Cars Museum in Gatlinburg, Tennessee is one of a handful of Star Cars museums owned by George Barris. It contains over 40 different cars from TV and film as well as cars owned by various celebrities from Dolly Parton to The Beach Boys.
View Source Conference is the inaugural Mozilla hosted web developer conference held at the Gerding Theater in Portland, OR from November 2-4, 2015. (© Photo by Jakub Mosur Photography)
My primary sources are based on the theme of water, earth, fire and air. i have investigated these elements fairly simply to start with.
When i look at my work I think about how much it fits in with the genre of wildlife and nature. Each of the elements seem to be very nature related. I have also based my work on some previous primary sources that I have taken and I wanted to develop further.
i used a digital SLR camera with a tripod to take these images. i used the macro and landscape setting however occasionally i also used the manual focus setting.
When photographing the water used a fast shutter speed so that every drop and aspect is clear in detail. i would like to investigate what would happen if I used a slow shutter speed. I also used a fast shutter speed to capture my image of smoke.
I have learnt about what setting I may have to use for different photos that are taken at different distances from the subjects.
In my work I have shown that i can use basic elements such as tone, colour, texture, space and line. these help my photographs to become more interesting and intriguing.
I used some rules of composition such as lining thing so that they were not centred to ensure that my images were not too basic or straight forward. I have learnt that the colours in an image really determine how the final piece will turn out.
When i look at my work it makes me feel like I am in the countryside and admiring the beautiful nature and wildlife.
I would describe my work as adventurous as it really explores the aspects of the fire, earth, air and water, relating it to the photographing genre of nature and wildlife. The four elements are natural therefore I think that this genre is a good area to explore and link in with my work.
Source to Sea Cleanup on the Connecticut River at Northfield Mount Hermon, September 26, 2015. Photographs by Glenn Minshall.
Source: livinghistories.newcastle.edu.au/nodes/view/41088
About this photo: Professor Robert Melchers, Associate Professor John Fryer, Mr Stephen Fityus, Ms Yvonne Cupples and Mr John Robinson, representing Industrial Galvanizers, at the presentation of the prize.
This image was scanned from a photograph in the University's historical photographic collection held by Cultural Collections at the University of Newcastle, NSW, Australia.
If you have any information about this photograph, or would like a higher resolution copy, please contact us or leave a comment.
At York Food Festival 2019
Source is an innovative fresh food restaurant on Castlegate in the heart of the ancient city of York. They literally have something for everyone and specialise in slow cooked meats, super foods and tasty vegetarian cuisine.
© 2019 Tony Worrall
Source: livinghistories.newcastle.edu.au/nodes/view/12768
This image was scanned from a film negative in the Athel D'Ombrain collection [Box Folder B10405] held by Cultural Collections at the University of Newcastle, NSW, Australia.
This image can be used for study and personal research purposes. If you wish to reproduce this image for any other purpose you must obtain permission by contacting the University of Newcastle's Cultural Collections.
Please contact us if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
If you have any information about this photograph, please contact us or leave a comment in the box below.
The Folded Paper Project requires me to
1) Take a new photograph ever day
2) Use only torn, cut or folded printer paper
3) Use only household light sources
4) Apply identical in-app adjustments to each photo.