View allAll Photos Tagged Sources
Source: livinghistories.newcastle.edu.au/nodes/view/39066
This image was scanned from a photographic proof in the University's historical photographic collection held by Cultural Collections at the University of Newcastle, NSW, Australia.
If you have any information about this photograph, please contact us.
Source: livinghistories.newcastle.edu.au/nodes/view/37755
This photograph was taken by Brian R Andrews of Killingworth NSW. Brian worked for 20 years as a Draftsman for Coal and Allied Industries Limited. This photograph is part of Brian's private collection. Brian has kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to his collection and allowed us to publish the images.
If you wish to reproduce the image, you must obtain permission by contacting Cultural Collections at the University of Newcastle, NSW, Australia.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
If you would like to comment on the photograph, please contact Cultural Collections at the University of Newcastle, NSW, Australia, or leave a comment in the box below.
our auntie into the LiveJournal™ "Santa Hat Self Portrait"
the masters of the house and their naked ape keepers.
Source: livinghistories.newcastle.edu.au/nodes/view/16233
This image was scanned from a film negativefrom B16364 folder album housed the University's historical photographic collection held by Cultural Collections at the University of Newcastle, NSW, Australia.
This image can be used for study and personal research purposes. If you wish to reproduce this image for any other purpose you must obtain permission by contacting the University of Newcastle's Cultural Collections.
Please contact us if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
If you have any information about this photograph, please contact us or leave a comment in the box below.
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment for more exiting future notifications.
My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
www.redbubble.com/people/Motionage/shop
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
Lipianka Village, Poland — Kazimierz Wołosz (59), Barbara’s husband, works with hay in the barn and strolls through a wheat field (planted for fodder for his families Simmental breed cow “Wandzia”) which has been severely stunted because of recent flooding.
---
Cattle and Pig Breeding as a source of income for the farmers in the region of Kurpie Białe - (Project #27-0635-01-1). Active project. Small-scale farms dominate the communities in the Kurpie Białe region. The soil is atypical in that it is very sandy and the area is prone to flooding. As in other rural regions in Poland, Kurpie Białe was negatively impacted by the economic transition in the country. Income for small farmers has dropped drastically. Heifer’s project focuses on restoring Zlotnicka Biala, a native pig breed that has almost died out in the region, and also Simmental cattle. With the lack of industry in the region, it is hoped that project participants on small farms will revitalize their conditions with these animals. Simmental cattle produces good quality meat and milk for family consumption and surplus is intended for generating income. All of the project participants have and will receive training on animal breeding, organic farming, and environmental production. Oats and alfalfa seeds are provided by HPI to plant for animal fodder.
My primary sources are based on the theme of water, earth, fire and air. i have investigated these elements fairly simply to start with.
When i look at my work I think about how much it fits in with the genre of wildlife and nature. Each of the elements seem to be very nature related. I have also based my work on some previous primary sources that I have taken and I wanted to develop further.
i used a digital SLR camera with a tripod to take these images. i used the macro and landscape setting however occasionally i also used the manual focus setting.
When photographing the water used a fast shutter speed so that every drop and aspect is clear in detail. i would like to investigate what would happen if I used a slow shutter speed. I also used a fast shutter speed to capture my image of smoke.
I have learnt about what setting I may have to use for different photos that are taken at different distances from the subjects.
In my work I have shown that i can use basic elements such as tone, colour, texture, space and line. these help my photographs to become more interesting and intriguing.
I used some rules of composition such as lining thing so that they were not centred to ensure that my images were not too basic or straight forward. I have learnt that the colours in an image really determine how the final piece will turn out.
When i look at my work it makes me feel like I am in the countryside and admiring the beautiful nature and wildlife.
I would describe my work as adventurous as it really explores the aspects of the fire, earth, air and water, relating it to the photographing genre of nature and wildlife. The four elements are natural therefore I think that this genre is a good area to explore and link in with my work.
Elmer W. Oliver Nature Park,
Mansfield, TX
11.10.14
Sources: Shinners & Mahler's Flora of North Central Texas, p. 487-488 (listed as Escobaria missouriensis); www.wildflower.org/gallery/species.php?id_plant=ESMI3; www.botany.smugmug.com/BRITs-New-Campus/Living-Roof/Livin...; www.en.wikipedia.org/wiki/Escobaria_missouriensis; www.plants.usda.gov/core/profile?symbol=ESMI3; www.swcoloradowildflowers.com/Yellow%20Enlarged%20Photo%2...; www.kswildflower.org/flower_details.php?flowerID=137.
Location in ONP: near storage building before Elm Forest and Prairie
Source: scan of a picture in our image collection.
Image: E109
Photographer: donor
Repository: Local History Centre, Gundry Lane, Bridport
[L to R] Susan Glasser, Thomas Drake, Jesselyn Radack, James Risen
All images © 2015 Newseum
---
PEN Presents: “Secret Sources" brought together NSA whistleblower Thomas Drake, Jesselyn Radack of ExposeFacts' Whistleblower & Source Protection Program, New York Times reporter James Risen, and moderator Susan Glasser of Politico to debate the impact of the Obama administration’s aggressive pursuit of national security leaks on freedom of expression. The issue has gained unprecedented national attention following the 2013 revelations by former NSA contractor Edward Snowden, who joined the event via Skype following the panel in a conversation with PEN Executive Director Suzanne Nossel on whistleblowing and questions of conscience.
This forum builds off of a new PEN report, Secret Sources: Whistleblowers, National Security, and Free Expression. PEN’s research demonstrates that gaps in existing protections for whistleblowers, failure to adequately address retaliation against them, and the Obama Administration’s use of the Espionage Act against leakers is damaging freedom of expression, press freedom, and access to information in the United States.
Read the report here: www.pen.org/whistleblowers
Watch the full event video here: www.pen.org/secret-sources-live
All images © 2015 Newseum
Image Source: www.archivessearch.qld.gov.au/items/ITM299142
Australia was approaching its bicentennial celebrations, and after Brisbane’s success hosting the 1982 Commonwealth Games, Brisbane City Council and the Queensland State Government were confident they could win the bid to hold the next World Exhibition.
Brisbane won the right to hold the event and Expo 88 was officially opened by Her Majesty Queen Elizabeth II on 30 April 1988. By the time it closed, it had changed the way the world saw Brisbane and helped shaped the city as we know it today.
Starting with an estimated budget of $645 million, the Queensland State Government developed a World Expo that would recoup and support its own costs and promote international investment in Queensland, both during and after the event. South Bank, badly damaged in the 1973–74 floods, was chosen and the site acquired for $150 million. Developers completed construction on time and within budget. The targets set for ticket sales were reached 11 weeks before Expo 88 had even opened. It was off to a smashing start.
Celebrating ‘Leisure in the age of technology’, there was an incredible range of pavilions, performances, parades, comedy and artwork on show. Guests could experience over 50 restaurants filled with flavours from around the globe. Hosted over six months, it drew more than 18 million people to the renewed South Bank parklands district. An average of 100,000 people a day entered the gates.
An influx of royalty, celebrities and international visitors came to Brisbane for the exhibition, but it was Queensland residents who attended the most often, purchasing 500,000 season tickets. Expo 88 provided something the city needed: an easy-to-access recreational facility with exciting things to do, see and experience. Brisbanites returned again and again to socialise and enjoy the festival atmosphere.
The monorail was one of the most popular attractions. Giving travellers a view of the entertainments from above, it operated along a 2.3-kilometre track during Expo 88, taking up to 44,000 visitors a day from one side of Expo to the other, along the Brisbane River. Built by Swedish manufacturer Von Roll, the monorail cost $12 million and comprised four MkII trains with nine carriages each. The idea of keeping the monorail operating after Expo and extending it into the Brisbane CBD was discussed. Ultimately, the existing monorail wasn’t a feasible long-term people-moving solution and it was disbursed. Three trains were sold back to Von Roll and were used in Germany’s Europa-Park. The remaining train and some tracks were incorporated into the Sea World theme park on the Gold Coast.
Some of the most significant installations, exhibitions and artworks from Expo 88 were relocated and continue to be enjoyed today. Ken Done AM, a prominent Australian artist and designer, was commissioned to produce the entry and exit statement art pieces for the Australia Pavilion. Using the word ‘Australia’, Done produced a sign nearly six metres tall that could not be missed by anyone who attended Expo 88. The letters have since been restored and are on display at the Caboolture Heritage Village. The Nepal Peace Pagoda was the only international pavilion that remained on-site, after a petition asking that it remain attracted about 70,000 signatures. The Japan Garden and Pond were gifted to the city of Brisbane and moved to the Botanic Gardens at Mt Coot-Tha.
The buzz of activity, the investment in South Bank’s infrastructure and the spotlight on Brisbane transformed the city. The physical legacy left by Expo 88 turned South Bank into a thriving social space and prominent cultural hotspot: 42 hectares was dedicated to the construction of the South Bank Parklands.
blogs.archives.qld.gov.au/2021/10/29/when-the-world-comes...
Hospitality Winner
New Meadowlands Stadium, East Rutherford, NJ
Architect/Designer: Rockwell Architecture Planning and Design, New York, NY/Kevin Caulfield
Working with Starnet Member: Re:Source New Jersey
Products by: Roppe, Johnsonite, Koester, Ardex, Henry, Milliken, Bentley Prince Street, Armstrong
Source: Scan of original photograph.
Album: ARKELLS.
Date: 1960s?
Repository: From the collection of Arkell's Brewery, Kingsdown.
Local Studies at Swindon Central Library.
Source: Brückner, Heinrich Jacob Christian. Dissertatio iuridica de successione exspectatiuariorum in feudum apertum (Halae Magdeburgicae: Typis Ioannis Christiani Hilligeri, 1752); 23 cm. Call # Germany 46 B8324.
This sculpture belongs to the early days of the sculptor Josep Reynés, despite that, is considered as one of his best works. Highlights the delicate finesse and sensitivity of the topic "children and flowers." Reflects a very refined taste typical of the era of the late nineteenth century and a clear influcencia of their formation in Paris.
From the St. Louis Car Company Collection, University Archives, Department of Special Collections, Washington University in St. Louis Libraries.
Job# 1543: Pacific Electric Railway
created, in part for George Brown College UDL modules
videos here: youtube.com/playlist?list=PLFW6Mxe8U3wzls4x2rptYrKVNGJNFxeL-
The Linux Foundation hosts its Open Source Leadership Summit at Fairmont Sonoma Mission Inn & Spa in Sonoma, California, on March 6-8, 2018.
copyright © 2007 sean dreilinger
view nick with some fighter planes - _MG_6710 on a black background.
Source: Digital image.
Set: WIL04.
Date: c1910.
Photographer: William Hooper.
HOOPER COLLECTION COPYRIGHT P.A. Williams.
Repository: From the collection of Mr P. Williams.
Used here by his very kind permission.
Local Studies at Swindon Central Library.
Source: scan of a picture in our image collection.
Image: BM69
Photographer: unknown
Repository: Local History Centre, Gundry Lane, Bridport
Tuesday, 17th November 2015, at Dublin City Library and Archive, Pearse Street, Dublin 2.
A half-day seminar focusing on material relating to 1916 Rising held at Dublin City Library and Archive. Collections featured will include eye-witness statements, Jacob’s Biscuit Factory Archives, newspaper collections, and the Monica Roberts Collection.
Programme:
10.00: Welcome from Dublin City Deputy Librarian Brendan Teeling.
10.10 Dublin Fire Brigade Ambulance Log and Easter Week 1916. Dr. Mary Clark, City Archivist.
10.30: “We are living in stirring times”: Elsie McDermid’s letter, Dublin Easter Week 1916 Tara Doyle, Senior Librarian.
10.50: “It was grand to see our tommies”: Monica Roberts’ Diary -a Unionist Perspective of Easter Week 1916, Ellen Murphy, Senior Archivist.
11.10-11.30 Tea/Coffee Break
11.30: Conserving a 1916 Proclamation, Liz D’Arcy, Conservator, Paperworks Studio.
12.00-12.40: Introduction to 1916 Sources in Dublin & Irish Collection. Dr. Máire Kennedy, Dublin & Irish Collection, Divisional Librarian.
12.40- 1pm: Jacob’s Biscuit Factory Archive and 1916 Rising Sources. Suzanne Bedzell, Project Archivist.
Source Images:
DSCN7074skb.JPG (Av: F0.0; Tv: 1/1 sec.; ISO: 0; FL: 0.0 mm)
DSCN7074sk.jpg (Av: F0.0; Tv: 1/1 sec.; ISO: 0; FL: 0.0 mm)
Processing:
Fusion F.1 (HDR; Mode 1)
Illustrations for The Source magazine.
Fashion Shoot with Lil Twist, Roscoe Dash and Vado.
Check more on www.thesource.com and www.bernardometa1.com
Source: Pitcairn, Robert, 1793-1855. Criminal trials in Scotland: from A. D. 1488 to A. D. 1624 (3 vols. in 4; Edinburgh : William Tait, 1833); 30 cm. Hicks classification: TrialsA P681 tall. Call # Rare36 07-0008 v.1. pt.1.
I've been experimenting using HDR image as a light source in Blender and rendering with Yafray. I've used the Biotrust tutorial to set up this scene, with additional info about HDR image setup from Blender noob to pro wiki.
HDR(i) stands for High Dynamic Range (imaging). Normally digital images, eg like jpg's, are just using whole numbers between 0 and 255 to represent one of the RGB colors, this gives about (256*256*256) 16777216 different colors. Such images are also called LDR (Low Dynamic Images). HDR images are using decimal (floating point) numbers to represent their values, and gives a lot more information about the image. That would be like using a value between 0 and 4294967296 to represent just one of the RGB colors.
With digital image processing programs (eg. photoshop or cinepaint) this gives a lot of editing opportunities. It will bring colors out from even quite dark areas of the image. This is why HDR images often are so colorful.
HDR images in computer rendered images (and movies) are for this reason used as light source (like in my image above), and gives the scene a much better and natural lightening of rendered objects. This is especially useful when rendered object are mixed with real images. The HDR image used in scenes are therefore taken from reflections from a Chrome ball where the scene is to be rendered. This technique is called light probening.
HDR images can also be produced by taking several pictures of the same scene using different exposures and composing them together. In this way details in both the bright and dark areas of an image can be seen. Try to search flickr with the keyword 'hdr', and you will discover a whole new world of digital images.
The hdr image used in this rendering was taken from Paul Debevec's homepage.
(please add comments, I am after all a noob at this subject.....)
Added: 4. jan. 2007, another experiment similar to this found on flickr: HDR Balls.